Take 3: Goodbye, Mr. Chips (1939) Review (Clean Movie Month #1)

1939; a year that many people have considered the “Golden Year of Film”. As I mentioned in my editorial, What the Code Means to Me: Breen, Hallmark, and Me, it seems like there was something for everyone at the cinema. Several films that are well known today were able to find success in the box office in 1939. One of those films was Goodbye, Mr. Chips. I had planned on reviewing this film exclusively for The Robert Donat Blogathon. But because July is Pure Entertainment Preservation Society’s Clean Movie Month, I decided to review Goodbye, Mr. Chips for that event as well. Like last year, I will be writing about films that were released during the Breen Code Era. Some of my other submissions for upcoming blogathons will also double as entries for Clean Movie Month. Now, it’s time to read this review of the 1939 movie, Goodbye, Mr. Chips!

Goodbye, Mr. Chips poster created by Metro-Goldwyn-Mayer and Denham Studios. Image found at http://www.tcm.com/tcmdb/title/76737/Goodbye-Mr–Chips/#.

Things I liked about the film:

The acting: This was my first time watching any of Robert Donat’s performances, so I didn’t know what to expect. However, I was impressed with what I saw! Robert did a good job using a multitude of emotions at various moments in the film. Even when he wasn’t speaking, his performance still carried emotional weight. A great example is anytime something bad happened to Mr. Chips, as his facial expressions alone show how emotionally exhausted he can become. Despite appearing in the film for a limited amount of time, Greer Garson gave a pleasant performance as Katherine Ellis! Not only did she have a good on-screen personality, but she also had good on-screen chemistry with Robert Donat. One of their best interactions took place on a mountain in Austria. As they exchange witty banter, it is obvious to see that both actors enjoy each other’s company. Because most of the story takes place at the Brookfield school, many young actors are present in various scenes. Even though the movie doesn’t favor one child or a small group of children, the acting from the young actors was very on-point for what those scenes called for. On April Fool’s Day, the students are excited at the idea of pranking their teacher. As soon as one of their fellow classmates shares some unfortunate news about Mr. Chips, their happy expressions quickly turn somber. This collective acting quality shows what these young actors are capable of talent-wise!

The set design: A visually appealing aspect of this film was definitely the set design! The Brookfield school alone boasted several eye-catching design choices. One of those was the ornate detailing found on wood surfaces, such as doors and walls. In the Headmaster’s office, you can even see these details over the marble fireplace. Exposed stone walls are a consistent feature at the school, bearing the old-world charm found in structures with a long life-span. These design elements reminded me of Hogwarts from the Harry Potter series. Brookfield is not the only place that highlights fine details. The ballroom in Vienna was a showstopper! Like the Headmaster’s office, there was ornate wood detailing found on the walls. It also showcased sparkling chandeliers and a spacious layout. All of the combined elements gave this room a grand and larger-than-life personality!

The dialogue: Throughout the movie, I was very impressed by the characters’ dialogue! As I mentioned before, the banter between Mr. Chips and Katherine was witty. But it’s also important to point out how the dialogue was written with care and thought. During a private gathering, one of the fellow teachers of Brookfield states that he read a book by H.G. Wells. Another teacher comments about H.G. Wells’ short-term success, saying that his works are too “fantastical” for a lasting career. Earlier in the film, Mr. Chips falls ill. When his housekeeper tells him to address his medical concerns to the doctor, Mr. Chips says he’ll give the doctor “a piece of his mind”. The film is based on a pre-existing novel, so I’m not sure if some of the dialogue can also be found in the book. However, the lines in the movie were memorable and, at times, thought provoking because they were crafted so well!

The Robert Donat Blogathon banner created by Maddy from Maddy Loves Her Classic Films. Image found at https://maddylovesherclassicfilms.wordpress.com/2020/02/29/announcing-the-robert-donat-blogathon/.

What I didn’t like about the film:

Little to no impact on the students: In stories about teachers playing a role in the lives of their students, the audience comes to know the students as characters while witnessing their growth as young scholars and individuals. Since there were so many students at Brookfield, there was no possibility for this to happen. Even when this opportunity arose in the story, it was not taken advantage of. When Mr. Chips reflects on his past, he remembers meeting a new student that was so upset, he ends up crying on the train. Several scenes and years later, this same student visits Mr. Chips to thank him for changing his life. This exchange would have been emotionally affective had we seen this character evolve from a scared child to an independent young man.

Some parts feeling rushed: I know there is only so much a movie can accomplish in an hour and fifty-four minutes. But this should not be an excuse to rush through important parts of a story. When Mr. Chips starts looking back on his past, he recalls his time as a new teacher at Brookfield. After a montage featuring students during various sporting activities, the story progresses by several years, making Mr. Chips a seasoned teacher. Personally, I don’t feel this was a smooth transition between the two points in time, as it made the story feel like it was in a hurry to reach its destination. What would have helped instead was showing a title card with the year before a new part of the story started.

A weaker plot: Before watching Goodbye, Mr. Chips, I knew the story would be about Mr. Chips’ life. While this was the case, it made the story straight-forward. The straight-forwardness of the narrative left little to no room for intrigue. Like I mentioned earlier in this review, the evolution of the students was not shown. This means that the ways Mr. Chips impacted his students or how his lessons affected the people around him wasn’t put on display. There was never an opportunity to wonder how Mr. Chips would accomplish his goals or what would happen to the students. Instead, the story put more emphasis on his private life than his career as a teacher.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

My overall impression:

This is the first movie of Robert Donat’s I’ve ever seen. As I said in my review, I didn’t know what to expect, so I approached this film with an open mind. Now that I have seen Goodbye, Mr. Chips, I can honestly say that it was a fine film. There are definitely elements that help make the project a likeable picture. These are the strengths of the movie, from acting performances that come across as believable to dialogue that is clever and witty. But it does contain flaws that hold Goodbye, Mr. Chips back from being better than it was. Parts of the story were rushed and the plot was on the weaker side. This film is mostly Breen Code friendly. However, I was surprised by some of the language used in the movie. One example is when some of the students say the word “ass” as a swear word. I’m aware of how Gone with the Wind was able to include the word “damn” in their script. But I guess I was naïve to think that was the only exception in the Breen Code Era.

Overall score: 7 out of 10

Have you seen either version of Goodbye, Mr. Chips? Are you looking forward to my Clean Movie Month reviews? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

My PB & J Double Feature’s Introduction

When I published my review of Never a Dull Moment, it became my 400th post! As I’ve stated before, I create a special double feature any time I publish 100 posts. Because this accomplishment was recently achieved, I thought July would be the best time to host this double feature. Over the next two weeks, I will post these reviews as well as the conclusion. Keep reading if you want to learn more about the films I’ll write about and the double feature’s overarching theme!

Image of peanut butter and jelly sandwiches created by Katinka Kober at freeimages.com. Photo by Katinka Kober from FreeImages

You’re probably wondering what a PB & J (Peanut Butter and Jelly) sandwich has to with film? It’s more about how the idea behind the sandwich relates to cinema. I love browsing through pictures of scout related patches and learning about their meanings. One day, I stumbled across this website called Mad About Fun Patches. While visiting the site, there was one patch that caught my eye. This patch is named “Spread the Love, PB & J 2020”. Based on the description, the patch was created to promote the idea of making sandwiches for those in need. The more I thought about this, the more I realized how many ideas can be associated with a PB & J sandwich, which are:

  • Putting the needs of others before one’s self
  • Feeding the hungry
  • Helping one’s community
  • Sharing
  • Building connections
  • Teamwork
  • Brightening someone’s day
  • One person, object, or event affecting the lives of others

When I reflected on these ideas, I discovered two movies that share the concept of one person affecting multiple lives. These films are The Last Full Measure and The Boy Who Could Fly! I’ve heard of both movies, but they seem to be underrated. Within each review, I will be answering the following question:

Can the ideas associated with a PB & J sandwich be found in a given film?

Like my Youth-Led Double Feature from January, I will not be including pre-movie thought and/or questions.

Here is a screenshot I took of the patch from Mad About Fun Patches. I also provided credit to the people who created the patch. Screenshot taken by me, Sally Silverscreen.

Have fun at the movies!

Sally Silverscreen

Here is the link to the website I mentioned in this post if you want to check out their other patches:

https://madaboutfunpatches.com/

Take 3: Never a Dull Moment Review

Like I said in my Follow Me, Boys! review, I have several movies on my DVR. Most of these films were recorded last year or over a year ago. Last night, I chose to watch one of these films, which I added to my DVR last June. This film is Never a Dull Moment! Sometime, Turner Classic Movies (TCM) will host a marathon called “Treasures from the Disney Vault”. When this event takes place, the network will show a collection of smaller titles and lesser known films from Disney. In one of these marathons, Never a Dull Moment was included in the line-up. While I had never heard of this film prior to the marathon, I have seen two of Dick Van Dyke’s movies. Because one of those films was Mary Poppins, which I have enjoyed, I had a good indication that I might like Never a Dull Moment. Was this the case? Keep reading my review if you want to find out!

Never a Dull Moment poster created by Walt Disney Productions and Buena Vista Distribution. ©Disney•Pixar. All rights reserved. Image found at en.wikipedia.org/wiki/File:NeverADullMoment1968.jpg

Things I liked about the film:

The acting: Before watching Never a Dull Moment, I had seen Chitty Chitty Bang Bang and Mary Poppins. A consistent component of Dick Van Dyke’s acting abilities I have noticed is the strong adaptability. In one scene, his character, Jack, is acting drunk in an attempt to impersonate a gangster. Moments later, Jack is crying over the loss of a fictional Aunt Gladys. This is a great example of how Dick could effortlessly take on any situation through his performance! At limited moments in the film, a gangster named Florian would appear. This character was portrayed by Tony Bill. What I liked about his performance is how calm and collected his persona came across. Even though Florian was Leo Smooth’s henchman, he presented an idea of a gangster that people have come to recognize in film. While I liked Dorothy Provine’s portrayal of Sally, I want to talk about Joanna Cook Moore’s portrayal of Melanie, as her on-screen presence was shorter. Joanna’s personality was bubbly, which appeared natural for her character. During a scene where Melanie is showing Jack some of her figure skating photos, Joanna seemed to use her performance to light up the room. Her on-screen presence was memorable, despite being featured in only three scenes.

The set design: I was really impressed by the set design in Never a Dull Moment! Since the movie takes place in New York, tall skyscrapers and even the Brooklyn Bridge can be seen. This specific set looked impressive, making the location feel larger than life! Another great example of set design was Leo Smooth’s mansion. My favorite feature of this set was the consistency and fine detailing of the woodwork, especially on the staircase! A local art museum is where the film’s heist is featured. During the climax, various art exhibits are showcased. The Pop Art exhibit was the best one, as the art itself was colorful. It was also large in scale, creating a space that felt grand.

The music: If used well, music can help set a tone for either the whole movie or a particular scene. The music certainly did that for Never a Dull Moment! Whenever Jack was sneaking around Leo’s mansion, smooth jazz music could be heard. This fits the tone of those scenes because it emulates a feeling of curiosity that usually comes from film-noir and mysteries. In a scene involving a spinning piece of art, music from a merry-go-round was playing in the background. Since the art itself is colorful and the scene is meant to be humorous, this musical selection makes sense.

Art tools image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/flar-art-tools-pack_835368.htm’>Designed by Freepik</a>.  <a href=”https://www.freepik.com/free-photos-vectors/paint”>Paint vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

A drawn-out story: One overarching narrative of Never a Dull Moment revolves around a group of gangsters planning to steal a valuable painting. While an important component of any heist is the preparation stage, this part of the process lasted longer than it should have. Only one scene is dedicated to highlighting the plans for the heist. But the rest of that time was spent focusing on things not related to the heist. One example is Melanie Smooth attempting to relive her glory days as a famous figure skater. Moments like this had nothing to do with the heist and caused the overall story to feel drawn out.

Little sense of urgency: Heist films are usually fast paced, as there is a sense of urgency to carry out the heist. But, in Never a Dull Moment, the amount of urgency within the story was small. For most of the film, Jack hangs out at Leo Smooth’s mansion. This part of the movie was mundane, as little to no excitement was taking place. Even the gangsters’ activities didn’t feel out of the ordinary. A good example is when Leo is painting in his office. While the overall level of excitement picked up when the heist started, the build-up itself was not exciting.

A dull first half: With a title like Never a Dull Moment, you’d think the movie as a whole would be intriguing and action-packed. However, that is not the case for this film. I found the first half of the movie to be dull. This is the result of the story being drawn out and a small amount of urgency. Even though a part of the overall narrative focuses on a heist, this aspect of the story seemed to be an afterthought within the film’s first half. The heist itself took place in the second half of the movie. But this doesn’t make up for the weak nature of the previous segment.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As of late June to early July 2020, I have reviewed four live-action Disney films from the ‘60s. Three out of four of these movies have been ok or “middle of the road”. Never a Dull Moment was one of them. I will say this is a better heist movie than Logan Lucky. However, it wasn’t as exciting as I had expected it to be. The film is titled Never a Dull Moment, but the first half of the story is just that: dull. It also doesn’t help that there was a small amount of urgency. But the movie did contain elements that I did like. Some of them includes the acting and the set design. As weird as it sounds, Never a Dull Moment doesn’t feel like a Disney movie. It’s understandable for a studio to try new things and think outside the box. Never a Dull Moment, however, seems like belongs to a different studio. Like my Follow Me, Boys! review, I can’t fully recommend this movie, but I’m not going to dissuade anyone from watching it either.

Overall score: 6.2 out of 10

Have you seen any of Dick Van Dyke’s films? Which live-action Disney film from the ‘60s do you like or dislike? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Word on the Street: ‘Words on Bathroom Walls’ Finally Getting a Release Date + Possible Hallmark Projects About to Film

In 2020, it seems like the world of film has been plagued with bad news because of the Coronavirus. Multiple movies saw their premiere dates pushed back as far as a year. Productions all across the world were temporarily placed on hold. Several events were cancelled or postponed, as well as businesses closing their doors for the time being. Recently, however, it seems like things are looking up. Film crews are slowly going back to work. Several occupational operations have picked up where they left off. Even some theaters have opened their doors again. In this Word on the Street story, I will be talking about films that are about to go into production, as of June 2020. Also, I have news about a film that I have mentioned on 18 Cinema Lane before. As I usually do, I will share my thoughts on these stories. Now, let’s talk about some good news in the world of cinema!

My copy of Julia Walton’s novel. Screenshot taken by me, Sally Silverscreen.

Last year, in my post called “A Movie Blogger’s Christmas Wish-List 2019”, I said I wanted to see Words on Bathroom Walls receive a distributor. I’m happy to report my Christmas wish came true! In an article from Deadline, Dino-Ray Ramos writes how Roadside Attractions agreed to be the film’s distributor. The article also states Words on Bathroom Walls “is set to debut nationwide August 7”. This movie “marks the first theatrical release for both companies [Roadside Attractions and LD Entertainment] since the coronavirus pandemic”. Even though the film now has a release date, there remains the possibility for it to be pushed back. For months, Tenet was scheduled for a premiere in July. However, Pamela McClintock, from The Hollywood Reporter, shares that August 12th is the new date for the film’s release. I think this news about Words on Bathroom Walls is the best movie news I’ve talked about this year! I read the book and it’s become the best one I read in 2020! We don’t know how things will be in August, in relation to the Coronavirus. Hopefully, I’ll have the chance to see Words on Bathroom Walls and review it or my blog.

Sources for this story:

Christmas card image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-card-with-watercolor-mistletoe-decoration_965555.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/watercolor”>Watercolor vector created by Freepik</a>. Image found at freepik.com. 

As I said in the introduction, film crews are slowly going back to work. With some popular filming locations lifting lock-down regulations, studios and movie companies are either finishing or starting projects. One website, called Hollywood North Buzz, has recently listed several titles that are either currently in production or will soon be in production. These titles are the following:

  • For Better or Worse (Ended filming on June 23rd)
  • Christmas Forgiveness
  • Kite Festival of Love
  • Wedding Every Weekend
  • Beverly Hills Wedding
  • My One True Love
  • Destination Wedding

Another website called JC Films announced an upcoming Christmas film titled “Light Up Night”. The film will star Dean Cain and will begin filming this July. According to the article, the film “is about all the community Christmas events wrapped around a modern-day Biblical story of Ruth”. More movie titles are listed on the website Creative BC, with production dates coming in the near future. These films are:

  • Aurora Teagarden Mysteries: Reunited and It Feels So Deadly
  • Chateau Christmas
  • Deliver By Christmas

When reading these titles, one will note that they all sound like they belong to Hallmark. However, as of June 2020, the only films that are confirmed to be a Hallmark production are “Wedding Every Weekend”, which was confirmed by star Paul Campbell, according to the Twitter account Hotline to Hallmark, and ‘Aurora Teagarden Mysteries: Reunited and It Feels So Deadly’. While looking at the list, I noticed how most of the titles reference Christmas or weddings. If these movies are Hallmark projects, my guess is the wedding themed movies are created in preparation for next year’s “June Weddings” line-up. As for the Christmas movies, it’ll be interesting to see how many of them will be included in the “Countdown to Christmas” or “Miracles of Christmas” line-up.

Sources for this story:

https://www.creativebc.com/crbc-services/provincial-film-commission-services/in-production

https://www.jcfilms.org/post/another-dean-cain-christmas-film-coming-to-the-area

http://www.yvrshoots.com/ (the article is called ‘REOPENING: Hallmark & Other TV Movies First To Resume Production in Hollywood North After 3-Month Shutdowm?’)

Hotline to Hallmark’s official Twitter account (@HotlineHallmark)

What are your thoughts on these movie news stories? Are there any films mentioned in this article you’re excited to see? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Follow Me, Boys! Review + 205 Follower Thank You

Two days ago, 18 Cinema Lane received 205 followers! I want to thank all of my followers for making this accomplishment a reality! Currently, there are several movies on my DVR. In fact, some of these films were recorded over a year ago. So, I decided to choose one of these movies for this review. As the title reads, this movie is Follow Me, Boys!, which had sat on my DVR since early 2018. Every film studio has their hidden gems. While it’s impossible to watch every one of these projects, I try my best to talk about them on this blog. Follow Me, Boys! is a movie I had never heard of prior to recording it. However, there have been some enjoyable live-action Disney films from around the release of Follow Me, Boys!, such as The Moon-Spinners and Mary Poppins. Did I enjoy this film as much as the two aforementioned pictures? Follow me through this review as we’re about to find out!

In case you’re wondering, this is a screenshot of the film’s poster I took from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: While watching this film, there were some performances that I was pleasantly surprised to see. One of them came from Lillian Gish. Last year, I reviewed one of her movies, which was The Whales of August. A similarity between Lillian’s role in that movie and Follow Me, Boys! is how pleasant it was to watch! Even though she was only in the film for a limited amount of time, I liked the moments when her character, Hetty Seibert, showed up on screen! What helped Lillian’s performance was her on-screen personality and the on-screen chemistry she had with her co-stars. I was also surprised to see Kurt Russell’s performance in this film, even though, prior to watching Follow Me, Boys!, I was aware that Kurt had starred in several Disney productions. The one aspect that stood out to me was the emotional strength Kurt carried through his portrayal of Whitey. This especially helped during the more dramatic moments of the story, such as when Whitey was dealing with his father. Kurt’s performance worked in his favor for not only this film, but also for his career long time.

The historical accuracy: The story of Follow Me, Boys! spans a total of twenty years, from 1930 to 1950. During the movie, I noted how good the historical accuracy looked! One aspect of this that serves as proof is the vehicles that are used. Toward to the beginning of the film, Hetty can be seen driving a car that looks like a Ford Model T. Because it’s 1930 at this point in the story, it would make sense for this kind of vehicle to be shown. At the end of the movie, when the story takes place in 1950, Lem and Vida are riding in a Plymouth automobile. These vehicles also helped show the transition between these time periods. It’s details like this one that show how much the creative team cared about the delivery of their project.

The camaraderie among the Boy Scout troop: Because this story spans a long period of time, the members of the film’s Boy Scout troop come and go. However, a consistent element was the troop’s camaraderie. While watching the troop’s evolution, the boys appeared to get along with one another and enjoy each other’s company. More often than not, the troop’s members work together during activities. They also promote the ideas of friendship, teamwork, and respect. The actors delivered the believability through their performances, which helped increase this group’s likeability.

Illustrated image of Boy Scout troop created by Macrovector at freepik.com. Banner vector created by macrovector – www.freepik.com. Image found at freepik.com.

What I didn’t like about the film:

The run-time: A film’s run-time can make or break that production. If a movie feels too long or short, it could affect the movie-viewing experience. This element definitely impacted my perspective of this film. I watched Follow Me, Boys! on television and the run-time was listed at 2 hours and 33 minutes. On IMDB, the movie has a run-time of 2 hours and 11 minutes. This story did not warrant a run-time this long, with situations being placed in the film for the sake of satisfying this run-time. The movie would have been more enjoyable if it was an hour and thirty or forty minutes long. That way, the overall story wouldn’t feel drawn out.

Little to no adversity: One of the over-arching narratives of Follow Me, Boys! is the formation and existence of a local Boy Scout troop. Despite how much of the story revolves around this group, they don’t experience many obstacles. When the troop does experience a conflict, it becomes quickly and easily resolved. This is different from a story like Troop Beverly Hills, where the troop faced several obstacles that last longer than a few minutes. Because of this choice, it seemed like situations in Follow Me, Boys! happened way too conveniently in the Boy Scout troop’s favor.

Situations happening too quickly: Despite the film being over two hours, some situations in this movie happened too quickly. A perfect example is Lem and Vida’s relationship, with no smooth transitions during each stage. In one scene, Lem and Vida are having their first major argument. A few minutes later, they are seen getting married. I know the film was supposed to show time progressing. However, the poor transitions caused some parts of the story to feel rushed.

Law school textbooks image created by Peter Skadberg at freeimages.com. “FreeImages.com/Peter Skadberg.”

My overall impression:

The way I feel about Follow Me, Boys! is the same way I feel about Summer Magic: it’s just ok. This film did have its merits and it felt like the creative team had their hearts in the right place. But the project does have a big flaw that I cannot overlook. The run-time of Follow Me, Boys! is too long, making the movie feel like it’s dragging its feet through the mud. This was the root of other flaws within the movie, like situations happening too quickly and scenario placements that only serve to satisfy the run-time. I had to, occasionally, pause the film just to check how much time was left. While I can’t fully recommend this movie, I’m not going to dissuade anyone from watching it either.

Overall score: 6.3 out of 10

Have you seen Follow Me, Boys! Are there any Disney films from the ‘60s you’d like me to review? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

I Have an Official Twitter and Instagram Account for 18 Cinema Lane!

Hello everyone! I wanted to announce that I created the last two social media accounts for my blog! On the Twitter and Instagram account, I will be making posts for new content on 18 Cinema Lane! If you have a Twitter and/or Instagram account, you can follow me by clicking on the ‘bird’ or ‘camera’ icon in the “Follow Me At” section on the right-hand side of the blog. The two featured images are screenshots I took of these accounts, so you can know what to expect if you visit them.

Have fun at the movies!

Sally Silverscreen

Take 3: Audrey Rose Review

For June’s Genre Grandeur, the chosen theme is “New York Films of the 70’s”. After searching through a list on Wikipedia, I selected Audrey Rose as my submission! This is a film I have heard about in passing, but have never seen. What caught my attention is how the movie was classified as a horror film. I don’t always review movies in this genre, as a portion of them are too dark for my liking. However, I do try to go out of my comfort zone every so often. The synopsis also intrigued me, as I wondered where the story would go. Mysteries are a staple on this blog, so I was looking forward to helping the characters solve the case. Is Audrey Rose worthy of being included in Genre Grandeur? Keep reading my review so you can solve the mystery too!

Audrey Rose poster created by Sterobcar Productions and United Artists. Image found at en.wikipedia.org/wiki/File:Audrey_Rose_movie_poster.jpg

Things I liked about the film:

The acting: One of Anthony Hopkins’ most iconic roles is Hannibal Lector in Silence of the Lambs. Through his performance, he brought to life a character that was eerie and unsettling. In Audrey Rose, Anthony’s portrayal of Elliot Hoover was also unsettling, but for different reasons. During the events of the film, Elliot seemed to have power over the situation. This is because he had the answers Ivy’s parents were desperately looking for. Unlike Hannibal, Elliot was never meant to come across as scary. Anthony’s facial expressions, body language, and the way his character interacted with others supports this claim. When it comes to stories focusing on young characters, it’s important for a creative team to cast a young actor or actress who can carry a character’s emotional weight. Despite appearing in the film for a limited amount of time, Susan Swift impressed me with her portrayal of Ivy Templeton! It was heartbreaking to watch Ivy experience one of her nightmarish episodes, as Susan’s performance was that believable. However, that level of emotionality added to the captivation of this character.

The Templeton family’s apartment: I’ve seen a variety of apartments in television and film. But the Templeton family’s apartment in Audrey Rose is one of the best! An aspect that immediately caught my eye was the grand, wood staircase. This design feature is usually found in on-screen homes from the suburbs or wealthier neighborhoods. So, seeing this staircase in an apartment was unique. Speaking of woodwork, the fireplace in the living room was adorned with fine detailing. It shows how the apartment’s woodwork can compliment the space’s interior design. The showstopper of this living environment was the paintings on the ceiling! Exquisite is the word I would use to describe the art itself. I would be willing to guess that pictures and videos would not do it justice. Whoever created the apartment’s interior design should be commended for their work!

Elemental consistency: Throughout this movie, there were two elements that had a consistent presence. When Elliot first enters the Templeton family’s lives, the weather is very rainy. This is also the case when Ivy is experiencing nightmarish episodes. The incorporation of rain reminded me of The Crow, as this element served as symbolism in Audrey Rose. Not only did rain highlight sadness, it also showed how some situations should run their course. Fire is the other element that was consistently featured in the story. This was present during a tragic event and it emphasized how ignoring some situations only allows them to manifest. These elements created visual interest as well provide depth to the narrative.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Not a horror film: On Wikipedia and IMDB, Audrey Rose is classified as a “horror” film. Even the film’s poster gives the impression that someone is coming back from the dead, which is a classic horror movie concept. However, this couldn’t be farther from the truth. Two traits that have defined the horror genre are stories where characters get away from or get rid of something bad. None of these traits are found in Audrey Rose. The primary focus of this movie surrounded the idea of reincarnation. This idea is presented in a positive way, as a course that needs to run on its own term. While horrifying things happen to Ivy, in the form of nightmarish episodes, it was caused by fearing the unknown. Even though this aspect can be found in horror films, it can also be found in other genres. Audrey Rose is a film that I, personally, did not find scary.

A drawn-out story: Like I already said, the story of Audrey Rose revolves around the idea of reincarnation. While this provides the overall narrative with an interesting debate, the majority of the story focuses on whether reincarnation is legitimate. A solution to the Templeton family’s problem wasn’t found until the last thirty minutes of the film. This drawn-out story was the result of an almost two-hour run-time. Had about twenty or thirty minutes been shaved off of this production, the story would have gotten straight to the point sooner.

Scenes that felt like padding: Because Audrey Rose has a run-time of an hour and fifty-three minutes, there were a few scenes that felt like padding. One example is when Ivy is trying to talk to Audrey Rose through a mirror. This scene didn’t have a strong need to exist within the story. It also didn’t fit the overall flow of the film. If anything, this particular scene felt like a weak attempt at making the movie feel like it belonged in the horror genre.

Rose illustration image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Horror movies are not often found on 18 Cinema Lane. This is the reason why I chose Audrey Rose for June’s Genre Grandeur, as I try to explore various genres. Unfortunately, this was not the horror film I expected it to be. The project itself was interesting, exploring a topic in the form of a debate. But classifying it in a genre where it doesn’t belong is misleading. I can describe Audrey Rose in two ways. The first is a medical/spiritual mystery, similar to Lorenzo’s Oil. The second is a debate presented in the form of a movie, like Hallmark Hall of Fame’s Sweet Nothing in My Ear. The idea behind this film makes it worth watching. However, don’t go into this movie expecting a story with spooky atmospheres and sinister tones.

Overall score: 7 out of 10

Have you seen any ’70s films set in New York? Which movies do you think are incorrectly classified? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Top 10 Things I’d Like to See in Chesapeake Shores’ Fifth Season

When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shores was renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.

  1. Tone down the relationship drama

As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shores contained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.

2. A wedding for Jess and David

Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.

3. Get rid of the love triangle

It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.

4. A subplot for Carrie and Caitlyn

Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.

5. More episodes

Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.

Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

6. The fruition of Trace’s recording studio

Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.

7. For Bree and Simon’s paths to cross again

When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.

8. More appearances for Nell

Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue together in the O’Brien family together. Without her, things just wouldn’t be the same.

9. A Chesapeake Shores Movie

I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.

10. Megan becoming a successful businesswoman

You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.

Chesapeake Shores poster image created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=series&ShowTitle=Chesapeake%20Shores%20Season%203&episodeIndex=3001

Have fun in Chesapeake Shores!

Sally Silverscreen

18 Cinema Lane Now Has an Official Pinterest Account!

Last week, I made an announcement about the upcoming updates on 18 Cinema Lane. In that post, I said I’d be creating three social media accounts for the blog. Well, I’m ready to introduce the first of these three! 18 Cinema Lane now has an official Pinterest account! There, you can find boards that represent several major categories from this site. Also, I’ve added a board for movie recommendations. If you request a film to me, I’ll try to add it to that board. You can visit this Pinterest account when you click on the ‘P’ icon in the “Follow Me At” section on the right-hand side of the blog.

This is what you can expect when you visit 18 Cinema Lane’s official Pinterest account. Screenshot taken by me, Sally Silverscreen.

Have fun at the movies!

Sally Silverscreen

Take 3: The Great Mouse Detective Review

I will admit that before I signed up for the Suave Swordsman: Basil Rathbone Blogathon, I wasn’t familiar with Basil as an actor. However, I didn’t let this stop me from participating! While looking through his filmography, I discovered Basil had a role in the 1986 film, The Great Mouse Detective. Because I hadn’t seen this movie before and because I knew I’d likely be one of the few people to discuss an animated film, I selected The Great Mouse Detective as my submission! If you’ve visited my blog before, you’d see that mysteries have a consistent presence on the site. I have set aside time to talk about the films from Hallmark Movies & Mysteries. Some episodes of Murder, She Wrote has been reviewed. I even participated in the Murder, She Wrote Cookalong! Despite the abundance of mystery related content on 18 Cinema Lane, The Great Mouse Detective is only the second animated mystery movie to be featured on my blog. However, at least this review will bring something new to the table!

The Great Mouse Detective poster created by Buena Vista Distribution, Silver Screen Partners II, Walt Disney Feature Animation, and Walt Disney Pictures. ©Disney•Pixar. All rights reserved. Image found at https://movies.disney.com/the-great-mouse-detective.

Things I liked about the film:

The animation: Animated films from Disney’s library usually contain quality visuals and art styles. The Great Mouse Detective continues this pattern of animation excellence! Throughout the film, the backgrounds were presented in softer frames with lighter colors, while close-up images were given sharper lines and brighter colors. One example is when Basil, Olivia, and Dr. David are exploring a toy store. The contrasts within the animation made it easier to focus on the characters and their involvement in the story. This art design reminded me of films such as The Aristocats, 101 Dalmatians, and Lady and the Tramp. Similar to what I said in my From Up on Poppy Hill review, all of the characters were expressive! Their facial expressions and body language were fluid when reacting to different scenarios. A perfect example is when Olivia and Dr. David meet Basil. The Great Mouse Detective’s claim to fame is how it was the first project from Disney to feature computer-generated animation. This creative choice is seen in the climax, when Basil and Ratigan fight in the Big Ben Tower. While it might not seem like a big deal now, this scene was ahead of its time in the mid to late ‘80s. The scene itself has aged well, while also containing gravitas and depth. It reminded me of the bells from The Hunchback of Notre Dame.

The use of shadows: The Great Mouse Detective has a primarily darker tone. To emphasize this aspect of the story, shadows were used in various scenes. Toward the beginning of the film, Hiram Flaversham, Olivia’s father, and Fidget, Ratigan’s henchman, are fighting at Hiram’s toy store. In this scene, shadows of the fight are projected over Olivia’s hiding place. Because Hiram and Fidget are not shown on screen, their shadows helped bring an element of suspense and mystery. The shadows also left me wondering what would happen next.

The humor: Despite the film’s darker tone, there were some light-hearted moments that prevented the movie from being too dark. Some of these moments even contained humor. One scene involved Basil ruining a group of pillows in an attempt to solve a mystery. What made this scene funny was the reaction of Basil’s maid over the mess. Another funny moment was when Ratigan called his cat “honey bunny”. What I like about these hilarious scenes is how well written they were. It also helps that there weren’t too many of them, as it would have made the overall picture seem too silly.

Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The musical numbers: A large number of Disney’s animated films are musicals, with their musical numbers feeling like they belong in that production. Because musicals have become a staple in Disney’s animated filmography, it allows their audience to know what to expect. But The Great Mouse Detective was not a musical movie, especially compared to pictures like Oliver & Company or any of the Disney Renaissance films. The Great Mouse Detective also had a primarily darker tone, with some light-hearted moments. These aspects made the musical numbers seem out of place. The two most notable musical scenes were “Let Me Be Good to You” and “The World’s Greatest Criminal Mind”, which had entertainment value. While “Let Me Be Good to You” had some reason for its existence, “The World’s Greatest Criminal Mind” was randomly placed in the film. It was a light-hearted and upbeat song that came right after a darker scene, featuring Basil explaining the wrong-doings of Professor Ratigan. “The World’s Greatest Criminal Mind” was a combination of “Gaston” from Beauty and the Beast and “Mine, Mine, Mine” from Pocahontas. However, what makes “Gaston” and “Mine, Mine, Mine” work is how they fit within their respective productions.

The oversharing of the mystery: When I talked about The Mystery Cruise in my list of the Top 10 Worst Hallmark Movies of All Time, I shared how I didn’t like the film’s mystery being revealed after the mystery was introduced. The Great Mouse Detective makes a similar mistake with their mystery narrative. Within the first half of the movie, the details of Hiram Flaversham’s kidnapping are shown in a series of scenes that share a timeline with the events surrounding Basil. These scenes show the whodunit, howtheydunit, and whytheydunit of the mystery. Because these pieces of information are revealed early in the movie, the audience knows more than the characters in the story. This prevents them from solving or experiencing the mystery alongside the characters.

The subplot of the Queen’s Diamond Jubilee: One of the subplots in The Great Mouse Detective revolved around the Queen’s Diamond Jubilee. This wasn’t a bad idea, but it was very under-utilized. In fact, I forgot this event was taking place within the story until the film’s climax arrived. Because the premise of this movie was basic and straight-forward, this subplot felt like it was there for the sake of being there. If the Queen’s Diamond Jubilee had been removed from the film, it wouldn’t make a huge difference.

The Suave Swordsman: Basil Rathbone Blogathon banner created by Pale Writer from Pale Writer. Image found at https://palewriter2.home.blog/2020/02/01/announcing-the-suave-swordsman-basil-rathbone-blogathon/.

My overall impression:

Two years ago, I reviewed Oliver & Company. In that review, I said the movie was the pioneer for what a Disney animated film could and should be at the time of its release. The Great Mouse Detective gave me a similar feeling. Within this film, there were elements that laid the foundation for animated Disney films that came after it. The climax at the Big Ben Tower is one example, with the scenes utilizing computers to bring them to life. Also, in my Oliver & Company review, I said the movie was fine and that there were animated Disney films that are stronger than it. The Great Mouse Detective made me feel this way as well. While watching this film, there were scenes that reminded me of scenes from other Disney projects that were executed better. Some scenes in The Great Mouse Detective felt rushed, making me wonder if Disney was trying to meet a deadline or wanted to take advantage of a busy box office year. Even with everything I just said, this film is worth bringing up in the conversation of animated films. It may get overshadowed, but I think it serves as an important part of animation history.

Overall score: 7 out of 10

Have you seen The Great Mouse Detective? What are some of your favorite mystery films? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen