Tag: 2020s

Take 3: Young Washington Review

On By 18cinemalaneLeave a comment

2026 marks the 250th birthday of the United States of America’s founding. Because of this major milestone, MovieRob selected July’s Genre Grandeur theme as “Red, White and Blue Movies”. This means a chosen film has to deal “with The American Revolution, American Patriotism or related to the 4th itself”. For my selection, Young Washington, I had planned to publish my review on July 4th. But because of my schedule at the time, I didn’t get the chance to see the 2026 picture as soon as I had hoped. Now that I’ve seen the movie, I can finally post my review for MovieRob’s Genre Grandeur Blogathon! As I already mentioned in this introduction, a chosen film for the event had to deal “with The American Revolution”. When George Washington appears in entertainment media revolving around this period in history, the story itself focuses on what led up to the signing of The Declaration of Independence. In Young Washington, however, the story explores the events that shaped George into the leader history remembers him as today. Reflecting on The American Revolution related pieces of entertainment media I’ve seen, heard, or read, Young Washington’s approach to this specific time period seems to have addressed a creative void.

Young Washington poster created by Wonder Project, 2521 Entertainment, Angel, Provident Films, Radar Pictures, Red 56, Ten Ton Studio, and Wild Atlantic Pictures

Things I liked about the film:

Incorporation of the story’s natural landscape: IMDB lists Ireland as Young Washington’s primary filming location. Yet the story is set in Virginia. Since the majority of the movie takes place outdoors, the forest landscape of America’s tenth state was given center-stage through long and medium shots. Clear blue waters, rolling green hills, and what appears to be pine trees literally and figuratively represent the “calm before the storm”, as the Ohio Territories are at the center of a major conflict. This same landscape was also shown at different times of the day as well as in different climates. On a few occasions, snow covered the forest floor and trees. Paired with a gray-blue sky, this landscape visually presented a peaceful environment, despite the uncertainty this type of terrain brings. The incorporation of Young Washington’s natural landscape added natural beauty to the film. This creative decision also reminded me of Europe’s natural landscape receiving importance in I Am David, showing a side of the United States of America that could be easily taken for granted.

The acting: As I just mentioned in this review, the Ohio Territories are at the center of a major conflict in Young Washington. The reason is because the French desire to claim the land as their own. In order to convince the French to leave, George is tasked with persuading a French military officer named Joseph Jumonville. In a scene where George negotiates with Joseph, Joseph, at first, appears very jovial. His huge smile, jolly demeanor, and laughter gives George (and the audience) the impression things will go George’s way. But as soon as George addresses the French residing on the Ohio Territories, Joseph’s attitude immediately changes. His intense stare and sharp tone of voice lets George (as well as the audience) know he means business. Joseph’s change in attitude causes a shift in the scene’s atmosphere, raising the stakes of the situation. Despite having a limited presence in Young Washington, Joseph became such a memorable part of the movie! That’s because the actor who portrayed Joseph, Clement Toyon, gave a performance that was captivating due to his flawless transition between attitudes. With that said, I wish Joseph made a few more appearances in the film.

While George and a surveyor named Christopher are surveying the Ohio Territories, they cross paths with Half-King Tanacharison. Similar to Joseph Jumonville, Half-King Tanacharison appears in Young Washington for a limited period of time. Also similar to Clement Toyon’s portrayal of Joseph, Half-King Tanacharison was so memorable because of Ryan Begay’s performance! Whenever he showed up in the story, Half-King Tanacharison carried himself with a strong confidence, his demeanor letting others know how he should be taken seriously. At the same time, Half-King Tanacharison carried a gentleness which emphasized how he was a leader who sought fairness. These combined characteristics in demeanor allowed Ryan’s performance to contain a commanding presence. Because we’re on the subject of leaders, I must talk about William Franklyn-Miller’s portrayal of George Washington! Like I said about Liev Schreiber’s portrayal of Orson Welles in RKO 281 and Tom Hulce’s portrayal of Amadeus in Amadeus, William brought humanity back to George’s name by finding the heart of the “genius” and putting some genuine emotion behind it. What I also liked about William’s performance is how it possessed a strong sense of realism. This element didn’t show an actor portraying a historical figure, but, instead, a young man becoming the leader he was destined to be. Working in William’s favor as well is his understanding how to utilize emotion and when to increase or decrease the intensity of those emotions.

Historical accuracy: Filmmakers have the ability to create the illusion of immersion. This illusion makes the audience feel immersed in a movie’s world, giving them a reason to stay invested in the story. One way to achieve the illusion of immersion is through historical accuracy. When a film’s creative team adopts that element of storytelling, research and attention to detail must be prioritized in order to effectively bring the chosen time period back to life. While watching Young Washington, the historical accuracy could be seen as well as felt! One of my favorite examples is when George attends a party at the Belvoir plantation. Every room within the plantation is lit by candles. Throughout scenes taking place at the plantation, the lighting was consistently dim. Looking back on the movies I’ve seen (and even reviewed) relying on historical accuracy, I never thought about how a film’s lighting could affect a film’s historical accuracy, let alone illusion of immersion. The example I brought up of the dim lighting in Young Washington allows the audience to grasp how different lighting options were in the 1700s.

The dialogue: An underrated film-making element is the quality of a script’s dialogue. If the dialogue among a movie’s characters is good, it can become a memorable component of the movie itself. As I watched Young Washington, there was dialogue that stood out to me because of how good it was! When George applies for the British Army, he is ultimately rejected due to his social status. To prove his worth, George presents his collection of quotes he wrote down while being tutored by his half-brother, Lawrence. But George is told how an imitation of great men doesn’t make him one. This quote not only encourages George to forge his own path in life, it also foreshadows George’s future. Earlier in the story, Lawrence teaches George how to play chess. During the lesson, Lawrence says how a pawn can take a king. This quote was, once again, clever foreshadowing, as George’s role in the American Revolution helped the Thirteen Colonies break away from a king ruled government to form the United States of America. The two examples of dialogue I presented in this review show how much thought and effort went into the screenwriting as well as how the dialogue was delivered!

Children holding American flags during a sunset image created by rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Inconsistent incorporation of subtitles: Earlier in this review, I brought up how George and Christopher cross paths with Half-King Tanacharison while surveying the Ohio Territories. Christopher and Half-King Tanacharison share a conversation, despite never meeting before. Half-King Tanacharison and Christopher’s conversation is not in English, yet no subtitles appear on the screen during their conversation. But any other time characters speak to one another in a language that isn’t English, subtitles are present on the screen. This inconsistency became noticeable to me by the third non-English conversation characters shared in Young Washington.

A missing “And then what happened” segment: In movies based on true stories, there is sometimes a segment toward the end of the movie explaining what happened to the story’s key individuals after the events presented in the movie. But Young Washington lacked this kind of segment. Toward the end of the 2026 film, on-screen text reveals a few of the events leading up to the signing of the Declaration of Independence. However, what happened to key people from Young Washington, like Sally Cary, David Frisk, and even Robert Dinwiddie, was not brought up. This creative decision left me disappointed, as I wanted to know more about the people in the story.

Some underutilized talent: Before watching Young Washington, I knew Kelsey Grammer starred in the movie. From what I remember, he was heavily featured in the movie’s marketing. At the end of the film, Kelsey himself delivered a message on the film’s importance. Yet he appeared in Young Washington in two scenes as Lord Fairfax. One of my family members almost forgot Kelsey was cast in the movie due to his very limited screen-time. While I understand why Kelsey starred in the film for a short period of time, this was one example where, to me, talent was underutilized.

Since colonial style hats were worn throughout Young Washington, including a photo of the small colonial style hat from my Oh Lil Christmas Tree collection made sense. Screenshot taken by me, Sally Silverscreen.

My overall impression:

The best way I can describe Young Washington is a “hero’s journey” woven into a history lesson. Throughout the 2026 movie, the audience sees George experience both trials and triumphs. What the audience of Young Washington also sees is solid acting performances, immersive historical accuracy, and a beautiful forest landscape. They can hear dialogue that is well written and delivered, as well as good messages and themes. Another strength of Young Washington is the ebb and flow between action-heavy, suspenseful scenes and quieter, slower-paced scenes. This ebb and flow maintained the story’s intrigue, keeping me invested in what was happening on screen. There are flaws within the 2026 picture, like inconsistent incorporation of subtitles and some underutilized talent. But, in my opinion, there’s a lot Young Washington got right when it comes to film-making. Now that we’re at the halfway point of 2026, I can honestly say I’ve seen more movies, so far, I liked than didn’t. Young Washington is one of those films belonging to the first category of movies I liked!

Overall score: 8 out of 10

Have you seen Young Washington? Is there a movie set around the American Revolution you like? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Why ‘Sugarcreek Amish Mysteries’ is One of the Worst TV Shows I’ve Ever Seen

On By 18cinemalaneLeave a comment

In March of 2023, I wrote an editorial explaining why the mystery movie, Francesca Quinn, PI, is, in my opinion, the worst Hallmark movie I’ve ever seen. Three years later, that editorial has become my most popular one at over ten thousand views! But I honestly didn’t think I would publish another editorial like my Francesca Quinn, PI editorial. That changed, however, when I saw UP Network’s television series, Sugarcreek Amish Mysteries. Before this particular program debuted as a TV show, a preceding movie titled Sugarcreek Amish Mysteries: Blessings in Disguise premiered on UP Network. When I reviewed the film last year, I found it to be just ok. However, I saw potential for Sugarcreek Amish Mysteries: Blessings in Disguise to lead a series, as UP Network had an opportunity to bring something new to the table of made-for-TV mystery films. When I discovered Sugarcreek Amish Mysteries would become a television series, I believed I would get what I wanted; a continuation of the story that learned from the movie’s flaws while maintaining the strengths the movie put in place. But the longer I watched the show, I saw how I wasn’t getting what I wanted the way I wanted it. Before I explain why Sugarcreek Amish Mysteries is, in my opinion, one of the worst TV shows I’ve ever seen, I must make it very clear that everything said in this editorial is not meant to be disrespectful or mean-spirited. The purpose of this editorial is to, simply, express my honest opinion about a television show delivering wasted potential.

Sugarcreek Amish Mysteries (2026) poster created by American Cinema Inspires

A Broken Illusion of Immersion

The visual elements of filmmaking, such as costume design, set design, and even establishing shots are woven together to create a specific illusion. This illusion makes a film’s or television show’s audience feel immersed in the story’s world, as if they are alongside the characters as the movie or show progresses. But a mishandled detail can break that illusion, preventing the audience from becoming truly invested in the story’s world. It’s established in the Sugarcreek Amish Mysteries TV show, and even in Sugarcreek Amish Mysteries: Blessings in Disguise, that the story takes place in Sugarcreek, Ohio, a state known for possessing the four seasons (Spring, Summer, Fall, and Winter). Yet, in the first three episodes of Sugarcreek Amish Mysteries, taking place between Thanksgiving and Christmas, every establishing shot of Sugarcreek shows a very green landscape; green leaves on trees, green grass, and even green fields. If there was, for example, a lack of funds to purchase/rent a machine to create fake snow, why didn’t the screenwriters attempt to craft their story around the Spring and Summer time? Then, featuring green landscapes as establishing shots would have built the illusion of a warm climate environment. A consistent part of Sugarcreek Amish Mysteries is the Swiss Miss, the store the show’s protagonist, Cheryl, works at. The view outside the windows is a large sheet with a picture of buildings surrounding the Swiss Miss printed on it. But this illusion is broken because, in a scene where a character leaves the store, a medium shot reveals edges of a gray wall, the borders of the sheet shown through one of the windows. The broken illusion of immersion found in some moments of Sugarcreek Amish Mysteries sometimes took me out of the show.

This establishing shot is from the Sugarcreek Amish Mysteries trailer. I included it in my editorial as an example of the type of establishing shot featured within the show’s first three episodes (taking place between Thanksgiving and Christmas). Sugarcreek Amish Mysteries establishing shot found on IMDB.

Stripping Away the Movie’s Creative Identity

When I reviewed Sugarcreek Amish Mysteries: Blessings in Disguise, I praised the movie for pairing Cheryl, an English woman, and Naomi, an Amish woman, together as amateur sleuths. As I said in my review, this pairing was a creative way to avoid some of the tropes and clichés of made-for TV mystery films, such as a story’s female and male protagonist working together to solve the mystery, with these characters eventually forming a romantic relationship. When Sugarcreek Amish Mysteries became a television show, Naomi returned to the story but wasn’t really involved in solving mysteries alongside Cheryl. Instead, her role on the show consisted of sharing tidbits about Amish culture and quoting Scripture. Similar to Sugarcreek Amish Mysteries: Blessings in Disguise, I liked the incorporation of Amish culture. I also liked the inclusion of Scripture quotes, as it felt reminiscent of Hallmark’s Signed, Sealed, Delivered series. But not allowing Naomi and Cheryl to work together to solve mysteries strips away the movie’s creative identity which lay the blueprint for the television series. Not only does this creative decision do the character of Naomi a disservice, it also does the actress who portrays her, Denise Gossett, a disservice.

Sugarcreek Amish Mysteries: Blessings in Disguise poster created by American Cinema Inspires

Inconsistent storytelling

The biggest flaw of the Sugarcreek Amish Mysteries TV show is the writing. One specific weak spot within the script is the inconsistent storytelling. I remember toward the beginning of the show’s first episode, ‘The buggy before the horse’, Naomi finds a silver necklace on the floor of her family’s barn. This necklace plays no role in the episode, let alone the rest of the series. An important detail about Cheryl that was established on the Sugarcreek Amish Mysteries television show and in Sugarcreek Amish Mysteries: Blessings in Disguise (from what I remember) is how interested she is in the mystery genre. She even listens to a true crime podcast on her way to work. While amateur detectives are likely to make mistakes, the mistakes Cheryl makes don’t add up for someone who seems to consume a lot of mystery genre stories. A glaring example is when Cheryl touches evidence after her office at the Swiss Miss was vandalized, despite Sugarcreek’s police chief’s, Chief Twitchell’s, warning not to do so. When parts of the story don’t match up, it can become a distracting detail. Because the inconsistent storytelling happened on several occasions throughout Sugarcreek Amish Mysteries, I couldn’t stay fully invested in the story.

Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

Lack of urgency

As I shared my overall impression of Sugarcreek Amish Mysteries: Blessings in Disguise, I said if UP Network is serious about creating a series out of this movie, they need to fix the lack of urgency. But when Sugarcreek Amish Mysteries became a TV show, the creative team behind the program doubled down on that lack of urgency, choosing to prioritize the story’s wholesome moments over the mysteries themselves. This imbalance between the mysteries and wholesome moments negatively impacted the story to the point I couldn’t take it seriously. In the show’s fourth episode, ‘Off the Beaten Path’, an FBI agent is desperately trying to find his grandmother, believing she boarded a bus full of tourists that went missing. The FBI agent fears his grandmother may be in danger, acting as if finding her is his top priority. Yet, he can somehow find the time to feed the goats on Naomi’s family’s farm, causing the momentum of the FBI agent’s frantic search to come to an abrupt halt. I recognize the brand of UP Network emphasizes family-friendly content. Even though there is a time and place for family-friendly content, this emphasis overshadowed the mysteries, causing the episodes to receive a slower pace and even feel boring.

Living room interior image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/house-s-living-room-with-flat-design_1195527.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by Freepik</a>. Image found at freepik.com.

Like I said in the introduction of this editorial, I honestly didn’t think I would publish another editorial like the one about Francesca Quinn, PI. This is because I never thought I’d come across another program that was so bad (in my opinion), it warranted its own editorial explanation. As someone who not only wrote about Sugarcreek Amish Mysteries: Blessings in Disguise, but was also looking forward to the Sugarcreek Amish Mysteries TV show, saying the television program was a disappointment is an understatement. To quote Alan from the Youtube channel, Film Threat, Sugarcreek Amish Mysteries is “profoundly awful”. Besides the flaws I pointed out throughout my editorial, this TV show was plagued by other errors. Some of these errors are repetitive storytelling (Cheryl’s office at the Swiss Miss gets robbed three times over eight episodes), a consistently weak performance from Galadriel Stineman (the actress who portrayed Cheryl), and parts of the story that don’t make sense (a character named Lacey perfectly fits into an outfit designed for Naomi’s daughter, Esther, who is several inches shorter than Lacey). According to Net, from the blog, It’s a Wonderful Movie, the creative team behind Sugarcreek Amish Mysteries has been filming a second season. However, I haven’t heard any official word if the show has indeed been renewed. If Sugarcreek Amish Mysteries does receive a second season, I’d like to see the show’s creative team learn from their mistakes. A few ways to do this are maintaining the illusion of immersion, telling a more consistent story, and incorporating more urgency into the script. At the same time, I would like to see Sugarcreek Amish Mysteries embrace what made Sugarcreek Amish Mysteries: Blessings in Disguise unique, like having Naomi become more involved in solving mysteries alongside Cheryl.

Have fun on television!

Sally Silverscreen

Take 3: Nelly Knows Mysteries: All Manners of Murder Review

On By 18cinemalaneLeave a comment

Compared to the previous decade, Hallmark hasn’t prioritized the mystery genre. While the network has released new titles, the overall quality has greatly fluctuated. Some pictures, like Haunted Harmony Mysteries: Murder in G Major and Curious Caterer: Foiled Plans, were solid projects that brought uniqueness to Hallmark’s table. But other pictures, like Mystery Island and Francesca Quinn, PI, left audiences desiring more. Hallmark also seems to be more selective about which titles receive a sequel. One of those titles is Nelly Knows Mysteries. I reviewed Nelly Knows Mysteries: A Fatal Engagement in 2024. Though I thought the movie was just ok, there were aspects that I believed could have provided multiple chapters to the story. So, when I discovered Nelly Knows Mysteries would receive a sequel, Nelly Knows Mysteries: All Manners of Murder, I wanted to check the film out (and review it) with an open mind. Is the second Nelly Knows Mysteries chapter better or worse than the first one? In order to solve this mystery, you’ll have to read this review!

Nelly Knows Mysteries: All Manners of Murder poster created by Muse Entertainment, Hallmark Channel, and Hallmark Mystery

Things I liked about the film:

The set design: The majority of Nelly Knows Mysteries: All Manners of Murder takes place at Palmer Arlott’s house. Because the Arlott family is one of the more affluent families in Nelly’s neighborhood, the set design throughout Palmer’s home perfectly reflects this aspect of her life. One notable example is Palmer’s dining room. In the dining room, black walls surround the space, including a black wood wall over the fireplace. Gold frames around paintings nicely contrast with the dark hue of the walls. A detailed maroon rug is placed over the cherry wood floor. The cherry wood dining room set and the antique gold and crystal chandelier help balance the darker and lighter colors of the room. Even the fireplace boasted stone carvings. All of these details created a dining room that exuded elegance!

How the mystery affects the protagonist: Murder mystery stories will often place so much emphasis on the protagonist solving the case, the case’s effect on the protagonist is rarely brought up. In Nelly Knows Mysteries: All Manners of Murder, Nelly shares her feelings about the murder to Michael. After the murder victim is discovered, Nelly feels guilty about the crime that took place. She believes if the dinner party the murder victim attended (and was hosted based on advice her advice column provided) hadn’t happened, no one would have been murdered. Not only does Nelly honestly express these feelings with Michael, Michael reassures Nelly what happened was beyond her control. Similar to Nelly Knows Mysteries: A Fatal Engagement adding realism by addressing one of Nelly’s flaws, acknowledging Nelly’s feelings about the murder mystery brought realism to Nelly Knows Mysteries: All Manners of Murder, as well as added a different story element to the realm of Hallmark mysteries.

The costume design: When I reviewed Nelly Knows Mysteries: A Fatal Engagement, I praised Nelly’s wardrobe because it not only complimented Pascale herself, it was also stylishly presented on screen. This strength continues in Nelly Knows Mysteries: All Manners of Murder! Once again, Nelly incorporates pink into her attire, wearing a pink tweed jacket in one outfit. But the rest of the outfit was built around the jacket, with simple gold jewelry, black shoes, and black pants coordinating nicely with the jacket’s black and gold buttons. Green provides a bridge between the darker and lighter hues of the outfit, with Nelly wearing a green shirt and a green crossbody purse. While watching Nelly Knows Mysteries: All Manners of Murder, I noticed how the wardrobe of the other characters stood out! One great example is what Palmer wore when she was first introduced in the film. Similar to Nelly’s aforementioned outfit, Palmer wore a grayish blue tweed jacket, with the rest of the outfit built around the jacket. A white blouse, faded powder blue pants, and black shoes give a nice blend to the outfit’s varying colors. Palmer’s simple silver belt adds elegance to the outfit!

Magnifying glass and fingerprint image created by Alvaro_Cabrera at freepik.com. <a href=’https://www.freepik.com/free-vector/loupe-over-a-fingerprint_853908.htm’>Designed by alvaro_cabrera</a>. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Alvaro_cabrera – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Lack of urgency: In my review of Sugar & Vice: A Hannah Swensen Mystery, I criticized the film’s lack of urgency. That flaw caused the movie’s pace to slow down and it drew the story out a bit. Nelly Knows Mysteries: All Manners of Murder also lacked urgency. More often than not, Nelly and Michael are shown sharing conversations between each other and other characters than actively solving the case. This made it seem like the protagonists took their time catching the culprit. Like Sugar & Vice: A Hannah Swensen Mystery, the pace of Nelly Knows Mysteries: All Manners of Murder was slowed down and the story felt drawn out due to the amount of urgency in the movie.

Prioritizing the family drama: Prior to the murder taking place, Palmer invited her family over to her house to discuss who would receive her inheritance. Her decision causes drama among the Arlott family, every member having their reason for disagreeing with Palmer’s choice. But the script placed so much emphasis on the family drama, it ended up overshadowing the mystery. In fact, Nelly Knows Mysteries: All Manners of Murder felt less like a mystery story and more like an extended episode of a soap opera. If the script had found a balance between the family drama and the mystery, more intrigue would have been added to the film.

Underutilizing Eli Flint: When Nelly Knows Mysteries: All Manners of Murder was announced back in January, it was revealed Eli Flint (from True Justice: Family Ties) would appear in the movie. I was looking forward to his inclusion in the story, especially since I believe this is the first cross-over between two Hallmark mystery titles. But when I saw Nelly Knows Mysteries: All Manners of Murder, Eli only appeared in two scenes. Not only that, his role in the mystery was minimal. Because Eli now has experience solving a mystery, it would make sense for him to play a larger role in the story. Underutilizing Eli’s skills and perspective was, in my opinion, a missed opportunity. For Hallmark’s first mystery cross-over, it was disappointing.

Pancakes and Syrup image created by vextok at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/banner”>Banner vector created by vextok – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I recently said Sugar & Vice: A Hannah Swensen Mystery was an ok film not only because of the movie’s lack of urgency, but also because Hannah’s sister, Michelle, was underutilized in the story. I feel similarly about Nelly Knows Mysteries: All Manners of Murder. Like the latest Hannah Swensen Mystery chapter, the newest Nelly Knows Mysteries film lacked urgency, making it seem like the protagonists took their time catching the culprit. Eli Flint, from True Justice: Family Ties, was underutilized, despite his inclusion providing the first cross-over in Hallmark mystery movie history. But, like Sugar & Vice: A Hannah Swensen Mystery, Nelly Knows Mysteries: All Manners of Murder possessed elements I liked. The story, once again, welcomed realism by acknowledging Nelly’s feelings about the murder mystery. Another consistent strength was the costume design, perfectly suiting Nelly as well as the rest of the characters. The set design in the Nelly Knows Mysteries sequel was visually appealing and perfectly represented the affluence in Palmer’s life. But with me finding both Nelly Knows Mysteries titles just ok, I wonder what the future of this series is?

Overall score: 6 out of 10

Have you seen Nelly Knows Mysteries: All Manners of Murder? Would you like to see Hallmark cross over more of their mystery films? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Sugar & Vice: A Hannah Swensen Mystery Review

On By 18cinemalaneLeave a comment

As I’ve said before on 18 Cinema Lane, the overall quality of Hallmark’s Murder She Baked/Hannah Swensen series regressed when the series changed its name from Murder She Baked to Hannah Swensen. Most of the movies released since the name change have been either disappointing or ok, in my opinion. However, I keep watching the Murder She Baked/Hannah Swensen series in the hopes the quality will get better. When I discovered another chapter in the series, Sugar & Vice: A Hannah Swensen Mystery, was on the way, I was actually intrigued. The idea of Hannah and company forced to solve a mystery while stuck at a costume party sounded reminiscent of Curious Caterer: Foiled Plans. Because of how much I liked that film, I was interested in seeing how the creative team behind the Murder She Baked/Hannah Swensen series would approach the concept of a locked room mystery revolving around a costume party. How does Sugar & Vice: A Hannah Swensen Mystery compare to Curious Caterer: Foiled Plans? Keep reading my review to find out!

Sugar & Vice: A Hannah Swensen Mystery poster created by Hallmark Media and Hallmark Channel

Things I liked about the film:

The costume design: Like I said in this review’s introduction, Sugar & Vice: A Hannah Swensen Mystery shows Hannah and company forced to solve a mystery while stuck at a costume party. If a movie’s creative team is planning on incorporating a costume party into their story, giving the cast costumes that are not only visually appealing, but also compliments the cast members should be a top priority. This was achieved in Sugar & Vice: A Hannah Swensen Mystery. However, the creative team’s attention to detail is one of the ways the visual appeal and complimentary appearance of the costumes was achieved! Hannah dresses up as a mermaid at Lake Eden Inn’s masquerade party. Her sky-blue dress was covered in sparkles and pearls. Netting material with attached starfish presents the illusion the “mermaid” is wearing a skirt. A blue and pink tiara, as well as a teal necklace, not only compliments Alison Sweeney’s blue eyes, they also correlate nicely with Hannah’s teal phone case. Other examples of wardrobe details that work in the costumes’ favor are red sneakers for a costume of Dorothy (from The Wizard of Oz) and a sparkly red heart purse for Delores’ Red Queen (from Alice in Wonderland) costume.

The costume party’s set design: The majority of Sugar & Vice: A Hannah Swensen Mystery takes place at the aforementioned Lake Eden Inn’s masquerade party. To make a movie’s party space inviting, the creative team needs to utilize their budget, resources, and location provided to plan an event that feels fun and festive. Similar to what I said about the costume design in Sugar & Vice: A Hannah Swensen Mystery, the fun and festive appearance of the masquerade party was achieved through attention to detail! The walls were covered with a black curtain-like material. Black mesh-like material was draped across the ceiling with string lights, creating a cozy tent around the dance floor. String lights were tied together on gold curtains and black support pillars glowed with yellow light around the party area. On one wall, masquerade masks were placed inside picture frames, showcasing themed “masterpieces” as official party décor. Even miniature masquerade masks helped create colorfully adorable centerpieces. I really liked how Lake Eden Inn’s masquerade party looked because of how much detail was given to this space!

Delores’ toned down antics: Ever since Delores was given the private investigator subplot in One Bad Apple: A Hannah Swensen Mystery, her antics have been silly and over-the-top in the Murder She Baked/Hannah Swensen series. In fact, her antics have been so over-the-top and silly, I couldn’t take her seriously as a character. Fortunately, that wasn’t the case in Sugar & Vice: A Hannah Swensen Mystery. While Delores was the sassy, head-strong woman she’s always been known as, her antics were toned down. This allowed her interactions with other characters to feel believable, such as when she’s interrogating a suspect. Delores’ toned-down antics also made her a more likable character compared to some of the series’ more recent previous films.

Young chef image created by Iconicbestiary at freepik.com <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Iconicbestiary – Freepik.com</a> <a href=’https://www.freepik.com/free-vector/young-cook-background_1311107.htm’>Designed by Freepik</a> Image found at freepik.com

What I didn’t like about the film:

Lack of urgency: Murder mystery stories taking place in the present typically include a sense of urgency. This gives the characters motivation to solve the mystery before the guilty culprit hurts other people. But in Sugar & Vice: A Hannah Swensen Mystery, that sense of urgency was lacking. It’s understandable for Hannah and company to keep the news about the murder mystery from the party guests, in order to prevent panic and fear. However, the characters seemed to be taking their time solving the case, even though the guilty culprit was right under their noses. The creative decision to not prioritize a sense of urgency within Sugar & Vice: A Hannah Swensen Mystery slowed down the movie’s pace and drew the story out a bit.

Hannah and Chad’s inconsistent screen-time together: Since Victor Webster joined the cast of the Murder She Baked/Hannah Swensen series, his on-screen chemistry with Alison Sweeney was the strongest in Sugar & Vice: A Hannah Swensen Mystery. This helped make Chad and Hannah’s relationship finally feel believable to me. But in this newest Murder She Baked/Hannah Swensen chapter, Hannah and Chad’s screen-time together was inconsistent. One reason why is how Chad and Hannah worked separately when attempting to solve the murder mystery. Another reason is how there was no subplot revolving around their relationship. I was disappointed by these creative choices because I actually looked forward to seeing Hannah and Chad together.

Underutilization of Michelle: Hannah’s sister, Michelle, is featured in Sugar & Vice: A Hannah Swensen Mystery. When it comes to her involvement in the story, however, she only appears in about three scenes total. Plus, Michelle has little to no participation in solving the case. In my opinion, it was such a missed opportunity not to utilize Michelle more in this newest Murder She Baked/Hannah Swensen movie. Since she is a photographer, perhaps she could have been recruited as the masquerade party’s official photographer.

Blue masquerade party Image by freepik

My overall impression:

In the introduction of this review, I asked how Sugar & Vice: A Hannah Swensen Mystery compares to Curious Caterer: Foiled Plans. Now that I’ve seen the latest installment in the Murder She Baked/Hannah Swensen series, I have an answer to that question. At best, Sugar & Vice: A Hannah Swensen Mystery is an ok film. But, at worst, it’s a weaker version of Curious Caterer: Foiled Plans. The lack of urgency made Hannah and company seem to be taking their time solving the case, slowing down the movie’s pace and drawing the story out a bit. I also didn’t like how Hannah and Chad shared an inconsistent amount of screen-time together. Michelle, Hannah’s sister, could have been utilized more throughout the story, such as being the official photographer of Lake Eden Inn’s masquerade party. Despite these flaws, Sugar & Vice: A Hannah Swensen Mystery does contain elements I did like. The costume design, as well as the costume party’s set design, featured a lot of attention to detail, making those parts of the movie visually appealing and memorable. I even could take Delores seriously as a character because her antics were toned down. If anything, though, Sugar & Vice: A Hannah Swensen Mystery prioritized style over substance.

Overall score: 6 out of 10

Have you seen Sugar & Vice: A Hannah Swensen Mystery? If the Murder She Baked/Hannah Swensen series continues, what would you like the next story to be about? Please tell me in the comment section!

Have fun at the bakery!

Sally Silverscreen

Take 3: Kraven the Hunter Review

On By 18cinemalane12 Comments

I’ve been participating in Taking Up Room’s So Bad It’s Good Blogathon since the very beginning. Because I didn’t have a go-to “so bad it’s good” movie at the time, I have seen the blogathon as an opportunity to search for my “so bad it’s good” title, with the search itself becoming a saga on 18 Cinema Lane. In my review of Jesse James Meets Frankenstein’s Daughter, I learned to look for films that were built on a gimmick. Then, after watching Mount Hideaway Mysteries: Heartache and Homecoming, I learned to search for movies that are so bad, they are, at times, unintentionally funny. But for this year’s So Bad It’s Good Blogathon, I chose my selected title differently. I heard from several movie-related Youtubers that Kraven the Hunter possessed qualities that made the film “so bad it’s good”. Remembering their opinions, I picked the 2024 movie with an open mind, hoping I had finally found my “so bad it’s good” title. Though there were moments in the movie that were unintentionally funny, I can’t say Kraven the Hunter will earn the coveted title of “so bad it’s good”. To explain why I feel this way, I will compare the 2024 film to a movie that has been widely regarded as “so bad it’s good”; Mommie Dearest. Even though I will bring up the 1981 movie from time to time, it’s to emphasize the point that Kraven the Hunter didn’t really live up to its “so bad it’s good” potential.

Kraven the Hunter poster created by Columbia Pictures, Marvel Entertainment, TSG Entertainment, Avi Arad Productions, Matt Tolmach Productions, Film in Iceland, and Sony Pictures Releasing

When it comes to Mommie Dearest, I see the movie less as a “so bad it’s good” picture and more of a character study about family dynamics and the motivations behind them. However, I can recognize why the 1981 title is regarded as “so bad it’s good” in the eyes of many. One of these reasons is Faye Dunaway’s over-the-top portrayal of Joan Crawford. Her antics stand out against a backdrop that feels ordinary or mundane. Even her lines like “No wire hangers, ever!” and “Tina! Bring me the axe!” have become iconic because of Faye’s excessively dramatic delivery. But in Kraven the Hunter, the only memorable character is Sergei/Kraven himself, as he is the film’s protagonist. The rest of the characters weren’t given the context in order to stand out. Two of the movie’s villains, the Foreigner and Aleksei/Rhino, seemed interchangeable. They don’t have many discernible characteristics that allow them to embrace uniqueness. Even when Aleksei transformed into his alter ego, Rhino, it was for the benefit of the plot instead of helping Aleksei become a memorable character. Meanwhile, Sergei’s/Kraven’s father, Nikolai, tries to stand out within the story. However, these efforts feel forced, with his lines sounding less like conversation and more like lines found on the movie’s official merchandise.

Image of male lion created by Wirestock at freepik.com. Animals photo created by wirestock – www.freepik.com

From what I’ve heard over the years, Mommie Dearest was never intended to be a “so bad it’s good” presentation. In fact, it was meant to provide a chance for Faye to potentially earn an Oscar, let alone a nomination. Despite this good intention, the 1981 film shows its audience how good ideas led to bad results. The simpler reasons for the movie’s existence allow viewers to accept its “so bad it’s good” status at face value. As I watched Kraven the Hunter, however, I kept wondering what the point of the movie was supposed to be. When I brought the film up in my list of Ten Movie Trends I Don’t Understand, I said it was a Spider-verse villain movie without the presence of Spider-Man. But Kraven the Hunter doesn’t take the time to build up Sergei/Kraven as a legitimate threat for Marvel’s friendly, neighborhood superhero. Instead, Sergei/Kraven is reminiscent of Eric Draven and Ashe Corven from The Crow and The Crow: City of Angels; only inflicting violence on villains and criminals that deserve to face accountability. This makes some of the characters’ warnings about karma and the dangers of Sergei/Kraven becoming like his villainous father not make sense. Even the movie’s plot twist was so convoluted, it makes that part of the story pointless. Instead of seeing Kraven the Hunter as “so bad it’s good”, it was so confusing, I found it difficult to understand what the film was trying to say.

Since Sergei/Kraven is a character from the Spider-Man comics, I figured featuring this poster of Spider-Man in my review would, kind of, make sense. Avengers: Endgame Spider Man poster created by The Walt Disney Company and Marvel Studios. © Disney•Pixar. All rights reserved. Marvel and Avengers Characters: ©2017 Marvel. Image found at https://www.marvel.com/articles/movies/mcu-heroes-unveil-avengers-endgame-character-posters

One of the most unbelievable moments from Mommie Dearest is when Joan took her daughter, Christina’s, role on the soap opera Christina starred on. While Christina (who was 27 at the time) was recovering from surgery, Joan temporarily starred on Christina’s soap opera as Christina’s character, even though Joan was much older than the character herself. Though this moment seems too good to be true, it actually happened. There’s even a New York Times article about this creative decision. The idea of Joan, who was 60 years old when she appeared on Christina’s soap opera, portraying a character that’s in her twenties seems “bonkers”, adding to Mommie Dearest’s “so bad it’s good” reputation. Kraven the Hunter, on the other hand, doesn’t really have any “bonkers” moments or situations. This is because the film takes itself a little too seriously as an action picture. The concept of a man possessing animalistic instincts, skills, and powers to defeat other characters could sound “bonkers” on paper. Even the idea of a man becoming a rhino seems like a silly gimmick. But the creative team behind Kraven the Hunter didn’t embrace the sillier aspects of the source material they were adapting. While there were moments in the movie that were unintentionally funny, as I mentioned in this review’s introduction, these moments were inconsistent.

Illustrated African landscape image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com

According to IMDB, Paramount (the studio that distributed Mommie Dearest) took advantage of their audience’s fascination with Mommie Dearest by billing “the film as a camp classic”. People even “flocked to see the film armed with Ajax and wire hangers to actively “participate” with the film”, in a similar fashion to movies like The Rocky Horror Picture Show. Like I mentioned earlier in this review, Mommie Dearest featured iconic lines like “Tina! Bring me the axe!” and “No wire hangers, ever!”. There are also memorable moments like Joan cutting Christina’s hair. People developed an interest in Mommie Dearest because it was memorably bad. But Kraven the Hunter lacks the memorability Mommie Dearest achieved. One previously mentioned contributor was the lack of stand out characters (besides Sergei/Kraven himself). Another contributor is how, in Kraven the Hunter, there are stretches of time where characters just talk between each other. If these dialogue-heavy moments had been evenly spaced out throughout the story or had the writing itself been a little bit stronger, maybe the dialogue could have added memorability to the movie. But the writing was so flat, it made Kraven the Hunter feel uninspired. The stretches of time featuring dialogue-heavy scenes not only affected the overall pace of the film, it also caused Sergei/Kraven to have less screen-time than the title of the movie would suggest.

The Eighth So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

Have you ever seen a movie that was just “meh”? That’s how I feel about Kraven the Hunter; too weak to be good or great but not outrageous enough to be bad or disappointing. When I participate in the So Bad It’s Good Blogathon, I expect my selected movie will not be as strong as movies I’ve actually enjoyed. But I hope my experience watching the film will, at least, be somewhat entertaining. While there were entertaining moments because they were unintentionally funny, I can’t say the same for the rest of Kraven the Hunter. The film as a whole was uninspired largely due to the writing. From most of the characters being unmemorable to stretches of time where dialogue-heavy scenes were emphasized, I found myself being underwhelmed, more often than not. But the biggest opportunity missed by the film’s creative team was not embracing the gimmick and its silliness from their project’s source material. If Kraven the Hunter’s creative team hadn’t taken their project so seriously, maybe my movie-viewing experience would have been similar to when I reviewed Tarzan in Manhattan last year. Or maybe finding my “so bad it’s good” movie requires an acquired taste I haven’t quite received yet.

Overall score: 5 out of 10

Have fun at the movies!

Sally Silverscreen

The Best and Worst Movies I Saw in 2025

On By 18cinemalane4 Comments

2025 has been a strange year for 18 Cinema Lane. That’s because most of the movies I’ve seen and/or reviewed this year have been ok or fine. After seeing so few good or bad films in 2025, I wasn’t able to create separate top ten best and worst movies lists like in years past. So, instead, I wrote a combined list where I discuss the movies I saw this year that I liked and didn’t like. What’s also different about this year’s end of year list is how there are no Honorable Mentions, due to how few good movies I saw in 2025. But there are two Dishonorable Mentions; Recipe for Murder and Black Bag. The only reason why these films are considered Dishonorable Mentions is because I DNFed (did not finished) both of them. For this year’s list, I will start talking about 2025’s worst movies then end the list by talking about 2025’s best movies. If I reviewed any of the movies on my list, I will provide a link to those reviews.

Image by Rochak Shukla on Freepik

Worst Movies I Saw in 2025

7. Stalked by My Amish Boyfriend

Lifetime movies, like Hallmark movies, are not created equally. The 2024 film, Stalked by My Amish Boyfriend, is just one example of this statement. While it was interesting to see and hear how information about Amish culture was woven into the story, that part of the script couldn’t overshadow the major flaws of the movie. I was frustrated by how some characters would make dumb decisions simply for the sake of making dumb decisions. Stalked by My Amish Boyfriend was also, in my opinion, a mostly forgettable film. This is the reason why the 2024 picture is at the bottom of my list.

6. She Wore a Yellow Ribbon

As I said in my review of She Wore a Yellow Ribbon, I expected the 1949 movie to be an action-packed, suspenseful, and even intriguing story. What I got instead was an underwhelming film that prioritized presentation over product. I praised She Wore a Yellow Ribbon for its pretty looking scenery. But a photogenic background was unable to save the film from its weak script. A limited amount of action took away a lot of the story’s suspense and intrigue. It also doesn’t help how I only became familiar with most of the characters instead of truly getting to know them. She Wore a Yellow Ribbon is one of two movies I saw this year that almost made me fall asleep.

Take 3: She Wore a Yellow Ribbon Review

5. Kind Hearts and Coronets

Kind Hearts and Coronets is the second film I saw in 2025 that almost made me fall asleep. But the flaws in this movie greatly differ from She Wore a Yellow Ribbon’s emphasis on scenery over substance. Despite Kind Hearts and Coronets being classified as a “comedy”, I didn’t laugh at all while watching the film. I also had no idea what the story’s moral was supposed to be, due to the moral being treated as an afterthought. Like I said in my Kind Hearts and Coronets review, I’m not entirely sure what this movie was trying to say. That lack of clarity not only makes the movie underwhelming, it also makes the movie confusing.

Take 3: Kind Hearts and Coronets Review

4. Reality Bites: A Hannah Swensen Mystery

Having Reality Bites: A Hannah Swensen Mystery on my worst movies of the year list and finding Pie To Die For: A Hannah Swensen Mystery slightly better than its predecessor feels like déjà vu. That’s because One Bad Apple: A Hannah Swensen Mystery was placed on my worst of 2024 list, with its follow-up, A Sprinkle of Deceit: A Hannah Swensen Mystery, being slightly better. Though Reality Bites: A Hannah Swensen Mystery had its own set of flaws. Forced humor felt straight out of a sit-com, especially when Delores was involved in the story. As I said in my review, I wondered why a laugh track was missing. Both of the film’s mysteries contained such a small sense of urgency, the run-time felt a bit drawn-out. The story’s overall intrigue was weaker due to this flaw. If the Murder, She Baked/Hannah Swensen series continues in 2026, I’d like to see the quality become more consistent.

Take 3: Reality Bites: A Hannah Swensen Mystery Review

Reality Bites: A Hannah Swensen Mystery poster created by Hallmark Movies & Mysteries

3. Perry Mason: The Case of the Heartbroken Bride

Perry Mason: The Case of the Heartbroken Bride is the most disappointing movie I saw in 2025. There were so many missed creative opportunities in this story, the film itself was under-cooked and uninspired. The movie was sometimes boring because of the lack of urgency. Seeing Perry, Della, and even Kevin meanderingly take their time building a legal case sucked the energy out of the story. I said in my review how any movie series boasting over ten titles was going to have at least one “bad day at the office”. I also said in my review how Perry Mason: The Case of the Heartbroken Bride was one of those days for the fictional detective.

Take 3: Perry Mason: The Case of the Heartbroken Bride Review

2. My Gal Sunday

This 2014 movie is a perfect example of Hallmark putting the cart before the horse. Instead of creating a solid stand-alone film that could have naturally led to more chapters, the network put more effort into trying to build the foundation for a potential series. Parts of this story didn’t make sense. One glaring example is when an itinerary shows the protagonist couple’s plans of going dancing at 11 p.m. on Saturday then going to church at 8 a.m. on Sunday, begging the question of when these characters were supposed to go to sleep. The on-screen chemistry between Cameron Mathison and Rachel Blanchard made their characters, Henry and Sunday, feel less like a married couple and more like a couple who are about to start dating. It’s, honestly, a shame My Gal Sunday wasn’t a stronger picture. Mystery stories about married couples are uncommon from Hallmark, so this 2014 story could have offered something unique to the network’s table.

1. Mystery by the Book

This film actually has two titles; Mystery by the Book and Key to Love. However, I saw the movie on Great American Family under the title, Mystery by the Book. Therefore, I will be referring to that title for the sake of my list. For a movie with the word ‘mystery’ in the title, the story’s mystery is an afterthought, which makes the title itself very misleading. Instead, the characters develop other priorities, like playing dress-up and tapping glasses four times during one dinner date. Parts of the script don’t make sense, like how the protagonists find a treasured antique key. Mystery by the Book is even so bad, it’s, at times, unintentionally funny. A perfect example is when Corey Sevier’s character, Josh, is looking for a set of keys, only to find a set of keys seconds later on a key hook labeled “Keys”. Thank goodness Great American Family’s Ainsley McGregor Mysteries series is growing stronger in quality. But if the network wants to expand their mystery library, they have a long road ahead of them.

Perry Mason: The Case of the Heartbroken Bride poster created by Fred Silverman Company, Viacom Productions, Dean Hargrove Productions, National Broadcasting Company, and Viacom
Image by starline on Freepik

Best Movies I Saw in 2025

8. The Phantom of the Opera (1925)

I’m still shocked by how the 1925 version of The Phantom of the Opera was never included on any of American Film Institute’s 100 movies lists, even months after I reviewed the film. Looking at everything the movie has to offer, I believe there is an argument to be made for its inclusion on, at least, one of those lists. Lon Chaney’s performance alone highlights how make-up, body language, and even the eyes can enhance an acting performance. Each area of the Opera House was presented through color coded film, which gave the movie a unique identity. What also helps 1925’s The Phantom of the Opera standout is how the cinematic lens showed the audience the expansive nature of storytelling. This is why, in my opinion, the story of the Phantom and his opera house is better suited for film than the stage.

Take 3: The Phantom of the Opera (1925) Review (Silent Pioneers Double Feature Part 2)

7. Fist of Fury

For an introduction to Bruce Lee’s filmography, I think Fist of Fury is a good one! The martial arts choreography was definitely one of the strengths of this film. But the movie contained other aspects I liked as well. Bruce’s portrayal of Chen is a reason why Fist of Fury was so memorable. Clever writing and higher stakes woven into the script create a story that was clever, suspenseful, and intriguing. Because of how much I enjoyed watching Fist of Fury, I hope to check out more of Bruce’s movies in 2026!

Take 3: Fist of Fury Review

6. The Chalk Garden

Even though I reviewed this film back in February, I still think about what Laurel said about not liking being told “good morning”. How well-written the dialogue was is one of the reasons why I remember Laurel saying, “what is a good morning to someone else is rarely a good morning to me”. Speaking of Laurel, Hayley Mills’ utilization of animated expressions and a variety of emotions helped the audience see how complex her character truly is. But Hayley is not the only actress whose performance was strong. The Chalk Garden is a movie where every actor and actress does a great job with the acting material they were given. The 1964 presentation is part character study, part mystery that works!

Take 3: The Chalk Garden Review + 505 Follower Thank You

5. The Night Before the Night Before Christmas

The Night Before the Night Before Christmas is another movie I saw (and reviewed) this year where it was difficult to choose a favorite acting performance. The strength of the cast’s acting abilities not only made watching the story unfold more enjoyable, it even helped characters become more likable. Emphasizing the theme of giving painted a portrait of Santa I hadn’t really thought of before; someone who has a reputation for giving. It was also a clever way to remind viewers of one of the Christmas season’s important components. How Christmas activities were included in the script was a breath of fresh air as well. As I said in my review, I wish Hallmark went back to creating titles that didn’t rely too much on a formula, tropes, and/or cliches.

Take 3: The Night Before the Night Before Christmas Review + 515 Follower Thank You

The Chalk Garden poster created by Quota Rentals Limited, Ross Hunter Productions, and Universal Pictures

4. Ben-Hur: A Tale of the Christ (1925)

It’s amazing how two movies on this year’s best films list not only turned 100 years old, they also utilized color coded film to their advantage! But what sets Ben-Hur: A Tale of the Christ apart from The Phantom of the Opera is how title cards went above and beyond in Ben-Hur: A Tale of the Christ due to how well-written they were. Another aspect that distinguishes Ben-Hur: A Tale of the Christ is the cinematography’s capturing of the scope of the film. Long and medium shots effectively showcased a world that looked and felt larger than life. The visual presentation of the movie was certainly impressive. However, Ben-Hur: A Tale of the Christ found a balance between style and substance!

Take 3: Ben-Hur: A Tale of the Christ (1925) Review

3. The Man Who Invented Christmas

Despite being the most recently reviewed movie on my list, The Man Who Invented Christmas is one of the best biopics I’ve ever seen! How the creation of A Christmas Carol lent itself to exploring Charles Dickens’ life story brought a unique element to the biopic genre. Watching Charles’ iconic tale come to live, literally and figuratively, provided the film a creative and memorable identity. The “Easter Eggs” related to A Christmas Carol sprinkled throughout the story was an engaging way to stay invested in the movie. The Man Who Invented Christmas is a solid Christmas title that would make a good double feature with I Heard the Bells.

Take 3: The Man Who Invented Christmas Review

2. The Wild Robot

I first talked about The Wild Robot in my list of The Top Ten Best Stand-Alone Films. Even though I published that list back in March, the 2024 animated movie has still held up as one of the best titles I saw this year! Like I said in The Top Ten Best Stand-Alone Films list, the animation was gorgeous, appearing as a blend of paintings and priceless photographs. A pleasant surprise was how much emotional depth the story contained. What adds a sense of timelessness to the production was the abundance of good messages and themes. While it’s too early to say how The Wild Robot will stand in the test of time, I think it has potential.

1. An Old Fashioned Thanksgiving

I actually revisited this film in preparation for my review of An Old Fashioned Christmas. Watching An Old Fashioned Thanksgiving again after so many years reminded me why I love this movie! Attention to detail and historical accuracy created the illusion of taking the audience to another time and place. How the messages and themes of the Thanksgiving holiday were woven into the story allow An Old Fashioned Thanksgiving to truly embrace the holiday itself. The more I think about the 2008 movie, it makes me surprised it wasn’t a Hallmark Hall of Fame presentation. My belief is due to An Old Fashioned Thanksgiving containing elements that would likely be found in a Hallmark Hall of Fame project, such as strong acting performances and a historical fiction lens.

The Man Who Invented Christmas poster created by The Mazur Kaplan Company, The Mob Film Company, Ingenious Media, Nelly Films, Parallel Films, Rhombus Media, and Bleecker Street Media

Have fun in 2026!

Sally Silverscreen

Word on the Street: Hallmark Mystery’s ‘Mystery Island’ Series Receives Two More Chapters

On By 18cinemalane3 Comments

In the 2020s, mystery series have become less common on Hallmark Mystery. Murder, She Baked/Hannah Swensen, Curious Caterer, and Signed, Sealed, Delivered are, currently, the only mystery series with three or more movies. But Hallmark looks to be changing that by adding two more films to the series known as Mystery Island. According to IMDB (Internet Movie Data Base), Mystery Island: Play for Keeps and Mystery Island: House Rules have been given official pages. On the page for Mystery Island: Play for Keeps, June 5th is the scheduled release date. The official page for Mystery Island: House Rules simply states the film is “completed”. The synopsis for both movies is the following:

Mystery Island: Play for Keeps: “Mystery Island hosts a corporate retreat with a guest being Emilia’s ex-fiancé. Old feelings become complicated, tensions run high, and allegations arise when a guest is found dead.”

Mystery Island: House Rules: Mystery Island success raises plans of expansion, and the Island team meets their Mystery Mountain counterparts for a friendly murder game, but the fun ends with a murder in plain sight”.

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

Just in 2025 alone, some of Hallmark’s creative choices have been questionable. Their decision to create two more films in the Mystery Island series is one of them. If you look at the IMDB page for Mystery Island, you’ll see most of the reviews are negative. The sequel, Mystery Island: Winner Takes All, received fewer reviews on IMDB. This indicates less viewers watched the second movie. However, all of these reviews are negative. With that said, it makes me wonder why Hallmark would give so much time, energy, and resources to a series that has gotten decreasing viewership numbers and consistently poor reviews?

Travel suitcase image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/water-color-travel-bag-background_1177013.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What are your thoughts on this piece of movie news? Are you looking forward to the continuation of the Mystery Island series? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The IMDB pages referenced in this article:

Mystery Island: Play for Keeps: https://www.imdb.com/title/tt36415104/?ref_=tt_mlt_t_11

Mystery Island: House Rules: https://www.imdb.com/title/tt36415198/?ref_=tt_mlt_i_1

Take 3: Signed, Sealed, Delivered: To the Moon and Back Review

On By 18cinemalane18 Comments

Lately, I’ve been reading books for the Eurovisionathon readathon as well as conducting research for my upcoming Sally Solves a Mystery article. But I wasn’t going to miss the opportunity to review Signed, Sealed, Delivered: To the Moon and Back! Leading up to the premiere of Hallmark’s newest presentation, I was going to write a Word on the Street story sharing my thoughts on the film’s trailer. This did not happen because Hallmark gave the movie almost nonexistent marketing. On Hallmark Channel’s website, there were no promotional photos, trailer, or official poster presented for Signed, Sealed, Delivered: To the Moon and Back. Only three images on IMDB (Internet Movie Data Base) make up any promotional campaign this film received. Even on social media, the only people I saw talking about the film were POstables (fans of the Signed, Sealed, Delivered series). Despite this minimalistic marketing approach, I was looking forward to Signed, Sealed, Delivered: To the Moon and Back. That’s because I was curious to see who would portray the rock star character and how that character would impact the mystery.

Signed, Sealed, Delivered: To the Moon and Back promotional image created by Moon Water Productions, Muse Entertainment Enterprises, and Hallmark Channel

Things I liked about the film:

Correcting the predecessor’s mistakes: When I reviewed Signed, Sealed, Delivered: A Tale of Three Letters last year, one of my criticisms was Shane and Oliver’s relationship problems. In my review, I said the couple’s woes got to the point where they didn’t seem compatible like in previous films. It looks like Signed, Sealed, Delivered‘s creative team took this criticism seriously, as Oliver and Shane appeared more compatible in Signed, Sealed, Delivered: To the Moon and Back! Throughout the movie, the couple are shown genuinely supporting and loving one another, making their moments together feel reminiscent of past installments. Even when Oliver is facing a bit of an identity crisis, Shane never gives up on her husband. She cheers Oliver on from the (figurative) sidelines and lets Oliver deal with his situation on his own terms. Because Signed, Sealed, Delivered’s creative team placed more emphasis on the loving interactions between Shane and Oliver, they fixed a mistake from the previous chapter!

A humble celebrity: In some Hallmark productions, the story will include a public figure (either a celebrity or royalty) who needs to learn humility by the end of the movie. But in Signed, Sealed, Delivered: To the Moon and Back, that celebrity was already humble. Nate Holloway is the rock star I mentioned in this review’s introduction. When the POstables turn to Nate for help with their letter-related mystery, he is reluctant to give away any information. This is because he’s protecting a close friend who chooses privacy over fame. Though he eventually shares his friend’s identity with Oliver and Shane, Nate reveals how his friend has written all his hit songs. However, Nate also shares how he sets aside money for his friend, showing acknowledgement and appreciation for his musical success. Through the screenwriting and William Wilder’s performance, Nate Holloway was such a pleasant surprise in Signed, Sealed, Delivered: To the Moon and Back!

A mystery within a mystery: The mystery of Signed, Sealed, Delivered: To the Moon and Back involves the POstables tracking down the sender of a mysterious letter. Not only do the POstables turn to Nate for help, they go on a multi-state road trip in order to solve the mystery. While the story continues, however, another mystery emerges from the initial, previously stated one. This second mystery isn’t revealed until about the film’s half-way point. I liked this creative decision of presenting a mystery within a mystery! The way Signed, Sealed, Delivered’s creative team incorporated these mysteries into their script allows the audience to stay invested in the movie, as well as maintain intrigue!

Music and stage image created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/music-sign_1179519.htm’>Designed by Topntp26</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Forced humor: Back in February, when I reviewed Reality Bites: A Hannah Swensen Mystery, I talked about how the film’s humor felt forced. In that review, I said Delores’ antics and gimmicks came across as too over-the-top and silly. I also said Delores’ interactions with other characters felt like they belonged in a sit-com. The creative team behind Signed, Sealed, Delivered: To the Moon and Back made this same mistake; presenting humor that feels forced. One example is when Oliver, Shane, Rita, and Norman meet up for brunch. During this gathering, the friends discuss who is having a baby. This discussion quickly turns into miscommunications about who is pregnant and how many babies they are having. The scene itself is drawn out to about a little over a minute, lasting longer than necessary. The conversation sounded very repetitive as well. Norman, Rita, Shane, and Oliver talked in an animated fashion, making their discussion feel over-the-top. What I just described sounded like a scene out of a sit-com. All it was missing was a laugh track.

Far-fetched resolutions: Hallmark’s presentations, more often than not, make their audience suspend a certain amount of disbelief. Sometimes, this suspension of disbelief can be so great, the audience can’t take that movie seriously or believably. This happened on a few occasions in Signed, Sealed, Delivered: To the Moon and Back. At the Dead Letter Office, Norman is trying to figure out the identity of the letter’s sender. A few seconds after analyzing the handwriting, Norman is able to conclude certain aspects of the sender’s identity, such as their age. While I’m aware the Signed, Sealed, Delivered series is a fictionalized version of postal detective work, I found the discovery of Norman’s resolution too far-fetched. I couldn’t take Signed, Sealed, Delivered: To the Moon and Back seriously because of moments like the one I brought up.

An emphasis on Oliver’s subplot: Signed, Sealed, Delivered: To the Moon and Back features a main plot (the mystery with its accompanying mystery that I mentioned earlier in this review) and two subplots. These subplots are the preparations for a fundraising gala and Oliver receiving a box from his biological father. The creative team behind the 2025 film decided to place the most emphasis on Oliver’s subplot. Personally, I found this subplot the least interesting part of the movie. No new information is revealed from this box, especially for viewers who have consistently followed the Signed, Sealed, Delivered series. The box itself and Oliver’s response to it have very little connection to the other plots in the script. Any time Oliver’s subplot came up in the movie, I wanted the story to go back to showing the characters either planning the gala or solving the mystery. The box did not present a strong conflict that needed to be resolved by the end of the story.

Envelope with hearts image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/hearts-and-pink-envelope-for-mothers-day_1950691.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/love”>Love image created by Freepik</a>. Image found at freepik.com.

My overall impression:

While Shane, Rita, Oliver, and Norman discuss the mysterious letter in Signed, Sealed, Delivered: To the Moon and Back, Rita says the letter itself says so much and nothing at all at the same time. Rita’s statement is the best way I can describe this newest chapter in the Signed, Sealed, Delivered series. On the one hand, there are aspects of the film I liked. The movie improved upon some of the predecessor’s flaws, like making Oliver and Shane’s relationship seem more compatible. I also liked how Nate was a humbler celebrity and how the story contained a mystery within a mystery. On the other hand, several creative errors held the film back from becoming a stronger picture. The creative team behind Signed, Sealed, Delivered: To the Moon and Back chose to emphasize Oliver’s subplot, which I found the least interesting part of the story. Far-fetched resolutions and forced humor prevented me from taking the movie seriously. Looking back on the Signed, Sealed, Delivered films from this year and last year, I think the series should have stayed in retirement. These titles lack the cozy charm that made the series stand out from others on Hallmark Mystery. How can we expect more films from Signed, Sealed, Delivered when Hallmark provided very little marketing for this movie?

Overall score: 6 out of 10

Have you seen Signed, Sealed, Delivered: To the Moon and Back? Do you think the Signed, Sealed, Delivered series will continue? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Sugarcreek Amish Mysteries: Blessings in Disguise Review

On By 18cinemalaneLeave a comment

It’s been a little while since I reviewed a made-for-TV mystery film, as my article for Reality Bites: A Hannah Swensen Mystery was published two months ago. I cover UP Network movies so infrequently and UP Network doesn’t often create mystery titles. These are the reasons why I chose to review Sugarcreek Amish Mysteries: Blessings in Disguise! This is not the first time a mystery story has featured Amish characters. Hallmark released An Uncommon Grace back in 2017 and Harvest of Fire from Hallmark Hall of Fame. Meanwhile, it’s not the first time Galadriel Stineman has appeared in a movie incorporating the Amish culture. In 2020, she starred in a Hallmark production called Follow Your Heart.Looking back on the films I referenced, I liked Follow Your Heart and An Uncommon Grace. However, I thought Harvest of Fire was just fine. Where does Sugarcreek Amish Mysteries: Blessings in Disguise rank among these movies? Let’s solve this mystery by beginning my review!

Sugarcreek Amish Mysteries: Blessings in Disguise poster created by American Cinema Inspires

Things I liked about the film:

The incorporation of Amish culture: In the introduction of this review, I mentioned seeing the Hallmark Hall of Fame film, Harvest of Fire. The 1996 presentation places so much emphasis on introducing the audience to Amish culture, the story’s mystery becomes overshadowed. With Sugarcreek Amish Mysteries: Blessings in Disguise, the creative team finds a nice balance between prioritizing the mysteries and introducing Amish culture to their audience. Throughout the 2025 film, elements of Amish culture are woven into the dialogue and interactions of the characters. When Cheryl meets Naomi for the first time, Cheryl admits she knows very little about the Amish. She then asks Naomi how Amish people greet one another. Naomi playfully teases Cheryl’s lack of knowledge by telling her Amish people shake their feet. However, this teasing is in good humor, never intending to shame Cheryl for not knowing the appropriate greetings among the Amish. Naomi and Cheryl’s interaction feels like a natural conversation between two people. The way the creative team wrote Amish culture into their project actually encourages the audience to learn through communication.

The messages and themes: During her time in Sugarcreek, Cheryl agrees to work at her aunt’s Swiss Miss country store. On her first day as a cashier, everything seems to go wrong. The next day, Cheryl tells Naomi about her first day at the Swiss Miss. To encourage Cheryl to not give up, Naomi reminds her how the previous day’s blunders could be seen as lessons to learn. Not only is Naomi’s advice a good message to share with the audience, this piece of advice plays an important role in other parts of the story. This aspect of Sugarcreek Amish Mysteries: Blessings in Disguise kind of reminded me of Hallmark’s Signed, Sealed, Delivered series.

Avoiding clichés and tropes: If someone has seen many made-for-TV mystery movies, there are certain tropes and clichés they would come to expect. One of these tropes is having the female and male protagonist working together to solve the mystery, with these characters eventually forming a romantic relationship. The female protagonist, Cheryl, gets involved in solving the story’s mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise. But the movie’s male protagonist, Levi, did not help in the amateur investigation. Instead, Naomi worked alongside Cheryl on one of the story’s cases. Having Cheryl and Naomi work together in Sugarcreek Amish Mysteries: Blessings in Disguise was a creative way to avoid some of the tropes and clichés of made-for-TV mystery films. If this movie becomes the first chapter in a series, I’d be curious to see what other clichés and tropes the creative team chooses to avoid?

Chess game strategy image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A mystery that was solved too quickly: There are two mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise: who is leaving unpriced stuffed animals in the Swiss Miss country store and the kidnapping of a baby. When it comes to the first mystery, I actually liked its creativity. But I was taken by surprise by how quickly that mystery was solved. After the stuffed animals’ origin was discovered, the subject was dropped from the script. Because of how this mystery connected to the story, I thought it could have created a domino effect for the characters and the world of Sugarcreek. But that did not happen. I think the mystery of the stuffed animals should have been drawn out for a longer period of time, to keep the audience invested in that part of the story.

Lack of urgency: As I just mentioned in this review, there are two mysteries in Sugarcreek Amish Mysteries: Blessings in Disguise. One of those mysteries was the kidnapping of a baby. When a mystery movie includes a kidnapping in its script, that story will usually contain a strong sense of urgency. This is because the characters are racing against the clock to rescue the victim. But in Sugarcreek Amish Mysteries: Blessings in Disguise, there was no sense of urgency. That flaw caused the story to change its focus from the kidnapped baby to proving a character’s innocence. The lack of urgency also made the film feel drawn out a bit longer than its run-time.

The underutilization of Kathy: Portrayed by Andi Anderson, Kathy is one of the residents of Sugarcreek. Cheryl first meets Kathy when she goes to Kathy’s café. I was hoping a friendship would be formed between Kathy and Cheryl, with Kathy even helping Cheryl solve the film’s mysteries. Unfortunately, Kathy appeared in only two scenes throughout the entire movie. Giving Kathy such an extremely limited involvement in the story was, in my opinion, a missed opportunity. If Sugarcreek Amish Mysteries: Blessings in Disguise lends itself to a movie series, I hope Kathy receives a larger role in the story.

Tiger stuffed animal image created by alesia17 at freeimages.com. “FreeImages.com/alesia17.”

My overall impression:

Even though it’s not the halfway point of 2025 yet, most of the movies I’ve seen this year, so far, have been mid-tier. These titles have either been ok or decent. Sugarcreek Amish Mysteries: Blessings in Disguise is contributing to that perspective. If UP Network is serious about creating a series out of this movie, they need to fix the lack of urgency. I would also like to see UP Network give Kathy a greater role in the story and not solve mysteries too quickly. Looking back on the 2025 presentation, however, I think there is potential for Sugarcreek Amish Mysteries: Blessings in Disguise to lead a series. Out of the films I brought up in this review’s introduction; Follow Your Heart, An Uncommon Grace, and Harvest of Fire, these titles were stand-alone films. In fact, the only movie series I can think of that features the Amish culture is Hallmark’s Beverly Lewis trilogy, consisting of The Shunning, The Reckoning, and The Confession. UP Network has an opportunity to bring something new to the table of made-for-TV mystery films. But as of the publication of this review, there have been no official plans announced for Sugarcreek Amish Mysteries.

Overall score: 6 out of 10

Have you seen Sugarcreek Amish Mysteries: Blessings in Disguise? Would you like to see this movie start a new series? Tell me in the comment section!

Have fun in Sugarcreek!

Sally Silverscreen

The Top Ten Best Stand-Alone Films

On By 18cinemalaneLeave a comment

On this day in 2000, The Road to El Dorado made its official debut. While the movie didn’t meet or exceed DreamWorks’ expectations, it certainly found an audience, which stuck with the film for all these years. I once heard The Road to El Dorado was intended to be the first story in a trilogy. But fate decided it worked better as a stand-alone picture. This caused me to think about the other stand-alone movies I’ve come to love. So, in honor of The Road to El Dorado’s 25th anniversary, I have compiled a list of what I believe are the top ten best stand-alone films! For my list, the criteria for a stand-alone film is not only a title that didn’t receive a sequel, but also isn’t affiliated with a series/franchise. If I covered a film on 18 Cinema Lane, I will provide a link to that article or review in this list. Each title will be presented in order of release year and each choice is based on my opinion.

The Road to El Dorado poster created by Dreamworks Pictures, DreamWorks Animation, and DreamWorks Distribution

1. Singin in the Rain (1952)

    I start my list with a classic I was introduced to because of my blog. Now that I have finally seen Singin in the Rain, I have an understanding and appreciation for why the movie is so beloved. Gene Kelly’s iconic musical number, “Singin in the Rain”, should provide enough explanation for why you should check the film out! The number itself feels immersive, as it takes place within the story’s context. Gene adds uniqueness to the number by jumping and splashing in puddles. “Singin in the Rain” successfully represents the spirit of the film, while also delivering the message of seeing the good in a not-so-good situation. That number is just one reason why Singin in the Rain is a solid musical!

    Watching ‘Singin in the Rain’ for the First Time

    2. Ben-Hur (1959)

    If you’re going to watch any classics, you have to see 1959’s Ben-Hur! Though the three-hour run-time can seem intimidating, that time flew by for me, as I was so engrossed in the story. The emotional intensity of Charlton Heston’s, Stephen Boyd’s, and Haya Harareet’s performance complimented the scope of the overall film. Ben-Hur contains other likable qualities as well, from the magnificent sets/scenery to the interesting cinematography. How Christianity/faith was incorporated into the story sets the 1959 production apart from other “sword and sandal” pictures. Those who celebrate Easter may find Ben-Hur an appropriate seasonal title.

    Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

    3. To Kill a Mockingbird (1963)

    While the book, To Kill a Mockingbird, received a sequel, the film adaptation did not. The 1963 movie presents one of the few times where, in my opinion, the film was better than its source material. Getting straight to the point a lot sooner was a main focus for the creative team. The film’s visual nature worked in the favor of certain elements from the book. Showing suspenseful moments from the source material makes those moments seem real, as well as intensifies uncertainty. Leaving out scenes that feel like padding helps the movie maintain a steadier pace.

    Take 3: To Kill a Mockingbird Review

    4. The Boy Who Could Fly (1986)

    When I first saw The Boy Who Could Fly, it subverted my expectations. That’s because the 1986 picture aged surprisingly well! Through Milly and Eric’s friendship, the script shows how people with Autism can create and maintain meaningful relationships. Helping someone with Autism based on their personal preferences and accommodations may have seemed ahead of its time back in the mid to late ‘80s. Timeless messages and themes make up one of the reasons why I love the 1986 film. Showing compassion for others, dealing with grief, and understanding people’s differences take center stage.

    Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

    5. The Bodyguard (1992)

    In 2022, I wrote an editorial explaining why The Bodyguard held up thirty years later. Because I love the 1992 film, finding explanations wasn’t difficult. “The kitchen scene” is, in my opinion, the best scene from any action movie. One reason why is how the kitchen’s smaller space is seen by the actors as a challenge instead of a hindrance. What also worked in The Bodyguard’s favor was Whitney Houston’s portrayal of Rachel Marron. Throughout the story, Whitney realistically showcases emotions and expressions. This helped Rachel become a multi-layered character.

    I Will Always Love You: ‘The Bodyguard’ at 30

    The Boy Who Could Fly poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

    6. Swept from the Sea (1998)

    Swept from the Sea was one of the earliest hidden gems I discovered in 2019. It’s a movie that’s so great, I just had to include it on this list. There are so many things to like about Swept from the Sea. From Vincent Perez’s captivating performance to the beautiful scenery, the film’s components came together to create an endearing and emotional presentation! The 1998 film is a character-driven story, relying on on-screen chemistry in order to work. Because of Vincent Perez’s and Rachel Weisz’s differing acting styles, the on-screen chemistry between Yanko and Amy was very sweet and genuine.

    Take 3: Swept from the Sea Review (A Month Without the Code — #8)

    7. Phantom of the Megaplex (2000)

    This is another movie I just had to include on my list. But this time, it’s because Phantom of the Megaplex is also celebrating its 25th anniversary this year! The Disney Channel picture showed that the movie-going experience can be fun. As I explained in my editorial celebrating the film’s 20th anniversary, the made-for-TV movie also serves as a time capsule of how the cinema operated in the beginning of the millennium. Phantom of the Megaplex even shows how movies can influence our lives. Though I’m not sure if that aspect of the story was intentional, it makes the 2000 title, somewhat, thought-provoking.

    ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience

    8. I Am David (2004)

    I Am David was the biggest pleasant surprise of 2024. It became the year’s best movie in March and stayed number one until the very end! What set I Am David apart was the film’s genuine emotion and sincerity. This was seen and felt through every aspect of the production. The 2004 movie emphasized visual depth. Achieved by exploring light and darkness, as well as showcasing Europe’s natural landscape, the creative team used the visual nature of film to their project’s advantage. Two effective plot twists are another reason why I liked I Am David. Their delivery in the story was well-written.

    Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

    9. From Up on Poppy Hill (2011)

    This 2011 presentation is one of Studio Ghibli’s stronger projects. A reason is one of the overarching themes; honoring the past. The film intelligently and creatively shows its audience how important history is in our lives and our world. Whether referencing the 1964 Olympics or focusing on the characters’ relationships, the theme of honoring the past acts as an umbrella sheltering Poppy Hill and its surrounding areas. Studio Ghibli’s signature colorful palette is consistently on display in the 2011 film. The strong understanding for how and when to use color makes scenes look like priceless pieces of art! Personally, I think movies like From Up on Poppy Hill present an argument why 2-D animation still has its time and place.

    Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

    10. The Wild Robot (2024)

      I think it’s fitting to close this list with a DreamWorks movie, as a DreamWorks movie is the reason why I created this list in the first place. Though this was a recent watch for me, The Wild Robot is, so far, the best film I’ve seen this year! The animation itself is absolutely gorgeous! Sometimes, scenes look like paintings and other times, they look like priceless photographs. I was not expecting the story to contain as much emotional depth as it did. An abundance of good messages and themes add a sense of timelessness to the production. Though it’s unknown right now if The Wild Robot will gain an audience like The Road to El Dorado has, I can confidently say it was a really good movie!

      Phantom of the Megaplex poster created by the Walt Disney Company and Disney Channel. © Disney•Pixar. All rights reserved. Disney XD© Disney Enterprises, Inc.

      Have fun at the movies!

      Sally Silverscreen