Take 3: The House of God Review (A Month Without the Code #2)

The theme for August’s Genre Grandeur is “Medical Dramas”. I’m not going to lie, I had to do some research in order to find my entry. This is due to how specific the theme itself is. At first, I was going to review Article 99. But while reading some reviews on IMDB, I saw someone bring up the 1984 film, The House of God. Having never heard of this movie until this week, I read its synopsis on IMDB. After that, I was fortunate to find the movie on Youtube. According to IMDB’s description of The House of God, the film shares similarities with shows like M*A*S*H and St. Elsewhere. In fact, St. Elsewhere is referenced by a character named “The Fatman” in the 1984 title. While I’ve only seen pieces of M*A*S*H, I’ve never seen St. Elsewhere. However, I am familiar with each show’s premise.

The House of God poster created by United Artists. Image found at https://www.imdb.com/title/tt0087429/mediaviewer/rm2187241473.

Things I liked about the film:

The camaraderie between the characters: For a story like The House of God, the camaraderie between the characters is the heart and soul of that project. In the 1984 film, there was camaraderie to be found among the interns! The scene where they go to Dr. Watson’s Pub serves as a perfect example. Within this scene, the audience gets to learn about some of the characters. What the scene also does is showcase each of the characters’ distinct personalities. Because of the actors’ performances and their on-screen chemistry, it gave the impression that these characters got along well with each other. It also provided an interesting component to the movie!

A sense of honesty: In the synopsis for The House of God, it says “this film is closer to the truth than the public wants to know”. While watching the movie, I could tell the creative team wanted to present their story as truthful as possible. The character of “The Fatman” is one example of this honesty. He tells one of the interns that the reason why the doctors approve so many procedures is for the hospital to make money. Later in the film, Roy, one of the interns, questions the practices of Jo, one of the residents. He accuses her of caring more about autopsies than the needs of her patients. I know The House of God is based on a book written a real-life doctor. But I’m glad the film’s creative team chose not to sugar coat or glamorize their version of the medical world.

The informational inclusion of the medical world: Whenever a particular industry is showcased in a piece of media, there is sometimes an opportunity for the audience to learn something new. This is certainly the case for The House of God! One of the topics that “The Fatman” constantly brings up is “gomers”. He tells the interns this is an acronym standing for “get out of my emergency room”. “The Fatman” also explains that “gomers” are older patients who are dealing with a variety of medical situations, but are not high-risk. Dialogue like this is effectively used to educate the audience about the world of medicine. It helps them broaden their horizons and educate themselves in a cinematic way.

Heartbeat image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/medical-logo_763775.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/logo”>Logo vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The House of God’s limited scope: At the beginning of the film, the interns are shown a light-up map of the entire hospital. They are also instructed to follow colorful lines on the floor in order to reach a specific ward. Throughout the movie, however, the only areas of the hospital that are highlighted involve older patients and patients that are dealing with high-risk medical situations. I know there’s only so much story that can be told in an hour and forty-eight minutes. I’m also aware of how people in the medical field have to make rotations among different wards during their training period. But because the hospital’s scope was limited, it felt like a disservice was committed.

Limited amount of character development: While I liked the camaraderie among the characters, I never felt like I truly got to know them. That’s because the character development was limited. During the movie, the audience learns a little bit about some of the interns and the people working alongside them. But, in my opinion, more was desired in this department. In The House of God, there was a doctor named Dr. Alfred Pinkus. The only information about this character that the movie provides is he’s from New Zealand and he’s the resident heart consultant of the hospital. Because he is only in the film for a few scenes, the audience isn’t given the opportunity to learn more about him.

No overarching conflict: When I read the synopsis for The House of God, I thought the story was about a group of interns who oppose a lead doctor at the hospital they work at. This caused me to expect a narrative that features underdogs fighting against the leaders in their medical world. Instead, I got a story that didn’t have an overarching conflict. Sure, there were smaller scenarios within the movie that did get resolved. But this made the overall story feel more mundane than interesting. It also makes the synopsis on IMDB sound misleading.

A Month Without the Code Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/27/announcing-amonthwithoutthecode2020/.

My overall impression:

When I was searching the internet for medical dramas, suggestions for television shows were included as results. One of the most well-known is St. Elsewhere, which was referenced in The House of God. When I look back on this film, I honestly think the story would have benefited as a TV show rather than a movie. There was so much going on The House of God, but not enough time to explore it to the fullest extent. One of these areas is the character development, where some of the characters received a small amount. But the stronger components should not be ignored. The camaraderie among the interns was one of the most interesting parts of this story. It was brought to the audience through the acting performances and on-screen chemistry. This is not one of the worst films I’ve seen this year, but I can think of medical dramas that are better than this one. Despite The House of God being rated R, it could be “breenable”. However, these are the things that would need to be changed:

  • Throughout the film, there was language used that is not Breen Code friendly. This ranges from swearing to sexual references. More appropriate word choices would need to be chosen before production starts.
  • In one scene, Roy, one of the interns, and a nurse passionately kiss. This scene also heavily implies that they are about to have sex. During the screen-writing process, that particular scene would need to be rewritten to fit Breen Code standards.
  • Another scene in this film heavily implied a male and female intern was about to have sex during an autopsy check. These characters took their shirts/smocks off right before passionately kissing. This is another scene that would need to be rewritten to fit Breen Code standards.
  • One scene shows one of the interns using the bathroom. Because this scene doesn’t serve the plot and is not Breen code appropriate, this scene would be removed.
  • One of the interns ends up committing suicide. Instead of showing the act, it could be implied through Breen Code appropriate dialogue.
  • One of the patients at the hospital is shown bleeding. The amount of blood shown on screen would have to be reduced.

Overall score: 6 out of 10

Have you seen The House of God? Do you like watching medical dramas on television? Tell me your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen

2 thoughts on “Take 3: The House of God Review (A Month Without the Code #2)

  1. Pingback: #AMonthWithoutTheCode2020 Guest Article: “Take 3: The House of God Review (A Month Without the Code — #2)” by Sally Silverscreen | pure entertainment preservation society

  2. Pingback: #AMonthWithoutTheCode2020 Guest Article: “Take 3: Forsaken (2015) Review (A Month Without the Code — #3)” by Sally Silverscreen | pure entertainment preservation society

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