Word on the Street: Made-for-TV Film Projects, including a Hallmark series, in the Works

On July 24th, Google Trends Now reported a Christmas movie is about to begin filming in late August. So far, this film is titled ‘The Seek for Christmas’. But “that may most likely change earlier than it airs”, says Evergreen Movie Productions’ Daniel Lewis. Erin Cahill, an actress who has starred in five Hallmark films, will be the lead actress and a producer on the project, according to the article. Maclain Nelson has also been announced as the movie’s director. The production is being filmed in Natchez, Mississippi, which is located near the Louisiana border. Daniel said ‘The Seek for Christmas’ “is about three sisters who grew aside and their journey of discovering their manner again to one another over the Christmas vacation”. Daniel also said “that filmmakers did their analysis to make the film as authentically Natchez as attainable and have written Natchez Christmas traditions such because the annual Christmas parade into the script”. Even though Hallmark Channel is mentioned in the article and its title, the network has not confirmed their association to this movie, as of late July to early August 2021.

In Kemptville, Ontario, Canada, a Christmas movie has been in production since July 19th. Ashley Kulp, from Inside Ottawa Valley, writes that this movie is, so far, titled “The Christmas Campaign”. Filming locations in Kemptville have included “the former North Grenville District High School on Prescott Street” and downtown Kemptville. Almonte, Carp, and Ottawa have also been announced as filming locations. No story-related details or casting decisions have been made known at this time. Also, it is unknown where this movie will premiere.

The link to the articles I referenced in this post:

https://trends.blogdady.com/hallmark-channel-christmas-film-filming-in-natchez-in-august-mississippis-greatest-group-newspaper/

https://www.insideottawavalley.com/news-story/10442638-what-s-going-on-here-christmas-in-july-holiday-movie-being-filmed-in-kemptville/

Christmas themed movie tickets created Kraphix at freepik.com. <a href=’https://www.freepik.com/free-vector/movie-tickets-christmas_971544.htm’>Designed by Kraphix</a>. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by Kraphix – Freepik.com</a>. Image found at freepik.com.

Angelique Jackson, from Variety, reported on July 28th about Hallmark’s plans to create television films based on the company’s Mahogany card line. The article states how these efforts will consist of “a quarterly slate of original movies coming to Hallmark Movies & Mysteries in early 2022”. The pre-production phase of the project started “in early 2021”, with Wonya Lucas, Crown Media Family Networks’ president and CEO, and Toni Judkins, Crown Media Family Network’s current programming and development senior VP, working to get the project off the ground. “Mahogany is a 34-year-old brand that has been an important part of the portfolio since its existence. So for us, it’s not an initiative; it’s bringing something to life through storytelling”, said Wonya. Toni responded to Variety by saying “It was a brand that I love and have known for decades. It just seemed like the most natural, authentic thing to do, to translate and take the inspiration behind the Mahogany card brand and bring it to air”.

This article from Variety mentions how Hallmark has big plans for their Mahogany series. Angelique writes how the network wants “to further expand the franchise to include podcasts and scripted series in the coming years”. According to the article, the Mahogany series is a stepping stone toward programming based on Hallmark’s other card lines, including Eight Bamboo, which highlights “Chinese values and customs”. But in order to make these big plans a reality, Hallmark needs big money to make them happen. In my last Word on the Street story, I speculated how Hallmark might not be as financially strong as in years past. This speculation is based on things happening with the company that I’ve seen and heard as a consumer of some of the network’s programming. To add to this, it should be noted that Hallmark Movies & Mysteries, the network that will host the Mahogany films, doesn’t have the strongest numbers in viewership. As of late July to early August 2021, the movie from Hallmark’s second network with the highest number in viewership was Aurora Teagarden Mysteries: Til Death Do Us Part, which garnered 1.6 million viewers. This number is lower than those from Hallmark Movies & Mysteries’ past films, with 2017’s Rocky Mountain Christmas receiving a record-breaking 2.18 million viewers. One of the reasons for these low numbers is how Hallmark Movies & Mysteries is a smaller network compared to the main Hallmark Channel. This means that the second network doesn’t have the same amount of sponsorship opportunities as the first network does. Because of Hallmark Movies & Mysteries’ smaller size and lower viewership, maybe Hallmark has been cancelling programs like Home & Family in order to put those finances and resources toward the Mahogany series? Like any film project in pre-production, we’ll just have to wait and see how this series will be carried through.

Links to the references I included in this post:

https://variety.com/2021/tv/news/hallmark-mahogany-card-line-tv-movies-2022-1235028599/

http://www.ratingsryan.com/2021/06/cable-tv-ratings-week-ending-june-13.html

https://web.archive.org/web/20171227121829/http://www.showbuzzdaily.com/articles/showbuzzdailys-top-150-friday-cable-originals-network-finals-12-22-2017.html

Christmas card image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-card-with-watercolor-mistletoe-decoration_965555.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/watercolor”>Watercolor vector created by Freepik</a>. Image found at freepik.com. 

Andrea Brooks, who stars on When Calls the Heart as Faith, will be co-leading two upcoming movies. In an article from Heavy, these movies are, right now, titled ‘Sit, Stay, Love’ and ‘Fishing for Love’. With ‘Sit, Stay, Love’, Andrea will star alongside Hallmark alumni, Marcus Rosner. The film will be directed by Heather Hawthorn Doyle. According to the article, this movie is about the following:

“A woman’s tightly controlled life starts to loosen up when she adopts a dog and falls in love with him and the owner of the animal shelter she adopted him from”

For ‘Fishing for Love’, Andrea will star with Spencer Lord. The article from Heavy states “the movie was filmed in Brentwood Bay, British Columbia, Canada” and is about the following:

“When Kendall, a successful restaurant designer comes home to Mystic Bay for the annual Big Catch Festival, she finds herself in uncharted waters with town newcomer Zack. Is Kendall baited for trouble in her home town or will she catch true love?”

As of late July to early August 2021, “It’s not clear if either of her [Andrea’s] two new movies will be airing on The Hallmark Channel or somewhere else”, as stated in the article.

The link to the Heavy article I referenced:

Group of puppies image created by Rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

What are your thoughts on these pieces of movie news? Which project sounds the most interesting to you? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Coming close to the end of the Gold Sally Awards with the Best Supporting Actress and Best Ensemble Polls

We are now toward the end of the Gold Sally Awards! Before I reveal this year’s winners, there are three polls left and the nomination of Sally’s Star of the Year. I’m going to try something different for these next two polls. The Best Supporting Actress Poll and the Best Ensemble Poll will be combined into one voting post. But the voting rules will still be the same as in previous polls. Even though you can vote for more than one nominee, you can only vote once per person. This set of polls will start today, July 30th and end on August 6th. The link to the polls are at the bottom of each individual poll. Just click on the word, “PollMaker”.

Who was the Best Supporting Actress of 2020?
Pamela Britton — Anchors Aweigh
Hayden Panettiere — If You Believe
Bonnie Bedelia — The Boy Who Could Fly
Lisa Jakub — Matinee
Diane Lane — Grace & Glorie
Cyd Charisse — The Unfinished Dance
Romola Garai — Nicholas Nickleby (2002)
Collin Wilcox Paxton — To Kill a Mockingbird
Anna Kendrick — Up in the Air
Madison Lawlor — Follow Your Heart
 
 
 
 
 
 
Created with PollMaker
Which Movie has the Best Ensemble of 2020?
Anchors Aweigh
The Boy Who Could Fly
Matinee
Grace & Glorie
Sweet Nothing in My Ear
If You Believe
The Unfinished Dance
Nicholas Nickleby (2002)
The Crow
The Wife of Monte Cristo
 
 
 
 
 
 
Created with PollMaker

Have fun voting!

Sally Silverscreen

Thank You for Another Great Blogathon!

As the Tokyo Olympic Games are under way, I’d like to thank everyone who participated in my ‘Olympic Dreams Blogathon’! Once again, my annual blogathon was a success, with a variety of content shared during the event! I really enjoyed reading each article, as a multitude of Olympic-related subjects were covered. I am going to host my yearly blogathon in 2022! However, I haven’t chosen a theme yet. Stay tuned!

Created by me, Sally Silverscreen, on Adobe Spark.

Having fun during the Olympics!

Sally Silverscreen

Take 3: The Lion Review

I haven’t participated in MovieRob’s Genre Grandeur since April, when I reviewed the 1966 movie, Born Free. To make up for some of that lost time, I decided to review a film for July’s event. This month, the theme isMovies of the Outdoors”. That means the majority of the film has to take place outdoors or the movie has to significantly feature nature within the story. In a search for ideas, I turned to a book that I’ve had in my possession since last year: Leonard Maltin’s TV Movies & Video Guide 1989 Edition. The pages of this text revealed a title I had never even heard of before. In 1962, 20th Century Fox released a live-action production titled The Lion. Leonard gave this project two out of four stars, saying “Beautiful scenery of Kenya is far better than melodrama about young girl attached to pet lion, with family concerned it is turning her into a savage”. With curiosity getting the better of me, I chose to seek this movie out as my contribution for July’s Genre Grandeur! But will I end up agreeing or disagreeing with Leonard? Keep reading in order to find out!

The Lion poster created by 20th Century Fox.

Things I liked about the film:

William Holden and Capucine’s banter: While The Lion is the fourth film of William Holden’s I have seen, it is also the first film of Capucine’s I have seen. Despite this, I really liked hearing the banter between their characters, Robert and Christine! After Robert arrives at the game reserve’s guest house, Christine reminds him how he is now on a game reserve. In a nonchalant manner, Robert tells her that he won’t bite the animals. In this film, there was a hint of a laid-back persona with William Holden’s character. Even though this was not Robert’s strongest character trait, William pulled it off flawlessly, making his line sound like a piece of natural conversation. Another collection of banter between these characters carried a more serious tone later in the film. When Christine questions Robert’s reason for coming to Africa, he says “I’m here, aren’t I”? In my review of The World of Suzie Wong, I said that William Holden’s performance in that movie was consistent. His and Capucine’s performance in The Lion was consistent as well, each actor delivering their lines with effective execution!

The scenery: The natural landscape of Africa is one of the reasons why I chose to watch this film. Similar to the 1966 movie, Born Free, the African fields served as the principal scenery for The Lion, almost like the landscape itself served as a character in its own right. When Robert’s plane first flies to the game reserve, an establishing shot of a massive mountain is predominantly featured in the background. It was such a beautiful piece of earth, with its white and light blue hues glistening on screen. Like Born Free, the African plains are given multiple opportunities to be featured. But in The Lion, there were other locales that were shown. When Tina, Robert and Christine’s daughter, is on her way to introduce Robert to her pet lion, King, she walks along a winding path. One part of this scene shows Tina and Robert walking past a huge waterfall. While I wish this waterfall had been shown for a longer period of time,  it highlights how there are various types of landscapes within Africa.

Pamela Franklin’s performance: I am not familiar with Pamela Franklin’s filmography. However, she gave a solid performance in The Lion! While watching her portrayal of Tina, I couldn’t help being reminded of Hayley Mills in films such as The Parent Trap. This is because, like Hayley, Pamela carried herself with confidence and a strong sense of self, especially for a young person. These qualities in character paired nicely with Tina’s headstrong personality. Pamela also brought enough emotionality to make her role sympathetic. Whenever she is instructing her per lion, King, on what she wants him to do, you can tell Tina truly cares about him. In one scene, King is leaving with a mate. As Tina is begging him to stay, desperation could be seen and heard in her eyes and voice. Everything I’ve been saying allowed Pamela to still the show!

Image of male lion created by Wirestock at freepik.com. Animals photo created by wirestock – www.freepik.com

What I didn’t like about the film:

Use of the words “wild” and “savage”: In The Lion, there are a few moments where Robert and Christine use the words “wild” or “savage” when referring to Tina’s interest in the local wildlife and African tribe. At one point, Christine fears her daughter will grow up to be “wild”. I know the ‘60s were a different time compared to the 2020s. But that is not the reason why I didn’t like the characters’ use of the words “wild” and “savage”. By them choosing those words to refer to Tina’s interests, they fail to understand the importance of these subjects. Throughout the movie, Christine, Robert, and even John worry about who Tina will grow up to be in the future. Instead, they should have taken the time to get to know her in the present. Since Tina’s passion for wildlife and her appreciation for the local African tribe is common knowledge to everyone in her life, her parents could have chosen to homeschool their daughter. Those aforementioned interests could have served as the basis for various academic subjects, with Tina’s parents guiding and protecting her along the way. Tina’s upbringing in Africa and a strong educational foundation might afford her a good chance to be accepted into a reputable university. If her parents took the initiative to nurture their daughter’s love for animals, maybe she would have become a veterinarian or operate her own wildlife sanctuary. Some people say “sticks and stones may break my bones, but words will never hurt me”. However, Christine and Robert’s words fail to recognize a middle ground where all parties are satisfied.

Poor special effects: As I just said in my previous point, the ‘60s were a different time compared to the 2020s. One way this is made apparent is the quality of the technology used in cinema. Sometimes, actors will be placed in front of a green screen, in an attempt to present the illusion that the actors are in a particular location. A few scenes in The Lion showed some of the characters driving through the fields of Africa, with pre-filmed shots of this landscape shown in the background. But during these on-screen trips, a faint but visible blue glow could be seen outlining the characters. This technological error prevented me from getting fully immersed in these scenes. Toward the end of the movie, rain was shown falling in one scene. But the special effect used looked like small images of raindrops lay on top of the scene’s picture instead like looking like the raindrops were falling in that world. That also ruined the illusion of being in the movie’s space.

A drawn-out conflict: Like I already mentioned before, Tina’s parents worry about her future. The way they talk about this conflict sounded like a dire situation. But throughout the film, there was no sense of urgency to find a resolution. Instead, several scenes focus on a safari trip John leads. While I enjoyed seeing Africa’s scenery, these scenes felt like padding to make up for the main conflict being drawn-out. Another part of the story that received more attention than the main conflict was the customs and politics of the local African tribe. I will admit that this part of the script was interesting. However, it took time away from the main conflict, causing its final outcome to be stalled. Even though Tina’s parents solve their problem, the answer doesn’t feel satisfying because of how long the problem was drawn out.

Illustrated African landscape image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com

My overall impression:

Because this month’s Genre Grandeur theme is Movies of the Outdoors”, I knew The Lion would be the perfect choice for this event. As expected, the scenery in the film presented a pleasant picture to look at. But like I quoted in my review of To Catch a Spy, “The scenery can’t save you”. That is certainly the case for the 1962 movie. The pieces of a good project were there; from the strong acting performances to interesting conflicts. But the overall direction wasn’t focused. Instead of working to find a resolution to the film’s main conflict, the story traveled down side paths. This placed more emphasis on other parts of the plot and caused the overarching narrative to be drawn-out. I was also frustrated by the lack of initiative from Tina’s parents to help their daughter reach her full potential with the resources they already had. While I understand they wanted the best for her, they never took the time to ask Tina what she wished for. Honestly, I’d recommend Born Free over The Lion. The story of the 1966 picture is not only straight forward, but its script is also stronger.

Overall score: 6.2 out of 10

Have you seen The Lion? Which “outdoor movie” would you prefer? Tell me in the comment section below!

Have fun outside!

Sally Silverscreen

Take 3: The Karate Kid Part II Review (Olympic Dreams Double Feature Part 2)

Now that I’ve seen 1984’s The Karate Kid, it’s time for me to review its respective sequel; The Karate Kid Part II! Long before I even thought about starting a movie blog, I had only seen a snippet of this film. Like I said before, I am willing to give a chance to movies I haven’t watched in their entirety. Because of that and because the majority of The Karate Kid Part II takes place in Japan, which has hosted the Olympics four times, my blogathon became a good excuse for checking this sequel out! Sequels, like any type of film, can be hit or miss. There are times when the next chapter can allow the overall story to “go the distance”; expanding the narrative and bringing something new to the table. Meanwhile, there are sequels that waste their potential by trying to recapture the magic of the previous installment. At the end of the day, it all comes down to the creative team and their intention for creating another film. If you want to know what type of sequel The Karate Kid Part II is, you’ll just have to keep reading this review!

Because I had The Karate Kid Part II on my DVR since last year, I decided to use a screenshot of the movie’s poster from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

More focus on Mr. Miyagi: The first film was about Daniel’s personal journey; hence the film being titled The Karate Kid. While the majority of the movie revolved around the protagonist, we get to learn about Mr. Miyagi through his interactions with Daniel. But only parts of Mr. Miyagi’s backstory are revealed in these interactions. The Karate Kid Part II places more emphasis on Mr. Miyagi’s story. As I mentioned in the introduction, the sequel takes place in Japan, where Mr. Miyagi is originally from. However, the audience also witnesses people from Mr. Miyagi’s past interacting with him. The reason for the sequel primarily taking place in Japan is because Mr. Miyagi receives a letter from his former love interest, Yukie, about his father’s ill-health. By crossing paths with Yukie again, Mr. Miyagi is given the opportunity to reflect on past life choices. He also has to deal with the ramifications those choices had created. This new direction in the overall story shows that even though Mr. Miyagi is a good teacher with plenty of wisdom to share, he is still a human who, like Daniel, is constantly learning.

Interactions among the characters:  In my review for The Karate Kid, I talked about how the interactions among the characters were one of the strongest parts of that film. The sequel has the same strength as its predecessor, which provides consistency to the overall story! Having Ralph Macchio and Noriyuki “Pat” Morita reprise their roles helps maintain this consistency, as both actors are now familiar with each other’s talents. One of the strongest scenes in the movie is when Daniel and Mr. Miyagi are watching the sunset on the beach. In this moment, we not only learn more about Daniel, but we get to see him support his mentor and friend. The Karate Kid Part II shows Daniel having grown up since the events of the first film. Even though Daniel is still a teenager with a teenage perspective, he is more willing to put others before himself, as well as open his mind to new opportunities and experiences. Right as Mr. Miyagi boards his plane, Daniel joins him in the plane terminal. The reason why he wants to join Mr. Miyagi on this trip is because he wants to be there for his friend and mentor, especially since that friend and mentor has been there for Daniel. Not only does Daniel purchase a book about the specific place in Japan where Mr. Miyagi is from, but Daniel also uses some of the money from his savings account to pay for his ticket. Like I said in my review for the first movie, interactions like Mr. Miyagi and Daniel’s were made possible by the quality of the acting performances and the screenwriting!

The scenery: Although most of The Karate Kid Part II takes place in Japan, the movie was actually filmed in Oahu, Hawaii. Despite this change in location, the scenery was simply beautiful! Because Okinawa is presented in the film as a seaside town, there are several shots of the water that are featured. As I previously mentioned, Mr. Miyagi and Daniel are watching the sunset on the beach. Parts of this scene are shown through long shots, capturing the sun’s soft orange glow against the gray of the sky and water. In my review of the first installment, I talked about how one scene transitioned from a medium to a long shot, in an effort to showcase a part of the Grand Canyon. A scene where Daniel is practicing a breathing technique on a dock uses a similar transition. However, instead of starting with a medium shot, it begins with a close-up of Daniel. It then evolves into a long shot of the ocean, with clear blue water surrounding the dock and green palm trees found in the background.

Created by me, Sally Silverscreen, on Adobe Spark.

What I didn’t like about the film:

A limited presence of Kumiko and Daniel’s relationship: Before watching The Karate Kid Part II, I was interested in seeing how Kumiko and Daniel’s relationship differed from his relationship with Ali. Even though I liked seeing Ali and Daniel together, I can see why their relationship didn’t survive past the first film. Daniel and Kumiko were a nice couple. It also helps that Ralph and Tamlyn Tomita had really good on-screen chemistry. But Daniel and Kumiko’s relationship was shown less than Ali and Daniel’s relationship. Because of this, it caused their relationship to feel rushed. In one scene, when Daniel is getting into Kumiko’s car, Peter Cetera’s “Glory of Love” is playing on the radio. This is not only the film’s official song, but the song’s official music video heavily emphasizes Kumiko and Daniel’s relationship. Anyone who has heard “Glory of Love” would agree that it is better suited as a “wedding song”. Having this piece of music surround a teenage couple that has known each other for about less than three months feels a bit misleading. Also, The Karate Kid is a trilogy, followed by the television show, Cobra Kai. If the third movie and/or TV show is anything like the beginning of the second film, “this could all end in tears” (Bartok’s (from 1997’s Anastasia) words, not mine).

Karate fight sequences being used sparingly: One of the flaws of the first movie was how the karate fight sequences had a limited presence in the overall story. In The Karate Kid Part II, there are even less karate fight sequences. With a movie called The Karate Kid, you expect a certain amount of karate to be featured in the film. While both movies are not action oriented, fight sequences can add excitement to the overall story. Fighting was primarily avoided in The Karate Kid Part II, as both Mr. Miyagi and Daniel try to find other ways to resolve their issues. This was one of the central themes of the narrative: exploring other problem-solving avenues before using fighting as a last resort. However, karate is the heart of this series. When you choose to show only a handful of fight sequences, you have little exciting material to work with.

No satisfying resolutions for parts of the story: In The Karate Kid Part II, there were a few parts of the story that were not consistently told within the overall film. Because of this, I feel their resolutions were not satisfying. While taking a trip through town, Kumiko reveals to Daniel that she dreams of becoming a dancer. However, the type of dancing she’s interested in is not taught in Okinawa. Toward the end of the film, Kumiko tells Daniel that she plans on going to the United States in order to pursue her dream. But this resolution feels kind of random. There is no lead up to the resolution itself. Daniel also doesn’t provide any advice to Kumiko in regards to her personal dilemma. For this part of the story, the journey from Point A to Point B was missing.

Okinawa, Japan image created by Charlie Balch at freeimages.com. “FreeImages.com/Charlie Balch.”

My overall impression:

 The Karate Kid Part II is a fine film. But I don’t think the script was as tight as it was the first time around. I like how the story focused on Mr. Miyagi, as it offered new story-telling opportunities. But, to a degree, it came at the expense of Kumiko and Daniel’s relationship, as it was shown for a limited amount of time. If Peter Cetera’s “Glory of Love” had revolved around Mr. Miyagi and Yukie’s relationship, it would have made more sense. Not only is The Karate Kid Part II primarily Mr. Miyagi’s story, but he and Yukie have history together. While the theme of using fighting as a last resort is important, it prevented the movie from featuring more karate fight sequences than the previous film. As I’ve stated before on my blog, a movie’s title partially serves as a promise to the audience. With The Karate Kid Part II, I can’t say this promise was completely broken. This is because, according to Mr. Miyagi, karate should be used in self-defense only, emphasizing how karate consists of more than just fight sequences. But when a movie features any form of marital art, people, more often than not, come for the cool-looking and exciting fight sequences. I appreciate how this film wasn’t just a carbon copy of its predecessor. It shows the creative team put legitimate thought and care into their project. If you enjoyed the first film, I’d say give its second chapter a chance. Even though there are stronger sequels out there, The Karate Kid Part II is certainly not one of the worst.

Overall score: 7.3 out of 10

Have you seen The Karate Kid Part II? Are there any sequels you are a fan of? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Karate Kid (1984) Review (Olympic Dreams Double Feature Part 1)

For my first two blogathons, I wrote editorials as my contribution for the event. These articles were ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience and Roger Ebert’s Movie Yearbooks: How Relevant are They Anyway? This time around, I wanted to do something different. Therefore, I chose to write a double feature review! Because this year’s blogathon is Olympic themed, I selected The Karate Kid and The Karate Kid Part II. In 1984, the Summer Olympics were held in Los Angeles. The Karate Kid not only takes place in California, but it was also released in 1984. Years ago, I had seen about half of this movie. As I said in my review for It’s a Mad, Mad, Mad, Mad, World, I am willing to give films a second chance if I haven’t finished them or haven’t watched them in several years. It’s been a long while since I have seen The Karate Kid, so I thought my blogathon would provide a good excuse to revisit it.

The Karate Kid (1984) poster created by Delphi II Productions, Jerry Weintraub Productions, and Columbia Pictures

Things I liked about the film:

The interactions among the characters: In stories that heavily rely on the relationships between various characters, how well-acted those characters are and the quality of their interactions will make or break that story. With The Karate Kid, these interactions served as one of the strongest parts of the film! That is because all of them felt natural and believable. When Daniel and Ali go to Gold N’ Stuff for the first time, you can see these characters are genuinely having a good time. They acted the way you’d expect a typical teenager would; smiling while racing each other at the go-kart track, laughing as their bumper boat crashed into another boat, and critiquing their pictures from the photobooth. Because of Ralph Macchio and Elisabeth Shue’s performance, as well as the script, their relationship came across as realistic. When it comes to Daniel’s relationship with Mr. Miyagi, we are given the opportunity to witness healthy mentor/student interactions. If one were given instructions, but not the reason behind those instructions, it can be easy to get frustrated. This happens after Daniel receives a series of instructions from Mr. Miyagi. But when Daniel discovers the reason why he has been following these instructions, you start to see him gain an understanding and appreciation for what Mr. Miyagi has taught him. Similar to what I said before about Daniel and Ali’s relationship, this period of learning and discovery contains a lot of realism. It shows that, with the right support and guidance, we can learn things such as how to think for ourselves.

The cinematography: The Karate Kid is a movie that has better cinematography than most of the film fan community gives it credit for. To prove my point, I will bring up one of the film’s earliest scenes as an example. At the beginning of the movie, Daniel and his mom are driving through Arizona. This particular scene starts with a medium shot, placing primary emphasis on Daniel’s mom’s car. As their journey down this road plays out, the camera pulls away from the car and delivers a long shot of a section of the Grand Canyon. Characters’ interactions are also captured well on film! At a Halloween party, Daniel is dressed up as a shower. When Ali wants to talk to Daniel, she goes behind the costume’s curtain. Their conversation is shown in a close-up shot, which allows the audience to feel like they are that small space with Ali and Daniel. I really liked how the karate tournament was filmed! It involved a combination of medium and close-up shots, allowing the audience to witness the action. The camera was also steady, which made the scenes appear clear.

The music: Music is an important component of any movie. A song or instrumental piece can elevate the mood within a scene or highlight a scene’s intended point. The scene where Daniel attends his first day of school serves as a great example. In the background, “Cruel Summer” by Bananarama can be heard. Having this song play during this scene makes sense for several reasons. Daniel’s story starts in September, which is technically summer until September 21st or as late as September 24th. Daniel is also having a difficult time adjusting to his new home, believing the move to be a “cruel” gesture on his mother’s part. The music itself is light with a higher tempo, as the sunny California environment pairs nicely with the tune. The struggles Daniel is experiencing are heavily emphasized, with the help of Bananarama’s “Cruel Summer”.

Created by me, Sally Silverscreen, on Adobe Spark.

What I didn’t like about the film:

The on again/off again nature of Daniel and Ali’s relationship: I liked seeing Daniel and Ali together and I thought Ralph and Elisabeth had good on-screen chemistry. However, I didn’t like the on again/off again nature of their relationship. I know that every relationship, whether platonic or romantic, has their issues to deal with. I also understand that a relationship where both parties are younger are going to handle those issues differently than a relationship where both parties are older. With Ali and Daniel, they became frustrated over their issues too easily. This causes them to enter and exit their relationship too quickly. While I was glad to see Daniel and Ali work things out, I wish they were less hasty about their relationship by talking things through.

A limited presence of karate fight sequences: The Karate Kid is not an action movie, but a coming-of-age story where one develops a better understanding of karate. Even though I knew that before watching this film, I feel the presence of karate fight sequences was limited. We see about three fight sequences toward the beginning of the film, with the majority of them taking place during the tournament. The rest of the story focuses on Mr. Miyagi teaching Daniel the foundations of karate. In the middle of the movie, I think there should have been one or two fight sequences. For example, instead of simply showing Mr. Miyagi breaking the loiters’ glass bottles at the beach, a karate fight sequence had taken place. That way, the excitement that comes from these sequences would be consistent throughout the movie.

Small details that don’t make sense: While watching The Karate Kid, I noticed some small details that, to me, didn’t make sense. In one scene, Mr. Miyagi tells Daniel that karate is about what is in your mind and heart, not about what belt you have. If that is the case, why do belt ranks exist in the first place? Why work toward earning another belt when what’s in your mind and heart are more important? At the tournament, the people running the event acted like they weren’t familiar with Mr. Miyagi’s “dojo”. Yet, on the scoreboard, there is a pre-made logo next to Daniel’s name. How was this logo able to be made if no one organizing the tournament had heard of Mr. Miyagi’s “dojo”?

Martial arts image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/red”>Red vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com. 

My overall impression:

The Karate Kid is a film that is considered a “classic” for good reason. It not only features exciting karate fight sequences, but it also uses one-liners well and has a strong script. But, in my opinion, the reason why the 1984 picture has earned this title is because it’s the type of movie that sticks with you. “Wax on, Wax off” is one of the most quotable lines in film history. Whenever I hear that line, I think about how there’s a reason for everything. I also remember how Daniel had to learn the meaning of “Wax on, Wax off” for himself instead of Mr. Miyagi telling him what it means. The Karate Kid is also a movie that has the ability to make you think. Whether or not this was intentional, you can’t help but reflect on the things that Mr. Miyagi says. You also can’t help but think about how those things can apply to real life. It’s been amazing exploring the world of ‘80s cinema. I’ve found some hidden gems, revisited some classics, and stumbled upon some stinkers. With The Karate Kid, I’d say it is definitely a keeper! I hope you stick around, because I’ll be reviewing this story’s second chapter!

Overall score: 8.2 out of 10

Have you seen The Karate Kid? Are you looking forward to my review of The Karate Kid Part II? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

I Call Upon the Bloggers of the World for the Olympic Dreams Blogathon!

The Summer Olympics is just around the corner! Because of this, I decided to choose an Olympic theme for my annual blogathon! In this post, every participant and their article will be featured in a collective list. This set up is similar to my previous blogathons. What is different this year is how there are no separate categories. Each entry represents a different aspect of the Olympics; from the location of a past or present Games to the sport featured in a chosen program.

Created by me, Sally Silverscreen, on Adobe Spark.

Olypmpic Dreams Roster

Realweegiemidget Reviews — TV… Those Glory, Glory Days (1983)

Critica Retro — Retro cartoon: Laff-A-Lympics

18 Cinema Lane — The Karate Kid (1984), The Karate Kid Part II (1986)

MovieRob — Olympic Dreams Blogathon – 16 Days of Glory (1986), Olympic Dreams Blogathon – Blades of Glory (2007), Olympic Dreams Blogathon – Eddie the Eagle (2016), Olympic Dreams Blogathon – Prefontaine (1997), Olympic Dreams Blogathon – Visions of Eight (1973)

Silver Screenings — When You’re Too Talented For Your Own Good

Dubsism — Sports Analogies Hidden In Classic Movies – Volume 113: “Personal Best”

Take 3: Hallmark Hall of Fame’s Durango Review

Last year was the first time I participated in Legends of Western Cinema Week! For that event, I reviewed some episodes of Walker, Texas Ranger and the movie, Forsaken. This year, I decided to review the 1999 Hallmark Hall of Fame film, Durango! One day, Hallmark Drama was airing several older titles from the Hallmark Hall of Fame collection, with Durango being one of them. Since I try to watch as many Hallmark Hall of Fame movies as realistically possible, I made sure to record this film on my DVR. This is not only my first time watching it, but this particular title was only sold on VHS. Hallmark has a history of selling some of their Hallmark Hall of Fame films for home entertainment. As I said in my review of the 1987 movie, Foxfire, some of them have been sold on DVD for $20 apiece. But there were some titles that were only given a VHS release. I don’t know what the original price of these VHS tapes were. But if the DVDs were $20, it makes me assume the VHS tapes might have been sold for a similar price. Would Durango be worth the price if it was re-sold on DVD? Keep reading my review if you want to find that answer out!

I really like the poster design for Durango, as it is reminiscent of posters from older western films. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

Patrick Bergin’s performance: In Durango, Patrick Bergin portrayed Fergus Mullaney, the father of the protagonist’s girlfriend, Annie. Out of the whole cast, Patrick is the one that, for me, stole the show! Whenever his character came on screen, he delivered his performance with a strong sense of emotion. Toward the beginning of the movie, Fergus is giving a threat to the movie’s protagonist. During this scene, he truly came across as intimidating. The look in Fergus’ eyes was fiery, revealing the anger within him. His tone of voice was loud and stern, indicating he is not someone to be messed with. I wish Patrick had more appearances in this movie, so he could have had more opportunities to show off his acting talents!

The scenery: Within my review of Chasing Leprechauns, I discussed how the film looked drab. This was because that film’s creative team didn’t take advantage of Ireland’s natural landscape. That was not the case for Durango, as the majority of the movie took place outdoors and there was a lot of greenery to be found! When the Mullaney family was taking a ride through the countryside, the rolling hills of Ireland were showcased in front of a clear blue sky. On the path, a small stone bridge was seen over a river. This river was surrounded by grassy, green fields. That type of landscape was consistently shown throughout the movie. However, it featured Ireland’s natural beauty, which could encourage someone to visit the country!

The music: In films like those from Hallmark Hall of Fame, orchestral tunes are commonly heard in the background. While that is the case for Durango, the music worked with what was happening on screen. During the protagonist’s journey, grand, sweeping orchestral music could be heard as cattle were traveling through the vast fields of Ireland. Because the scenery is so captivating, having this type of music playing makes sense, as the music represents the viewers’ awe for such a beautiful place. When Annie’s brothers were fighting in public, Mark, the film’s protagonist, tells Fergus what is going on. Even though orchestral music can still be heard, the music is reflective of one’s fear when facing an intimidating man like Fergus. Just like any component of a film, music can make or break a production. The music in Durango definitely worked!

Legends of Western Cinema Week banner created by Heidi from Along the Brandywine and Hamlette from Hamlette’s Soliloquy.

What I didn’t like the film:

Low stakes: A common staple in the western genre is including high stakes in the story. In the movie I reviewed last year, Forsaken, the future of the town was at stake. The fear of the unknown could be felt among the characters, with their dialogue and interactions elaborating this point. The major conflict in Durango was the transportation of cattle from one town to another in an effort to receive a fair price for them. But the stakes associated with this conflict were low, causing me not to feel like any of the characters or their cattle were in danger. This is because, nine times of ten, the characters’ plans work out perfectly. Come to think of it, these plans worked out too perfectly by the standards of the western genre. When a higher stake is introduced in the story, it doesn’t appear until the film’s last nineteen minutes. This stake feels like it was included simply for the script to shoehorn a subtle David and Goliath reference. What is frustrating about that creative decision is the movie’s creative team had the entire project to give us the aforementioned reference. Heck, Durango itself should have been a David and Goliath story.

Fergus Mullaney’s desire to protect his daughter: In a story where a young woman falls in love, it’s common for her father to be concerned for her well-being. This is no different for Durango, as Fergus Mullaney only wants to protect his youngest daughter, Annie. The way he went about protecting her is the issue, as it came across as possessive and bit over the top. Whenever Annie’s boyfriend, Mark, is expressing his love for her or seen interacting with her, Fergus becomes angry. It gets to the point where he threatens to physically harm Mark. If Durango were a comedy and Annie were a teenage girl going on her first date, maybe Fergus’ behavior would be justifiable. But because both Annie and Mark are adults and because this movie is more dramatic in tone, Fergus’ behavior felt out of place.

Matt Keeslar’s performance: I’m not really familiar with Matt Keeslar’s filmography. However, I wasn’t impressed with his portrayal of the protagonist, Mark Doran. He wasn’t as strong of a performer as other actors from Hallmark Hall of Fame productions. For most of the movie, Matt carried a “resting face”, making his face appear static. I could tell he was trying with the material he was given, as there were times where he expressed genuine emotion. But these emotions were, in my opinion, not delivered consistently. With everything I just said and the fact that Matt and Nancy St. Alban, the actress who portrayed Annie, didn’t have strong on-screen chemistry, I was not invested in Matt’s performance.

Irish heart image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/label”>Label vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

In my introduction, I mentioned how Durango was only sold on VHS. After watching the film, I now have an understanding of why this could be the case. Durango is one of the few Hallmark Hall of Fame movies I would consider a dud. With a weak lead performance and many low stakes, I found it difficult to stay invested in the characters and overall story. I also think the way Fergus tried to protect his daughter, Annie, felt out of place in this particular film. According to IMDB, Durango is “the first western set in Ireland”, so the fact this movie was not good is disappointing. On paper, an Irish western is an interesting idea that could have worked with a strong creative team. Unfortunately, Durango had a weak execution. I’m glad Hallmark Drama chose to air this movie, as I can honestly say it is not worth purchasing a copy. Personally, I think Irish cinema, the western genre, and Hallmark Hall of Fame deserve better.

Overall score: 4.7 out of 10

Have you seen Durango? Are there any Hallmark Hall of Fame movies you’d like to see re-released on DVD? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Holly and Ivy Review

For the third year in a row, I am participating in the Christmas in July Blogathon, hosted by Drew from Drew’s Movie Reviews! This time around, I went back to the Hallmark well. When I first joined the blogathon, I reviewed a Hallmark film titled Christmas Camp. If you read that article, you would know that I wasn’t a fan of it. Last year, I wrote about Little House: Bless All the Dear Children, a film that was a fine, family-friendly picture. Since I still had the Hallmark Movies & Mysteries movie, Holly and Ivy, on my DVR, I chose to review this title for the 2021 blogathon. In 2020, I didn’t see a lot of Christmas films from Hallmark. In fact, the only newer release I watched and/or wrote about was The Christmas Bow. Within a year, I have heard good things about Holly and Ivy, with my family sharing similar sentiments. Therefore, I figured it was time to finally check the movie out. How does it compare to The Christmas Bow? Like a child counting down to Christmas Day, you’re just going to have to wait to find out!

Holly and Ivy poster created by Hallmark Movies & Mysteries and Crown Media Family Networks

Things I liked about the film:

The acting: If the interactions between the characters feel like they are having real-life conversations with each other, that’s how you know the acting in a given film is good. That was certainly the case within Holly and Ivy! All of the characters got along well with one another, as they had good on-screen chemistry. It also helps that the cast as a whole was talented! I’ll be honest, I have never seen any of Janel Parrish’s projects from her filmography. However, I did see her on Dancing with the Stars. The way Janel’s character reacts to various situations came across very naturally. While Melody and her neighbor, Nina, are decorating Melody’s Christmas tree, she shares her reason for collecting elf ornaments. The tone of Melody’s voice and the look in her eyes highlights how reminiscent she is over something as small and simple as ornaments. These acting techniques helped make Janel’s performance feel believable. While we’re on the subject of Nina, let’s talk about Marisol Nichols’ performance. While portraying this character, Marisol embodied what a good mother should be. Despite dealing with her own medical issues, she always tries to take an active role in her daughters’ lives. While decorating her family’s Christmas tree, Nina reveals a special tradition that involves Nina performing a dance routine with Holly and Ivy. This scene shows how much she enjoys the life she has created for herself. While I like the performances of Sadie Coleman and Piper Rubio, the actresses who portrayed the titular characters, I want to talk about Jeremy Jordan’s performance. Similar to Janel Parrish, I am not familiar with Jeremy’s filmography. However, I still liked seeing his portrayal of Adam. His on-screen personality was easy-going and care-free. While he took his profession and hobby seriously, Adam just wanted to have a good time. When he interacted with Melody, you could tell just by watching them that these characters were made for each other. It helped that both Adam and Melody had similar personalities, but were traveling on similar paths in regards to their respective careers.

The presentation of Christmas tropes/activities: Hallmark is known for featuring a plethora of Christmas related tropes and activities within each story. But sometimes, these films are oversaturated with them, as if there is a checklist that needs to be completed. Holly and Ivy shows some Christmas related activities that have been featured in other Hallmark films. It’s the way they are included in the story that sets Holly and Ivy apart from the network’s other titles. In one scene, Melody is decorating homemade Christmas ornaments with Holly and Ivy. The purpose of showing these characters creating Christmas decorations is to give the audience some of Melody’s backstory. That small piece of information was emphasized more than the activity. This scene is an example of how there was enough presentation of Christmas tropes and activities for the viewer to get the intended point. At the same time, if you were to put this same story around any other holiday, it would still work.

An emotional balance: In films that revolve around a serious, real world topic, such as a potentially terminally ill relative, the overall tone tends to be heavy. There are times when viewers warn one another to “have a box of tissues at hand” or share that the film will “pull at your heartstrings”. While there are somber moments in Holly and Ivy, the movie itself never felt sad. In fact, feelings of sorrow and despair never crossed my mind. That’s because the script doesn’t rely too heavily on the sadder parts of the story. Instead, the creative team strives for a balance by also focusing of happier, more joyous moments. As I mentioned earlier in this review, Nina is dealing with medical issues. Even though these issues are discussed and an emergency plan is created if the worst-case scenario happens, Nina puts her energy toward helping Melody and being present in her daughters’ lives. In fact, I can think of more scenes where Nina is enjoying the company of her friends and family than worrying about her medical situation.

The 2021 Christmas in July Blogathon banner created by Drew from Drew’s Movie Reviews

What I didn’t like about the film:

Adam’s conflict: It’s typical for the male and female protagonist to have their own conflicts within a Hallmark picture. However, I didn’t like Adam’s conflict in Holly and Ivy. Throughout the film, Adam’s parents wanted him to come work at the family car dealership. But Adam would rather stay a contractor and focus on his woodworking hobby on the side. This conflict reminded me of a young, college-bound adult not seeing eye-to-eye with their parents on a potential degree. Because of this, it felt a bit immature for a character that appears to be in his early 30s. One of the film’s messages and Adam’s parents’ mantra is “help where help is needed’. By being a contractor and taking up woodworking, Adam is doing exactly what his parents wanted; helping where help is needed. It baffled me how his parents failed to realize this until the end of the film.

 Chippewa Falls Library being unbelievably ill-equipped: I understand that some libraries deal with more challenges than others. But based on what the movie presented, the town of Chippewa Falls appeared to be doing just fine. There’s no evidence of the town being a predominantly low-income community or having a high crime-rate. What the characters said about the library’s issues didn’t match up with the visuals. During her time volunteering at the library, Melody comes up with several ideas in order to solve some of the library’s problems. Two of these ideas are renting out meeting rooms for events and setting up a “Mitten Tree” to collect hats and scarves for citizens in need. I can only speak from my own experience, but my local library already does these things. With that said, I find it hard to believe that the Chippewa Falls Library wouldn’t utilize these resources already.

The inclusion of Betty the dog: Holly and Ivy have a dog named Betty, who periodically appears in the film. While I don’t have anything against the dog itself, I don’t think it was necessary to include a dog in this story. Having Betty in the movie felt like she was there just for the sake of being there. If you had written the dog out of the script, I don’t think it would make a difference.

Christmas family image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/nice-family-christmas-scene-singing-together_1458033.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Like I mentioned in the introduction, this is my third year participating in the Christmas in July Blogathon. Out of the three movies I’ve reviewed, Holly and Ivy is, by far, the best one! Within the past few years, Hallmark Movies & Mysteries has, in my opinion, made stronger films than their companion, Hallmark Channel. This is because Hallmark’s second network appears to try different things when it comes to storytelling. Holly and Ivy is a good example of this, as I highlighted in my review. There wasn’t a heavy emphasis on Christmas tropes/activities like in other Hallmark films. Creating a balance between the happier and sadder moments of the story also helps shape the film’s identity. I ended up liking this movie almost as much as I liked The Christmas Bow. Come to think of it, I wish Holly and Ivy was the Hallmark Hall of Fame movie for 2020. This story certainly has the ingredients for that to have been a reality. But I guess that wasn’t meant to be.

Since we’re still talking about Hallmark Movies & Mysteries, it’s time for me to share who I’d invite to Drew’s Christmas party! This year, I chose John Christian Plummer! For those who are not familiar with him, John is the father of Charlie Plummer and is one of the screen-writers of Hallmark Movies & Mysteries’ Mystery 101 series. When I look back on the celebrities that have been “invited” to Drew’s Christmas party in the past, actors and actresses made up the majority of the guests. While choosing an actor or actress as a guest is totally fine, I wanted to change things up a bit. To an extent, screen-writers are underrated, especially from Hallmark. Therefore, my invitation will, hopefully, give recognition to at least one of them. Like in 2019 and 2020, my invites are about giving “standing ovations”.

Overall score: 7.7 out of 10

What are your thoughts on Holly and Ivy? Which Hallmark movies do you wish had become Hallmark Hall of Fame titles? Tell me in the comment section!

Have fun at Drew’s Christmas party!

Sally Silverscreen

You Have One Week Left to Sign Up for the Olympic Dreams Blogathon!

My third blogathon, the Olympic Dreams Blogathon, is just around the corner! If you are interested in participating, you still have time to sign up. The event begins on July 19th, so there is a week left to join. Click on the link above the banner to learn more about the Olympic Dreams Blogathon!

Introducing the Olympic Dreams Blogathon!

Created by me, Sally Silverscreen, on Adobe Spark.

Have fun at the blogathon!

Sally Silverscreen