During my recent mini hiatus, I was thinking about what movie to choose for the long-awaited Blog Follower Dedication Review. While I do have several movies on my DVR, I wanted to choose one that was different from those I have recently reviewed. So, when I saw the 2020 title, Let Him Go, I knew it was the right choice. Like I have stated in the past, the western genre is one that isn’t often covered on my blog. In fact, the last western film I wrote about was the 1999 Hallmark Hall of Fame production, Durango. With this current review, it’ll provide more content related to this specific genre. What makes Let Him Go unique from the other westerns I’ve talked about is how the story takes places later in the 20th century, as the story is set in the early ‘60s. Since I haven’t seen many “modern” westerns, I was curious to see how this type of story would be presented in a different lens. So, without further ado, let’s get this Blog Follower Dedication Review started!
Things I liked about the film:
The acting: While the cast of Let Him Go was strong, there were two actors who gave stand-out performances. The first one came from Lesley Manville. Portraying the Weboy family matriarch, Blanche, her character reminded me of the mob bosses from gangster movies of yesteryear. Lesley carried her character with her own distinct style and personality, which is reminiscent of the aforementioned mob bosses I brought up. Blanche’s attitude escalates over the course of the movie, becoming viler and more brutal. Even though I wasn’t a fan of Blanche, Lesley’s performance stole the show! The second performance was Booboo Stewart’s! His character, Peter, was my favorite in this film. Booboo’s portrayal consistently appeared genuine, which showed the strength of his acting abilities and the screenwriting. Peter’s presence also brought a sense of peace that was rarely found in this story. I, honestly, wish he was given more appearances in the movie.
The scenery: This movie takes place in Montana and North Dakota. But it was actually filmed in Alberta, Canada. No matter where Let Him Go was filmed, the scenery was beautiful to look at! At the beginning of George and Margaret’s road trip, large mountains dominated the background. That piece of earth was so majestic, I would guess photos and videos do not do those mountains justice. Surrounding these mountains were clear blue skies and grassy hills. All the natural elements came together to create a landscape that brought a sense of peace. I just wish more scenes had taken place outdoors.
The topics discussed: Like I mentioned in the introduction, Let Him Go is set in the early ‘60s. What should also be noted is how two of the film’s overarching topics are child abuse and domestic violence. Even though these subjects are met with a sense of urgency and seriousness today, it was interesting to see how they were viewed over fifty years ago. The attitude surrounding these topics, in the film, carried an “it’s none of my business” energy. This brought a sense of historical realism to the overall story. In Let Him Go, Peter says he was sent to an “Indian school” when he was younger, referring to the residential schools where Native American children were forced to attend. When it comes to entertainment media, these types of educational institutions are not often brought up. So, even though this particular subject was briefly brought up, it was an interesting to see the movie’s creative team include that topic at all.
What I didn’t like about the film:
A misleading trailer: Before watching Let Him Go, I saw its respective trailer, in an effort to determine if the film was worth seeing. In that trailer, the movie came across as an intense thriller. But when I actually saw the film, it was mostly a drama with thrilling elements. This reminds me of when I saw the 2015 movie, Forsaken. Because of the talent involved and the story’s western genre label, I expected more action in that movie. Instead, the script emphasized the drama in the protagonist’s life. Similarly, most of the action in Let Him Go took place during the climax. The story also revolved around the drama among the Blackledge family. With all that said, I found this film’s trailer misleading.
An unclear time period: As I’ve already said, the story is set in the early ‘60s. In fact, the majority of the film takes place in 1963. However, everything looked and felt like it came straight from the ‘50s. From the Blackledge’s kitchen to the cars in their Montana town, the set design and costumes appeared authentic for that period in time. Toward the beginning of the movie, I wasn’t sure if the story was set in the ‘50s or if the Blackledge family just liked a vintage style. When I saw a headstone bearing the death date of 1961, the time placement of the story became clear to me. The 1960s has a very distinct aesthetic, so I was disappointed it was absent from this film.
The Weboy brothers’ lack of distinctiveness: When the Weboy family is first introduced, the audience meets Blanche and her sons. Before this happens, one of the sons, Donnie, marries the Blackledge’s daughter-in-law, Lorna. Because of that event, Donnie is a memorable character. But his brothers appeared and acted very similar to one another. It got to the point where I had difficulty telling these characters apart. Not only is the screenwriting to blame for this, but I think there shouldn’t have been that many members of the Weboy family.
My overall impression:
It feels good writing posts after taking some time away from my blog! I honestly did not mean for the hiatus to last two weeks. But I was working on some projects that weren’t blog related. Since I came back at the beginning of December, I can’t wait to check out some seasonal flicks! Now, back to this Blog Follower Dedication Review. Personally, I thought it was just ok. While I am glad I checked out another western, it wasn’t the product advertised. Plus, the film didn’t look or feel like the ‘60s. Despite these major flaws, there are aspects of the movie I did like. The topics discussed in the story provided historical realism, allowing the audience to glimpse how they were viewed back then. I also thought the acting was strong. As I wrap up this review, I want to take the time to thank all of my blog’s followers. Looking back on these three years, I still can’t believe how far I’ve come as a blogger.
Overall score: 6.5 out of 10
Have you seen any westerns lately? If so, would it be worth recommending? Let me know in the comment section!
November’s Genre Grandeur focuses on Live Action Disney Films. Since I happen to have a few movies of this nature on my DVR, I had some options for this month’s event. I also wanted to participate in Taking Up Room’s Distraction Blogathon. Because “red herrings” and “dangling carrots” are a part of the movie distractions subject, I decided to review one film for both events; the 1964 title, Emil and the Detectives. Before both blogathons, I had this movie on my DVR for two years. The intention to review the film was there, but I hadn’t gotten around to writing about it. With these aforementioned events, I now have an excuse to finally talk about Emil and the Detectives! So, find a comfy seat and grab your magnifying glasses, as I’m about to review this 1964 live-action project from Disney!
Things I liked about the film:
The camaraderie among the younger characters: When a story features a group of young characters who either are friends or become friends, the camaraderie between those characters needs to feel believable, especially if the story primarily revolves around them. With this movie, that camaraderie among Emil and the Detectives was definitely genuine! In the scene where Emil meets Gustav, the leader of the Detectives, the connection between these characters is strong, despite them having never met before. As Emil meets the rest of the Detectives, it feels like these group of boys have been friends all along. The strong camaraderie works with this story, as it gives the audience a reason to stay invested in the journey of the characters. The fact each character has their own distinct personality also works in the characters’ favor, as it allows each one to bring something different to the table. The acting performances and the script add to the strength of the characters’ camaraderie, as it makes the interactions between these characters look and feel realistic!
The German backdrop: Thinking about live-action Disney films from this time-period/era, Germany wouldn’t immediately come to mind for me when it comes to a movie’s setting. Even though this studio has created projects with interesting settings, such as The Moon-Spinners, these titles seem like exceptions to the rule. Emil and the Detectives not only takes place in Germany, but was also filmed there as well. While the story’s setting is the city, some of the buildings possess an old-world charm. The apartments displayed wood and brick styles, carrying a more vintage appearance than their more contemporary counterparts seen today. The details of these apartments were also very distinctive. When Pony meets one of the Detectives, her grandmother’s apartment door boasts a rich dark wood. A small stained-glass window and a gold mail slot can also be seen, emphasizing the antique fixtures of yesteryear. Toward the end of the film, the story takes place in an abandoned structure in ruin. Not only was the structure itself impressive, but it served as a reminder of the state of Germany post World War II. Because this film was released nineteen years after the end of World War II, it shows how these characters are not that far removed from this real-life event, providing a sense of realism to the story.
An introduction to the Film Noir genre: Back in 2018, I reviewed the 1978 Disney production, Return from Witch Mountain. In that review, I said the film and its predecessor, Escape to Witch Mountain, would be good introductions to the Science-Fiction (Sci-Fi) genre. Emil and the Detectives is also a good genre introduction, but to the Film Noir genre this time. While this film is not dark and gritty, the elements of Film Noir are certainly present. One great example is the character of Gustav. When a Film Noir story includes a detective, that character will usually have a strong, magnetic personality. This shows the audience this character can be trusted and is also approachable. Gustav is a charismatic child. Even though he is nowhere near perfect, solving any case is always his number one goal. He also displays strong leadership skills, such as helping the other Detectives use their skills to the case’s advantage. Despite being a child, Gustav is somewhat reminiscent of other detectives from the world of Film Noir, such as Philip from The Big Sleep.
What I didn’t like about the film:
Limited number of German accents: During the film’s opening credits, German-sounding names were shown on-screen. These opening credits also state Emil and the Detectives was filmed in West Berlin (a term very much of its time). So, I was expecting the majority of the characters to carry German accents. To my disappointment, the only characters using German accents were the adults. The younger characters spoke in either American or British accents, a creative decision I found somewhat jarring. I’m not going to fault the younger actors too much, especially since they were so young when they participated in this project. However, it does make me wonder why the movie’s creative team chose to set this story in Germany if they weren’t able to find actors who could pull off a German accent?
Weaker villains: There are three ingredients to making a stand-out villain: a unique appearance, a strong personality, and a memorable motive. While the Skrinks, the villains of Emil and the Detectives, possess two of the ingredients, they lack the latter: a motive. In one scene, the Skrinks are impressed by how one of the villains, The Mole, escaped from East Berlin by digging a tunnel under the Berlin Wall. But The Mole’s reason for wanting to escape from East Berlin is never revealed. Throughout the film, the Skrinks are attempting to rob a bank. Once again, the reason for committing this crime is not mentioned by any of the villains. The omission of these motives prevent the Skrinks from standing out among other villains from live-action Disney films.
Pony’s under-utilized talents: One of the younger characters, Pony, is interested in writing and journalism. She follows Emil and the Detectives because she wants to write about the Skrinks’ crime for her school’s newspaper. But, throughout the film, the audience doesn’t get to see Pony using any of her writing/journalistic skills. This is a shame because we do get to see the talents of the Detectives. For example, one of the boys happens to be talented in art. Therefore, his talents are used to create an artist’s rendition of one of the villains.
My overall impression:
1964’s Emil and the Detectives is certainly one of Disney’s more unique, interesting projects. On the one hand, it kind of feels like a Disney production. The way two of the Skrinks are captured contains that “Disney magic” you’d expect from one of their stories. But, on the other hand, it kind of doesn’t feel like a production from Disney. That’s because the Detectives assume child-appropriate versions of actions and choices usually adopted by grown-ups. A perfect example is when Emil and one of the Detectives eat chocolate cigarettes as they wait for a phone call from the rest of their group. As I said in my review, Emil and the Detectives is a good introduction to the Film Noir genre, especially for younger viewers. Some of the genre’s elements are present, but the humor and light-heartedness prevent the story from becoming too dark. I can’t believe this movie has been sitting on my DVR for two years. While I always intended to review this picture, I’m glad I found the perfect opportunity to finally talk about it!
Overall score: 7.3-7.4 out of 10
Have you seen Emil and the Detectives? Are there any lesser known, live-action Disney films you’d like me to check out? Please let me know in the comment section below!
Back in August, The Classic Movie Muse invited me to join the Bernard Herrmann Blogathon! I immediately became interested, but wasn’t sure which film I would choose. While I am familiar with the movies Bernard’s music can be heard in, I’m not that familiar with Bernard as a composer. But with the blogathon taking place on Halloween weekend, I wanted to watch a film that fit the occasion. Originally, I was going to review 1962’s Cape Fear, the movie I wrote about for the 2nd Annual Spooky Classic Movie Blogathon. But, long story short, that didn’t work out. So instead, I chose to review The Trap from 1959! Based on the synopsis, it sounded like an exciting story involving gangsters, the law, and a whole lot of conflict. But did I find the movie enjoyable? If you want to know that answer, you’ll just have to keep reading my review!
Things I liked about the film:
The acting: I’m not familiar with Richard Widmark as an actor. However, I did like his performance in The Trap! The easy-going and suave persona Richard brought to his character, Ralph, reminded me of Frank Sinatra. His facial expressions and use of emotions were believable as well. When a tragic situation happens in his family, genuine fear was shown on Ralph’s face. Because he was in a dangerous circumstance in the story, Ralph became vulnerable both literally and emotionally. Another character that was vulnerable was Ralph’s brother, Tippy. At the beginning of the movie, Tippy’s alcohol dependency is apparent. With a relaxed body position, a pained look on his face, and a tired tone of voice, Earl Holliman effectively portrayed how this problem can take over someone’s personality. Starring alongside Earl and Richard was Tina Louise as Linda Anderson. This particular character was desperately trying to get by and hold on for dear life. But Linda never came across as desperate or frazzled. Instead, Tina brought a sense of charm and a likable personality to her role. Through the script and Tina’s performance, it highlights how Linda cared about how she presented herself.
The music: Despite being an uncredited composer on this project, I did like hearing Bernard Herrmann’s musical scores! Similar to Cape Fear, the music helped elevate a scene’s suspense. It also fit the emotion depicted in a specific scene. Anytime Ralph and Linda interacted with one another is a perfect example of this. A pleasant, dramatic tune could be heard in the background, the kind you’d hear in a romance movie. Because these characters have a history together, this type of music seemed fitting. It added memorability to those scenes as well.
What I didn’t like about the film:
Very little excitement: With a movie involving gangsters, the law, and conflict, you’d think it would be exciting. But unfortunately, this story was lacking in the excitement department. Sure, there was a gun fight and a car chase. But these moments were far and few between. The first half of the movie focused on the gangsters’ preparations, emphasizing telling over showing. A road trip that was mostly bland took over the film’s second half. While I continued to watch this movie in the hope some excitement would arrive, it sadly never came.
Emphasis on drama: On IMDB, The Trap is classified as a drama, as well as an action and crime movie. But the script placed more emphasis on the story’s drama. Most of this film focused on the strained relationships among the Anderson family. Even as Victor Massonetti (the leader of the movie’s gangster group) was attempting to escape the country, there was still time to feature Ralph having a conflict with one of his family members. While there’s nothing wrong with featuring drama in a story, it overshadowed the more exciting parts of The Trap. This certainly felt like the screenwriters had difficulty balancing these three genres.
The run-time: This movie has a run-time of an hour and twenty-four minutes. With the way the story focused on drama over action, I honestly think the run-time was too long. Some scenes were drawn out longer than necessary. For example, when Ralph was traveling in a car with Victor, those scenes felt like they were longer just for the sake of satisfying the run-time. The beginning of the movie also satisfied this run-time by maintaining a slower pace. With a shorter run-time, the story could have gotten straight to the point a lot sooner. It also would have prevented some scenes from feeling like they dragged on.
My overall impression:
On the movie poster for The Trap, it says “Rocking the screen with triphammer impact!”. The only impact this movie had on me was making me want to fall asleep on more than one occasion. Within the first half, the story was reminiscent of 1954’s Suddenly, a movie I thought was just ok. But when the second half rolled around, it felt like a boring road trip film. As I said in my review, there was a gun fight and car chase in The Trap. But these exciting moments had such a limited presence in the overall story. One of the flaws of this film was relying too much on the drama genre. When a movie features gangsters, you expect action and excitement. Tensions over which man Linda truly loved were certainly not as riveting as the screenwriters thought. The Trap was, for me, a disappointment. While I liked the acting and music, it wasn’t enough to present a recommendation.
Overall score: 5.1 out of 10
Have you seen The Trap? If so, what are your thoughts on the film? Please share how you feel in the comment section below!
Happy Halloween to all my followers and readers! Like last year, I am participating in the Spooky Classic Movie Blogathon! For the first event, I reviewed 1953’s House of Wax, a movie I enjoyed. This time around, I’m reviewing the 1962 film, Cape Fear! When it comes to choosing which movie to watch around Halloween-time, the usual selections with fictious monsters, ghost stories, and haunted tales are preferred. But in my opinion, the most effective “scary movies” are the ones that involve real-life situations. In Cape Fear, a former prisoner seeks revenge against the lawyer who testified against him. This synopsis alone sounds more realistic and terrifying than even those scary movies that are considered “classic”. But is this movie as terrifying as it sounds? The only way to find out is if you keep reading!
Things I liked about the film:
The acting: Before watching Cape Fear, I had seen and reviewed Heaven Knows, Mr. Allison. One of the best aspects of that film was Robert Mitchum’s performance. In the 1962 movie, Robert’s portrayal of Max Cady stole the show! As a character, Max was a creepy and gross fellow. This was made possible through Robert’s facial expressions, body language, and dialogue. In Max’s first scene with Sam, there is a twinge of anger in Max’s voice. But his demeanor was controlled by a sense of calm. The combination ofanger and calm within Max Cady added to the character’s unsettling nature. Another actor that effectively balanced two emotions was Lori Martin! In a scene that takes place after a family emergency, Lori’s character, Nancy, appears calm. Yet, she can be seen crying as she talks to her mother in an angry tone. Without spoiling anything, Nancy did have a legitimate reason to be both sad and angry. But I found this performance impressive, especially for an actress so young!
I’ve seen and reviewed To Kill a Mockingbird and Amazing Grace and Chuck. Based on these two movies, it seems like GregoryPeck gets type-casted as either a lawyer or a politician. While he portrays a lawyer in Cape Fear, the script emphasized how his character is a family man. Like the aforementioned movies, Gregory carried his character, Sam, with professionalism and classiness. At the same time, he was given plenty of opportunity to express emotion. A great example is when Sam meets Max at a nearby restaurant. As Max is telling his story, Sam grows increasingly angry. This scene highlights the fierce protectiveness of a husband and a father. It also gave a sense of realism to Gregory’s character!
The music: Legendary composer Bernard Herrmann provided the music for Cape Fear. Throughout the film, his signature musical style could be consistently heard. Bernard’s strength is using music to elevate the suspense within a given scene. At the very beginning of the movie, Max is walking through the town as an ominous tune can be heard in the background. This effectively clued the audience in of what would come later in the story. It also let the audience know to pay attention to Max. With all that said, the music definitely added something special to the overall project!
The cinematography: I was not expecting the cinematography in Cape Fear to be as memorable as it was! It, honestly, reminded me of pictures directed by Alfred Hitchcock! One of my favorite scenes is when Peggy, Sam’s wife, has a dream about her and Sam. While Peggy is sleeping, ghostly images of her and Sam are presented over the main image. These images reveal their concerns over the movie’s events, as well as emphasize their desire for action. This way of presenting dialogue and character interactions was very interesting. It added a sense of spookiness to an already suspenseful story!
What I didn’t like about the film:
An exposition heavy beginning: Within the first twelve minutes of Cape Fear, the audience learns about Sam Bowden, his family, Max Cady, his arrest, and why he was arrested. Personally, I felt this was too much information to present in the film’s beginning. In fact, I was disappointed Max’s secrets were revealed so soon. What the screenwriter should have done was sprinkle this information throughout the story. That way, the audience would have a greater reason to stay invested in the mystery.
Dumb decisions from the characters: After a family emergency involving a dog, Sam warns his wife and daughter of Max’s dangerous nature. He instructs his daughter, Nancy, to only leave school and home with either him or his wife, Peggy. But more often than not, Nancy is left by herself, with Sam and Peggy putting her in a vulnerable position. One example is when Nancy gets out of school to find her mother’s car empty. While waiting in the car, Nancy sees Max and attempts to get away from him. Even though she succeeds in this plan, she ends up getting hit by an oncoming car in the process. I know her parents are human and humans make mistakes. However, these mistakes felt unbelievable after some time.
An unrelated court case: Featured in a few scenes, a court case involving an arthritic patient receiving surgery was addressed in Cape Fear. But the only connection this case had with the rest of the story was Sam as one of the associated lawyers. I wish the case had a more significant reason to be in the film. Maybe it could have something to do with Max’s past crime, with two separate mysteries becoming one. I, honestly, wanted to learn more about that case, but was sadly not given the chance.
My overall impression:
As I said in my introduction, the most effective “scary movies” are the ones that involve real-life situations. Even though this is a fictional story, it is effective at being a scarier film! Max Cady is one of the most unsettling characters in film, with Robert Mitchum’s acting abilities highlighting the reason why. Come to think of it, this performance showed a different side to Robert’s talents. Bernard Herrmann’s music added to the scary nature of the story, emphasizing the suspense within the script. But the multiple dumb decisions of the characters took away some from the film’s believability. The beginning of the film was also exposition heavy. However, the overall production felt like an Alfred Hitchcock picture without actually being affiliated with Alfred Hitchcock. With this said, I’d recommend Cape Fear as your next pick for Halloween!
Overall score: 7.5 out of 10
Have you seen Cape Fear? Which movie would you watch on Halloween? Tell me in the comment section!
Two years ago, I wrote an editorial on why I felt Lestat and Akasha’s relationship from Queen of the Damned was very problematic. When I published that editorial, I had no idea how popular it would become. As of late October 2021, my editorial has garnered 1,301 views and counting! So, that success is a reason for this new editorial. I’ve read many articles and seen many videos about The Crow. But no one has talked about how toxic Top Dollar and Myca’s relationship is. In fact, I’d go so far as to say their relationship is worse than Lestat and Akasha’s. Like my previous editorial, I will present five key reasons why Top Dollar and Myca’s relationship is unhealthy. But before I start my explanations, let me bring up some disclaimers:
In this editorial, I will be addressing the subjects of inappropriate sibling relationships, violence, drug use, and crime. That is because the movie itself addresses these subjects. If you are sensitive to any of the aforementioned subjects, take this disclaimer as a fair warning.
This editorial was not written to be mean-spirited or negative. Its intent is to showcase my honest opinion about this topic.
This editorial was not written to disrespect any persons who worked on The Crow. This includes Michael Wincott and Bai Ling, who portrayed Top Dollar and Myca.
Like most of my editorials, this article is going to be long in length. If you are interested in reading this post, please allow yourself enough time to consume the content.
Unless I say otherwise, the screenshots in this editorial are screenshots I took with my cellphone.
An Inappropriate Sibling Relationship
A typical sibling relationship is meant to teach empathy, show how to get along with others, and help maintain a family unit. But with Top Dollar and Myca’s relationship, nothing about it is typical. In fact, it is downright inappropriate. In The Crow, it is revealed these characters are half-siblings. But instead of treating each other like siblings, they interact with each other like a romantic couple. In the very first scene Top Dollar and Myca appear in, it is heavily implied they engage in intercourse. Their physical interactions also appear more sensual in nature. The existence of Top Dollar and Myca’s relationship is illegal, especially in Michigan, the state The Crow takes place in. According to Michigan Legislature, they would be guilty of Criminal Sexual Conduct in the First Degree. This is because Top Dollar and Myca meet these two circumstances: “The actor is a member of the same household as the victim” and “The actor is related to the victim by blood or affinity to the fourth degree”. When the true nature of their relationship is revealed, Top Dollar says Myca is “my father’s daughter, that’s right”. This means both Top Dollar and Myca were fully aware of their involvement in an inappropriate sibling relationship.
While Top Dollar and Myca are aware of their relationship’s nature, they go out of their way to keep their relationship private. Any time Top Dollar and Myca engage in displays of affection, it is done when few people or no one is around. In the first scene these characters appear in, there is another woman in the room. However, this woman is dead. In their next scene, Top Dollar and Myca partake in consuming drugs or creating mystical concoctions. When T-Bird and Grange arrive at Club Trash’s lair, Top Dollar and Myca are careful when displaying their affection for one another. Myca sits beside Top Dollar, with his arm draped across her lap. But when T-Bird and Grange leave, Top Dollar places his hand on Myca’s thigh, a gesture that is typically known for being sensual. It should also be noted how this gesture was performed under the table. Out of all the characters in The Crow, only two of them know about Top Dollar and Myca’s relationship. These characters are Grange and Gideon. It’s safe to assume Grange was already aware of Top Dollar and Myca’s relationship prior to the film’s events. But Gideon finds out about this relationship when he visits Top Dollar at Club Trash’s lair.
One of my criticisms of The Crow is how some parts of the story don’t receive context. Top Dollar and Myca’s story is one of them. But based on what was said and not said by these characters, it is assumed their relationship is the result of an absent/dysfunctional family unit. In Top Dollar and Myca’s first scene, Top Dollar reveals the origin of a snow globe. This snow globe, displaying a miniature grave yard, was a birthday gift from their father when Top Dollar turned five. He tells Myca “Dad gave me this. Fifth birthday. He said ‘Childhood is over the moment you know you’re gonna die’.” Top Dollar brings up their father on two other occasions: when he tells Gideon Myca is his father’s daughter and when he tells Eric “Ya know, my daddy always used to say ‘Every man has a devil, and you can’t rest till you find him’.” Meanwile, Myca never brings their father up. In fact, when Top Dollar is talking about the snow globe, she doesn’t express any emotion toward her parent. According to David J. Schow, one of The Crow’s screenwriters, Top Dollar and Myca’s “father was in Vietnam”. In the book, The Crow: The story behind the film, “Top Dollar’s motivation would be to punish the world for Myca’s tragic life”. Taking all of this into account, it seems like Top Dollar and Myca’s father had no qualms about exposing his children to dark and harmful things, especially at a young age.
They Enable Each Other
If you knew someone who was causing harm to themselves or other people, would you intervene and help them turn toward better choices? Most people would say “yes” if asked this question. But, in The Crow, Top Dollar and Myca do the complete opposite. During their introduction in the movie, Myca asks if the woman in the room is dead. Top Dollar responds by saying, “I think we broke her”, heavily implying they had something to do with the woman’s death. Myca then proceeds to remove the woman’s eyes, with Top Dollar silently watching her perform this act. Top Dollar was fully aware of how much damage he and Myca made in one evening. Despite this, he never tried to stop Myca from obtaining the eyes or question her reason for committing the act. In fact, Top Dollar never intervened during the process. While Myca’s desire to snatch someone’s eyes is explained, Top Dollar continues to enable Myca.
In the next scene Top Dollar and Myca appear in, they engage in activities only they would leisurely choose to do. While Myca uses the aforementioned eyes to create a concoction involving smoke, Top Dollar is consuming drugs. During Myca’s “activity of leisure”, Top Dollar silently watches the entire time. He only gets involved when Myca creates smoke, as he ends up breathing it in. While this scene is taking place, Top Dollar’s plate of drugs are located right next to Myca’s goblet. Myca is fully aware of their presence, yet chooses to do nothing about it. What she does do is ignore Top Dollar’s drug use. When Grange and T-Bird arrive at Club Trash’s lair, Myca can be seen turning her body away from Top Dollar, facing her guests. Before Top Dollar consumes the drugs for the second time in this scene, Myca gets up from the table she is laying on and walks away from the situation. Even though she does return to sit beside Top Dollar, she ends up holding his hair back as he consumes the drugs for the third and final time in this scene.
The previous scene I talked about isn’t the only time Myca turns a blind eye to Top Dollar’s harmful choices. When Gideon pays a visit to Club Trash’s lair, the intent of his visit is to call Top Dollar out for his lack of involvement. This is in relation to Gideon’s Pawn Shop being burned down in an earlier scene. It is in this current scene where Top Dollar reveals he and Myca are half-siblings. After this secret is revealed, Myca places her foot on Gideon’s chest as Top Dollar points his sword at Gideon, both actions attempting to intimidate their guest. Shortly after Gideon tells Top Dollar and Myca “I ain’t twisted like you two fucks”, Top Dollar proceeds to stab Gideon with his sword. Before Top Dollar receives a gun from Grange, Myca can be seen turning her head away from the situation. She turns her head back after Top Dollar kills Gideon.
When I first watched The Crow, I was really confused by Top Dollar and Myca’s decision to enable each other. Judging by their body language, their love for one another seems obvious. So, seeing them enable the other to hurt themselves or other people told a conflicting story. After talking with some fans of this film, I came up with three likely reasons why Top Dollar and Myca choose to enable one another. The first reason relates to the possible upbringing I talked about in my first point. Because Top Dollar and Myca were likely exposed to dark and harmful things for so long and often, these things have become their “normal”. The second reason is the precedent Top Dollar places on his environment. Since he is the leader of his villainous group, he is the one who sets that precedent, which is a “I don’t care because it’s none of my business” attitude/mindset. With that said, why should Myca be expected to care about Top Dollar’s drug use or violence when he doesn’t seem to care how or where she acquires eyeballs? The third and final reason is how the final product benefits them. As I already mentioned, Top Dollar only gets involved in Myca’s “activity of leisure” after she makes the smoke. This allows him to enjoy the fruits of her labor without worrying about how the smoke is created. In a meeting at Club Trash’s lair, Myca says “I like the pretty lights”, referencing the fires taking place throughout Detroit. This statement alone shows that Myca doesn’t seem to care how those fires came to fruition, but instead how these “pretty lights” make her feel.
No Meaningful Conversations
As I said in my editorial, ‘Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)’, words are needed to build/strengthen a bond. In The Crow, the audience can hear Top Dollar and Myca talking to each other instead of at each other. But when one truly listens to what these characters are saying, it is evident how Top Dollar and Myca are not having meaningful conversations with one another. There are two scenes showing them carrying on a conversation. In the first scene, Myca sees Top Dollar becoming emotional over a snow globe. She acknowledges this by telling him “You are thinking about the past”. However, after Top Dollar tells her the story behind the snow globe, she changes the subject to the dead woman in the room. While Myca does give Top Dollar physical affection by hugging him and kissing him on the head, she doesn’t use words to get to the root of the unidentified problem. No questions about why this snow globe causes Top Dollar to get so emotional are asked. Similar personal moments or comforting sentiments are not shared either. Because of Myca’s decision to not verbally help Top Dollar through his emotions, those feelings and personal turmoil are bottled up and unaddressed instead of being resolved.
In the second scene, Top Dollar wishes he were hungrier. He reveals this to Myca after she tells him “You are very restless”. But instead of trying to help Top Dollar find a solution to his problem, Myca says “Be careful what you ask for”. Hunger is a basic need, with eating being an important part of human life. The fact Myca is ignoring this basic need, especially after Top Dollar addressed it to her is concerning. In this same scene, Myca tells Top Dollar “There are energies aligning against you”. His response to her concern is “Seeing is believing, isn’t it?”. Like Myca’s response to Top Dollar’s hunger, Top Dollar’s reaction is also concerning. He doesn’t question what these “energies” are or try to verbally put Myca’s worries at ease. These examples in this point highlight what I talked about earlier: the precedent in Top Dollar and Myca’s environment carrying a “I don’t care because it’s none of my business” attitude/mindset.
They Treat Others Horribly
Similar to Akasha from Queen of the Damned, Top Dollar and Myca treat other people horribly. This horrible treatment is experienced by most of the members of their community as well. Like I mentioned earlier, Top Dollar intimidates and kills Gideon, with Myca helping Top Dollar intimidate their guest. I also mentioned the dead woman whose eyes were removed by Myca. However, these are just two examples of their hurtful ways toward others. Whenever something bad happens to someone with a lower social ranking, Top Dollar does not show any amount of sympathy for them. Instead, he treats their misfortune as a joke. When T-Bird visits Club Trash’s lair, he informs Top Dollar of Tin Tin’s death. Top Dollar says he’ll provide a moment of silence for Tin Tin, but uses that time to consume more drugs. Later in the movie, at a meeting in Club Trash’s lair, Top Dollar tells the attendees how T-Bird will not come to their gathering. He says T-Bird has “a kind of a slight case of death” as if passing away is simply an inconvenience. This causes some of the meeting attendees to chuckle, like Top Dollar told a funny joke.
It should also be noted how complete strangers are not safe from Top Dollar and Myca’s harmful choices. As the story progresses, Eric Draven learns his and Shelly’s murders were caused by Top Dollar, as he ordered some of his members to remove Eric and Shelly from their apartment. When Eric crashes the meeting at Club Trash’s lair, Top Dollar orders the meeting’s attendees to kill Eric. While these attendees shoot Eric, Myca stands beside Top Dollar and watches the violence upfold. After the meeting ends earlier than expected, Top Dollar and Myca kidnap Sarah. They do this in an attempt to lure Eric and The Crow toward them, planning to kill both of them in the process. Based on the examples I provided, it is obvious that Top Dollar is the one who causes most of this harm, with Myca as his bystander.
No Sense of Shame
The most blatant aspect of Top Dollar and Myca’s part of the story is how they have no sense of shame for what they say and do. This is because they are never given a reason to feel a sense of shame. In Top Dollar and Myca’s environment, there are no “voices of reason” to hold them accountable for their actions and choices. Even when someone, like Gideon, tries to become a “voice of reason”, they end up facing consequences instead of Top Dollar and Myca. Two reasons are likely why “voices of reason” don’t exist in Top Dollar and Myca’s world. Like I’ve been saying in this editorial, the precedent in this environment carries a “I don’t care because it’s none of my business” attitude/mindset. Since Top Dollar and Myca don’t express any concern for others, the people in their environment have no incentive to care what Top Dollar and Myca do. Fear can also be a contributing factor. Top Dollar and Myca have the two highest social ranks in their environment. So, this fact can be a motivator to keep others in line. Out of all the people who work for Top Dollar and Myca, Skank is the only one who openly expresses this fear. After being forced to attend the meeting at Club Trash’s lair, Skank cowers in his seat when Top Dollar calls him out. Skank’s demeanor clearly displays unease, like he is afraid of upsetting Top Dollar. In a community where people are too afraid to speak up, it is no wonder Top Dollar and Myca’s behavior is allowed to run rampant.
The one person who should have been a “voice of reason” is Grange. As Top Dollar and Myca’s bodyguard and the closest person to them, his job is to look out for their best interests. What he does instead is enable Top Dollar and Myca, as well as encourage them, to carry on their harmful ways. When T-Bird goes to Club Trash, he tells Grange he’d like to meet with Top Dollar. Grange says that won’t be possible because Top Dollar is in a meeting. The next scene reveals Grange’s lie, as Top Dollar is in a bedroom with Myca and a dead woman. This scene shows how Grange is enabling Top Dollar and Myca’s inappropriate sibling relationship while also turning a blind eye to it. When Top Dollar stabs Gideon during his visit to Club Trash’s lair, Grange gives Top Dollar the gun that would ultimately kill Gideon. He also tells Top Dollar and Myca he’ll get someone to remove the dead body. Later in the movie, when Myca discovers a connection between Eric and The Crow, Grange says “So kill the crow, then destroy the man”. He tells Top Dollar and Myca this as a way to enable them to hurt Eric and The Crow. Grange’s reaction to Top Dollar and Myca’s other harmful decisions, like kidnapping Sarah and enabling one another, is either silently playing along or ignoring the problem altogether. With all things considered, Grange shows how he isn’t doing his job well.
After I published my editorial about Lestat and Akasha’s relationship, I naively thought I would never come across or even talk about a relationship worse than theirs. But when I watched The Crow for the first time, Top Dollar and Myca proved that idea wrong. I can say with all honesty their relationship is one of the worst I’ve ever seen in cinema. It is so toxic, red flags pop up every time they appear on screen. At first glance, it seems like Top Dollar and Myca love each other. But when one looks beyond the surface, it is plain to see how weak their relationship is. They don’t have a strong sense of care for one another. When something important is addressed, whether it’s a concern, need, or feelings, Top Dollar and Myca ignore them. They also allow each other to hurt themselves or other people with no attempts at intervention. With the way they care so little about the other, it makes me wonder why Top Dollar and Myca are even together at all? But because their backstory would probably be as dark and harmful as the choices they make, maybe it’s better to leave that question unanswered.
Have fun at the movies!
The Crow 1994
The Crow: The story behind the film by Bridget Baiss
The results of The 3rd Annual Gold Sally Awards were many months in the making! Like last year’s awards, I continued the tradition of nominating films and talent not exclusive to Hallmark. I also started presenting two voting polls at a time. In 2022, I will publish two polls in each post, as a way to move the polls along at a smoother pace. But, for now, let’s start the moment you’ve been waiting for: the results of my annual awards!
Best Movie and Story: From Up on Poppy Hill
Best Ensemble: If You Believe
Best On-Screen Couple: Ally Walker and Tom Amandes — If You Believe
Best Actress: Margaret O’Brien – The Unfinished Dance
Best Actor: Neal McDonough – Grace & Glorie
Best Supporting Actress: Collin Wilcox Paxton – To Kill a Mockingbird
Best Supporting Actor:Fred Savage – The Boy Who Could Fly
For the remaining days of October, I will try my best to “clean house”. This means I will be publishing articles that I’ve been meaning to post for some time. One of these posts is my conclusion to last month’s National Read a Book Day Double Feature! In September, I sought to answer the question, Would these adaptations [of Saint Maybe and At Home in Mitford] encourage the viewers to read their source material or any other book? Now that I’ve seen and reviewed both films, I’ve come to therealization how difficult it is to answer this question.
While reading some of Saint Maybe’s reviews on IMDB, one of them stood out to me. Its title read “Made me want to readthe book”. Written by someone named bkgmoonstar, they claim the movie was missing too much detail. After they read thenovel, they said “the movie was actually quite faithful to the book”. This review represents the opinion of just one reader. There are many readers who choose to read a given book for various reasons. They also have their own preferences and literary interests.
Like readers, there are many movie-goers with their own tastes in cinema. Some of the films of their choosing may be an adaptation. But even if they enjoy an adaptation, it doesn’t mean they’ll reach for the source material. This decision couldbe made for a variety of reasons. When I asked my aforementioned question in my reviews of Saint Maybe and At Home inMitford, I wasn’t really able to give a definitive answer. That’s because the only reader I can speak for is myself. Therefore, if I had to answer the question, I think it all depends who you ask.
Have fun at the movies!
If you want to read the other articles associated with this double feature, I’ll provide the links here:
Blogathons are a great opportunity to be introduced to new genres, films, and talents. For me, that has certainly been the case for The Third Hammer-Amicus Blogathon. Because this was my first time watching any Hammer-Amicus production, I had to research which title I would write about for the event. On Wikipedia, I stumbled across the 1972 film, Vampire Circus. The film’s title immediately caught my attention, as I’ve never seen a vampire led circus before. Movies revolving around vampires are no stranger to 18 Cinema Lane. As of October 2021, I have reviewed five vampire films, with Vampire Circus now being the sixth title. These projects have received favorable reviews, with each one being enjoyable to varying degrees. How will Vampire Circus fare among the other vampire films I’ve seen? Keep reading, as the show is about to begin!
Things I liked about the film:
The acting: As I said in the introduction, this was my first time watching any Hammer-Amicus production. But during my experience viewing Vampire Circus, I could tell the actors and actresses involved were invested in their roles! Whenever a circus is incorporated into a story, the ringleader is usually a man. So, it was interesting to see a woman leading a circus in Vampire Circus. Confidence and a no-nonsense attitude are the traits I associate with a circus ringleader. While portraying the Gypsy Woman, Adrienne Corri effectively brought those traits to her character! Adrienne also had the ability to command attention from the audience. This is due to the strong on-screen personality she presented.
While watching Vampire Circus, I was impressed by the performances of the younger actors and actresses. Two of these stand-out performances came from John Moulder-Brown and Lynne Frederick! Portraying Anton Kersh and Dora Müller, these actors had surprisingly good on-screen chemistry. They also performed well together and individually. John and Lynne’s interactions felt believable, like their characters truly cared about each other. It made me wish they had starred in a production of Romeo and Juliet!
The historical accuracy: Vampire Circus takes place in the 19th century, which contains the years 1801 to 1900. As soon as the movie started, I noticed the creative team’s focus on making their production look historically accurate! Two of the characters, Anna Müller and Jenny Schilt, wear dresses that appear like they came directly from that time period, reminding me of stories like Pride and Prejudice and American Girl’s Caroline series. The costumes for the male characters are also reminiscent of these stories. The props and set designs were historically accurate as well! A good example were the circus wagons. Their structural build reflected the classic circus images seen on antique posters and art work. The signs for “Circus of Night” and the “Hall of Mirrors” presented an art style that was present during that time. With all these elements coming together, I felt transported to the 19th century!
Introducing the “photogenic vampire”: I have heard people give Anne Rice’s Vampire Chronicles series credit to creating the concept of “photogenic vampires”. But personally, I think Vampire Circus deserves that credit, as the movie was released before Interview with the Vampire was published. The vampires in Vampire Circus appeared beautiful, looking like potential supermodels. A perfect example is Emil, who was also a circus performer. One of the young women in the town of Stetl, Rosa, develops a crush on Emil after the circus’ first performance. When you take one look at Emil, it is easy to see why Rosa would be interested in him. This simple creative decision allowed Vampire Circus to make a significant contribution to the world of vampire stories!
What I didn’t like about the film:
Confusing parts of the story: The Bürgermeister’s daughter, Rosa, is attracted to Emil, one of the circus performers. In one scene, she is telling her mother how Emil is not like other guys, as he has traveled the world and is more cultured because of it. But in earlier scenes, we don’t get to see these characters converse with one another. All that is provided to the audience is Emil and Rosa meeting at the circus for the first time and seeing them have intercourse shortly after they met. How would Rosa know all that information about Emil if she barely spoke with him? Did she and Emil talk with each other off-screen? This is just one part of the story that I feel needed context.
The underutilization of animals: When the circus comes to the town of Stetl, they bring three animals: a panther, a tiger, and a chimpanzee. Throughout the film, the chimpanzee and tiger stayed in their cages. Meanwhile, the panther was seen out of its cage about two or three times. In the world of film, animals are a part of a production to either be showcased as naturally as possible or to be shown doing something cool. In Vampire Circus, when there was an opportunity to prominently feature the tiger, a dancing woman painted as a tiger took its place. With all that said, it makes me wonder why there were animals in the movie at all?
Inconsistent traits among the vampires: In fiction, there are many different vampires who carry a variety of skills and traits. Within Vampire Circus, however, the traits of the vampires felt inconsistent. Two of the vampires in the story, Heinrich and Helga, are sensitive toward crucifixes. But when a crucifix is presented to the Strongman, he ends up crushing it with no sensitivities. Does this mean the Strongman wasn’t a vampire or was he simply not bothered by crucifixes? Over the course of the story, Emil is revealed to be a shapeshifter. At various moments in the film, he transforms into a panther, the same panther the circus brings to town. Meanwhile, as I mentioned before, the tiger and chimpanzee stayed in their cages. Was Emil the only shapeshifter in the circus? Were the animals simply animals?
My overall impression:
Vampire Circus introduced the concept of “photogenic vampires”. For this, I will give the film credit where it is due. But when I think about this 1972 production, I’m confused of what its intention was. On the one hand, all the actors and actresses seemed invested in the roles they were given. But, on the other hand, a stuffed animal could be plainly seen during a scene where a group of characters were attacked in a forest. Was this movie supposed to be “so bad it’s good” or a horror movie with a pinch of humor? There were also parts of the story that I found confusing. However, the film was interesting enough to keep me invested in what was happening on screen. Therefore, I found Vampire Circus to be just ok.
Overall score: 6 out of 10
Have you seen any Hammer-Amicus films? Are there any vampire films you enjoy watching? Please tell me in the comment section!
Last year, I announced a new project called Oh Lil Cristmas Tree, where I add a new ornament that somehow relates to my blog. When I first introduced this project, I showed my readers a small colonial style hat that was reminiscent of Jiggy Nye’s hat from Felicity: An American Girl Adventure. This year, after searching for the perfect addition, a Christmas cat ornament will be joining the tree! Two years ago, I reviewed the Hallmark Channel movie, The Nine Lives of Christmas. It was a film I really liked and was one of the best I saw that year! So, it made sense for a festive kitty to be the next choice.
Do you like my new ornament? Which Christmas tree decoration would you suggest I add next year? Let me know in the comment section!
Now we are coming to the end of another season of Chesapeake Shores. With this story complete, I can now give my honest opinion on the season as a whole. This has been one of the strongest seasons in the show’s history! That balance between character and plot driven stories has returned! One of the strengths was the addition of new cast members. Because Robert Buckley was promoted the most, I’ll talk about his character, Evan Kincaid. With new characters, it can be hit or miss. But with Evan, he fit in just fine. In fact, it felt like he was meant to be on Chesapeake Shores all along. Evan was a well written character, with each layer being pulled back as the story went on. Robert also presented a personality that hadn’t been seen on the show before. Despite joining Chesapeake Shores this season, I can’t imagine this story without him. As this chapter of the show comes to a close, let’s re-cap the season finale!
Just a reminder: If you did not see the season finale of Chesapeake Shores, there are spoilers within this re-cap.
Name: As Time Goes By
Abby’s story: Abby comes back home from her business trip in Cleveland. She is surprised to discover Evan waiting for her at the airport. Afterwards, they agree to have lunch at Sally’s Café. During their meal, Evan confesses how he might have romantic feelings for Abby. She turns down this possibility at first, as she and Evan are business partners. But Evan convinces her to, at least, think about the idea of them together. The next day, Evan visits the O’Brien family home to deliver some homemade brownies. Abby is not only amazed by how good the sweet treats are, but how Evan created the brownies so that Caitlyn, who is lactose intolerant, could eat them too. In the middle of this exchange, Evan shares with Abby how he learned to bake from a man who used to date Evan’s mother. When Abby asks Evan if she can meet this man, Evan says he’ll try to locate him, as he is a truck driver. Later in the episode, Jay reveals how every year, he takes a picture for his “Best Moment of the Year” collection. For the previous year, he shows Abby a picture of her, indicating how she was his “Best Moment of the Year”. Jay also confesses how he has romantic feelings for Abby. But he says he has romantic feelings for a female guidance counselor named Cam as well. The information Abby received from Evan and Jay puts her at a fork in the road. After consulting with Bree, Abby calls someone and tells them how she has feelings for them too. But the identity of the receiver is not known.
Mick and Megan’s story: One morning, Mick and Megan share the news that not only are they taking a trip around the world, but Mick is also taking a year off work in order to make this trip happen. While the family is shocked by this news, there are happy to see Megan and Mick move forward with their relationship. While she’s at the location where the art show took place, Carter tells Megan how she has received multiple job offers due to the art show’s success. Megan says she has given up that life, indicating her disinterest in these offers. Then, Carter reveals how a prestigious art gallery in Los Angeles wants Megan to join their team. Because she has always dreamed of working with that particular gallery, she thinks twice about her future. Mick ends up finding out about this job offer from Carter, as Carter is on his way home to New York. When Mick addresses this piece of news with Megan, she says she hasn’t made a decision yet. But, by the end of the episode, she questions if she can have both the job and the trip. This makes Mick wonder if she’ll leave the family again.
Connor’s story: While Luke’s court hearing has received a different judge, the date is scheduled for the very next day. Even though this concerns Connor, he continues to look for a way to help Luke. Meanwhile, Margaret has her concerns about Connor’s well-being. Remembering what Connor said in the previous episode, Margaret brings s’more ingredients to the firm, in an attempt to help Connor relax. Connor likes Margaret’s gesture, which ends up with both of them kissing. But, the following day, Luke and Bree discover Connor slept at the firm. Because of this discovery, Luke reveals how he takes sleep medication. This information gives Connor an idea. He recruits his doctor as an expert witness, in an attempt to show how Luke’s sleep medication could be mistaken for amphetamines. The plan works and Luke doesn’t have to go back to prison. Toward the end of the episode, Margaret visits Connor at the O’Brien family home. While they are kissing, Connor collapses. The cause of his ailments is unknown.
Kevin and Sarah’s story: At the beginning of the episode, it is revealed Sarah had a miscarriage. Devastated by this latest heartbreak, Sarah tells Kevin to keep it between themselves. But, later in the episode, Kevin shares this information with Mick and Megan. They tell their son how they suffered a miscarriage years ago. Through the interaction, they show their support for Kevin and Sarah. When Kevin tells his wife what he told his parents, Sarah is upset. However, she comes to appreciate Mick and Megan’s support when Megan pays her a visit. Megan tells Sarah how her miscarriage happened after Jess was born. She also tells Sarah how, in time, she will get through this tragedy.
Jess and David’s story: Jess has a lot of thoughts about Mick and Megan getting back together. So, at three in the morning, she decides to write Megan an email, which contains her real thoughts. Later that day, Jess freaks out because she actually sent the email. When David reads it, he thinks it is brutally honest. So, Jess goes to the O’Brien family home to talk to Megan. She apologizes for the email, telling Megan how she’s actually happy for her and Mick. But Megan responds by saying she hadn’t checked her email yet, but appreciated Jess’s honesty. Meanwhile, David discovers his trust fund has been cleaned out. Only his father has access to this fund, but he is nowhere to be found. David goes to Boston to find out more information on his father’s whereabouts. When he returns, David tells Jess his father flew out of the country, with the FBI looking for him.
Some thoughts to consider:
Looking back on the show as a whole, it seems like Kevin and Sarah can’t win. First, they don’t have the wedding of their dreams because season four only contained six episodes. Now, they are dealing with a miscarriage. I understand things do not always go according to plan, in real life and in fictional stories. However, I was hoping the writers would try to make it up to the fans after the omission of a wedding in the previous season. If Chesapeake Shores receives a sixth season, I hope Kevin and Sarah meet happier circumstances.
While talking to a family member about this season, I realized injuries and falls seemed to be a common theme. Sarah fell twice, Thomas fell while hiking, and Evan fell in Tae Kwon Do class. There was also Mick’s plane accident, Thomas’ sprained ankle, Evan’s hurt back, and Connor’s medical issues. I’m guessing this was all a coincidence. But, as a fan, I found it concerning how five of the show’s characters were in harm’s way, sometimes on more than one occasion.
While I know cliffhangers and season finales can sometimes go hand-in-hand, I thought it was risky for the season to end with four cliffhangers. As of October 2021, there has been no announcements about a sixth season. This means if the show were to be cancelled, several stories would receive no resolution. Personally, I think one or two cliffhangers would have been just fine. Some of these cliffhangers could have been introduced earlier in the season, such as the whereabouts of David’s dad. Had this been the case, David and Jess’s story could have contained more depth.
What are your thoughts on the season finale? Would you like to see Chesapeake Shores receive a sixth season? Let me know in the comment section!