Tag: 2020s

Take 3: Sugarcreek Amish Mysteries: Blessings in Disguise Review

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It’s been a little while since I reviewed a made-for-TV mystery film, as my article for Reality Bites: A Hannah Swensen Mystery was published two months ago. I cover UP Network movies so infrequently and UP Network doesn’t often create mystery titles. These are the reasons why I chose to review Sugarcreek Amish Mysteries: Blessings in Disguise! This is not the first time a mystery story has featured Amish characters. Hallmark released An Uncommon Grace back in 2017 and Harvest of Fire from Hallmark Hall of Fame. Meanwhile, it’s not the first time Galadriel Stineman has appeared in a movie incorporating the Amish culture. In 2020, she starred in a Hallmark production called Follow Your Heart.Looking back on the films I referenced, I liked Follow Your Heart and An Uncommon Grace. However, I thought Harvest of Fire was just fine. Where does Sugarcreek Amish Mysteries: Blessings in Disguise rank among these movies? Let’s solve this mystery by beginning my review!

Sugarcreek Amish Mysteries: Blessings in Disguise poster created by American Cinema Inspires

Things I liked about the film:

The incorporation of Amish culture: In the introduction of this review, I mentioned seeing the Hallmark Hall of Fame film, Harvest of Fire. The 1996 presentation places so much emphasis on introducing the audience to Amish culture, the story’s mystery becomes overshadowed. With Sugarcreek Amish Mysteries: Blessings in Disguise, the creative team finds a nice balance between prioritizing the mysteries and introducing Amish culture to their audience. Throughout the 2025 film, elements of Amish culture are woven into the dialogue and interactions of the characters. When Cheryl meets Naomi for the first time, Cheryl admits she knows very little about the Amish. She then asks Naomi how Amish people greet one another. Naomi playfully teases Cheryl’s lack of knowledge by telling her Amish people shake their feet. However, this teasing is in good humor, never intending to shame Cheryl for not knowing the appropriate greetings among the Amish. Naomi and Cheryl’s interaction feels like a natural conversation between two people. The way the creative team wrote Amish culture into their project actually encourages the audience to learn through communication.

The messages and themes: During her time in Sugarcreek, Cheryl agrees to work at her aunt’s Swiss Miss country store. On her first day as a cashier, everything seems to go wrong. The next day, Cheryl tells Naomi about her first day at the Swiss Miss. To encourage Cheryl to not give up, Naomi reminds her how the previous day’s blunders could be seen as lessons to learn. Not only is Naomi’s advice a good message to share with the audience, this piece of advice plays an important role in other parts of the story. This aspect of Sugarcreek Amish Mysteries: Blessings in Disguise kind of reminded me of Hallmark’s Signed, Sealed, Delivered series.

Avoiding clichés and tropes: If someone has seen many made-for-TV mystery movies, there are certain tropes and clichés they would come to expect. One of these tropes is having the female and male protagonist working together to solve the mystery, with these characters eventually forming a romantic relationship. The female protagonist, Cheryl, gets involved in solving the story’s mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise. But the movie’s male protagonist, Levi, did not help in the amateur investigation. Instead, Naomi worked alongside Cheryl on one of the story’s cases. Having Cheryl and Naomi work together in Sugarcreek Amish Mysteries: Blessings in Disguise was a creative way to avoid some of the tropes and clichés of made-for-TV mystery films. If this movie becomes the first chapter in a series, I’d be curious to see what other clichés and tropes the creative team chooses to avoid?

Chess game strategy image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A mystery that was solved too quickly: There are two mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise: who is leaving unpriced stuffed animals in the Swiss Miss country store and the kidnapping of a baby. When it comes to the first mystery, I actually liked its creativity. But I was taken by surprise by how quickly that mystery was solved. After the stuffed animals’ origin was discovered, the subject was dropped from the script. Because of how this mystery connected to the story, I thought it could have created a domino effect for the characters and the world of Sugarcreek. But that did not happen. I think the mystery of the stuffed animals should have been drawn out for a longer period of time, to keep the audience invested in that part of the story.

Lack of urgency: As I just mentioned in this review, there are two mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise. One of those mysteries was the kidnapping of a baby. When a mystery movie includes a kidnapping in its script, that story will usually contain a strong sense of urgency. This is because the characters are racing against the clock to rescue the victim. But in Sugarcreek Amish Mysteries: Blessings in Disguise, there was no sense of urgency. That flaw caused the story to change its focus from the kidnapped baby to proving a character’s innocence. The lack of urgency also made the film feel drawn out a bit longer than its run-time.

The underutilization of Kathy: Portrayed by Andi Anderson, Kathy is one of the residents of Sugarcreek. Cheryl first meets Kathy when she goes to Kathy’s café. I was hoping a friendship would be formed between Kathy and Cheryl, with Kathy even helping Cheryl solve the film’s mysteries. Unfortunately, Kathy appeared in only two scenes throughout the entire movie. Giving Kathy such an extremely limited involvement in the story was, in my opinion, a missed opportunity. If Sugarcreek Amish Mysteries: Blessings in Disguise lends itself to a movie series, I hope Kathy receives a larger role in the story.

Tiger stuffed animal image created by alesia17 at freeimages.com. “FreeImages.com/alesia17.”

My overall impression:

Even though it’s not the halfway point of 2025 yet, most of the movies I’ve seen this year, so far, have been mid-tier. These titles have either been ok or decent. Sugarcreek Amish Mysteries: Blessings in Disguise is contributing to that perspective. If UP Network is serious about creating a series out of this movie, they need to fix the lack of urgency. I would also like to see UP Network give Kathy a greater role in the story and not solve mysteries too quickly. Looking back on the 2025 presentation, however, I think there is potential for Sugarcreek Amish Mysteries: Blessings in Disguise to lead a series. Out of the films I brought up in this review’s introduction; Follow Your Heart, An Uncommon Grace, and Harvest of Fire, these titles were stand-alone films. In fact, the only movie series I can think of that features the Amish culture is Hallmark’s Beverly Lewis trilogy, consisting of The Shunning, The Reckoning, and The Confession. UP Network has an opportunity to bring something new to the table of made-for-TV mystery films. But as of the publication of this review, there have been no official plans announced for Sugarcreek Amish Mysteries.

Overall score: 6 out of 10

Have you seen Sugarcreek Amish Mysteries: Blessings in Disguise? Would you like to see this movie start a new series? Tell me in the comment section!

Have fun in Sugarcreek!

Sally Silverscreen

The Top Ten Best Stand-Alone Films

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On this day in 2000, The Road to El Dorado made its official debut. While the movie didn’t meet or exceed DreamWorks’ expectations, it certainly found an audience, which stuck with the film for all these years. I once heard The Road to El Dorado was intended to be the first story in a trilogy. But fate decided it worked better as a stand-alone picture. This caused me to think about the other stand-alone movies I’ve come to love. So, in honor of The Road to El Dorado’s 25th anniversary, I have compiled a list of what I believe are the top ten best stand-alone films! For my list, the criteria for a stand-alone film is not only a title that didn’t receive a sequel, but also isn’t affiliated with a series/franchise. If I covered a film on 18 Cinema Lane, I will provide a link to that article or review in this list. Each title will be presented in order of release year and each choice is based on my opinion.

The Road to El Dorado poster created by Dreamworks Pictures, DreamWorks Animation, and DreamWorks Distribution

1. Singin in the Rain (1952)

    I start my list with a classic I was introduced to because of my blog. Now that I have finally seen Singin in the Rain, I have an understanding and appreciation for why the movie is so beloved. Gene Kelly’s iconic musical number, “Singin in the Rain”, should provide enough explanation for why you should check the film out! The number itself feels immersive, as it takes place within the story’s context. Gene adds uniqueness to the number by jumping and splashing in puddles. “Singin in the Rain” successfully represents the spirit of the film, while also delivering the message of seeing the good in a not-so-good situation. That number is just one reason why Singin in the Rain is a solid musical!

    Watching ‘Singin in the Rain’ for the First Time

    2. Ben-Hur (1959)

    If you’re going to watch any classics, you have to see 1959’s Ben-Hur! Though the three-hour run-time can seem intimidating, that time flew by for me, as I was so engrossed in the story. The emotional intensity of Charlton Heston’s, Stephen Boyd’s, and Haya Harareet’s performance complimented the scope of the overall film. Ben-Hur contains other likable qualities as well, from the magnificent sets/scenery to the interesting cinematography. How Christianity/faith was incorporated into the story sets the 1959 production apart from other “sword and sandal” pictures. Those who celebrate Easter may find Ben-Hur an appropriate seasonal title.

    Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

    3. To Kill a Mockingbird (1963)

    While the book, To Kill a Mockingbird, received a sequel, the film adaptation did not. The 1963 movie presents one of the few times where, in my opinion, the film was better than its source material. Getting straight to the point a lot sooner was a main focus for the creative team. The film’s visual nature worked in the favor of certain elements from the book. Showing suspenseful moments from the source material makes those moments seem real, as well as intensifies uncertainty. Leaving out scenes that feel like padding helps the movie maintain a steadier pace.

    Take 3: To Kill a Mockingbird Review

    4. The Boy Who Could Fly (1986)

    When I first saw The Boy Who Could Fly, it subverted my expectations. That’s because the 1986 picture aged surprisingly well! Through Milly and Eric’s friendship, the script shows how people with Autism can create and maintain meaningful relationships. Helping someone with Autism based on their personal preferences and accommodations may have seemed ahead of its time back in the mid to late ‘80s. Timeless messages and themes make up one of the reasons why I love the 1986 film. Showing compassion for others, dealing with grief, and understanding people’s differences take center stage.

    Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

    5. The Bodyguard (1992)

    In 2022, I wrote an editorial explaining why The Bodyguard held up thirty years later. Because I love the 1992 film, finding explanations wasn’t difficult. “The kitchen scene” is, in my opinion, the best scene from any action movie. One reason why is how the kitchen’s smaller space is seen by the actors as a challenge instead of a hindrance. What also worked in The Bodyguard’s favor was Whitney Houston’s portrayal of Rachel Marron. Throughout the story, Whitney realistically showcases emotions and expressions. This helped Rachel become a multi-layered character.

    I Will Always Love You: ‘The Bodyguard’ at 30

    The Boy Who Could Fly poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

    6. Swept from the Sea (1998)

    Swept from the Sea was one of the earliest hidden gems I discovered in 2019. It’s a movie that’s so great, I just had to include it on this list. There are so many things to like about Swept from the Sea. From Vincent Perez’s captivating performance to the beautiful scenery, the film’s components came together to create an endearing and emotional presentation! The 1998 film is a character-driven story, relying on on-screen chemistry in order to work. Because of Vincent Perez’s and Rachel Weisz’s differing acting styles, the on-screen chemistry between Yanko and Amy was very sweet and genuine.

    Take 3: Swept from the Sea Review (A Month Without the Code — #8)

    7. Phantom of the Megaplex (2000)

    This is another movie I just had to include on my list. But this time, it’s because Phantom of the Megaplex is also celebrating its 25th anniversary this year! The Disney Channel picture showed that the movie-going experience can be fun. As I explained in my editorial celebrating the film’s 20th anniversary, the made-for-TV movie also serves as a time capsule of how the cinema operated in the beginning of the millennium. Phantom of the Megaplex even shows how movies can influence our lives. Though I’m not sure if that aspect of the story was intentional, it makes the 2000 title, somewhat, thought-provoking.

    ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience

    8. I Am David (2004)

    I Am David was the biggest pleasant surprise of 2024. It became the year’s best movie in March and stayed number one until the very end! What set I Am David apart was the film’s genuine emotion and sincerity. This was seen and felt through every aspect of the production. The 2004 movie emphasized visual depth. Achieved by exploring light and darkness, as well as showcasing Europe’s natural landscape, the creative team used the visual nature of film to their project’s advantage. Two effective plot twists are another reason why I liked I Am David. Their delivery in the story was well-written.

    Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

    9. From Up on Poppy Hill (2011)

    This 2011 presentation is one of Studio Ghibli’s stronger projects. A reason is one of the overarching themes; honoring the past. The film intelligently and creatively shows its audience how important history is in our lives and our world. Whether referencing the 1964 Olympics or focusing on the characters’ relationships, the theme of honoring the past acts as an umbrella sheltering Poppy Hill and its surrounding areas. Studio Ghibli’s signature colorful palette is consistently on display in the 2011 film. The strong understanding for how and when to use color makes scenes look like priceless pieces of art! Personally, I think movies like From Up on Poppy Hill present an argument why 2-D animation still has its time and place.

    Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

    10. The Wild Robot (2024)

      I think it’s fitting to close this list with a DreamWorks movie, as a DreamWorks movie is the reason why I created this list in the first place. Though this was a recent watch for me, The Wild Robot is, so far, the best film I’ve seen this year! The animation itself is absolutely gorgeous! Sometimes, scenes look like paintings and other times, they look like priceless photographs. I was not expecting the story to contain as much emotional depth as it did. An abundance of good messages and themes add a sense of timelessness to the production. Though it’s unknown right now if The Wild Robot will gain an audience like The Road to El Dorado has, I can confidently say it was a really good movie!

      Phantom of the Megaplex poster created by the Walt Disney Company and Disney Channel. © Disney•Pixar. All rights reserved. Disney XD© Disney Enterprises, Inc.

      Have fun at the movies!

      Sally Silverscreen

      It’s Time for the 7th Annual Gold Sally Awards!

      On By 18cinemalaneLeave a comment

      Here at 18 Cinema Lane, I maintain several annual traditions to give my readers something to look forward to. One of those traditions is the Gold Sally Awards, which commemorates my blog’s anniversary! The award categories are created by me and based on topics I’ve brought up on my blog. With two new awards in 2025, I’ll explain the significance of those categories. Like in 2024, I will discuss why I chose each recipient. Now, let the 7th Annual Gold Sally Awards begin!

      7th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

      The Kay’s Costume Party Dress Award

      (Best Outfit from a Movie)

      Helen’s Christmastime Outfit from Hallmark Hall of Fame’s Pack of Lies

      When I thought about the various categories of the Gold Sally Awards, I realized there was no category recognizing the wardrobe department of the movie industry. To fix that, I created the Kay’s Costume Party Dress Award! The name of this award references the dress Kay (Joan Collins’ character) wore at a costume party in the 1983 tv movie, Making of a Male Model. I loved this dress so much, it was featured in 2021’s Movie Blogger’s Christmas Wish-List! From the films I saw in 2024, there were several outfits I really liked. The one that was the most memorable, however, came from the Hallmark Hall of Fame presentation, Pack of Lies! The outfit in question was featured in my Movie Blogger’s Christmas Wish-List from last year; the black and blue ensemble Helen (portrayed by Teri Garr) wore during Christmastime. This timeless outfit was worn in only one scene. That fact is why Helen’s outfit earned the inaugural Kay’s Costume Party Dress Award!

      The Edward Boult Award

      (Missed Opportunity in Cinema)

      Not making Signed, Sealed, Delivered: A Tale of Three Letters a Christmas movie

      Last June, I speculated how Signed, Sealed, Delivered: A Tale of Three Letters could be a Christmas film. In my editorial about my speculation, I explained how the movie’s title could be a reference to either the Nativity story or A Christmas Carol. I also wondered if Signed, Sealed, Delivered: A Tale of Three Letters and “Signed, Sealed, Delivered: To the Moon and Back” could be a two-part adaptation of A Christmas Carol, with the rock star character intended to be a Marley-like character. The official marketing for Signed, Sealed, Delivered: A Tale of Three Letters proved my speculation wrong. But the more I think about how this movie could have been a Christmas picture, the more I wish it had been a Christmas production. As of early February, 2025, the Signed, Sealed, Delivered series has received only one Christmas movie. Plus, my aforementioned editorial provided ideas for a potential Christmas script. With Hallmark Mystery’s ‘Miracles of Christmas’ viewership numbers lower in 2024 than 2023, maybe the network will consider creating another Signed, Sealed, Delivered Christmas film.

      The They Deserve an Award Award

      (An Actor or Actress Who Deserves Recognition)

      Luke Goss (for his performance in Hallmark’s Frankenstein) and Badja Djola (for his performance in Christmas on Division Street)

      There were several good acting performances I saw in 2024. So, it was difficult to choose just one recipient for this year’s Gold Sally Awards. Both Luke Goss’ and Badja Djola’s performance was so impressive! In Hallmark’s Frankenstein, Luke’s use of emotion allowed The Creature to speak without actually speaking. An example I used in my review of the 2004 television film was when The Creature bursts into tears while seeking refuge in a barn. Luke’s acting skills made his character as complicated as he was in Mary Shelley’s source material. Badja made his character, Scorpio, so memorable, despite having limited appearances in Christmas on Division Street. With a consistently commanding presence, Scorpio was a character I looked forward to seeing on screen. That’s because Badja used his acting talents to give Scorpio captivating interactions with other characters. The scene where Scorpio shares some of his backstory with Cleveland is the example I used in my Christmas on Division Street review.

      The Cowboy Award

      (Character Who Makes an Unnecessary, Drastic Change)

      Sorsha from Willow

      You’re probably wondering why I gave Sorsha the Cowboy Award, even though I grew to like her as a character. While I found her transformation from villain to hero necessary, it was drastic. In my Comparing with the Critics review of Willow, I shared how Sorsha’s aforementioned evolution was too abrupt. The transformation gave Sorsha some character development, but it left some questions unanswered. For this flaw, blame lies in the screenwriting.

      Sally’s MVP Award

      (Character Who Left a Memorable, Showstopping Impression)

      Madmartigan from Willow

      When I watch a movie, there is, sometimes, a character who leaves such a memorable impression on me, they end up stealing the show. I have called these types of characters “MVP”. To acknowledge the “MVPs” of 18 Cinema Lane, I created the new Sally’s MVP Award! One of these “MVPs” was Madmartigan from Willow. In my Comparing with the Critics review of the 1988 film, I talked about how Madmartigan was the story’s comic relief. His personality and comedic timing captivated my attention and kept me invested in his story. What helped Madmartigan become the “MVP” of Willow was the screenwriting and Val’s performance.

      The “She Won’t Give Me My Chocolate” Award

      (Best Quote from a Movie)

      “Christmas is already a poem. It doesn’t need my help” – Henry Wadsworth Longfellow, I Heard the Bells (2022)

      In the 2022 movie, I Heard the Bells, Fanny (portrayed by Rachel Day Hughes) encourages her husband, Henry, to create a Christmas themed poem. Henry (portrayed by Stephen Atherholt) told his wife, “Christmas is already a poem. It doesn’t need my help”. When Henry said this, I started to think about what his quote meant. Poems require planning and putting the right pieces together, in order for that poem to have good flow and writing structure. Christmas festivities require a certain amount of planning, whether it’s a local church’s Nativity play or a family’s Christmas party. Using these two examples, finding the right pieces is important, such as who will portray the Three Wise Men or what will be the entrée of Christmas dinner. Poems can also tell stories. One classic example is ‘‘Twas the Night Before Christmas’. Christmastime is filled with stories, from the Nativity story to A Christmas Carol. Henry’s aforementioned quote made me see Christmas in a completely different way! Plus, a quote from a Christmas movie has never won the “She Won’t Give Me My Chocolate” Award before.

      The Honorable and Dishonorable Mention Award

      (Best and Worst Movie from the Honorable and Dishonorable Mention Category)

      Best – Interstellar

      Worst — The Reluctant Debutante

      For last year’s Gold Sally Awards, there was only the Dishonorable Mention Award. That’s because I didn’t see enough movies to include an honorable mention category. With the honorable mention category returning in 2024, the Honorable Mention Award is also coming back! Science fiction stories about space exploration will typically emphasize the thrills and wonder of the galaxy. This can make it easy for a movie’s audience to get caught up in how adventurous and exciting outer space can seem. In Interstellar, a major focus is space travel’s effect on human beings. So, themes of family, sacrifice, and the price of scientific achievement are woven into the script. That, along with quality acting performances and impressive special effects, is why I liked Interstellar!

      Out of all the movies that ended up in the dishonorable mention category, I had the highest expectations for The Reluctant Debutante. This is because I not only reviewed the film for The John Saxon Blogathon, there was some well-known talent involved with the project. Unfortunately, the 1958 movie fell short of those expectations. The Reluctant Debutante was a premise driven story that felt longer than one hour and thirty-four minutes, due to the jokes being drawn-out. It also didn’t help how some story ideas were overlooked. When I reviewed the 1958 film, I shared how movies from the 1950s are covered so infrequently on 18 Cinema Lane. So, it’s disappointing when a production from the ‘50s is weaker than expected.

      The Hallmark Hall of Fame Award

      (Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

      Hallmark’s Frankenstein

      There are different kinds of stories in the Hallmark Hall of Fame collection. One kind of story is adaptations of pre-existing literature. Sometimes, “classic” literature became Hallmark Hall of Fame presentations, like The Secret Garden and A Tale of Two Cities. When these adaptations are good, they can be an immersive experience. This is how I would describe Hallmark’s Frankenstein! Due to the combination of screenwriting, acting performances, set design, and costume design, the movie made me feel like I was transported to another time and place. I also appreciate how close to the source material the 2004 television film is. Looking back on Hallmark’s Frankenstein and the Hallmark Hall of Fame collection, I’m actually surprised Mary Shelley’s novel wasn’t adapted into a Hallmark Hall of Fame project. Everything I said is why I chose Hallmark’s Frankenstein for the Hallmark Hall of Fame Award!

      The “Based on a Book I Haven’t Read Yet” Award

      (Movie Based on Source Material I Have Not Yet Read)

      I Am David

      Movies that won the “Based on a Book I Haven’t Read Yet” Award were first placed on a best films of the year list. I Am David is continuing that tradition! The 2004 film earned the top spot on my best movies list of 2024. This is the second time a number one movie of the year received the “Based on a Book I Haven’t Read Yet” Award! After I reviewed I Am David, I learned the movie was based on a book. I’m not sure how affective the story’s plot twists will be, as I already know what they are because I saw the film. However, I’d still be interested in reading I Am David someday!

      The Standing Ovation Award

      (Character Most Deserving of Receiving Their Full Potential)

      Scorpio from Christmas on Division Street

      When the Gold Sally Awards presented the Standing Ovation Award, the recipients were characters who should have received their “standing ovation”, but were denied that for various reasons. Scorpio (from Christmas on Division Street) actively worked toward getting where he wanted to go. As I said during the They Deserve an Award Award, Scorpio had limited appearances in the 1991 made-for-TV movie. Despite that, the audience learned enough about him to know what he had gone through. During this limited period of time, Scorpio attempts to overcome his obstacles. While I won’t spoil Christmas on Division Street, I will say those attempts earned Scorpio the Standing Ovation Award!

      Have fun at the movies!

      Sally Silverscreen

      The Top Ten Worst Movies I Saw in 2024

      On By 18cinemalaneLeave a comment

      While 2024 was, for me, a better year for movies, I still saw some movies I didn’t like. Similar to my worst movies list of 2023, most of the films on this year’s list were disappointing or average. But, unlike 2023, the top four titles are from different genres. The dishonorable mentions section has returned! This time, however, there are more DNFs (did not finish). Like I have said in past lists, my top ten worst movies I saw in 2024 list is not intended to be mean-spirited, negative, or disrespectful. It’s just a list of my own, honest opinion. Since I reviewed some of the movies on my list, I will provide the links to those reviews in this article.

      Dishonorable Mentions

      The Reluctant Debutante, The Gambler: Luck of the Draw, Jazz Ramsey: A K-9 Mystery, Million Dollar Lethal Listing, CrimeTime: Freefall (I turned it off after about forty minutes), Mermaid Down (I turned off this movie after about twenty minutes), Blood, Sweat and Cheer (I turned it off after about eighteen minutes), and Temptation Under the Sun (I turned off this movie after about twenty-two minutes)

      Image by starline on Freepik

      10. Crimes of Fashion: Killer Clutch

      In the 2020s, Hallmark has come up with story ideas that worked well enough for a stand-alone mystery movie, but unsustainable for a multi-chapter series. One of these ideas came from Crimes of Fashion: Killer Clutch. This film made the same mistake as Mystery Island: not allowing the protagonist to use her skills to solve the case. For Lauren, the main character in Crimes of Fashion: Killer Clutch, her psychology skills were so underutilized, she seemed more like an over glorified intern. Thick French accents making several characters difficult to understand is another major flaw of the film. It prevented me from being fully invested in the story. Crimes of Fashion: Killer Clutch was, in my opinion, a disappointing movie. But compared to the other titles on 2024’s worst of the year list, Hallmark’s production was, simply, ‘underwhelming’.

      Take 3: Crimes of Fashion: Killer Clutch Review

      9. Boy in the Walls

      When I first read the synopsis for Boy in the Walls, I thought the film would be a spookier version of 2016’s Boy in the Attic. Sadly, this was not the case. The 2023 Lifetime presentation contained a mystery that was drawn out for too long. It also doesn’t help how the protagonist made one dumb decision after another. Without spoiling the film, all I’ll say is the title is misleading. If you haven’t watched either referenced movie, I’d recommend Boy in the Attic.

      8. The 39 Steps

      In my review of The 39 Steps, I said the 1935 picture was the most “meh” title from Alfred Hitchcock’s filmography. This statement was made due to the limited sense of urgency and intrigue within the story. As I also said in my review, The 39 Steps seems longer than an hour and twenty-six minutes. The drawn-out nature of the movie created a slow and boring build-up to a reveal that feels kind of ridiculous and anti-climactic. While romance has been incorporated in some of Alfred’s films, it didn’t work in The 39 Steps. Richard and Pamela’s attraction for one another was too abrupt, welcoming the presence of the “insta-love” trope. Even though The 39 Steps was a disappointing movie, I gave it a lower placement on my list. Comparing the 1935 film to Alfred’s other productions, Hitchcock’s filmography shows how much he improved as a director.

      Take 3: The 39 Steps Review

      7. Hallmark Hall of Fame’s Pack of Lies

      There are some movies that, in my opinion, should have been documentaries instead. The 1987 Hallmark Hall of Fame presentation, Pack of Lies, is just one example. This film in the Hallmark Hall of Fame collection is based on a true story. While “based on a true story” movies can be engaging, intriguing, and even thought-provoking, Pack of Lies was disappointing. Like I said in my review of the 1987 production, the film was a two hour slow and tedious build-up to a resolution that was underwhelming and anti-climactic. The creative team’s decision to choose telling over showing caused other flaws, from little lapse in time to things not making sense. Pack of Lies proves Hallmark Hall of Fame movies are not created equally. However, there are other Hallmark Hall of Fame presentations from the 1980s I like, such as the adaptations of The Secret Garden and A Tale of Two Cities.

      Take 3: Hallmark Hall of Fame’s Pack of Lies Review

      6. One Bad Apple: A Hannah Swensen Mystery

      While A Sprinkle of Deceit: A Hannah Swensen Mystery was slightly better than One Bad Apple: A Hannah Swensen Mystery, I was still disappointed in the latter film. For starters, Victor Webster and Alison Sweeney had no on-screen chemistry. A character (not Hannah) solves the mystery by making an assumption about the case and being conveniently correct. But the worst part about One Bad Apple: A Hannah Swensen Mystery was Delores’ subplot. Up until this film, Delores was very against Hannah getting involved in cases, as well as dating Mike. So, for Delores to become a private investigator and seem to treat her new job as a joke completely went against her character. In fact, this was such a bad creative idea, Delores’ private investigating career was barely mentioned in A Sprinkle of Deceit: A Hannah Swensen Mystery. If there are more Hannah Swensen films in the works, I really hope Delores receives better story ideas.

      Hallmark Hall of Fame’s Pack of Lies poster created by Hallmark Hall of Fame Productions, Robert Halmi, and CBS

      5. My Life Is on the Line

      This Lifetime movie had one of the network’s most creative story ideas. The 2024 picture was about a woman who tried to solve a mystery on her computer at her office cubicle. But the longer I watched this movie, the sooner I realized that aforementioned idea wasn’t sustainable for a feature-length production. Instead, the novelty of how the mystery was solved got old very quickly. My Life Is on the Line is yet another Lifetime film where the protagonist makes a collection of dumb choices. Her decision-making is so bad, other characters in the story, including her boss, call her out for it. Lifetime’s 2024 presentation was, for me, the most disappointing movie of the year.

      4. Network

      Network holds the honor of not only being the first film I reviewed for my Comparing with the Critics series, it’s also the first film I disagreed with the critics on. Even though Gene Siskel and Roger Ebert placed the movie in their list of the top five films from 1976, I would call Network one of the “Dogs of the Year”. For me, it was more of an endurance test, where the story’s first half was a drawn-out search for a resolution to the movie’s conflict and the second half was a yelling contest. Being a pretentious picture by taking itself too seriously and telling a dry, boring story didn’t work in Network’s favor. There are movies from the 1970s I like. Unfortunately, Network isn’t one of them.

      Comparing with the Critics – Best of 1976 – Network

      3. Mount Hideaway Mysteries: Exes and Oh No’s

      It’s ironic that Mount Hideaway Mysteries: Heartache and Homecoming became the third worst movie of 2023 and now Mount Hideaway Mysteries: Exes and Oh No’s became the third worst movie of 2024. When you look past this irony, you’ll see how Mount Hideaway Mysteries: Exes and Oh No’s shares some of the same flaws as its sequel, like not understanding how technology works. Mount Hideaway Mysteries: Exes and Oh No’s contains its own flaws, with poor special effects as one example. While this movie is so bad, it’s, at times, unintentionally funny, I do acknowledge how challenging it can be to create a cinematic project. In fact, the best way to sum up Mount Hideaway Mysteries: Exes and Oh No’s is the quote, “Mistakes are proof that you are trying”.

      Take 3: Mount Hideaway Mysteries: Exes and Oh No’s Review

      2. Revenge Best Served Chilled

      This Lifetime movie from 2022 had a very misleading title and synopsis. Not only is there no revenge in the story, there’s also nothing being chilled throughout the film. According to a plot summary I read, Revenge Best Served Chilled is about a series of murder mysteries taking place at a wine expert competition, with the protagonist trying to clear her name and solve the mysteries. The movie actually emphasizes the wine expert competition to the point where there is little to no mystery involved. Like Boy in the Walls and My Life Is on The Line, the protagonist, Emily, makes so many dumb decisions. I, honestly, should have turned this movie off after Emily doesn’t lock her family’s restaurant’s front doors as she’s spending the night at the restaurant. But I naively thought Revenge Best Served Chilled was going to be a better movie.

      1. Frankenstein (2004)

      I referenced this movie while reviewing the Hallmark adaptation of Frankenstein, as I was pointing out a technical error on Wikipedia. When I saw the version of Frankenstein starring Vincent Perez, I immediately knew it was going to be the worst movie I saw in 2024. While this movie contains some interesting ideas, those ideas are bogged down by other ideas. The excessive number of ideas made the story feel like a series of vignettes either loosely connected to each other or not connected at all. What also makes the overall story weak is how nothing is explained. The ending is one of the most “sequel bait” endings I’ve seen in a long time. I would strongly discourage readers from checking out this version of Frankenstein. More time will be spent being frustrated than entertained.

      Mount Hideaway Mysteries: Exes and Oh No’s poster created by Glass House Distribution

      Have fun in 2025!

      Sally Silverscreen

      The Top Ten Best Movies I Saw in 2024

      On By 18cinemalane4 Comments

      For me, 2024 was a better year for movies. That’s because I saw more movies I liked, compared to 2023! Another difference from 2023 is how, on 2024’s list, more movies are theatrical pictures. However, there are still some made-for-TV productions that found a spot on my list. With more likable movies comes the return of the honorable mentions section! In that part of my list, most of the films are television projects. Since I reviewed almost all the movies on this year’s list, I will provide links to those reviews in this post. So, with 2025 on the horizon, let’s begin my list of the top ten best movies I saw in 2024!

      Honorable Mentions

      Legend of the Lost Locket, My Baby Is Missing, My Mother’s Split Personalities, Christmas on Division Street, and Interstellar

      Image by starline on Freepik

      10. I Heard the Bells

      I Heard the Bells achieved so much in a short amount of time. The 2022 movie was chosen for my 500 Blog Follower Dedication Review. Then, I Heard the Bells became my 400th published movie review, as I recently revealed in my list of the ten movie trends I don’t understand. Now, the film is the only Christmas picture to earn a place on 2024’s best movies of the year list! When I wrote about I Heard the Bells, I compared it to It’s a Wonderful Life. Both titles are not only about more than just the Christmas holiday, they also cared about their overall presentation. I Heard the Bells was a visually immersive movie because of the attention to detail placed on historical accuracy. The strength of the acting performances allowed the story to be engaging. While it’s too early to say right now, I think I Heard the Bells could be a Christmas classic!

      Take 3: I Heard the Bells Review + 500 Follower Thank You

      9. Easter Parade

      If I could choose one word to describe Easter Parade, it would be “colorful”. With the movie’s creative team taking advantage of Technicolor, costumes and décor boasted vibrant hues that complimented the story’s spring season! The musical numbers provide another strength in Easter Parade. From Fred’s festive and creative solo, “Drum Crazy”, to Ann’s energetic and fast-paced solo, “Shakin’ the Blues Away”, the movie’s musical numbers were enjoyable because of their choreography and delivery. The reason the 1948 film is placed lower on my list is due to the premise-driven story and the limited inclusion of Easter. However, Easter Parade’s positives outweigh the negatives!

      Take 3: Easter Parade Review

      8. For Me and My Gal

      In my review of For Me and My Gal, I mentioned how Breen Code era movie musicals contain simpler stories. These simpler stories will typically feature lower stakes. But in For Me and My Gal, the story of Harry and Jo included stakes that were higher. The story wasn’t afraid to show Jo and Harry making difficult decisions when it came to their dreams. Along their journey, the duo even deals with regret and heartbreak. The way World War I was incorporated into For Me and My Gal gave the script a sense of realism. Creative decisions like that one gave the 1942 picture emotional depth!

      Take 3: For Me and My Gal Review

      7. Willow

      When I started my Comparing with the Critics series, I knew there were some movies I would disagree with the critics on. What I didn’t know was how much I would like Willow. Now that I’ve seen the 1988 film, I can understand why some people have given it the coveted title of “classic”. Likable elements, such as humor and unique perspectives on familiar story ideas, provide arguments for the aforementioned claim. The simplistic and straight-forward nature of the story made it easier to follow what was happening on screen. For me, Madmartigan stole the show! Movies like Willow make me thankful for my Comparing with the Critics series.

      Comparing with the Critics – Worst of 1988 – Willow

      6. Curious Caterer: Forbidden Fruit

      2024 saw the premiere of two Curious Caterer films; Curious Caterer: Foiled Plans and Curious Caterer: Forbidden Fruit. Though I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit, Curious Caterer: Forbidden Fruit was still a good movie. The fifth chapter in the series consistently carried the strong components of the Curious Caterer story, like the acting, humor, and prioritizing the mystery. A peek behind the music industry’s curtain and the incorporation of serious, real-world topics helped make the identity of Curious Caterer: Forbidden Fruit unique. As of the publication of this list, Hallmark has not provided any 2025 dates to the Curious Caterer series. If there are going to be more Curious Caterer films, I hope at least one of them is a seasonal picture.

      Take 3: Curious Caterer: Forbidden Fruit Review

      Hallmark’s Frankenstein poster created by Hallmark Entertainment, Hallmark Channel, Silverstar Ltd., Larry Levinson Productions, and RTL

      5. Hallmark’s Frankenstein (2004)

      Back in March, I called Hallmark’s adaptation of Frankenstein a “hidden gem”. This claim was based on my observation of how a good movie was not only forgotten by time, but also overshadowed by other titles released in 2004. What makes this version of Frankenstein a good movie, in my opinion, is how respectful it was toward Mary Shelley’s novel. One great example is Luke Goss’ portrayal of The Creature, as the way emotion was utilized throughout Luke’s performance highlighted how complicated The Creature is. Hallmark’s adaptation of Frankenstein is another movie where the visual presentation created an immersive experience. Combining set design, costume design, and attention to historical accuracy, the movie made me feel like I was transported to another time and place.

      Take 3: Hallmark’s Frankenstein (2004) Review (Double Feature: 2004 Edition Part 2)

      4. The Boys in the Boat

      If you’re going to create a sports movie involving a team sport, it’s important to make the camaraderie among the team believable. An on-screen team with believable camaraderie helps the audience stay invested in the story, as well as the team’s journey. Because the acting performances were strong in The Boys in the Boat, the camaraderie within the team dynamic felt genuine. The 2023 film also makes rowing look exciting! This was accomplished through cinematography, editing, and music selection. The Boys in the Boat is a “based on a true story” film that, in my opinion, is worth the time! This is yet another production where historical accuracy was a top priority.

      3. Amadeus

      Out of all the movies I reviewed for my Comparing with the Critics series, Amadeus is, so far, the only movie I agreed with the critics on. While the biopic is a glamourous spectacle, it also contains substance. Thought-provoking material can be found in the script, such as how fame can negatively impact the human soul. The story is an immersive, detail-oriented character study that explores the good and bad sides of the music industry. The creative team’s focus on detail made Amadeus look and feel historically accurate, as can be seen in the costume and set design. F. Murray Abraham and Tom Hulce each gave a strong performance. I can, honestly, say the 1984 movie is one of the best biopics I’ve ever seen!

      Comparing with the Critics – Best of 1984 – Amadeus

      2. Curious Caterer: Foiled Plans

      Remember when I said I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit? One reason why I said this is Goldy’s consistent involvement in Curious Caterer: Foiled Plans’ case. Other reasons why I liked the fourth chapter in the series are the creativity of the mystery, the quality of the acting performances, and how humor was written into the story. Looking back on Hallmark’s mystery films I saw in 2024, this Curious Caterer movie is pretty unique. That’s because, as I mentioned in my review, it’s a locked room mystery revolving around a costume party. In 2023’s best movies of the year list, I claimed Curious Caterer: Grilling Season was the best film in the series. I certainly changed my mind after I saw Curious Caterer: Foiled Plans!

      Take 3: Curious Caterer: Foiled Plans Review

      1. I Am David

      It’s amazing how I Am David became 2024’s best movie in March and clung on to the number one spot all these months later! This impressive film allowed the story of David and his journey to be told with genuine emotion and sincerity. This was achieved through every aspect of the production, like the acting performances and the screenwriting. Exploring light and darkness, as well as showcasing Europe’s natural landscape, gave the production visual depth. Timeless, universal messages were also woven into the script. As I said in my review, I wish more people knew about this movie. Hopefully, my review or maybe this list can encourage someone to check out I Am David!

      Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

      I Am David poster created by Walden Media, Film and General Productions, Lionsgate Films, Artisan Entertainment, and David Productions Ltd.

      Have fun in 2025!

      Sally Silverscreen

      Take 3: I Heard the Bells Review + 500 Follower Thank You

      On By 18cinemalane2 Comments

      Six years ago, when 18 Cinema Lane was born, I never imagined my blog would receive five hundred followers. But because of these followers, the people who took the time to read what I had to say, this milestone became a reality! To express my gratitude, I’m, once again, thanking my blog’s followers by writing this Blog Follower Dedication Review. This time, however, I’m presenting this review in the style of an open letter to the chosen film. While visiting the blog, It’s a Wonderful Movie, I came across a post about the 2022 Christmas movie, I Heard the Bells. At first, I believed it was a new production from Great American Family. This belief piqued my interest, as I wanted to review one of the network’s Christmas films. Then, I discovered I Heard the Bells was, simply, airing on Great American Family. Instead of being deterred by this misunderstanding, I still selected the 2022 picture for my Blog Follower Dedication Review, as I never heard of this presentation before 2024. With the Christmas season in full swing, writing about I Heard the Bells felt like an appropriate choice. So, without further ado, let’s begin this open letter!

      I Heard the Bells poster created by Sight & Sound Films

      An open letter to I Heard the Bells:

      As I write this letter, you remind me of another Christmas movie I know; Christmas on Division Street. That’s because you and the 1991 television film share one thing in common; meeting me by chance. If you hadn’t been featured on It’s a Wonderful Movie, I would never had heard about you. Then again, if I had paid closer attention, I would have known sooner you weren’t a Great American Family production. Despite that misunderstanding on my part, I still wanted to give you a fair chance. When it comes to writing about Christmas pictures, I root for every movie, including you, to be good. And that’s exactly what you are; good! With the seasonal entertainment landscape saturated with the same cliches, aesthetics, and story ideas, a Christmas movie needs to find a way to stand out from the competition. You, I Heard the Bells, succeeded in doing that!

      Christmas Tree with boxes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-tree-out-of-gift-boxes_1448089.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com

      In RKO 281 and Amadeus, Liev Schreiber and Tom Hulce brought humanity back to the names of Orson Welles and Amadeus. They also found the heart of the “genius” and put some genuine emotion behind it. Through his portrayal of Henry Wadsworth Longfellow, Stephen Atherholt followed in Liev and Tom’s footsteps. When it came to Stephen’s performance, however, he brought an emotional fire that helped make Henry a lively, well-rounded individual! Toward the beginning of the story, just hours before Christmas, Henry recites a poem. Combining facial expressions, vocal inflections, and body language, Henry was animated and captivating. He also spoke in a very poetic way, fitting for a man who had a way with words. Later in the story, after Henry experiences a tragedy, he gets into an argument with his son, Charley. At first, his eyes are downcast and he speaks in a softer tone, trying to avoid a conflict. But as Charley’s side of the argument becomes heated, Henry suddenly bursts with emotion. He quickly bolts from his seat and yells at his son, his anger spilling over. This reaction is so unexpected, Henry’s other children appear frightened.

      Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

      Through on-screen text, you made it known you were based on a true story. However, I still wish Stephen Atherholt and Rachel Day Hughes shared more scenes together. I already talked about Stephen’s portrayal of Henry Wadsworth Longfellow, explaining why it was good. Acting alongside Rachel, who portrayed Fanny Longfellow, Stephen shared strong on-screen chemistry with her! One of my favorite scenes is when Fanny and Henry dance together on Christmas. Their gentle waltz perfectly captures their romantic tenderness. Even in scenes taking place outside of Christmastime, this romantic tenderness was present between Henry and Fanny. At a dinner party, Henry is nervous about having his poetry recited in front of the party guests. During the poem’s introduction, Henry’s hand twitches. Fanny quickly puts her hand over his and even encourages him to lift up his eyes. Throughout this scene, Fanny’s encouragement is gentle, with her patience and kindness making Henry feel more comfortable in his situation. Though Rachel and Stephen shared only a few scenes together, they effectively showed how Fanny and Henry brought out the best in each other!

      Envelope with hearts image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/hearts-and-pink-envelope-for-mothers-day_1950691.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/love”>Love image created by Freepik</a>. Image found at freepik.com.

      Bringing up RKO 281 and Amadeus again, these movies are historical pictures where attention to detail made their respective worlds feel visually immersive. It seems like you took another page out of Amadeus and RKO 281’s playbook by applying that attention to detail to Henry’s world! Watching this story unfold felt like traveling in time to the early 1860s. Whether it was the Civil War uniforms, the set design, or even a kite, every piece of this production appeared to be well-researched by your creative team. Remember when I brought up Henry reciting a poem hours before Christmas and the waltz between Henry and Fanny on Christmas? Those moments took place in the Longfellow home’s main sitting room, where era appropriate Christmas decorations can be seen. I noticed orange slices entwined on the garland above the fireplace, as well as candles illuminating the room. I even saw a Nativity set on a nearby table.

      Adorable Christmas card image created by Rawpixel.com at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-greeting-card-vector_2824854.htm’>Designed by Rawpixel.com</a>. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by Rawpixel.com – Freepik.com</a>. Image found at freepik.com.

      While there was a lot to like about you, there were some things I didn’t like about you. One of them was how you were almost two hours long. I know you’re a fan of establishing shots, but did you really need that many? Personally, I think you could have either cut some of these shots or trimmed the establishing shots’ length. As I mentioned earlier in this letter, Henry experiences a tragedy. This event causes his appearance to change as time goes on. Even Charley’s hair looks different over time. Yet Henry’s daughters, Anne, Alice, and Edith, always looked the same despite the progression of years. For this flaw, I fault the director and casting director, as they should have been more mindful about how those in the story were presented. Speaking of those involved in the story, there are some people I wish were more involved in what was happening on-screen. Senator Charles Sumner, portrayed by Daniel Stargel, is one of Henry’s supporters. He even helps Charley find a respectable position in the military. But out of your almost two-hour story, Charles appears in only a handful of scenes. I remember how you’re based on a true story. However, that’s not going to change my mind on how Charles should have been given more appearances.

      Do you remember at the beginning of this letter, when I said you reminded me of Christmas on Division Street? Well, there’s another Christmas movie you remind me of. That would be the classic It’s a Wonderful Life! For starters, you and the 1946 film are Christmas productions that are about more than just the Christmas holiday. Both of you focus on a man and his story, also exploring how that man’s relationships affect his existence. There’re also elements of faith in both stories. However, these elements are incorporated in different ways. Your delivery, as well as that of It’s a Wonderful Life, shows how much you cared about the overall presentation. In your case, your emphasis on attention to detail made the story look and feel so historically accurate, Henry’s world became immersive! Every acting performance was strong, especially Stephen’s and Rachel’s. Yes, you do have flaws. But I don’t think they will hold you back from, one day, becoming a classic! When I wrote about RKO 281 last year, I claimed good films leave a lasting impression. As I close this letter and move along on my blogging journey, I can honestly say you’ve done just that!

      Sincerely,

      Sally Silverscreen

      P.S. I’ll give you a score of 7.6 out of 10.

      Take 3: A Little Women’s Christmas Review

      On By 18cinemalane3 Comments

      When I reviewed Ainsley McGregor Mysteries: A Case for the Winemaker two months ago, I knew that article would receive views. But I had no idea how popular it would become. As of mid-December, 2024, my review of Ainsley McGregor Mysteries: A Case for the Winemaker garnered over a thousand views! To capitalize on my readers’ interest in Great American Family films, I chose to write about one of the network’s Christmas pictures. From the “word of mouth” I’ve been hearing about 2024’s various made-for-TV Christmas movies, A Little Women’s Christmas has gathered the most praise. So, I wanted to see for myself if the film was worth the hype. Based on the few movies from Great American Family I’ve seen, their pictures have been either ok or decent. The only exception has been The Abigail Mysteries, which was one of the worst films I saw last year. Where does A Little Women’s Christmas fall among this spectrum? Read my review to find out!

      A Little Women’s Christmas poster created by Great American Family, True Brand Entertainment, Third Coast Film, Rebel Rocket Entertainment, and Empress of Soul Productions

      Things I liked about the film:

      The camaraderie between the March sisters: If a film’s creative team wants to tell a story involving a group of siblings, there needs to be strong camaraderie between those characters. The strength of the camaraderie depends on the strength of the acting performances. This is exactly what happened among the March sisters in A Little Women’s Christmas! When Jillian Murray, Jen Lilley, Julia Reilly, and Laura Osnes came together, the relationship between their characters felt believable. Whether the moment was heart-warming or heart-breaking, the March sisters had each other’s support and worked together when it mattered the most. These actresses allowed each character’s personality to shine through. Nurturing Meg, bubbly Amy, ambitious Jo, and kind Beth complimented one another, bringing out the best in each sister. With the combination of Jillian’s, Jen’s, Julia’s, and Laura’s acting abilities, the creative team behind A Little Women’s Christmas understood the assignment and recognized what makes Louisa’s source material so special!

      The on-screen chemistry: Over the course of A Little Women’s Christmas, Jo gets to know a fellow writer from her publishing firm. This fellow writer is Fritz, portrayed by Trevor Donovan. During their interactions, Fritz is not only observant, but also has a drier sense of humor. As I mentioned earlier in this review, Jo is ambitious. However, she also tells things like it is. The combination of Fritz and Jo’s personalities created nice on-screen chemistry between Trevor and Jillian! The more time Jo and Fritz spent together, the more I felt they got along well with each other. The March sisters’ parents, Margaret and Robert, only appeared in one scene, through a video sent to the family. Despite this very brief appearance, I could sense the on-screen chemistry between Candace Kirkpatrick and James Arnold Taylor! In that one scene, the marriage between these characters felt believable. I, honestly, wish Robert and Margaret shared more scenes together!

      The Little Women related Easter Eggs: IMDB claims A Little Women’s Christmas is “a contemporary retelling of Louisa May Alcott’s 1868 classic”. With this in mind, the movie’s creative team found clever ways to place Easter Eggs throughout their production! The town the March family is from is named Alcott Grove. Observant viewers and fans of the novel will point out how the town shares the last name of Little Women’s author. While Jo and Fritz pay a visit to The Mercantile Café, Jo introduces Fritz to Louisa May, the owner of the eatery. Louisa May of Alcott Grove happens to share the name of Louisa May Alcott. It was fun finding these Easter Eggs throughout the movie! The creative team’s respect for Louisa’s story was symbolized in the Easter Eggs.

      Christmas book image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-psd/christmas-mockup-with-open-book_1482296.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/mockup”>Mockup psd created by Freepik</a>.  Image found at freepik.com.

      What I didn’t like about the film:

      The underutilization of DJ Bob: Throughout the movie, a man named DJ Bob makes Christmas related announcements from his studio at W.A.G. Radio. While exploring the town of Alcott Grove, Jo explains to Fritz how DJ Bob has become a beloved member of the community since he came to town in his red convertible one day. But other than what I just mentioned, DJ Bob has a very minimal role in the story. Personally, I think this was a missed opportunity, as DJ Bob could have been the glue that kept this script together. Besides being a radio host, DJ Bob could have been the character other characters turn to for advice. He also could have become “Mr. Fix It”, where he helps people solve their problems.

      The “it’s not what you think” cliché: Before he leaves for Alcott Grove, Fritz is instructed by Jo’s editor-in-chief, Susanna, to mentor Jo as she works on a new novel. Even though Susanna encourages Fritz to be honest with Jo about the reason for his trip, he’s concerned about pressuring Jo to the point of ruining her creative spark. As soon as this conflict was set up in A Little Women’s Christmas, it was a matter of waiting for the inevitable to happen. The conflict expectedly led to the “it’s not what you think” cliché, causing Jo to assume the worst about Fritz. While I recognize the need for a conflict in Jo’s story, that conflict paired with the aforementioned cliché made this part of the movie more predictable. It also doesn’t help how Jo developed romantic feelings for Fritz within a matter of days, becoming upset because she gave her heart to a man she barely knew.

      A confusing ending: For this part of my review, I will spoil A Little Women’s Christmas. If you haven’t seen this movie and are planning on watching it, please skip ahead to the part of my review titled “My overall impression”.

      In A Little Women’s Christmas, Jo aspires to write her first young adult novel. But during her return to Alcott Grove, she’s constantly searching for inspiration. Using Fritz’s advice, Jo eventually chooses to base her story on her relationship with her sisters, reflecting on their lives together. One of the last scenes in the movie shows Jo writing the first chapter of her novel, which she titles Little Women. With a title like A Little Women’s Christmas, along with the Little Women related Easter Eggs, I assumed the film’s creative team acknowledged Louisa May Alcott’s story existed in the world of Alcott Grove. But with Jo naming her book, Little Women, I was left confused, wondering if the world of A Little Women’s Christmas was meant to be an alternate universe where Louisa and her story never existed?

      Art tools image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/flar-art-tools-pack_835368.htm’>Designed by Freepik</a>.  <a href=”https://www.freepik.com/free-photos-vectors/paint”>Paint vector created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      Out of Great American Family’s movies I’ve seen, most of their productions have been ok or decent. A Little Women’s Christmas falls in the latter category. The 2024 picture was fine, wholesome, and pleasant. It was nice to see the creative team behind A Little Women’s Christmas show respect for the source material. From the camaraderie between the March sisters to the Little Women related Easter Eggs, fans of Louisa May Alcott’s story will find enjoyment in this film! Though there were aspects of the movie I liked, A Little Women’s Christmas did have its flaws. The inclusion of the “it’s not what you think” cliché contributed to part of the story being predictable. I also found the film’s ending confusing. But as I said before, this Great American Family production was fine as well as pleasant. If you’re interested in watching Christmas offerings from this network, I would recommend A Little Women’s Christmas!

      Overall score: 7-7.1 out of 10

      Have you seen A Little Women’s Christmas? Are there any Great American Family films you’d like me to check out? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Nelly Knows Mysteries: A Fatal Engagement Review

      On By 18cinemalaneLeave a comment

      This month, Hallmark Mystery premiered two new movies; Jazz Ramsey: A K-9 Mystery and Nelly Knows Mysteries: A Fatal Engagement. I did see Jazz Ramsey: A K-9 Mystery, but I found the film underwhelming, as the biggest flaw was how the titular K-9 was barely in the story. To make up for not reviewing that movie, I chose to write about Nelly Knows Mysteries: A Fatal Engagement instead. Months ago, before this film was announced as a Hallmark production, I stumbled upon the official synopsis for Nelly Knows Mysteries: A Fatal Engagement on IMDB. At the time, the story sounded generic. But I was willing to give the film a chance after learning Pascale Hutton and Kavan Smith were the project’s lead actors. Kavan and Pascale are two of the strongest actors in Hallmark’s community. Their on-screen chemistry has been so strong on When Calls the Heart, their characters, Rosemary and Lee, have become fan favorites. The idea of Pascale and Kavan working together on a mystery movie seems like a good idea. But did this good idea come to fruition or did this idea become wasted potential? The only way to find out is by reading my review!

      Nelly Knows Mysteries: A Fatal Engagement poster created by Muse Entertainment Enterprises and Hallmark Mystery

      Things I liked about the film:

      The acting: When introducing a new series, it’s important to establish the relationships between the protagonist and the story’s other characters. These relationships could make or break that introductory film, with interest from the audience determining whether more chapters are created. What helps keep on-screen relationships interesting is the acting abilities of the cast. At the beginning of Nelly Knows Mysteries: A Fatal Engagement, Nelly, portrayed by Pascale Hutton, visits the diner of her friend, Helen, portrayed by Jill Morrison. The scene starts with the friends sharing happy greetings, their warm smiles and friendly tones in their voices express their excitement of seeing each other. But when Nelly sees someone she’s trying to avoid, her smile immediately drops to a look of concern with alertness in her eyes. Helen soon mirrors Nelly’s face with her own look of concern as she quickly gets on the same page as Nelly. Though this scene is short, the acting talents of Jill and Pascale create an on-screen friendship that feels believable!

      Nelly Knows Mysteries: A Fatal Engagement adopts the “opposites attract” trope, showcasing Nelly with an energetic, joyful personality and Michael, portrayed by Kavan Smith, with a calmer, yet serious personality that leaves wiggle room for emotion. One scene that presents the “opposites attract” trope perfectly is when, as they’re sharing milkshakes at Helen’s diner, Michael asks Nelly what makes her happy. Nelly shares how she chooses to be happy as she reveals how one of her loved ones passed away. But before she tells Michael about this loved one’s passing, Nelly talks about a happy memory she has with that person. Using a tone of voice that sounds reflective and sometimes gesturing with her right hand, Nelly’s happiness appears gentler, with her smile coming and going. After giving Nelly his undivided attention, Michael looks sad and even a bit concerned. His frown and look in his eyes make Michael almost appear as if he’s adopting Nelly’s sadness.

      Nelly’s wardrobe: Whether starring on When Calls the Heart as Rosemary Coulter or appearing alongside Kavan in The Perfect Bride films as Molly, Pascale Hutton’s characters have been given wardrobes that not only compliment Pascale herself, but are also stylishly presented on screen. Nelly’s wardrobe in Nelly Knows Mysteries: A Fatal Engagement is no different, as her attire is classy and sophisticated! When the audience is first introduced to Nelly, she wears a light pink short sleeved shirt paired with tailored navy pants boasting a blue and white pattern. A square-faced watch with a white band is the perfect accessory for this outfit! As she attends a party, Nelly wears another pink outfit. This time, she wears a bright pink tweed jacket with matching pink shirt. Light blue jeans, large gold earrings, and a simple gold heart necklace complete the look!

      Addressing a flaw of an amateur detective: Amateur detectives from Hallmark Mystery movies may, sometimes, have a flaw that will either be brushed to the side or will turn into a blessing in disguise for the protagonist. This is one of the ways Hallmark has asked their audience to suspend their disbelief. In Nelly Knows Mysteries: A Fatal Engagement, however, Michael actually points out one of Nelly’s flaws to her. Nelly is upset when someone she knows is arrested. Michael then addresses how Nelly is unable to observe the case’s suspects from an objective perspective. Nelly ends up agreeing with Michael, as she knows she’s seen in her community as someone who looks out for her fellow neighbors. The honesty toward one of Nelly’s flaws added a sense of realism to Nelly Knows Mysteries: A Fatal Engagement!

      Diner image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/american-vintage-restaurant-hand-drawn_902205.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/food”>Food vector created by Freepik</a>. Image found at freepik.com.

      What I didn’t like about the film:

      The contradictions: Nelly Knows Mysteries: A Fatal Engagement incorporates the “everybody knows everyone in a small town” cliché; a story element that, in my opinion, is overused in Hallmark productions. Despite the presence of this cliché, there are some instances where the cliché is contradicted. While creating a mystery board, Nelly and her friend, Fiona, discover one of the residents of Babbleton (where this story takes place) is related to another resident of the town. If everyone in Babbleton knows each other, Fiona and Nelly shouldn’t be surprised by the familial connection of the aforementioned two characters. Earlier in the film, when questioned by Michael about the murder victim, Nelly tells him she’s known the murder victim for years. However, she’s unaware of how neat the murder victim kept their home. Again, if everyone knows each other in Babbleton, Nelly would have known the living conditions of the murder victim.

      A misbalanced tone: It’s understandable why Hallmark would avoid making murder mystery stories too dark, as the network has gained a reputation for creating stories that exude coziness and heartwarming charm. In past Hallmark Mystery productions, a balance between tones was achieved by having a murder mystery serve as the film’s main plot while one or two subplots contained more lighthearted situations. The majority of Nelly Knows Mysteries: A Fatal Engagement is coated in a cheerful tone. Prioritizing this lighter tone caused the characters to seem like they didn’t take the story’s mystery seriously. It also created a lack of urgency. There were even times when the movie’s lighthearted tone felt inappropriate, such as when an up-beat jazz tune played while a character was arrested.

      A dialogue-heavy story: Dialogue is an important component of any mystery movie, as it can contain clues and other important information. In the case of Nelly Knows Mysteries: A Fatal Engagement, the script was dialogue-heavy. The story was forced to rely on conversations and questioning from Michael to carry the mystery. Non-verbal clues, such as physical objects, were limited because of this creative decision. A dialogue-heavy story also made it difficult, at times, to keep track of characters.

      Tools of a writer image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/camera-and-coffee-near-notebook-and-accessories_2399437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      If I could choose a movie that visually represents the concept of “having cake and eating it too”, it would be Nelly Knows Mysteries: A Fatal Engagement. The film’s creative team wanted to include a murder mystery in their story, yet they didn’t want their story’s tone to be too serious. By making their movie mostly lighthearted, the movie itself ended up being a little goofy for my liking. The creative team of Nelly Knows Mysteries: A Fatal Engagement wanted to utilize the “everybody knows everyone in a small town” cliché. At the same time, they didn’t want to commit to the cliché’s consistency. So, the script contradicted the cliché on more than one occasion. Despite these errors I discussed in my review, Pascale Hutton and Kavan Smith still shined bright together! The interactions throughout this movie felt believable, whether it was Nelly visiting Helen at her diner or Michael and Nelly discussing the story’s case. Addressing one of Nelly’s flaws as an amateur detective brought a sense of realism to the script. Within Hallmark’s library of films, there are worse titles than Nelly Knows Mysteries: A Fatal Engagement. However, this film doesn’t stand up to pictures like Curious Caterer: Foiled Plans.

      Overall score 6 out of 10

      Did you see Nelly Knows Mysteries: A Fatal Engagement? Would you like to see Kavan Smith and Pascale Hutton star in more mystery films together? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Signed, Sealed, Delivered: A Tale of Three Letters Review

      On By 18cinemalaneLeave a comment

      Now that 2024 is at the halfway point, I can share my honest thoughts on Hallmark Mystery’s programming. As of late July 2024, the best mystery movie is still Curious Caterer: Foiled Plans! I also thought Tipline Mysteries: Dial 1 for Murder has potential to start a series. But other than those titles, most of Hallmark’s mystery films, so far, have either been ok, disappointing, or (in the case of CrimeTime: Freefall) unwatchable. This emphasizes what I’ve been saying since I published my editorial about why Francesca Quinn, PI is the worst Hallmark movie I’ve ever seen; the network no longer prioritizes the mystery genre. However, I watch as many of Hallmark’s mystery projects as possible hoping they are good. With that said, I have decided to review Signed, Sealed, Delivered: A Tale of Three Letters. In an editorial as well as a Word on the Street story, I speculated what the movie could be about based on quotes and scenes from the trailer and even past creative decisions from Hallmark themselves. While some of these speculations were proven wrong, it was interesting to see how these creative choices differed from my own ideas. I also approached this newest chapter in the Signed, Sealed, Delivered series hoping it was good, as the overall quality of the series, in my opinion, has been inconsistent. Did Signed, Sealed, Delivered: A Tale of Three Letters raise my hopes or fall short of my expectations? Keep reading my review to find out!

      Signed, Sealed, Delivered: A Tale of Three Letters poster created by Hallmark Mystery, MoonWater Productions, and Hallmark Movies & Mysteries

      Things I liked about the film:

      The overarching theme: When I shared my thoughts on the Signed, Sealed, Delivered: A Tale of Three Letters trailer last month, I talked about how the film’s main plot seemed like a redemption story based on the featured scenes and quotes. As I watched the movie, I was proven wrong on what the story was about. Instead, the overarching theme of Signed, Sealed, Delivered: A Tale of Three Letters discussed when to get involved in someone’s life as well as their problems. This was an interesting creative choice because this is the first time in the series’ eleven-year history the POstables have questioned their work at the Dead Letter Office. The creative decision also highlights how the POstables’ actions have consequences. The thought-provoking nature of the overarching theme, plus its relatability, gives the audience something to think about not only during the movie, but after the story ends.

      Recognition of therapy: Therapy can be a useful resource for people who genuinely need it. Though in the twenty-year history of Hallmark Mystery, this idea is rarely included in their programming. Signed, Sealed, Delivered: A Tale of Three Letters shows both POstable couples utilizing therapy for personal reasons. For Norman and Rita, therapy is a part of the process toward starting a family. Meanwhile, Oliver and Shane attend therapy in order to solve a problem. The incorporation of therapy in the newest Signed, Sealed, Delivered movie addresses how multifaceted therapy can be. It also acknowledges a topic typically overlooked by Hallmark. Therapy’s inclusion in Signed, Sealed, Delivered: A Tale of Three Letters gave this story a more unique identity within the series!

      Charley’s subplot: In my Word on the Street story about the trailer for Signed, Sealed, Delivered: A Tale of Three Letters, I speculated if Rhiannon Fish’s character, Charley, would become a fifth member of the POstables. This speculation was based on quotes and scenes directly from the trailer. Charley does not become an official member of the POstables in Signed, Sealed, Delivered: A Tale of Three Letters. However, she did receive her own subplot! Charley’s part of the story shared a connection to the film’s main plot. Plus, Charley received more character development, which allowed the audience to learn more about her and her backstory. Because of this creative decision, Charley became more involved in the overall story of the movie. It also gave Rhiannon more acting material to work with!

      Since I included screenshots of the Signed, Sealed, Delivered: A Tale of Three Letters trailer in my aforementiond Word on the Street story, I will also include them in my review of the movie. This screenshot is taken by me, Sally Silverscreen.

      What I didn’t like about the film:

      Shane and Oliver’s relationship problems: Throughout the eleven-year lifespan of the Signed, Sealed, Delivered series, Oliver and Shane have embodied the “opposites attract” trope sometimes adopted in romance or “rom-com” stories. Despite their differences, the couple was able to find common ground to help and love each other. Sadly, this previously established aspect of Shane and Oliver’s relationship was lacking in Signed, Sealed, Delivered: A Tale of Three Letters. For most of the story, the couple were either arguing with each other or were bitter toward one another. Their problems got to the point where Oliver and Shane didn’t seem compatible like in past films. Though the couple did go to therapy to resolve these problems, Shane and Oliver’s relationship woes soured the movie’s overall tone.

      Predictable parts of the story: The Signed, Sealed, Delivered series has a more unique identity compared to Hallmark Mystery’s other movie series. One reason is the exclusion of murder mysteries. But no matter the mystery a movie series adopts, the mystery itself has to be intriguing enough for the audience to stay invested in the program. An approach to this idea is not making the story too predictable. Unfortunately, there were predictable parts of Signed, Sealed, Delivered: A Tale of Three Letters’ story. Charley knows exactly how the Great Mailbox Breach of 2017 started. Seconds after I predicted the reason, she ended up proving my prediction right when she shared this revelation with Shane and Oliver. Speaking of Shane, she has a surprise to share in this film. The surprise wasn’t effective for me because I correctly guessed the surprise within the movie’s first twenty minutes based on presented clues. These predictable parts of the story caused the film’s intrigue to decrease.

      Too convenient situations: Earlier in this review, I mentioned Rita and Norman going to therapy as part of the process toward starting a family. Their part of Signed, Sealed, Delivered: A Tale of Three Letters’ story revolved around their desire to adopt a child. At one point, Rita even mentions having to deal with a lot of paperwork. But along the way, the POstables meet someone who, conveniently, finds the perfect solution for Norman and Rita. This causes their conflict to be resolved by the end of the movie. Situations happening too conveniently is another reason for the film’s decreased intrigue.

      Since I included screenshots of the Signed, Sealed, Delivered: A Tale of Three Letters trailer in my aforementiond Word on the Street story, I will also include them in my review of the movie. This screenshot is taken by me, Sally Silverscreen.

      My overall impression:

      Hallmark brought the Signed, Sealed, Delivered series out of a three year hiatus to air Signed, Sealed, Delivered: A Tale of Three Letters on Hallmark Mystery. While it’s good to see Hallmark continuing a mystery series instead of cancelling or abandoning it, the newest Signed, Sealed, Delivered chapter needed more time to develop a stronger story. This movie did improve upon some of the flaws of the predecessor, Signed, Sealed, Delivered: The Vows We Have Made, such as providing Charley with more character development. Good creative decisions were expressed on screen, like the overarching theme and the recognition of therapy. But as I watched Signed, Sealed, Delivered: A Tale of Three Letters, I realized what the film was missing was the cozy charm that helped create Signed, Sealed, Delivered’s brand. The elements of religion/faith Signed, Sealed, Delivered has been known for was lacking, with God being referenced only once. Even Stevie Wonder’s song, which has become the unofficial theme song of the series, was nowhere to be heard. In all honesty, I have seen films in the Signed, Sealed, Delivered series that were weaker than Signed, Sealed, Delivered: A Tale of Three Letters. At the same time, there were stronger films in this series than Signed, Sealed, Delivered’s newest installment. Hopefully, next year’s chapter, “Signed, Sealed, Delivered: To the Moon and Back” is a better movie.

      Overall score: 6 out of 10

      Have you seen Signed, Sealed, Delivered: A Tale of Three Letters? Are you looking forward to “Signed, Sealed, Delivered: To the Moon and Back”? Please tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Crimes of Fashion: Killer Clutch Review

      On By 18cinemalane3 Comments

      I’m going to be honest; even though it’s only March, Hallmark has not impressed me with their new mystery films, so far. Both True Justice: Family Ties and Gilded Newport Mysteries: Murder at the Breakers were, in my opinion, just ok. I did not enjoy CrimeTime: Freefall, turning the movie off after about forty minutes. Hoping luck would turn itself around, I decided to check out the newest mystery title from Hallmark; Crimes of Fashion: Killer Clutch. In the 2020s, so far, Hallmark has come up with some interesting ideas for their mystery films. While some of those ideas could lead to a potential series, other ideas were not utilized to their full potential. With Crimes of Fashion: Killer Clutch, the movie contains several interesting ideas. Not only does the story take place in Paris, France, the protagonist is a psychologist in the world of fashion. Could these ideas come together to create a stylish and entertaining film? Keep reading my review to find out!

      Crimes of Fashion: Killer Clutch poster created by Cineflix Media, Untitled Entertainment, and Hallmark Movies & Mysteries

      Things I liked about the film:

      Brooke D’Orsay and Gilles Marini’s on-screen chemistry: A staple of Hallmark’s mystery films is a male and female protagonist working together to solve a mystery. Sometimes, these protagonists will share a romantic relationship, with the initial spark taking place between these characters in a series’ first film. While it’s unknown at this time if Crimes of Fashion: Killer Clutch will lead to a series, I will say I liked Brooke D’Orsay and Gilles Marini’s on-screen chemistry! Brooke portrayed the protagonist, Lauren, with a warm and bubbly personality. Meanwhile, Gilles’ character, Andre, consistently carried his character with a serious demeanor. However, there were times when kindness broke through the seriousness. Together, Lauren and Andre shared a mutual understanding that allowed them to get along with each other. One scene shows Andre sharing a part of his life story with Lauren. Through the expression on her face and the look in her eye, Lauren appears sympathetic toward Andre. A subtle look of sadness is present in Andre’s eyes, yet he appears he can trust Lauren, despite barely knowing her.

      The costume design: If a story is going to take place within the fashion world, the costume design should strive to look appealing to the eye. I can only speak for myself, but there were some style choices I liked seeing in this movie! More often than not, Lauren wears either red or pink. The pieces paired with these shades not only complimented the outfit itself, it also complimented Brooke D’Orsay. While walking home from a party, Lauren wears a red, silk gown with a halter top. As her jacket of choice, she wore a dark denim jacket that sparkled at just the right moments. Throughout the film, Lauren carried a red purse. In one scene, this purse was paired with a short, beige jacket. The dark and warm shades of the aforementioned jackets provided visually appealing color combinations!

      Showcasing various facets of the fashion world: Throughout Hallmark’s cinematic history, there have been stories that explored the behind-the-scenes of a given industry. In the case of Crimes of Fashion: Killer Clutch, the world of the fashion industry is examined. When Lauren first arrives in Paris, she is introduced to many members of a fashion label, from a model scout to a financial adviser. This scene alone showcases the many moving parts associated with a fashion company. Lauren learns about counterfeits and how they affect the fashion industry. I’m glad the film’s creative team didn’t shy away from including the not-so-glamourous side of the fashion world, as a more balanced perspective of fashion was presented to the audience.

      Sewing pattern image created by Nenilkime at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Nenilkime – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/sewing-color-background_1380853.htm’>Designed by Freepik</a>. Image found at freepik.com.

      What I didn’t like about the film:

      An underutilized profession: In Crimes of Fashion: Killer Clutch, Lauren is a “fashion psychologist”; meaning she applies her psychology skills to the world of fashion. The idea of a psychologist using their skills and expertise to question suspects and come up with motives makes sense for a mystery story. Featuring a psychological perspective within the fashion world is a unique angle for a Hallmark mystery production. Unfortunately, Lauren didn’t utilize any of her psychology skills toward solving the mystery. In fact, her skills were so underutilized, they became pointless. There were even some characters who refused to accept Lauren’s psychological help. If anything, Lauren seemed more like an over glorified intern.

      Thick French accents: I’ve mentioned before on 18 Cinema Lane how the delivery of accents can make or break a production. What can also make or break a production is how thick an actor or actress’ accent is. Within Crimes of Fashion: Killer Clutch, several characters delivered thick French accents. This made it difficult to understand what they were saying and keep track of who was who. There were even subtitles, occasionally, shown on screen to help viewers understand what the characters were saying. However, some time was spent trying to figure out what the characters were saying that I wasn’t able to be fully invested in the film.

      Underutilized characters: Riccardo Dolce is a fashion designer Lauren meets while working in Paris. With a striking appearance, Riccardo was surrounded in mystery. I genuinely wanted to know more about his designs, as well as his perspective on fashion. Sadly, Riccardo was featured in the movie only about two or three times total. Toward the beginning of Crimes of Fashion: Killer Clutch, Riccardo claimed he wanted to collaborate with the designer Lauren was hired by. His reasons for the collaboration are never explained. Riccardo is just one of several characters who were underutilized in this film.

      Illustration of Paris, France created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/travel”>Travel vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

      My overall impression:

      When I talked about Mystery Island in my list of the worst movies I saw in 2023, I hoped Hallmark would find the motivation to create better mystery productions. Despite it only being March 2024, I think Hallmark is still looking for that motivation. If I could describe Crimes of Fashion: Killer Clutch in one word, it would be ‘underwhelming’. Lauren’s psychology skills were not fully utilized, making her seem like an over glorified intern. The script caused several characters to be underutilized, sometimes featuring them in the movie for only a handful of scenes. Thick French accents made it difficult to understand what the characters were saying, which prevented me from becoming fully invested in the movie. Up until this point, Hallmark’s newer mystery films seemed to contain ideas that could allow more than one chapter. But now that I’ve seen Crimes of Fashion: Killer Clutch, I honestly don’t know how this story could lend itself to a multi-chapter series.

      Overall score: 5.2 out of 10

      Have you seen Crimes of Fashion: Killer Clutch? What are your thoughts on the current state of Hallmark’s mystery movies? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen