Take 3: Hallmark Hall of Fame’s Witness for the Prosecution (1982) Review

In my list of the Top 10 Movies I’d Love to Review, I mentioned finding Oliver 2: Let’s Twist Again on Diana Rigg’s IMDB filmography. During that trip on IMDB, I found another film I could review for the Other Than A Bond Girl Blogathon. As the title of this review says, that movie is the 1982 Hallmark Hall of Fame presentation, Witness for the Prosecution! I’ve gone on record to state how I’d like to watch as many Hallmark Hall of Fame titles as realistically possible. If I’m going to be honest, I didn’t think I would ever see Witness for the Prosecution. That’s because the film not only didn’t receive a DVD release, but it doesn’t seem to have received a VHS release either. So, imagine my shock when I found the full movie on Youtube! Mysteries are, arguably, the most popular genre on my blog. This is also not the first time I’ve reviewed an Agatha Christie adaptation. Back in April, I wrote about the 2022 film, Death on the Nile. In that review, I said the movie had a weaker execution than its 2017 predecessor, Murder on the Orient Express. How will Witness for the Prosecution fare against these aforementioned adaptations? All rise, as this review is now in session!

Hallmark Hall of Fame’s Witness for the Prosecution poster created by CBS Entertainment Production, Hallmark Hall of Fame Productions, Rosemont Productions, and United Artists Television

Things I liked about the film:

The acting: Diana Rigg is one of the eligible Bond Girls for the Other Than A Bond Girl Blogathon. Therefore, I will talk about her performance first. In Witness for the Prosecution, Diana portrayed Christine Vole, the wife of the accused party. Throughout the film, she carried her character as a woman from stories in the 1920s. What I mean by this is Christine held her own with confidence, never shaken by the probing of those involved in the legal side of the case. Even when she took the stand, Christine adopted a serious demeanor, as if putting on a “poker face” and refusing to show her deck of cards too early. These acting choices and the consistency of her performance allowed Diana to pull off a captivating and memorable portrayal!

Deborah Kerr is an actress I’ve talked about before on 18 Cinema Lane. While I have seen and reviewed five of her films, none of them were from the mystery genre. Despite this, Deborah held her own, acting wise, among the cast! She portrays Nurse Plimsoll in Witness for the Prosecution. While watching the 1982 production, her performance reminded me a bit of Donna Reed’s portrayal of Mary from It’s a Wonderful Life. Nurse Plimsoll cares about the health and well-being of the film’s protagonist, Sir Wilfred Robarts. Though Wilfred finds her overall nursing approach annoying, Nurse Plimsoll doesn’t give up on her mission. Even though she is stricter on other on-screen nurses, her heart is always in the right place. This can be seen through Deborah’s facial expressions, body language, and emotions.

Even though the cast as a whole was strong, there was one performance that stole the show. This came from Beau Bridges! Witness for the Prosecution shows Beau portraying an American named Leonard. Because his case is presented in a British/U.K. court system, he is a “fish out of water”. The situation itself provides an interesting dynamic for the cast, including Beau, to work with. It also gave Beau an opportunity to utilize a variety of emotions. During the case, one of the witnesses causes Leonard to have an emotional reaction. At the start of the witness’ questioning, Leonard presents a calm “resting face”. But as the questioning continues, he slowly becomes sadder, adopting a growing frown and his eyes filling with tears. This transformation was gradual, allowing Beau to adapt to the on-screen situation.

The set design: The majority of Witness for the Prosecution takes place within a British/U.K. court room. Despite the limited locations, there were some examples of set design that I liked! Inside the court room, the ceiling was domed, with clear glass exposing a view of the sky. Surrounding the dome are etched, white arches. With a green light shown on these arches, they gave the appearance of boasting an antique limestone material, which complimented the dark wood of the court room’s walls and furniture. In the lobby of the court room, painted murals are shown near the ceiling. The lobby’s walls appear to be covered in a two-tone marble material, with the floor revealing a black-and-white tile design. My favorite set in Witness for the Prosecution was Wilfred’s office! The room’s color scheme was brown, beige, and red. When this set was first introduced, a large, dark wood bookcase proudly stood. It was guarded by a dark wood table and two dark brown armchairs. While the walls were beige, the curtains on the window were red, giving the room a pop of color. The more time Wilfred spent in this space, the more the sophisticated, professional, and intelligent appearance of the office complimented his personality.

An in-depth look at the British/U.K. court system: As I mentioned in my point about the film’s set design, the majority of this story takes place in a British/U.K. court room. That part of the movie exposed the audience to the British/U.K. court system. Even though Witness for the Prosecution is not the “end all, be all” when it comes to this specific court system’s portrayal in entertainment media, it gives viewers a chance to compare and contrast it to other court systems in other productions. The layout of the court room itself provides one example. Toward the front of the court room, the witness stand is located at the judge’s right-hand side. This part of the court room is separate from the judge’s stand. Meanwhile, in court room productions taking place in the United States, the witness stand can either be located at the judge’s left or right-hand side. It is also connected to the judge’s stand.  

The Other Than A Bond Girl Blogathon banner created by Gabriela from Pale Writer and Gill from Realweegiemidget Reviews

What I didn’t like about the film:

The magical monocle: While working on the case, Wilfred wore a monocle when he was questioning the accused party and his wife. As he questioned them, a light shone through the monocle and directly landed on Leonard and Christine. But these were the only two times Wilfred used the magical monocle. The purpose of the monocle or Wilfred’s reason for using it was never explained. Was this monocle truly magical or was the monocle used as foreshadowing? I wish this part of Wilfred’s character was more consistent.

A dialogue heavy story: With any movie or tv show episode featuring a court case, there’s going to be a certain amount of dialogue within the story. But because Witness for the Prosecution mostly revolved around a court case, the 1982 production feels more dialogue heavy compared to Death on the Nile and Murder on the Orient Express. Before watching Witness for the Prosecution, I had expected more showing than telling when it came to the mystery. Instead of watching the characters making discoveries related to the mystery, I heard about it through the questioning in court. Because of this creative decision, I didn’t find the movie’s mystery as engaging as it could have been.

An inactive detective: In a story where a detective, amateur or professional, is the protagonist, the audience expects to see this character actively solve their respective film’s mystery. Sadly, the viewers won’t witness that in Witness for the Prosecution. Wilfred is a lawyer defending Leonard in his case. However, Wilfred places more emphasis in resolving the case than playing detective. Even though this movie’s mystery was solved, it felt like Wilfred was served the answer on a silver platter instead of discovering it himself. Similar to what I said about the dialogue-heavy story, I didn’t find the mystery engaging because of Wilfred’s inactive detective role.

Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Hallmark Hall of Fame’s Witness for the Prosecution shares a similar plot with 1997’s Red Corner: an American man is accused of murder, with his case in a court system outside of the United States. But where Red Corner succeeded and Witness for the Prosecution didn’t is how Shen, Jack’s lawyer in Red Corner, not only played a role in the court case, but also went above and beyond in attempting to solve the mystery surrounding the case. This allowed Red Corner’s story to be intriguing and engaging for the audience. With the 1982 production, Wilfred spends more time on the court case than the mystery wrapped around it. This decreases the audience’s engagement. The dialogue heavy nature of Witness for the Prosecution’s story also affected the mystery’s intrigue. Hallmark Hall of Fame’s presentation is the third Agatha Christie adaptation I’ve seen, which I wasn’t overly thrilled with. I still want to, one day, read her literary work. But based on my reactions to the three adaptations I have watched so far, I’m starting to wonder if I’ll find an Agatha Christie story I like?

Overall score: 6.1-6.2 out of 10

Have you seen any of Agatha Christie’s adaptations? Do you have a favorite Agatha Christie story? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Children of a Lesser God Review

May’s theme for Genre Grandeur is ‘Best Picture Nominated Movies that didn’t win’. As the Oscars have been around for more than fifty years, there were plenty of titles for me to choose from. But I knew the main-stream, bigger name films were going to get selected by other participants of Genre Grandeur. So, I decided to choose a movie that was not only off the beaten path, but also less talked about than other films. This is one of the reasons why I’m reviewing Children of a Lesser God. Eric Binford, from Diary of A Movie Maniac, is another reason why I chose to write about the 1986 project. While talking about non-preachy movies containing messages, I brought up the Hallmark Hall of Fame production, Sweet Nothing in My Ear. After Eric mentioned how he loves Marlee Matlin, I realized I have never reviewed any project from Marlee’s filmography. I have seen Sweet Nothing in My Ear, as well as a handful of Switched at Birth episodes. But I’ve never discussed the ABC Family show on 18 Cinema Lane and I didn’t review the 2008 Hallmark Hall of Fame film. It should also be noted how the last time I wrote about an ’80s movie was last September.

Children of a Lesser God poster created by Paramount Pictures

Things I liked about the film:

The acting: Since Marlee Matlin is one of the reasons why I chose to review Children of a Lesser God, I will talk about her performance first. While portraying Sarah, Marlee’s facial expressions and body language were expressive. They were also as fluid as her sign language. During an assembly, Sarah witnesses a performance from James’ students. At first, she appears content, not seeing any issue with the performance. But as the performance goes on, Sarah’s face progressively changes, appearing angry for reasons not yet revealed. In fact, Sarah becomes so upset by this performance, she ends up breaking a mirror. The strength of Marlee’s acting abilities not only allowed her to stand on her own, talent-wise, but also go toe-to-toe with William Hurt!

In Children of a Lesser God, William Hurt portrays James. The first thing I noticed about his acting performance was how he was able to balance the light-hearted and serious moments of the story! Toward the beginning of the film, James is explaining to his students why they should learn to speak. To demonstrate a likely scenario, James does a hand-stand, in an attempt to make his point. Later in the film, James learns more about Sarah. She explains how, in high school, her male peers would desire an intimate relationship with her, yet refuse to take the time to get to know her. During this conversation, James becomes frustrated over things he can’t change, such as Sarah’s past. Similar to what I said about Marlee’s performance, William was also expressive in his role. The expressive nature of his performance is what helped him maintain a consistent portrayal!

Several scenes show James interacting with the students in his speech class. These scenes are meant to serve as the more light-hearted moments of the film. One of the students in this class is Lydia. Portrayed by Allison Gompf, Lydia was not afraid to try new things. In fact, she was one of the first students to try speaking. What helped Allison and her character be memorable was her on-screen personality. It was so bubbly and up-beat, you can’t help but smile every time she appears on screen!

The on-screen chemistry: As I just mentioned, both Marlee and William gave solid performances individually. However, they also performed well together! The strength and expressiveness of their acting abilities worked in their favor and complimented one another. These aspects of their combined performance allowed them to showcase a relationship that felt realistic. One of my favorite scenes in Children of a Lesser God takes place when James wants to listen to one of his records. But shortly after he puts on a Bach record, he is overcome with guilt. James turns off the record, telling Sarah he can’t enjoy the music because she can’t hear it. A few moments later, Sarah puts the record back on, as she knows how much James enjoys the music. Through the acting, as well as the screenwriting, this scene is a great example of the sacrifices and compromises that can take place within a romantic relationship.

 An introduction to deaf culture: Whenever I talk about a movie highlighting a specific culture/community, I try to remind my readers that the film in question is not the “end all, be all” when it comes to discussing that culture/community. This is the case when talking about Children of a Lesser God. The students in James’ speech class are their own individuals, displaying distinct styles and expressing unique perspectives. These students, including Sarah, have their reasons why they either want or don’t want to speak. At one point in the film, James’ students perform in their school’s assembly. Throughout this performance, they sing, dance, and sign while on stage. The joy expressed by these characters can be seen and felt. This scene shows one can experience joy when they’ve found a place to belong.

Sign language alphabet image created by Freepik at freepik.com. Hand sign vector created by freepik – www.freepik.com

What I didn’t like about the film:

A confusing title: With a title like Children of a Lesser God, I’m going to safely assume “children” is referencing deaf people, with the title itself emphasizing how deaf people are just as important to society as hearing people. But in the movie, Sarah is the only deaf character the story revolves around. Yes, there are deaf characters featured throughout the film. However, these characters are shown as well-adjusted individuals who aren’t prejudiced or mistreated. As I mentioned before, Sarah recounts a situation that happened to her in high school. Sarah’s mother, portrayed by Piper Laurie, shares traumatic events Sarah experienced in her life. But all of these events happened prior to the film. With all this said, the title, Children of a Lesser God, seems confusing.

A limited presence of James’ students: As I said earlier in this review, the moments where James interacts with his students were meant to be the more light-hearted moments of the film. But throughout the movie, the presence of the students themselves were limited. I really liked the camaraderie between these characters, as it made their connection seem believable. Because of the student’s limited presence, it left few opportunities to get to know them. Sure, we learn about them through their experiences in James’ speech class. But compared to James and Sarah, I felt like I, as an audience member, only became familiar with James’ students. I kind of wish they had received their own subplot.

No appearances from Ruth: When Sarah’s mom is talking to James about Sarah’s past, she mentions her other daughter, Ruth. She also mentions how, in high school, Ruth’s male peers were more interested in Sarah. Despite Ruth getting brought up in the story, Sarah’s sister never appears in the film. Personally, I think this was a missed opportunity. It would have been interesting to hear the perspective of a sibling of someone with a disability. I also wanted to know how Ruth felt about what Sarah went through in high school. In the movie’s opening credits, I learned Children of a Lesser God was based on a Broadway play. I haven’t seen this play, so I don’t know if Ruth is a character that is meant to be in the story. But, like I said, it still feels like a missed opportunity.

Orange cat image created by Freestockcenter at freepik.com. <a href=’https://www.freepik.com/free-photo/ginger-cat_883376.htm’>Designed by Freestockcenter</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold image created by Freestockcenter – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Children of a Lesser God is a character-driven movie. With these types of films, you need a cast that is so strong, it gives the audience a reason to stay invested in the overall story. That is exactly what this 1986 production achieved! Even though Children of a Lesser God primarily revolves around Sarah and James, the supporting cast was great to watch. Presenting an introduction to the deaf culture also helps. Though I liked this movie, there were some aspects of this project that could have been stronger. I wish James’ students had received their own subplot and Ruth had appeared in the story. But as I said in this review, Children of a Lesser God is based on a Broadway play. Therefore, I don’t know what was in the original source material. As I close this review, I’d like to say I can’t speak for whether Children of a Lesser God should have received the Best Picture award. That’s because I haven’t seen Platoon or the other films nominated in 1987.

Overall score: 7.7-7.8 out of 10

Have you seen Children of a Lesser God? Which movie do you think should have won Best Picture in 1987? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Travel Lessons I Learned from Movies and TV

Movies and television not only provide entertainment, they also tell a story through a visual medium. Something else movies and television do is teach lessons through those stories. Throughout my life, I have learned so many lessons from various movies and television shows. How to travel smart has been one of them. As my blogathon’s theme this year is ‘Travel Gone Wrong’, I have decided to share a list of six travel related lessons I’ve learned over the years! This is especially exciting, as it’s the first list I’ve created for one of my blogathons! The list is based off of movies and shows I have personally watched. I also tried to present a combination of programs where the mishaps were met with either hilarious or horrifying results. Now, have your boarding ticket ready, as we’re about to start this list!

Created by Sally Silverscreen at Adobe Creative Cloud Express

Never Tell Strangers Where You Will be Staying (Especially if You’re Traveling Alone)

When I reviewed the 1962 film, Cape Fear, I said the most effective “scary movies” are the ones that involve real-life situations. A movie that definitely belongs in that discussion is the classic, Taken. The 2008 title showcases the dangers that can sometimes present themselves in international travel, without coming across as a PSA/cautionary tale/“after school special” type story. This is because the film places more emphasis on the action within the project. Every time I think of this movie, I always speculate how Kim and Amanda might have avoided their plight had they not told a group of strangers, who ended up being human traffickers, which hotel they were staying at. It also didn’t help how they revealed they were both traveling alone. There’s a saying that goes “Strangers are friends you haven’t met yet”. Well, as Kim and Amanda’s situation shows, that isn’t always the case, especially since some people’s intentions are not great. Watching Taken reminded me how you should only share your hotel and travel status with people you know and trust.

Pink travel backpack image created by Pikisuperstar at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/watercolor”>Watercolor vector created by Pikisuperstar – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/travel-lettering-with-watercolor-pink-backpack_2686676.htm’>Designed by Freepik</a>. Image found at freepik.com.

If You Want to Start any Relationships with the “Locals”, Take the Time to Know Them First

When I refer to “locals”, I’m referring to anyone who is from a particular travel destination, whether it’s “across the pond” or across town. For this point, I have two examples to share. The first is from a movie I reviewed back in January, Red Corner. While in China for business related reasons, Jack becomes attracted to a woman he briefly met at a nightclub. Attraction gets the better of them, as they end up sharing intimate relations with one another. The woman is discovered dead the following morning, with Jack declared a suspect in her murder. The second example, which also involves a man named Jack, is the Lost episode “Stranger in a Strange Land”. Within the flashbacks from that episode, Jack forms a month-long, intimate relationship with Achara, a character I mentioned in my latest Sunset Over Hope Valley re-cap. During their relationship, Jack becomes frustrated that Achara won’t share what her “gift” is with him. Taking matters into his own hands, he barges into her place of employment and demands an explanation. When Achara’s revelation isn’t enough, Jack forces her to give him a tattoo, even though she initially refuses his request. Their relationship ends disastrously, with Achara in tears and Jack unofficially banned from Thailand.

Screenshot taken by me, Sally Silverscreen. Photo originally found at https://www.thehollywoodroosevelt.com/pool/tropicana-pool-cafe.

I’ve said before that, in my opinion, starting or ending a relationship shouldn’t be taken lightly. I’ve also said that both members of a relationship should be equal to one another. Taking that into account, it’s important to remember when two people come together to form a relationship, they bring with them elements of their lives, which includes their respective cultures. This is where my two examples come in. Despite Jack from Red Corner spending such a short amount of time with the aforementioned woman, he had to deal with her government, a government he was not familiar with. He was also not familiar with the Chinese language and cultural beliefs. This, to an extent, left Jack at a disadvantage. Meanwhile, in Thailand, Jack from Lost didn’t respect Achara’s cultural boundaries. As I mentioned earlier, she initially refused his tattoo request. During their confrontation, Achara told Jack her tattoos are “not decoration, it is definition”. Achara also said Jack couldn’t receive a tattoo because he was “an outsider”. Though she doesn’t provide details to her comments, Achara implies her tattoos have a strong connection to her culture. But whenever Jack and Achara are shown having a conversation, they seem to purposefully avoid talking about anything personal. When I first reflected on “Stranger in a Strange Land”, I knew Achara and Jack’s relationship didn’t last for a reason. Rewatching it years later reminded me why. Honestly, both parties from both relationships could have avoided so much heartache if they had taken the time to learn about and from one another. Sometimes, the best way to know more about a specific culture is to interact with those who are a part of it. Seems to me both aforementioned relationships missed a great opportunity.

Illustrated African landscape image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com

Be Mindful Who You Place Your Valuable Belongings With

Traveling with valuable belongings is inevitable. This has been the case since the concept of traveling was born. A valuable belonging can be almost anything, especially according to the decade. In the 1980s, one of these valuable belongings was camcorders/video cameras. Priceless, irreplaceable family memories were captured on these devices. At the time, they also carried an expensive price tag. I’ve only seen about half of National Lampoon’s European Vacation. The one scene I vividly remember is when the Griswald family have their video camera stolen. Clark asks a passerby to take his family’s picture with the camera. During this photo session, the passerby suggests the family stand in a nearby fountain. After the Griswalds take this suggestion, the passerby runs away with their video camera. While this scene is meant to be played for laughs, a serious point is to be made. There’s nothing wrong with asking someone to take a picture of you with your chosen electronic device. However, if you are in possession of a valuable item, being mindful is key. If something doesn’t add up, don’t hesitate to say or do something about the situation. Similar to what I said about Taken, place your belongings with those you trust.

Travel suitcase image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/water-color-travel-bag-background_1177013.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

On Your Trip, Know Where Every Member of Your Party Is

A movie I have never talked about on my blog before is the live-action adaptation, Madeline. I’ll admit it has been years since I’ve seen this film. But from what I remember, there is one scene that perfectly fits this discussion. The titular character and her classmates are at a local carnival on a field trip. Toward the end of this trip, Madeline is late for their bus ride home. To avoid getting in trouble, one of Madeline’s classmates holds up a hat to look like Madeline was sitting in her seat. This leads Miss Clavel to assume Madeline was with the rest of the class. But, in reality, she was somewhere else. During any trip, there is so much to think about. Keeping your party together is one of them. If Madeline had told one of her classmates or even Miss Clavel where she was going or how long she would be gone for, the school community would have one less thing to worry about. There’s no “modern” technology present in this film. But if Madeline had access to a cell phone, she should have kept it on and with her at all times. Miss Clavel is known for saying “Something is not right”. Had Madeline been in worse danger than was depicted in the movie, something would have been very wrong.

Snowy mountain image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-background-of-snow-track-and-mountains_968656.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

Leave Enough Time to Gather All Your Belongings

A running joke on The Middle is “the blue bag”. This blue bag contains important items, such as snacks, and is meant to travel with the Heck family whenever they go on a trip. Unfortunately, this bag is, more often than not, forgotten. When this realization occurs, the family typically asks in unison, “You forgot the blue bag”? A reason why this bag gets left behind is because the Heck family usually rushes to get to their destination. In my years of travelling and watching The Middle, I know how essential it is to be prepared. This is why I always pack the day before I leave for a trip. The day before I plan to leave, I also gather what I know I will pack and put those items in one place. This has saved me so much headache and stress.

Colorful travel suitcase image created by Pikisuperstar at freepik.com. <a href=’https://www.freepik.com/free-vector/beautiful-illustration-of-travel_2686674.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/watercolor”>Watercolor vector created by Pikisuperstar – Freepik.com</a>. Image found at freepik.com.

Take Advantage of the Opportunities Around You

Ok, so I know I’ve been sharing lessons I’ve learned relating to more serious, travel related situations. Well, this lesson is serious, but not in the same way. Travelling, whether near or far, can give you opportunities to explore new places, meet new people, and grow as an individual. Two characters who take advantage of this are Brooklyn and Joe from Anchors Aweigh! For the majority of this story, Joe and Brooklyn travel to Los Angeles/Hollywood after receiving permission to leave their Navy base. During their travels, they make new friends, fall in love, even helping make a dream come true. Brooklyn and Joe also visit places not highlighted in a travel guide. But none of that would have been possible if they hadn’t been open to the possibilities of their surroundings. So many discoveries are waiting to be found when you travel. They can come in all different shapes and sizes. How do you find them, you ask? Just be aware of what your surroundings have to offer.

Have fun on your travels!

Sally Silverscreen

The Travel Gone Wrong Blogathon is Ready to Set Sail!

All aboard the blogathon train! Spring is a time when vacations are either in the planning stage or just beginning. This is one of the inspirations for my Travel Gone Wrong Blogathon! As was mentioned in the official announcement post, plans can either go hilariously or horrifyingly wrong. So, for this year’s event, entries are classified accordingly. All the participant’s posts will be found on this one communal post, in order to locate them easier. With that said, grab your suitcase and fasten your seatbelts! We’re off on a blogathon adventure!

Created by Sally Silverscreen at Adobe Creative Cloud Express

Sally from 18 Cinema Lane — Travel Lessons I Learned from Movies and TV

Hilariously Wrong

Gill from Realweegiemidget Reviews — FILMS… Our Ladies (2019)

Ruth from Silver Screenings — How to Have a Miserable Vacation

Rebecca from Taking Up Room — The Hardys Take Manhattan

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 131: “Planes, Trains, and Automobiles”

Hamlette from Hamlette’s Soliloquy — “French Kiss” (1995)

Classic Movie Muse from The Classic Movie Muse — 5 Reasons Why You Should Watch The Great Race (1965)

Horrifyingly Wrong

Debbie from Moon In Gemini — The Travel Gone Wrong Blogathon: Train to Busan (2016)

geelw from “DESTROY ALL FANBOYS”! — The Passenger, Or: Boarding? Pass!, The Gift Or: “Where’s Waldo?” Or: “Really Dead Letter Office”

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 130: “Airport”

Eric from Diary of A Movie Maniac — THE LOST WEEKEND (1945)

Evaschon98 from Classics and Craziness — movie review: flightplan (2005).

The 4th Annual Gold Sally Awards Has Arrived!

18 Cinema Lane recently celebrated its fourth anniversary! To commemorate such an important milestone, I am, once again, hosting the Gold Sally Awards! As I said last month, each award post will feature two polls at a time. This decision was made to help the voting process move at a faster pace. With that said, this year’s Gold Sally Awards will begin with the Best Movie and Story polls! Because I didn’t post any announcements for the Gold Sally Awards, the first two polls will be available for two weeks; from February 16th to March 2nd. Like years past, you are allowed to vote for more than one nominee. But you can only vote once per person. The link to the polls will be located under each poll. Just click on the word ‘PollMaker’.

Similar to last year, I thought featuring this anniversary image was appropriate for the start of the Gold Sally Awards! Anniversary image created by WordPress.
What was the Best Movie of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
Created with PollMaker
What was the Best Story of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
Created with PollMaker

Have fun voting!

Sally Silverscreen

The Top 10 Best Movies I Saw in 2021

Like I said in my list of the worst movies I saw in 2021, this year is a little different. Since 2018, most of the movies on my best list have been those I have reviewed. But a few titles on those lists weren’t covered on my blog. 2021 is the first year where every film on my best list has been reviewed on 18 Cinema Lane! It should also be noted how each of these titles were either blogathon entries or Blog Follower Dedication Reviews. Therefore, I will include a link to each of these reviews on my list! As I said in my worst movies of 2021 list, I saw several films this year that I liked. This article is reflective of those feelings. But unlike my aforementioned list, there will be Honorable Mentions. So, with that said, let’s end 2021 on a high note with the top ten best movies I saw in 2021!

Honorable Mentions

Cape Fear (1962), Bathing Beauty, Aurora Teagarden Mysteries: Til Death Do Us Part, Elizabeth Is Missing, and The Girl Who Spelled Freedom

<a href=”http://<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com</a>&quot; data-type=”URL” data-id=”<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com2021 New Year image created by BiZkettE1 at freepik.com.

10. Poisoned in Paradise: A Martha’s Vineyard Mystery

Hallmark Movies & Mysteries’ Martha’s Vineyard Mystery series is a newer story that began last year. Despite how young this series is, it has grown over the course of four movies! This chapter not only recognizes its strengths, but also improves on some of the previous movies’ mistakes. Giving equal focus to the main and side mysteries is one example. Speaking of the mysteries, the overarching story was intriguing and engaging. There were even new characters added to this film I wanted to know more about. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Jeff’s story didn’t receive a lot of development. With this and everything else said, I hope this series continues in 2022!

Take 3: Poisoned in Paradise: A Martha’s Vineyard Mystery Review + 360, 365, 370, and 375 Follower Thank You

9. A Star Is Born (1937)

In my three (soon to be four) years of movie blogging, I never thought I’d ever see any version of A Star Is Born. But now that I have seen the original from the ‘30s, I can honestly say it was better than I expected! The story’s honesty about the entertainment industry and maturity toward heavier subjects was such a surprise. What was also a surprise was the use of mixed-media throughout the film, as it was ahead of its time. Even though A Star Is Born was released toward the beginning of the Breen Code era, it highlights the quality storytelling that came from this period in time. With the constant changes in the entertainment landscape, as well as technology, I can kind of see why this story has been remade on more than one occasion.

Take 3: A Star Is Born (1937) Review

8. The King and I (1956)

In 2021, there is at least one movie from the ‘50s on my best and worst movies list. But since I already talked about I Dream of Jeanie and The Trap, it’s time for The King and I to shine! This was the first time I had seen this version of the story in its entirety. Despite that, I found the film to be quite enjoyable! It is a good looking and sounding film, with the costume design, musical numbers, and set design building an aesthetically pleasing picture. The most memorable part of the movie was Tuptim’s interpretation of Uncle Tom’s Cabin! As I said in my review, it served as a good example of how everyone can view a text differently. The scene itself was more interesting than I expected.

Take 3: The King and I (1956) Review

7. Holly and Ivy

Because Hallmark creates so many Christmas movies, it can sometimes feel like they blend together. However, that is not the case for Holly and Ivy! What helps this title stand out is showing realistic characters dealing with realistic situations. This is quite different from those Hallmark pictures where the conflict either revolves around returning to a small town, saving a beloved establishment, or planning a major event. The emotional balance within this story added to my enjoyment of the picture. It never felt like the creative team was trying to emotionally manipulate me or force a reaction out of me. Looking back on the few Christmas films I reviewed this year, I can say with all honesty that Holly and Ivy was the best one!

Take 3: Holly and Ivy Review

6. Rigoletto

In my opinion, Rigoletto is to Beauty and the Beast what Ever After: A Cinderella Story was for Cinderella. What I mean by this is Rigoletto does an effective job at executing a non-magical version of Beauty and the Beast! Even though there have been musical versions of this particular story, such as the 1991 animated production from Disney, the 1993 film chose music as one of the story’s themes. This was an interesting choice, as it showed the audience the talent and skill it takes to be a good singer. Another interesting choice was the story taking place during The Great Depression. As I said in my review, this creative decision helped the film achieve its own identity.

Take 3: Rigoletto Review + 350 and 355 Follower Thank You

A Star Is Born (1937) poster created by Selznick International Pictures and United Artists

5. Sincerely, Yours, Truly

This is the first year an UP Network movie has appeared on any of my best lists! While Sincerely, Yours, Truly does contain a similar story to those found on Hallmark Channel, it makes up of that in genuineness and sincerity. The movie also presented interesting ideas, such as a grant proposal process and avoiding the “it’s not what you think” cliché. The on-screen chemistry and witty banter between the lead actor and actress definitely added to my enjoyment of this film! I don’t know what’s in store for UP Network in 2022. But I hope they continue to release quality productions like Sincerely, Yours, Truly!

Take 3: Sincerely, Yours, Truly Review + 295, 300, 305, 310, and 315 Follower Thank You

4. Perry Mason: The Case of the Telltale Talk Show Host

This entry in the Perry Mason movie series is one of the most memorable titles! One of the reasons why was the titular talk show host. Featuring real life talk show hosts in this story was a good idea. Having them portray talk show hosts on the radio was an even better idea, especially since some of those hosts had their own television show. That creative decision gave them new material to work with. The engaging nature of the mystery, where the outcome unfolds as the story goes on, maintained a steady amount of intrigue. This served as another way Perry Mason: The Case of the Telltale Talk Show Host stood out in the mystery genre!

Take 3: Perry Mason: The Case of the Telltale Talk Show Host Review + 290 Follower Thank You

3.  The Love Letter

Over the years, I have enjoyed finding and watching Hallmark Hall of Fame movies from years, even decades past. Sometimes, there are hidden gems that can be discovered. 1998’s The Love Letter is one of those gems! Unlike Chasing Leprechauns, the creative team behind the Hallmark Hall of Fame title found a way to allow the realistic and whimsical aspects of the story to co-exist. In fact, the whimsical part of the movie is what made the project one of the most unique in Hallmark Hall of Fame history! The film does contain the elements you’d usually find in a production of this nature, such as historical accuracy. But that just adds to the strength of The Love Letter!

Take 3: Hallmark Hall of Fame’s The Love Letter Review

2. The Three Musketeers (1948)

Isn’t it interesting how another Gene Kelly movie made it to my best list’s top three? Despite the weird coincidence, I did enjoy this version of The Three Musketeers! There was so much about this project I liked, from the strength of the ensemble cast to the stellar fight choreography. However, the best part of the film was how much detail went into it. This can be seen in the set design and costumes, where research and care are also reflected. While I still haven’t gotten around to reading the novel this movie is based on, The Three Musketeers was definitely an entertaining story!

Take 3: The Three Musketeers (1948) Review

1. The Karate Kid (1984)

When it comes to the world of cinema, nothing beats the classics! The timelessness of 1984’s The Karate Kid allows the film to have a strong rate of re-watchability. The film’s story also contained ideas and messages that caused me to think, which is not something I’d expect from a sports movie. As I write this list, Mr. Miyagi’s words immediately come to mind. Whether it’s the famous “Wax on, Wax off” quote or his wisdom about karate, these words not only help The Karate Kid remain a memorable picture, but also give the audience something to apply to their lives. Add some exciting karate sequences and you have a solid film that has stood the test of time!

Take 3: The Karate Kid (1984) Review (Olympic Dreams Double Feature Part 1)

The Karate Kid (1984) poster created by Delphi II Productions, Jerry Weintraub Productions, and Columbia Pictures

Have fun in 2022!

Sally Silverscreen

The Top 10 Worst Movies I Saw in 2021

When it comes to my best and worst of the year lists, 2021 is a little different. For one, this is the first year where I don’t have any Dishonorable Mentions. This is because I didn’t see enough movies to justify having this portion on the list. For another, my list has the least number of movies that were “so bad they were bad”. The reason is most of the films on this year’s list were disappointments. When I look back on my movie viewing in 2021, I feel most of the titles I saw and/or reviewed were either ok or fine/decent. Sure, I did see several films I liked. But some of those will be discussed on my best of the year list. Speaking of lists, let’s start counting down the top ten worst movies I saw in 2021!

Two disclaimers:

  1. As I’ve said in past lists, I did not write this list to be mean-spirited or negative. It’s simply a way to expressive my own, honest opinion.
  2. Some of the movies on this list have been reviewed on my blog. I will include a link to my reviews of these films.
<a href=”http://<a href=’https://www.freepik.com/vectors/background’>Background vector created by pikisuperstar – http://www.freepik.com</a>&quot; data-type=”URL” data-id=”<a href=’https://www.freepik.com/vectors/background’>Background vector created by pikisuperstar – http://www.freepik.comColorful 2021 image created by Pikisuperstar at freepik.com.

10. I Dream of Jeanie (1952)

This movie made me wish I had saved an hour and twenty-nine-minutes by reading Stephen Foster’s Wikipedia page. For a “biopic”, I Dream of Jeanie wasn’t very informative. While I did learn a few things, the story didn’t capture an almost complete picture of the famous composer. It also showcased him in a not-so-favorable light. Because he was portrayed as a desperate push-over, Stephen was a character that exuded sympathy to the audience. What did not help was how the film placed more focus on other characters and events as well, such as the oh so annoying Edwin P. Christy. Speaking of Edwin, this movie would be called “The Edwin P. Christy Show” if given an honest title.

Take 3: I Dream of Jeanie (1952) Review

9. Country at Heart

This movie is notorious among the Hallmark fans for having more than one release date between 2019 to 2020. Too bad it wasn’t worth the wait. What could have been an interesting story turned out to be another tale of a woman from the city coming back to her small hometown. This is also one of those films where the protagonist says they are going to do something, but ends up spending most of the movie not doing the aforementioned thing. Country at Heart’s biggest flaw, though, lay in the singing abilities of the main character, Shayna. Throughout the story, Shayna’s talents were treated as if she were the next great undiscovered talent. But, in reality, her talents were, at best, fine. I don’t know if Jessy Schram sang in the movie or if there was a singing double. However, this part of the film dissuaded me from buying what the movie was selling.

8. The Trap (1959)

What a weird coincidence for another movie from the ‘50s to end up on my worst list. Even though The Trap is classified as a drama, the creative team placed more emphasis on the drama within the story. When you have gangsters in your film, this is not the genre you want to place your movie in. Since my warning came way too late, the 1959 title was a boring combination of a Suddenly rip-off and a road trip picture. Adding insult to injury, the excitement and action you’d expect from a gangster film was so far and few between. I’m honestly surprised I didn’t fall asleep during this movie, as I wanted to on more than one occasion.

Take 3: The Trap (1959) Review

7. Jane Doe: Ties That Bind

It is possible to make a good movie revolving around a debate. The Hallmark Hall of Fame film, Sweet Nothing in My Ear, is a beautiful example of this. With Jane Doe: Ties That Bind, however, adding a debate to a mystery story doesn’t work. This is because it goes against the very nature of the mystery genre, which emphasizes finding a concrete resolution to the story’s conflict. Unfortunately for the 2007 movie, a debate was the most focused part of the script. Because of that decision, the debate overshadowed the mystery itself. When everything was said and done, the debate wasn’t resolved. If I could summarize this film in one meme, it would be the one where the woman asks “You did this for what”?

6. Hometown Hero

It’s a shame that not one, but two PixL movies ended up on my list, especially since I rarely talk about their films on my blog. The reason why Hometown Hero is considered one of the worst movies I saw this year is because of how bland it was. This caused me not to care about any of the characters or their stories. It also doesn’t help that the main actor and actress had such weak on-screen chemistry, it felt like their characters were becoming good friends instead of romantic significant others. Similar to what I said about choice number seven, I would choose the meme of the woman asking “Where’s the flavor”? if I needed to summarize Hometown Hero in one meme.

I Dream of Jeanie (1952) poster created by Republic Pictures

5. The Price of Fitting In

Lifetime has an infamous history of creating PSA/“after school special”/cautionary tale movies, which cover a variety of serious, real world subjects. When I came across this 2021 title, I was curious to see what new topics and issues would be discussed in this film, especially considering it’s been a long while since Lifetime created a movie of this nature. But unlike the network’s other PSA/“after school special”/cautionary tale productions from decades past, The Price of Fitting In suffers from an identity crisis. The script spends the entire movie trying to figure out what type of story it wants to adopt. This led several parts of the narrative to either be underdeveloped or unresolved. The Price of Fitting In does recognize how a robotics team can experience similar peer-related situations like other extracurriculars, so I’ll give the movie credit where it’s due. I just wish that idea had belonged in a better film.

4. Raising Arizona

The best way to describe how I feel about this movie is by using an analogy: You’re listening to someone tell a joke. But when it’s time to deliver the punchline, that person forgets what it is. So instead, they either try to come up with a new punchline on the spot or they attempt to figure out what the original punchline was.  In Raising Arizona, the comedic moments lasted so long, the punchline got lost in translation. Some of the jokes didn’t make sense because of this. The characters were not charming or likable enough to make their dysfunctionality tolerable for the audience. If anything, they were one-dimensional and uninteresting. The only part of the movie that prevented me from DNFing (did not finish) it was Leonard Smalls. He was such a mysterious and intriguing character, that I wish I watched a movie about a character like Leonard.

3. Durango

As I said in my review from July, Hallmark Hall of Fame’s Durango is “the first western set in Ireland”, according to IMDB. For the first of its kind, it was a step in the wrong direction. Stories in the western genre are known for having higher stakes, giving the audience an excuse to stay invested in the characters well-being. Durango didn’t get that memo because most of the stakes were so low, the characters’ plans worked out too perfectly. Despite never reading the book this Hallmark Hall of Fame title is based on, I can tell how weak this script was. What was also weak was Matt Keeslar’s performance and his on-screen chemistry with Nancy St. Alban. Watching this movie on Hallmark Drama was a blessing in disguise. I may not have saved some time, but at least I saved some money.

Take 3: Hallmark Hall of Fame’s Durango Review

2. Chasing Leprechauns

Yet another Hallmark movie set in Ireland joins the list. Since the network doesn’t create many St. Patrick’s Day themed movies, it is frustrating when a story relating to this particular holiday doesn’t stick the landing. With Chasing Leprechauns, the creative team wanted to include a whimsical element without making the movie too whimsical. Like I said in my review of the 2012 film, those involved with the project wanted to have their cake and eat it too. When I look at the movie’s poster, it feels like false advertising. For one, Chasing Leprechauns is a drab looking picture, not the lush, green paradise the poster wants you to believe. For another, there are no leprechauns in the story, despite the word ‘leprechauns’ being in the title. Hallmark is known for releasing some of their movies on DVD. As far as I know, Chasing Leprechauns was never made available for purchase. Maybe its poor quality is the reason why?

Take 3: Chasing Leprechauns Review

Remember when I said there were two PixL movies on my worst list? Well, The Cookie Mobster is the second film. For those who are not familiar with PixL, this is an entertainment company that typically creates “rom-coms” similar to those on Hallmark Channel. Because of that, this 2014 film was way too ambitious for the company’s own good. The light-hearted tone of the scouting troop’s story and the darker tone of the former gangster’s story ended up clashing with each other. Adding to that, the screenwriters didn’t display an understanding for several of the movie’s subjects. The weak script caused me to question the story’s validity, which took away any opportunity for me to stay invested in the story. The more I think about The Cookie Mobster, the more I wish it had been created by INSP or Hallmark Movies & Mysteries.

Since I’m talking about Durango again, I’m re-posting my screenshot of the film’s poster. Screenshot taken by me, Sally Silverscreen.

Have fun in 2022!

Sally Silverscreen

Take 3: The Elephant Man Review

Two years ago, I reviewed It’s a Mad, Mad, Mad, Mad, World. I chose to re-watch this movie in an attempt to give it a second chance. For the Anne Bancroft: A 90th Birthday Celebration Blogathon, I decided to do something similar with another movie. This time, the film of choice is The Elephant Man. Many years prior, I saw about ten minutes of the 1980 title.  At the time, I thought the film was boring. Upon discovering Anne starred in The Elephant Man, I thought it would give me a good excuse to re-visit this movie. It also provided a good opportunity to check out more of Anne’s filmography. So, in honor of Anne’s birthday, let’s raise the curtain on this review of The Elephant Man!

The Elephant Man poster created by Brooksfilms, Columbia-EMI-Warner Distributors, and Paramount Pictures

Things I liked about the film:

The acting: When I reviewed The Picture of Dorian Gray last week, I talked about how I was disappointed to see Peter Lawford in a smaller role, as he was one of the reasons why I watched the film in the first place. Anne Bancroft’s role in The Elephant Man made me feel similarly. She is one of the reasons why I chose to review the 1980 title. Like Peter Lawford, she appeared in the film for a short amount of time. However, I did like her acting performance! Portraying a stage actress named Mrs. Kendal, she brought a brightness to the story that was greatly needed. Her kind disposition is one of the reasons why I liked her interactions with John Merrick/ “The Elephant Man”. One of my favorite scenes is when Mrs. Kendal and John are reciting Romeo and Juliet. The way these actors conversed with one another helped create a genuinely sweet moment for both characters!

Speaking of John, I also liked John Hurt’s portrayal of the titular character! When it comes to historical figures or real-life people, it can, sometimes, be difficult to picture that person existing in the same world as us. That’s because we are, at times, so far removed from these individuals. With John’s performance, it made the realization of John Merrick’s/ “The Elephant Man’s” existence come alive. With the help of elaborate makeup, John was able to transform into another person. At the same time, he was able to bring the humanity out of his character. During the movie, John Merrick/ “The Elephant Man” builds a replica of a nearby cathedral. Even though this example is a simple one, it highlights John’s personality, as well as his desire to learn and dream.

Prior to re-watching The Elephant Man, I had seen some of Anthony Hopkins’ films. Out of the films I have seen, most of Anthony’s roles were a source of fear. For example, as I talked about in my review of Audrey Rose, his character seemed to have power over the situation. That’s because he carried the answers Ivy’s parents were desperately seeking. But in The Elephant Man, his character was not a source of fear. This gave Anthony different material to work with. While portraying Dr. Frederick Treves, he came across as charming. Frederick always had his heart in the right place, going to the ends of the earth for John Merrick/ “The Elephant Man”. But there was one scene when Frederick was angry for the right reasons. In that scene, he was truly scary, from angrily yelling to pushing someone across a room. However, this incident was meant to show how one’s suffering can cause another person to react.

The use of black-and-white imagery: Because this story takes place in the Victorian era, the creative team chose to present their project in black-and-white imagery. I found this to be an interesting choice, especially since the film was created during a time when color cinematic imagery was available. Whenever illustrations or pictures from the Victorian period are shown, they are typically in black-and-white. Therefore, the imagery gave the illusion of these illustrations and pictures coming to life. This creative choice allowed the audience to be transported back to that time. To me, I found the overall project immersive, thanks in part to the black-and-white imagery!

The cinematography: Another area of interest was the movie’s cinematography! At times, the camera was positioned as if the view is from John Merrick’s/ “The Elephant Man’s” perspective. When John first goes to Frederick’s office, he stands in a corner of the room. As Frederick is entering his office, the scene is presented from John’s corner, as if John himself is holding the camera. When it came to the cinematography, creative decisions were found. As John is entering the hospital for the first time, Frederick meets him at the front desk. During this interaction, a long shot looking down on John shows him walking around the front desk. This was an interesting way of presenting this scene, shown in a way I never would have considered.

Anne Bancroft: A 90th Birthday Celebration blogathon banner created by Crystal from In The Good Old Days of Classic Hollywood

What I didn’t like about the film:

Lots of establishing shots: Throughout the film, establishing shots built up to certain parts of the story. However, the abundance of these shots felt more like padding. A good example is when Frederick is on his way to see John/ “The Elephant Man” for the first time. Before Frederick arrives at his destination, scenes of him walking down streets and alleys are shown. But instead of the three or four establishing shots presented, there should have been only one. If some of these shots were cut, the movie would have a run-time of less than two hours.

Prolonging John’s/ “The Elephant Man’s” appearance: As the title suggests, The Elephant Man revolves around John Merrick/ The Elephant Man. The film is also based on an article titled The Elephant Man: A Study in Human Dignity by Ashley Montagu. With all that said, it appears the creative team tried to emphasize the idea of someone having different life experiences or medical conditions than ourselves. But instead of normalizing John’s appearance by showing him on-screen sooner, John’s presence was prolonged for the first thirty minutes of the movie. During that time, John was either shown very briefly or his appearance was hidden. One example is during a medical presentation, where only John’s shadow could be seen. Even the movie’s poster features John covered up by a mask and cape. These creative choices went against the team’s good intentions.

Missed opportunity for a mystery: While John is having tea at Frederick and Ann’s house, he mentions how he’d like to find his mother and meet her. As soon as John said this, I thought Frederick was going to solve the case. Sadly, this part of the story never came to fruition. This disappointed me because omitting this mystery felt like a missed opportunity. At the same time, I can understand why this mystery was, simply, a passing comment. As I mentioned before, The Elephant Man revolves around the true story of John Merrick/ The Elephant Man. If little to no information is known about his mother, then it wouldn’t be faithful to make up details for the sake of intrigue.

Theater seats image created by weatherbox at freeimages.com. “FreeImages.com/weatherbox.”

My overall impression:

In The Elephant Man, Mrs. Kendal tells John “the theater is the most beautiful place”. While the theater, both on screen and stage, can be beautiful, it can also be quite ugly. Throughout the 1980 film, the script presents both ugly and beautiful moments in John’s life. The story is told in a way that I’d refer to as a “slow burn”. Even though this movie is based on a true story, it is a character driven narrative. It is also presented in an interesting way. I’m glad I gave this film a second chance! Because of my choice, I got to see familiar actors take on different roles. I also got to see more films from the 1980s. Looking back, I realize both films I re-visited, The Elephant Man and It’s a Mad, Mad, Mad, Mad, World, were because I reviewed them for a blogathon. It will be interesting to see what film I plan to re-visit next.

Overall score: 7.4-7.5 out of 10

Have you seen The Elephant Man? Did you re-visit a film recently? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Karate Kid Part II Review (Olympic Dreams Double Feature Part 2)

Now that I’ve seen 1984’s The Karate Kid, it’s time for me to review its respective sequel; The Karate Kid Part II! Long before I even thought about starting a movie blog, I had only seen a snippet of this film. Like I said before, I am willing to give a chance to movies I haven’t watched in their entirety. Because of that and because the majority of The Karate Kid Part II takes place in Japan, which has hosted the Olympics four times, my blogathon became a good excuse for checking this sequel out! Sequels, like any type of film, can be hit or miss. There are times when the next chapter can allow the overall story to “go the distance”; expanding the narrative and bringing something new to the table. Meanwhile, there are sequels that waste their potential by trying to recapture the magic of the previous installment. At the end of the day, it all comes down to the creative team and their intention for creating another film. If you want to know what type of sequel The Karate Kid Part II is, you’ll just have to keep reading this review!

Because I had The Karate Kid Part II on my DVR since last year, I decided to use a screenshot of the movie’s poster from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

More focus on Mr. Miyagi: The first film was about Daniel’s personal journey; hence the film being titled The Karate Kid. While the majority of the movie revolved around the protagonist, we get to learn about Mr. Miyagi through his interactions with Daniel. But only parts of Mr. Miyagi’s backstory are revealed in these interactions. The Karate Kid Part II places more emphasis on Mr. Miyagi’s story. As I mentioned in the introduction, the sequel takes place in Japan, where Mr. Miyagi is originally from. However, the audience also witnesses people from Mr. Miyagi’s past interacting with him. The reason for the sequel primarily taking place in Japan is because Mr. Miyagi receives a letter from his former love interest, Yukie, about his father’s ill-health. By crossing paths with Yukie again, Mr. Miyagi is given the opportunity to reflect on past life choices. He also has to deal with the ramifications those choices had created. This new direction in the overall story shows that even though Mr. Miyagi is a good teacher with plenty of wisdom to share, he is still a human who, like Daniel, is constantly learning.

Interactions among the characters:  In my review for The Karate Kid, I talked about how the interactions among the characters were one of the strongest parts of that film. The sequel has the same strength as its predecessor, which provides consistency to the overall story! Having Ralph Macchio and Noriyuki “Pat” Morita reprise their roles helps maintain this consistency, as both actors are now familiar with each other’s talents. One of the strongest scenes in the movie is when Daniel and Mr. Miyagi are watching the sunset on the beach. In this moment, we not only learn more about Daniel, but we get to see him support his mentor and friend. The Karate Kid Part II shows Daniel having grown up since the events of the first film. Even though Daniel is still a teenager with a teenage perspective, he is more willing to put others before himself, as well as open his mind to new opportunities and experiences. Right as Mr. Miyagi boards his plane, Daniel joins him in the plane terminal. The reason why he wants to join Mr. Miyagi on this trip is because he wants to be there for his friend and mentor, especially since that friend and mentor has been there for Daniel. Not only does Daniel purchase a book about the specific place in Japan where Mr. Miyagi is from, but Daniel also uses some of the money from his savings account to pay for his ticket. Like I said in my review for the first movie, interactions like Mr. Miyagi and Daniel’s were made possible by the quality of the acting performances and the screenwriting!

The scenery: Although most of The Karate Kid Part II takes place in Japan, the movie was actually filmed in Oahu, Hawaii. Despite this change in location, the scenery was simply beautiful! Because Okinawa is presented in the film as a seaside town, there are several shots of the water that are featured. As I previously mentioned, Mr. Miyagi and Daniel are watching the sunset on the beach. Parts of this scene are shown through long shots, capturing the sun’s soft orange glow against the gray of the sky and water. In my review of the first installment, I talked about how one scene transitioned from a medium to a long shot, in an effort to showcase a part of the Grand Canyon. A scene where Daniel is practicing a breathing technique on a dock uses a similar transition. However, instead of starting with a medium shot, it begins with a close-up of Daniel. It then evolves into a long shot of the ocean, with clear blue water surrounding the dock and green palm trees found in the background.

Created by me, Sally Silverscreen, on Adobe Spark.

What I didn’t like about the film:

A limited presence of Kumiko and Daniel’s relationship: Before watching The Karate Kid Part II, I was interested in seeing how Kumiko and Daniel’s relationship differed from his relationship with Ali. Even though I liked seeing Ali and Daniel together, I can see why their relationship didn’t survive past the first film. Daniel and Kumiko were a nice couple. It also helps that Ralph and Tamlyn Tomita had really good on-screen chemistry. But Daniel and Kumiko’s relationship was shown less than Ali and Daniel’s relationship. Because of this, it caused their relationship to feel rushed. In one scene, when Daniel is getting into Kumiko’s car, Peter Cetera’s “Glory of Love” is playing on the radio. This is not only the film’s official song, but the song’s official music video heavily emphasizes Kumiko and Daniel’s relationship. Anyone who has heard “Glory of Love” would agree that it is better suited as a “wedding song”. Having this piece of music surround a teenage couple that has known each other for about less than three months feels a bit misleading. Also, The Karate Kid is a trilogy, followed by the television show, Cobra Kai. If the third movie and/or TV show is anything like the beginning of the second film, “this could all end in tears” (Bartok’s (from 1997’s Anastasia) words, not mine).

Karate fight sequences being used sparingly: One of the flaws of the first movie was how the karate fight sequences had a limited presence in the overall story. In The Karate Kid Part II, there are even less karate fight sequences. With a movie called The Karate Kid, you expect a certain amount of karate to be featured in the film. While both movies are not action oriented, fight sequences can add excitement to the overall story. Fighting was primarily avoided in The Karate Kid Part II, as both Mr. Miyagi and Daniel try to find other ways to resolve their issues. This was one of the central themes of the narrative: exploring other problem-solving avenues before using fighting as a last resort. However, karate is the heart of this series. When you choose to show only a handful of fight sequences, you have little exciting material to work with.

No satisfying resolutions for parts of the story: In The Karate Kid Part II, there were a few parts of the story that were not consistently told within the overall film. Because of this, I feel their resolutions were not satisfying. While taking a trip through town, Kumiko reveals to Daniel that she dreams of becoming a dancer. However, the type of dancing she’s interested in is not taught in Okinawa. Toward the end of the film, Kumiko tells Daniel that she plans on going to the United States in order to pursue her dream. But this resolution feels kind of random. There is no lead up to the resolution itself. Daniel also doesn’t provide any advice to Kumiko in regards to her personal dilemma. For this part of the story, the journey from Point A to Point B was missing.

Okinawa, Japan image created by Charlie Balch at freeimages.com. “FreeImages.com/Charlie Balch.”

My overall impression:

 The Karate Kid Part II is a fine film. But I don’t think the script was as tight as it was the first time around. I like how the story focused on Mr. Miyagi, as it offered new story-telling opportunities. But, to a degree, it came at the expense of Kumiko and Daniel’s relationship, as it was shown for a limited amount of time. If Peter Cetera’s “Glory of Love” had revolved around Mr. Miyagi and Yukie’s relationship, it would have made more sense. Not only is The Karate Kid Part II primarily Mr. Miyagi’s story, but he and Yukie have history together. While the theme of using fighting as a last resort is important, it prevented the movie from featuring more karate fight sequences than the previous film. As I’ve stated before on my blog, a movie’s title partially serves as a promise to the audience. With The Karate Kid Part II, I can’t say this promise was completely broken. This is because, according to Mr. Miyagi, karate should be used in self-defense only, emphasizing how karate consists of more than just fight sequences. But when a movie features any form of marital art, people, more often than not, come for the cool-looking and exciting fight sequences. I appreciate how this film wasn’t just a carbon copy of its predecessor. It shows the creative team put legitimate thought and care into their project. If you enjoyed the first film, I’d say give its second chapter a chance. Even though there are stronger sequels out there, The Karate Kid Part II is certainly not one of the worst.

Overall score: 7.3 out of 10

Have you seen The Karate Kid Part II? Are there any sequels you are a fan of? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Karate Kid (1984) Review (Olympic Dreams Double Feature Part 1)

For my first two blogathons, I wrote editorials as my contribution for the event. These articles were ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience and Roger Ebert’s Movie Yearbooks: How Relevant are They Anyway? This time around, I wanted to do something different. Therefore, I chose to write a double feature review! Because this year’s blogathon is Olympic themed, I selected The Karate Kid and The Karate Kid Part II. In 1984, the Summer Olympics were held in Los Angeles. The Karate Kid not only takes place in California, but it was also released in 1984. Years ago, I had seen about half of this movie. As I said in my review for It’s a Mad, Mad, Mad, Mad, World, I am willing to give films a second chance if I haven’t finished them or haven’t watched them in several years. It’s been a long while since I have seen The Karate Kid, so I thought my blogathon would provide a good excuse to revisit it.

The Karate Kid (1984) poster created by Delphi II Productions, Jerry Weintraub Productions, and Columbia Pictures

Things I liked about the film:

The interactions among the characters: In stories that heavily rely on the relationships between various characters, how well-acted those characters are and the quality of their interactions will make or break that story. With The Karate Kid, these interactions served as one of the strongest parts of the film! That is because all of them felt natural and believable. When Daniel and Ali go to Golf N’ Stuff for the first time, you can see these characters are genuinely having a good time. They acted the way you’d expect a typical teenager would; smiling while racing each other at the go-kart track, laughing as their bumper boat crashed into another boat, and critiquing their pictures from the photobooth. Because of Ralph Macchio and Elisabeth Shue’s performance, as well as the script, their relationship came across as realistic. When it comes to Daniel’s relationship with Mr. Miyagi, we are given the opportunity to witness healthy mentor/student interactions. If one were given instructions, but not the reason behind those instructions, it can be easy to get frustrated. This happens after Daniel receives a series of instructions from Mr. Miyagi. But when Daniel discovers the reason why he has been following these instructions, you start to see him gain an understanding and appreciation for what Mr. Miyagi has taught him. Similar to what I said before about Daniel and Ali’s relationship, this period of learning and discovery contains a lot of realism. It shows that, with the right support and guidance, we can learn things such as how to think for ourselves.

The cinematography: The Karate Kid is a movie that has better cinematography than most of the film fan community gives it credit for. To prove my point, I will bring up one of the film’s earliest scenes as an example. At the beginning of the movie, Daniel and his mom are driving through Arizona. This particular scene starts with a medium shot, placing primary emphasis on Daniel’s mom’s car. As their journey down this road plays out, the camera pulls away from the car and delivers a long shot of a section of the Grand Canyon. Characters’ interactions are also captured well on film! At a Halloween party, Daniel is dressed up as a shower. When Ali wants to talk to Daniel, she goes behind the costume’s curtain. Their conversation is shown in a close-up shot, which allows the audience to feel like they are that small space with Ali and Daniel. I really liked how the karate tournament was filmed! It involved a combination of medium and close-up shots, allowing the audience to witness the action. The camera was also steady, which made the scenes appear clear.

The music: Music is an important component of any movie. A song or instrumental piece can elevate the mood within a scene or highlight a scene’s intended point. The scene where Daniel attends his first day of school serves as a great example. In the background, “Cruel Summer” by Bananarama can be heard. Having this song play during this scene makes sense for several reasons. Daniel’s story starts in September, which is technically summer until September 21st or as late as September 24th. Daniel is also having a difficult time adjusting to his new home, believing the move to be a “cruel” gesture on his mother’s part. The music itself is light with a higher tempo, as the sunny California environment pairs nicely with the tune. The struggles Daniel is experiencing are heavily emphasized, with the help of Bananarama’s “Cruel Summer”.

Created by me, Sally Silverscreen, on Adobe Spark.

What I didn’t like about the film:

The on again/off again nature of Daniel and Ali’s relationship: I liked seeing Daniel and Ali together and I thought Ralph and Elisabeth had good on-screen chemistry. However, I didn’t like the on again/off again nature of their relationship. I know that every relationship, whether platonic or romantic, has their issues to deal with. I also understand that a relationship where both parties are younger are going to handle those issues differently than a relationship where both parties are older. With Ali and Daniel, they became frustrated over their issues too easily. This causes them to enter and exit their relationship too quickly. While I was glad to see Daniel and Ali work things out, I wish they were less hasty about their relationship by talking things through.

A limited presence of karate fight sequences: The Karate Kid is not an action movie, but a coming-of-age story where one develops a better understanding of karate. Even though I knew that before watching this film, I feel the presence of karate fight sequences was limited. We see about three fight sequences toward the beginning of the film, with the majority of them taking place during the tournament. The rest of the story focuses on Mr. Miyagi teaching Daniel the foundations of karate. In the middle of the movie, I think there should have been one or two fight sequences. For example, instead of simply showing Mr. Miyagi breaking the loiters’ glass bottles at the beach, a karate fight sequence had taken place. That way, the excitement that comes from these sequences would be consistent throughout the movie.

Small details that don’t make sense: While watching The Karate Kid, I noticed some small details that, to me, didn’t make sense. In one scene, Mr. Miyagi tells Daniel that karate is about what is in your mind and heart, not about what belt you have. If that is the case, why do belt ranks exist in the first place? Why work toward earning another belt when what’s in your mind and heart are more important? At the tournament, the people running the event acted like they weren’t familiar with Mr. Miyagi’s “dojo”. Yet, on the scoreboard, there is a pre-made logo next to Daniel’s name. How was this logo able to be made if no one organizing the tournament had heard of Mr. Miyagi’s “dojo”?

Martial arts image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/red”>Red vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com. 

My overall impression:

The Karate Kid is a film that is considered a “classic” for good reason. It not only features exciting karate fight sequences, but it also uses one-liners well and has a strong script. But, in my opinion, the reason why the 1984 picture has earned this title is because it’s the type of movie that sticks with you. “Wax on, Wax off” is one of the most quotable lines in film history. Whenever I hear that line, I think about how there’s a reason for everything. I also remember how Daniel had to learn the meaning of “Wax on, Wax off” for himself instead of Mr. Miyagi telling him what it means. The Karate Kid is also a movie that has the ability to make you think. Whether or not this was intentional, you can’t help but reflect on the things that Mr. Miyagi says. You also can’t help but think about how those things can apply to real life. It’s been amazing exploring the world of ‘80s cinema. I’ve found some hidden gems, revisited some classics, and stumbled upon some stinkers. With The Karate Kid, I’d say it is definitely a keeper! I hope you stick around, because I’ll be reviewing this story’s second chapter!

Overall score: 8.2 out of 10

Have you seen The Karate Kid? Are you looking forward to my review of The Karate Kid Part II? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen