Hi, I'm Sally Silverscreen!
As long as I can remember, I have loved movies and the movie-going experience. Talking about movies, something dear to my heart, brings me so much joy. I am a fan of Hallmark and do enjoy watching their movies from time to time. When Calls the Heart is one of my favorite television shows and I am proud to call myself a Heartie! I look forward to sharing my thoughts about movies, When Calls the Heart, and Chesapeake Shores with you. To everyone who visits this blog, I hope you have a great experience when you come to 18 Cinema Lane!
-- Sally Silverscreen
Profile picture created by K from K at the Movies
Happy Thanksgiving, everyone! I hope you are having a safe and wonderful holiday! Now that my blogathon has concluded, I would like to thank each participant who took the time to write and submit an article for the event. Your involvement means a lot to me. In fact, I’d say A Blogathon to be Thankful For was more successful than last year’s event! I would also like to take the time to announce a new blogathon I will be hosting in 2021! However, more details will be revealed in January.
Anyone who knows me would know that one of my favorite movies is the Disney Channel film, Phantom of the Megaplex. In fact, this movie has had a great influence on my life, as it showed me that the world of film and the movie-going experience could be fun. Because its milestone 20th birthday was on November 10th, I decided to use my entry for my blogathon, A Blogathon to be Thankful For, to celebrate this special occasion. A lot has changed since 2000, especially the movie-going experience. With that said, this editorial will highlight how different a trip to the theater is now compared to its depiction in Phantom of the Megaplex. The actual birthday itself looked very different than expected, due to the months-long Coronavirus pandemic. For the sake of this editorial, I will be discussing today’s theater-going experience as if 2020 were a typical year. Also, all of the photos are screenshots I took, unless stated otherwise.
Purchasing a Ticket
In Phantom of the Megaplex, Karen, the younger sister of the film’s protagonist, Pete, plans on arriving at the theater at 7:30 in order to catch a 7:50 showing of a movie called ‘University of Death’. When she and her younger brother, Brian, get to the theater, they are stuck waiting in a long line. This is the result of Movie Mason, a patron of the theater, spending more time persuading guests to see better films than taking their tickets. Fortunately, Karen isn’t late to her film. But, when she meets her friend outside the auditorium’s door, Karen and her friend briefly discuss the idea of their other friend saving seats for them. The example I just described shows how movie-goers in 2000 used to arrive much earlier than their movie’s run-time to not only purchase a ticket, but to also claim their seat of choice. In addition, movie-goers arrived early to the theater to avoid any unexpected hiccups like the one I mentioned. Twenty years later, it’s still encouraged to show up early to the theater so you’re not late to your film. However, buying tickets and choosing seats are not an issue like they were before. Thanks to the internet, movie-goers can purchase their tickets on their local theater’s website or from a third-party site like Fandango or Atom Tickets. Movie-goers are given an opportunity to reserve their seats as well. Had the story of Phantom of the Megaplex taken place now, all Karen and Brian would have to do is show an employee their pre-paid, printed out ticket and avoid a line like the one Movie Mason created.
Several scenes in Phantom of the Megaplex show the auditoriums inside the theater. All of the chairs featured are covered in a red material with a folding seat. Theater-goers in 2000 would have this style of chair as their only option. But since then, more cinemas have adopted recliners. There are even theaters that have chosen other forms of seating, such as couches and lounge chairs. However, if you would like to sit in a theater chair from twenty years ago, there is one theater chain that has put these chairs to good use. Two Emagine theaters in Minnesota offer “retro seating”. According to the theater’s website, these are “retro auditoriums that don’t feature recliners, but have throwback seats with throwback prices”.
Because Phantom of the Megaplex is a family friendly film, bars would not be found at the cinema. However, theaters have added bars to their facilities within the past two decades. One example is AMC Theaters’ MacGuffins Bar. AMC’s official website states “the term “macguffin,” coined by Alfred Hitchcock, refers to a plot device that propels a movie forward”. The website, Run Pee (a site that informs audience members of the best times to take bathroom breaks during a movie), shares that MacGuffins Bar sometimes correlates drinks with the movies shown at the theater. One example is “a dino-themed bevvie when Jurassic World 2 was showing”.
Movie’s Poster at the Door
Throughout the Cotton Hills Megaplex, the theater where Phantom of the Megaplex takes place, a movie’s poster is located in front of the auditorium the movie will be playing. In a scene where the “Phantom” causes mischief, a poster for a movie titled ‘Glimpses of Genevieve’ is located right next to the theater’s twenty third auditorium. The film’s title is also electronically shown above the poster. Personally, I have never seen this particular set-up at any theater I’ve attended. Also, theaters today will either not have any indicator (besides the ticket itself) of what movie is playing in the auditorium or the film’s title will be electronically shown above the auditorium’s door. The poster itself will be located in another area of the theater, such as near the main entrance.
One of the characters in Phantom of the Megaplex is a “cinema sitter”, an elderly woman who walks around the premises and makes sure the theater’s patrons are on their best behavior. Her role is similar to that of a hall monitor, reprimanding guests who wander the halls of the Cotton Hills Megaplex. This is another concept that I have never seen or heard of at any theater I’ve attended. I’m also not aware of “cinema sitters” being an official component of movie theaters prior to the release of Phantom of the Megaplex. The only thing closest to a “cinema sitter” in real life is Harkins Theatres’ PlayCenter. This space, located in select Harkins Theatres, is dedicated to looking after children while their parents are seeing a movie. The PlayCenter itself would be compared to a typical day care center, a place where children can be occupied while their parents are away. According to the official Harkins Theatres website, “PlayCenter staff members are trained professionals who work exclusively in the PlayCenter. They are background checked and fingerprinted.”
A row of payphones can be occasionally seen throughout Phantom of the Megaplex. From Pete calling his mom to one of Pete’s co-workers, Lacy, putting a phone back in the payphone holder, these payphones are used to scare Julie, Pete’s mom, and George, Julie’s boyfriend, into going to the cinema to check on Julie’s children. While I’m not denying the existence of payphones in movie theaters, I personally don’t remember seeing payphones in the cinema. Since the film’s release, cellphones, particularly the smart phone variety, have become more common in society. This modern advancement has ultimately led payphones to become more obsolete.
The Projection Booth
The projection booth in Phantom of the Megaplex is operated by Merle, the head projectionist at the Cotton Hills Megaplex. When Pete and Brian ask Merle to resolve one of the “Phantom’s” shenanigans, Merle inspects the projector equipment to show Pete and Brian what likely happened. He even pulls a piece of film strip, proving that the movie itself had not been tampered with. In 2000, movie theaters were not utilizing digital cinema like they are today. Instead of using a digitized film reel or hard drives and internet links, theaters used film reels with strips of film. The closest thing to “state of the art” film projection cinemas had in 2000 was IMAX. Today, theaters are developing their own versions of this projecting concept. One example is Cinemark XD, found at Cinemark Theatres. According to the official website, Cinemark XD uses a “state-of-the-art projector capable of 35 trillion colors”.
In an effort to figure out the “Phantom’s” next scheme, Brian visits a movie spoiler website to discover the plot of an upcoming movie called “Midnight Mayhem”. The idea of spoilers has not changed in twenty years. However, the reveal of movie details has expanded beyond websites devoted to the concept. Spoilers can be found everywhere. Social media platforms have been avoided when big blockbusters are released. Warnings for spoilers can be featured toward the beginning of film reviews. Causal word of mouth may slip a major plot point into the conversation. With recent technological progress and the ability to connect with people from across the globe, it has actually become harder to prevent surprises in movies from being spoiled.
Change is inevitable, especially when it comes to the movie-going experience. Through the lens of film, we are given an opportunity to glimpse the past, even if it is only for a few hours. Phantom of the Megaplex captures how the cinema operated in the beginning of the millennium. It serves as a time capsule for those who remember that specific place in time. The movie is also a reminder of how far cinematic technology and the cinema itself has come. As of November 2020, it is unclear to determine what the landscape of movie theaters will look like by the time Phantom of the Megaplex turns twenty-five. While technology in film has made tremendous strides, there is still a lot that can be done. But will there be a facility to showcase these discoveries? There is no straightforward answer that can be given right now. However, we can still celebrate a movie’s milestone birthday through home entertainment and the internet. Like Movie Mason once said, “tell my theater that even when I’m not here, its magic is never far from my heart”.
Before Pale Writer’s Maxwell Caulfield Blogathon, I had seen two of Maxwell’s three Hallmark films. These titles were Missing Pieces, a Hallmark Hall of Fame movie from 2000, and Second Chances, a Hallmark Channel film from 2013. With one movie remaining, I selected the 2015 title, I’m Not Ready for Christmas, as my entry for the event. From a network that features the same actors and actresses in multiple projects, it’s interesting to note that I’m Not Ready for Christmas was Maxwell’s only Hallmark Christmas movie. As is sometimes the case, my review of this film was also this blogathon’s only article discussing any Hallmark film. When the movie first premiered five years ago, I skipped it in favor of other titles. This is because it was being compared to Liar Liar, a film I had not seen in its entirety, but was aware of the general premise. Personally, I like watching Hallmark films that either seem less predictable or have a creative component. Because the type of story found in I’m Not Ready for Christmas is more unique than Hallmark films from the past three years, I finally decided to check it out!
Things I liked about the film:
The supporting cast: There were several actors in the supporting cast that gave stand-out performances. One of them was this blogathon’s star, Maxwell Caulfield! Even though he was only in a handful of scenes, Maxwell found a way to make his character, Greydon DuPois, memorable. This was achieved through a confident personality and a strong on-screen presence. Another stand-out performance came from Mia Bagley, who portrayed Anna Geller, Holly’s niece. Her sweet demeanor reminded me of Jenny Wilder from Little House on the Prairie. Anna, like Jenny, wanted the best for the people in her life. The Christmas wish Anna tells Santa, where she wishes her aunt were more honest, effectively shows this. Brigid Brannagh is an actress I’m familiar with because her 2011 Hallmark movie, A Crush on You. While watching her portrayal of Anna’s mom, Rose, I could tell her previous experience with the network worked in her performance’s favor. This could be seen in the scene when Rose and Anna are at Anna’s Christmas recital. While Anna waits for Holly to show up, Rose’s face shows disappointment as she knows what lies ahead.
The messages and themes: Hallmark’s Christmas movies feature a variety of messages and themes that the audience can relate to. In I’m Not Ready for Christmas, a major theme is honesty, as Holly works on telling less lies throughout the film. Toward the end of the story, Holly is faced with a professional dilemma that could end her career. Instead of choosing what will benefit her, she chooses to do what is right. Seeing a character deal with a real-life conflict and make a positive decision is something that the audience can appreciate. It can also inspire them to apply these messages of truthfulness and placing others before one’s self to their own life.
What I didn’t like about the film:
An inconsistent performance: When it comes to Hallmark’s Christmas movies, Alicia Witt’s entries have been hit or miss. While I liked A Very Merry Mix-Up and Christmas on Honeysuckle Lane, I was not a fan of Our Christmas Love Song. In A Very Merry Mix-Up and Christmas on Honeysuckle Lane, Alicia was given material that complimented her acting abilities, allowing her performance to come across as consistent. Alicia’s performance in I’m Not Ready for Christmas, on the other hand, was very inconsistent. There were scenes where emotionality shined through, such as when Holly and Drew were sharing their life stories over apple cider. But whenever Holly was under her truth telling spell, she sounded robotic. Alicia’s performance made those moments feel awkward and jarring. I know Alicia has what it takes, talent wise, to carry a film. However, I feel she was miscast in this particular role.
Little to no sense in the story: Several moments in I’m Not Ready for Christmasmade little to no sense. One example takes place toward the beginning of the movie. Anna and her mom, Rose, are upset that Holly, Anna’s aunt, has chosen to attend a private dinner over Anna’s Christmas recital. They feel Holly will miss Anna’s performance because of her personal choice. But this movie was released in 2015 and I’m pretty sure Rose owns a smart phone. With that said, wouldn’t Rose record a video of Anna on her phone and show Holly the video afterwards? Speaking of Anna, another confusing moment happens when Anna interacts with Santa after the recital. In this scene, there’s no clear indication that the Santa Anna is talking to is the real deal or that they had ever interacted before. However, when Santa calls Anna by her name, no one questions how he knows her.
Solving a problem with a problem: An overarching conflict in I’m Not Ready for Christmas is Holly learning how to be honest with others. However, one of the ways she learns this lesson is for some of the other characters to lie to her. In one scene, Holly’s assistant, Jordan, asks for some time off so she can take care of her grandmother. But several scenes later, Holly discovers that Jordan was lying about her personal life. In reality, Jordan was on a date with her boyfriend at the same ice-skating rink Holly and Anna were visiting. I understand why Hallmark made this creative decision, as to remind the audience to treat others as they would like to be treated. But in this story, it felt like the script was trying to solve a problem with a problem. This misstep made the moments where Holly was changing her ways seem like positive outcomes were happening too conveniently in her favor.
A story that doesn’t feel Christmas-y: Despite this movie being titled I’m Not Ready for Christmas, the story itself doesn’t need to belong in the Christmas season. The themes of honesty and self-improvement can be found in any time of year. In fact, this exact plot could have taken place outside of Christmas and it wouldn’t have made a difference. While there are Christmas activities featured in this film, they were obligatory for the sake of reminding the audience that this was indeed a Christmas movie. The scenes themselves forced the film to pause the story instead of allowing those moments to find a legitimate place in the narrative.
My overall impression:
As I said in this review, a major theme of I’m Not Ready for Christmas is honesty. Therefore, I will be honest by saying I did not like this film. This movie makes the exact same mistake 2019’s A Cheerful Christmas did: putting so much emphasis on creating a pointless, Christmas remake of a well-known ‘90s film, that the creative team forgets how to make a good movie. The story has a more unique premise than other films from Hallmark’s library. However, the execution of that story was very poor. The truth telling spell Holly falls under does not lend itself to comedy. Instead, it feels awkward and jarring. What also hurts this film is not utilizing the Christmas elements within the script, causing the film to be devoid of true Christmas spirit. Instead of trying to copy what Liar Liar did almost thirty years ago, I’m Not Ready for Christmas should have been a combination of a modern twist on It’s a Wonderful Life and a Christmas version of the Touched by An Angel episode, ‘Monica’s Bad Day’. If this had been the plan, it might have brought something new to the table.
Overall score: 4.9 out of 10
Have you seen Maxwell Caulfield’s Hallmark films? Are there any Hallmark Christmas films you’d like me to check out? Leave your thoughts in the comment section!
Lately, I have been busy with both blog and non-blog related projects. I’ve also been notified by other blogathon participants that they need more time to write their articles. Because of this, I chose to extend A Blogathon to be Thankful For’s deadline to Wednesday, November 25th.
Welcome to A Blogathon to be Thankful For, the second blogathon hosted on 18 Cinema Lane! From November 19th to the 22nd, participants will share posts about movies, people, and subjects related to Thanksgiving! This post will host the list of participates and their articles of choice, separated by the categories that were set up in May. Each participant put time and effort into their entry/entries, so please check out as many posts as you’d like!
Originally, I was going to write a double feature for The Sixth Annual Barrymore Trilogy Blogathon by reviewing Twentieth Century and Young at Heart. However, due to technical difficulties on my end, I was only able to find the time to publish one review. Because I’ve written about five of Frank Sinatra’s movies this year, I chose to take a break by selecting Twentieth Century. Back in January, I watched and reviewed In Name Only for The Carole Lombard Memorial Blogathon. At the time, it was my first time seeing any film from Carole’s filmography. Despite this, I ended up liking the film! As I have mentioned before, I try to feature movies on my blog that were recommended by visitors and followers of 18 Cinema Lane. Twentieth Century was suggested by Patricia from Caftan Woman and Vincent from Carole & Co.
Things I liked about the film:
The acting: In my review of In Name Only, I praised Carole’s portrayal of Julie Eden, as her on-screen personality was down-to-earth and her overall performance contained the right amount of emotion. Carole portrays Lily in Twentieth Century, a character who is very different from Julie in In Name Only. This is because Lily experiences frustration on several occasions. One example is when Lily is forced to stay late at rehearsal because Oscar wants her to scream. Lily’s emotions spill over, causing her to yell and burst into tears because of her pent-up frustration. These emotions were able to be felt through the screen because of how good Carole Lombard’s talents were in this film! Speaking of Oscar, I liked watching John Barrymore’s performance in Twentieth Century! It showed a transition from a theater director who seemed to have his heart in the right place to a man who let power and influence get to his head. After Lily’s first performance on stage, Oscar visits her in her dressing room. The way he speaks to her indicates he is putting all his attention on her. But when you look and listen closely, there are hints of his possessive mentality. A good example is when Oscar tells Lily she was a diamond who needed some polishing.
The set design: While watching Twentieth Century, there was some impressive set design I noticed! Toward the beginning of the film, Oscar’s office was shown. Dark wood walls surrounded the space, with a medium shot signifying the room’s high ceiling. Eye-catching details helped give the space a unique identity, such as the inclusion of a suit of armor and stained-glass windows. Details in other scenes stood out, stealing the show whenever they appeared on screen. Lily’s bed is just one example, a massive piece of furniture that was shaped like a boat. It’s white woodwork and bedding is paired beautifully with dark wood carvings on the bed. On the train, there are sketches of animals located near the ceiling of the sitting room area. The style of the sketches looked like they came from a storybook from Medieval times.
Carole’s wardrobe: I really liked seeing Carole’s wardrobe in Twentieth Century! However, there were two outfits that were the most memorable! On the night of Lily’s first performance, she wears an off the shoulder sparkly white dress. Despite the film being presented in black-and-white, the sparkly nature of the dress shown through beautifully! The second outfit was a silk pair of pajamas, complete with fine detailing on the shirt. The pajamas complimented Carole very well, highlighting her true beauty!
What I didn’t like about the film:
The mystery: In Twentieth Century, there was an on-going mystery revolving around the appearance of religious stickers on the train. The mystery itself felt randomly placed in the overall story, offering no strong significance within the plot. Had the religious stickers served as a reminder to not lose personal beliefs and values in the quest for fame and fortune, that would have added a meaningful moral to the movie. Sadly, it was a small piece just to keep the plot moving forward. When the guilty party is finally revealed, it seems like the script is providing them with excuses for their destruction of public and personal property. This can be heard through the characters’ dialogue; from the train security saying the guilty party has a “sickness” to describing the guilty party as “a little crazy, but harmless”.
An awful group of characters: I understand characters from any movie are not going to be everyone’s “cup of tea”. However, there is a fine line between personal preference and the characters themselves being awful. Twentieth Century is a perfect example of this, featuring a host of characters that are unlikeable to varying degrees. Oscar treats everyone around him horribly. He “fires” his friends on multiple occasions and he is abusive toward Lily, even after their relationship ends. Despite this, Oscar’s friends still try to help him fix his relationship with Lily, even going so far as to blame her for Oscar’s failures. Meanwhile, Lily turns into a diva after she becomes a movie star. It got to the point where I found myself not caring about the characters’ outcomes because their ugly personalities made me lost investment in them.
Lily and Oscar’s abusive relationship: I briefly mentioned in my previous point that Oscar is abusive toward Lily, even after their relationship ends. In the beginning, when Lily was starting out as an actress, Oscar gives the impression of having her best interests in mind. An example of this is when, after Lily expresses her frustrations over staying late at rehearsal, Oscar reminds her of her dream and how he’ll help her reach that dream. As Lily’s career grows, so does Oscar’s jealousy and obsession. He not only controls Lily’s life, but he also physically harms her, poking her with a pin just to get her to scream on stage. Oscar even goes so far as to threaten suicide if Lily does not stay with him. Even though Lily ends the relationship, Oscar is still obsessed with her. One of his worst actions in Twentieth Century is faking his own death just to trick Lily into signing his contract.
My overall impression:
Back in January, when I reviewed Marriage on the Rocks, I said the film made me feel uncomfortable because of the movie’s one-sided view on marriage and divorce. Watching Twentieth Century made me appalled for several reasons. The abusive nature of Lily and Oscar’s relationship is just one example, especially since it exists throughout the whole film. It also doesn’t help that Oscar doesn’t face any accountability for his actions and behavior. Another issue is the characters themselves, as all of them are horrible to certain degrees. Despite being poorly treated by Oscar, Oscar’s friends still support him. They even encourage Oscar to get back together with Lily. According to IMDB and Wikipedia, Twentieth Century is labeled as a “romantic comedy”. I will admit there were a handful of moments I found funny. But the aforementioned relationship, random mystery, terrible characters, and the story being ninety one minutes of those same characters complaining about their personal issues overshadows all of the movie’s strengths.
Overall score: 4.4 out of 10
Have you seen any of Carole Lombard’s or John Barrymore’s films? If so, which one do you like the most? Please let me know in the comment section!
At the end of last month, 18 Cinema Lane received 255 followers! However, I wasn’t able to write a blog follower dedication review sooner because of several blog and non-blog related projects. Within that time, 18 Cinema Lane also received 260 followers! Because of everything I just said, I decided to combine these accomplishments into one review. I recently watched a Lifetime movie called Stalker in the Attic. This is the reason why I chose this film to write about for my most recent blog follower dedication review. When I first read the film’s synopsis, it kind of reminded me of the 2016 movie, Boy in the Attic. For those of you who are not familiar with that film, it is about a young man who lives in the protagonist’s attic. Since I like that movie, I was curious to see how Stalker in the Attic would execute a similar idea.
Things I liked about the film:
The acting: I’m not familiar with Jen Landon or her filmography. Despite this, I liked watching her performance in Stalker in the Attic! Whenever her character, Mel, suspected someone was in her house, she appeared on edge. Fear could be seen on her face and she carried herself with a sense of urgency. The quality of Jen’s performance helped make moments like these seem believable! Another believable performance came from Steve Lund, an actor I recognize because of the Hallmark film, Christmas Incorporated! In the scene where his character, Sam, and Mel are about to binge-watch a show, Steve’s reaction was genuine. His demeanor was easy-going and his on-screen personality was down-to-earth. Tara Redmond van Rees did a good job portraying Mel’s daughter, Brook! In her house, Brook and her boyfriend are interrupted by the sound of the security alarm. Tara truly looked freaked out in that scene, reflecting what her character was feeling.
The music: One element that can affect a film’s tone is the music, as it can make the audience feel the emotions that are expected for a particular part of the story. In Stalker in the Attic, suspenseful music was used for scarier/intense moments. One example is when Mel is breaking up with Ben. Even though the act itself is not a surprise, the music makes it feel more important because the audience has a heightened anticipation for what will happen next. The music placement in that scene also highlights the moment’s significance within the story’s chain of events.
The suspenseful moments: Most Lifetime movies feature several suspenseful moments within their respective stories. Stalker in the Attic is no different. However, these moments were effective in keeping the audience invested in the story! As Sam is sleeping over at Mel’s house, Ben appears out of nowhere, watching both of them as they sleep. Because of how unpredictable Ben is, the audience is left wondering what he will do next. A darker atmosphere with limited lighting also helps, as it emphasizes a fear of the unseen.
What I didn’t like the film:
Some scenes ending too abruptly: There were a few scenes in Stalker in the Attic that ended too abruptly. A perfect example is when Brook and her boyfriend dealt with the security alarm in Brook’s house. Shortly after this happened, Brook’s neighbor comes over to see what was going on. As Brook tells him that she and her boyfriend are fine, the next scene immediately starts. Transitions like this one were so abrupt, that it was jarring.
The lighting: Lighting in a movie can help the audience see what is happening on screen. It can also set the tone for a particular scene. In Stalker in the Attic, however, most of the lighting was dim. Even when a scene was well-lit, it didn’t appear as bright as it should have. Characters’ faces were difficult to see because of the poor lighting. I’m not sure if this was a creative choice selected on purpose or a budget related issue.
A not-so-bright intruder: Even though Ben carries his stalking plan throughout the film, he makes several mistakes that bring more suspicion to him. To fool his ex-girlfriend into thinking he moved to a new apartment, Ben breaks into an apartment owned by one of his clients. Instead of noting where he moves certain personal belongings by taking a picture of the rooms with his phone, Ben grabs several items and hurriedly throws them into another room. The reaction of the aforementioned client is never shown, which gives the script an excuse to keep telling Ben’s story. But if the client’s reaction had been shown, the police would likely have been called. Ben would also likely be contacted for questioning, which may have deteriorated his plan to keep Mel in his life. Meanwhile, Mel starts to question Ben’s need to keep in contact with her, as her visit to see Ben causes her to assume he has found a new significant other.
My overall impression:
Most of the Lifetime movies I’ve seen this year have either been ok or decent. Stalker in the Attic is one of those films I thought was just ok. While the idea itself is not bad, it has been executed better by stories that came before it, like Boy in the Attic. Stalker in the Attic is a “waiting for the other shoe to drop” story, where the audience is waiting for the inevitable to happen. Suspenseful moments helped carry the film. However, the outcome was predictable, something that was kept at the back of the audience’s mind. Another aspect of the story that allows the plot to move forward was the convenient ways Ben was able to get away with his stalking scheme. Throughout the film, Ben makes several mistakes that would bring him more suspicion. But the movie always finds a way to prevent his plans from completely falling apart. As I mentioned earlier, Boy in the Attic is a film about a man living in an attic that did a better job at expressing similar ideas to Stalker in the Attic. I’d recommend the 2016 film over the 2020 movie I just reviewed.
Overall score: 6.1 out of 10
Have you seen Stalker in the Attic? If so, what are your thoughts on it? Tell me in the comment section!
If you’re still interested in participating in my blogathon, A Blogathon to be Thankful For, you have a week left to sign up! Even though there is a three entry limit, you are allowed to publish more than three posts. Just let me know before November 19th if you plan on doing so.
Last November, I participated in Pure Entertainment Preservation Society’s Second Annual Claude Rains Blogathon. My contribution was a review of the 1963 movie, Twilight of Honor, which I thought was ok. I also recognize the film was released outside of the Breen Code era. This year, I will write about the 1946 film, Angel on My Shoulder. I chose to review this title for two reasons. The first is my curiosity in seeing how a film from the Breen Code era would address topics such as the afterlife and the devil. The second is how the story’s basic concept reminded me of the animated film, All Dogs Go To Heaven. As I mentioned in my Twilight of Honor review, I have seen some of Claude Rains’ films. Since Angel on My Shoulder is the sixth movie of his I have watched, I knew what to expect from him as an actor!
Things I liked about the film:
The acting: Because Claude Rains is one of the reasons why I chose to review this movie, I’ll talk about his performance first. His role as Nick, the devil, was very different from his other roles I’ve seen. In Angel on My Shoulder, Claude carried himself with a kind of confidence that one would expect from a villainous character. Nick was an arrogant person. However, Claude made this component work by keeping his performance consistent. Another consistent performance came from Paul Muni! Throughout the movie, Eddie was on the edge of his seat, unsure of who to trust. This was an interesting quality for Paul to add to his character, as gangsters in movies sometimes deal with untrust-worthy people. Eddie also tells things as they are, another piece of his personality that Paul pulls off! Anne Baxter did a good job portraying Barbara Foster! In her performance, she utilized emotion, especially through her eyes, to make her character believable. When Eddie, as Judge Frederick Parker, interacts with Barbara for the first time, it is clear she is very uncomfortable with the way her fiancée is behaving. She pushes him away and attempts to walk away from the situation, showing her displeasure the entire time.
The depiction of Hell: Like I said in the introduction, I was curious to see how a Breen Code film would approach the subject of Hell and the devil. The way Hell is depicted in Angel on My Shoulderevokes fear into audience members who support good winning over evil. The underworld is a dark environment that only uses fire as its source of light. Shadows were cast over the characters, with light only being shown over the characters’ eyes. In entertainment media that features the devil, he will sometimes appear as an other-worldly creature. In Angel on My Shoulder, Nick, the name the devil goes by, appears as a human. This shows the reality of how someone can turn to the dark side.
The dialogue: Since Angel on My Shoulder was released during the Breen Code era, any talk of Hell or the devil needed to meet Breen Code standards. Within the story, the word “hell” is never spoken. Nick is not called “the devil”, but Mephistopheles instead. The script does feature subtle references to who Nick is that respects the intelligence of the audience. One scene shows Eddie and Nick riding in a plane. When Eddie notices how Nick appears uncomfortable, he asks Nick if he is ok. Nick tells Eddie that he likes being near the ground more than in the sky.
What I didn’t like about the film:
A limited use of music: Music in film can help set a tone for a particular scene. One example is when suspenseful music is played during a scene that is more intense. Without music, the scene would be missing an emotional component. Angel on My Shoulder is an hour and forty-minute film. In that amount of time, about seven scenes feature music. To me, this seems disproportionate to the movie’s run-time. It also forbids certain moments in the film from having a more emotional impact.
A mostly static character: In a story like Angel on My Shoulder, it’s common for the audience to witness the protagonist grow as an individual over the course of the movie. While we do see Eddie change his ways, the transformation doesn’t happen until sometime between an hour and eleven to twenty-three minutes into the film. Beforehand, Eddie remains the same as he did before he died. He even refuses to act more like Judge Frederick Parker in an attempt to avoid suspicion from those around him. Breen Code era movies typically feature a core lesson or message for the audience to take away. Even though Angel on My Shoulder does have a good message, it takes quite some time to get there.
A meandering story: Angel on My Shoulder is about a recently deceased gangster who works with Nick, the devil, to satisfy a favor. As I mentioned in the introduction, this concept reminded me of All Dogs Go To Heaven. But where Angel on My Shoulder failed is not having a sense of urgency. Because of this decision, the majority of the movie is spent showing Eddie reliving his life as Judge Frederick Parker. Any course of action for Nick and Eddie’s plan doesn’t appear in the story until an hour and eleven minutes into the movie. For me, I was waiting for something interesting to happen instead of actually watching something interesting happen.
My overall impression:
Angel on My Shoulder is a painfully average film. Because the movie placed more emphasis on showing Eddie reliving his life as someone else, it took almost the entire story just to get to the intended point. I liked seeing how this film addressed subjects such as the afterlife, Hell, and the devil in the time of the Breen Code era. But, personally, it should have been included in a stronger script. There were aspects of this movie I did like. The acting was enjoyable to watch and the script was intelligently written. But when I find myself checking the time on multiple occasions in order to see when this film would end, my unenjoyment of the overall project overshadows its strengths. If you’d like to watch a movie with a similar concept to Angel on My Shoulder, I would recommend All Dogs Go To Heaven. In my opinion, that movie did a better job executing almost the same idea.
Overall score: 5.5 out of 10
Have you seen Claude Rains’ films? If so, which one is your favorite? Comment below in the comment section!
For the second part of my Fred Astaire and Gene Kelly double feature, I’ve chosen to review the 1957 film, Funny Face! Last September, when 18 Cinema Lane received 135 followers, I reviewed my first Fred Astaire movie. That was The Sky’s the Limit, which I thought was just ok. Speaking of firsts, reviewing Funny Face is a first for 18 Cinema Lane, as it is the first musical film starring Aubrey Hepburn I’ve seen! Even though I have seen Breakfast at Tiffany’s and The Nun’s Story, those films would be classified as dramas. Since this was my first time seeing Audrey perform in a different genre, I was curious to see if she would be able to hold her own. When I read the synopsis for Funny Face, it sounded similar to another musical starring Audrey: My Fair Lady. Because I haven’t seen that movie, I can’t make a comparison between it and Funny Face.
Things I liked about the film:
The acting: The one word I’d use to describe the cast in Funny Face is comfortable. I chose this word because every actor and actress appeared comfortable in their role! This presented the characters as if they were real-life people dealing with real-life situations. Watching Audrey’s performance in this movie reminded me of her performance in The Nun’s Story for this reason: her character grows over the course of the movie. In Funny Face, Jo opens her heart and mind to a new chapter in her life that she never thought she’d embark on. She steps out of her comfort to not only follow her dream of meeting her favorite philosopher, but she also creates new dreams for herself. Audrey’s ability to adapt to any scenario helped her make Jo’s journey seem believable! As I mentioned in the introduction, I saw The Sky’s the Limit last September. Personally, I liked Fred’s character in Funny Face more than his character in the 1943 film. This is because Dick Avery had a better personality. He came across as easy-going and approachable, someone who you would want to tour Paris with. This made Dick Avery worth rooting for! Kay Thompson stood out to me as Maggie Prescott! While her character was no-nonsense and straight-forward in what she wanted, she was never cold-hearted or mean for the sake of it. This is different from other characters of this specific type. What’s also different is how Maggie was allowed to be silly, as could be seen when she and Dick are attempting to find Jo at the home of Jo’s favorite philosopher. This gave Kay an opportunity to apply her acting abilities to various situations!
The use of color: I love how color was used in Funny Face! Whenever scenes had a primarily plain color palette, like white or beige, objects or pieces of clothing were added to bring a pop of color to the space. The opening scene is such a great example! Each door of Quality magazine’s office was painted a bright shade of various colors, providing visual appeal to a mostly white lobby and hallway. Maggie’s office adopted a beige hue for about 85% of that location. However, certain pieces of fabric and even an assistant’s green coat add bold colors to a place that would have remained dull without them. This decision to use color was very detail oriented and showed how the film’s creative team really paid attention to how their project would be presented!
The musical numbers: Funny Face’s musical numbers were not only entertaining to watch, they also incorporated creative ideas that made them memorable. The very first musical number, “Think Pink!”, showed a montage of the different ways the color pink could be worn. Through the use of colorful visuals, it helped illustrate the point Maggie was trying to stress to her assistants as well as the audience. “Bonjour, Paris!” showed Maggie, Dick, and Jo simultaneously in a split screen shot. I have never seen a musical use a split screen before, so this detail is the one I remember the most! Each performer in these musical numbers looked like they truly enjoyed what they were doing! “Basal Metabolism” showed Audrey Hepburn having fun performing her dance trio. She appeared in her element and joy radiated from her routine. This definitely added to the overall enjoyment of Funny Face’s musical numbers!
What I didn’t like about the film:
No major conflict: While watching Funny Face, I noticed something was missing from this movie. That would be a major conflict, which I think would have made the story a little more interesting. Smaller conflicts, like finding a new face for Quality magazine, kept the film moving forward. But, because a major conflict was absent, it made situations feel like they worked out too easily in the characters’ favor. One idea could have shown Dick struggling to decide if he should continue to be a fashion photographer or become a stage performer. If this would have been a conflict in the story, it would have presented a mystery as to which career path Dick will choose.
A prolonged transformation: Like I said in the introduction, I haven’t seen My Fair Lady. Therefore, I can’t compare the two movies. What I will say about Funny Faceis how Jo’s transformation doesn’t happen until the film’s halfway point. In the first half of the story, Jo’s perspective starts to change, allowing her to expand her intellectual horizons. But the physical transformation, from bookworm to fashion model, happens a lot later than most movies of this nature. When a character makes a dramatic change to their appearance, that moment may be the audience’s most anticipated moment. If they are forced to wait too long, they may start to lose interest.
An attraction that happened too quickly: In my review of The Crow: City of Angels, I pointed out how, to me, Ashe and Sarah’s attraction for one another was a flaw of that movie because it came about so quickly. The attraction between Jo and Dick in Funny Face makes the same error, as it also happens too quickly. Minutes after meeting for the first time, Jo and Dick share a kiss. Shortly after this encounter, Jo sings “How Long Has This Been Going On?”, a song about falling in love. If this song had been sung later in the film, after she had spent more time with Dick, the song itself would have been more impactful. Even though it is somewhat predictable for Jo and Dick to form a relationship, it should have taken its time to come to fruition.
My overall impression:
Funny Face is a film I had heard of for years, but had never seen. Whenever I heard about classic films or even movies starring Aubrey Hepburn, this film has, more often than not, been brought up. Now that I have seen Funny Face, I have developed an understanding for why this is the case. This is not just a good musical or a good Audrey Hepburn title. It is a good movie in general! Creative ideas within this project help it stand out. Some examples include using a split screen and incorporating objects with color into scenes with plain color palettes. Musical numbers were well-choreographed, featuring performers that appeared to enjoy the material they were given. Every actor and actress seemed comfortable in their roles, giving their characters a life of their own. While Funny Face does have its strengths, it has its weaknesses as well. Just one example is how Jo’s transformation happens much later in the film. Despite having seen only two of Fred Astaire’s movies, I’d pick Funny Face over The Sky’s the Limit. I would even choose Funny Face over Take Me Out to the Ball Game!
Overall score: 7.8 out of 10
Have you seen Funny Face? Which Fred Astaire musical is your favorite? Please share your thoughts in the comment section!