Tag: 2020s

Why ‘Francesca Quinn, PI’ is the Worst Hallmark Movie I’ve Ever Seen

On By 18cinemalane8 Comments

Once upon a time, in 2018, I declared the Hallmark Hall of Fame title, Back When We Were Grownups, as the worst Hallmark movie I had ever seen. Since publishing that list, I honestly didn’t think any movie would dethrone the 2004 film. That all changed when I saw Francesca Quinn, PI. At the end of 2022, when I released my list of the worst movies I watched, the Hallmark Movies & Mysteries film was placed at number one. While I explained why the film earned the top spot on my list, I didn’t discuss why Francesca Quinn, PI is now the worst Hallmark movie I’ve ever seen. As a Christmas present, J-Dub, from Dubsism, nominated me for The Pick My Movie Tag. My mission was to write about a movie I couldn’t stand. This gave me the perfect opportunity to explain why I don’t like Francesca Quinn, PI. Since this editorial is solely based on my opinion, I need to make it clear that everything I say is not meant to be mean-spirited or disrespectful. Examples from the movie will be used to support my intended points. I’d also like to thank J-Dub for the nomination! Because of this tag, I’m now publishing my first editorial of 2023! This editorial is written for a tag, so all tag rules will be posted below.

The Tag’s Rules

  • Nominate one or more people to review the film or films of your choice. Or you can request they review something from a certain year, genre, or star. Everyone can review the same thing, or you can request each person cover something different. As long as it’s something they haven’t written about yet, you’re good.
  • Nominees are allowed to request a different pick for whatever reason no more than five times. Stuff happens. We all know it.
  • Nominees must thank the person who nominated them and provide a link their blog.
  • Nominees may nominate others to keep the tag going. Picking the person who nominated them is allowed, or they can nominate someone else. Maybe both.
  • All participants need to include these rules in their post, whether they’re nominees or picking nominees.
  • All participants should use the “Pick My Movie” banner or something similar in their posts.
  • Have fun!
The Pick My Movie Tag banner created by Rebecca from Taking Up Room

Exposition Dumping

Exposition is an important storytelling component in any story, whether it’s a stand-alone tale or a chapter in an established franchise. This component provides the audience with necessary information about the characters, setting, and overarching conflict. The best way for the audience to absorb this information is, in my opinion, to spread it out throughout the story. That’s not what happened in Francesca Quinn, PI. Within the first six minutes of the movie, the following characters are introduced:

Francesca (the protagonist)

Jim (Francesca’s dad)

Bill (Jim’s friend)

Wynton (Francesca’s childhood friend and detective partner)

Megan (Francesca’s ex-stepmom)

Carl (Francesca’s high school sweetheart and fiancé)

In just one scene, Francesca, Jim, Bill, and Wynton are rapidly introduced to the audience. Within those same first six minutes, Francesca, through a voice over, discusses the six murders Megan committed over the span of four years. Because the audience is receiving so much information in such a short amount of time, they aren’t given the opportunity to truly get to know the characters. They also aren’t given enough time to decide for themselves if they want to care about a particular character. The first movie in a potential series is intended to serve as a first impression for the audience, an indication of what they could expect from the story. With Francesca Quinn, PI’s creative team choosing to dump exposition onto their audience’s plates, that will cause viewers to feel overwhelmed.

Vintage detective desk photo created by Olivier Bourgeois at freeimages.com. Photo by <a href=”/photographer/ornicar69-54520″>Olivier Bourgeois</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt; Image found at freeimages.com.

Francesca Herself

Since coming to fruition in 2001, Hallmark Channel has created several mystery series that would eventually lead to the rebranding of Hallmark’s second network. In these series, the audience follows a central protagonist who comes across as likable. This likability has worked in some series’ favor, expanding a story beyond three films. In the case of Francesca Quinn, PI, there are some factors working against the protagonist. Throughout the movie, Francesca speaks with a monotone voice, using very little emotional inflection. Most of the time, her face carries a blank, serious expression. With the material given, Mallory Jansen tries her best to give her character a wider range of emotion, smiling every once in a while. However, this attempt isn’t enough to make a good first impression on the audience.

Francesca’s limited expressions lead me to my next point; her weaker personality. When beginning a series, a protagonist’s personality could determine that story’s longevity. If the protagonist is presented as friendly, approachable, and even relatable, that could attract more viewers to follow the protagonist’s adventures. Showing a protagonist in various environments is a good way to showcase their personality. In the Aurora Teagarden series, the audience witnesses Aurora in both a professional and nonprofessional setting. Whether she’s trying to get along with her co-worker, Lillian, or interacting with the members of the Real Murders Club, viewers receive a more well-rounded glimpse into Aurora’s personality. Because Francesca’s story primarily revolves around her profession, the audience doesn’t get a strong idea of what her personality is really like. The fact Francesca does not have friends or hobbies outside of her occupation prevents her personality from shining. Another element Francesca’s personality is missing is charisma.

The most well-known detectives in pop culture have a “quirk”, something that sets them apart from other fictional detectives. A great example is Columbo, who is recognized for saying “and one more thing”. With Francesca Quinn, there are no “quirks” that help her stand out among Hallmark’s other detectives. As I previously mentioned, she doesn’t have any interests outside of her profession. She does not have a catchphrase that viewers could easily remember and quote. This missing ingredient is another reason why Francesca is not a likable and memorable protagonist.

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An Unprofessional Investigator

In Hallmark’s various mystery series, there is a mix of professional and amateur detectives. This provides mystery fans with diverse perspectives, showing how different characters approach a mystery. For protagonists who are professional detectives, their critical thinking and problem-solving skills should give the impression they know what they’re doing. Yet, in Francesca Quinn, PI, Francesca makes several mistakes an amateur detective would likely make. When visiting a potential suspect, Francesca spots the security guard who happens to work at the prison Megan resides in. She, as well as Ella (the lead detective of the Minneapolis police department), chase after the security guard. As the chase continues, the security guard throws a set of fish at Francesca, in an effort to slow her down. Her disgust distracts her from the pursuit, with the security guard getting away. After the security guard trips and falls to the ground, Francesca pulls her gun on him. When Ella tries to calm Francesca down, Francesca tells her, “He threw a fish at me”, justifying her reason for pulling her weapon on the security guard.

The scene I described is just one example of Francesca’s poor decision-making skills. Yet Francesca Quinn, PI’s creative team wants the audience to believe Francesca is a professional investigator with years of experience. The story also establishes how Francesca has her own private investigation firm. Detectives in mystery stories are human, capable of making mistakes and experiencing obstacles. But Francesca crosses the line between human error and appearing incompetent at her job. Toward the beginning of her investigation to figure out who killed Carl, Wynton and Beatrice (a detective who works alongside Wynton) pays Francesca a visit. As Beatrice shares the alibis of the case’s prime suspects, Francesca believes a hit man murdered her fiancé. She is so convinced in her belief, she becomes defensive and argumentative with Beatrice and Wynton. Instead of looking at every possible avenue for a resolution to the mystery, Francesca chooses to be close-minded in her approach to figuring out “whodunit”.

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Unnecessary Explanations

Mystery stories will typically provide explanations when it comes to specific parts of the story. Whether it’s medical terminology or pieces of historical information, these explanations can help the audience better understand the story they are consuming. But Francesca Quinn, PI includes so many explanations, the protagonist ends up explaining things that don’t need to be explained. In the first minute of the movie, Francesca explains what a “murder board” is, saying “a murder board, we call it. Lots of pieces of evidence that hopefully bring you to a conclusion”. This explanation is presented as a voice over, with a “murder board” shown on screen. Speaking for myself, I’ve seen enough mystery programs, especially from Hallmark Movies & Mysteries, to know what the aforementioned board is and how it is used.

While voice overs were a way to provide unnecessary explanations, Francesca Quinn, PI’s creative team used other methods to keep this flaw consistent. When Francesca and Wynton visit Megan in prison, Wynton tells Megan the police “do things by the book”. The inclusion of this pun acknowledged Megan’s English teaching career and her request to receive books in prison. Shortly after Wynton made this pun, Francesca explains to Megan, as well as the audience, that not only is “by the book” a pun, she also explains the meaning behind the pun. In my list of the top ten worst movies I saw in 2022, I said Francesca Quinn, PI gave me the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. I also said one of the worst things a film-maker can do is disrespect their audience’s intelligence. With all the unnecessary explanations the creative team gave, the opportunity for the viewers to interact with the story was unavailable.

Francesca Quinn, PI poster created by Cartel Pictures, Mystery Island Pictures, Rogers Media, and Hallmark Movies & Mysteries

As of the publication of this editorial, there are no announced plans to grow Francesca Quinn, PI into a series. If I’m being honest, though, I hope that doesn’t happen. This is because I truly believe there are mystery stories that are better than this one. A decade ago, Hallmark Movies & Mysteries housed several mystery series that achieved viewership success. Hallmark’s second network would never have boasted the name, Hallmark Movies & Mysteries, had it not been for the popularity of these mystery films. Now, in the 2020s, it seems like Hallmark’s priorities no longer lie with the mystery genre. In early March, 2023, only three of Hallmark Movies & Mysteries’ movies are mystery titles. Out of the ten newer mystery titles to premiere this decade so far, just two of them have received at least one sequel: Martha’s Vineyard Mysteries and Curious Caterer. Looking back on Francesca Quinn, PI, Hallmark’s lack of care and respect for the mystery genre shined brighter than a typical neon sign.

The Nominees

Flapper Dame from The Flapper Dame

Ari from The Classic Movie Muse

Maddy from Classic Film and TV Corner

Ruth from Silver Screenings

Hamlette from Hamlette’s Soliloquy

As I mentioned in the introduction, I wrote this editorial for The Pick My Movie Tag. Because I wrote about the worst Hallmark movie I’d ever seen, I will give my nominees the mission to write about a Hallmark movie featured in my worst movies of the year lists. To make it easier for the nominees, I will list those titles below:

One Winter Weekend

Frozen in Love

Love at Sea

Pride, Prejudice, and Mistletoe

Mingle All the Way

Marrying Mr. Darcy

Yes, I Do

Our Christmas Love Song

My One and Only

Over the Moon in Love

Last Vermont Christmas

A Feeling of Home

Christmas at Graceland: Home for the Holidays

Christmas Scavenger Hunt

Christmas Camp

A Cheerful Christmas

Working Miracles

The Cabin

Thicker Than Water

Jane Doe: Yes, I Remember It Well

JL Family Ranch: The Wedding Gift

Jane Doe: Vanishing Act

Out of the Woods

Mystery Woman: At First Sight

I’m Not Ready for Christmas

Country at Heart

Jane Doe: Ties That Bind

Hallmark Hall of Fame’s Durango

Chasing Leprechauns

Signed, Sealed, Delivered: The Vows We Have Made

Hallmark Hall of Fame’s A Place for Annie

Nikki & Nora: Sister Sleuths

Hallmark Hall of Fame’s The Corsican Brothers

Hallmark Hall of Fame’s Journey

Lake Effects

A Boyfriend for Christmas

Francesca Quinn, PI

Have fun at the movies!

Sally Silverscreen

The Top 10 Worst Movies I Saw in 2022

On By 18cinemalane3 Comments

My worst movies list of 2022 is different from that of the previous year. This time, I’ll be talking about more films that were “so bad they were bad”, as only three of these movies were disappointments. The Dishonorable Mentions portion of the list has also returned! Though I did see more good movies than bad, I couldn’t avoid coming across a “stinker” every now and then. I like to think I’ll, one day, see less than ten films for my annual worst list. But someday has not come this year, as the title of this article suggests. As I’ve stated in past lists, I did not write my list to be mean-spirited or negative. It’s just a way to express my own, honest opinion. Since some of these films have been reviewed on my blog, I will provide links to those reviews.

Dishonorable Mentions

Signed, Sealed, Delivered: The Vows We Have Made, A Place for Annie, Swim Instructor Nightmare, Nikki & Nora: Sister Sleuths, The Corsican Brothers (1985), and Donnie Brasco (I only watched forty minutes of the film before turning it off)

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10. The New Adventures of Heidi

In 2022, I was hoping to finally find my coveted “so bad, it’s good” movie. Sadly, The New Adventures of Heidi was not it. As I said in my review, this film is “spectacularly average”. The more I think about the 1978 made-for-tv movie, the less justifiable reasons I can think of for the project’s existence. Yes, The New Adventures of Heidi was intended as a “modern” re-telling of Johanna Spyri’s story. But the movie didn’t feel unique enough, despite all the changes. Every year I’ve participated in the So Bad It’s Good Blogathon, there has been a pattern between movies that turned out ok and movies that were just disappointing. Hopefully, in 2023, I can break this pattern.

Take 3: The New Adventures of Heidi Review

9. Love in Wolf Creek

When I first read the synopsis for Love in Wolf Creek, I was excited at the idea of a “cozier” story filled with adventure and excitement. The 2022 television film seemed better on paper than in practice. For a movie titled Love in Wolf Creek, there was very little romance in the story. The writing was weaker than I hoped, filled with scenarios that were too unrealistic for my liking. This project was too ambitious for INSP, the network who created the film. It was so disappointing, I didn’t bother watching its sequel, Christmas in Wolf Creek.

8. Harvey (1950)

I think the 1972 Hallmark Hall of Fame adaptation of Harvey is better than its 1950 predecessor. While I’m aware how controversial my opinion is, the 1972 film had more success executing its intended points. A mistake the 1950 movie makes is trying to be a comedy and a drama. This decision led the comedy to not only be underutilized, but also showcased medical negligence in a way that didn’t sit well with me. “Magical realism” was lacking in the 1950 film. This took away any opportunity for the story to be charming and whimsical. When I reviewed Harvey back in January, it was the most disappointing movie I saw in 2022. Now, eleven months later, the 1950 picture still holds that title.

Take 3: Harvey (1950) Review

7. Journey

The 1995 Hallmark Hall of Fame presentation made the same mistake Durango did: not giving the audience a reason to care about the characters and their story. In the case of Journey, the creative team failed to provide explanations for the characters’ choices. At the beginning of the film, the protagonist’s mother, Min, abandons her family, claiming she hates her parents. But the script never explains why she made this decision. Even when there are cut-away scenes featuring Min, she isn’t doing anything significant. How am I expected to care about Min’s choice affecting her family when I don’t even know why she left in the first place?

6. My Mom Made Me Do It

According to a synopsis I read for this 2022 Lifetime film, the protagonist, Jade, turns to stealing in order to help her mom pay the bills. Both the title and synopsis turned out to be a lie because 1) Jade’s decisions were made on her own and 2) Jade never steals anything. What she does instead is crash wealthy people’s parties and photographs their belongings. Other issues contained in this movie are weak lead performances and characters who make one dumb choice after another. I will admit there was at least one effective plot twist. But I wish it had taken place in a better film.

Harvey (1950) poster created by Universal Pictures

5. The Sundowners (1960)

For a little while, I thought The Sundowners was going to be the worst movie I saw this year. Even though I was proven wrong, the 1960 film has still remained in my top five. Like I said in my review, one of the worst things you can do as a film-maker is waste your audience’s time. The story felt longer than necessary, which made the movie two hours and thirteen minutes not well spent. One of my biggest issues with The Sundowners was its “bait and switch” ending. While I won’t go into detail about the ending, as I don’t want to spoil the film, I will say it was cruel for both the characters and the audience.

Take 3: The Sundowners (1960) Review

4. The North Avenue Irregulars

This movie attempts to answer the question; “Wouldn’t it be funny if a group of women came together to solve a mystery”? By the time The North Avenue Irregulars was released in 1979, that question made the film dated on arrival, as there were several television programs from the ‘70s featuring at least one female character solving mysteries or fighting crime. The movie’s creative team told too many types of stories, yet failed at all of them. One minute, the film felt like a precursor to the Mitford series, revolving around a preacher trying to live his best life. The next minute, the film turns into a gangster heist picture, paired with car chases that were longer than necessary. Honestly, I wish this movie was a Scooby Doo-esque story about the film’s fictional band, Strawberry Shortcake. Maybe then the movie would seem more timeless.

3. Lake Effects

For the first time in 18 Cinema Lane history, all the movies in my worst list’s top three are Hallmark productions. Accepting the bronze is the 2012 film, Lake Effects. This movie has so many Hallmark movie clichés, you could create a bingo game around them. You could also create a bingo game around the many storylines found in this script. Lake Effects is a production that relies on style over substance. While Smith Mountain Lake, Virginia was captured well on film, there’s only so much the movie’s creative team could do with the weak script at their disposal. In my review from August, I stated how the movie seemed forgotten over the years. Its poor quality makes it not worth remembering.

Take 3: Lake Effects Review

2. A Boyfriend for Christmas

In 2019 and 2020, a Hallmark Christmas movie ended up in the top three of my annual worst movies list. History is kind of repeating itself with A Boyfriend for Christmas in second place. Like Lake Effects, the 2004 film contained a weak script. But in A Boyfriend for Christmas, I only liked two minor parts of the story. The lack of Christmas magic made my movie viewing experience unenjoyable. It was one of those stories that became worse the longer I watched it. I know this movie is one of the most beloved titles in Hallmark’s cinematic library. Honestly, though, I found it over-rated.

Take 3: A Boyfriend for Christmas Review

1. Francesca Quinn, PI

Remember when I said one of the worst things a film-maker can do is waste their audience’s time? Well, another worst thing a film-maker can do is disrespect their audience’s intelligence. As I watched Francesca Quinn, PI, I was given the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. That’s because Francesca explained things that didn’t need explaining. Despite Francesca being a professional private investigator, she constantly made decisions an amateur detective would likely make. Her lack of personality didn’t help either. According to IMDB, Francesca Quinn, PI could replace the Mystery 101 series. The reason is “the main characters’ relationship and the crime at the end of Deadly History are the same as the main characters’ relationship and crime in Francesca Quinn, PI”. If this is the case, the Mystery 101 fans, including myself, deserve so much better.

A Boyfriend for Christmas poster created by Hallmark Entertainment,  MAT IV,  Alpine Medien Productions, Larry Levinson Productions, Gaiam Entertainment, and Hallmark Channel 

Have fun in 2023.

Sally Silverscreen

The Top 10 Best Movies I Saw in 2022

On By 18cinemalane1 Comment

As the sun begins to set on 2022, it’s time to publish my best and worst movies of the year lists! Last year, every film on my best list had been reviewed on 18 Cinema Lane. But that’s not the case this time around. For this list, only two movies were not reviewed, while another movie served as an editorial subject. Any film I covered on my blog will have a link included in this post. I’m thankful another year was filled with more good movies than bad. I’ll even have more titles in my Honorable Mentions! While these lists have become great traditions on their own, the variety of this collection of films has become another tradition. So, without any delay, let’s begin the list of the best movies I saw in 2022!

Honorable Mentions

Cut, Color, Murder, Sailor Moon S: The Movie, Cyrano de Bergerac (1950), Children of a Lesser God, Sweet Revenge: A Hannah Swensen Mystery, Aurora Teagarden Mysteries: Honeymoon, Honeymurder, The Princess and the Pirate, Dirty Little Secret, Singin in the Rain, McBride: Tune in for Murder, McBride: Dogged, McBride: Requiem, Hugo, Akeelah and the Bee, The Shoplifting Pact, and Secrets at the Inn

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10. Fiddler on the Roof

When I reviewed the 1971 musical back in February, I said it was too early to say whether it would be one of the best movies I saw this year. But Fiddler on the Roof captivated me so much, the film ended up on my annual top ten list! I described the movie as a well-made quilt, with each of the film’s strengths representing a different quilt piece. The inclusion of Jewish faith/culture also gave the project a unique identity by asking questions and discussing topics that aren’t often found in musicals. Looking back on this movie, Fiddler on the Roof was three hours well spent. It’s a special project in both the world of musicals and cinema. I hope to check out more Jewish cinematic stories in 2023!

Take 3: Fiddler on the Roof Review

9. The Lost Empire/The Monkey King

Out of all the movies on my best list for 2022, The Lost Empire/The Monkey King is the most unique one! A fantasy film based on Chinese folklore, this was an imaginative production I enjoyed watching. The story was sometimes thought-provoking and even somewhat educational, as it included literature related discussions. Strong acting performances brought to life characters who seemed believable. The set designs boasted a realistic and fantastical setting, which effectively presented the illusion of an immersive world. I wish Hallmark created more movies like The Lost Empire/The Monkey King, where the stories and ideas are more creative. With the network prioritizing rom-coms and dramas, though, I don’t know what their decisions will be in the new year.

Take 3: The Lost Empire/The Monkey King Review

8. Aurora Teagarden Mysteries: Haunted by Murder

Talking about this movie is bittersweet, as it is the last film in the Aurora Teagarden series. I’ve thought about all the moments the fans will never get to see, such as Aurora and Nick’s first Christmas, Phillip’s college graduation, and Sally falling in love. But if this is where the story must end, at least it ended on a strong note. The realistic and supernatural elements of the story complimented each other nicely. Supernatural elements being incorporated at all gave this chapter a more creative approach to the series. It was nice to spend time with Lawrenceton’s favorite residents; the acting performances and on-screen camaraderie remaining consistent. Even though I would have loved to see the Aurora Teagarden series continue for many more years, I know nothing lasts forever. But as the saying goes “Don’t cry because it’s over. Smile because it happened”.

7. Redwood Curtain

There are very few movies I found better than their source material. Redwood Curtain just so happens to be one of them! The creative team behind the Hallmark Hall of Fame adaptation took advantage of the expansive nature of film by providing the story with more locations. Allowing characters like Julia and Laird to appear in the movie showcase the Riordan family dynamic not present in the play. I found Geri more likable as a character in the movie. Lea’s performance paired with the screenwriting gave Geri an empathetic and understanding personality. Redwood Curtain is a Hallmark Hall of Fame presentation I wish was re-released on DVD.

‘Redwood Curtain’: From Stage to Screen

6. The Pit and the Pendulum

The Pit and the Pendulum was one of the biggest pleasant surprises of 2022! Despite the film not being my first choice for its respective blogathon, I thought it was engaging and entertaining. Vincent’s performance didn’t disappoint, as his portrayal of Nicholas was versatile and fueled on emotion. The mystery not only started right away, but it also allowed the audience to experience the journey alongside Francis, the main character. The Pit and the Pendulum is, to me, one of the more effective horror movies, like 1962’s Cape Fear. While this film would be a perfect choice to watch on Halloween, I’m glad I had the opportunity to see it around Vincent’s birthday!

Take 3: The Pit and the Pendulum (1961) Review

Redwood Curtain poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)

5. The Song of Bernadette

And another film of Vincent’s joins my list! Faith based films come in two forms; those that emphasize a message and those that emphasize a story. The Song of Bernadette falls into the latter category, as it revolves around religious phenomena affecting a small town. What I like about the 1943 film is how different perspectives relating to the phenomena are explored, highlighting how various members of the town view the events unfolding. The story doesn’t choose sides on the main topic, allowing the audience to come to their own conclusions about what is taking place in the movie. Even though The Song of Bernadette was released during the Breen Code era, the film is a good representation of the quality from that period in cinema. As I said in my review, Easter would be an appropriate time to watch the movie!

Take 3: The Song of Bernadette Review

4. Heaven Is for Real

Heaven Is for Real shares a major similarity with The Song of Bernadette. The 2014 film also revolves around religious phenomena affecting a small town. But what Heaven Is for Real does differently is encourage the audience to have a conversation about their beliefs on Heaven. Like I previously stated, faith based films come in two forms; those that emphasize a message and those that emphasize a story. However, I’ve rarely seen a movie of this nature start a discussion about one of their themes. This creative decision brings something new to the table and gives Heaven Is for Real a unique identity.

3. Words on Bathroom Walls

It seems like I’ve been talking about this title for as long as my blog has been around. But I’m glad I finally got the chance to see Words on Bathroom Walls this year, as it was such a good adaptation! There were changes between text and film. Despite that, the adaptation was, for the most part, respectful to its source material. The visual presentation of the story gave the audience a glimpse inside Adam’s mind. Interactions between the characters were believable, thanks to the actors’ performances and screenwriting. As I mentioned in my review a month ago, the adaptation for Words on Bathroom Walls seems more underrated. Based on the response my review received, my statement may be wrong.

Take 3: Words on Bathroom Walls Review

2. Top Gun: Maverick

I’m going to be honest; I had low expectations for Top Gun: Maverick. That’s because sequels released over ten years after their predecessor can be hit or miss. Top Gun: Maverick ended up surpassing my expectations, making it in the top three of my best of the year list! From what I know about Top Gun, the sequel respected what came before it. At the same time, new elements were added to the story, like focusing on an overarching mission. In a cinematic landscape where a film receiving over a billion dollars has become a rarity, Top Gun: Maverick achieved what some studios only dream of. As the 2020s move forward, maybe more filmmakers will turn to this film as an example of what can be cinematically possible.

Take 3: Top Gun: Maverick Review + 450 Follower Thank You

1. A Godwink Christmas: Miracle of Love

When it comes to “Godwink” stories, I prefer those that focus on a conflict. While that is the case for A Godwink Christmas: Miracle of Love, I found the overall production impressive! The interactions among the characters, as well as each volunteer’s talent being showcased, provided a nice amount of character development. Christmas activities were incorporated in more unique ways, such as the Romero family’s gift exchange. The inclusion of Advent was a newer approach to the Christmas movie genre. I don’t know what’s in store for the Godwink series. But I’d love to see more adaptations of these stories!

Take 3: A Godwink Christmas: Miracle of Love Review

A Godwink Christmas: Miracle of Love poster created by Crown Media Productions and Hallmark Movies & Mysteries

Have fun in 2023!

Sally Silverscreen

Take 3: Top Gun: Maverick Review + 450 Follower Thank You

On By 18cinemalane1 Comment

A few days ago, 18 Cinema Lane received its 450th follower! With that achievement comes a Blog Follower Dedication Review! A few of my recent movie reviews were for films released in the 2020s. I recently saw Top Gun: Maverick, the sequel to Top Gun. Therefore, I will continue this momentum by writing about the 2022 blockbuster! While I’ve only seen pieces of Top Gun, I am familiar with its general premise. I’m also aware of how Top Gun: Maverick is the second film about the United States Navy I’ve reviewed this month. About a week ago, I wrote about the Hallmark Movies & Mysteries Christmas film, USS Christmas. In that review, I said the 2020 title was a nice, pleasant film. Even though USS Christmas was fine, it wasn’t an instant classic for me or a new favorite movie. How will Top Gun: Maverick compare to the aforementioned Hallmark project? Keep reading this review if you have a need, a need to find out the answer!

Top Gun: Maverick poster created by Skydance Media, Don Simpson/Jerry Bruckheimer Films, and Paramount Pictures

Things I liked about the film:

The acting: Jennifer Connelly portrayed Penny, a character who was not in Top Gun. Despite being a sequel exclusive character, it felt like Penny was always meant to be in the story. The on-screen chemistry between Jennifer and Tom Cruise is an example of this statement. When Maverick visits Penny’s bar for the first time in years, he reconnects with Penny. Their interactions are friendly, a camaraderie that appears natural between them. This on-screen chemistry was consistent, which allowed Maverick and Penny’s interactions to be pleasant to watch! Speaking of Maverick, let’s talk about Tom’s performance! Since the story of Top Gun: Maverick takes place over thirty years after its predecessor, Maverick’s personality has matured in that time. However, it still contained that “prove ‘em wrong” spirit that makes him such a beloved character. In a scene where Maverick is seeking advice from Iceman, he reflects on the loss of his friend, Goose. As the past collides with the present, Maverick becomes emotional, tears quickly filling his eyes and his bottom lip quivering. This scene shows how, even though Maverick carries himself with a sense of professionalism, emotion still shines through, thanks to Tom’s strong acting abilities!

I’m not familiar with Miles Teller’s filmography or acting talents. However, I really liked his performance in Top Gun: Maverick! Miles portrayed Rooster, Goose’s son. Rooster’s involvement with the Top Gun program causes tension between Rooster and Maverick. During a disagreement between these two characters, Rooster has a lot to get off his chest. He starts yelling at Maverick, the anger felt, seen, and heard in Rooster’s voice and face. Even though Rooster’s anger is explosive in this scene, Miles displays control over his character’s emotions. He also has potential to be the lead actor in a future film!

The cinematography: Sometimes, action films can be plagued with “shaky cam”. This causes the events on screen to be indistinguishable, which can impact an audience member’s enjoyment of a movie. Fortunately, this is not the case for Top Gun: Maverick! During the scenes where characters are flying, there are many shots of them within their respective planes. There are also shots of the planes in various positions, directions, and angles. These shots are captured with a steady camera, delivered with crisp precision and clarity. One of my favorite scenes was when Maverick is racing his motorcycle alongside a plane. Showcased in a medium shot, this race contains the spirit Maverick has exuded since the first film. With a steady camera, the shot is presented from Maverick’s right side, with Maverick in the fore-ground and the plane in the background.

Including a mission: From the pieces of Top Gun I’ve seen, I recall the story heavily revolving around the training within the Top Gun program. While there is training in Top Gun: Maverick, the story prioritized an overarching mission instead. Each step of the mission is presented with the use of modern technology, such as computerized images on a television monitor. The inclusion of this mission gave the characters something to work towards. It also gave them a conflict to resolve. From an audience perspective, the mission keeps them invested in the story as it unfolds.

Military plane image created by Brgfx at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by brgfx – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

No inclusion of the quote, “I have a need, a need for speed”: One of the most iconic parts of Top Gun is the quote; “I have a need, a need for speed”. That quote is not only the most recognizable one from the 1986 movie, it’s one of the most famous quotes of all time. With the amount of respect given toward the predecessor in Top Gun: Maverick, I expected the aforementioned quote to be included somewhere in the 2022 film. Unfortunately, this quote was never spoken or referenced. I know this seems like a trivial flaw. But I think not including the quote is a missed opportunity.

Iceman’s fate: For this part of my review, I will spoil Top Gun: Maverick. If you have not seen this movie and plan on watching it, skip this portion and go straight to where it says “A limited distribution of character development”.

Iceman makes an appearance in Top Gun: Maverick. Even though he has become an Admiral and the commander of the U.S. Pacific Fleet, Iceman is dealing with medical related issues. These issues lead to his death around the film’s half-way point. I am aware the story needed a conflict. But having one of the “legacy” characters die felt, to me, like the film was giving mixed messages. As I already mentioned, Top Gun: Maverick was respectful toward its predecessor, emphasizing the idea of honoring the past and respecting what came before you. If this sentiment is true, then why would the movie’s creative team allow Iceman to be written out the way he was? Couldn’t Iceman be allowed to live his life as peacefully as possible? I know the Top Gun story wasn’t intended to become a franchise. However, I don’t believe Iceman should have died, especially since Goose already died in the first film.

A limited distribution of character development: When a story involves a group of people, it can, sometimes, be difficult to evenly distribute character development to every character in that group. In Top Gun: Maverick’s case, this flaw wasn’t avoided. Among the group of young lieutenants, the two that receive the most character development are Hangman and Rooster. Some of the lieutenants get a little bit of character development, while the rest don’t receive any. Besides Rooster and Hangman, I felt like I truly didn’t get to know the lieutenants, just simply became familiar with them. Like I’ve mentioned before in this review, I have only seen pieces of Top Gun. Therefore, I don’t know if this flaw was in that film. But since a part of Top Gun: Maverick’s story focuses on a team working together, I wish I had gotten to know more than just two lieutenants.

Children holding American flags during a sunset image created by rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

During the overarching mission in Top Gun: Maverick, there are two miracles that are discussed. While I won’t be revealing these miracles, as I don’t want to spoil the film, I will be talking about the two miracles this movie produced. The first miracle is the amount of reverence and respect Top Gun: Maverick displayed for its predecessor. Creating a sequel to a beloved movie, especially after a thirty plus year time frame, is a challenging feat. I can only speak for myself, but I think Top Gun: Maverick’s creative team pulled off this feat better than expected! The second miracle is how successful Top Gun: Maverick has become since its release. In a post-pandemic cinematic landscape, having a film garner over a billion dollars has become rarer than it was a decade ago. Even if a movie does acquire that much money, it may not receive critical praise. Top Gun: Maverick not only acquired a large profit, but also achieved critical acclaim. With all that said, this movie truly pulled off the impossible. Before I end this review, I’d like to point out how this review represents a miracle. That miracle is the success of 18 Cinema Lane, which would not be possible without my blog’s followers. Therefore, I would like to thank each and every one of them!

Overall score: 8.3 out of 10

Have you seen Top Gun and/or Top Gun: Maverick? Which movie do you think deserves a sequel? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Words on Bathroom Walls Review

On By 18cinemalane6 Comments

Rebecca from Taking Up Room has great blogathon ideas, hence why these events are so fun to participate in! The latest event, The Fake Teenager Festivus Blogathon, is no exception. For this blogathon, participants are asked to pick a movie or show featuring young adults, older teenagers, or older adults who have portrayed teenagers. As soon as I read the blogathon rules, I immediately thought of Charlie Plummer’s portrayal of Adam in Words on Bathroom Walls. Charlie was born in 1999, which means by the time of the film’s release in 2020, he was 21 years old. Words on Bathroom Walls is about a high school senior with Schizophrenia. I first started talking about this film in 2019, when I mentioned it in my Book Adaptation Tag post. In my Movie Blogger’s Christmas Wish List that year, I wished the film would receive a distributor, a studio that would release the movie. When the film received a distributor and release date the following year, I meant to get around to watching the movie. With Rebecca’s blogathon, I have an excuse to finally review Words on Bathroom Walls!

Words on Bathroom Walls poster created by LD Entertainment, Kick the Habit Productions, and Roadside Attractions

Things I liked about the film:

Interactions between characters: When it comes to interactions among characters, they are only as good as the actors and actresses portraying those characters. In the Words on Bathroom Walls adaptation, the cast was strong, which allowed their characters’ interactions to appear believable! The interactions between Adam and Maya serve as one example. Adam’s friend, Maya, comes over to his house to tutor him. When she enters Adam’s room, Maya discovers his collection of cookbooks. This leads to a verbal match, both Adam and Maya sharing their greatest achievements in good fun. Throughout the film, Charlie Plummer portrays Adam with a laid-back personality. Taylor Russell brings to life Maya’s studiousness, direct, and confident demeanor. Their interactions showcase how Adam’s and Maya’s personality are compatible, despite the fact they are the opposite of one another.

Seeing what’s in Adam’s mind: In the Words on Bathroom Walls book, Adam goes into detail how his Schizophrenia diagnosis impacts him and his world. His honesty about his diagnosis gives the story a sense of realism. But with Words on Bathroom Walls being adapted into a movie, the story gained the opportunity to visually present what goes on in Adam’s mind. At various moments of the story, Adam sees three people, who are his hallucinations. When he starts a new medication, these hallucinations begin to disappear. But the way their disappearance happens on screen looks like a technological glitch, a slow and steady process instead of instantaneous. This not only gave the audience something interesting to look at, it allowed them to gain some understanding into Adam’s experiences.

Breaking the fourth wall: Adam’s story in the Words on Bathroom Walls book is presented through the notes of a therapist. This literary approach made the story feel like Adam was speaking directly with the reader, as if he was having a private conversation with them. Adam’s therapy sessions are included in the adaptation. Because these sessions are only shown in certain parts of the film, they give Adam the opportunity to break the fourth wall. These moments still contain the honesty, emotion, and even humor I came to like about the book. The fourth wall being broken felt reminiscent of the book’s direct storytelling. This translation between adaptation and source material worked in the story’s favor!

The Fake Teenager Festivus Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Father Patrick’s inconsistent presence: Father Patrick is a movie exclusive character in Words on Bathroom Walls. He serves as a mentor figure to Adam, giving him advice and words of wisdom. I liked this dynamic between these characters, as there were no mentor figures at St. Agatha’s Catholic School in the book. However, Father Patrick only appeared in about four scenes total. I wish he had appeared in some more scenes, especially since the character himself was so well written and acted.

Adam’s limited perspective on Catholicism: One of the best parts of the Words on Bathroom Walls book was Adam’s perspective on Catholicism. In the story, Adam attends St. Agatha’s Catholic School, despite his decision to not adopt the religion. Reading Adam’s thoughts on Catholicism provided an insight that isn’t often included in stories featuring religious affiliated schools. In the adaptation, Adam’s perspective on Catholicism was featured. But its inclusion was so limited, it was watered down, compared to the book.

Toned down humor: What makes Adam such a likable character in Words on Bathroom Walls is his sense of humor. Julia Walton, the author of the book, gives the protagonist a drier sense of humor that contains a hint of sarcasm. However, Adam’s sense of humor was never depicted as mean-spirited or disrespectful. What Julia also does is provide a good balance between a humorous and serious tone. The adaptation prioritizes the story’s serious tone instead of trying to achieve the aforementioned balance. I know that mental illness/Schizophrenia is a topic that shouldn’t be taken lightly. But I think that balance between seriousness and humor was better executed in the book.

Since I’m finally reviewing Words on Bathroom Walls, featuring a screenshot of the book cover is in order! Screenshot taken by me, Sally Silverscreen.

My overall impression:

No matter how good or bad an adaptation is, there are bound to be changes between text and visual piece of entertainment. Words on Bathroom Walls is no exception to this, as I noticed several changes among both media. But despite these changes, the Words on Bathroom Walls adaptation was, more often than not, respectful to its source material. This is one of the reasons why I liked this film! The strength of the cast’s acting abilities worked in the movie’s favor. It allowed believable interactions between the characters. Interesting film-making techniques were incorporated into the project, such as the special effects. This enhanced the visual presentation of what goes on in Adam’s mind. Looking back on this movie, it seems like it is one of the more underrated adaptations. Why that is, I have no idea.

Overall score: 8.3 out of 10

Have you seen or read Words on Bathroom Walls? Are there any adaptations you’d like me to see and/or read? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: USS Christmas Review

On By 18cinemalaneLeave a comment

While looking through some of my movie reviews from last year, I came to the realization I only wrote about two Christmas films. To make up for that, I will make a greater effort this year to review more Christmas movies. As it was Veteran’s Day two days ago, I decided the first Christmas film review of 2022 would be for USS Christmas! In the two years since its release, I’ve heard good things about this particular Hallmark picture. The network also has a pretty consistent track record when it comes to their military related Christmas titles. This is not the first time I’ve talked about USS Christmas. Back in 2020, I wrote a Word on the Street story about the project. I mentioned that the only Tiger Cruise movie I knew of was the 2004 Disney Channel movie, Tiger Cruise. Therefore, USS Christmas was filling a creative void that hadn’t been revisited in over ten years.

USS Christmas poster created by Crown Media Productions and Hallmark Movies & Mysteries

Things I liked about the film:

The acting: Jen Lilley portrays the protagonist, Maddie. Her reason for joining the Tiger Cruise was to spend Christmas with her sister, Amelia, who was portrayed by Stefanie Butler. I really liked the on-screen camaraderie between the sisters! While sharing breakfast at a local restaurant, Amelia and Maddie talk about a variety of subjects. Throughout their conversation, Jen’s and Stefanie’s facial expressions changed with fluidity. The actresses also had nice on-screen chemistry, giving the impression the sisters got along really well. It’s been a while since I’ve seen one of Trevor Donovan’s movies. However, I have always thought he was one of Hallmark’s strongest actors. In USS Christmas, Trevor portrayed Lt. Billy Jenkins. At the start of the story, Billy is distant with Maddie, maintaining a sense of professionalism. As the film continues, a kind hearted, more spontaneous side to Billy breaks forth. This progression in Billy’s personality was well executed through Trevor’s acting talents! The naturalness of this progression allowed Billy’s part of the story to be believable.

The set design: Like any Hallmark Christmas film, USS Christmas contained its fair share of seasonal décor. But it was the way this décor was incorporated into the set design that caught my eye. When Maddie’s family has their first dinner on the Tiger Cruise, the dining room is surrounded by white walls. White and blue Christmas decorations are placed in the background, from a blue garland to a white Christmas tree with blue ornaments. These complimentary hues added a sense of elegance to this space! Garland was a nice touch to other sets. A traditional green garland paired with red ornaments and bows was framed around the dark wood windows of the Jenkin family home. A similar looking garland framed the kitchen window of the Contino family home, a room that contained white cabinets. That garland shows how a simple Christmas decoration can complement various different spaces!

The mystery: Mysteries are uncommon in Hallmark’s Christmas films. So, the inclusion of a mystery in USS Christmas was a pleasant addition! In an effort to write a story about finding love on a Tiger Cruise, Maddie finds a journal written by a man named Sam. In this journal, Sam talks about falling in love with a woman named Dorothy. Maddie and Billy spend the rest of the movie searching for Dorothy and Sam, going on a journey to figure out what happened to this couple. While I won’t reveal what Billy and Maddie discover, I will say the mystery itself was intriguing! It gave me a reason to stay invested in the story.

Children holding American flags during a sunset image created by rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The Tiger Cruise itself getting overshadowed: It’s been years since I’ve seen Tiger Cruise. From what I remember, the cruise itself was focused on to the point where it was its own character. With USS Christmas, I felt the cruise was overshadowed by the mystery of Sam and Dorothy. As I already said in this review, I liked the mystery in this story. However, that part was prioritized above everything else. When Maddie and Billy go to New York, I thought, “Wait, isn’t this movie supposed to be about the Tiger Cruise”?

Underutilized characters: On the Tiger Cruise, Charlotte is boarding alongside her brother, who is a member of the U.S.S. Polaris. Because Charlotte is also a writer, I assumed she would help Maddie in her quest to find Sam and Dorothy. Unfortunately, Charlotte and her brother briefly appeared in the film for about three scenes. These are just two characters I feel were underutilized.

Inconsistent use of Easter Eggs: The inclusion of Easter Eggs can be a nice treat for viewers and, if done right, can be cleverly woven into the story. There were some nice Easter Eggs in USS Christmas. But I was confused what the overarching direction for these Easter Eggs was. Toward the beginning of the movie, I found a few Easter Eggs related to It’s a Wonderful Life, as Maddie says that is her favorite Christmas film. Throughout the movie, there were at least two Easter Eggs referencing Top Gun. I even caught an Easter Egg connected to Hallmark itself. I wish the film’s creative team had chosen one topic for their Easter Eggs and consistently stuck with it.

Blue sparkly Christmas tree image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/frame”>Frame vector created by Macrovector – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/merry-christmas-card_2875396.htm’>Designed by Macrovector</a>. Image found at freepik.com.

My overall impression:

As I said in the introduction, Hallmark has a pretty consistent track record when it comes to their military related Christmas titles. While some of these titles have been better than others, I haven’t seen a military related Hallmark Christmas movie that was bad or disappointing. With USS Christmas, it was a nice, pleasant film. It isn’t an instant classic for me or a new favorite movie. But, for what it was, USS Christmas was fine. Hallmark’s efforts to tell more creative stories seems to be an exception to the rule. So, I appreciate how the creative team behind USS Christmas strove to create a type of story that isn’t common in entertainment media. It also helps how a mystery was incorporated into the film, as mysteries aren’t often found in Hallmark’s Christmas offerings. I’ve heard Jen Lilley and Trevor Donovan have begun appearing in Great American Family’s (GAF) movies. I’ll have to check out their films from that network!

Overall score: 7.1 out of 10

Have you seen USS Christmas? Which military related Hallmark Christmas movie do you like? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Word on the Street: Is Hallmark Already Planning a Christmas Movie for 2023?

On By 18cinemalaneLeave a comment

Even though Hallmark’s Christmas line-ups just started about two weeks ago, the network may be planning ahead for next year’s seasonal programming. While on IMDB recently, I stumbled upon a movie listing for what could be an upcoming Hallmark production. According to this listing, which I included a screenshot of in my article, there appears to be a third Gift to Remember film in the pre-production stage. As of the publication of this Word on the Street story, Hallmark has not made any official announcements about their film related projects for 2023. However, if ‘Gift to Remember 3’ (the project’s current working title) is going to be created, then this would fit a trend Hallmark has been practicing this decade. Since last year, Hallmark has been creating sequels for films that premiered several years ago. Some examples are the following:

  • The Nine Kittens of Christmas – Sequel to 2014’s The Nine Lives of Christmas
  • Debbie Macomber’s A Mrs. Miracle Christmas – Continuation of the Mrs. Miracle series, last film aired was 2014’s Debbie Macomber’s Mr. Miracle
  • A Cozy Christmas Inn — Sequel to 2014’s Christmas Under Wraps 
Even though this IMDB listing says “announced”, Hallmark has not made any official announcements about film related projects for 2023. Screenshot taken by me, Sally Silverscreen.

The first film in the Gift to Remember story, A Gift to Remember, was released in 2017. Its sequel, Cherished Memories: A Gift to Remember 2, premiered in 2019. In place of ‘Gift to Remember 3’s poster, the cover for Melissa Hill’s stand-alone novel, The Gift of a Lifetime, is featured on IMDB. Since two of Melissa’s books, A Gift to Remember and The Charm Bracelet, have been adapted into Hallmark films, it would make sense if the network adapted The Gift of a Lifetime into a movie. But it does make me wonder if ‘Gift to Remember 3’ will incorporate elements from The Gift of a Lifetime’s story or if The Gift of a Lifetime will be its own film? While looking back on the aforementioned sequels, I realized they were continuations of movies that first aired in 2014. As of the publication of this Word on the Street story, nine Hallmark Channel Christmas movies from that year have not received sequels. I not only question why the network would choose 2014 specifically on focus their sequel efforts on, but also which 2014 film, if any, will be the next to receive a second chapter?

What are your thoughts on this potential piece of movie news? What book of Melissa Hill’s would you like to see adapted into a film? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Here is the link to ‘Gift to Remember 3’s page on IMDB:

https://www.imdb.com/title/tt8099114/?ref_=adv_li_tt

Take 3: Death on the Nile (2022) Review + 415 Follower Thank You

On By 18cinemalaneLeave a comment

When I reviewed Curious Caterer: Dying for Chocolate for my last Blog Follower Dedication Review, I figured by writing about a mystery film, I would be giving the readers what they wanted. Well, for my 415 Blog Follower Dedication Review, I decided to give my readers yet another mystery, as both reviews for Curious Caterer: Dying for Chocolate and Cut, Color, Murder have been quite successful. This time, though, the movie in question is a more current mystery production from the big screen. Recently, my family rented the 2022 adaptation, Death on the Nile. This is the follow-up title to the 2017 adaptation, Murder on the Orient Express. On 18 Cinema Lane, I have gone on record to state I was not a fan of Murder on the Orient Express’ ending. I would say why, but then I’d have to spoil that movie for my readers. With that said, I watched the 2022 film with an open mind, hoping the ending would be better. But was that enough to be stronger than the 2017 title? Join me as I review Death on the Nile!

Death on the Nile (2022) poster created by Kinberg Genre, Mark Gordon Pictures, Scott Free Productions, TSG Entertainment, and 20th Century Studios

Things I liked about the film:

The acting: Sometimes, in ensemble films, there is at least one performance that steals the show. In the case of Death on the Nile, I can’t say that happened, as everyone’s performance was equally strong. So instead, I’m going to talk about how all of the actors and actresses appeared at ease in their roles. Every interaction among the characters seemed natural. Despite the talent being on different journeys in their career, there was a shared chemistry to be found. Gal Gadot did not star in Murder on the Orient Express alongside Kenneth Branagh. However, when they interacted together, it felt like their characters, Linnet and Hercule, had known each other longer than their total screen time. Even actors and actresses whose characters developed their own relationships created a believable on-screen connection. Bouc is a close friend of Hercule’s, but wasn’t brought up or featured in Murder on the Orient Express. Rosalie is a character who made her debut in Death on the Nile. Despite never meeting prior to this film, Rosalie and Bouc formed a romantic relationship that felt genuine. Their bright smiles and warm embraces present the impression they were always meant to be together. It’s interactions like Bouc and Rosalie’s that allowed the overall acting performances to be enjoyable to watch!

An atmospheric setting: The majority of Death on the Nile takes place in Egypt, specifically on the Nile River. Despite a cruise ship being the primary setting for the story, the characters make an excursion to an ancient Egyptian tomb. I’m not sure if Death on the Nile was filmed on-location, on a set, or if everything was green-screened. No matter where the movie was filmed, this particular location was very atmospheric! The structure was covered in a warm sandstone, reflecting the nearby natural landscape. The interior walls were covered in hieroglyphics, only seen through torch light or a flashlight. Before the characters entered the tombs, a long, overhead shot showcased their entry. Even though a structure like this one would likely never be done justice through filmography, it emphasized the scope of a location of that scale!

The Egyptian tombs were not the only atmospheric location in this film. When it comes to the S.S. Karnak, the creative team knew what style they wanted to execute. Boy, did they stick the landing! This ship was posh, bearing the word “elegant” like a badge of honor. The floor was a dark wood, which nicely contrasted the white shiplap walls. Polished glass windows surrounded a grand sitting area, separating patrons into an isolated, beautiful world. Even this aforementioned sitting area was a sight to behold! A detailed oriental rug hosted an island to a set of plush armchairs and a sofa. An elegant bar overlooked both the seating arrangements and the windowed walls, which showcased a perfect view of the river. When I first saw this ship on screen, it looked, to me, like a miniature version of the Titanic.

The use of black and white imagery: Within the mystery genre, black and white imagery has been, in my experience, used rarely in more recently released titles. Even in Death on the Nile, this kind of imagery had a limited incorporation in the movie. But the use of black and white imagery is what stood out to me. This film’s very first scene is captured in black and white. However, it took place during World War I, with the rest of the story taking place in 1937. The distinction of past and present through imagery was clever and visually interesting. This creative tactic was used again later in the story. But this time, color was included to force the audience to focus on that scene’s particular aspects. Like I said about the previous scene, it was an interesting and clever way to use black and white imagery!

Magnifying fingerprints image created by Balintseby at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Balintseby – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/fingerprint-investigation_789253.htm’>Designed by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The mystery’s delayed start time: One of my least favorite aspects of the mystery genre is when the mystery starts at a later time in the story. This is because I prefer mysteries to be more interactive and get to the heart of the matter sooner. Unfortunately, Death on the Nile did not ask me what I wanted, as the mystery in this movie started at the halfway point. That means the audience was given half a movie to attempt to solve the mystery alongside Hercule. To me, this felt reminiscent of episodes of Murder, She Wrote, where the first half of the story is devoted to the mystery’s build-up. This creative decision caused a much slower start to the movie, as well as a delay in suspense.

A mystery overshadowed by relationship drama: Drama among the characters can work in a mystery’s favor, as it provides possible motives and suspects. Various types of relationships can also create tension within the overall story. But in Death on the Nile, the relationship drama ended up overshadowing the mystery. In fact, it dominated the film’s first half. While characters fell in and out of love, or simply reflected on love, one of my family members asked, “Isn’t someone supposed to get murdered in this story”? I could easily sense this family member’s impatience, as I too felt my good will toward the movie slipping away with each of the characters’ romantic embrace. I have never read any of Agatha Christie’s books, so I’m not sure if these relationships are straight from the source material. However, this part of the story was over-emphasized.

A past detail that doesn’t lead anywhere: Death on the Nile starts with showing Hercule during World War I. In that time, it is revealed he developed romantic feelings for a woman named Katherine. For the rest of the movie, though, this part of the story was never revisited. If Katherine was brought up, Hercule only talked about her in passing. Hercule’s past relationship and his time during World War I getting ignored was confusing to me. Why include these details if there was no plan to follow through on them? It felt like they were added to the story simply for the sake of being there.

Egyptian hieroglyphic image created by wirestock at freepik.com. Luxor photo created by wirestock – www.freepik.com

My overall impression:

Before I share my overall impression of Death on the Nile, I would like to thank my followers for helping make this review a reality! In four years, my blog has achieved far more success than I ever imagined. All of that is thanks to you. Now, back to sharing my overall impression. While the ending/resolution in Death on the Nile was stronger than Murder on the Orient Express’ was, the overall execution was weaker than the 2017 adaptation. The 2022 film contained a similar flaw to Knives Out: the drama among the characters overshadowed the mystery. Having the mystery start at the movie’s halfway point didn’t help Death on the Nile’s case either. Like Murder on the Orient Express, though, the cast was strong in Death on the Nile. In fact, it was difficult for me to choose a favorite performance. The locations in the 2022 production were atmospheric as well. At the publication of this review, I’m not sure if Kenneth Branagh has plans to adapt more of Agatha Christie’s books. It depends, at this point, if the potential is there.

Overall score: 6.1 out of 10

Have you seen any adaptations of Agatha Christie’s work? Have you read any of Agatha’s books? Don’t hesitate to comment in the comment section below!

Have fun at the movies!

Sally Silverscreen

The 4th Annual Gold Sally Awards Has Arrived!

On By 18cinemalane2 Comments

18 Cinema Lane recently celebrated its fourth anniversary! To commemorate such an important milestone, I am, once again, hosting the Gold Sally Awards! As I said last month, each award post will feature two polls at a time. This decision was made to help the voting process move at a faster pace. With that said, this year’s Gold Sally Awards will begin with the Best Movie and Story polls! Because I didn’t post any announcements for the Gold Sally Awards, the first two polls will be available for two weeks; from February 16th to March 2nd. Like years past, you are allowed to vote for more than one nominee. But you can only vote once per person. The link to the polls will be located under each poll. Just click on the word ‘PollMaker’.

Similar to last year, I thought featuring this anniversary image was appropriate for the start of the Gold Sally Awards! Anniversary image created by WordPress.
What was the Best Movie of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
Created with PollMaker
What was the Best Story of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
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Sally Silverscreen

Take 3: Cut, Color, Murder Review

On By 18cinemalaneLeave a comment

The last time I reviewed a Hallmark Movies & Mysteries film was last August, when I wrote about Poisoned in Paradise: A Martha’s Vineyard Mystery. To make up for that, I thought it made sense to review one of the network’s newest titles. As of February 2022, Hallmark Movies & Mysteries only has two new mystery releases; Cut, Color, Murder and Aurora Teagarden Mysteries: Haunted by Murder. Like the title of this review says, I’ll be writing about Cut, Color, Murder! For years, I’ve been waiting for Hallmark to create a movie that revolved around pageants. Sure, I received Signed, Sealed, Delivered: The Impossible Dream back in 2015. But the pageant in that movie played such a minor role in the overall story. I’ve also heard some of the network’s series have been cancelled, such as Picture Perfect Mysteries, Hailey Dean Mysteries, and Matchmaker Mysteries. So, the idea of a new series is exciting! But is Cut, Color, Murder worthy of the crown? Let’s solve this mystery by starting this review!

Cut, Color, Murder poster created by Crown Media Family Networks and Hallmark Movies & Mysteries

Things I liked about the film:

The chemistry among the cast: In most of my movie reviews, I talk about specific acting performances. But this time, I’ll be writing about the chemistry among the cast in Cut, Color, Murder! Within Hallmark Movies & Mysteries’ movie series, the chemistry and camaraderie between the characters has been a consistent component. This is especially true when it comes to the network’s newest mystery film! At the beginning of the movie, the protagonist’s sister, Chelsea, is concerned about an upcoming college tuition payment. After the protagonist, Ali, suggests working on pedicures at the salon in order to make extra money, Chelsea sarcastically responds to her sister by saying, “I’ve seen some of those women’s feet. I’d rather drop out”. The interaction I just described came across as realistic, like a conversation two siblings might typically have. This is because Julie Gonzalo’s and Grace Beedie’s acting talents complimented one another. At a restaurant called ‘The Jackson’, Ali and Chelsea have lunch with their mom and some of Ali’s co-workers. Their conversation during this meal revolves around Chelsea possibly joining the Miss Golden Peak Pageant. In this scene, each character is presented with their own unique personality. Ali’s co-workers play a specific role at the salon, as each one volunteers to help Chelsea on pageant day. The way these characters interacted with one another feels like a family, with each member giving Chelsea their love and support. Interactions like this one feel genuine and believable because of the cast’s acting strength!

The banter: A component that can make or break a film is the banter among the characters. With Cut, Color, Murder, the banter was one of the strongest aspects of the overall production! While at the aforementioned restaurant, ‘The Jackson’, Ali meets Golden Peak’s newest detective, Kyle Crawford. During their initial interaction, Ali makes educated analyzes about Kyle’s background based on her observations about him. The way these analyzes were delivered was sharp and precise, showcasing the strength of Julie’s acting abilities and the screen-writing. Kyle takes Ali’s words in stride, as Ryan McPartlin, the actor who portrays Kyle, remains consistent in his performance. At the salon, Ali talks with Golden Peak’s resident officer, Fred Wright, about new develops in the film’s murder mystery. As they exchange details with one another, their banter sounds like an exciting game of ping-pong! Both Julie and Fred Henderson, the actor who portrays Fred Wright, are quick with their line delivery, with each actor effectively meeting with other at their level. The screen-writing also helps with the strength of Ali and Fred’s banter!

How the subject of death was handled: When a mystery story revolves around a murder, death is going to be one of the story’s overarching themes. In the case of Cut, Color, Murder, I’m referring to how the movie’s creative team handled the subject of a deceased spouse, which was unrelated to the movie’s main mystery. During the film, Ali reveals how she lost her husband, Dan, in the line of duty. Whenever this subject was brought up, it was spoken by the characters with a serious tone in their voices. But it was also brought up with a sense of reverence and respect. At two points in Cut, Color, Murder, Ali visits Dan’s gravesite. She has conversations with him as if Dan was sitting right next to her. Ali does try to move forward from Dan’s passing, as his death took place two years prior. Ali decides to move forward on her own terms and she doesn’t receive any negativity for visiting Dan’s gravesite. With the strong acting performances and screen-writing, Ali’s gravesite visits and the characters’ reactions to Ali’s grief felt realistic. The inclusion of Dan’s passing also emphasized how death can impact a community and the people within it.

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

A limited insight on pageantry: When I discovered Cut, Color, Murder would take place during a pageant, I was excited to see the world of pageants shown through a Hallmark lens. While I did receive some insight into this particular industry, I was left desiring more. It was interesting to see how local businesses and aspiring professionals were affected by a pageant. But other aspects related to this subject felt surface level, such as squabbling pageant mothers. The majority of the story focused on the mystery itself. Because Ali’s sister was the one entering the Miss Golden Peak Pageant, the pageantry in this story felt like a subplot. Looking back on this film, it makes me wish the story had been set in the pageant world, instead of being a bystander to it.

An unclear setting: The majority of Hallmark Movies & Mysteries’ movie series take place in a small town. While this is true for Cut, Color, Murder, I was unsure where this story took place. For about half the movie, I was confused over the story’s location. When I first saw the salon Ali works at, I thought the story took place in New York City. Because Fred Wright consistently wore a cowboy hat, I then thought Ali’s town was situated in Texas. Before realizing the owner of ‘The Jackson’ shared the restaurant’s name, I also thought the town was in Jackson Hole, Wyoming. At the film’s half-way point, I learned Ali, her family, and her co-workers lived in Idaho. Despite receiving this knowledge, the setting didn’t feel like Idaho. In fact, it looked and felt like any other small town from any other Hallmark production.

Few interactions with Ali and Kyle: A lot of mystery films from Hallmark Movies & Mysteries feature a male and female protagonist who eventually form a romantic relationship. In the case of Cut, Color, Murder, these protagonists are Kyle Crawford and Ali Bowden. Since it’s unknown at this time if this movie will lead to a series, it’s unclear if Kyle and Ali will come together as a couple. But compared to other Hallmark Movies & Mysteries projects, these characters didn’t spend much time together. Their limited interactions mostly took place in a professional context, whether at the police station or while crossing paths interrogating suspects. Unprofessionally, Ali and Kyle stayed in their own worlds and focused on their own careers. I liked the on-screen chemistry between Julie Gonzalo and Ryan McPartlin. Because of their short amount of time together on-screen, however, I don’t know how this chemistry is going to work in a long-term series.

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My overall impression:

As the saying goes, “put your best foot forward”. This can apply to any movie, television, or book series. From what I remember, most of the series from Hallmark Movies & Mysteries have not only put their “best foot forward”, but have also presented a collection of films I enjoyed watching. Like I said in my review, it’s unknown at this time if Cut, Color, Murder will lead to a series. But if it is, the movie certainly was a strong start to a potential one! This film gave the audience a variety of suspects, providing many possible directions to the final outcome. Sometimes, clues were discovered through the characters’ dialogue, which showcased the unique inclusion of some of these clues. Cut, Color, Murder displayed other strong qualities, such as the banter and chemistry among the cast. The work of salon employees hasn’t often been featured in Hallmark films. Depending on who you ask, this work can also be seen as important. But as I said in my review, I wish the story had been set in the pageant world. While watching Cut, Color, Murder, I kept thinking how different this story/potential series would be if it had been from Chelsea’s perspective. Come to think of it, Chelsea’s perspective would have made the story a little more interesting. But what will also be interesting, though, is what will happen if this story receives a second chapter.

Overall score: 7.5 out of 10

Have you seen Cut, Color, Murder? Would you like to see this movie become a series? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen