Take 3: Playing with Fire (1985) Review

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Have you come across a movie that fell into your lap at the right place and time? That’s what happened before I reviewed the 1985 television film, Playing with Fire. This is a movie I not only had never seen, I had never heard of. But that changed when I listened to the Telehell Podcast episode, ‘The Top 8 Darkest Moments in Kids TV Cartoons’, as the upcoming episode about Playing with Fire was advertised at the end of the episode about the darkest moments from kids TV cartoons. According to Telehell’s episode, ‘Prologue of Fire (“Playing with Fire” PREVIEW)’, the 1985 movie was considered “lost media” up until 2024. As someone interested in the subject of “lost media”, I think it’s worth celebrating when a sought-after piece of “lost media” like Playing with Fire not only gets found, but is also archived on Youtube. For any “lost media” that was eventually found, however, one has to wonder why it was “lost” in the first place? In this review of Playing with Fire, I hope to find an answer to that question!

Playing with Fire (1985) poster created by New World Television, Zephyr Productions, and National Broadcasting Company (NBC)

Things I liked about the film:

Characters who subvert expectations: In Playing with Fire, Mike Harris is a friend of the protagonist, David. Based on his personality and appearance, Mike would be considered a “bully” in other ‘80s entertainment media. Throughout the 1985 movie, he teases David, pulls pranks, and doesn’t seem to take school seriously. But when David starts a fire in a trash can (because he was upset Mike wouldn’t play basketball with him), Mike pulled David away from the fire as well as encouraged David to pull their school’s fire alarm in order to get help. Mike even warns a fellow student named Pamela about David’s issues. These actions and choices help Mike subvert expectations, showing the audience how, despite his initial introduction, he actually cares about David’s wellbeing.

Entertainment media from the ‘80s that revolves around younger characters will sometimes feature a school principal who is a stickler for the rules. This creative decision may be made to either emphasize how much “cooler” the younger characters are or to show how the principal is holding the younger characters back from being themselves. But in Playing with Fire, Principal Sweeney subverts those aforementioned expectations. In a meeting between Principal Sweeney and David’s parents, Principal Sweeney acknowledges how intelligent David is. He’s also brutally honest about how it’s the responsibility of David’s parents to help David with his problems. Principal Sweeney even puts David on probation in an attempt to assist David in resolving his issues. Because of the subversion of expectations, Principal Sweeney is presented as a character who actually prioritizes the wellbeing of all his students.

The role of Fire Chief Walker: Throughout Playing with Fire, Fire Chief Walker tries to solve the mystery of who started a series of fires around his neighborhood. He wants David to admit he’s responsible for creating the fires. But Fire Chief Walker doesn’t want David to tell the truth in order to arrest him. Instead, he believes David is worth saving. Fire Chief Walker encourages David’s family to seek out family counselling, in order to help them solve their personal problems. He also encourages David to talk to his parents about how he feels, acknowledging how David is causing fires for a reason. It would have been easy for the creative team behind Playing with Fire to show their protagonist simply facing the consequences of his actions. Instead, the role of Fire Chief Walker shows how there is more than one way to solve a problem, with a way being getting to the heart of an issue to resolve it as well as preventing it from escalating.

Showing the reasons behind the behavior: The synopsis for Playing with Fire on IMDB gives David the label of “teenage arsonist”, due to how often he starts fires. The creative team behind the movie could have focused on David’s problematic behavior in order to give their project “shock value”. But instead, the script emphasizes the reasons behind the behavior. Sparks fly (literally and figuratively) due to David’s parents having marital issues. These issues cause a domino effect in David’s life, from failing grades at school to becoming easily angry. Starting fires is a manifestation of David’s unresolved feelings toward the problems within David’s parents’ marriage. By showing the reasons behind David’s behavior, the creative team behind Playing with Fire gives their audience a reason to empathize with David and his family.

Campfire with marshmellows and shooting stars image created by macrovector at freepik.com.

What I didn’t like about the film:

David as a static character: As I already mentioned in this review, showing the reasons behind David’s behavior gives the audience a reason to empathize with David and his family. But for the majority of Playing with Fire, David remained a static character. He doesn’t come to terms with his decision to start fires until an hour and forty-seven minutes into an hour and fifty-five-minute movie. This means he spends more time remaining bitter and angry about the problems in his life instead of transforming his life for the better over the course of the story. I recognize resolving problems like David’s takes time. But the static status of David held back his character development.

Fire related scenes feeling like PSAs: David starts multiple fires over the course of Playing with Fire. While these moments are frightening due to how dangerous they are, it felt like the story shifted to present a somewhat subtle PSA (public service announcement) about fire safety. One way this feeling is achieved is how causes of fire or safety measures are heavily emphasized. In a scene where David causes his first fire within his home, his mother asks him how the fire started. David explains how an overloaded electrical socket was likely the cause, followed by a close-up shot of an overloaded electrical socket. This approach to the fire related scenes made the overall movie kind of seem like an “afterschool special”.

The disappearance of Mike and Pamela: Like I mentioned earlier in this review, Mike is a friend of David who actually cares about his friend’s wellbeing. Pamela is also a friend of David, someone who kind of understands how David feels due to her parents’ divorce. Both of these characters were interesting. While Mike was subverting expectations, I wanted to see where Pamela’s character development went as the story progressed. But Pamela and Mike disappear from the story after about the film’s halfway point. Even though Pamela returns toward the end of Playing with Fire, she’s only on screen for almost four minutes. I wish Mike and Pamela played a more consistent role in the story, as they could have represented what to do if someone is afraid to speak up or doesn’t know how to help a loved one.

Breaking heart image created by Kjpargeter at freepik.com. <a href=’https://www.freepik.com/free-vector/broken-heart-valentine-background_1041991.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Kjpargeter – Freepik.com</a>. Image found at freepik.com.

My overall impression:

In the introduction of my review, I said I hoped to find an answer to the question of how Playing with Fire became “lost” in the first place. Now that I’ve seen the movie for myself, I think the movie just, simply, fell through the cracks of time. The way I feel about the 1985 movie is similar to the way I felt about the 1988 television film, Dance ‘Til Dawn; it didn’t go above and beyond enough to be considered good or great, but it wasn’t offensive enough to be bad or even disappointing. While there were elements of Playing with Fire I liked, such as how showing the reasons behind David’s behavior gives the audience a reason to empathize with David and his family, there were flaws that held the movie back from being a stronger picture. Some of these flaws include keeping David a static character for the majority of the movie, fire related scenes feeling like somewhat subtle PSAs, and Mike and Pamela disappearing from the story. At best, Playing with Fire is ok. It seems like the creative team behind the 1985 presentation had their hearts in the right place. But, at worst, the film feels like an hour and fifty-five-minute PSA about fire safety. There was even a video message at the end of Playing with Fire where Gary Coleman (the actor who portrayed David) explains the dangers of arson. With everything said, it’ll be interesting to hear what the consensus what will be for the movie on the Telehell Podcast.

Overall score: 6-6.1 out of 10

Have you seen Playing with Fire? Is there a piece of “lost media” you’d like to see become discovered? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

If you want to check out the podcast episodes I referenced in this review, visit the Youtube channel, Telehell Podcast, and listen to the episodes, ‘The Top 8 Darkest Moments in Kids TV Cartoons’ and ‘Prologue of Fire (“Playing with Fire” PREVIEW)’.

Why ‘Sugarcreek Amish Mysteries’ is One of the Worst TV Shows I’ve Ever Seen

On By 18cinemalaneLeave a comment

In March of 2023, I wrote an editorial explaining why the mystery movie, Francesca Quinn, PI, is, in my opinion, the worst Hallmark movie I’ve ever seen. Three years later, that editorial has become my most popular one at over ten thousand views! But I honestly didn’t think I would publish another editorial like my Francesca Quinn, PI editorial. That changed, however, when I saw UP Network’s television series, Sugarcreek Amish Mysteries. Before this particular program debuted as a TV show, a preceding movie titled Sugarcreek Amish Mysteries: Blessings in Disguise premiered on UP Network. When I reviewed the film last year, I found it to be just ok. However, I saw potential for Sugarcreek Amish Mysteries: Blessings in Disguise to lead a series, as UP Network had an opportunity to bring something new to the table of made-for-TV mystery films. When I discovered Sugarcreek Amish Mysteries would become a television series, I believed I would get what I wanted; a continuation of the story that learned from the movie’s flaws while maintaining the strengths the movie put in place. But the longer I watched the show, I saw how I wasn’t getting what I wanted the way I wanted it. Before I explain why Sugarcreek Amish Mysteries is, in my opinion, one of the worst TV shows I’ve ever seen, I must make it very clear that everything said in this editorial is not meant to be disrespectful or mean-spirited. The purpose of this editorial is to, simply, express my honest opinion about a television show delivering wasted potential.

Sugarcreek Amish Mysteries (2026) poster created by American Cinema Inspires

A Broken Illusion of Immersion

The visual elements of filmmaking, such as costume design, set design, and even establishing shots are woven together to create a specific illusion. This illusion makes a film’s or television show’s audience feel immersed in the story’s world, as if they are alongside the characters as the movie or show progresses. But a mishandled detail can break that illusion, preventing the audience from becoming truly invested in the story’s world. It’s established in the Sugarcreek Amish Mysteries TV show, and even in Sugarcreek Amish Mysteries: Blessings in Disguise, that the story takes place in Sugarcreek, Ohio, a state known for possessing the four seasons (Spring, Summer, Fall, and Winter). Yet, in the first three episodes of Sugarcreek Amish Mysteries, taking place between Thanksgiving and Christmas, every establishing shot of Sugarcreek shows a very green landscape; green leaves on trees, green grass, and even green fields. If there was, for example, a lack of funds to purchase/rent a machine to create fake snow, why didn’t the screenwriters attempt to craft their story around the Spring and Summer time? Then, featuring green landscapes as establishing shots would have built the illusion of a warm climate environment. A consistent part of Sugarcreek Amish Mysteries is the Swiss Miss, the store the show’s protagonist, Cheryl, works at. The view outside the windows is a large sheet with a picture of buildings surrounding the Swiss Miss printed on it. But this illusion is broken because, in a scene where a character leaves the store, a medium shot reveals edges of a gray wall, the borders of the sheet shown through one of the windows. The broken illusion of immersion found in some moments of Sugarcreek Amish Mysteries sometimes took me out of the show.

This establishing shot is from the Sugarcreek Amish Mysteries trailer. I included it in my editorial as an example of the type of establishing shot featured within the show’s first three episodes (taking place between Thanksgiving and Christmas). Sugarcreek Amish Mysteries establishing shot found on IMDB.

Stripping Away the Movie’s Creative Identity

When I reviewed Sugarcreek Amish Mysteries: Blessings in Disguise, I praised the movie for pairing Cheryl, an English woman, and Naomi, an Amish woman, together as amateur sleuths. As I said in my review, this pairing was a creative way to avoid some of the tropes and clichés of made-for TV mystery films, such as a story’s female and male protagonist working together to solve the mystery, with these characters eventually forming a romantic relationship. When Sugarcreek Amish Mysteries became a television show, Naomi returned to the story but wasn’t really involved in solving mysteries alongside Cheryl. Instead, her role on the show consisted of sharing tidbits about Amish culture and quoting Scripture. Similar to Sugarcreek Amish Mysteries: Blessings in Disguise, I liked the incorporation of Amish culture. I also liked the inclusion of Scripture quotes, as it felt reminiscent of Hallmark’s Signed, Sealed, Delivered series. But not allowing Naomi and Cheryl to work together to solve mysteries strips away the movie’s creative identity which lay the blueprint for the television series. Not only does this creative decision do the character of Naomi a disservice, it also does the actress who portrays her, Denise Gossett, a disservice.

Sugarcreek Amish Mysteries: Blessings in Disguise poster created by American Cinema Inspires

Inconsistent storytelling

The biggest flaw of the Sugarcreek Amish Mysteries TV show is the writing. One specific weak spot within the script is the inconsistent storytelling. I remember toward the beginning of the show’s first episode, ‘The buggy before the horse’, Naomi finds a silver necklace on the floor of her family’s barn. This necklace plays no role in the episode, let alone the rest of the series. An important detail about Cheryl that was established on the Sugarcreek Amish Mysteries television show and in Sugarcreek Amish Mysteries: Blessings in Disguise (from what I remember) is how interested she is in the mystery genre. She even listens to a true crime podcast on her way to work. While amateur detectives are likely to make mistakes, the mistakes Cheryl makes don’t add up for someone who seems to consume a lot of mystery genre stories. A glaring example is when Cheryl touches evidence after her office at the Swiss Miss was vandalized, despite Sugarcreek’s police chief’s, Chief Twitchell’s, warning not to do so. When parts of the story don’t match up, it can become a distracting detail. Because the inconsistent storytelling happened on several occasions throughout Sugarcreek Amish Mysteries, I couldn’t stay fully invested in the story.

Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

Lack of urgency

As I shared my overall impression of Sugarcreek Amish Mysteries: Blessings in Disguise, I said if UP Network is serious about creating a series out of this movie, they need to fix the lack of urgency. But when Sugarcreek Amish Mysteries became a TV show, the creative team behind the program doubled down on that lack of urgency, choosing to prioritize the story’s wholesome moments over the mysteries themselves. This imbalance between the mysteries and wholesome moments negatively impacted the story to the point I couldn’t take it seriously. In the show’s fourth episode, ‘Off the Beaten Path’, an FBI agent is desperately trying to find his grandmother, believing she boarded a bus full of tourists that went missing. The FBI agent fears his grandmother may be in danger, acting as if finding her is his top priority. Yet, he can somehow find the time to feed the goats on Naomi’s family’s farm, causing the momentum of the FBI agent’s frantic search to come to an abrupt halt. I recognize the brand of UP Network emphasizes family-friendly content. Even though there is a time and place for family-friendly content, this emphasis overshadowed the mysteries, causing the episodes to receive a slower pace and even feel boring.

Living room interior image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/house-s-living-room-with-flat-design_1195527.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by Freepik</a>. Image found at freepik.com.

Like I said in the introduction of this editorial, I honestly didn’t think I would publish another editorial like the one about Francesca Quinn, PI. This is because I never thought I’d come across another program that was so bad (in my opinion), it warranted its own editorial explanation. As someone who not only wrote about Sugarcreek Amish Mysteries: Blessings in Disguise, but was also looking forward to the Sugarcreek Amish Mysteries TV show, saying the television program was a disappointment is an understatement. To quote Alan from the Youtube channel, Film Threat, Sugarcreek Amish Mysteries is “profoundly awful”. Besides the flaws I pointed out throughout my editorial, this TV show was plagued by other errors. Some of these errors are repetitive storytelling (Cheryl’s office at the Swiss Miss gets robbed three times over eight episodes), a consistently weak performance from Galadriel Stineman (the actress who portrayed Cheryl), and parts of the story that don’t make sense (a character named Lacey perfectly fits into an outfit designed for Naomi’s daughter, Esther, who is several inches shorter than Lacey). According to Net, from the blog, It’s a Wonderful Movie, the creative team behind Sugarcreek Amish Mysteries has been filming a second season. However, I haven’t heard any official word if the show has indeed been renewed. If Sugarcreek Amish Mysteries does receive a second season, I’d like to see the show’s creative team learn from their mistakes. A few ways to do this are maintaining the illusion of immersion, telling a more consistent story, and incorporating more urgency into the script. At the same time, I would like to see Sugarcreek Amish Mysteries embrace what made Sugarcreek Amish Mysteries: Blessings in Disguise unique, like having Naomi become more involved in solving mysteries alongside Cheryl.

Have fun on television!

Sally Silverscreen

Take 3: The Assassination of Jesse James by the Coward Robert Ford Review

On By 18cinemalane6 Comments

June’s theme for Genre Grandeur is “Movies With Genre Bending themes”. I spent a lot of time researching potential titles due to how specific this theme is. But with this month’s Genre Grandeur overlapping with the Legends of Western Cinema Week Blogathon, I chose the 2007 movie, The Assassination of Jesse James by the Coward Robert Ford. According to an article of The 10 Best Genre-Bending Movies Of All Time from the website, Taste of Cinema, “What makes the film [The Assassination of Jesse James by the Coward Robert Ford] one of the true genre-bending westerns is how it chooses to present it mythology of the west”. The author of the article, Mark Serravalle, explained how “The characters are more life-like and complicated than how they are made out in the stories that are told about them”. I will admit that, even though I’ve heard of him, I know very little about Jesse James. In fact, the titles I’ve selected for past Legends of Western Cinema Week Blogathons have revolved around either fictional or fictionalized stories. Therefore, reviewing The Assassination of Jesse James by the Coward Robert Ford is not only a learning opportunity for 18 Cinema Lane, it’s allowing my blog to travel newer paths within the realm of blogathons.

The Assassination of Jesse James by the Coward Robert Ford poster created by Warner Bros., Virtual Studios, Scott Free Productions, Plan B Entertainment, Alberta Film Entertainment, and Warner Bros. Pictures International

Things I liked about the film:

The acting: The Assassination of Jesse James by the Coward Robert Ford received two nominations at the 80th Academy Awards. One of those nominations was given to Casey Affleck for his portrayal of the titular Robert Ford. Looking back on the 2007 movie, I can agree with the Academy’s decision! What I liked about Casey’s performance is his ability to say so much without saying anything at all. A perfect example is when Robert is reflecting on the similarities he and Jesse share. Throughout this recollection, Robert appears disappointed and even defeated. His eyes and the slight frown his mouth adopts give these feelings away. But every now and then, a smile shows up on Robert’s face and his eyebrows even move upwards. This moment effectively illustrates how Robert has become disillusioned by the reality of who Jesse really is, yet fondly remembers his fabricated image of him.

If I had to be brutally honest, I think Brad Pitt should have been nominated for his portrayal of Jesse James. This is because, through his acting talents, Brad presented Jesse as the opposite of what one might expect. When it comes to legendary figures like Jesse James, presentations of being “larger than life” and a “showman” could give the impression Jesse was an untouchable, unstoppable force. But Brad’s portrayal of Jesse emphasizes the human he was; capable of feeling fear, making mistakes, and constantly looking over his shoulder. A perfect example of this point is when Jesse is interrogating Robert’s cousin, Albert. When Albert claims he doesn’t know Robert’s whereabouts, Jesse beats Albert up because he thinks Albert is lying. During the beating, the anger on Jesse’s face is very evident. But as he realizes Albert is, indeed, telling the truth, Jesse’s face quickly goes from angry to confused. He adopts a “thousand yard stare” as well as a look of disbelief, wondering how he could be so wrong. Several minutes later, as he’s preparing to leave on horseback, Jesse bursts into tears, realizing he just crossed a line.

The cast of The Assassination of Jesse James by the Coward Robert Ford gave performances that were well-done. However, I was pleasantly surprised to see Jeremy Renner star in the film as Wood Hite! Before reviewing the 2007 film, I had seen Jeremy’s portrayal of Clint Barton/Hawkeye throughout the Marvel Cinematic Universe (MCU) and his portrayal of Aaron Cross from The Bourne Legacy. But what was different about Jeremy’s portrayal of Wood is how he had to rely more on emotion in order to carry the character through the story. During an exchange between Wood and Robert, Wood shares how his mother is Jesse’s father’s sister. He tries to use his familial connection as leverage against Robert, smugly smiling and his tone of voice sounding very arrogant. When Robert questions this familial connection, Wood’s face quickly changes to a look of shock. His tone of voice becomes defensive and his eyes grow wide. This example shows how, even though Jeremy appeared in The Assassination of Jesse James by the Coward Robert Ford for a limited period of time, the versatility of his acting talents were on full display!

The cinematography: Remember when I said The Assassination of Jesse James by the Coward Robert Ford received two nominations at the 80th Academy Awards? Well, the other nomination was given to Roger Deakins for the Cinematography category. Once again, this is a decision I agree with the Academy on! Two of the best examples of the cinematography’s mastery in The Assassination of Jesse James by the Coward Robert Ford happens during a train robbery taking place toward the beginning of the movie. When the train stops right in front of Jesse, only the train’s front light is shining. White smoke forms around both the train and Jesse. Because of the minimal lighting, Jesse is presented as a silhouette. He’s presented as a silhouette again when he’s walking beside the train, emerging from the aforementioned white smoke. Only the light from the train’s window illuminates the scene, giving the scene itself a warm, orange glow. Through the cinematography, these two examples elaborate how Jesse was depicted by those who didn’t know him well; a mysterious myth who seized the attention of others.

More unique ideas brought to the Western genre’s table: It seems like the two most common settings in the Western genre are deserts and plains. But what if I told you a forest is where parts of The Assassination of Jesse James by the Coward Robert Ford take place? While there were plains in the 2007 film, I’d argue forests were featured in the story the most. Because forests are usually not known for being a Western genre location, The Assassination of Jesse James by the Coward Robert Ford brings something more unique to the genre’s table. In Western genre films revolving around legendary figures like Jesse James, the script typically focuses on the prime of the figure’s life, highlighting the most exciting, thrilling parts of their story. But The Assassination of Jesse James by the Coward Robert Ford showcases Jesse and his gang’s life after crime. Even the train robbery I referenced earlier was not presented as a thrilling, exciting event. Instead, that train robbery is shown as a scary event full of uncertainty, fear, and even violence. These screenwriting choices gave the 2007 movie a sense of honesty that isn’t always found in the Western genre.

Legends of Western Cinema Week banner created by Hamlette from Hamlette’s Soliloquy and Heidi from Along the Brandywine

What I didn’t like about the film:

The run-time: As listed on IMDB, The Assassination of Jesse James by the Coward Robert Ford’s run-time is two-hours and forty-minutes. Similar to my thoughts about Gods and Generals’s run-time, the 2007 film’s run-time can definitely be felt. The story of Jesse James and his gang’s life after crime is told at a slower pace. That paired with the aforementioned run-time causes The Assassination of Jesse James by the Coward Robert Ford to feel unnecessarily stretched out. I found myself zoning in and out while watching the movie, concerned I’d fall asleep during my movie-viewing experience. One solution to this flaw would have been to trim scenes that linger, such as a scene where Jesse stares at his brother, Frank, for what seems like a minute.

A somewhat misleading title: When I recently reviewed The Naked Jungle, I criticized the movie for its somewhat misleading title. Even though the titular jungle played a role in the story, it didn’t appear until about the last forty minutes of the hour and thirty-five minute film. The Assassination of Jesse James by the Coward Robert Ford possesses the same flaw. Based on the title alone, one would believe the titular event would serve as the story’s primary focus. But that event doesn’t end up happening until the film’s last twenty-seven minutes. This means during The Assassination of Jesse James by the Coward Robert Ford’s two-hour and forty-minute run-time, most of that time is spent leading up to the event itself. The audience is forced to wait over two hours for Jesse’s other shoe to drop.

The dialect: The Assassination of Jesse James by the Coward Robert Ford takes place during the late 1800s. This setting in time encouraged the film’s creative team to adopt historical accuracy. While that aspect of filmmaking was achieved visually, it was also achieved vocally, as the cast spoke with the dialect (as well as the dialogue) of the story’s time. Despite these historically accurate achievements, there were times I found it difficult to understand what the characters were saying. Because I don’t hear that dialect (and dialogue) consistently, I was forced to actively pay attention to what was being said. Otherwise, there’s a good chance I would have missed important context.

Sheriff badge image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/brown-cowboy-label-set_1543252.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

The more I think about The Assassination of Jesse James by the Coward Robert Ford, the more it reminds me of Gods and Generals and The Naked Jungle. Not only does the 2007 movie possess a run-time that is, in my opinion, too long (like Gods and Generals), its title is also somewhat misleading (like The Naked Jungle). While I appreciate the creative team’s efforts to make their film look and sound historically accurate, I sometimes found it difficult to understand what the characters were saying. But despite these flaws, it’s evident there was merit put toward the project. Besides the historically accurate appearance of The Assassination of Jesse James by the Coward Robert Ford, the cinematography made the film visually interesting. The train robbery scene proves how the movie’s creative team took advantage of film’s visual medium to present their intended ideas. The cast as a whole gave good performances, especially Casey Affleck, Brad Pitt, and Jeremy Renner. But what I appreciate the most about The Assassination of Jesse James by the Coward Robert Ford is how more unique ideas were brought to the table of the Western genre. From setting parts of the story in a forest to showcasing Jesse and his gang’s life after crime, these creative choices prevent the Western genre from becoming stagnant. It also illustrates how creatively diverse the Western genre can be.

Overall score: 6 out of 10

Have you seen The Assassination of Jesse James by the Coward Robert Ford? What creatively unique ideas from the Western genre have stood out to you? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Here’s the link to the article I referenced in this review if you’re interested in reading it: https://www.tasteofcinema.com/2023/the-10-best-genre-bending-movies-of-all-time/

Take 3: The Naked Jungle (1954) Review

On By 18cinemalane2 Comments

This is my third time participating in the Luso World Cinema Blogathon. Back in 2021, I wrote about the 2005 film, Ladies in Lavender, which I thought was just ok. Then last year, I reviewed Jasmine Guy’s episodes of Touched by An Angel. While the episodes, “Sympathy for the Devil” and “Lost and Found”, were fine, “Clipped Wings” became my least favorite Touched by An Angel episode reviewed on 18 Cinema Lane, so far. But these previous entries for the Luso World Cinema Blogathon were chosen based on a particular actor’s or actress’s involvement in a project. For this year’s event, I decided to select a movie based on its location. Therefore, I picked the 1954 film, The Naked Jungle! According to the criteria for the Luso World Cinema Blogathon, The Naked Jungle takes place in Brazil. The movie was also recommended to me by Maddy (from Maddy Loves Her Classic Films). Both Charlton Heston and Eleanor Parker are no strangers to 18 Cinema Lane. Not only have I covered 1959’s Ben-Hur, I’ve also written about Interrupted Melody, The Man with the Golden Arm, and Return to Peyton Place!

The Naked Jungle (1954) poster created by Paramount Pictures

Things I liked about the film:

The acting: In this review’s introduction, I stated how both Charlton Heston and Eleanor Parker are no strangers to 18 Cinema Lane. After reviewing three of Eleanor’s movies, what I’ve noticed is how Eleanor uses emotion to her advantage. Despite only writing about one of Charlton’s films, Ben-Hur, I can appreciate the consistency of his acting strengths. These compliments can be applied to Eleanor’s and Charlton’s portrayal of Joanna and Christopher in The Naked Jungle! Throughout the 1954 picture, Christopher is a stoic man who prioritizes his plantation. So, when Joanna comes into his life, he carries frustration, pride, and even entitlement in his eyes, through his voice, as well as his body language. Meanwhile, Joanna is a sweet and gentle woman who is open-minded to her new life with Christopher. But when Christopher becomes argumentative with her, Joanna shows little to no fear, effortlessly replacing sweetness with fierce confidence. Because of how strong both Charlton’s and Eleanor’s performance was, their characters were interesting to watch! One of my favorite scenes in The Naked Jungle is when Joanna meets a Commissioner who happened to board the same boat as her. Portrayed by William Conrad, the Commissioner had the charisma and friendly personality to brighten up a room. I could even sense nice on-screen chemistry between William and Eleanor. These factors made me look forward to scenes featuring the Commissioner!

The set design: When it comes to set design, sometimes less is more. This was definitely the case for The Naked Jungle! My favorite set was Joanna’s room because of how pops of color were incorporated into the space. Standing out against the white walls and shutters were gold sconces, dark wood furniture, and bright hued chairs. The vanity area was, in my opinion, the most impressive! An ornate, gold mirror proudly hung on the wall. Right underneath the mirror was a dark wood vanity table, nicely complimenting the mirror’s shiny frame. A chair with green cushions provided a visually appealing bridge between the darker and brighter hues. Though all the pieces of décor were simplistic in design, the overall room presented an elegant, classy, and timeless space!

The dialogue: I sometimes come across films where some of the dialogue is so clever, it sticks in my memory. The Naked Jungle happens to be one of those films! An example of memorably clever dialogue is when Joanna arrives in Brazil for the first time. As Christopher’s “number one man”, Incacha, introduces himself, even bringing up his title, Joanna addresses herself as Christopher’s “number one wife”, as she desperately wants to know where her husband is. The quick response and immediate play on words make this response cordial and somewhat hilarious. Another great example arrives after Joanna and Christopher meet. When Christopher tells Joanna how the tropics have their own schedule, Joanna asks, “What time is bedtime”? Christopher replies by saying, “Whenever you wish, madam”. Joanna then tells Christopher with a hint of playful sarcasm, “I wouldn’t want to upset your schedule”. This comeback works because of the screenwriting and Eleanor’s performance!

6th Luso World Cinema Blogathon banner created by Le from Crítica Retro and Beth Ann from Spellbound With Beth Ann

What I didn’t like about the film:

Lack of on-screen chemistry: As I previously talked about in this review, I liked the acting performances of Charlton Heston and Eleanor Parker. But what I didn’t like about their portrayals of Christopher and Joanna was their lack of on-screen chemistry. In this case, the fault lies in the screenwriters. Not only was the relationship between Joanna and Christopher tense, this tension between them lasted the majority of the movie. By the time Christopher and Joanna finally got around to appreciating the other’s company, this renewal of chemistry came too little too late. That writing choice made it difficult, for me, to determine if Charlton and Eleanor truly possessed any on-screen chemistry.

The “locals” as background characters: “Locals” of the story’s Brazilian setting make appearances throughout The Naked Jungle. But these “locals” aren’t given much to do in the story. Among them was a gentleman who not only possessed Mayan ancestry within his family tree, he also carried around a small head known as his “treasure”. Because of these details, I thought he’d make a fascinating addition to The Naked Jungle’s script, using his family history and maybe even his “treasure” to help resolve the film’s overarching conflict. Unfortunately, this gentleman barely said anything in the one scene he was featured in. Even Incacha, the “number one man” of Christopher, receives a smaller role within the script. Despite dealing with a personal conflict of his own, that conflict has little bearing over the movie’s plot. I was disappointed by the creative decision to turn the “locals” into background characters. This is because their inclusion in the film made me want to learn more about their culture and perspective.

A somewhat misleading title and synopsis: According to The Naked Jungle’s synopsis on IMDB, “a 2-mile-wide, 20-mile-long column of army ants” plan to destroy anything in their path, including Christopher’s plantation. With a movie titled, The Naked Jungle, one would think the titular jungle would play a significant role in the story. But the jungle doesn’t actually appear in the movie until about the last forty minutes. Meanwhile, the “army ants” I previously brought up aren’t shown on screen until about the last thirty minutes of the movie. Keeping in mind The Naked Jungle has a run-time of an hour and thirty-five minutes, this means the majority of the script prioritizes the tension between Christopher and Joanna. These creative choices I talked about make the title and synopsis seem kind of misleading.

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

My overall impression:

Have you ever seen a movie where it wasn’t bad, but it just didn’t meet or exceed your expectations? That’s how I felt after watching The Naked Jungle. Before reviewing the 1954 film, I expected a story where a husband and wife worked together to solve the problem of an ant infestation. But what I got instead was a movie that prioritized the tense relationship of Joanna and Christopher, the aforementioned husband and wife. While there was an ant infestation and the titular jungle did play a role in the story, these parts of the script didn’t arrive until toward the end of the movie. But as I waited for these arrivals, I came to appreciate certain aspects of The Naked Jungle. Not only did I like the “less is more” approach to the set design, I also liked how clever some of the dialogue was. I even liked the acting performances, including those from Eleanor and Charlton. When it comes to The Naked Jungle, however, I was left desiring more. Maybe I’ll review a film where the “locals” are given center stage.

Overall score: 6 out of 10

Have you seen The Naked Jungle? Is there a movie from Charlton Heston’s and/or Eleanor Parker’s filmography you’d like to see me review next? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Word on the Street: Could Sebastian Stan Portray a Different Villain in ‘The Batman Part II’?

On By 18cinemalaneLeave a comment

Last month, I wrote a Word on the Street story about Sebastian Stan joining the cast of The Batman Part II as Harvey Dent/Two-Face. In that article, I brought up how intrigued I was to see Sebastian approach that character, especially since I’ve never seen him portray a villainous character before. But now an article from The Direct and even those from the Youtube channel, Film Threat, are singing a different tune. A recent report reveals Sebastian may portray a different villain. According to Aeron Mer Eclarinal, from The Direct, an actor named Brian Tyree Henry could be given the role of Harvey Dent/Two-Face. Meanwhile, Sebastian would receive the role of Victor Zsasz, a “serial killer who carves tally marks into his skin for each victim”. Confused by this potential development, one of the guests of ‘Film Threat Versus’, Stephanie (from the Youtube channel, My Nerdy Home), asks, “Wasn’t it announced that he [Sebastian] would be playing Harvey Dent”? Another guest on the show, Angry Badger (from the Youtube channel, The Angry Badger), said, “It never got officially confirmed, unfortunately”.

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Whenever I write a Word on the Street story, I always try to create an article containing the most accurate information possible. Not only do I mention who originally reported the piece of movie news I write about, I provide references for readers to check out the original article or video. But, sometimes, new information becomes published that is different from what I originally wrote about in a Word on the Street story. Sebastian Stan’s role in The Batman Part II is one of those times where it’s happened. When I watched the Film Threat video about this piece of movie news, I knew I had to write a Word on the Street story about it, so my readers would be notified about this potential change in casting. I apologize if this recent possible development made my first Word on the Street story about Sebastian Stan’s casting seem contradictory.

What are your thoughts on this piece of movie news? Would you rather see Sebastian portray Harvey Dent/Two-Face or Victor Zsasz? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

References:

https://thedirect.com/article/the-batman-part-2-movie-villains

‘THE BATMAN 2 HAS ITS VILLAINS? | Film Threat Versus’ (from the Youtube channel, Film Threat)

The Atlantis: The Lost Empire Book Tag

On By 18cinemalane4 Comments

June 15th, 2026, marks the 25th anniversary of Atlantis: The Lost Empire’s release. Since Atlantis: The Lost Empire is one of my favorite animated movies, I wanted to do something to celebrate this special milestone! One of the squares on 18 Cinema Lane’s Year-Long Bingo Card is “Complete at least one book tag”. This gave me the idea to participate in a book tag based on Atlantis: The Lost Empire! But when I searched Booktube (the book community on Youtube), I couldn’t find an Atlantis: The Lost Empire themed book tag in existence. So, I chose to create my own! In this book tag, I came up with questions based on the movie’s key characters. Each question relates to something that either happens to the character in the movie, something the character possesses, or one of the character’s quotes. If you’re interested in participating in the Atlantis: The Lost Empire book tag, you are welcome!

The Atlantis: The Lost Empire Book Tag banner created by me, Sally Silverscreen. Character images and title card originally created by Walt Disney Pictures, Eastman Film, Walt Disney Animation Studios, Walt Disney Feature Animation, and Buena Vista Pictures Distribution. Book covers images found on Goodreads. Universal globe picture found in the Youtube video,
‘A Deep Dive Into Classic Universal Studios Florida’ (from the Youtube channel, Poseidon Entertainment). Picture of Mary from The Children’s Hour found on IMDB.

Milo

Throughout Atlantis: The Lost Empire, Milo never gives up on finding Atlantis, even when he originally faced scrutiny from the Smithsonian Institute’s board of directors. What book series do you see yourself not giving up on?

I’ve brought up in the past how much I’ve enjoyed the Figure Skating Mystery series. While I thought the second and third book was fine, I still believe the best book is the first one. With Figure Skating Mystery containing only five books, this means there’s only two books I have yet to read. It’s been interesting to read about Rebecca “Bex” Levy’s balance between being a figure-skating researcher and an amateur detective. Plus, the longer I read the Figure Skating Mystery books, the more I learn about sports researching and broadcasting. So, I’d like to see how Bex’s story continues and learn more from her world!

Kida

While recounting the state of Atlantis, Kida says, “We [Atlanteans] are like a stone the ocean beats against. With each passing year a little more of us is worn away”. Which book would you save from becoming lost to time?

When it comes to lost media, I rarely hear books being brought up in the conversation. Though I wouldn’t consider the Palm Beach Prep series lost media yet, I fear it could become that. This is because a) I barely hear anybody talking about it and b) the books are out of print. If this series were lost to time, middle-grade readers would miss out on a story that teaches them how to work with their peers to solve problems and maintain friendships. Explaining why the series’ bully, Cara, is the way she is seems like a storytelling concept that was ahead of its time, especially from the middle-grade genre from the ‘80s and ‘90s. You’d think with ‘80s and ‘90s nostalgia being capitalized on in pop culture, there’d be a push to either get the Palm Beach Prep series reprinted or give the series a little more recognition. As far as I know, none of these things have happened.

Audrey

As a gifted mechanic, Audrey is tasked with making sure the Ulysses submarine and the team’s vehicles run smoothly throughout the expedition. What book had a pace you thought ran smoothly?

One of the best books I read last year was Scarlet Witch, Vol. 3: The Final Hex! A reason why I liked this graphic novel was how steady the pace was. Throughout the book, no parts of the story were either drawn-out or felt like padding. The steadier pace of Scarlet Witch, Vol. 3: The Final Hex helped maintain the story’s intrigue and engagement! This pace also allowed the story to adopt heart-warming moments, which I found a pleasant surprise.

Vinny

One of Vinny’s most memorable lines is “Hey look, I made a bridge” after creating a pathway using dynamite. What literary worlds would you like to see bridged together?

I already mentioned in this book tag how I’ve enjoyed the Figure Skating Mystery series. Another series I’ve enjoyed, so far, is the Murder, She Wrote series. One of the books in that series is Skating on Thin Ice, where Jessica tries to solve the murder of someone connected to the world of figure skating. With Bex being a figure-skating researcher, a figure skating event and a mystery surrounding it would be a perfect opportunity to bridge Bex’s and Jessica’s world! It would be fascinating to see them working together to solve a case, especially since, more often than not, they solve mysteries on their own.

Joshua “Doctor Sweet” Sweet

According to Disney Wiki, Doctor Sweet was the first character to show Milo kindness during the Atlantis expedition. Which book character would you give kindness to?

I’m familiar with the saying, “Be kinder than necessary, for everyone is facing some kind of battle”. With that said, I’d give kindness to Doris from The Red Address Book. Without spoiling the book, all I’ll say is Doris experienced several major hardships in her life. In fact, as I read The Red Address Book, it felt like I spent more time reading about her misfortunes which kind of made the book feel too “doom and gloom”. I honestly wish the story contained more joyous moments, as well as moments where Doris received kindness. This way, a balanced view of the world would be presented in The Red Address Book, reminding readers how the world can be both cruel and beautiful.

Mole

When Milo meets Mole, he discovers Mole’s dirt collection, with each particle of dirt coming from different parts of the world. If you could collect dirt from a book’s world, where would you go?

I don’t remember if the world of Piranesi contains any dirt. If it does, that’s exactly where I’m going! Because the world of Piranesi is so different and fantastical from the “real world”, I’d love to know how different the dirt there is. So, I would want to collect a sample, test it, and learn more about it.

Cookie

On Cookie’s chest is a tattoo of “all 38 states”. Which book would you choose out of the states represented in Cookie’s tattoo?

Based on what is shown of Cookie’s tattoo in the movie, one of the states appears to be Tennessee. Because of that, I’ll select Before and After: The Incredible Real-Life Stories of Orphans Who Survived the Tennessee Children’s Home Society. The quality of the book’s writing allowed the book to be thought-provoking, as well as gave adoptees’ and their families’ stories reverence. The use of descriptive imagery also added memorability to the overall story. This is not only one of the most important books I’ve ever read, it’s the best book I’ve read this year, so far! I’d recommend this book to anyone interested in learning more about the Tennessee Children’s Home Society from adoptees’ perspective.

Wilhelmina “Mrs. Packard” Packard

According to Disney Wiki, “Packard is hardly involved during the journey to Atlantis”. Yet as the Officer of Communications, Mrs. Packard plays a vital role in the Atlantis expedition. Which underrated book character do you wish received more recognition?

I brought up earlier in this book tag how I barely hear anybody talking aboutthe Palm Beach Prep series. That means characters like Alicia aren’t getting the recognition they deserve. I would love to see Alicia get her “standing ovation” because, in my opinion, she’s the most interesting character in this series! Not only have the writers done a good job balancing her flaws and likable qualities, she also has the heart of a saint. In fact, Alicia was the first character who showed the series’ protagonist, Quinn, kindness, similar to how Doctor Sweet showed Milo kindness. I kind of wish the Palm Beach Prep series was primarily about Alicia and her story.

Preston B. Whitmore

Because of his funding, Mr. Whitmore is the reason why the Atlantis expedition happens in the first place. If you possessed a large sum of money, what book related purpose would you use the money for?

Since Jessica Fletcher is an author on the Murder, She Wrote television show and since there is a book series associated with the tv show, I believe this answer will count for this question. Two years ago, I wrote an editorial advocating for the creation of Murder, She Wrote Weekend. Through a basic concept of the event’s schedule, I proposed how the fan event could benefit both the fans of Murder, She Wrote and Universal Orlando Resort. But if there’s one thing I know about hosting any kind of fan-related event, it’s that money (and how much is invested) plays an important factor in how smoothly the event is run. So, if I possessed a large sum of money, I’d use it to not only make Murder, She Wrote Weekend a reality, but to also build it into an event people want to continue attending.

Kashekim Nedakh and the Queen of Atlantis

Kashekim and the Queen of Atlantis play important roles in Kida’s story, despite spending most of the movie apart. Which book couple do you wish had gotten to spend more time together?

Like I said earlier in this book tag, Bex solves mysteries on her own in the Figure Skating Mystery series. But that changed in the third book, Axel of Evil, when Bex was paired with a man named Sasha. I liked this part of the book because it provided a unique dynamic to the series. It also lay the foundation for a potential romance. I would be interested to see where Sasha and Bex’s relationship goes after Axel of Evil. But based on the synopsis for Figure Skating Mystery’s fourth and fifth book, I’m not sure if their relationship will get acknowledged. Therefore, I’m selecting Bex and Sasha as my answer for this question!

Helga

As one of the villains of Atlantis: The Lost Empire, Helga is not intended to be a likable character. In your opinion, what book possesses an unlikable female character?

As of mid June, 2026, the worst book I’ve ever read is Veronika Decides to Die.While both of the book’s female characters, Veronica and Zedka, are unlikable, Veronica (the protagonist) is worse. Not only is Veronica self-centered and entitled, she has the audacity to believe she’s better than the other patients at the hospital she resides at. She also treats her love interest, Eduard, so disrespectfully, I wish Veronica faced accountability for her behavior. While I had other issues with Veronika Decides to Die, Veronica’s consistent unlikability was one of the book’s biggest flaws.

Commander Lyle Tiberius Rourke

In Atlantis: The Lost Empire, Rourke desired to locate a book called the Shepherd’s Journal. Once found, he removes one of the pages from the Shepherd’s Journal in an effort to use that page for bad intentions. Which book would you not want to see fall into a fictional villain’s hands?

In my recent review of The Children’s Hour, I talked about the movie’s antagonist named Mary. She’s a very manipulative and controlling girl who created a rumor that ruined her teachers’ lives and careers. Mary did this simply because she hated her teachers for disciplining her. With that said, I wouldn’t want Mary to get her hands on any book from the murder-mystery genre. Those kinds of stories are not appropriate for children to read. Plus, I’d be concerned how Mary would interpret the text, especially considering she had no qualms destroying the lives and careers of her teachers. Because Mary’s accountability for creating the rumor is never addressed in The Children’s Hour, there’s a chance she could continue her horrible behavior.

Have fun in Atlantis!

Sally Silverscreen

We Now Conclude Commencements of The “Eddie’s Year” Blogathon

On By 18cinemalane2 Comments

Hello everyone! Like any graduation ceremony, it’s time to conclude The “Eddie’s Year” Blogathon. This year’s event was a success, as it had a similar turn-out to last year’s Food & Film Blogathon. I apologize for not publishing my book review of Stranger Things: Flight of Icarus by Caitlin Schneiderhan. I actually didn’t get to completely read the book, as I had other blogging projects to write and publish around the time of The “Eddie’s Year” Blogathon. However, I was able to deliver my Comparing with the Critics reviews of King Kong Lives and The Fly. Those reviews, as well as the event’s other entries, showcased the creative storytelling 1986 had to offer. Through reading these entries, I was introduced to films that are new to me. I also learned something new and discovered interesting points about Eddie Munson I never thought of before. There will be a new blogathon on 18 Cinema Lane in 2027! The event’s details won’t be revealed yet, as I haven’t even chosen a theme. Until then, you can check out my upcoming reviews, editorials, and lists! To everyone who participated in The “Eddie’s Year” Blogathon, thank you so much for your contribution.

The “Eddie’s Year” Blogathon banner created by me, Sally Silverscreen. Original image created by 21 Laps Entertainment, Monkey Massacre, Netflix, and Upside Down Pictures.

Have fun at the movies!

Sally Silverscreen

Take 3: The Children’s Hour Review

On By 18cinemalane6 Comments

Audrey Hepburn is no stranger to 18 Cinema Lane. In the eight years I’ve been blogging, I have reviewed The Nun’s Story (which I liked), Funny Face (which I also liked), and Roman Holiday (which was, in my opinion, ok). For Classic Film And TV Corner’s Audrey Hepburn Blogathon, I decided to pick a movie I don’t often hear in the discussion of Audrey’s films. Over the years, I’ve heard 1961’s The Children’s Hour has been considered “controversial”. Though I wasn’t sure if the movie still carried that title today or if it once held that title when the film was originally released. Wanting to find an answer to that question, I selected The Children’s Hour to write about for the event. Another actor who’s no stranger to 18 Cinema Lane is James Garner. Despite only reviewing one of his films, Hallmark Hall of Fame’s Promise, I have seen other projects from his filmography, such as Atlantis: The Lost Empire, The Notebook, and Hallmark Hall of Fame’s Decoration Day. So, I was pleasantly surprised to discover James starred in The Children’s Hour.

The Children’s Hour poster created by The Mirisch Corporation and United Artists

Things I liked about the film:

The acting: As I said in this review’s introduction, I’ve written about three of Audrey Hepburn’s films; The Nun’s Story, Funny Face, and Roman Holiday. Through her roles in these films, Audrey has proven to be a very expressive actress who allows her characters to adapt to any situation. This sentiment holds true in The Children’s Hour, as Audrey portrays a teacher named Karen. One great example of Audrey’s expressiveness takes place during a conversation Karen shares with a doctor named Joe (portrayed by James Garner). Throughout their conversation, Karen shares her desire to get married. As soon as Joe agrees to marry Karen, her face lights up, complete with wide eyes and a big ear-to-ear smile. It also helps how this reaction from Karen appears genuine. Speaking of James Garner, I also want to talk about his portrayal of Joe. During his and Karen’s aforementioned conversation, Joe is frustrated by lack of funds and resources at the hospital where he works. As he takes Karen for a car ride, Joe carries that frustration on his face, from a narrowed stare to his mouth turning in a scowl. The look on Joe’s face is consistent from a previous conversation he shared with Karen’s friend, Martha (portrayed by Shirley MacLaine). In his and Martha’s conversation, Joe expressed his frustration through his facial expressions and tone of voice. This consistency, as well as his versatility, showed just how strong of a performance James gave in The Children’s Hour!

Like I mentioned earlier, Audrey portrays a teacher named Karen. This means throughout The Children’s Hour, Karen’s students appear in the story from time to time. Out of the young actresses who received lines in the movie, two of the strongest performances came from Karen Balkin and Veronica Cartwright! In The Children’s Hour, Karen portrays Mary, a manipulative girl who never takes ‘no’ for an answer. Meanwhile, Veronica portrays Rosalie, a fellow student of Mary’s who is terrified of Mary. Whenever Mary tries to control Rosalie into following a plan of hers, Rosalie’s terror for Mary is visibly displayed through her wide eyes and appearance of fear on the rest of her face. Even when she’s questioned about the rumor about Martha and Karen, Rosalie bursts into tears as Mary’s figurative grip on her is just too powerful. On the other hand, Mary’s mood changes depending on the situation. One moment, as she’s presenting flowers to another teacher named Lily, Mary displays a sweet demeanor with a smile on her face. But when Karen catches Mary in a lie about those flowers, Mary’s attitude immediately changes to being defensive, complete with a sharp tone of voice and an angry look in her eyes. The strong execution of Karen’s and Veronica’s performance made me, as a viewer, effectively empathize with Rosalie and despise Mary.

The dialogue: I brought up earlier in this review how Shirley MacLaine portrayed Karen’s friend, Martha. One of the reasons why I liked her performance was her execution of the dialogue. To add to this, some of the dialogue in The Children’s Hour was cleverly written. A great example takes place during a conversation between Martha and Karen. While bringing up the subject of money, Karen addresses her concern for Martha’s wardrobe. Martha casually and confidently responds to Karen’s concern by saying, “I’m a skirt-and-blouse character. We’re always in style”. Later in The Children’s Hour, Martha and Lily have a disagreement. During this disagreement, Martha suggests Lily leave to pursue her Broadway dreams, even offering to give her money. Lily refuses to accept Martha’s offer and says she’d “rather scrub floors first”. Martha, her voice fueled with sarcasm, replies “You’ll change your mind after the first floor”. The cleverness of the dialogue’s writing, as well as the dialogue’s delivery, was such a pleasant surprise!

The mise-en-scène: While watching The Children’s Hour, I noticed interesting mise-en-scène that was sometimes utilized during the movie. One example shows Mary spying on Karen and Martha as they share a conversation in Martha’s room. The door to Martha’s room is in the background near the left-hand side of the frame. In the foreground near the right-hand side of the frame is Mary’s face hiding behind the door of her room. Shots like the one I described present the illusion of putting the audience in a scene alongside the characters. This creative decision was, for me, an unexpected yet memorable aspect of the movie!

The Audrey Hepburn Blogathon banner created by Maddy from Classic Film And TV Corner

What I didn’t like about the film:

Telling instead of showing: Throughout The Children’s Hour, Martha and Karen recount how Mary’s rumor negatively impacted their lives and careers. They planned on filing a libel and slander lawsuit, but ended up losing that lawsuit. The rumor became national news, as Martha mentions it made the front page. But none of these events are shown in the film. No newspapers are presented with that rumor as headline news. There’s no courtroom scenes either, so the audience is forced to take Karen and Martha’s word for it. Because of the script’s reliance on telling instead of showing, the severity of the situation isn’t fully felt. The closest The Children’s Hour gets to addressing the severity is when the students actively leave the school.

Not addressing Mary’s accountability: Karen, Martha, and even Joe are hated by Mary because they do what Mary’s grandmother failed to do: hold Mary accountable for her bad decisions. This hatred is what caused Mary to start the rumor about Martha and Karen in the first place. But The Children’s Hour spends so much time focusing on the fallout from the rumor, Mary isn’t shown facing any accountability for creating the rumor. Sure, the rumor is debunked and Mary’s grandmother discovers the truth. However, the script never addresses what happened to Mary when the truth came to light. As a viewer who was waiting for Mary to face her comeuppance, I was disappointed.

Drawn-out scenes: There were a few times within The Children’s Hour where scenes were drawn out longer than necessary. One example is when Joe confronts Karen about the rumor. While I understand this scene was intended for Karen to debunk the rumor and re-confirm the status of her and Joe’s relationship, the scene itself felt like it lasted between five to ten minutes. Because there’s only so much story you can tell in an hour and forty-eight minutes, I believe scenes like the one I described should have been trimmed a bit.

Chalkboard image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/mathematical-operation-written-on-blackboard_1357576.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Freepik</a>. Image found at freepik.com.

My overall impression:

In the world of cinema, there are three types of movies: those that stand the test of time, those that were ahead of its time, and those that are a product of its time. Personally, I think The Children’s Hour fits in the latter category, primarily due to how the dialogue tries to skirt around the rumor instead of being straightforward about it. However, I don’t believe this makes The Children’s Hour a bad movie. In fact, the 1961 picture has its merits. The acting was solid, from Audrey’s portrayal of Karen and James’ portrayal of Joe to the performances from the younger actresses like Veronica and Karen. I also liked how clever some of the dialogue was and how the mise-en-scène was utilized. But the creative team behind The Children’s Hour didn’t take the opportunity to expand the story beyond the stage it was adapted from. The script relied on telling instead of showing, which prevented the severity of the situation from being fully felt. Some scenes were drawn out longer than necessary and Mary’s accountability for starting the rumor isn’t addressed in the story. Therefore, I like Funny Face and The Nun’s Story over The Children’s Hour.

Overall score: 6.1 out of 10

Have you seen The Children’s Hour? Which movie from Audrey Hepburn’s filmography would you like to see me review next? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Comparing with the Critics – Best of 1986 – The Fly

On By 18cinemalane4 Comments

This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

Out of the movies Roger Ebert and Gene Siskel picked in Siskel & Ebert & the Movies’ ‘Best of 1986’ episode, I believe Eddie Munson would choose The Fly. As I explained in my 1986 introduction of Comparing with the Critics, Eddie’s story teaches that, sometimes, there’s more than meets the eye. Plus, Eddie’s imagination and creativity not only works in his favor as a Dungeon Master, it’s also helped his friends during their time in the Upside Down. From the way Gene and Roger described The Fly in the aforementioned ‘Best of 1986’ episode, it seemed like a different kind of horror and sci-fi film. Roger claims “the poignancy” of The Fly “is interesting in a horror film”. Meanwhile Gene not only states “there was, if you think about it, a certain nobility to The Fly”, he also says “the movie is beautifully made”. Films from the horror and sci-fi genre are infrequently covered on 18 Cinema Lane. In fact, the only sci-fi and/or horror movies included in the Comparing with the Critics series, so far, are The Bride and Mad Max Beyond Thunderdome, which were both released in 1985. But what can be appreciated is the creativity and imagination woven into those two genres, whether it’s how the duel in the Thunderdome was filmed in Mad Max Beyond Thunderdome or giving Viktor a “hero’s journey” in The Bride. Though The Fly ended up on Roger’s top twenty best films of the year list, it did earn a place on Gene’s ten best films of ’86 list at number ten. However, despite not seeing every or most of the movies from 1986, The Fly would not be on my list of the top ten best films of that year. I also don’t think the film would be on Eddie’s top ten best films list either.

The Fly (1986) poster created by 20th Century Fox, Brooksfilms, Province of British Columbia Production Services Tax Credit, and SLM Production Group

While sharing his thoughts on The Fly, Roger tells Gene, “Goldblum, I think, deserves an Academy Award nomination”. While I agree with Roger’s sentiments on Jeff Goldblum’s portrayal of Seth Brundle, I also believe Geena Davis (who portrayed Veronica “Ronnie” Quaife) deserved a nomination from the Academy. Individually, Geena’s and Jeff’s performance was solid. From the tearful heartbreak Ronnie displays as Seth becomes unrecognizable to Seth’s erratic behavior over the course of the story, Jeff and Geena made their characters interesting to watch. But together, Geena and Jeff share very nice on-screen chemistry! In The Fly’s very first scene, Seth and Ronnie meet at a scientific event. Their interaction contains a sense of awkwardness, as they don’t yet know how they feel about the other person. But because Ronnie and Seth appear comfortable with who they are as individuals, the conversation isn’t embarrassing or cringey. Instead, it kind of comes across as flirty. Incorporating smiles, Seth’s widening eyes, and Ronnie’s glances away from Seth add to their growing feelings for each other. Even tilts of the head indicate how equally engaged they are in their interaction. The more I saw Seth and Ronnie together, the more I wished Jeff and Geena starred in another movie together portraying a couple!

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Gene tells Roger during their discussion of The Fly how he doesn’t believe science fiction movies, but was able to believe The Fly. One of the reasons why, according to Gene, is “it has to do with makeup”. The Academy certainly agreed with Gene, as The Fly won the Best Makeup category at the 59th Academy Awards. I also agree with Gene and the Academy. The idea of a human transforming into a fly sounds pretty disturbing and grotesque. Through the makeup design of Stephan Dupuis and Chris Walas, that aforementioned transformation was brought to life on screen in a believably horrifying way. At the start of Seth’s transformation, he develops little hairs on his back and his face appears discolored. But as the story progresses, so does his transformation. Seth’s teeth become pointy before falling out. His fingers morph together as his hands turn into the feet of a fly. Seth’s body even develops lumpy growths that make him look like a complete stranger. What adds to the horrifying nature of the makeup design is not just how believable the transformation itself appears, but also how realistic the effects look.

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During their coverage of The Fly in the ‘Best of 1986’ episode of Siskel & Ebert & the Movies, Roger comments on the believability of the movie. He tells Gene how “the screenplay was written and acted smart”. Roger also appreciated how Seth wasn’t a scientist “who speaks in cliches out of the thirties”. To add to Roger’s compliments, I’ll say that I liked how the story’s scientific ideas were woven into the script. Throughout The Fly, the topic of teleportation is discussed by Ronnie and Seth. What started as a magazine interview turns into a collaborative book. Over time, the focused topic changes to genetic fusion between Seth and a fly. Ronnie’s discovery and Seth’s computer lead to this specific topic being brought up. The way these scientific subjects were written into the story, as well as the dialogue, sounded intelligent enough to make the characters seem like they knew what they were talking about. As a viewer, I wasn’t confused by these concepts or didn’t feel like homework before watching the movie was required.

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As Gene sings the praises of The Fly, he refers to the movie as “a great adventure”. In my experience watching adventure stories unfold on screen, there’s usually a sense of urgency. This urgency can be the reason for reaching a particular destination, exploring a specific location, or finding a person or object. A featured scene from The Fly on Siskel & Ebert & the Movies’ ‘Best of 1986’ episode shows Seth revealing to Ronnie his continual transformation toward becoming a fly. That scene made me believe there would be a race against the clock to either slow down or reverse Seth’s transformation process. Sadly, the script did not provide a race against the clock because the movie lacked a sense of urgency. In fact, The Fly contains a slow-burn story where Seth slowly becomes a fly over the course of most of the film. The 1986 movie is one of those movies where the audience waits for the inevitable to happen. Because the title of the film, The Fly, gives the inevitable away, it makes the film itself predictable. This predictability removes some of the story’s suspense and intrigue.

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In the introduction of this review, I stated how The Fly would not be on my list of the top ten best films of 1986. I also said I didn’t think the film would be on Eddie’s top ten best films list either. The reasons are the movie’s lack of urgency and predictability. I could honestly picture Eddie either falling asleep during the movie or leaving the theater during the film. As I said in my review, The Fly is a slow-burn story and its predictability removes some of the story’s suspense and intrigue. But I don’t believe The Fly is a bad movie. The individual and combined performances of Jeff Goldblum and Geena Davis made their characters interesting to watch, as well as gave their characters nice on-screen chemistry. Chris and Stephan’s makeup effects effectively elaborated on the horrifying concept of a human becoming a fly. I also liked how the story’s scientific ideas were woven into the script. But despite all that praise, I didn’t like or love The Fly as much as Gene or Roger did.

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Comparing with the Critics – Worst of 1986 – King Kong Lives

On By 18cinemalane5 Comments

This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

In the 1986 introduction of Comparing with the Critics, I said Eddie Munson would see Roger Ebert’s and Gene Siskel’s warnings about King Kong Lives as a challenge. That’s because this movie was deemed so bad, no clips from it were featured on ‘The Worst Movies of 1986’ episode of Siskel & Ebert & the Movies. According to Roger and Gene, they received letters from King Kong Lives’ film company stating no clips of the movie were allowed to be shown on Gene and Roger’s national show, yet could be shown on their local show in Chicago. Wikipedia states the film company, DEG (De Laurentiis Entertainment Group), forbade the critics from showing clips on Siskel & Ebert & the Movies “unless they promised to give positive reviews”. Because neither Roger or Gene complied with DEG’s request, they used the experience as a warning to their audience not to see King Kong Lives, with Gene saying, “If you don’t believe me or Roger, believe the film company that, think about it, couldn’t find a single scene that it wanted you to see”. From my experience watching the “Best of” and “Worst of” episodes of Gene and Roger’s show, a featured movie with no clips presented for it is extremely rare. That’s why King Kong Lives not only became so memorable to me, but why I wanted to review the movie, wondering if it was truly that bad. But now that I’ve seen King Kong Lives, saying it’s so bad it justified the refusal of featuring clips on Siskel & Ebert & the Movies is a stretch.

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Gene claims King Kong Lives, which is a sequel to King Kong from 1976, “should have been a classy production”. I’m not sure “classy” is the right word to describe this film. What I will say is King Kong Lives is interesting. One of the factors that made the movie interesting was the use of suits to bring King Kong and Lady Kong to life. In order for King Kong to be saved, Lady Kong is incorporated into the story to provide a blood transfusion for King Kong. Over the course of the film, Lady Kong and King Kong develop a romantic relationship. Through the performances of Peter Elliott and George Antoni/Yiasoumi, King Kong and Lady Kong’s interactions became such a pleasant surprise! The blend of body language, tilts of the head, and movements of the eyes and mouth effectively expressed emotions, thoughts, and feelings without any dialogue. The actual construction of the suits allowed King Kong and Lady Kong to appear believably realistic. With all that said, I found Lady Kong and King Kong’s relationship adorable!

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When Hank “Mitch” Mitchell (portrayed by Brian Kerwin) is introduced in King Kong Lives, he gives the impression of being hungry for money and fame. This is because Mitch agreed to give Lady Kong to the Atlantic Institute. But as the movie goes on, Mitch subverts expectations by showing how he genuinely cares about Lady Kong’s wellbeing. One example is Mitch’s observation of how King Kong appeared to be treated better than Lady Kong. He’s even concerned about the wellbeing of Dr. Amy Franklin (portrayed by Linda Hamilton). When Amy tells Mitch how she’s spent her evening keeping an eye on King Kong after his heart surgery, Mitch encourages Amy to get some sleep. Mitch’s empathy and compassion toward Lady Kong, Amy, and even King Kong made him such a likeable character!

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Speaking of Brian Kerwin and Linda Hamilton, I’d like to take some time to talk about their performance. Over the course of King Kong Lives, Amy and Mitch’s attraction for one another grows. The on-screen chemistry between Linda and Brian was, in my opinion, very sweet. The relationship between Mitch and Amy felt genuine because of the combined performance of Brian and Linda. But, individually, they gave solid performances as well. When Lady Kong arrives at the Atlantic Institute through a plane trip, some photographers attempt to break into the plane to take Lady Kong’s picture. Mitch pulls those photographers out of the plane, taking note of how stressed Lady Kong appears. In that moment, Amy gains respect for Mitch as he puts Lady Kong’s needs before his own desires. When Mitch looks at Amy, she nods toward him, a look of understanding in her eyes. Later in King Kong Lives, Amy performs heart surgery on King Kong. As Mitch watches the operation unfold, he is consistently shown grimacing or appearing worried. From the look in his eyes to the movements of his mouth, Mitch’s reactions throughout the surgery appear believable. The examples I provided illustrate how both Linda and Brian put genuine effort into their performances!

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Prior to watching and reviewing King Kong Lives, I had never seen a King Kong movie. Therefore, my knowledge of the King Kong Cinematic Universe is very limited. Based on what I do know about King Kong, he is, sometimes, presented as a threat to humans. This depiction was chosen for the 1976 film, with clips from that film shown at the beginning of King Kong Lives. With that said, I was really confused why the Atlantic Institute would spend the time, energy, and money (seven million dollars to be exact) to keep King Kong alive? I was hoping an explanation would be provided through the dialogue. But, unfortunately, no explanations were included in the script. It seems like the creative team behind King Kong Lives expected their audience to already know why certain events were happening. But when certain things happen, such as a change in attitude toward King Kong, explanations that make sense within the world of that film’s story need to be shared. Lack of explanations in King Kong Lives is my biggest criticism of the movie.

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During their discussion of King Kong Lives, Roger recounts his experience seeing the movie at a theater. He tells Gene about a swinging door located behind the theater’s back row of seats. The children who attended Roger’s screening of King Kong Lives found that swinging door more entertaining than the film itself because, according to Roger, “there was nothing on the screen that was even slightly entertaining to them”. Though I found the film interesting enough to keep me invested in the story, I can understand why those children would find the movie boring. When someone chooses to watch a King Kong picture, they typically expect King Kong to be destructive. While he was destructive in King Kong Lives, those moments were far and few between. From my limited knowledge of the King Kong Cinematic Universe, King Kong Lives tells a different kind of story from previous films, including its directly connected predecessor from 1976. I appreciate this newer approach to the lore of King Kong instead of repeating the same ideas. On the other hand, however, it seems like King Kong Lives’s creative team may have told a story that felt too different to the audience.

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As a movie blogger, I totally understand Roger’s and Gene’s decision to refuse DEG’s request of showing clips of King Kong Lives on their Chicago show, but not their national show. In fact, I commend the critics for sticking to their morals and integrity. But DEG’s refusal to have clips of their film shown on Siskel & Ebert & the Movies did more harm to their film than good. Not only did this decision deny Gene’s and Roger’s audience an opportunity to choose for themselves whether they wanted to see the movie, it also made King Kong Lives, in my opinion, seem worse than it was. To me, the 1986 picture is a fine, interesting-enough presentation that kept me invested in the story. It took the King Kong lore in a newer direction than its predecessors, even addressing unique ideas, such as what it would take to save King Kong. But the lack of explanations left me confused why certain events were happening. In fact, the more I think King Kong Lives, the more questions I have about the King Kong Cinematic Universe. Are the King Kongs in the series’ later films a direct descendent of King Kongs from earlier chapters? Is there an overarching story woven into the series? Which events are officially a part of canon? Though these questions won’t get answers in this review, there is one thing I will say. King Kong Lives is another movie I disagree with the critics on.

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