Tag: movies

Take 3: Mame (1974) Review (Golden Double Double Feature Part 3)

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Thanks for joining me for the third part of my Golden Double Double Feature! My review of 1974’s Mame is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Mame (1974) poster created by Warner Bros. and American Broadcasting Company (ABC)

1. Out of the movies from Bea Arthur’s filmography, why did you select Mame?

Similar to what I said about my decision to review Mask, I had no idea Bea starred in Mame until I saw the movie listed on her IMDB filmography. While I have heard of Mame prior to selecting it for the Golden Double Double Feature, I had never seen the film. But as I researched Mame before publishing this review, I learned the movie’s reception was mostly negative. Even though I watch every film I write about with an open mind, including Mame, the aforementioned reception led me to approach Mame with low expectations.

2. In Mame, Bea portrays Vera Charles. How is Vera Charles similar or different from Dorothy?

If I could choose one word to describe Dorothy Zbornak, it would be “honest”. In fact, her brutal honesty helps her achieve distinctiveness on The Golden Girls. I remember one scene on the show when Rose asks Dorothy if she can ask her a question. Dorothy matter-of-factly responded to Rose by saying, “Better than anyone I know”. Bea’s character in Mame, Vera Charles, shares this brutal honesty with Dorothy. The musical number, “Bosom Buddies”, perfectly highlights this characteristic. But there is a major difference between Dorothy and Vera. Because Vera is a stage actress, her personality is more dramatic. Meanwhile, Dorothy carries herself with a “tell it like it is” attitude. Though some viewers could perceive this type of attitude as rude, it has become appreciated not just by the other characters on The Golden Girls, but by the show’s fans as well.

3. According to Wikipedia, Mame was the Easter attraction at Radio City Music Hall. Yet, on The Golden Girls, it doesn’t seem like there was an Easter themed episode. Why do you think The Golden Girls didn’t capitalize on the Easter holiday?

Radio City Music Hall choosing Mame as their Easter attraction is a surprising decision. This is because, according to Wikipedia, Disney’s adaptation of Alice in Wonderland (a movie with more family-friendly appeal and a rabbit as one of the main characters) was re-released in March of 1974. To answer question number three, I believe the creative team behind The Golden Girls just never found an Easter themed story that was worth telling on the show. This belief is similar to my answer for the fifth question of my Hallmark Hall of Fame’s The Lost Valentine review, where I speculate why The Golden Girls never received a television film.

4. Was there anything about Mame you liked or didn’t like?

As I said in answer number two, Vera was a brutally honest woman with a dramatic personality. These qualities, along with a drier sense of humor, allowed Vera to add some comic relief to Mame. One of the film’s funniest scenes is when Vera wakes up in Mame’s bathtub after Mame throws an extravagant party the previous evening. To help Vera become more awake, Mame turns on the shower. Vera just stands in the middle of the bathtub, providing no reaction to the shower’s water. I found that lack of reaction hilarious because I wasn’t expecting Vera to just stand in the middle of the bathtub and simply appear irritated due to the interruption caused by the shower’s water. In my opinion, Bea’s portrayal of Vera stole the show!

According to IMDB, Mame has a run-time of two hours and twelve minutes. This run-time could be felt, especially after Mame’s nephew, Patrick, grows up. The second half of Mame was drawn-out, which caused the film’s pace to slow down. In fact, the overall pace of Mame was inconsistent because of how drawn-out the second half was. Had the movie been trimmed to about an hour and forty minutes, Mame’s pace could have been a bit faster.

5. Mame is an adaptation of its respective Broadway musical. Several musical moments were featured on The Golden Girls, from the song about Miami I mentioned in my Mask review to “The Sky Is Falling” number from the episode, ‘Henny Penny – Straight, No Chaser’. What Broadway musical do you wish had been referenced on the show?

Like I said in my third answer of my Mask review, the overarching story of The Golden Girls is grounded in reality, meaning the situations depicted on the show seem realistic, more often than not. Though I haven’t seen any performances of Cats, I have heard it’s a musical that prioritizes performance and presentation over the story, forcing the audience to suspend a lot of their disbelief. I’m not sure if Cats was ever referenced on The Golden Girls. But if it wasn’t, I wonder how a show like The Golden Girls would have incorporated a musical like Cats into the story?

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6. Did you develop any thoughts and/or questions while watching this film?

If you look at Mame’s poster, you’ll notice the bright colors sprinkled across the plain white background. This poster is such a good representation of the movie because Mame is a colorful film! The set and costume design adopts bold hues that nicely burst on screen. A great example presents itself during the musical number, “Mame”. All the men in that number, including Mame’s love interest, Beau, wear red riding jackets. Meanwhile, all the women, especially Mame, wear black riding jackets. These two colors effectively contrasted against the green foliage of the Burnside family plantation. While we’re still on the subject of the musical number, “Mame”, I want to talk about the choreography. As I just mentioned, the “Mame” number takes place at the Burnside family plantation. This sprawling space provided plenty of opportunities to showcase impressive dance sequences. Multiple groups of three men each leaped over hedges lining a walkway. These leaps felt reminiscent of horses jumping, which makes sense because, prior to the number, the characters participated in a fox hunt. Later in the number, both men and women leaped around a circular fountain. This creative choice was a simple yet visually appealing way of utilizing the landscape Mame’s creative team had at their disposal.

7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Mame?

Similar to when I reviewed Mask, there are several good answers I could choose for this question. Since I can pick only one “iconic staple” for Mame, though, I’ll select Vera’s telescope. In Mame, Vera portrays an astronomer in one of her plays. During the musical number, “The Man in the Moon”, Vera carries a beautiful telescope prop covered in gold glitter and pearls. Telescopes are typically associated with exploring, especially when it comes to space. This particular tool can help people see places and objects clearer, as well as discovering new possibilities. Mame’s musical number, “Open a New Window”, stresses one of the film’s major themes of opening your heart and mind to new opportunities, possibilities, and experiences in order to make life more fulfilling. What I said about the telescope perfectly correlates with this major theme from Mame!

8. Christmas plays a role in Mame, as “We Need a Little Christmas” is one of the movie’s musical numbers. Meanwhile, there are two Christmas episodes of The Golden Girls; ‘‘Twas the Nightmare Before Christmas’ and ‘Have Yourself a Very Little Christmas’. When it comes to Christmas stories, do the aforementioned episodes and Mame share any similarities?

Based on the “We Need a Little Christmas” musical number from Mame, as well as the synopsis for both Christmas episodes of The Golden Girls, I’d say a major similarity is how the events of each story affect a small group of characters to varying degrees. Though it’s a week before Thanksgiving, according to Patrick, Mame makes the decision to celebrate Christmas early. Because she, as well as the other characters in Mame, have been impacted by the Great Depression, she attempts to create joy during a time of hopelessness. Meanwhile, the “golden girls” not only discover Stan’s situation while volunteering at a soup kitchen together, they are also held hostage together by “Santa Claus”. Each Christmas episode of The Golden Girls emphasizes the characters working together to deal with the events affecting them.

9. Mame was released in 1974 (11 years before The Golden Girls premiered). Was there any element from the movie you think could have impacted the show?

I already brought up in this review how the musical number, “Bosom Buddies”, perfectly highlights Vera’s brutal honesty. However, this musical number also highlights how Mame can be brutally honest. The purpose of “Bosom Buddies” is to stress how, despite the brutal honesty among Mame and Vera, their friendship remains valued by each woman. As I was watching this musical number, I was reminded of the friendship between Sophia, Dorothy, Blanche, and Rose on The Golden Girls. There have been times where, at least, one of these women has been so honest, it catches the others off-guard. But, at the end of the day (or by the end of an episode), the friendship among the “golden girls” is cherished, even over a serving of cheesecake. So, to answer this question, I’d say the honest friendship in Mame could have impacted the friendship on The Golden Girls.

10. After watching Mame, is there anything you can take away from your movie-viewing experience?

When I answered question number one in this review, I brought up how I learned Mame’s reception was mostly negative. On IMDB, the film received a score of 5.9. Personally, I think the negativity toward Mame is a bit harsh. Yes, the movie has its flaws, such as its two hour and twelve-minute run-time. But, in my opinion, Mame is fine and entertaining-enough. The set and costume design clearly showed the film’s creative team had a strong vision and consistently stuck with it. The choreography was executed well, especially during the musical number, “Mame”. Bea’s portrayal of Vera was such a highlight, I wish she was featured in the movie more. Vera’s brutal honesty, dramatic personality, and drier sense of humor helped her steal the show! I’m honestly glad I approached Mame with low expectations. Those expectations were surpassed, allowing me to enjoy this film.

The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

Thank you for being a friend!

Sally Silverscreen

Comparing with the Critics – Worst of 1980 – When Time Ran Out…

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This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

My first review for my Comparing with the Critics series was the 1976 picture, Network. Not only is this one of William Holden’s films, I reviewed Network for the 6th Golden Boy Blogathon: A William Holden Celebration. Two years later, I’m doing it again; participating in the 7th Golden Boy Blogathon: A William Holden Celebration and selecting one of William’s movies for my Comparing with the Critics series. As the title states, that film is 1980’s When Time Ran Out…. I had heard of this movie because it was featured in Sneak Previews’ ‘The Worst Movies of 1980’ episode. In this episode, the overarching theme, according to Gene Siskel, was examining “some of the year’s lousiest films in terms of what they reveal about what’s wrong with the American film industry”. When it came to When Time Ran Out…, the problem was “some producers, Irwin Allen being one of them, who have a very low opinion of the audience. They think they can fool the audience and rope them into the same story over and over again”. I will admit I don’t watch as many “disaster” movies as Gene and Roger Ebert did when they were hosting their show. But based on the “disaster” films I’ve seen (and even reviewed), I don’t believe When Time Ran Out… should be considered one of the worst movies of 1980.

When Time Ran Out… poster created by International Cinema and Warner Bros.

A Lifetime movie I remember liking is 2009’s The Christmas Hope. Though it’s been years since I’ve seen the film, I do recall the interconnectivity between the characters, with each connection becoming more intriguing as the story went on. Interconnectivity between characters is an aspect from When Time Ran Out… I liked. When the story starts, the cast of characters are introduced living their own lives and dealing with their own situations. William Holden portrays Shelby Gilmore, a man who owns multiple hotels, including the Kalaleu Gilmore. Paul Newman also stars in When Time Ran Out… as Hank Anderson, whose work on oil rigs leads him to suspect a local volcano may erupt. Hank’s story connects with Shelby’s story because Hank warns Shelby, as well as Shelby’s business partner, Bob Spangler, about the volcano’s potential eruption. Each character’s connection, along with the cast’s on-screen chemistry, kept me invested in the movie while waiting for the eruption of the volcano. I was not only interested in how each character’s path crossed, but also how the volcano and its aftermath would affect the characters.

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Gene claims the problem with When Time Ran Out… is how “some producers” “think they can fool the audience and rope them into the same story over and over again”. As I admitted in this review’s introduction, I don’t watch as many “disaster” movies as Gene and Roger Ebert did when they were hosting their show. However, based on my experience watching When Time Ran Out…, I noticed how the story prioritized the characters’ reactions to the disaster instead of the spectacle of the disaster itself. While the erupting volcano is shown on screen, it isn’t sensationalized like one might expect from a “disaster” movie. The decision to prioritize characters’ reactions shows viewers how natural disasters can indeed have consequences. Some characters get hurt and even die, stressing how no one is invincible while nature has a mind of its own. The threat of a volcanic eruption alone can impact multiple industries, ranging from hospitability, natural resources, and scientific. When the story of When Time Ran Out… progressed, various responses to the eruption were on display. One example is how some of Kalaleu Gilmore’s guests are so desperate to leave the island, they board a helicopter and try to fly it themselves. Everything I just said made this “disaster” picture feel realistic.

The 7th Golden Boy Blogathon: A William Holden Celebration banner created by Emily from The Flapper Dame and Virginie from The Wonderful World of Cinema

During the segment about When Time Ran Out… in Sneak Previews’ ‘The Worst Movies of 1980’ episode, Roger says “the whole movie is made out of basic scenes we’ve seen dozens of times before”. Meanwhile, Gene criticizes the repetitive nature of When Time Ran Out…’s script as “cruel manipulation”, elaborating by saying “when the audience walks into a film like this and they see that there’s nothing there but that same old formula, I think they feel burned, I think they feel bad about movies in general.” While I agree with Gene and Roger that When Time Ran Out… possesses flaws, I disagree about the types of flaws the movie contains. I understand witnessing the connectivity between characters gave the script build-up to the inevitable volcanic eruption. However, the eruption itself took place at about the film’s halfway point, forcing the audience to wait half the movie for the eruption to happen. This creative decision also caused some of the characters’ resolutions to be wrapped up a little too conveniently for the sake of the run-time. I wish some more of the characters’ reactions to the eruption’s aftermath had been included in the script.

Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

In When Time Ran Out…, Shelby talks to Bob about “son of a famous father syndrome”, sharing how he always felt like he was under his father’s thumb. When his father passed away, Shelby says he felt a huge weight lifted off his shoulders. But when he found success, he believed it was hollow because his father wasn’t there to witness his success. Bob disagrees with Shelby’s view of success, saying how sweet success is. I find this discussion between Shelby and Bob ironic, as it takes place in a film Roger claimed was “a major box office flop”. When it comes to When Time Ran Out… itself, I found the film fine, intriguing, and interesting-enough. Due to the connections between the characters, I was invested in how they responded to the eruption and its aftermath. I also appreciate the creative team’s decision to adopt a more realistic approach to the eruption. That creative choice provides a strong reminder how unpredictable nature can sometimes be. Yes, When Time Ran Out… has its flaws. But because I don’t consistently watch “disaster” films, I didn’t pick up on the repetitiveness Roger and Gene did. Similar to when I reviewed Network, the 1980 picture is one I disagree with Gene and Roger on.

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Take 3: Mask (1985) Review (Golden Double Double Feature Part 2)

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Thanks for joining me for the second part of my Golden Double Double Feature! My review of 1985’s Mask is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Mask (1985) poster created by Universal Pictures

1. Out of the movies from Estelle Getty’s filmography, why did you select Mask?

I had no idea Estelle had starred in Mask until I saw the movie listed on her IMDB filmography. Prior to selecting it for the Golden Double Double Feature, I had heard good things about the movie. In fact, I learned about Rocky’s story as I researched the film before this review. By choosing it for this year’s double feature, I found the perfect excuse to finally check Mask out!

2. In Mask, Estelle portrays Evelyn Steinberg. How is Evelyn Steinberg similar or different from Sophia?

In Mask, Estelle portrayed Evelyn Steinberg. Evelyn is not only Rocky’s grandmother, but also the mother of Rusty (Rocky’s mom). While Evelyn is the mother of a main character like Sophia on The Golden Girls, she isn’t as outspoken or a storyteller like Sophia. Instead, Evelyn tries to keep the peace within her family and doesn’t get involved in family conflicts. She ended up receiving less screen-time in Mask than Sophia did on a typical episode of The Golden Girls.

3. Mask is based on the real-life story of Roy L. “Rocky” Dennis. Can you think of a time on The Golden Girls when real-life stories, themes, or ideas were woven into the script?

Though The Golden Girls is classified as a sit-com, the overarching story is grounded in reality, meaning the situations depicted on the show seem realistic, more often than not. One classic example is the sixth episode from the third season, ‘Letter to Gorbachev’. Because the episode aired on Halloween in 1987, that could have given The Golden Girls’ creative team an excuse to make a Halloween-themed episode. Instead, the creative team crafted a story where Rose writes a letter to both President Ronald Reagan and Soviet Premier Mikhail Gorbachev sharing her thoughts on nuclear war. Because nuclear war, as well as The Cold War, were two of the most discussed issues during the 1980s, fans of The Golden Girls were probably comforted by one of their favorite characters being just as concerned as they were about these real-life subjects. Rose’s decision to write the aforementioned letters also shows viewers how anyone, no matter their age, can make a difference.

4. Was there anything about Mask you liked or didn’t like?

I said in the past how I typically don’t gravitate toward “slice of life” stories. In my opinion, these types of stories are not as intriguing as other story types. But the “slice of life” approach to storytelling worked in Mask’s favor. It presented Rocky’s story as a glimpse into his life instead of the chronological presentation most biopics adopt. This creative decision brought something different to the biopic genre. What also worked in Mask’s favor was the strength of the acting performances. Each cast member, from Cher’s portrayal of Rusty or Eric Stoltz’s portrayal of Rocky, put genuine emotion behind their performance, finding the heart of the people they’re portraying and bringing the humanity to their names. That genuineness made me feel like I was watching people living their lives instead of actors portraying another person.

As I said in answer number two, Evelyn ended up receiving less screen-time in Mask than Sophia did on a typical episode of The Golden Girls. I was disappointed by her limited amount of screen-time, as Estelle is one of the reasons why I chose to watch Mask. According to Wikipedia, Evelyn “tries to mediate the tension between her husband and her daughter”. This statement made me believe she’d play a bigger role in the story. But as I already mentioned, Evelyn received a limited amount of screen-time. Her limited involvement in the story disappointed me as well.

5. Looking back on 1985’s box office, several movies, including Mask, feature younger protagonists (children, teenagers, young adults). Yet younger characters don’t often appear on The Golden Girls. If a younger character had been included within one of the show’s scripts, what kind of story would you have pitched?

One of the sweetest moments in Mask is when Rusty, her boyfriend, Gar, and their motorcycle friends help Rocky in his time of need. Rocky is worried about not having the appropriate attire for his upcoming junior high graduation. After hearing Rocky’s concern over what to wear, Gar tells Rocky to get him a beer from the refrigerator. When Rocky opens the refrigerator, he finds a brand-new suit his mom, Gar, and the rest of the motorcycle friends pitched in to pay for. Inspired by this moment, I would have advocated for a story on The Golden Girls where Dorothy helps one of her students attend either their graduation or prom by funding one of their expenses, whether it’s attire, a ticket, or a ride to the event. Blanche, Rose, and Sophia could also help Dorothy in her effort to assist her student.

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6. Did you develop any thoughts and/or questions while watching this film?

Rocky volunteers at a summer camp for blind and visually impaired youth called Camp Bloomfield. While there, he falls in love with a camper named Diana. They attend a New Year’s Eve themed camp party, which was officially called ‘New Year’s Eve in July’. While I’m familiar with the concept of ‘Christmas in July’, I’ve never heard of ‘New Year’s Eve in July’ before. This makes me wonder why the concept of ‘New Year’s Eve in July’ didn’t catch on in pop culture, let alone entertainment media?

7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Mask?

There are several good answers I could choose for this question. But, if I can select only one “iconic staple” for Mask, it would have to be Rocky’s map of Europe. Throughout the film, Rocky dreams about taking a motorcycle trip across Europe with his friend, Ben. He even places pins on the map to keep track of which cities he’d like to visit. Rocky’s map of Europe is a perfect visual representation of why dreams are important. However, the map is also a good representation of a lesson Rocky learned from one of Rusty’s motorcycle friends, Red. Rocky shares with Rusty how Red said a person’s spirit is everywhere after they pass away. This lesson, along with the map, show just how powerful the human spirit can be, even long after a person’s death.

8. The Golden Girls takes place in Miami, Florida. This location has been referenced throughout the show, from mentions within the dialogue to an entire song about the city. Does the setting in Mask impact the film’s story like Miami impacted The Golden Girls? If so, how?

Mask not only takes place in California, it was also filmed there. But this location doesn’t impact the story like Miami impacted The Golden Girls. That is because the script prioritized the connections Rocky had with the people in his life. This creative decision was reminiscent of home being more about who you share it with.

9. Mask was released on March 22nd, 1985 (six months before The Golden Girls premiered). Was there any element from the movie you think could have impacted the show?

Throughout Mask, Rocky is concerned about Rusty’s addiction to drugs. He not only places pamphlets about the subject in his home, he also directly confronts his mom about her addiction. The topic of drug addiction was woven into Mask in an honest way, realistically showing viewers how it can affect the person with the addiction as well as their family. As I mentioned in this review, the overarching story of The Golden Girls is grounded in reality, with several episodes incorporating real-life topics into the script. One example is the eighth episode from the first season, ‘Break In’. In this episode, Rose is shaken after a burglary takes place in the home she shares with Dorothy, Blanche, and Sophia. It not only gets to the point where Rose’s sleep schedule is impacted, the other “golden girls” (Blanche, Sophia, and Dorothy) encourage Rose to seek counselling. To answer question number nine, I believe Mask showed the creative team behind The Golden Girls how to honestly address real-life topics in their stories.

10. After watching Mask, is there anything you can take away from your movie-viewing experience?

Mask perfectly embodies the quote, “Those who mind don’t matter, and those who matter don’t mind”. The genuineness of the acting performances helped contribute to this embodiment, showing each actor’s and actress’s portrayal as someone realistically living their life. What also contributed to this embodiment was how Rocky’s story was told. Instead of adopting a chronological presentation, the creative team behind Mask chose the “slice of life” route, giving viewers a glimpse into Rocky’s life. Like I said in answer number one, I had heard good things about the movie. Now that I’ve seen Mask, I can honestly say this praise is warranted! In fact, I’d say this is one of the best biopics I’ve ever seen. Watching this movie reminded me of Amadeus, as both biopics brought something different to the genre’s table.

The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

Thank you for being a friend!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Lost Valentine Review (Golden Double Double Feature Part 1)

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Thanks for joining me for the first part of my Golden Double Double Feature! The majority of my review of Hallmark Hall of Fame’s The Lost Valentine is spoiler-free. If you’d like to learn more about why I chose this year’s double feature theme, you can check out the introduction in the link below.

Announcing The Golden Double Double Feature!

Hallmark Hall of Fame’s The Lost Valentine poster created by Hallmark Hall of Fame Productions, Ridini Entertainment, and CBS

1. Out of the movies from Betty White’s filmography, why did you select Hallmark Hall of Fame’s The Lost Valentine?

When I created my Hallmark Hall of Fame tier rank list in 2020, I not only placed The Lost Valentine in the “Get It On Sale for Half Off” (a.k.a. Good) tier, I also recommended the film because of the use of flashbacks and recognition of Valentine’s Day. But it’s been over eight years since I’ve seen The Lost Valentine. While selecting the 2011 Hallmark Hall of Fame picture for this review, I didn’t know if my opinion on the film would remain the same as it was years ago. On my Year-Long Bingo Card, three of the bingo squares are “Review at least 2 Hallmark Hall of Fame films”, “Revisit a movie you haven’t seen in over 5 years”, and “Review a holiday themed movie that isn’t Christmas”. So, when I saw The Lost Valentine on Betty’s filmography, I remembered liking the movie, as well as how the movie would complete those aforementioned bingo squares.

2. In Hallmark Hall of Fame’s The Lost Valentine, Betty portrays Caroline Thomas. How is Caroline Thomas similar or different from Rose?

On The Golden Girls, Rose Nylund is known for her innocence and naivete. These qualities add charm to Rose’s character, as well as provide some of the show’s comedic moments. Betty’s character in The Lost Valentine, Caroline Thomas, lacks Rose’s naivete for two reasons. Caroline’s experiences during World War II and even afterwards give her an awareness of how unpredictable life can truly be. Her lack of naivete also makes sense with the story itself, as The Lost Valentine is a serious drama grounded in reality.

3. Hallmark Hall of Fame’s The Lost Valentine is based on a book by James Michael Pratt. What book adaptation would you have liked to see Betty star in?

    For 2024’s Eurovisionathon readathon, I read The Readers of Broken Wheel Recommend by Katarina Bivald. From what I remember of the book, I could picture Betty portraying a character from that story. Katarina crafted characters that sounded and felt distinct from one another. Plus, the small-town setting seemed Hallmark-esque, creating a sense of community through dramatic and comedic character interactions. The “golden girls” have distinct personalities on The Golden Girls, allowing each character to be unique. Even though the show is classified as a sit-com, there were emotional, serious moments woven into episodes. With all that said, I think a story like The Readers of Broken Wheel Recommend would have complimented Betty’s acting talents, as The Lost Valentine perfectly showcased her comedic and dramatic timing.

    4. Was there anything about Hallmark Hall of Fame’s The Lost Valentine you liked or didn’t like?

    As I mentioned in answer number one, I recommended The Lost Valentine because of the use of flashbacks. These flashbacks added context to the events presented on screen, especially when it came to Caroline’s part of the story. Meghann Fahy portrayed Caroline’s younger self while Billy Magnussen portrayed Caroline’s husband, Neil. Both Meghann’s and Billy’s acting performance was strong. But together, their on-screen chemistry effectively sold the believability of Neil and Caroline’s relationship! What works in the favor on this relationship is the emotional depth Billy and Meghann bring. A great example is how Caroline’s and Neil’s eyes possessed the pain of being apart from each other. Watching Meghann’s and Billy’s performance felt like witnessing a couple upholding their promise of love instead of two actors simply portraying characters. I wish Billy and Meghann had been cast in more Hallmark projects together.

    Jennifer Love Hewitt stars in The Lost Valentine as a television reporter named Susan Allison. Susan received a subplot where she contemplates her future with her boyfriend, Andrew. This is one of those subplots where you know the relationship isn’t going to last because the film’s female protagonist will eventually fall in love with the male protagonist, which, in The Lost Valentine, is Caroline’s grandson, Lucas. That creative decision led to Susan’s subplot being predictable. Instead, her subplot should have prioritized her reconciliation with her family, especially since Susan mentioned toward the beginning of The Lost Valentine how she doesn’t have a strong relationship with them.

    5. The Golden Girls didn’t receive any television films (like other shows such as Little House on the Prairie, Murder, She Wrote, etc.) In your opinion, why do you think this creative decision was made?

    A typical episode of The Golden Girls is about thirty minutes long. Meanwhile, most television movies receive a run-time between an hour and thirty minutes to two hours. If a tv show’s creative team chooses to make a made-for-TV movie, they need to create a story that justifies a longer length of time. So, I’m guessing the creative team behind The Golden Girls never figured out a story that couldn’t be told in half an hour.

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    6. Did you develop any thoughts and/or questions while watching this film?

    Like I said in my number one answer, it’s been over eight years since I’ve seen The Lost Valentine. Because of this, I had completely forgotten the humor woven into the story. Comedic moments sprinkled throughout the film was such a pleasant surprise for me. One of my favorite scenes was when Caroline reads a sports magazine to a group of veterans at a local hospital. While she’s talking about the New York Yankees, Caroline says she doesn’t hate the team, she just doesn’t like it when they beat a team she likes more. How that piece of dialogue was written, as well as Betty’s sweetly honest delivery, created a scene that was genuinely hilarious. Moments like the one I described alleviated some of The Lost Valentine’s heavier scenes yet never overshadowed the story’s serious subject matter.

    For this part of my review, I will spoil The Lost Valentine. If you have not seen this movie and are planning on watching it, skip ahead to question number seven.

    Toward the end of The Lost Valentine, after Caroline welcomes Neil home, she discovers rose buds growing on a rose bush in her garden. That specific rose bush was not only the first plant Caroline and Neil planted when they moved into their home, the rose bush was believed to be dead for the majority of the movie. When Caroline discovers the rose buds, she reminisces about Neil as she dances to music from the past. All of a sudden, a man who I assumed was Neil’s ghost appeared behind Caroline. After that, the hose Caroline was holding falls to the ground. But the scenes that follow are flashbacks of Caroline and Neil and scenes featuring Lucas and Susan. Is the fallen hose implying Caroline passed away, joining Neil in the afterlife? Or was Caroline so caught up in remembering the past, she dropped the hose by accident? That part of the story was, in my opinion, too open-ended for a stand-alone film. But because The Lost Valentine is based on a book, maybe the source material would provide a clearer explanation than the adaptation did.

    7. Throughout The Golden Girls, cheesecake became an iconic staple of the show. What would you say is the iconic staple of Hallmark Hall of Fame’s The Lost Valentine?

    You’d think I’d pick the titular valentine, as it plays a significant role in The Lost Valentine. But, instead, I’m choosing the red rose. When it comes to growing roses, it takes time, patience, commitment, and care. Even as Lucas wants to uproot a rose bush he believes is dead, Caroline reminds her grandson how she doesn’t give up on things that easily. These aspects perfectly represent some of the major themes of The Lost Valentine; like serving others and putting your love toward something you believe matters. Caroline’s rose bush also provides the story with a nice full-circle moment.

    8. The Hallmark Hall of Fame collection overlapped with The Golden Girls (in terms of existence). Why do you think Hallmark Hall of Fame didn’t try to capitalize on the popularity of the “golden girls”?

    From 1979 to 2011, Hallmark Hall of Fame movies aired on CBS. The Golden Girls existed on NBC. While Hallmark Hall of Fame and The Golden Girls overlapped (between 1985 to 1992), there were two to four Hallmark Hall of Fame films released per year, implying tighter production schedules. Though a typical season of The Golden Girls ran from September to May, a certain amount of time needed to be set aside to film episodes, especially since The Golden Girls was filmed in front of a live studio audience. These factors may have made casting any of the “golden girls” in a Hallmark Hall of Fame presentation difficult, but not impossible. However, trying to accommodate any of the “golden girls” schedules could have affected the schedules of the other cast and crew members of a Hallmark Hall of Fame project.

    9. Hallmark Hall of Fame’s The Lost Valentine was released in 2011 (19 years after The Golden Girls ended). Is there any element from the movie you wish was incorporated on the show?

      One of the overarching themes of The Lost Valentine is serving others. A great example is when Caroline visits veterans at a local hospital. On The Golden Girls, there were two episodes involving veterans; ‘From Here to the Pharmacy’ and ‘Charlie’s Buddy’. However, these episodes prioritized Rose’s and Blanche’s attempt to finding romance. As far as I know, there wasn’t an episode of The Golden Girls where the “golden girls” took the time to honor veterans. Therefore, I wish this type of story had been incorporated on the show. One example is the “golden girls” volunteering at an Honor Flight ceremony.

      10. After watching Hallmark Hall of Fame’s The Lost Valentine, is there anything you can take away from your movie-viewing experience?

      For years, Hallmark’s motto has been “When you care enough to send the very best”. Hallmark Hall of Fame’s The Lost Valentine perfectly represents that motto! The amount of care that Caroline put into waiting for Neil is a beautiful display of putting the needs of others before oneself, one of the major themes of The Lost Valentine. Other parts of the story represent this theme as well, such as Susan’s quest to find the truth about Neil’s whereabouts. By revisiting the 2011 Hallmark Hall of Fame movie, I was reminded why I like it. Strong elements, such as the acting performances and the screenwriting, made my movie-viewing experience enjoyable. I was also reminded of things I had completely forgotten, like the humor woven into the story. As I said in this review, the comedic moments alleviated some of The Lost Valentine’s heavier scenes yet never overshadowed the story’s serious subject matter. This is a Hallmark Hall of Fame movie that still holds up, even fifteen years later. Therefore, it will stay in the “Get It On Sale for Half Off” (a.k.a. Good) tier of my Hallmark Hall of Fame tier rank list!

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      Sally Silverscreen

      Announcing The Golden Double Double Feature!

      On By 18cinemalane3 Comments

      When I publish one hundred posts, I create a double feature as one of 18 Cinema Lane’s traditions. My review of Autumn Sonata achieved the aforementioned milestone by becoming my one thousandth published post! But this was not the only milestone my Autumn Sonata review reached. That would also be becoming my four hundred and fiftieth published movie review! Because one post accomplished both milestones, I decided to do something different for this double feature. Instead of reviewing two movies, I’ll be reviewing four of them. As I thought about possible double feature themes, I came to a realization. Each of the “golden girls” (Bea Arthur, Betty White, Rue McClanahan, and Estelle Getty) has a filmography. So, for this double feature, I will cover movies featuring the stars of The Golden Girls! These films will be Mame, Hallmark Hall of Fame’s The Lost Valentine, The Little Match Girl, and Mask.

      The Golden Double Double Feature banner created by me, Sally Silverscreen. Original image created by Touchstone Television, Witt/Thomas/Harris Productions, 20th Television, and National Broadcasting Company (NBC)

      Thank you for being a friend!

      Sally Silverscreen

      Take 3: Nelly Knows Mysteries: All Manners of Murder Review

      On By 18cinemalaneLeave a comment

      Compared to the previous decade, Hallmark hasn’t prioritized the mystery genre. While the network has released new titles, the overall quality has greatly fluctuated. Some pictures, like Haunted Harmony Mysteries: Murder in G Major and Curious Caterer: Foiled Plans, were solid projects that brought uniqueness to Hallmark’s table. But other pictures, like Mystery Island and Francesca Quinn, PI, left audiences desiring more. Hallmark also seems to be more selective about which titles receive a sequel. One of those titles is Nelly Knows Mysteries. I reviewed Nelly Knows Mysteries: A Fatal Engagement in 2024. Though I thought the movie was just ok, there were aspects that I believed could have provided multiple chapters to the story. So, when I discovered Nelly Knows Mysteries would receive a sequel, Nelly Knows Mysteries: All Manners of Murder, I wanted to check the film out (and review it) with an open mind. Is the second Nelly Knows Mysteries chapter better or worse than the first one? In order to solve this mystery, you’ll have to read this review!

      Nelly Knows Mysteries: All Manners of Murder poster created by Muse Entertainment, Hallmark Channel, and Hallmark Mystery

      Things I liked about the film:

      The set design: The majority of Nelly Knows Mysteries: All Manners of Murder takes place at Palmer Arlott’s house. Because the Arlott family is one of the more affluent families in Nelly’s neighborhood, the set design throughout Palmer’s home perfectly reflects this aspect of her life. One notable example is Palmer’s dining room. In the dining room, black walls surround the space, including a black wood wall over the fireplace. Gold frames around paintings nicely contrast with the dark hue of the walls. A detailed maroon rug is placed over the cherry wood floor. The cherry wood dining room set and the antique gold and crystal chandelier help balance the darker and lighter colors of the room. Even the fireplace boasted stone carvings. All of these details created a dining room that exuded elegance!

      How the mystery affects the protagonist: Murder mystery stories will often place so much emphasis on the protagonist solving the case, the case’s effect on the protagonist is rarely brought up. In Nelly Knows Mysteries: All Manners of Murder, Nelly shares her feelings about the murder to Michael. After the murder victim is discovered, Nelly feels guilty about the crime that took place. She believes if the dinner party the murder victim attended (and was hosted based on advice her advice column provided) hadn’t happened, no one would have been murdered. Not only does Nelly honestly express these feelings with Michael, Michael reassures Nelly what happened was beyond her control. Similar to Nelly Knows Mysteries: A Fatal Engagement adding realism by addressing one of Nelly’s flaws, acknowledging Nelly’s feelings about the murder mystery brought realism to Nelly Knows Mysteries: All Manners of Murder, as well as added a different story element to the realm of Hallmark mysteries.

      The costume design: When I reviewed Nelly Knows Mysteries: A Fatal Engagement, I praised Nelly’s wardrobe because it not only complimented Pascale herself, it was also stylishly presented on screen. This strength continues in Nelly Knows Mysteries: All Manners of Murder! Once again, Nelly incorporates pink into her attire, wearing a pink tweed jacket in one outfit. But the rest of the outfit was built around the jacket, with simple gold jewelry, black shoes, and black pants coordinating nicely with the jacket’s black and gold buttons. Green provides a bridge between the darker and lighter hues of the outfit, with Nelly wearing a green shirt and a green crossbody purse. While watching Nelly Knows Mysteries: All Manners of Murder, I noticed how the wardrobe of the other characters stood out! One great example is what Palmer wore when she was first introduced in the film. Similar to Nelly’s aforementioned outfit, Palmer wore a grayish blue tweed jacket, with the rest of the outfit built around the jacket. A white blouse, faded powder blue pants, and black shoes give a nice blend to the outfit’s varying colors. Palmer’s simple silver belt adds elegance to the outfit!

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      What I didn’t like about the film:

      Lack of urgency: In my review of Sugar & Vice: A Hannah Swensen Mystery, I criticized the film’s lack of urgency. That flaw caused the movie’s pace to slow down and it drew the story out a bit. Nelly Knows Mysteries: All Manners of Murder also lacked urgency. More often than not, Nelly and Michael are shown sharing conversations between each other and other characters than actively solving the case. This made it seem like the protagonists took their time catching the culprit. Like Sugar & Vice: A Hannah Swensen Mystery, the pace of Nelly Knows Mysteries: All Manners of Murder was slowed down and the story felt drawn out due to the amount of urgency in the movie.

      Prioritizing the family drama: Prior to the murder taking place, Palmer invited her family over to her house to discuss who would receive her inheritance. Her decision causes drama among the Arlott family, every member having their reason for disagreeing with Palmer’s choice. But the script placed so much emphasis on the family drama, it ended up overshadowing the mystery. In fact, Nelly Knows Mysteries: All Manners of Murder felt less like a mystery story and more like an extended episode of a soap opera. If the script had found a balance between the family drama and the mystery, more intrigue would have been added to the film.

      Underutilizing Eli Flint: When Nelly Knows Mysteries: All Manners of Murder was announced back in January, it was revealed Eli Flint (from True Justice: Family Ties) would appear in the movie. I was looking forward to his inclusion in the story, especially since I believe this is the first cross-over between two Hallmark mystery titles. But when I saw Nelly Knows Mysteries: All Manners of Murder, Eli only appeared in two scenes. Not only that, his role in the mystery was minimal. Because Eli now has experience solving a mystery, it would make sense for him to play a larger role in the story. Underutilizing Eli’s skills and perspective was, in my opinion, a missed opportunity. For Hallmark’s first mystery cross-over, it was disappointing.

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      My overall impression:

      I recently said Sugar & Vice: A Hannah Swensen Mystery was an ok film not only because of the movie’s lack of urgency, but also because Hannah’s sister, Michelle, was underutilized in the story. I feel similarly about Nelly Knows Mysteries: All Manners of Murder. Like the latest Hannah Swensen Mystery chapter, the newest Nelly Knows Mysteries film lacked urgency, making it seem like the protagonists took their time catching the culprit. Eli Flint, from True Justice: Family Ties, was underutilized, despite his inclusion providing the first cross-over in Hallmark mystery movie history. But, like Sugar & Vice: A Hannah Swensen Mystery, Nelly Knows Mysteries: All Manners of Murder possessed elements I liked. The story, once again, welcomed realism by acknowledging Nelly’s feelings about the murder mystery. Another consistent strength was the costume design, perfectly suiting Nelly as well as the rest of the characters. The set design in the Nelly Knows Mysteries sequel was visually appealing and perfectly represented the affluence in Palmer’s life. But with me finding both Nelly Knows Mysteries titles just ok, I wonder what the future of this series is?

      Overall score: 6 out of 10

      Have you seen Nelly Knows Mysteries: All Manners of Murder? Would you like to see Hallmark cross over more of their mystery films? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Comparing with the Critics – Best of 1978 – Autumn Sonata

      On By 18cinemalaneLeave a comment

      This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

      Introducing my new series, Comparing with the Critics!

      March’s theme for Genre Grandeur is “Oscar Losing Movies (Oscar nominees that failed to garner even one win)”. Upon learning this theme, I was going to select a movie nominated for the 76th Academy Awards, when The Lord of the Rings: The Return of the King won a history-making eleven awards. But after researching which films were nominated the evening of February 29th, 2004, I discovered other pictures besides The Lord of the Rings: The Return of the King walked away with a trophy. This discovery meant there weren’t as many Oscar “losers” as I initially believed. So, as I continued my research for March’s Genre Grandeur, I learned Autumn Sonata was nominated for two awards at the 51st Academy Awards. These categories were Best Writing and Best Leading Actress. Sadly, Autumn Sonata lost both categories to a movie titled Coming Home. I have heard of Autumn Sonata prior to choosing it for this particular review. Not only was the film recommended to me by Virginie (from The Wonderful World of Cinema), it was also featured in ‘The Best Films of 1978’ episode of Gene Siskel’s and Roger Ebert’s show, Sneak Previews. In that episode, both Roger and Gene admitted to placing Autumn Sonata on their lists of the ten best films of 1978. Now that I’ve seen the movie for myself, I can understand why it would find a place on their lists. I can also understand why Autumn Sonata was nominated for its respective categories at the 51st Academy Awards in 1979.

      Autumn Sonata poster created by Persona Film, Suede Film, Incorporated Television Company (ITC), Svensk Filmindustri, Constantin Film, ITC Film Distributors, and New World Pictures

      As I just mentioned in this review’s introduction, Autumn Sonata was nominated for two awards at the 51st Academy Awards. One of these categories was Best Leading Actress, with Ingrid Bergman as one of five actresses to receive a nomination. While discussing Autumn Sonata in Sneak Previews’ ‘The Best Films of 1978’ episode, Gene called Ingrid’s portrayal of Charlotte Andergast “riveting”. Even after a scene featuring Ingrid and Liv Ullmann (who portrayed Charlotte’s daughter, Eva) is presented in the episode, Gene says “Again, some real pain there”, referring to the emotions on display through Liv’s and Ingrid’s performance. Though I agree with Gene’s assessment of Ingrid’s portrayal of Charlotte, the word I’d use to describe it (as well as Liv’s portrayal of Eva) is captivating. In one of the best scenes from Autumn Sonata, Charlotte shares with Eva how her close friend, Leonardo, passed away. Throughout her recount of Leonardo’s last days in the hospital, Charlotte has a pained, disgusted look on her face. With a glossy, teary-eyed stare and a drawn-out frown, Charlotte is heartbroken over the loss of her friend. When I saw that scene, I wasn’t watching an actress portraying a character. I was witnessing a woman experiencing grief, with Ingrid’s performance possessing a strong sense of realism.

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      Like I also said in my review, Liv Ullmann’s portrayal of Charlotte’s daughter, Eva, was captivating. This is because Liv was able to go toe-to-toe with Ingrid, acting-wise, understanding how to utilize emotion to her character’s advantage, as well as when to increase or decrease the intensity of those emotions. As I previously mentioned, there was a scene from Autumn Sonata featuring Ingrid and Liv in Sneak Previews’ ‘The Best Films of 1978’ episode. In that scene, Charlotte and Eva share an emotionally explosive conversation over the reasons why their relationship is strained. Eva states how she didn’t like Charlotte’s desire to turn her daughter into someone she wasn’t. During her reflections of her past, Eva is visibly distraught. With gritted teeth and eyes overflowing with tears, even shaking at one point, Eva confesses how Charlotte’s decisions have deeply impacted her and her life choices. Because of her performance in Autumn Sonata, I wish Liv Ullmann had been nominated for an Oscar as well.

      Image by macrovector on Freepik

      During their discussion of Autumn Sonata in ‘The Best Films of 1978’ episode of Sneak Previews, neither Roger nor Gene brought up the film’s screenwriting. This is a shame, as the screenwriting was one of the movie’s strengths. Autumn Sonata is a character-driven, “slice of life” story. However, the quality of the dialogue made conversations between characters sound emotionally deep and thought provoking. In one scene, Eva asks her husband, Viktor, if he thinks she’s an adult. Viktor responds by telling her, “I guess being an adult is being able to handle your dreams and hopes, not longing for things”. He could have simply given his wife a “yes” or “no” answer. But Viktor’s response gives Eva, as well as the audience, meaningful insight about growing up, managing expectations, and even gratitude. Later in Autumn Sonata, Charlotte confesses one of her realizations to Eva. She says, “I have never grown up. My face and my body have aged. I acquire memories and experiences but inside all that I haven’t even been born.” Similar to Viktor’s aforementioned quote, Charlotte’s quote addresses growing up. In Charlotte’s case, however, her reflections sound more regretful. Disappointment can even be heard in her voice, with those pent-up feelings finally being addressed through words. As I stated in this review’s introduction, Autumn Sonata was nominated for the Best Writing category. Through a thoughtfully crafted script, that nomination was, in my opinion, earned.

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      While continuing their discussion of Autumn Sonata, Roger tells Gene about a call he received from a reader who was interested in seeing Autumn Sonata. Roger then says the reader told him, “I couldn’t make head or tail of it. What is it about?” Meanwhile, Gene claims “the conflict is how do you reconcile your public career with your personal responsibilities to your family”. Based on my experience watching Autumn Sonata, I think it’s not just about balancing a public and personal life. I think it’s also about the brutal honesty of strained familial relationships. When Eva and Charlotte talk about the past, no figurative punches are held back. They tell each other exactly what’s on their minds and hearts, no matter who’s feelings get hurt. It would have been easy for Autumn Sonata’s creative team to paint either Charlotte or Eva as the “villain” of the story. Instead, both women are not only flawed, they have valid points to their sides of the narrative. How the story plays out kind of reminds me of The Royal Tenenbaums, where the strained relationship between Eva and Charlotte is the result of little things culminating over time. The acting performances and the screenwriting successfully bring a sense of realism to Autumn Sonata.

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      According to IMDB, Autumn Sonata was filmed in Norway. Based on the scene where Charlotte drives to Eva and Viktor’s house, the Norwegian scenery looked like a beautiful painting. But the majestic hills, mountains, and large body of water from Norway wasn’t incorporated into Autumn Sonata beyond that one scene. I wish the “autumn” in Autumn Sonata played a larger role in the story, perhaps visually representing some of the movie’s themes. Another aspect of the story I wish had been utilized more was Eva’s sister, Helena. When Charlotte first arrives at Eva and Viktor’s house, Eva reveals how Helena is now living at their house instead of at a hospital. Throughout Autumn Sonata, Helena deals with an illness that greatly affects her mobility. I thought she was intended to be a bridge between Eva and Charlotte, helping them find a more peaceful middle ground. One reason for this belief came from Helena falling out of her bed during an emotionally explosive conversation between Charlotte and Eva. Sadly, it seems like Helena was in Autumn Sonata just for the sake of it.

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      Prior to reviewing Autumn Sonata, the only movie I agreed with Gene and Roger on was 1984’s Amadeus. I could also see why the film was, at least, nominated for an Oscar. Now I can confidently say that Autumn Sonata is the second film I agree with Roger and Gene on! While I typically don’t gravitate toward “slice of life” stories, the 1978 movie works because of the strength of the screenwriting and acting performances. Similar to The Royal Tenenbaums, the brutal honesty woven into the script brought a sense of realism when to came to addressing strained familial relationships. The story itself was emotionally deep and thought provoking because of the effort put into it by Autumn Sonata’s creative team. I understand why the movie is titled Autumn Sonata, as music plays an integral role in Charlotte’s life. However, I wish the “autumn” in Autumn Sonata was utilized more in the story, especially considering how beautiful the Norwegian landscape was in the film. The movie also doesn’t have a high rewatchability rate due the some of the heavier subject matter incorporated into the story. But I can honestly say that Autumn Sonata is one of the best films I’ve seen in 2026, so far!

      This review was brought to you by

      Sally Silverscreen

      Word on the Street: DreamWorks’ Animated Film, ‘The Wild Robot’, Has Been Granted a Sequel

      On By 18cinemalane2 Comments

      I first brought up The Wild Robot last March in my list of the Top Ten Best Stand-Alone Films. Then, in another list, I brought up the 2024 movie again. This time it was The Best and Worst Movies I Saw in 2025. As I was talking about the second best film I saw last year, I said while it was too early to say how The Wild Robot will stand in the test of time, I think it has potential. With the announcement of a sequel, this second chapter could help strengthen The Wild Robot’s legacy. Jeff Dodge, from ScreenRant, reported the creative talent involved in the upcoming project. The sequel, which is currently titled The Wild Robot Escapes, will be directed by Troy Quane. Directing alongside Troy is Heidi Jo Gilbert, who was promoted from The Wild Robot’s story team. Jeff Hermann will return as one of the sequel’s producers and Chris Sanders will also return to write the film’s screenplay. At the time of this Word on the Street article’s publication, the cast list and release date for The Wild Robot Escapes are still unknown.

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      As I said in this Word on the Street article, The Wild Robot was the second best film I saw last year. Not only was the animation itself impressive, I was pleasantly surprised by the movie’s emotional depth as well as an abundance of good messages and themes. With all that said, the news about The Wild Robot Escapes is, for me, an intriguing piece of movie news! What’s also intriguing is how The Wild Robot and The Wild Robot Escapes are adaptations of a pre-existing book trilogy. I honestly didn’t know about the book trilogy until I learned about The Wild Robot’s upcoming sequel. It looks like I may have some reading to do while waiting for the release of The Wild Robot Escapes!

      What are your thoughts on this piece of movie news? Have you seen The Wild Robot? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Reference: https://screenrant.com/the-wild-robot-2-confirmed-story-director-details/

      Take 3: Aladdin and the Forty Thieves (1984) Review

      On By 18cinemalane5 Comments

      I will admit I wasn’t familiar with Kenneth Williams as an actor before joining the Carry On Kenny! 100 Years of Kenneth Williams Blogathon. But like other blogathons I’ve participated in, I saw the event as an opportunity to expand my cinematic horizons. As I looked through Kenneth’s filmography, I discovered he starred in the 1984 made-for-tv movie, Aladdin and the Forty Thieves. Since I cover my fair share of television films, including those from the 1980s, I chose this production as my blogathon entry! When I recently wrote about Brigadoon, I said the fantasy genre was underrepresented on 18 Cinema Lane. I also said Brigadoon itself was a fine, pleasant presentation. With Aladdin and the Forty Thieves being the second movie from the fantasy genre to be reviewed this year, it almost seems like I’m making up for lost time. And now that I’ve seen the 1984 television film, I can say whether its stronger or weaker than Brigadoon.

      Since Aladdin and the Forty Thieves doesn’t have an offical movie poster, I have to use this title card for my review. Title card created by British Broadcasting Corporation (BBC)

      Things I liked about the film:

      Kenneth Williams’ performance: Since Kenneth Williams is the reason why I chose to review Aladdin and the Forty Thieves, I’ll talk about his portrayal of Mustapha Drink. In the 1984 movie, Mustapha is a storyteller who shares a tale about two Mandarins named Wing and Wong. Throughout this tale, Kenneth utilizes facial expressions and vocal inflictions to bring the story to life. He even gives the characters distinct voices to add memorability to the tale. Even though Mustapha appeared in only one scene, Kenneth did a good job, acting wise, with the material he was given. I, honestly, wish Kenneth had been the narrator of Aladdin’s story, presenting the illusion he was reading a storybook to the audience.

      The costume design: While we’re on the subject of Kenneth’s portrayal of Mustapha Drink, I want to talk about the movie’s costume design. As he told the tale of Wing and Wong, Mustapha wore a long blue jacket with gold trim and detailing. Whether he walked or sat, the jacket sparkled in the light. Mustapha also wore a long red gown boasting an intricate gold design. The elegance of his outfit allowed Mustapha to stand out, even though he appeared in only one scene. This is just one example of the attention to detail and effort that went into the costume design of Aladdin and the Forty Thieves!

      Certain ways Aladdin’s story was adapted: I must confess the adaptation of Aladdin’s story I’m most familiar with is the Disney animated picture from 1992. With that said, it was interesting to see how Aladdin and the Forty Thieves adapted Aladdin’s story compared to Disney’s production. The 1984 film features two genies, Genie of the Lamp and Genie of the Ring. Though I think it was a missed opportunity not to have the genies interact with one another, it was still an interesting creative decision to have more than one genie solve the characters’ problems. Toward the end of Aladdin and the Forty Thieves, Aladdin and The Princess Balroubador receive a magic carpet as a wedding gift. From what I remember of the 1992 movie, the magic carpet was more of a sidekick for Aladdin. The iconic “A Whole New World” scene just wouldn’t be the same without the magic carpet. Though Aladdin and the Forty Thieves and the Disney film each approached the same story, they brought it to life in their own unique way!

      The Carry On Kenny! 100 Years of Kenneth Williams Blogathon banner created by Virginie from The Wonderful World of Cinema

      What I didn’t like about the film:

      The musical numbers: Before I selected Aladdin and the Forty Thieves for the Carry On Kenny! 100 Years of Kenneth Williams Blogathon, I had no idea it was a musical. So, you can imagine my surprise when Genie of the Ring started randomly singing and dancing. Though the musical numbers themselves weren’t bad, some of them seemed like they were added to the movie just for the sake of including a musical number. When Aladdin’s Chinese village was first introduced in Aladdin and the Forty Thieves, some of the residents sang “Zip-a-Dee-Doo-Dah”. As I was watching this musical number unfold, I kept wondering what this song had to do with Aladdin and his story, especially considering the song itself was released in 1946. Creative decisions like this musical number left me confused of the creative team’s intent.

      Unclear time period: Remember when I questioned the inclusion of “Zip-a-Dee-Doo-Dah” in Aladdin and the Forty Thieves, pointing out how the song was released in 1946? I brought this up to address one of the flaws of the 1984 television film; an unclear time-period. Based on the set and costume design, it appears the story takes place in Ancient China. Yet, in one scene, a vending machine not only served drinks, but also “hot & cold food”. Because of creative choices like the two I described, it makes Aladdin and the Forty Thieves look like it’s having an identity crisis.

      The special effects: I know a television movie is, more often than not, going to receive a smaller budget. I’m also aware how cinematic technology from the 1980s is going to be different from today’s cinematic technology. But with all that said, I couldn’t look past the poor special effects throughout Aladdin and the Forty Thieves. One painfully obvious example is when, toward the beginning of the film, Abanazar transforms into a bird. This very fake-looking bird is superimposed over still photographs of landscapes, trying to present the illusion of traveling from one place to another. Making a movie isn’t easy and does require working within your means. However, I think using special effects hurt Aladdin and the Forty Thieves instead of helped it.

      Fancy jewelry image created by Freepic.diller at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding photo created by freepic.diller – http://www.freepik.com</a>. Image found at freepik.com.

      My overall impression:

      Have you ever watched a movie and wondered “what the heck did I just watch”? That’s what I was thinking when I saw Aladdin and the Forty Thieves. Was the 1984 movie supposed to be taken seriously or was it supposed to be silly, goofy fun? Why was it difficult to determine the story’s time period? It’s a shame this wasn’t a stronger picture because there are aspects of it I liked. Kenneth Williams did a good job, acting wise, in his role as Mustapha Drink. In fact, I think Kenneth should have been the one narrating Aladdin’s story. It looked like there was a good amount of effort and detail put toward the set and costume design. I even liked some of the ways Aladdin’s story was adapted in the 1984 film. But I have no idea what I was supposed to get out of Aladdin and the Forty Thieves. Therefore, I hesitate recommending it.

      Overall score: 5.3 out of 10

      Have you seen Aladdin and the Forty Thieves? Which adaptation of Aladdin’s story is your favorite? Let me know in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Blue Hawaii Review

      On By 18cinemalane2 Comments

      I have a confession to make: up until this month’s edition of Genre Grandeur, I had never seen an Elvis Presley movie before. Hence the reason why I put “Check out one of Elvis Presley’s movies” on my Year-Long Bingo Card, to expand my cinematic horizons. The opportunity to finally see one of his films presented itself with February’s Genre Grandeur theme; “Movies Featuring Surfing”. According to the official IMDB page for the 1961 title, Blue Hawaii, there are some pictures of Elvis surfing or on a surfboard. Because of that, I selected Blue Hawaii for Genre Grandeur! Based on what I know about his career, there are three locations associated with Elvis Presley; Graceland, Las Vegas, and Hawaii. Now that I’ve seen Blue Hawaii, it makes me wonder if Elvis’ association with Hawaii was a result of this film or other factors? I admit this question is a discussion for another time. But for now, let’s review Blue Hawaii!

      Blue Hawaii poster created by Hal Wallis Productions and Paramount Pictures

      Things I liked about the film:

      The on-screen chemistry: Elvis Presley stars in Blue Hawaii as Chad Gates. When he returns home from the Army, his girlfriend, Maile Duval (portrayed by Joan Blackman), excitedly waits for him at the airport. From the film’s very first musical number, “Almost Always True”, Elvis and Joan’s on-screen chemistry lit up the screen! Their acting performances helped sell the believability of Chad and Maile’s relationship, his consistently laid-back personality pairing nicely with her genuine sweetness. The delivery of the script’s clever banter felt like a friendly game of beach volleyball, with Maile and Chad’s conversations sounding pleasant to listen to. I honestly wish Joan and Elvis shared more screentime together because Chad and Maile’s relationship added a nice romantic touch to Blue Hawaii!

      The musical numbers: Elvis’ forte is music, which is why Blue Hawaii features over ten musical numbers. When I think about these musical numbers, I take note how they are, more often than not, joyful in tone. This reminded me of when Frederick told his daughter, Annette, in Million Dollar Mermaid how music should be a source of joy. But I also took note of how Blue Hawaii’s musical numbers were utilized in the story’s context. In one scene, Chad attends the birthday party of Maile’s grandmother. He gives Maile’s grandmother an Austrian music box as a present, with the tune being “Can’t Help Falling in Love”. This song is one of the most iconic from Elvis’ discography. However, its inclusion in the movie didn’t feel like it was there just because it was a popular Elvis Presley tune. Instead, “Can’t Help Falling in Love” feels like it had an intended, meaningful purpose within the story. Creative decisions like this one helped make Blue Hawaii’s musical numbers one of the strengths of the movie!

      The dialogue: Since watching Blue Hawaii was my first time watching any of Elvis Presley’s films, I really didn’t know what to expect. But what I didn’t expect was the dialogue being cleverly written! One of my favorite examples of cleverly written dialogue is when one of Chad’s friends is preparing lunch. During these preparations, he realizes he doesn’t have any ketchup. Chad’s friend then asks Maile if she has any ketchup, with her response being how she only has lipstick, which happens to share a similar shade to the condiment. How this conversation was written and delivered made this one of the funniest moments in Blue Hawaii! Like I mentioned earlier in this review, Chad gives Maile’s grandmother an Austrian music box as a birthday present. As he’s giving Maile’s grandmother the music box, Chad says, “it plays European love songs, but they’re the same in any language”. Through this one quote alone, Chad is acknowledging how love, especially expressing love through music, is a universal and relatable theme. It ended up being a profound statement without trying too hard to be.

      Image of Hawaiian poster created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/poster”>Poster vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

      What I didn’t like about the film:

      A drawn-out story: Blue Hawaii’s story revolves around Chad wanting to create his own career path instead of accepting a position at his family’s fruit company. While this was an interesting conflict, it was too drawn-out. With Blue Hawaii’s run-time set at one hour and forty-two minutes, it feels like the story was drawn-out to satisfy the run-time. For the first thirty minutes of the film, Chad simply talks about wanting to solve his problem instead of actually solving his problem. Even though he and Maile come up with a resolution to the conflict, it took too long, in my opinion, for that resolution to be found. Maybe if Blue Hawaii’s run-time had been trimmed, Chad could have created his career path sooner.

      Ellie’s subplot: In Blue Hawaii, Chad becomes a tour guide and leads a group consisting of a female teacher named Abigail Prentice, and her four female teenage students. One of these students is a 17-year-old named Ellie Corbett. I wasn’t a fan of the subplot Ellie received for two reasons. She was a static character for the majority of the movie. Plus, Ellie’s attraction for older men (including Chad) made me uncomfortable, as it was too inappropriate for a character her age. When it comes to Ellie’s part of the story, she was dealing with some serious issues of self-esteem and even self-worth. So, her aforementioned attraction was completely unnecessary because she already had a conflict she could have worked through during the movie. Had the script prioritized Ellie growing as a character by building a healthy sense of self, it would have been a much stronger (and age-appropriate) subplot.

      Lack of surfing: As I said in my review’s introduction, the pictures of Elvis surfing or on a surfboard from Blue Hawaii’s official IMDB page are one of the reasons why I reviewed the 1961 movie for February’s Genre Grandeur. A quote on Blue Hawaii’s poster even says, “Elvis Presley rides the crest of the wave in Blue Hawaii”. But throughout the hour and forty-two-minute film, there wasn’t any surfing to be seen. Sure, Chad is on a surfboard in one scene and he teaches Abigail and her students how to surf. But none of the characters actually go surfing. Not only was this creative decision disappointing, it contributed to false advertising.

      String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

      My overall impression:

      In the past, I’ve talked about films that emphasized style over substance. While these films have looked beautiful or offered aesthetically pleasing worlds through cinema, the script itself left me desiring more. This is exactly how I felt about Blue Hawaii. But in the case of the 1961 picture, it wasn’t just style over substance; it was also music over substance. I did enjoy the musical numbers, as they were mostly joyful and even had a purpose within the story. However, the story ended up becoming overshadowed by the music. Even though the conflict of Chad trying to create his own career path was interesting, it was too drawn-out, likely due to the film’s run-time. I also wasn’t a fan of Ellie’s subplot because it was too inappropriate for her age and she spent most of the movie being a static character. Despite these flaws in the script, Blue Hawaii does have its strengths. Besides the musical numbers, I liked the on-screen chemistry between Elvis Presley and Joan Blackman. To me, they effectively sold their characters’ relationship as being believably loving. I also found the dialogue cleverly written, which was such a pleasant surprise. But overall, I found Blue Hawaii to be just ok.

      Overall score: 6.1 out of 10

      Have you seen Blue Hawaii? Which other films from Elvis Presley’s filmography would you like me to review next? Let me know in the comment section below!

      Have fun in Hawaii!

      Sally Silverscreen