Take 3: Mame (1974) Review (Golden Double Double Feature Part 3)

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Thanks for joining me for the third part of my Golden Double Double Feature! My review of 1974’s Mame is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Mame (1974) poster created by Warner Bros. and American Broadcasting Company (ABC)

1. Out of the movies from Bea Arthur’s filmography, why did you select Mame?

Similar to what I said about my decision to review Mask, I had no idea Bea starred in Mame until I saw the movie listed on her IMDB filmography. While I have heard of Mame prior to selecting it for the Golden Double Double Feature, I had never seen the film. But as I researched Mame before publishing this review, I learned the movie’s reception was mostly negative. Even though I watch every film I write about with an open mind, including Mame, the aforementioned reception led me to approach Mame with low expectations.

2. In Mame, Bea portrays Vera Charles. How is Vera Charles similar or different from Dorothy?

If I could choose one word to describe Dorothy Zbornak, it would be “honest”. In fact, her brutal honesty helps her achieve distinctiveness on The Golden Girls. I remember one scene on the show when Rose asks Dorothy if she can ask her a question. Dorothy matter-of-factly responded to Rose by saying, “Better than anyone I know”. Bea’s character in Mame, Vera Charles, shares this brutal honesty with Dorothy. The musical number, “Bosom Buddies”, perfectly highlights this characteristic. But there is a major difference between Dorothy and Vera. Because Vera is a stage actress, her personality is more dramatic. Meanwhile, Dorothy carries herself with a “tell it like it is” attitude. Though some viewers could perceive this type of attitude as rude, it has become appreciated not just by the other characters on The Golden Girls, but by the show’s fans as well.

3. According to Wikipedia, Mame was the Easter attraction at Radio City Music Hall. Yet, on The Golden Girls, it doesn’t seem like there was an Easter themed episode. Why do you think The Golden Girls didn’t capitalize on the Easter holiday?

Radio City Music Hall choosing Mame as their Easter attraction is a surprising decision. This is because, according to Wikipedia, Disney’s adaptation of Alice in Wonderland (a movie with more family-friendly appeal and a rabbit as one of the main characters) was re-released in March of 1974. To answer question number three, I believe the creative team behind The Golden Girls just never found an Easter themed story that was worth telling on the show. This belief is similar to my answer for the fifth question of my Hallmark Hall of Fame’s The Lost Valentine review, where I speculate why The Golden Girls never received a television film.

4. Was there anything about Mame you liked or didn’t like?

As I said in answer number two, Vera was a brutally honest woman with a dramatic personality. These qualities, along with a drier sense of humor, allowed Vera to add some comic relief to Mame. One of the film’s funniest scenes is when Vera wakes up in Mame’s bathtub after Mame throws an extravagant party the previous evening. To help Vera become more awake, Mame turns on the shower. Vera just stands in the middle of the bathtub, providing no reaction to the shower’s water. I found that lack of reaction hilarious because I wasn’t expecting Vera to just stand in the middle of the bathtub and simply appear irritated due to the interruption caused by the shower’s water. In my opinion, Bea’s portrayal of Vera stole the show!

According to IMDB, Mame has a run-time of two hours and twelve minutes. This run-time could be felt, especially after Mame’s nephew, Patrick, grows up. The second half of Mame was drawn-out, which caused the film’s pace to slow down. In fact, the overall pace of Mame was inconsistent because of how drawn-out the second half was. Had the movie been trimmed to about an hour and forty minutes, Mame’s pace could have been a bit faster.

5. Mame is an adaptation of its respective Broadway musical. Several musical moments were featured on The Golden Girls, from the song about Miami I mentioned in my Mask review to “The Sky Is Falling” number from the episode, ‘Henny Penny – Straight, No Chaser’. What Broadway musical do you wish had been referenced on the show?

Like I said in my third answer of my Mask review, the overarching story of The Golden Girls is grounded in reality, meaning the situations depicted on the show seem realistic, more often than not. Though I haven’t seen any performances of Cats, I have heard it’s a musical that prioritizes performance and presentation over the story, forcing the audience to suspend a lot of their disbelief. I’m not sure if Cats was ever referenced on The Golden Girls. But if it wasn’t, I wonder how a show like The Golden Girls would have incorporated a musical like Cats into the story?

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6. Did you develop any thoughts and/or questions while watching this film?

If you look at Mame’s poster, you’ll notice the bright colors sprinkled across the plain white background. This poster is such a good representation of the movie because Mame is a colorful film! The set and costume design adopts bold hues that nicely burst on screen. A great example presents itself during the musical number, “Mame”. All the men in that number, including Mame’s love interest, Beau, wear red riding jackets. Meanwhile, all the women, especially Mame, wear black riding jackets. These two colors effectively contrasted against the green foliage of the Burnside family plantation. While we’re still on the subject of the musical number, “Mame”, I want to talk about the choreography. As I just mentioned, the “Mame” number takes place at the Burnside family plantation. This sprawling space provided plenty of opportunities to showcase impressive dance sequences. Multiple groups of three men each leaped over hedges lining a walkway. These leaps felt reminiscent of horses jumping, which makes sense because, prior to the number, the characters participated in a fox hunt. Later in the number, both men and women leaped around a circular fountain. This creative choice was a simple yet visually appealing way of utilizing the landscape Mame’s creative team had at their disposal.

7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Mame?

Similar to when I reviewed Mask, there are several good answers I could choose for this question. Since I can pick only one “iconic staple” for Mame, though, I’ll select Vera’s telescope. In Mame, Vera portrays an astronomer in one of her plays. During the musical number, “The Man in the Moon”, Vera carries a beautiful telescope prop covered in gold glitter and pearls. Telescopes are typically associated with exploring, especially when it comes to space. This particular tool can help people see places and objects clearer, as well as discovering new possibilities. Mame’s musical number, “Open a New Window”, stresses one of the film’s major themes of opening your heart and mind to new opportunities, possibilities, and experiences in order to make life more fulfilling. What I said about the telescope perfectly correlates with this major theme from Mame!

8. Christmas plays a role in Mame, as “We Need a Little Christmas” is one of the movie’s musical numbers. Meanwhile, there are two Christmas episodes of The Golden Girls; ‘‘Twas the Nightmare Before Christmas’ and ‘Have Yourself a Very Little Christmas’. When it comes to Christmas stories, do the aforementioned episodes and Mame share any similarities?

Based on the “We Need a Little Christmas” musical number from Mame, as well as the synopsis for both Christmas episodes of The Golden Girls, I’d say a major similarity is how the events of each story affect a small group of characters to varying degrees. Though it’s a week before Thanksgiving, according to Patrick, Mame makes the decision to celebrate Christmas early. Because she, as well as the other characters in Mame, have been impacted by the Great Depression, she attempts to create joy during a time of hopelessness. Meanwhile, the “golden girls” not only discover Stan’s situation while volunteering at a soup kitchen together, they are also held hostage together by “Santa Claus”. Each Christmas episode of The Golden Girls emphasizes the characters working together to deal with the events affecting them.

9. Mame was released in 1974 (11 years before The Golden Girls premiered). Was there any element from the movie you think could have impacted the show?

I already brought up in this review how the musical number, “Bosom Buddies”, perfectly highlights Vera’s brutal honesty. However, this musical number also highlights how Mame can be brutally honest. The purpose of “Bosom Buddies” is to stress how, despite the brutal honesty among Mame and Vera, their friendship remains valued by each woman. As I was watching this musical number, I was reminded of the friendship between Sophia, Dorothy, Blanche, and Rose on The Golden Girls. There have been times where, at least, one of these women has been so honest, it catches the others off-guard. But, at the end of the day (or by the end of an episode), the friendship among the “golden girls” is cherished, even over a serving of cheesecake. So, to answer this question, I’d say the honest friendship in Mame could have impacted the friendship on The Golden Girls.

10. After watching Mame, is there anything you can take away from your movie-viewing experience?

When I answered question number one in this review, I brought up how I learned Mame’s reception was mostly negative. On IMDB, the film received a score of 5.9. Personally, I think the negativity toward Mame is a bit harsh. Yes, the movie has its flaws, such as its two hour and twelve-minute run-time. But, in my opinion, Mame is fine and entertaining-enough. The set and costume design clearly showed the film’s creative team had a strong vision and consistently stuck with it. The choreography was executed well, especially during the musical number, “Mame”. Bea’s portrayal of Vera was such a highlight, I wish she was featured in the movie more. Vera’s brutal honesty, dramatic personality, and drier sense of humor helped her steal the show! I’m honestly glad I approached Mame with low expectations. Those expectations were surpassed, allowing me to enjoy this film.

The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

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Sally Silverscreen

Comparing with the Critics – Worst of 1980 – When Time Ran Out…

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This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

My first review for my Comparing with the Critics series was the 1976 picture, Network. Not only is this one of William Holden’s films, I reviewed Network for the 6th Golden Boy Blogathon: A William Holden Celebration. Two years later, I’m doing it again; participating in the 7th Golden Boy Blogathon: A William Holden Celebration and selecting one of William’s movies for my Comparing with the Critics series. As the title states, that film is 1980’s When Time Ran Out…. I had heard of this movie because it was featured in Sneak Previews’ ‘The Worst Movies of 1980’ episode. In this episode, the overarching theme, according to Gene Siskel, was examining “some of the year’s lousiest films in terms of what they reveal about what’s wrong with the American film industry”. When it came to When Time Ran Out…, the problem was “some producers, Irwin Allen being one of them, who have a very low opinion of the audience. They think they can fool the audience and rope them into the same story over and over again”. I will admit I don’t watch as many “disaster” movies as Gene and Roger Ebert did when they were hosting their show. But based on the “disaster” films I’ve seen (and even reviewed), I don’t believe When Time Ran Out… should be considered one of the worst movies of 1980.

When Time Ran Out… poster created by International Cinema and Warner Bros.

A Lifetime movie I remember liking is 2009’s The Christmas Hope. Though it’s been years since I’ve seen the film, I do recall the interconnectivity between the characters, with each connection becoming more intriguing as the story went on. Interconnectivity between characters is an aspect from When Time Ran Out… I liked. When the story starts, the cast of characters are introduced living their own lives and dealing with their own situations. William Holden portrays Shelby Gilmore, a man who owns multiple hotels, including the Kalaleu Gilmore. Paul Newman also stars in When Time Ran Out… as Hank Anderson, whose work on oil rigs leads him to suspect a local volcano may erupt. Hank’s story connects with Shelby’s story because Hank warns Shelby, as well as Shelby’s business partner, Bob Spangler, about the volcano’s potential eruption. Each character’s connection, along with the cast’s on-screen chemistry, kept me invested in the movie while waiting for the eruption of the volcano. I was not only interested in how each character’s path crossed, but also how the volcano and its aftermath would affect the characters.

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Gene claims the problem with When Time Ran Out… is how “some producers” “think they can fool the audience and rope them into the same story over and over again”. As I admitted in this review’s introduction, I don’t watch as many “disaster” movies as Gene and Roger Ebert did when they were hosting their show. However, based on my experience watching When Time Ran Out…, I noticed how the story prioritized the characters’ reactions to the disaster instead of the spectacle of the disaster itself. While the erupting volcano is shown on screen, it isn’t sensationalized like one might expect from a “disaster” movie. The decision to prioritize characters’ reactions shows viewers how natural disasters can indeed have consequences. Some characters get hurt and even die, stressing how no one is invincible while nature has a mind of its own. The threat of a volcanic eruption alone can impact multiple industries, ranging from hospitability, natural resources, and scientific. When the story of When Time Ran Out… progressed, various responses to the eruption were on display. One example is how some of Kalaleu Gilmore’s guests are so desperate to leave the island, they board a helicopter and try to fly it themselves. Everything I just said made this “disaster” picture feel realistic.

The 7th Golden Boy Blogathon: A William Holden Celebration banner created by Emily from The Flapper Dame and Virginie from The Wonderful World of Cinema

During the segment about When Time Ran Out… in Sneak Previews’ ‘The Worst Movies of 1980’ episode, Roger says “the whole movie is made out of basic scenes we’ve seen dozens of times before”. Meanwhile, Gene criticizes the repetitive nature of When Time Ran Out…’s script as “cruel manipulation”, elaborating by saying “when the audience walks into a film like this and they see that there’s nothing there but that same old formula, I think they feel burned, I think they feel bad about movies in general.” While I agree with Gene and Roger that When Time Ran Out… possesses flaws, I disagree about the types of flaws the movie contains. I understand witnessing the connectivity between characters gave the script build-up to the inevitable volcanic eruption. However, the eruption itself took place at about the film’s halfway point, forcing the audience to wait half the movie for the eruption to happen. This creative decision also caused some of the characters’ resolutions to be wrapped up a little too conveniently for the sake of the run-time. I wish some more of the characters’ reactions to the eruption’s aftermath had been included in the script.

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In When Time Ran Out…, Shelby talks to Bob about “son of a famous father syndrome”, sharing how he always felt like he was under his father’s thumb. When his father passed away, Shelby says he felt a huge weight lifted off his shoulders. But when he found success, he believed it was hollow because his father wasn’t there to witness his success. Bob disagrees with Shelby’s view of success, saying how sweet success is. I find this discussion between Shelby and Bob ironic, as it takes place in a film Roger claimed was “a major box office flop”. When it comes to When Time Ran Out… itself, I found the film fine, intriguing, and interesting-enough. Due to the connections between the characters, I was invested in how they responded to the eruption and its aftermath. I also appreciate the creative team’s decision to adopt a more realistic approach to the eruption. That creative choice provides a strong reminder how unpredictable nature can sometimes be. Yes, When Time Ran Out… has its flaws. But because I don’t consistently watch “disaster” films, I didn’t pick up on the repetitiveness Roger and Gene did. Similar to when I reviewed Network, the 1980 picture is one I disagree with Gene and Roger on.

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Take 3: Mask (1985) Review (Golden Double Double Feature Part 2)

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Thanks for joining me for the second part of my Golden Double Double Feature! My review of 1985’s Mask is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Mask (1985) poster created by Universal Pictures

1. Out of the movies from Estelle Getty’s filmography, why did you select Mask?

I had no idea Estelle had starred in Mask until I saw the movie listed on her IMDB filmography. Prior to selecting it for the Golden Double Double Feature, I had heard good things about the movie. In fact, I learned about Rocky’s story as I researched the film before this review. By choosing it for this year’s double feature, I found the perfect excuse to finally check Mask out!

2. In Mask, Estelle portrays Evelyn Steinberg. How is Evelyn Steinberg similar or different from Sophia?

In Mask, Estelle portrayed Evelyn Steinberg. Evelyn is not only Rocky’s grandmother, but also the mother of Rusty (Rocky’s mom). While Evelyn is the mother of a main character like Sophia on The Golden Girls, she isn’t as outspoken or a storyteller like Sophia. Instead, Evelyn tries to keep the peace within her family and doesn’t get involved in family conflicts. She ended up receiving less screen-time in Mask than Sophia did on a typical episode of The Golden Girls.

3. Mask is based on the real-life story of Roy L. “Rocky” Dennis. Can you think of a time on The Golden Girls when real-life stories, themes, or ideas were woven into the script?

Though The Golden Girls is classified as a sit-com, the overarching story is grounded in reality, meaning the situations depicted on the show seem realistic, more often than not. One classic example is the sixth episode from the third season, ‘Letter to Gorbachev’. Because the episode aired on Halloween in 1987, that could have given The Golden Girls’ creative team an excuse to make a Halloween-themed episode. Instead, the creative team crafted a story where Rose writes a letter to both President Ronald Reagan and Soviet Premier Mikhail Gorbachev sharing her thoughts on nuclear war. Because nuclear war, as well as The Cold War, were two of the most discussed issues during the 1980s, fans of The Golden Girls were probably comforted by one of their favorite characters being just as concerned as they were about these real-life subjects. Rose’s decision to write the aforementioned letters also shows viewers how anyone, no matter their age, can make a difference.

4. Was there anything about Mask you liked or didn’t like?

I said in the past how I typically don’t gravitate toward “slice of life” stories. In my opinion, these types of stories are not as intriguing as other story types. But the “slice of life” approach to storytelling worked in Mask’s favor. It presented Rocky’s story as a glimpse into his life instead of the chronological presentation most biopics adopt. This creative decision brought something different to the biopic genre. What also worked in Mask’s favor was the strength of the acting performances. Each cast member, from Cher’s portrayal of Rusty or Eric Stoltz’s portrayal of Rocky, put genuine emotion behind their performance, finding the heart of the people they’re portraying and bringing the humanity to their names. That genuineness made me feel like I was watching people living their lives instead of actors portraying another person.

As I said in answer number two, Evelyn ended up receiving less screen-time in Mask than Sophia did on a typical episode of The Golden Girls. I was disappointed by her limited amount of screen-time, as Estelle is one of the reasons why I chose to watch Mask. According to Wikipedia, Evelyn “tries to mediate the tension between her husband and her daughter”. This statement made me believe she’d play a bigger role in the story. But as I already mentioned, Evelyn received a limited amount of screen-time. Her limited involvement in the story disappointed me as well.

5. Looking back on 1985’s box office, several movies, including Mask, feature younger protagonists (children, teenagers, young adults). Yet younger characters don’t often appear on The Golden Girls. If a younger character had been included within one of the show’s scripts, what kind of story would you have pitched?

One of the sweetest moments in Mask is when Rusty, her boyfriend, Gar, and their motorcycle friends help Rocky in his time of need. Rocky is worried about not having the appropriate attire for his upcoming junior high graduation. After hearing Rocky’s concern over what to wear, Gar tells Rocky to get him a beer from the refrigerator. When Rocky opens the refrigerator, he finds a brand-new suit his mom, Gar, and the rest of the motorcycle friends pitched in to pay for. Inspired by this moment, I would have advocated for a story on The Golden Girls where Dorothy helps one of her students attend either their graduation or prom by funding one of their expenses, whether it’s attire, a ticket, or a ride to the event. Blanche, Rose, and Sophia could also help Dorothy in her effort to assist her student.

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6. Did you develop any thoughts and/or questions while watching this film?

Rocky volunteers at a summer camp for blind and visually impaired youth called Camp Bloomfield. While there, he falls in love with a camper named Diana. They attend a New Year’s Eve themed camp party, which was officially called ‘New Year’s Eve in July’. While I’m familiar with the concept of ‘Christmas in July’, I’ve never heard of ‘New Year’s Eve in July’ before. This makes me wonder why the concept of ‘New Year’s Eve in July’ didn’t catch on in pop culture, let alone entertainment media?

7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Mask?

There are several good answers I could choose for this question. But, if I can select only one “iconic staple” for Mask, it would have to be Rocky’s map of Europe. Throughout the film, Rocky dreams about taking a motorcycle trip across Europe with his friend, Ben. He even places pins on the map to keep track of which cities he’d like to visit. Rocky’s map of Europe is a perfect visual representation of why dreams are important. However, the map is also a good representation of a lesson Rocky learned from one of Rusty’s motorcycle friends, Red. Rocky shares with Rusty how Red said a person’s spirit is everywhere after they pass away. This lesson, along with the map, show just how powerful the human spirit can be, even long after a person’s death.

8. The Golden Girls takes place in Miami, Florida. This location has been referenced throughout the show, from mentions within the dialogue to an entire song about the city. Does the setting in Mask impact the film’s story like Miami impacted The Golden Girls? If so, how?

Mask not only takes place in California, it was also filmed there. But this location doesn’t impact the story like Miami impacted The Golden Girls. That is because the script prioritized the connections Rocky had with the people in his life. This creative decision was reminiscent of home being more about who you share it with.

9. Mask was released on March 22nd, 1985 (six months before The Golden Girls premiered). Was there any element from the movie you think could have impacted the show?

Throughout Mask, Rocky is concerned about Rusty’s addiction to drugs. He not only places pamphlets about the subject in his home, he also directly confronts his mom about her addiction. The topic of drug addiction was woven into Mask in an honest way, realistically showing viewers how it can affect the person with the addiction as well as their family. As I mentioned in this review, the overarching story of The Golden Girls is grounded in reality, with several episodes incorporating real-life topics into the script. One example is the eighth episode from the first season, ‘Break In’. In this episode, Rose is shaken after a burglary takes place in the home she shares with Dorothy, Blanche, and Sophia. It not only gets to the point where Rose’s sleep schedule is impacted, the other “golden girls” (Blanche, Sophia, and Dorothy) encourage Rose to seek counselling. To answer question number nine, I believe Mask showed the creative team behind The Golden Girls how to honestly address real-life topics in their stories.

10. After watching Mask, is there anything you can take away from your movie-viewing experience?

Mask perfectly embodies the quote, “Those who mind don’t matter, and those who matter don’t mind”. The genuineness of the acting performances helped contribute to this embodiment, showing each actor’s and actress’s portrayal as someone realistically living their life. What also contributed to this embodiment was how Rocky’s story was told. Instead of adopting a chronological presentation, the creative team behind Mask chose the “slice of life” route, giving viewers a glimpse into Rocky’s life. Like I said in answer number one, I had heard good things about the movie. Now that I’ve seen Mask, I can honestly say this praise is warranted! In fact, I’d say this is one of the best biopics I’ve ever seen. Watching this movie reminded me of Amadeus, as both biopics brought something different to the genre’s table.

The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

Thank you for being a friend!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Lost Valentine Review (Golden Double Double Feature Part 1)

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Thanks for joining me for the first part of my Golden Double Double Feature! The majority of my review of Hallmark Hall of Fame’s The Lost Valentine is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Hallmark Hall of Fame’s The Lost Valentine poster created by Hallmark Hall of Fame Productions, Ridini Entertainment, and CBS

1. Out of the movies from Betty White’s filmography, why did you select Hallmark Hall of Fame’s The Lost Valentine?

When I created my Hallmark Hall of Fame tier rank list in 2020, I not only placed The Lost Valentine in the “Get It On Sale for Half Off” (a.k.a. Good) tier, I also recommended the film because of the use of flashbacks and recognition of Valentine’s Day. But it’s been over eight years since I’ve seen The Lost Valentine. While selecting the 2011 Hallmark Hall of Fame picture for this review, I didn’t know if my opinion on the film would remain the same as it was years ago. On my Year-Long Bingo Card, three of the bingo squares are “Review at least 2 Hallmark Hall of Fame films”, “Revisit a movie you haven’t seen in over 5 years”, and “Review a holiday themed movie that isn’t Christmas”. So, when I saw The Lost Valentine on Betty’s filmography, I remembered liking the movie, as well as how the movie would complete those aforementioned bingo squares.

2. In Hallmark Hall of Fame’s The Lost Valentine, Betty portrays Caroline Thomas. How is Caroline Thomas similar or different from Rose?

On The Golden Girls, Rose Nylund is known for her innocence and naivete. These qualities add charm to Rose’s character, as well as provide some of the show’s comedic moments. Betty’s character in The Lost Valentine, Caroline Thomas, lacks Rose’s naivete for two reasons. Caroline’s experiences during World War II and even afterwards give her an awareness of how unpredictable life can truly be. Her lack of naivete also makes sense with the story itself, as The Lost Valentine is a serious drama grounded in reality.

3. Hallmark Hall of Fame’s The Lost Valentine is based on a book by James Michael Pratt. What book adaptation would you have liked to see Betty star in?

    For 2024’s Eurovisionathon readathon, I read The Readers of Broken Wheel Recommend by Katarina Bivald. From what I remember of the book, I could picture Betty portraying a character from that story. Katarina crafted characters that sounded and felt distinct from one another. Plus, the small-town setting seemed Hallmark-esque, creating a sense of community through dramatic and comedic character interactions. The “golden girls” have distinct personalities on The Golden Girls, allowing each character to be unique. Even though the show is classified as a sit-com, there were emotional, serious moments woven into episodes. With all that said, I think a story like The Readers of Broken Wheel Recommend would have complimented Betty’s acting talents, as The Lost Valentine perfectly showcased her comedic and dramatic timing.

    4. Was there anything about Hallmark Hall of Fame’s The Lost Valentine you liked or didn’t like?

    As I mentioned in answer number one, I recommended The Lost Valentine because of the use of flashbacks. These flashbacks added context to the events presented on screen, especially when it came to Caroline’s part of the story. Meghann Fahy portrayed Caroline’s younger self while Billy Magnussen portrayed Caroline’s husband, Neil. Both Meghann’s and Billy’s acting performance was strong. But together, their on-screen chemistry effectively sold the believability of Neil and Caroline’s relationship! What works in the favor on this relationship is the emotional depth Billy and Meghann bring. A great example is how Caroline’s and Neil’s eyes possessed the pain of being apart from each other. Watching Meghann’s and Billy’s performance felt like witnessing a couple upholding their promise of love instead of two actors simply portraying characters. I wish Billy and Meghann had been cast in more Hallmark projects together.

    Jennifer Love Hewitt stars in The Lost Valentine as a television reporter named Susan Allison. Susan received a subplot where she contemplates her future with her boyfriend, Andrew. This is one of those subplots where you know the relationship isn’t going to last because the film’s female protagonist will eventually fall in love with the male protagonist, which, in The Lost Valentine, is Caroline’s grandson, Lucas. That creative decision led to Susan’s subplot being predictable. Instead, her subplot should have prioritized her reconciliation with her family, especially since Susan mentioned toward the beginning of The Lost Valentine how she doesn’t have a strong relationship with them.

    5. The Golden Girls didn’t receive any television films (like other shows such as Little House on the Prairie, Murder, She Wrote, etc.) In your opinion, why do you think this creative decision was made?

    A typical episode of The Golden Girls is about thirty minutes long. Meanwhile, most television movies receive a run-time between an hour and thirty minutes to two hours. If a tv show’s creative team chooses to make a made-for-TV movie, they need to create a story that justifies a longer length of time. So, I’m guessing the creative team behind The Golden Girls never figured out a story that couldn’t be told in half an hour.

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    6. Did you develop any thoughts and/or questions while watching this film?

    Like I said in my number one answer, it’s been over eight years since I’ve seen The Lost Valentine. Because of this, I had completely forgotten the humor woven into the story. Comedic moments sprinkled throughout the film was such a pleasant surprise for me. One of my favorite scenes was when Caroline reads a sports magazine to a group of veterans at a local hospital. While she’s talking about the New York Yankees, Caroline says she doesn’t hate the team, she just doesn’t like it when they beat a team she likes more. How that piece of dialogue was written, as well as Betty’s sweetly honest delivery, created a scene that was genuinely hilarious. Moments like the one I described alleviated some of The Lost Valentine’s heavier scenes yet never overshadowed the story’s serious subject matter.

    For this part of my review, I will spoil The Lost Valentine. If you have not seen this movie and are planning on watching it, skip ahead to question number seven.

    Toward the end of The Lost Valentine, after Caroline welcomes Neil home, she discovers rose buds growing on a rose bush in her garden. That specific rose bush was not only the first plant Caroline and Neil planted when they moved into their home, the rose bush was believed to be dead for the majority of the movie. When Caroline discovers the rose buds, she reminisces about Neil as she dances to music from the past. All of a sudden, a man who I assumed was Neil’s ghost appeared behind Caroline. After that, the hose Caroline was holding falls to the ground. But the scenes that follow are flashbacks of Caroline and Neil and scenes featuring Lucas and Susan. Is the fallen hose implying Caroline passed away, joining Neil in the afterlife? Or was Caroline so caught up in remembering the past, she dropped the hose by accident? That part of the story was, in my opinion, too open-ended for a stand-alone film. But because The Lost Valentine is based on a book, maybe the source material would provide a clearer explanation than the adaptation did.

    7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Hallmark Hall of Fame’s The Lost Valentine?

    You’d think I’d pick the titular valentine, as it plays a significant role in The Lost Valentine. But, instead, I’m choosing the red rose. When it comes to growing roses, it takes time, patience, commitment, and care. Even as Lucas wants to uproot a rose bush he believes is dead, Caroline reminds her grandson how she doesn’t give up on things that easily. These aspects perfectly represent some of the major themes of The Lost Valentine; like serving others and putting your love toward something you believe matters. Caroline’s rose bush also provides the story with a nice full-circle moment.

    8. The Hallmark Hall of Fame collection overlapped with The Golden Girls (in terms of existence). Why do you think Hallmark Hall of Fame didn’t try to capitalize on the popularity of the “golden girls”?

    From 1979 to 2011, Hallmark Hall of Fame movies aired on CBS. The Golden Girls existed on NBC. While Hallmark Hall of Fame and The Golden Girls overlapped (between 1985 to 1992), there were two to four Hallmark Hall of Fame films released per year, implying tighter production schedules. Though a typical season of The Golden Girls ran from September to May, a certain amount of time needed to be set aside to film episodes, especially since The Golden Girls was filmed in front of a live studio audience. These factors may have made casting any of the “golden girls” in a Hallmark Hall of Fame presentation difficult, but not impossible. However, trying to accommodate any of the “golden girls” schedules could have affected the schedules of the other cast and crew members of a Hallmark Hall of Fame project.

    9. Hallmark Hall of Fame’s The Lost Valentine was released in 2011 (19 years after The Golden Girls ended). Is there any element from the movie you wish was incorporated on the show?

      One of the overarching themes of The Lost Valentine is serving others. A great example is when Caroline visits veterans at a local hospital. On The Golden Girls, there were two episodes involving veterans; ‘From Here to the Pharmacy’ and ‘Charlie’s Buddy’. However, these episodes prioritized Rose’s and Blanche’s attempt to finding romance. As far as I know, there wasn’t an episode of The Golden Girls where the “golden girls” took the time to honor veterans. Therefore, I wish this type of story had been incorporated on the show. One example is the “golden girls” volunteering at an Honor Flight ceremony.

      10. After watching Hallmark Hall of Fame’s The Lost Valentine, is there anything you can take away from your movie-viewing experience?

      For years, Hallmark’s motto has been “When you care enough to send the very best”. Hallmark Hall of Fame’s The Lost Valentine perfectly represents that motto! The amount of care that Caroline put into waiting for Neil is a beautiful display of putting the needs of others before oneself, one of the major themes of The Lost Valentine. Other parts of the story represent this theme as well, such as Susan’s quest to find the truth about Neil’s whereabouts. By revisiting the 2011 Hallmark Hall of Fame movie, I was reminded why I like it. Strong elements, such as the acting performances and the screenwriting, made my movie-viewing experience enjoyable. I was also reminded of things I had completely forgotten, like the humor woven into the story. As I said in this review, the comedic moments alleviated some of The Lost Valentine’s heavier scenes yet never overshadowed the story’s serious subject matter. This is a Hallmark Hall of Fame movie that still holds up, even fifteen years later. Therefore, it will stay in the “Get It On Sale for Half Off” (a.k.a. Good) tier of my Hallmark Hall of Fame tier rank list!

      The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

      Thank you for being a friend!

      Sally Silverscreen

      Announcing The Golden Double Double Feature!

      On By 18cinemalane3 Comments

      When I publish one hundred posts, I create a double feature as one of 18 Cinema Lane’s traditions. My review of Autumn Sonata achieved the aforementioned milestone by becoming my one thousandth published post! But this was not the only milestone my Autumn Sonata review reached. That would also be becoming my four hundred and fiftieth published movie review! Because one post accomplished both milestones, I decided to do something different for this double feature. Instead of reviewing two movies, I’ll be reviewing four of them. As I thought about possible double feature themes, I came to a realization. Each of the “golden girls” (Bea Arthur, Betty White, Rue McClanahan, and Estelle Getty) has a filmography. So, for this double feature, I will cover movies featuring the stars of The Golden Girls! These films will be Mame, Hallmark Hall of Fame’s The Lost Valentine, The Little Match Girl, and Mask.

      The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

      Thank you for being a friend!

      Sally Silverscreen

      Take 3: Nelly Knows Mysteries: All Manners of Murder Review

      On By 18cinemalaneLeave a comment

      Compared to the previous decade, Hallmark hasn’t prioritized the mystery genre. While the network has released new titles, the overall quality has greatly fluctuated. Some pictures, like Haunted Harmony Mysteries: Murder in G Major and Curious Caterer: Foiled Plans, were solid projects that brought uniqueness to Hallmark’s table. But other pictures, like Mystery Island and Francesca Quinn, PI, left audiences desiring more. Hallmark also seems to be more selective about which titles receive a sequel. One of those titles is Nelly Knows Mysteries. I reviewed Nelly Knows Mysteries: A Fatal Engagement in 2024. Though I thought the movie was just ok, there were aspects that I believed could have provided multiple chapters to the story. So, when I discovered Nelly Knows Mysteries would receive a sequel, Nelly Knows Mysteries: All Manners of Murder, I wanted to check the film out (and review it) with an open mind. Is the second Nelly Knows Mysteries chapter better or worse than the first one? In order to solve this mystery, you’ll have to read this review!

      Nelly Knows Mysteries: All Manners of Murder poster created by Muse Entertainment, Hallmark Channel, and Hallmark Mystery

      Things I liked about the film:

      The set design: The majority of Nelly Knows Mysteries: All Manners of Murder takes place at Palmer Arlott’s house. Because the Arlott family is one of the more affluent families in Nelly’s neighborhood, the set design throughout Palmer’s home perfectly reflects this aspect of her life. One notable example is Palmer’s dining room. In the dining room, black walls surround the space, including a black wood wall over the fireplace. Gold frames around paintings nicely contrast with the dark hue of the walls. A detailed maroon rug is placed over the cherry wood floor. The cherry wood dining room set and the antique gold and crystal chandelier help balance the darker and lighter colors of the room. Even the fireplace boasted stone carvings. All of these details created a dining room that exuded elegance!

      How the mystery affects the protagonist: Murder mystery stories will often place so much emphasis on the protagonist solving the case, the case’s effect on the protagonist is rarely brought up. In Nelly Knows Mysteries: All Manners of Murder, Nelly shares her feelings about the murder to Michael. After the murder victim is discovered, Nelly feels guilty about the crime that took place. She believes if the dinner party the murder victim attended (and was hosted based on advice her advice column provided) hadn’t happened, no one would have been murdered. Not only does Nelly honestly express these feelings with Michael, Michael reassures Nelly what happened was beyond her control. Similar to Nelly Knows Mysteries: A Fatal Engagement adding realism by addressing one of Nelly’s flaws, acknowledging Nelly’s feelings about the murder mystery brought realism to Nelly Knows Mysteries: All Manners of Murder, as well as added a different story element to the realm of Hallmark mysteries.

      The costume design: When I reviewed Nelly Knows Mysteries: A Fatal Engagement, I praised Nelly’s wardrobe because it not only complimented Pascale herself, it was also stylishly presented on screen. This strength continues in Nelly Knows Mysteries: All Manners of Murder! Once again, Nelly incorporates pink into her attire, wearing a pink tweed jacket in one outfit. But the rest of the outfit was built around the jacket, with simple gold jewelry, black shoes, and black pants coordinating nicely with the jacket’s black and gold buttons. Green provides a bridge between the darker and lighter hues of the outfit, with Nelly wearing a green shirt and a green crossbody purse. While watching Nelly Knows Mysteries: All Manners of Murder, I noticed how the wardrobe of the other characters stood out! One great example is what Palmer wore when she was first introduced in the film. Similar to Nelly’s aforementioned outfit, Palmer wore a grayish blue tweed jacket, with the rest of the outfit built around the jacket. A white blouse, faded powder blue pants, and black shoes give a nice blend to the outfit’s varying colors. Palmer’s simple silver belt adds elegance to the outfit!

      Magnifying glass and fingerprint image created by Alvaro_Cabrera at freepik.com. <a href=’https://www.freepik.com/free-vector/loupe-over-a-fingerprint_853908.htm’>Designed by alvaro_cabrera</a>. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Alvaro_cabrera – Freepik.com</a>. Image found at freepik.com.

      What I didn’t like about the film:

      Lack of urgency: In my review of Sugar & Vice: A Hannah Swensen Mystery, I criticized the film’s lack of urgency. That flaw caused the movie’s pace to slow down and it drew the story out a bit. Nelly Knows Mysteries: All Manners of Murder also lacked urgency. More often than not, Nelly and Michael are shown sharing conversations between each other and other characters than actively solving the case. This made it seem like the protagonists took their time catching the culprit. Like Sugar & Vice: A Hannah Swensen Mystery, the pace of Nelly Knows Mysteries: All Manners of Murder was slowed down and the story felt drawn out due to the amount of urgency in the movie.

      Prioritizing the family drama: Prior to the murder taking place, Palmer invited her family over to her house to discuss who would receive her inheritance. Her decision causes drama among the Arlott family, every member having their reason for disagreeing with Palmer’s choice. But the script placed so much emphasis on the family drama, it ended up overshadowing the mystery. In fact, Nelly Knows Mysteries: All Manners of Murder felt less like a mystery story and more like an extended episode of a soap opera. If the script had found a balance between the family drama and the mystery, more intrigue would have been added to the film.

      Underutilizing Eli Flint: When Nelly Knows Mysteries: All Manners of Murder was announced back in January, it was revealed Eli Flint (from True Justice: Family Ties) would appear in the movie. I was looking forward to his inclusion in the story, especially since I believe this is the first cross-over between two Hallmark mystery titles. But when I saw Nelly Knows Mysteries: All Manners of Murder, Eli only appeared in two scenes. Not only that, his role in the mystery was minimal. Because Eli now has experience solving a mystery, it would make sense for him to play a larger role in the story. Underutilizing Eli’s skills and perspective was, in my opinion, a missed opportunity. For Hallmark’s first mystery cross-over, it was disappointing.

      Pancakes and Syrup image created by vextok at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/banner”>Banner vector created by vextok – http://www.freepik.com</a>. Image found at freepik.com.

      My overall impression:

      I recently said Sugar & Vice: A Hannah Swensen Mystery was an ok film not only because of the movie’s lack of urgency, but also because Hannah’s sister, Michelle, was underutilized in the story. I feel similarly about Nelly Knows Mysteries: All Manners of Murder. Like the latest Hannah Swensen Mystery chapter, the newest Nelly Knows Mysteries film lacked urgency, making it seem like the protagonists took their time catching the culprit. Eli Flint, from True Justice: Family Ties, was underutilized, despite his inclusion providing the first cross-over in Hallmark mystery movie history. But, like Sugar & Vice: A Hannah Swensen Mystery, Nelly Knows Mysteries: All Manners of Murder possessed elements I liked. The story, once again, welcomed realism by acknowledging Nelly’s feelings about the murder mystery. Another consistent strength was the costume design, perfectly suiting Nelly as well as the rest of the characters. The set design in the Nelly Knows Mysteries sequel was visually appealing and perfectly represented the affluence in Palmer’s life. But with me finding both Nelly Knows Mysteries titles just ok, I wonder what the future of this series is?

      Overall score: 6 out of 10

      Have you seen Nelly Knows Mysteries: All Manners of Murder? Would you like to see Hallmark cross over more of their mystery films? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Sunset Over Hope Valley: A Community That Doesn’t Dissolve

      On By 18cinemalaneLeave a comment

      The residents of Benson Hills will move back home after the Harvest Festival. But in this season’s finale of When Calls the Heart, some of Elizabeth’s students from Benson Hills are hesitant to return home. This is because they’ll miss the friends they’ve made in Hope Valley. Elizabeth reassures these students they are always welcome to return to Hope Valley, saying, “A community doesn’t dissolve just because we don’t see each other every day”. Her quote is the perfect way to describe When Calls the Heart. Hope Valley and its residents haven’t dissolved because the show airs for a certain period of time. The creative team thinks of new ways to continue to story. Filming and editing are completed in between seasons. In the context of the story itself, Hope Valley’s residents are living their lives to their fullest. With a fourteenth season on the way, the world of When Calls the Heart will continue to stay.

      Just a reminder: If you did not see the season finale of When Calls the Heart, there will be spoilers within this re-cap.

      When Calls the Heart season thirteen poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

      Season: 13

      Episode: 12

      Name: Harvest Moon

      LJ is still disappointed he isn’t allowed to travel to Parson’s Peak. Nathan creates an alternative by giving LJ an opportunity to climb to the top of Hope Valley’s water tower. Not only does Nathan’s plan work, other children want to climb the water tower too. Meanwhile, Nathan tries to find the perfect time to propose to Elizabeth. But Bill advises Nathan to propose when the moment feels right. Nathan lets Allie know this is how his proposal will go. While the Harvest Festival is going on, Nathan takes Elizabeth to the top of Hope Valley’s water tower and finally proposes to her. Elizabeth accepts this proposal, meaning a wedding is in her future.

      On her last day of school before going home to Benson Hills, Gwen wears the dress Rosemary made for her toward the beginning of the season. But the dress becomes dirty and ripped during a baseball game. Gwen is upset by the destruction of the dress, believing she ruins everything. But Rosemary insists Gwen has brought so much joy to the lives of the Coulter family. Before going back to Benson Hills, Gwen gives each member of the Coulter family a gift. Lee receives a fishing hook, Rosemary gets a hand-carved picture frame, and Goldie is given a pair of dolls.

      Fancy jewelry image created by Freepic.diller at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding photo created by freepic.diller – http://www.freepik.com</a>. Image found at freepik.com.

      Edie returns to Hope Valley to help collect insurance claims for the rest of Benson Hills’ residents. Lucas sees this as a second chance to share his feelings for Edie. At the Harvest Festival, Lucas announces he’ll be stepping down as Governor. However, he will give his support to Maisie’s campaign. Maisie is unsure whether she should run for Governor in the upcoming election. But Mike gives her encouragement, which helps Maisie accept Lucas’ nomination. Meanwhile, at the Queen of Hearts, Lucas and Edie have a heart-to-heart conversation about their relationship. Not only do Edie and Lucas share a kiss, Lucas also agrees to go to New York with Edie, where she’ll be going to help the Franklin And Sons Foundation.

      Angela surprises her family by coming back home to Hope Valley. The Canfield family surprises Angela not only with the café’s new name, Minnie’s Café, but also an official café sign in Braille. During her visit to Hope Valley, Angela reconnects with Allie. At the Harvest Festival, Angela senses Allie and Oliver like each other. Allie claims she and Oliver are just friends. But Angela respectfully disagrees, believing there’s something more to Oliver and Allie’s relationship.

      Image by hannazasimova on Freepik

      Some thoughts to consider:

      • Last December, Hallmark confirmed Lori Loughlin would return to When Calls the Heart in six of season fourteen’s episodes. These creative decisions were divisive due to Hallmark’s response to Lori’s involvement in 2019’s college admissions scandal. What’s even more divisive is making Lori’s return to the show the “cliffhanger”/major selling point for season fourteen. While some Hearties are supportive of Lori’s return, other Hearties will not agree with this decision. Therefore, I think the aforementioned creative choices could divide When Calls the Heart’s fanbase more than the love triangle between Elizabeth, Lucas, and Nathan did. I also believe Lori’s return could cause When Calls the Heart to lose instead of gain viewership.
      • When I’ve talked about When Calls the Heart, I sometimes brought up the creative team’s habit of making promises to their audience they knew they couldn’t keep. Rosemary’s Playhouse is the most recent example. As I said in the introduction of season thirteen’s premiere re-cap post, I have been waiting for Rosemary’s dream of opening a theater to come true for over ten years. It was bad enough taking the Playhouse away from Rosemary before it was shown on screen. But what’s even worse was the script spending more time reminding the audience of the Playhouse’s destruction than trying to restore Rosemary’s dream. As a long-time fan of When Calls the Heart, I find these creative decisions cruel and unnecessary.
      • The best aspect of season thirteen, in my opinion, was the introduction of Fernando. In my re-cap post for this season’s sixth episode, I said I really hope Fernando becomes a series regular on When Calls the Heart. But throughout season thirteen, he only appeared in three episodes. Plus, within the context of the show’s story, Fernando wasn’t given much to do. With all this said, I wonder what the intended purpose was for his incorporation in season thirteen? Plus, if When Calls the Heart’s creative team always planned on having Edie and Lucas develop a romantic relationship, why would Fernando be included in that dynamic between himself, Edie, and Lucas?
      • Now that season thirteen has concluded, I can express my honest opinion on the season as a whole. Personally, I think it’s a mixed bag. Episodes one through six were strong because they prioritized the mystery surrounding the fire. When I watched those episodes, I honestly thought season thirteen would be one of the best seasons of When Calls the Heart. But from episode seven to the season finale, the priority shifted toward stories with lower stakes. The suspenseful and intriguing momentum built up within the first six episodes stalled in favor of stories like Rosemary’s silent movie and LJ’s memory scavenger hunt. Because of this, season thirteen felt like it ended on a whimper.
      Sunset image created by Photoangel at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Photoangel – Freepik.com</a>.<a href=’https://www.freepik.com/free-photo/red-sunset-clouds-over-trees_1254327.htm’>Designed by Freepik</a>. Image found at freepik.com.

      What are thoughts on When Calls the Heart’s season thirteen finale? Do you think Lori Loughlin should return to the show? Let me know in the comment section.

      Have fun in Hope Valley.

      Sally Silverscreen

      Sally Watches…Murder, She Wrote (Absence Makes the Heart Grow Fonder)!

      On By 18cinemalane2 Comments

      For this year’s Favourite TV Show Episode Blogathon, I decided to talk about a show I haven’t discussed in a while. Reflecting on the programs covered on 18 Cinema Lane, I made a surprising discovery. The last time I reviewed any episodes of Murder, She Wrote was all the way back in 2020, when I wrote about Van Johnson’s episodes of the show. To make up for lost time, I selected three episodes of Murder, She Wrote for the 12th Annual Favourite TV Show Episode Blogathon! But, for this year’s event, the episodes I chose correlate with the dates of the blogathon. In fact, each Murder, She Wrote episode is reviewed in order of the blogathon’s dates. Also, each episode review will cover what I liked about the episode, what I didn’t like about the episode, the mystery itself, the other factors from the episode, and my overall thoughts. So, now let’s begin this review of these episodes of Murder, She Wrote!

      Name: The Dream Team

      Season 11, Episode 18

      Premiere Date: March 19th, 1995

      Screenshot of ‘The Dream Team’ title card taken by me, Sally Silverscreen.

      What I liked about this episode:

      Any time I’ve reviewed television show episodes, I have rarely addressed the dialogue as a strength of the episode. But in the case of this Murder, She Wrote episode, ‘The Dream Team’, the dialogue was cleverly written! Before attending a presentation about a development project from a company called Marina Americana, Jessica gives Seth some books about lighthouses. These books are intended to help Seth craft a strong argument for saving Cabot Cove’s lighthouse, which is an important landmark in the town. When Jessica brings up how the books could provide information for the hook of Seth’s argument, Seth says, “The hook I showed you last night will do just fine, thank you”. Sheriff Mort Metzger replies to Seth, “Maybe for the worm hanging from it”. At the presentation, Jessica’s nephew, Grady, reveals his colleague, J. Peter Carmody, plans to restore the lighthouse. Caught off-guard by this revelation, Metzger says, “Yeah, I think he [J. Peter Carmody] was rendered speechless by the Doc’s party trick; putting both feet in his mouth at the same time”. Along with being cleverly written, these quotes I brought up were hilarious!

      What I didn’t like about this episode:

      The beginning of a typical Murder, She Wrote episode will take the time to establish the characters and their potential motives. This creative decision gives the audience options in figuring out whodunit, as well as provide the story with red herrings. The establishment of characters and their motives in ‘The Dream Team’ took about half the episode. With the titular murder taking place at the episode’s halfway point, the audience is only given half the episode to help Jessica solve the case. Personally, I prefer stories that give viewers more time to figure the mystery out.

      The mystery itself:

      There are two interconnected stories in ‘The Dream Team’; the murder of a developer’s wife and the Marina Americana development project. But in this almost hour-long episode, more emphasis was placed on whether the development project would come to fruition. It also doesn’t help how, as I mentioned earlier, the audience was only given half the episode to figure the mystery out. In some Murder, She Wrote episodes, the guilty party will be revealed based on at least one small detail most viewers may miss. Though this was the case for ‘The Dream Team’, several smaller clues led up to the culprit’s reveal. Overall, I wish there was a balance between both stories and the audience was given more time to help Jessica solve the case.

      The other factors from this episode:

      • As Seth explains his thoughts on the Marina Americana development project, Jessica expresses her impatience over how long Seth takes to get to his point. Seth then tells Jessica, “Now that you’re living in New York, you’re becoming as impatient as the rest of those people down there”. In several episodes of Murder, She Wrote, Jessica lived in New York, though this new living arrangement was only meant to be temporary. By having Seth address this part of Murder, She Wrote’s story, it was a good way to incorporate the show’s continuity.
      • While we’re on the subject of Seth, I want to address his desire to save Cabot Cove’s lighthouse. At the beginning of ‘The Dream Team’, Seth is against the Marina Americana development project because he fears the lighthouse will be destroyed. He goes so far as to create flyers in an attempt to make the developers feel guilty about risking the lighthouse’s future. However, the amount of time, money, and resources Seth puts toward those flyers could have gone toward actually restoring the lighthouse he claims to care about. If anything, Seth prioritizes talking about the problem instead of trying to solve it.
      • Grady is one of the developers of the Marina Americana development project. But when the fruition of the project is in jeopardy, so is Grady’s job. When he shares this information with Jessica, he says, “It’s so damn frustrating. I really believed in this project and, well obviously, so did a lot of other people”. What Grady said brings up an excellent point about how a neighborhood’s residents are not the only people impacted by any change within a neighborhood. In fact, I hadn’t come to this realization until I heard Grady’s quote.

      My overall thoughts:

      The way I feel about ‘The Dream Team’ is similar to how I feel about ‘The Legacy of Borbey House’; disappointment that Cabot Cove’s maintenance received precedence over the mystery itself. Also, like ‘The Legacy of Borbey House’, the entire first half of ‘The Dream Team’ was devoted to establishing characters and their potential motives. This left only half the episode for the audience to help Jessica solve the mystery. However, I did find the dialogue cleverly written. The examples I provided in this review were hilarious as well. I not only liked the inclusion of Murder, She Wrote’s continuity, I also found Grady’s quote thought-provoking. What I also found thought-provoking was the idea of Cabot Cove changing. As I watched ‘The Dream Team’, I thought about what would happen if Cabot Cove were a real town. Would it adapt with the times or would it stay frozen in time?

      Rating: A 3 out of 5

      The 12th Annual Favourite TV Show Episode Blogathon banner created by Terence from A Shroud of Thoughts

      Name: Dead to Rights

      Season 9, Episode 18

      Premiere Date: March 21st, 1993

      Screenshot of ‘Dead to Rights’ title card taken by me, Sally Silverscreen.

      What I liked about this episode:

      In this episode of Murder, She Wrote, ‘Dead to Rights’, Jessica’s former researcher, Dana Ballard, is accused of murdering her new boss. A major reason for this accusation is how she constantly lies. Dana goes so far as to impersonate Jessica, as well as change Jessica’s answering machine message, in order to be selected for a new job. But one person who sees past Dana’s lying is Missy, the wife of Dana’s new boss, Ethan. During a conversation between the two women, Dana shows off a sweet, even a bit naïve, personality, acting as if she’s oblivious of Missy’s suspicions. When Missy confronts Dana about her suspicions, Dana effortlessly transforms into an irritated, manipulative woman. Because of the screenwriting and Molly Hagan’s (the actress who portrayed Dana) performance, the creative team behind ‘Dead to Rights’ did a good job at establishing Dana as a potential suspect. However, I would like to point out the script provides a reason for Dana’s lying; “borderline psychosis” (as Jessica put it).

      What I didn’t like about this episode:

      As I just mentioned in this review, Dana is accused of murdering her new boss, Ethan. While this gave Jessica a personal reason for solving the case, the majority of the story focused on proving Dana’s innocence. ‘Dead to Rights’ did a good job at establishing characters and their potential motives. However, this build-up became an afterthought as the episode progressed due to the aforementioned focus on the truth about Dana. Similar to ‘The Dream Team’, the guilty party in ‘Dead to Rights’ was revealed based on a small detail. Had the script provided a balance between proving Dana’s innocence and figuring out who was guilty, the story might have been stronger.

      The mystery itself:

      Like I’ve already stated in my review, most of the story focused on proving Dana’s innocence. I also stated how the mystery’s guilty party was revealed based on a small detail. Another aspect of the mystery I’d like to bring up is how Jessica works with a lawyer named Vincent to solve the case. Typically, Murder, She Wrote shows Jessica collaborating with police officers, detectives, or investigators when it comes to catching whodunit. So, seeing Jessica engage with the more legal side of the mystery genre was a good change of pace for her!

      The other factors from this episode:

      • Some scenes in ‘Dead to Rights’ show a large train display the length of the entire wall in Ethan’s office. This train display not only surrounds a miniature town, a large painted backdrop of a desert landscape covered the wall behind the train display. Even though the train display and everything surrounding it was impressive, its inclusion in ‘Dead to Rights’ was random. None of the characters acknowledged the display itself. Plus, Ethan’s reason for the display being in his office was never provided.
      • Toward the beginning of the episode, on-screen text reveals how most of the story takes place in Portland, Maine. But in an establishing shot of a hotel’s exterior (implying that’s the hotel Jessica is staying at), Maine’s state flag is not displayed on the hotel. Instead, the state flags for Maryland, Virginia, and Washington D.C. are prominently featured on the hotel’s exterior. In past reviews of Murder, She Wrote, I have complimented the show’s creative team for its location scouting because of how visually appealing the locations themselves have been. So, I’m surprised this film-making mistake went overlooked.
      • During Jessica’s and Vincent’s investigation, Vincent turns to a woman named Wanda for assistance. A few scenes show Vincent and Jessica visiting Wanda at her home. Her office/living room is filled with a collection of décor; from a cylindrical fish tank to a colorful pinball game. Because Wanda had such a quirky personality, the creative team behind ‘Dead to Rights’ did a good job utilizing these pieces of décor to paint a picture of who Wanda is. The décor itself also made Wanda’s home look like a cool space!

      My overall thoughts:

      At best, ‘Dead to Rights’ is an ok episode. But, at worst, the story was weaker than I had hoped. So much emphasis was placed on proving Dana’s innocence, the build-up of the characters and their potential motives became an afterthought as the episode went on. What I also found frustrating was how the guilty party was revealed based on a small detail I think most viewers might overlook. However, there are aspects of ‘Dead to Rights’ I liked. The combination of Molly Hagan’s performance and the screenwriting effectively established Dana Ballard as a potential suspect. The episode’s creative team did a good job showcasing Wanda’s personality through the set design. However, there were some questionable creative choices, like Ethan’s train display and the lack of Maine state flags on the hotel. Now I wonder what other production errors from Murder, She Wrote actually appeared on the show?

      Rating: A 3 out of 5

      As I point out in this screenshot, the on-screen text clearly states most of the story takes place in Portland, Maine. Screenshot taken by me, Sally Silverscreen.
      In this establishing shot, these flags would indicate the hotel is not located near Maine. Screenshot taken by me, Sally Silverscreen.

      Name: No Accounting for Murder

      Season 3, Episode 19

      Premiere Date: March 22nd, 1987

      Screenshot of ‘No Accounting for Murder’ title card taken by me, Sally Silverscreen.

      What I liked about this episode:

      One of the strengths of Murder, She Wrote has been the set design. This episode, ‘No Accounting for Murder’ is a perfect example of this statement! The accounting firm Grady works for is one of the most opulent looking businesses I’ve ever seen in entertainment media. The office of a colleague named Paul Carlisle boasts stunning design choices, including gold wallpaper that sparkled in the light, a white upholstered office chair, and gold décor. Even the accounting firm’s lobby fit the opulent style found in Paul’s office! Deep wood pillars and window frames provide a nice contrast to the light-colored carpet and wallpaper. Similar to Paul’s office, the sofa in the lobby was also upholstered. A gold table lamp adds a touch of elegance to the space. Once again, the creative team behind Murder, She Wrote knew what they were doing when it came to designing this particular set!

      What I didn’t like about this episode:

      When I reviewed ‘The Dream Team’ and ‘Dead to Rights’, I talked about how the characters and their potential motives were established within the story. But in ‘No Accounting for Murder’, some of the characters aren’t given a potential motive. The characters that do have a potential motive receive it as the story went along instead of toward the beginning of the episode. What also didn’t help was how the culprit was revealed because of a small detail mentioned by one of the characters. The fact only some characters were given a potential motive caused the script to lack red herrings.

      The mystery itself:

      There are two mysteries within ‘No Accounting for Murder’; the murder of one of Grady’s colleagues, Ralph Whitman, and the “ghost” inhabiting the accounting firm. Unlike the stories in ‘The Dream Team’, the stories in ‘No Accounting for Murder’ didn’t feel connected. In fact, each story felt like it belonged in their own separate episode. Personally, I thought the “ghost” story was more intriguing, as there were more mysterious elements to it. By the episode’s conclusion, however, I was disappointed by the unsatisfactory resolution of that story.

      The other factors from this episode:

      • In ‘No Accounting for Murder’, Jessica works alongside Lieutenant Timothy Hanratty while trying to solve the case. In a car ride through New York City, Timothy brings up some of Jessica’s past cases and even wonders why she hasn’t received a gold badge from her own police department yet. Jessica replies by saying, “It’s just a quirk of mine, really. The way I see things, you know?” When Jessica said this, I thought about other detectives, both amateur and professional, from entertainment media. They seem to possess a gift for observation, picking up on little details buried among facts, clues, and speculation. What these characters bring to their respective tables is just extraordinary. Any time I’ve watched Murder, She Wrote, I believed Jessica just happened to be that good at being a detective. But after watching ‘No Accounting for Murder’, I now see Jessica possessing a brilliance, similar to other detectives from television and film.
      • Last year, when I reviewed the Touched by An Angel episode, ‘Sympathy for the Devil’, I brought up one of the most unintentionally funny moments of the show; when Ty Duncan called his son “Chicken Boy” as an insult. In the Murder, She Wrote, episode, ‘No Accounting for Murder’, an unintentionally funny moment took place during a confrontation between Paul and the murder victim’s wife, Lana Whitman. As an insult, Lana calls Paul an “arrogant horse’s batootie”. Because of how goofy this insult sounded, I ended up bursting out laughing.
      • While watching ‘No Accounting for Murder’, I spotted a familiar face among the cast of characters. Ron Masak portrayed a salesman named Marty Giles, who happened to be a potential suspect. Fans of Murder, She Wrote would recognize Ron as Sheriff Mort Metzger, one of the most beloved residents of Cabot Cove. This discovery was such a surprise for me, as I didn’t know Ron had portrayed other characters on Murder, She Wrote besides Metzger. This makes me wonder how often actors and actresses portrayed more than one character on Murder, She Wrote?

      My overall thoughts:

      Like ‘The Dream Team’ and ‘Dead to Rights’, ‘No Accounting for Murder’ was just ok. Even though I liked the accounting firm’s set design, I didn’t like how some of the characters didn’t receive a potential motive. I also didn’t like how the mystery stories felt disconnected. However, the “ghost” story was intriguing enough to keep me invested in the episode, despite its resolution being unsatisfactory. ‘No Accounting for Murder’ has made me see Jessica in a slightly different way, leaving me appreciative of what she has to offer to the mystery genre’s table. It was nice to see Ron Masak appear in this episode as well. But as I look back on the episodes of Murder, She Wrote I’ve written about, ‘No Accounting for Murder’ will not be reflected on as fondly as other episodes.

      Rating: A 3 out of 5

      Design details like the sparkling gold wallpaper and the velvety green curtains add opulence to the set. Screenshot taken by me, Sally Silverscreen.
      The opulence I mentioned while discussing Paul’s office is also reflected in the lobby of the accounting firm. Screenshot taken by me, Sally Silverscreen.

      What are your thoughts on these episodes of Murder, She Wrote? Are there any episodes you’d like to see me review? Tell me in the comment section!

      Have fun in Cabot Cove!

      Sally Silverscreen

      Sunset Over Hope Valley: Heroes in Disguise

      On By 18cinemalaneLeave a comment

      The trial over the fire investigation has finally taken place. But as the trial goes on, hope seems to be slipping away from Hearties’ favorite characters. Until a hero in disguise swoops in to save the day. Throughout the lifespan of When Calls the Heart, heroes have come and went in Hope Valley. Sometimes, their actions have been grand, attracting the attention of everyone affected. But other times, these heroic actions have been quieter, causing a ripple effect that is felt by the other characters. What the heroes of Hope Valley have in common is how they are disguised as neighbors, friends, and family. They are ordinary residents who go the extra mile for the people around them. When the heroism of Hope Valley’s heroes is recognized, they don’t allow the attention to get to their head. Instead, they remain humble and continue to be their genuine selves.

      Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

      When Calls the Heart season thirteen poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

      Season: 13

      Episode: 11

      Name: Trials and Trails and Tribulations

      Major story:

      Because Benson Hills’ courthouse is still under construction, the fire investigation’s trial is taking place in Hope Valley. The judge overseeing the trial is Judge Wakefield. When both sides are questioned, they recall information that was discovered in this season’s previous episodes. However, Judge Wakefield won’t allow the information discovered from the “drip test” to be used in court, as he feels it is entrapment. As a final effort to find Christopher, Elizabeth suggests having Henry contact his son through Rosemary’s radio show. This plan ends up working, as Christopher shows up to court with the buried transformer. His confession helps Judge Wakefield declare National Insurance and Pioneer Electric guilty of starting the fire.

      Courtroom image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/isometric”>Isometric vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

      Minor stories:

      Nathan prepares to propose to Elizabeth. But, as he tells Allie, he wants the proposal to take place after the trial. When the trial eventually concludes, Nathan decides to propose to Elizabeth during dinner. As he’s about to ask Elizabeth the long-awaited question, the dinner is interrupted by Allie. According to Allie, LJ climbed up a tree but had difficulty climbing down. When Elizabeth and Nathan rescue LJ, LJ expresses his frustrations over not being allowed to travel to Parson’s Peak. Elizabeth worries about LJ missing out on adventures. However, Nathan reassures Elizabeth how she’ll know when it’s the right time to let LJ spread his wings and fly.

      Lucas works on preparations for his re-election campaign. One of those preparations is practicing for an upcoming debate. As Lucas makes his case for why he deserves to be re-elected, Maisie acts as his debate opponent. When Lucas expresses his frustrations over how little he believes he accomplished, Maisie encourages him to love the game or find a new one. Meanwhile, Joseph is hesitant to forgive Christopher for not coming forward with the truth about the fire sooner. Cooper, on the other hand, is willing to forgive Christopher, even pointing out how Joseph’s recent sermon was about forgiveness. Joseph explains to his son how he isn’t ready to forgive yet.

      Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

      Some thoughts to consider:

      • While I’m glad the fire investigation and its trial was resolved, the resolution was, in my opinion, a bit predictable. In season thirteen, episodes one through six prioritized the mystery surrounding the fire. But since episode seven, the priority shifted toward stories with lower stakes, such as Rosemary’s silent movie. Even in this episode, it almost feels like When Calls the Heart’s creative team wanted to complete this story just so they could move on to something else. I wish the resolution to the fire investigation and its trial had included a plot twist to add some excitement to that story.
      • According to the commercial for the season finale (as well as fan responses on social media), a lot of people expect Elizabeth and Nathan to become engaged at the end of season thirteen. But I think Nathan’s proposal will become interrupted (again), with the cause of the interruption dealt with toward the beginning of season fourteen. One possible interruption could be Toby, Cooper, and Rupert experiencing an emergency on Parson’s Peak. I did notice how these three students were not featured in the season finale commercial.
      • After Christopher shows up at the trial and comes forward with his confession, Henry lets his son know how he’ll support him any way he can. Reflecting on how Henry’s and Christopher’s story turned out, I noticed how they have paralleled one another. Both Christopher’s and Henry’s redemption arc started with a trial, with their actions and choices impacting multiple lives. Though Christopher’s redemption arc just begun, he is seeking forgiveness, similar to how Henry has sought forgiveness in seasons’ past. Henry’s redemption arc led him to become Hope Valley’s “Voice of Reason”. So, it’ll be interesting to see who Christopher becomes as his redemption arc continues.
      Sunset image created by Photoangel at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Photoangel – Freepik.com</a>.<a href=’https://www.freepik.com/free-photo/red-sunset-clouds-over-trees_1254327.htm’>Designed by Freepik</a>. Image found at freepik.com.

      What are your thoughts on this episode of When Calls the Heart? Do you think Nathan’s proposal will become interrupted again? Please tell me in the comment section below!

      Have fun in Hope Valley!

      Sally Silverscreen

      Comparing with the Critics – Best of 1978 – Autumn Sonata

      On By 18cinemalaneLeave a comment

      This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

      Introducing my new series, Comparing with the Critics!

      March’s theme for Genre Grandeur is “Oscar Losing Movies (Oscar nominees that failed to garner even one win)”. Upon learning this theme, I was going to select a movie nominated for the 76th Academy Awards, when The Lord of the Rings: The Return of the King won a history-making eleven awards. But after researching which films were nominated the evening of February 29th, 2004, I discovered other pictures besides The Lord of the Rings: The Return of the King walked away with a trophy. This discovery meant there weren’t as many Oscar “losers” as I initially believed. So, as I continued my research for March’s Genre Grandeur, I learned Autumn Sonata was nominated for two awards at the 51st Academy Awards. These categories were Best Writing and Best Leading Actress. Sadly, Autumn Sonata lost both categories to a movie titled Coming Home. I have heard of Autumn Sonata prior to choosing it for this particular review. Not only was the film recommended to me by Virginie (from The Wonderful World of Cinema), it was also featured in ‘The Best Films of 1978’ episode of Gene Siskel’s and Roger Ebert’s show, Sneak Previews. In that episode, both Roger and Gene admitted to placing Autumn Sonata on their lists of the ten best films of 1978. Now that I’ve seen the movie for myself, I can understand why it would find a place on their lists. I can also understand why Autumn Sonata was nominated for its respective categories at the 51st Academy Awards in 1979.

      Autumn Sonata poster created by Persona Film, Suede Film, Incorporated Television Company (ITC), Svensk Filmindustri, Constantin Film, ITC Film Distributors, and New World Pictures

      As I just mentioned in this review’s introduction, Autumn Sonata was nominated for two awards at the 51st Academy Awards. One of these categories was Best Leading Actress, with Ingrid Bergman as one of five actresses to receive a nomination. While discussing Autumn Sonata in Sneak Previews’ ‘The Best Films of 1978’ episode, Gene called Ingrid’s portrayal of Charlotte Andergast “riveting”. Even after a scene featuring Ingrid and Liv Ullmann (who portrayed Charlotte’s daughter, Eva) is presented in the episode, Gene says “Again, some real pain there”, referring to the emotions on display through Liv’s and Ingrid’s performance. Though I agree with Gene’s assessment of Ingrid’s portrayal of Charlotte, the word I’d use to describe it (as well as Liv’s portrayal of Eva) is captivating. In one of the best scenes from Autumn Sonata, Charlotte shares with Eva how her close friend, Leonardo, passed away. Throughout her recount of Leonardo’s last days in the hospital, Charlotte has a pained, disgusted look on her face. With a glossy, teary-eyed stare and a drawn-out frown, Charlotte is heartbroken over the loss of her friend. When I saw that scene, I wasn’t watching an actress portraying a character. I was witnessing a woman experiencing grief, with Ingrid’s performance possessing a strong sense of realism.

      String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

      Like I also said in my review, Liv Ullmann’s portrayal of Charlotte’s daughter, Eva, was captivating. This is because Liv was able to go toe-to-toe with Ingrid, acting-wise, understanding how to utilize emotion to her character’s advantage, as well as when to increase or decrease the intensity of those emotions. As I previously mentioned, there was a scene from Autumn Sonata featuring Ingrid and Liv in Sneak Previews’ ‘The Best Films of 1978’ episode. In that scene, Charlotte and Eva share an emotionally explosive conversation over the reasons why their relationship is strained. Eva states how she didn’t like Charlotte’s desire to turn her daughter into someone she wasn’t. During her reflections of her past, Eva is visibly distraught. With gritted teeth and eyes overflowing with tears, even shaking at one point, Eva confesses how Charlotte’s decisions have deeply impacted her and her life choices. Because of her performance in Autumn Sonata, I wish Liv Ullmann had been nominated for an Oscar as well.

      Image by macrovector on Freepik

      During their discussion of Autumn Sonata in ‘The Best Films of 1978’ episode of Sneak Previews, neither Roger nor Gene brought up the film’s screenwriting. This is a shame, as the screenwriting was one of the movie’s strengths. Autumn Sonata is a character-driven, “slice of life” story. However, the quality of the dialogue made conversations between characters sound emotionally deep and thought provoking. In one scene, Eva asks her husband, Viktor, if he thinks she’s an adult. Viktor responds by telling her, “I guess being an adult is being able to handle your dreams and hopes, not longing for things”. He could have simply given his wife a “yes” or “no” answer. But Viktor’s response gives Eva, as well as the audience, meaningful insight about growing up, managing expectations, and even gratitude. Later in Autumn Sonata, Charlotte confesses one of her realizations to Eva. She says, “I have never grown up. My face and my body have aged. I acquire memories and experiences but inside all that I haven’t even been born.” Similar to Viktor’s aforementioned quote, Charlotte’s quote addresses growing up. In Charlotte’s case, however, her reflections sound more regretful. Disappointment can even be heard in her voice, with those pent-up feelings finally being addressed through words. As I stated in this review’s introduction, Autumn Sonata was nominated for the Best Writing category. Through a thoughtfully crafted script, that nomination was, in my opinion, earned.

      Envelope with hearts image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/hearts-and-pink-envelope-for-mothers-day_1950691.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/love”>Love image created by Freepik</a>. Image found at freepik.com.

      While continuing their discussion of Autumn Sonata, Roger tells Gene about a call he received from a reader who was interested in seeing Autumn Sonata. Roger then says the reader told him, “I couldn’t make head or tail of it. What is it about?” Meanwhile, Gene claims “the conflict is how do you reconcile your public career with your personal responsibilities to your family”. Based on my experience watching Autumn Sonata, I think it’s not just about balancing a public and personal life. I think it’s also about the brutal honesty of strained familial relationships. When Eva and Charlotte talk about the past, no figurative punches are held back. They tell each other exactly what’s on their minds and hearts, no matter who’s feelings get hurt. It would have been easy for Autumn Sonata’s creative team to paint either Charlotte or Eva as the “villain” of the story. Instead, both women are not only flawed, they have valid points to their sides of the narrative. How the story plays out kind of reminds me of The Royal Tenenbaums, where the strained relationship between Eva and Charlotte is the result of little things culminating over time. The acting performances and the screenwriting successfully bring a sense of realism to Autumn Sonata.

      Norway’s past and present image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/poster”>Poster vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

      According to IMDB, Autumn Sonata was filmed in Norway. Based on the scene where Charlotte drives to Eva and Viktor’s house, the Norwegian scenery looked like a beautiful painting. But the majestic hills, mountains, and large body of water from Norway wasn’t incorporated into Autumn Sonata beyond that one scene. I wish the “autumn” in Autumn Sonata played a larger role in the story, perhaps visually representing some of the movie’s themes. Another aspect of the story I wish had been utilized more was Eva’s sister, Helena. When Charlotte first arrives at Eva and Viktor’s house, Eva reveals how Helena is now living at their house instead of at a hospital. Throughout Autumn Sonata, Helena deals with an illness that greatly affects her mobility. I thought she was intended to be a bridge between Eva and Charlotte, helping them find a more peaceful middle ground. One reason for this belief came from Helena falling out of her bed during an emotionally explosive conversation between Charlotte and Eva. Sadly, it seems like Helena was in Autumn Sonata just for the sake of it.

      Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

      Prior to reviewing Autumn Sonata, the only movie I agreed with Gene and Roger on was 1984’s Amadeus. I could also see why the film was, at least, nominated for an Oscar. Now I can confidently say that Autumn Sonata is the second film I agree with Roger and Gene on! While I typically don’t gravitate toward “slice of life” stories, the 1978 movie works because of the strength of the screenwriting and acting performances. Similar to The Royal Tenenbaums, the brutal honesty woven into the script brought a sense of realism when to came to addressing strained familial relationships. The story itself was emotionally deep and thought provoking because of the effort put into it by Autumn Sonata’s creative team. I understand why the movie is titled Autumn Sonata, as music plays an integral role in Charlotte’s life. However, I wish the “autumn” in Autumn Sonata was utilized more in the story, especially considering how beautiful the Norwegian landscape was in the film. The movie also doesn’t have a high rewatchability rate due the some of the heavier subject matter incorporated into the story. But I can honestly say that Autumn Sonata is one of the best films I’ve seen in 2026, so far!

      This review was brought to you by

      Sally Silverscreen