Take 3: The Wife of Monte Cristo Review (Clean Movie Month #2)

Last November, in my Movie Blogger’s Christmas Wish-List, I talked about how I wanted to see The Wife of Monte Cristo. My plan was to review the film for Pure Entertainment Preservation Society’s Clean Movie Month, as the movie was released in 1946. Based on the title of this post, it means my Christmas wish came true! Several months ago, I purchased a DVD copy of this film. I waited until July to watch it, so I could contribute to Clean Movie Month. Now that this blogathon has finally arrived, I can write about The Wife of Monte Cristo! In my aforementioned post, I shared how the movie’s story made me want to see it, as it seemed to focus on Monte and Haydée’s relationship, as well as allowing Haydée to become a more prominent character. Monte Cristo and Haydée are one of my favorite couples from pop culture. Unfortunately, their relationship is barely addressed in any film adaptation of The Count of Monte Cristo. These film adaptations also give Haydée a small amount or no amount of screen time. The Wife of Monte Cristo allows these two voids to be filled.

Here is a picture of the DVD I purchased for this review. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: All of the acting performances in The Wife of Monte Cristo shared one common factor: they made every cast member appear natural in their role! Because of this and the believability that came from these performances, each interaction felt like it was taken directly from real-life. Haydée has a greater appearance in this film than Edmund/Count of Monte Cristo, so I’d like to mention Lenore Aubert’s portrayal of Haydée. Her on-screen personality was pleasant, making Haydée a character worth rooting for. Through body language and facial expressions, Lenore showed how Haydée can be intelligent, resourceful, and just a good person overall! I also liked watching John Loder’s performance! In The Wife of Monte Cristo, he portrayed De Villefort, the head of Paris’ police force. What impressed me was how he could adopt two different personas for the same character. Whenever he was socializing or interacting with Haydée, De Villefort was charismatic and had a certain amount of charm to him. But when he is with comrades, planning on catching “The Avenger”, De Villefort is cunning and sinister.

The historical accuracy: The Wife of Monte Cristo takes place in Paris of 1832. The story’s time period and the location within this time period can be seen in every aspect of the film. Characters’ wardrobes are a good example of this. Male characters wore solid colors, with wealthier men in society sporting some embellishment on their outfit. In one scene, De Villefort wore a dark jacket that featured white embroidery. The female characters, Haydée and Lucille, wore elegant dresses that boasted a simple pattern. During a meeting with one of De Villefort’s comrades, Haydée wore a black dress with consistent sparkly detailing. This outfit was eye-catching, but not over-the-top. Another indicator of this historical accuracy were the choices in the set design. In De Villefort’s office space, chandeliers with candles can be seen. Because light bulbs did not exist in 1832, this design choice fits the story’s time period.

The on-screen chemistry: As I already mentioned, Haydée has a greater presence in the film than Edmund/Count of Monte Cristo. This causes Haydée and Edmund to spend a limited amount of time together on screen. In the scenes where they are together, Lenore Aubert and Martin Kosleck displayed strong on-screen chemistry! The on-screen chemistry between Lenore and Martin allowed the audience to see how much Haydée and Edmond truly loved and cared about each other. Even when they were apart, the love between these two characters could still be felt. In one scene, Edmund visits the daughter of a supporter of “The Avenger”. During their conversation, Edmund explains how Haydée saved his life and helped him see the good in humanity after he escaped from prison. What Edmund tells this character is very telling of the love he feels for his wife.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

What I didn’t like about the film:

The audio: In my review of The Boy Who Could Fly, I mentioned how the audio of the actors was on the quieter side. I noticed the same flaw when watching The Wife of Monte Cristo. The actors were so quiet, I had difficulty understanding what they were saying. I needed to turn up my television’s volume just to hear them. I’m not sure if this was an issue with the movie itself or with the audio on my entertainment system.

A somewhat misleading title: I said in the introduction that Haydée’s prominence in the story is what caused me to see the film. While she did have an important role in the overall narrative, she wasn’t the central focus. The majority of The Wife of Monte Cristo revolved around “The Avenger” and the villains’ attempts to foil his plans. Because of the title, I was led to believe the film would be a sequel to The Count of Monte Cristo, but from Haydée’s perspective. However, it was simply a sequel to The Count of Monte Cristo.

Edmond and Haydée’s limited interactions: Earlier in this review, I briefly mentioned how Edmond and Haydée spend a limited amount of time together on screen. This disappointed me, as I was hoping to witness the continual growth of their relationship. I was also hoping to see more adorable moments between them, especially since their relationship is barely shown in any film version of The Count of Monte Cristo. While I appreciate the times I did get to see these characters together, there was more to be desired in this department.

Illustration of Paris, France created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/travel”>Travel vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Seeing and reviewing this movie is a Christmas wish come true! As someone who is a fan of Monte Cristo and Haydée’s relationship, I am thankful to have discovered this film! It was enjoyable and interesting, as it gives Haydée an opportunity to save the day. Through clever problem solving, teamwork, and wits, we see Haydée making a difference in her world and lending a hand when possible. Despite the film being titled The Wife of Monte Cristo, she is not the star of the film. She does serve an important role though, as she receives a bigger part in this story than she has in other versions of The Count of Monte Cristo. As a film released in the Breen Code Era, it is, for the most part, Breen Code friendly. However, there were two aspects of this movie that I was surprised to see in a Breen Code film. In some scenes, both Haydée and Lucille wear dresses with low necklines. While this style of dress was likely common in the 1830s, its presence would not be frequent in a Breen Code film. There is one scene where the deceased body of one of De Villefort’s comrades is briefly shown on screen. In Breen Code films, a death would usually be implied, not seen.

Overall score: 7.5 out of 10

What are your thoughts on my Clean Movie Month reviews so far? Are you looking forward to my next review? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

Welcome to the second part of my PB & J Double Feature! This review may contain spoilers and here are the links to the double feature’s introduction and the first part:

My PB & J Double Feature’s Introduction

Take 3: The Last Full Measure Review (PB & J Double Feature Part 1)

The Boy Who Could Fly poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

1. What is the purpose of Girl Scout fun patches? What is the significance of the PB & J patch that you talked about in the introduction?

I already explained this in my review for The Last Full Measure, so you can read that post if you want to learn more about Girl Scout fun patches and the PB & J patch.

2. How did you come across The Boy Who Could Fly?

I came across the poster for The Boy Who Could Fly while visiting Pinterest. After making this discovery, I read the film’s synopsis. I was curious to see how the subject of Autism would be discussed in a movie set in and released during the ‘80s. The possible meaning behind the title is also what sparked my interest.

3. You elaborated in the introduction how a PB & J sandwich represents a collection of ideas. Can any of these ideas be found in The Boy Who Could Fly?

One of these ideas that can be found in The Boy Who Could Fly relates to building connections. In this film, the audience learns that Mrs. Sherman, Milly and Eric’s teacher, has become one of Eric’s biggest advocates. It was her decision to place him in her class so he can interact with the other students. She also reveals to Milly that she protested against sending Eric to an institution so he could live in an environment that was familiar to him. Because of Mrs. Sherman’s encouragement and after she volunteered to be his gym class partner, Milly chooses to stay by Eric’s side and be his friend. Even when she experiences frustration and considers throwing in the towel, Milly perseveres in helping Eric be the best version of himself that he can be. It’s because of these connections that Eric is able to grow as a person and inspire the people around him.

As I mentioned in answer number one, the PB & J patch is earned by making peanut butter and jelly sandwiches. This activity is usually performed when feeding people in need. Volunteers who choose to serve others in this fashion build connections with other volunteers, as well as with the organizers of this activity. These connections help build a community of life-minded individuals who share a common goal. They may even form connections with the people they are serving.

4. Are there other patches you can think of that would complement The Boy Who Could Fly?

A patch related to Autism seems like an appropriate choice. It could be earned in a variety of ways, from participating in an Autism Walk to meeting members of a local Autism council. One of the major themes in The Boy Who Could Fly is believing in yourself. There is one patch from Mad About Fun Patches that would perfectly fit with this theme. On the website, there is a Dumbo themed patch that says “Believe You Can Fly & Soar”. In The Boy Who Could Fly, Milly reads a Dumbo picture book to Eric. She does this to help Eric communicate and connect with others by using a topic he loves: flight.

5. Is there anything about The Boy Who Could Fly that you liked or didn’t like?

I was surprised by how well this movie aged, especially when it comes to the subject of Autism. While there is language in the film that wouldn’t be used today, the way Eric is treated and viewed by the other characters is positive. A great example is the formation of Milly and Eric’s friendship. The movie presents the possibility of people with Autism successfully creating and maintaining meaningful relationships. This helps dispel stereotypes that could leave a negative impact for those on the Spectrum. While watching The Boy Who Could Fly, I noticed how the audio of the actors was on the quieter side. I had to turn up the volume on my television just to hear what the characters were saying.

Paper airplane image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/paper-plane-in-cartoon-style_766478.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/paper”>Paper vector created by Freepik</a>. Image found at freepik.com. 

6. Did you develop any thoughts and/or questions while watching this film?

A thought I developed during my viewing of The Boy Who Could Fly is how some moments felt ahead of their time. In answer number four, I mentioned how Milly uses Eric’s favorite subject to help him communicate and connect with other people. I read a story several years ago about a woman whose autistic son loved bees, so she based his entire homeschool curricular around that subject. She did this in order to help him enjoy his lessons. The idea of helping someone with Autism based on their personal preferences and accommodations is a practice commonly known today than it might have been in the mid to late ‘80s. After suffering a minor concussion and experiencing a life-like dream, Milly has a conversation with a psychologist from the hospital. The interaction itself normalizes the use of therapy, with the psychologist hearing Milly’s side of the story without any judgement or criticism. Seeking therapy for those with mental health related situations is encouraged and accepted today that it could have been four decades ago.

7. As stated in answer number one, fun patches are earned by either completing an activity or reaching a goal. What goal or activity could correlate with this movie?

Similar to The Last Full Measure, most scouts would not be able to see The Boy Who Could Fly. This is due to language and a scene involving minors consuming alcohol. But, like The Last Full Measure, troops can participate in activities that relate to the movie. As I mentioned in answer number four, a Dumbo themed patch would correlate perfectly with The Boy Who Could Fly. Younger scouts can watch Dumbo and discuss the importance of self-esteem. Meanwhile, older scouts can learn about different forms of flight and discovering how their unique talents can play a vital role in their community.

8. Fun patches are about learning new skills or lessons. Are there any lessons one can learn from this film?

Like I said in answer number four, a major theme in The Boy Who Could Fly is believing in yourself. There are several occasions where characters are facing difficult situations in their lives. Instead of giving up, they persevere and discover a resolution to their conflict. In scouting, troops can face many obstacles. It could be as simple as last-minute changes to pre-set plans. Challenges may be bigger, causing troop leaders to search for an answer in a longer period of time. Despite this happening, it’s important for troop members to learn how to believe in themselves, especially since this lesson is a valuable one in preparation for the real world.

9. Sometimes, patches are created to tie in with a popular movie or IP (intellectual property). If given the opportunity to create a new patch, how would a patch for this movie look? What activity or goal would need to be met?

Because Eric likes creating paper planes, a patch that looks like a paper plane would definitely be a good choice. Maybe a quote from the movie could be featured on the patch. As for the activity, it would have something to do with flight. Making paper planes is a good place to start. Inviting a pilot to a meeting or talking about air travel are also good suggestions.

10. After watching this film, is there anything you can take away from your movie viewing experience?

The Boy Who Could Fly is, so far, the best movie I’ve seen this year! The messages and themes within this story are just as relevant today as they were back in the ‘80s. While I wasn’t expecting Eric to literally fly, it was a creative choice that worked in this narrative. The movie was an emotional rollercoaster and I was invested from start to finish. I’m grateful to have stumbled across this film on Pinterest.

Image of peanut butter and jelly sandwiches created by Katinka Kober at freeimages.com. Photo by Katinka Kober from FreeImages

Have fun at the movies!

Sally Silverscreen

Take 3: The Last Full Measure Review (PB & J Double Feature Part 1)

Welcome to the first part of my PB & J Double Feature! This review will contain spoilers and here is the link to the double feature’s introduction:

My PB & J Double Feature’s Introduction

The Last Full Measure poster created by BCL Finance Group, Boss Collaboration, Foresight Unlimited, Lightbox Pictures, Provocator, SSS Entertainment, SC Films Thailand Co, and Roadside Attractions. Image found at en.wikipedia.org/wiki/File:The_Last_Full_Measure_2019_poster.jpg

1. What is the purpose of Girl Scout fun patches? What is the significance of the PB & J patch that you talked about in the introduction?

Girl Scout Fun Patches are created to commemorate experiences where scouts either spend quality time with their troop or learn a new lesson/skill. They can also be earned by completing an activity or reaching a goal. One example is a Lock-In patch, given to a troop or a collection of troops after they spend the night at a local attraction, such as a zoo. The PB & J patch from my introduction is meant to recognize scout members who participate in the creation of peanut butter and jelly sandwiches. Some soup kitchens, food banks, or homeless shelters will serve these sandwiches to their patrons, with volunteers pitching in to help make the sandwiches and serve them. This experience can teach scouts about playing a vital role in their community and assisting those in need.

2. How did you come across The Last Full Measure?

I learned about The Last Full Measure when I stumbled across several production/behind-the-scenes photos for the movie on Pinterest. I’ve enjoyed watching Sebastian Stan’s portrayal of Bucky Barnes in the Marvel Cinematic Universe, so I was excited to hear he had been given a lead role in this picture. When I read the movie’s synopsis, it sounded like a story that was full of intrigue. I had heard this movie was supposed to be released in October of 2019. For reasons that are unknown to me, the film was pushed back to January of 2020. I was honestly surprised how little attention this project received. It got a small amount of marketing and was in theaters for about less than a month. I’ve also noticed how few movie bloggers have reviewed the film.

3. You elaborated in the introduction how a PB & J sandwich represents a collection of ideas. Can any of these ideas be found in The Last Full Measure?

Absolutely! When reflecting on the story of William H. Pitsenbarger, there are several ideas that come to mind. One of them is how one person can affect the lives of others. Throughout the film, the stories from veterans who fought alongside William are told to Scott Huffman, an employee from the Pentagon tasked with William’s Medal of Honor case. As the movie unfolds, the audience learns how William and his actions impacted the lives of the veterans, as well as William’s parents and Scott’s family. This point is highlighted at William’s Medal of Honor ceremony, where everyone is asked to stand up if they are either a veteran, a family member or spouse of a veteran, or had their life touched by a veteran.

When we think of a PB & J sandwich, it is a singular object that has one purpose: to feed the person that sandwich was created for. When giving the subject more thought, we realize the sandwich itself affects more than the person eating it. There are people who work in the companies creating the peanut butter and jelly. Farmers and agriculturalists grow the wheat to make the bread, as well as the peanuts and fruit to create the peanut butter and jelly. Someone or a group of people make the sandwich, making it whole or cutting it up into separate pieces. If the recipient is given more than one sandwich or has multiple pieces, they can give it to another person. A PB & J sandwich creates an interconnected web where each person plays a role.

4. Are there other patches you can think of that would complement The Last Full Measure?

The most obvious choice would have something to do with veterans. Whether that recognizes sending Valentines to veterans or hosting an Honor Flight, a patch of this nature reminds scouts of a veteran’s importance. Another good choice would be related to history. Events surrounding the Vietnam War are discussed in The Last Full Measure. Age appropriate lessons about a particular war-time era can teach scouts about the event itself and how moments from the past can be applied to the present.

5. Is there anything about The Last Full Measure that you liked or didn’t like?

One element that caught me by surprise was how good the scenery was! When Scott travels to Vietnam to speak with one of the veterans, he is taken to the spot where the battle took place. The place was transformed into a butterfly sanctuary. It was calming and serene to watch, as blue butterflies flew against bright green foliage. The cinematography captured this location well, as soft light radiated within the space. As for what I didn’t like about this film, I found Scott’s part of the story to be the weakest aspect of the narrative. This part wasn’t bad and Sebastian did a good job with the acting material he was given. But I found the veterans’ stories to be much more compelling than what Scott’s story had to offer.

Here is a screenshot I took of the patch from Mad About Fun Patches. I also provided credit to the people who created the patch. Screenshot taken by me, Sally Silverscreen.

6. Did you develop any thoughts and/or questions while watching this film?

I didn’t develop any questions, but two thoughts did come to mind. When William’s parents are remembering their son’s life, they reflect on small details, like the smell of fresh cut grass on his shoes after he mowed the lawn. This reminded me of when Eric Draven, from The Crow, said that “Nothing is trivial”. When we lose a loved one, little things that may seem insignificant to others are the pieces we use to hold on to that person. On Thanksgiving, William’s parents share with Scott and his wife how they try to keep their son’s memory alive. This reminded me of what Sarah said at the end of The Crow about continuing to love someone after they are gone.

7. As stated in answer number one, fun patches are earned by either completing an activity or reaching a goal. What goal or activity could correlate with this movie?

Because The Last Full Measure is rated R, most scouts would not be able to see the film. However, there are activities that troops can participate in that correlates with the movie. Like I mentioned in answer number four, a troop or multiple troops can organize an Honor Flight. This is a plane ride/trip meant to recognize the military contributions of veterans. Younger scouts can make signs and cheer for the veterans as they arrive at the airport. Older scouts can assist their leaders in the event’s organization, showing them how to build connections in their community and organizational skills.

8. Fun patches are about learning new skills or lessons. Are there any lessons one can learn from this film?

A major overarching lesson that can be found in The Last Full Measure is how our actions and choices can affect the people around us. During the Vietnam War, William’s choice to sacrifice his life for his fellow soldiers greatly affected those soldiers in that battle. It also affected those same soldiers, William’s parents, and even Scott’s family years after the event occurred. This lesson reminds viewers to put a great amount of thought into the things we do before we act on them.

9. Sometimes, patches are created to tie in with a popular movie or IP (intellectual property). If given the opportunity to create a new patch, how would a patch for this movie look? What activity or goal would need to be met?

A patch bearing a picture of William H. Pitsenbarger would be an appropriate choice. Another good choice would be an image of the Medal of Honor with William’s name surrounding it. Any activity involving the recognition of veterans would make sense. It could be a grand gesture, such as the aforementioned Honor Flight or decorating a float for a veteran who is a Grand Marshal at a local parade. The act could be smaller in scale, like raking leaves for a veteran during the autumn season or delivering meals for a veteran who may be home-bound. The patch’s goal would strive to help scouts learn about a veteran’s importance and appreciate their inclusion in society.

10. After watching this film, is there anything you can take away from your movie viewing experience?

While I found The Last Full Measure to be a fine, well-made film, I think the story itself would have benefited more in a documentary format. I said in answer number five how the veterans’ stories were the most compelling part of the overall narrative. If this story were presented in a documentary, it would have given the veterans themselves a chance to share their experiences, especially since The Last Full Measure was based on a true story. In my last double feature, I reviewed the film Over the Edge. I stated in that review how the film was based on true events. This is one of the reasons why I felt that story should have been told through a documentary.

Children holding American flags during a sunset image created by rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

Have fun at the movies!

Sally Silverscreen

Take 3: Goodbye, Mr. Chips (1939) Review (Clean Movie Month #1)

1939; a year that many people have considered the “Golden Year of Film”. As I mentioned in my editorial, What the Code Means to Me: Breen, Hallmark, and Me, it seems like there was something for everyone at the cinema. Several films that are well known today were able to find success in the box office in 1939. One of those films was Goodbye, Mr. Chips. I had planned on reviewing this film exclusively for The Robert Donat Blogathon. But because July is Pure Entertainment Preservation Society’s Clean Movie Month, I decided to review Goodbye, Mr. Chips for that event as well. Like last year, I will be writing about films that were released during the Breen Code Era. Some of my other submissions for upcoming blogathons will also double as entries for Clean Movie Month. Now, it’s time to read this review of the 1939 movie, Goodbye, Mr. Chips!

Goodbye, Mr. Chips poster created by Metro-Goldwyn-Mayer and Denham Studios. Image found at http://www.tcm.com/tcmdb/title/76737/Goodbye-Mr–Chips/#.

Things I liked about the film:

The acting: This was my first time watching any of Robert Donat’s performances, so I didn’t know what to expect. However, I was impressed with what I saw! Robert did a good job using a multitude of emotions at various moments in the film. Even when he wasn’t speaking, his performance still carried emotional weight. A great example is anytime something bad happened to Mr. Chips, as his facial expressions alone show how emotionally exhausted he can become. Despite appearing in the film for a limited amount of time, Greer Garson gave a pleasant performance as Katherine Ellis! Not only did she have a good on-screen personality, but she also had good on-screen chemistry with Robert Donat. One of their best interactions took place on a mountain in Austria. As they exchange witty banter, it is obvious to see that both actors enjoy each other’s company. Because most of the story takes place at the Brookfield school, many young actors are present in various scenes. Even though the movie doesn’t favor one child or a small group of children, the acting from the young actors was very on-point for what those scenes called for. On April Fool’s Day, the students are excited at the idea of pranking their teacher. As soon as one of their fellow classmates shares some unfortunate news about Mr. Chips, their happy expressions quickly turn somber. This collective acting quality shows what these young actors are capable of talent-wise!

The set design: A visually appealing aspect of this film was definitely the set design! The Brookfield school alone boasted several eye-catching design choices. One of those was the ornate detailing found on wood surfaces, such as doors and walls. In the Headmaster’s office, you can even see these details over the marble fireplace. Exposed stone walls are a consistent feature at the school, bearing the old-world charm found in structures with a long life-span. These design elements reminded me of Hogwarts from the Harry Potter series. Brookfield is not the only place that highlights fine details. The ballroom in Vienna was a showstopper! Like the Headmaster’s office, there was ornate wood detailing found on the walls. It also showcased sparkling chandeliers and a spacious layout. All of the combined elements gave this room a grand and larger-than-life personality!

The dialogue: Throughout the movie, I was very impressed by the characters’ dialogue! As I mentioned before, the banter between Mr. Chips and Katherine was witty. But it’s also important to point out how the dialogue was written with care and thought. During a private gathering, one of the fellow teachers of Brookfield states that he read a book by H.G. Wells. Another teacher comments about H.G. Wells’ short-term success, saying that his works are too “fantastical” for a lasting career. Earlier in the film, Mr. Chips falls ill. When his housekeeper tells him to address his medical concerns to the doctor, Mr. Chips says he’ll give the doctor “a piece of his mind”. The film is based on a pre-existing novel, so I’m not sure if some of the dialogue can also be found in the book. However, the lines in the movie were memorable and, at times, thought provoking because they were crafted so well!

The Robert Donat Blogathon banner created by Maddy from Maddy Loves Her Classic Films. Image found at https://maddylovesherclassicfilms.wordpress.com/2020/02/29/announcing-the-robert-donat-blogathon/.

What I didn’t like about the film:

Little to no impact on the students: In stories about teachers playing a role in the lives of their students, the audience comes to know the students as characters while witnessing their growth as young scholars and individuals. Since there were so many students at Brookfield, there was no possibility for this to happen. Even when this opportunity arose in the story, it was not taken advantage of. When Mr. Chips reflects on his past, he remembers meeting a new student that was so upset, he ends up crying on the train. Several scenes and years later, this same student visits Mr. Chips to thank him for changing his life. This exchange would have been emotionally affective had we seen this character evolve from a scared child to an independent young man.

Some parts feeling rushed: I know there is only so much a movie can accomplish in an hour and fifty-four minutes. But this should not be an excuse to rush through important parts of a story. When Mr. Chips starts looking back on his past, he recalls his time as a new teacher at Brookfield. After a montage featuring students during various sporting activities, the story progresses by several years, making Mr. Chips a seasoned teacher. Personally, I don’t feel this was a smooth transition between the two points in time, as it made the story feel like it was in a hurry to reach its destination. What would have helped instead was showing a title card with the year before a new part of the story started.

A weaker plot: Before watching Goodbye, Mr. Chips, I knew the story would be about Mr. Chips’ life. While this was the case, it made the story straight-forward. The straight-forwardness of the narrative left little to no room for intrigue. Like I mentioned earlier in this review, the evolution of the students was not shown. This means that the ways Mr. Chips impacted his students or how his lessons affected the people around him wasn’t put on display. There was never an opportunity to wonder how Mr. Chips would accomplish his goals or what would happen to the students. Instead, the story put more emphasis on his private life than his career as a teacher.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

My overall impression:

This is the first movie of Robert Donat’s I’ve ever seen. As I said in my review, I didn’t know what to expect, so I approached this film with an open mind. Now that I have seen Goodbye, Mr. Chips, I can honestly say that it was a fine film. There are definitely elements that help make the project a likeable picture. These are the strengths of the movie, from acting performances that come across as believable to dialogue that is clever and witty. But it does contain flaws that hold Goodbye, Mr. Chips back from being better than it was. Parts of the story were rushed and the plot was on the weaker side. This film is mostly Breen Code friendly. However, I was surprised by some of the language used in the movie. One example is when some of the students say the word “ass” as a swear word. I’m aware of how Gone with the Wind was able to include the word “damn” in their script. But I guess I was naïve to think that was the only exception in the Breen Code Era.

Overall score: 7 out of 10

Have you seen either version of Goodbye, Mr. Chips? Are you looking forward to my Clean Movie Month reviews? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Never a Dull Moment Review

Like I said in my Follow Me, Boys! review, I have several movies on my DVR. Most of these films were recorded last year or over a year ago. Last night, I chose to watch one of these films, which I added to my DVR last June. This film is Never a Dull Moment! Sometime, Turner Classic Movies (TCM) will host a marathon called “Treasures from the Disney Vault”. When this event takes place, the network will show a collection of smaller titles and lesser known films from Disney. In one of these marathons, Never a Dull Moment was included in the line-up. While I had never heard of this film prior to the marathon, I have seen two of Dick Van Dyke’s movies. Because one of those films was Mary Poppins, which I have enjoyed, I had a good indication that I might like Never a Dull Moment. Was this the case? Keep reading my review if you want to find out!

Never a Dull Moment poster created by Walt Disney Productions and Buena Vista Distribution. ©Disney•Pixar. All rights reserved. Image found at en.wikipedia.org/wiki/File:NeverADullMoment1968.jpg

Things I liked about the film:

The acting: Before watching Never a Dull Moment, I had seen Chitty Chitty Bang Bang and Mary Poppins. A consistent component of Dick Van Dyke’s acting abilities I have noticed is the strong adaptability. In one scene, his character, Jack, is acting drunk in an attempt to impersonate a gangster. Moments later, Jack is crying over the loss of a fictional Aunt Gladys. This is a great example of how Dick could effortlessly take on any situation through his performance! At limited moments in the film, a gangster named Florian would appear. This character was portrayed by Tony Bill. What I liked about his performance is how calm and collected his persona came across. Even though Florian was Leo Smooth’s henchman, he presented an idea of a gangster that people have come to recognize in film. While I liked Dorothy Provine’s portrayal of Sally, I want to talk about Joanna Cook Moore’s portrayal of Melanie, as her on-screen presence was shorter. Joanna’s personality was bubbly, which appeared natural for her character. During a scene where Melanie is showing Jack some of her figure skating photos, Joanna seemed to use her performance to light up the room. Her on-screen presence was memorable, despite being featured in only three scenes.

The set design: I was really impressed by the set design in Never a Dull Moment! Since the movie takes place in New York, tall skyscrapers and even the Brooklyn Bridge can be seen. This specific set looked impressive, making the location feel larger than life! Another great example of set design was Leo Smooth’s mansion. My favorite feature of this set was the consistency and fine detailing of the woodwork, especially on the staircase! A local art museum is where the film’s heist is featured. During the climax, various art exhibits are showcased. The Pop Art exhibit was the best one, as the art itself was colorful. It was also large in scale, creating a space that felt grand.

The music: If used well, music can help set a tone for either the whole movie or a particular scene. The music certainly did that for Never a Dull Moment! Whenever Jack was sneaking around Leo’s mansion, smooth jazz music could be heard. This fits the tone of those scenes because it emulates a feeling of curiosity that usually comes from film-noir and mysteries. In a scene involving a spinning piece of art, music from a merry-go-round was playing in the background. Since the art itself is colorful and the scene is meant to be humorous, this musical selection makes sense.

Art tools image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/flar-art-tools-pack_835368.htm’>Designed by Freepik</a>.  <a href=”https://www.freepik.com/free-photos-vectors/paint”>Paint vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

A drawn-out story: One overarching narrative of Never a Dull Moment revolves around a group of gangsters planning to steal a valuable painting. While an important component of any heist is the preparation stage, this part of the process lasted longer than it should have. Only one scene is dedicated to highlighting the plans for the heist. But the rest of that time was spent focusing on things not related to the heist. One example is Melanie Smooth attempting to relive her glory days as a famous figure skater. Moments like this had nothing to do with the heist and caused the overall story to feel drawn out.

Little sense of urgency: Heist films are usually fast paced, as there is a sense of urgency to carry out the heist. But, in Never a Dull Moment, the amount of urgency within the story was small. For most of the film, Jack hangs out at Leo Smooth’s mansion. This part of the movie was mundane, as little to no excitement was taking place. Even the gangsters’ activities didn’t feel out of the ordinary. A good example is when Leo is painting in his office. While the overall level of excitement picked up when the heist started, the build-up itself was not exciting.

A dull first half: With a title like Never a Dull Moment, you’d think the movie as a whole would be intriguing and action-packed. However, that is not the case for this film. I found the first half of the movie to be dull. This is the result of the story being drawn out and a small amount of urgency. Even though a part of the overall narrative focuses on a heist, this aspect of the story seemed to be an afterthought within the film’s first half. The heist itself took place in the second half of the movie. But this doesn’t make up for the weak nature of the previous segment.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As of late June to early July 2020, I have reviewed four live-action Disney films from the ‘60s. Three out of four of these movies have been ok or “middle of the road”. Never a Dull Moment was one of them. I will say this is a better heist movie than Logan Lucky. However, it wasn’t as exciting as I had expected it to be. The film is titled Never a Dull Moment, but the first half of the story is just that: dull. It also doesn’t help that there was a small amount of urgency. But the movie did contain elements that I did like. Some of them includes the acting and the set design. As weird as it sounds, Never a Dull Moment doesn’t feel like a Disney movie. It’s understandable for a studio to try new things and think outside the box. Never a Dull Moment, however, seems like belongs to a different studio. Like my Follow Me, Boys! review, I can’t fully recommend this movie, but I’m not going to dissuade anyone from watching it either.

Overall score: 6.2 out of 10

Have you seen any of Dick Van Dyke’s films? Which live-action Disney film from the ‘60s do you like or dislike? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Follow Me, Boys! Review + 205 Follower Thank You

Two days ago, 18 Cinema Lane received 205 followers! I want to thank all of my followers for making this accomplishment a reality! Currently, there are several movies on my DVR. In fact, some of these films were recorded over a year ago. So, I decided to choose one of these movies for this review. As the title reads, this movie is Follow Me, Boys!, which had sat on my DVR since early 2018. Every film studio has their hidden gems. While it’s impossible to watch every one of these projects, I try my best to talk about them on this blog. Follow Me, Boys! is a movie I had never heard of prior to recording it. However, there have been some enjoyable live-action Disney films from around the release of Follow Me, Boys!, such as The Moon-Spinners and Mary Poppins. Did I enjoy this film as much as the two aforementioned pictures? Follow me through this review as we’re about to find out!

In case you’re wondering, this is a screenshot of the film’s poster I took from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: While watching this film, there were some performances that I was pleasantly surprised to see. One of them came from Lillian Gish. Last year, I reviewed one of her movies, which was The Whales of August. A similarity between Lillian’s role in that movie and Follow Me, Boys! is how pleasant it was to watch! Even though she was only in the film for a limited amount of time, I liked the moments when her character, Hetty Seibert, showed up on screen! What helped Lillian’s performance was her on-screen personality and the on-screen chemistry she had with her co-stars. I was also surprised to see Kurt Russell’s performance in this film, even though, prior to watching Follow Me, Boys!, I was aware that Kurt had starred in several Disney productions. The one aspect that stood out to me was the emotional strength Kurt carried through his portrayal of Whitey. This especially helped during the more dramatic moments of the story, such as when Whitey was dealing with his father. Kurt’s performance worked in his favor for not only this film, but also for his career long time.

The historical accuracy: The story of Follow Me, Boys! spans a total of twenty years, from 1930 to 1950. During the movie, I noted how good the historical accuracy looked! One aspect of this that serves as proof is the vehicles that are used. Toward to the beginning of the film, Hetty can be seen driving a car that looks like a Ford Model T. Because it’s 1930 at this point in the story, it would make sense for this kind of vehicle to be shown. At the end of the movie, when the story takes place in 1950, Lem and Vida are riding in a Plymouth automobile. These vehicles also helped show the transition between these time periods. It’s details like this one that show how much the creative team cared about the delivery of their project.

The camaraderie among the Boy Scout troop: Because this story spans a long period of time, the members of the film’s Boy Scout troop come and go. However, a consistent element was the troop’s camaraderie. While watching the troop’s evolution, the boys appeared to get along with one another and enjoy each other’s company. More often than not, the troop’s members work together during activities. They also promote the ideas of friendship, teamwork, and respect. The actors delivered the believability through their performances, which helped increase this group’s likeability.

Illustrated image of Boy Scout troop created by Macrovector at freepik.com. Banner vector created by macrovector – www.freepik.com. Image found at freepik.com.

What I didn’t like about the film:

The run-time: A film’s run-time can make or break that production. If a movie feels too long or short, it could affect the movie-viewing experience. This element definitely impacted my perspective of this film. I watched Follow Me, Boys! on television and the run-time was listed at 2 hours and 33 minutes. On IMDB, the movie has a run-time of 2 hours and 11 minutes. This story did not warrant a run-time this long, with situations being placed in the film for the sake of satisfying this run-time. The movie would have been more enjoyable if it was an hour and thirty or forty minutes long. That way, the overall story wouldn’t feel drawn out.

Little to no adversity: One of the over-arching narratives of Follow Me, Boys! is the formation and existence of a local Boy Scout troop. Despite how much of the story revolves around this group, they don’t experience many obstacles. When the troop does experience a conflict, it becomes quickly and easily resolved. This is different from a story like Troop Beverly Hills, where the troop faced several obstacles that last longer than a few minutes. Because of this choice, it seemed like situations in Follow Me, Boys! happened way too conveniently in the Boy Scout troop’s favor.

Situations happening too quickly: Despite the film being over two hours, some situations in this movie happened too quickly. A perfect example is Lem and Vida’s relationship, with no smooth transitions during each stage. In one scene, Lem and Vida are having their first major argument. A few minutes later, they are seen getting married. I know the film was supposed to show time progressing. However, the poor transitions caused some parts of the story to feel rushed.

Law school textbooks image created by Peter Skadberg at freeimages.com. “FreeImages.com/Peter Skadberg.”

My overall impression:

The way I feel about Follow Me, Boys! is the same way I feel about Summer Magic: it’s just ok. This film did have its merits and it felt like the creative team had their hearts in the right place. But the project does have a big flaw that I cannot overlook. The run-time of Follow Me, Boys! is too long, making the movie feel like it’s dragging its feet through the mud. This was the root of other flaws within the movie, like situations happening too quickly and scenario placements that only serve to satisfy the run-time. I had to, occasionally, pause the film just to check how much time was left. While I can’t fully recommend this movie, I’m not going to dissuade anyone from watching it either.

Overall score: 6.3 out of 10

Have you seen Follow Me, Boys! Are there any Disney films from the ‘60s you’d like me to review? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Audrey Rose Review

For June’s Genre Grandeur, the chosen theme is “New York Films of the 70’s”. After searching through a list on Wikipedia, I selected Audrey Rose as my submission! This is a film I have heard about in passing, but have never seen. What caught my attention is how the movie was classified as a horror film. I don’t always review movies in this genre, as a portion of them are too dark for my liking. However, I do try to go out of my comfort zone every so often. The synopsis also intrigued me, as I wondered where the story would go. Mysteries are a staple on this blog, so I was looking forward to helping the characters solve the case. Is Audrey Rose worthy of being included in Genre Grandeur? Keep reading my review so you can solve the mystery too!

Audrey Rose poster created by Sterobcar Productions and United Artists. Image found at en.wikipedia.org/wiki/File:Audrey_Rose_movie_poster.jpg

Things I liked about the film:

The acting: One of Anthony Hopkins’ most iconic roles is Hannibal Lector in Silence of the Lambs. Through his performance, he brought to life a character that was eerie and unsettling. In Audrey Rose, Anthony’s portrayal of Elliot Hoover was also unsettling, but for different reasons. During the events of the film, Elliot seemed to have power over the situation. This is because he had the answers Ivy’s parents were desperately looking for. Unlike Hannibal, Elliot was never meant to come across as scary. Anthony’s facial expressions, body language, and the way his character interacted with others supports this claim. When it comes to stories focusing on young characters, it’s important for a creative team to cast a young actor or actress who can carry a character’s emotional weight. Despite appearing in the film for a limited amount of time, Susan Swift impressed me with her portrayal of Ivy Templeton! It was heartbreaking to watch Ivy experience one of her nightmarish episodes, as Susan’s performance was that believable. However, that level of emotionality added to the captivation of this character.

The Templeton family’s apartment: I’ve seen a variety of apartments in television and film. But the Templeton family’s apartment in Audrey Rose is one of the best! An aspect that immediately caught my eye was the grand, wood staircase. This design feature is usually found in on-screen homes from the suburbs or wealthier neighborhoods. So, seeing this staircase in an apartment was unique. Speaking of woodwork, the fireplace in the living room was adorned with fine detailing. It shows how the apartment’s woodwork can compliment the space’s interior design. The showstopper of this living environment was the paintings on the ceiling! Exquisite is the word I would use to describe the art itself. I would be willing to guess that pictures and videos would not do it justice. Whoever created the apartment’s interior design should be commended for their work!

Elemental consistency: Throughout this movie, there were two elements that had a consistent presence. When Elliot first enters the Templeton family’s lives, the weather is very rainy. This is also the case when Ivy is experiencing nightmarish episodes. The incorporation of rain reminded me of The Crow, as this element served as symbolism in Audrey Rose. Not only did rain highlight sadness, it also showed how some situations should run their course. Fire is the other element that was consistently featured in the story. This was present during a tragic event and it emphasized how ignoring some situations only allows them to manifest. These elements created visual interest as well provide depth to the narrative.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Not a horror film: On Wikipedia and IMDB, Audrey Rose is classified as a “horror” film. Even the film’s poster gives the impression that someone is coming back from the dead, which is a classic horror movie concept. However, this couldn’t be farther from the truth. Two traits that have defined the horror genre are stories where characters get away from or get rid of something bad. None of these traits are found in Audrey Rose. The primary focus of this movie surrounded the idea of reincarnation. This idea is presented in a positive way, as a course that needs to run on its own term. While horrifying things happen to Ivy, in the form of nightmarish episodes, it was caused by fearing the unknown. Even though this aspect can be found in horror films, it can also be found in other genres. Audrey Rose is a film that I, personally, did not find scary.

A drawn-out story: Like I already said, the story of Audrey Rose revolves around the idea of reincarnation. While this provides the overall narrative with an interesting debate, the majority of the story focuses on whether reincarnation is legitimate. A solution to the Templeton family’s problem wasn’t found until the last thirty minutes of the film. This drawn-out story was the result of an almost two-hour run-time. Had about twenty or thirty minutes been shaved off of this production, the story would have gotten straight to the point sooner.

Scenes that felt like padding: Because Audrey Rose has a run-time of an hour and fifty-three minutes, there were a few scenes that felt like padding. One example is when Ivy is trying to talk to Audrey Rose through a mirror. This scene didn’t have a strong need to exist within the story. It also didn’t fit the overall flow of the film. If anything, this particular scene felt like a weak attempt at making the movie feel like it belonged in the horror genre.

Rose illustration image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Horror movies are not often found on 18 Cinema Lane. This is the reason why I chose Audrey Rose for June’s Genre Grandeur, as I try to explore various genres. Unfortunately, this was not the horror film I expected it to be. The project itself was interesting, exploring a topic in the form of a debate. But classifying it in a genre where it doesn’t belong is misleading. I can describe Audrey Rose in two ways. The first is a medical/spiritual mystery, similar to Lorenzo’s Oil. The second is a debate presented in the form of a movie, like Hallmark Hall of Fame’s Sweet Nothing in My Ear. The idea behind this film makes it worth watching. However, don’t go into this movie expecting a story with spooky atmospheres and sinister tones.

Overall score: 7 out of 10

Have you seen any ’70s films set in New York? Which movies do you think are incorrectly classified? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Great Mouse Detective Review

I will admit that before I signed up for the Suave Swordsman: Basil Rathbone Blogathon, I wasn’t familiar with Basil as an actor. However, I didn’t let this stop me from participating! While looking through his filmography, I discovered Basil had a role in the 1986 film, The Great Mouse Detective. Because I hadn’t seen this movie before and because I knew I’d likely be one of the few people to discuss an animated film, I selected The Great Mouse Detective as my submission! If you’ve visited my blog before, you’d see that mysteries have a consistent presence on the site. I have set aside time to talk about the films from Hallmark Movies & Mysteries. Some episodes of Murder, She Wrote has been reviewed. I even participated in the Murder, She Wrote Cookalong! Despite the abundance of mystery related content on 18 Cinema Lane, The Great Mouse Detective is only the second animated mystery movie to be featured on my blog. However, at least this review will bring something new to the table!

The Great Mouse Detective poster created by Buena Vista Distribution, Silver Screen Partners II, Walt Disney Feature Animation, and Walt Disney Pictures. ©Disney•Pixar. All rights reserved. Image found at https://movies.disney.com/the-great-mouse-detective.

Things I liked about the film:

The animation: Animated films from Disney’s library usually contain quality visuals and art styles. The Great Mouse Detective continues this pattern of animation excellence! Throughout the film, the backgrounds were presented in softer frames with lighter colors, while close-up images were given sharper lines and brighter colors. One example is when Basil, Olivia, and Dr. David are exploring a toy store. The contrasts within the animation made it easier to focus on the characters and their involvement in the story. This art design reminded me of films such as The Aristocats, 101 Dalmatians, and Lady and the Tramp. Similar to what I said in my From Up on Poppy Hill review, all of the characters were expressive! Their facial expressions and body language were fluid when reacting to different scenarios. A perfect example is when Olivia and Dr. David meet Basil. The Great Mouse Detective’s claim to fame is how it was the first project from Disney to feature computer-generated animation. This creative choice is seen in the climax, when Basil and Ratigan fight in the Big Ben Tower. While it might not seem like a big deal now, this scene was ahead of its time in the mid to late ‘80s. The scene itself has aged well, while also containing gravitas and depth. It reminded me of the bells from The Hunchback of Notre Dame.

The use of shadows: The Great Mouse Detective has a primarily darker tone. To emphasize this aspect of the story, shadows were used in various scenes. Toward the beginning of the film, Hiram Flaversham, Olivia’s father, and Fidget, Ratigan’s henchman, are fighting at Hiram’s toy store. In this scene, shadows of the fight are projected over Olivia’s hiding place. Because Hiram and Fidget are not shown on screen, their shadows helped bring an element of suspense and mystery. The shadows also left me wondering what would happen next.

The humor: Despite the film’s darker tone, there were some light-hearted moments that prevented the movie from being too dark. Some of these moments even contained humor. One scene involved Basil ruining a group of pillows in an attempt to solve a mystery. What made this scene funny was the reaction of Basil’s maid over the mess. Another funny moment was when Ratigan called his cat “honey bunny”. What I like about these hilarious scenes is how well written they were. It also helps that there weren’t too many of them, as it would have made the overall picture seem too silly.

Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The musical numbers: A large number of Disney’s animated films are musicals, with their musical numbers feeling like they belong in that production. Because musicals have become a staple in Disney’s animated filmography, it allows their audience to know what to expect. But The Great Mouse Detective was not a musical movie, especially compared to pictures like Oliver & Company or any of the Disney Renaissance films. The Great Mouse Detective also had a primarily darker tone, with some light-hearted moments. These aspects made the musical numbers seem out of place. The two most notable musical scenes were “Let Me Be Good to You” and “The World’s Greatest Criminal Mind”, which had entertainment value. While “Let Me Be Good to You” had some reason for its existence, “The World’s Greatest Criminal Mind” was randomly placed in the film. It was a light-hearted and upbeat song that came right after a darker scene, featuring Basil explaining the wrong-doings of Professor Ratigan. “The World’s Greatest Criminal Mind” was a combination of “Gaston” from Beauty and the Beast and “Mine, Mine, Mine” from Pocahontas. However, what makes “Gaston” and “Mine, Mine, Mine” work is how they fit within their respective productions.

The oversharing of the mystery: When I talked about The Mystery Cruise in my list of the Top 10 Worst Hallmark Movies of All Time, I shared how I didn’t like the film’s mystery being revealed after the mystery was introduced. The Great Mouse Detective makes a similar mistake with their mystery narrative. Within the first half of the movie, the details of Hiram Flaversham’s kidnapping are shown in a series of scenes that share a timeline with the events surrounding Basil. These scenes show the whodunit, howtheydunit, and whytheydunit of the mystery. Because these pieces of information are revealed early in the movie, the audience knows more than the characters in the story. This prevents them from solving or experiencing the mystery alongside the characters.

The subplot of the Queen’s Diamond Jubilee: One of the subplots in The Great Mouse Detective revolved around the Queen’s Diamond Jubilee. This wasn’t a bad idea, but it was very under-utilized. In fact, I forgot this event was taking place within the story until the film’s climax arrived. Because the premise of this movie was basic and straight-forward, this subplot felt like it was there for the sake of being there. If the Queen’s Diamond Jubilee had been removed from the film, it wouldn’t make a huge difference.

The Suave Swordsman: Basil Rathbone Blogathon banner created by Pale Writer from Pale Writer. Image found at https://palewriter2.home.blog/2020/02/01/announcing-the-suave-swordsman-basil-rathbone-blogathon/.

My overall impression:

Two years ago, I reviewed Oliver & Company. In that review, I said the movie was the pioneer for what a Disney animated film could and should be at the time of its release. The Great Mouse Detective gave me a similar feeling. Within this film, there were elements that laid the foundation for animated Disney films that came after it. The climax at the Big Ben Tower is one example, with the scenes utilizing computers to bring them to life. Also, in my Oliver & Company review, I said the movie was fine and that there were animated Disney films that are stronger than it. The Great Mouse Detective made me feel this way as well. While watching this film, there were scenes that reminded me of scenes from other Disney projects that were executed better. Some scenes in The Great Mouse Detective felt rushed, making me wonder if Disney was trying to meet a deadline or wanted to take advantage of a busy box office year. Even with everything I just said, this film is worth bringing up in the conversation of animated films. It may get overshadowed, but I think it serves as an important part of animation history.

Overall score: 7 out of 10

Have you seen The Great Mouse Detective? What are some of your favorite mystery films? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Cyrano de Bergerac (1990) Review

When I published my Hallmark Hall of Fame Reading Challenge last March, one of the literary works I listed was Cyrano de Bergerac by Edmond Rostand. While I’ve never read the play, I was interested in seeing how Hallmark Hall of Fame would adapt this particular story. Sadly, I couldn’t find this specific version on DVD, VHS, or digital, as a lot of the collection’s movies from the ‘50s to about the early ‘80s appear to be lost. When I discovered Vincent Perez starred in the 1990 adaptation of Cyrano de Bergerac, I thought seeing this version would be the next best thing. It was also a perfect choice for The Third Broadway Bound Blogathon, as it was listed under the “Movies Made From Broadway Shows” section in the very first announcement for the event. This blogathon also happens to take place days before Vincent’s birthday, so this became another reason to review Cyrano de Bergerac! I was able to obtain a copy of this film, but I had to purchase two DVDs and a Blu-Ray just to find one that worked with my home entertainment system. Read my review to find out if this film was worth the search!

After weeks of searching, I finally found a DVD copy of Cyrano de Bergerac I could watch! Screenshot taken by me, Sally Silverscren.

Things I liked about the film:

The acting: Since I chose this film because of Vincent’s involvement, I’ll talk about his performance first. One aspect that stood out to me was how his voice was always soft-spoken. This fit his character, Christian de Neuvillette, well because he wasn’t as confident with his words, like Cyrano. I also noticed how sincere Vincent’s performance came across. No matter what situation Christian is in, he always has his heart in the right place. The goodness of this character showed through in Vincent’s portrayal, which helped Christian be as likable as possible! Since I just mentioned Cyrano, I will now talk about Gérard Depardieu’s performance. The word I’d use to describe his portrayal of the titular character is expressive. Every feeling Cyrano was experiencing felt genuine, emotions appearing in his facial expressions, body language, and poetry. Toward the beginning of the film, Cyrano performs at a local theater and participates in a dual shortly after. Gérard was able to adapt to every situation given to his character. Besides Vincent and Gérard, the cast is filled with talented actors and actresses. Anne Brochet is one of those cast members, bringing a gentle nature to her character, Roxane. Through emotionality, Anne brings her character to life in a way that feels believable. One example is when Christian and Cyrano visit her at her balcony.

The historical accuracy: As I’ve said before on this blog, the quality of a film’s historical accuracy can show how much a creative team cares about their project. The historical accuracy of Cyrano de Bergerac is proof of this statement! The world in this movie felt immersive, presenting the locations with a sense of realism. The set designs reflected the financial situation/social status of the characters, with the local bakery and Roxane’s room being perfect examples. While the bakery featured a simpler interior design, Roxane’s room appeared elegant. Costumes looked appropriate for that specific time period, with the color palette for the cast’s wardrobe ranging from lighter shades of beige and blue to darker tones of gray and black. Tools and utensils from yesteryear were used by the characters, such as Cyrano and Christian applying a wax seal on letters to Roxane. This movie shows that no detail was ignored.

The humor: One of the strongest elements of this film was the humor! Not only was it well-written, but the humor itself seemed to fit that world. The funny moments within Cyrano de Bergerac were also given good executions by the actors. My favorite scene is when Christian continuously interrupts Cyrano’s story by making references to Cyrano’s nose. During this exchange, Christian would sometimes only say “nose” to get a reaction from Cyrano. While Christian appears unfazed by Cyrano’s reactions, Cyrano becomes more irritated as the scene continues. This scene made me repeatedly laugh, as I found it hilarious!

The Third Broadway Bound Blogathon banner created by Rebecca from Taking Up Room. Image found at https://takinguproom.wordpress.com/2020/03/20/announcing-the-third-broadway-bound-blogathon/.

What I didn’t like about the film:

The under-utilization of Vincent Perez: Vincent Perez is one of the reasons why I sought out the 1990 adaptation of Cyrano de Bergerac, as I’ve enjoyed his acting performances so far. Before watching this movie, I knew his involvement in the project was a break-out role and likely the biggest role he received at that time. However, because Vincent is billed as the main supporting actor, I was disappointed to found out he was in the film for a limited amount of time. The majority of the story revolves around Cyrano, which means that Vincent was only given a reduced amount of material to work with. There were even large intervals when Vincent was not featured on screen. Usually, main supporting actors receive about half the screen-time the film’s protagonist does. In the case of Cyrano de Bergerac, however, the antagonist, Comte Antoine de Guiche, is given more prominence in the production than Vincent’s character.

The war storyline: Prior to seeing Cyrano de Bergerac, I had a general knowledge of what the story was about. The movie is even classified as a “comedy-drama”, with the assumption that the romantic aspects of the story would fall under the “drama” part. While the comedy and romance within Cyrano de Bergerac dominated the first half of the film, a storyline involving a war took over the film’s second half. The build-up toward the event and the reasoning behind it felt too “inside baseball”. It also caused the entire story to pull a “bait and switch” with its overall tone. Based on the knowledge I had about this film and even based on the DVD cover, I expected the light-hearted tone within the first half to have a consistent presence throughout the film. Even though there were romantic and light-hearted moments within the second half, some of them didn’t feel like they fit in the context of the war.

The poetic monologues: I’m aware that Cyrano is known for being “a man of many words”. I also know the original play was written only in verse. The poems themselves weren’t the issue, as the poetic monologues within this film were performed and written well. However, some of them lasted too long. Toward the end of the movie, Cyrano recited one of his signature monologues. Because it was long in time length, the monologue made the scene drawn out. I realize that the reason for the long monologues was to satisfy the film’s run-time. Personally, I think, at least, a few of the them should have been a bit shorter in length.

Birthday cake image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/chocolate-birthday-cakes-collection_765437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/birthday”>Birthday vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

I’ve heard that the 1990 adaptation of Cyrano de Bergeracis “the definitive film version of the Edmond Rostand play from 1897.” This is the only film version of the story I have seen. As I also said in the introduction, I have never read the play. So, I can only judge this film simply as a film. Cyrano de Bergerac is a good, solid movie! I found myself invested as the story was unfolding and I can definitely see how this could be presented on Broadway. The poetic dialogue was an interesting choice that helped this project achieve a unique identity. However, there were aspects that prevented the production from being better than it was. Some of the poetic monologues were too long, causing scenes to feel drawn out. Despite flaws like that one, I’m glad I was given an opportunity to see this film! If you do choose to watch this version of Cyrano de Bergerac, keep in mind it is a rarer title to find on physical media. While this movie did receive a Blu-Ray release, prices can get expensive.

Overall score: 7.6 out of 10

Do you enjoy movies based on Broadway shows? Are there any literary adaptations that you like? Tell me in the comment section!

Have fun on Broadway!

Sally Silverscreen

Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

Well, the day has finally come. 18 Cinema Lane just received 200 followers! Before I continue this post, I’d like to take a moment to thank everyone who helped my blog reach this milestone! I still can’t believe that, within these two years, I’ve made it this far as a blogger. For this review, I thought it would be a good idea to select a film that was requested by one of my readers. Last year, Ospreyshire, from the blog Iridium Eye Reviews, recommended the Studio Ghibli film, From Up on Poppy Hill. I chose this film to write about because I haven’t reviewed an animated movie since February. This is actually the second Studio Ghibli production I’ve discussed on 18 Cinema Lane. Last January, I reviewed Howl’s Moving Castle for the 90 Years of Jean Simmons Blogathon. While I enjoyed the movie, I found it to be weaker than the previous Studio Ghibli projects I’ve seen. Now that From Up on Poppy Hill is the fifth film from the studio I have watched, it’s time to determine how this movie holds up to other films from Studio Ghibli!

Howl’s Moving Castle poster created by Studio Ghibli, Toho, and The Walt Disney Company. © Disney•Pixar. All rights reserved. Image found at https://www.imdb.com/title/tt1798188/?ref_=nv_sr_srsg_0.

Things I liked about the film:

The animation: Over the years, Studio Ghibli has gained a reputation with their signature animation style. The 2-D presentation of each story has stood apart from the 3-D computerized technique most film studios adopted in the 21st century. One of the hallmarks of a Studio Ghibli film is the colorful palettes that are used in each production. From Up on Poppy Hill boasts bright colors throughout the story, creating spaces that appear inviting. The scenes were bright enough to be visually appealing, but not too much to the point of over-saturation. Even when a scene used darker colors, there was still a pop of color included. One example is on a rainy day, when the protagonist, Umi, is carrying a red umbrella. The movements of the characters, vehicles, and boats were smooth, which made them easy to visually follow. Characters were also expressive when it came to dealing with a variety of situations. Similar to Howl’s Moving Castle, From Up on Poppy Hill looked like priceless art!

The humor: An element I’ve noticed within Studio Ghibli’s films is their use of humor. Though From Up on Poppy Hill is a more contemporary story from other Studio Ghibli productions, the humor still fit within the world of that particular film. In one scene, one of the members of the Archeology Club tells another club member that they need to find a way to show how cool their club can be. The fellow club member simply replies with “we can’t”. Toward the beginning of the film, Shun, one of the main characters, falls into a pool of water after performing a stunt while attempting to encourage his classmates to save a local clubhouse. When Umi tries to help Shun out of the pool, their fellow classmates cheer them on as soon as she touches his hand. A great aspect of this movie’s humor is how there was enough to maintain the film’s lighted-hearted tone. At the same time, it didn’t diminish the dramatic moments that momentarily appeared in the story.

The music: While watching this film, the musical selections in From Up on Poppy Hill stood out to me. This is because they fit the tone of their given scene so perfectly! Throughout the story, Umi rises signal flags in order to help her father return home. During these scenes, dramatic piano music would play in the background. For more lighted-hearted scenes, up-beat music could be heard. One example is the movie’s very first scene, which shows Umi preparing for a typical day. Because this film took place in the early to mid-‘60s, the music sounded like it came directly from that time period. When Umi and Shun are in a hurry to reach an important destination, the instrumental tune sounded like it belonged in a program like Hawaii Five-O. All of the music in From Up on Poppy Hill effectively brought a sense of emotion to every moment within the story!

Sailing on the sea image created by Michele L at freeimages.com. “FreeImages.com/Michele L.”

What I didn’t like about the film:

Lack of backstory for the Latin Society’s clubhouse: One of the overarching themes of From Up on Poppy Hill is honoring the past. This is one of the arguments Shun provides in his efforts to save the Latin Society’s clubhouse. There are times when this theme was incorporated into the story well. But, when it comes to the clubhouse, the history of the facility is never revealed. The only thing closest to a backstory that is given was when one of the club members says the previous residents were as messy as the current club members. This creative choice makes the club’s arguments appear weaker than necessary.

Minimal character development for some of the characters: In any film, character development is an important component. This can help the audience connect with a movie’s characters and get invested in their journey. From Up on Poppy Hill gives the majority of character development to Umi and Shun. Parental figures in Umi and Shun’s life, such as Umi’s grandmother, receive some character development. The rest of the characters receive minimal character development, making it difficult to truly get to know them. One example is Sora, Umi’s sister. While watching this film, I became familiar with her as the story progressed. However, when it comes to learning more about Sora, there was more to be desired.

Drawn out scenes: There were a few scenes in From Up on Poppy Hill that were drawn out longer than they needed to be. A perfect example is when Shun’s father is sharing information about his son’s past. I liked learning more about Shun’s backstory. But it was paired with moments of silent pauses that were a little too long. Had these pauses been shorter, this scene might have helped the film shave off some of the run-time.

Skyline of Yokohama, Japan image created by Lifeforstock at freepik.com. Travel photo created by lifeforstock – www.freepik.com. Image found at freepik.com.

My overall impression:

When I saw From Up on Poppy Hill, there were mentions of the Summer Olympics in Tokyo. The 1964 Olympics was included in the discussion, not the now postponed 2020 Olympics like I originally thought. The fact this event would be mentioned at all was very interesting. The Olympics are steeped in history, spanning many decades and involving many international parties. As I mentioned in my review, one of the overarching themes of this movie is honoring the past. In the story, history is presented in many forms. Some are embodied as large-scale events, like the Olympics. Others are formed in the relationships we share. From Up on Poppy Hill intelligently and creatively shows its audience how important history is in our lives and our world. As a movie blogger, I recognize how history has made or broken the world of film. But this entry from Studio Ghibli’s collection handles the idea of history with relatability and respect. People from any part of the world can understand the messages presented and maybe take away a small piece of the story and apply it to their own lives. From Up on Poppy Hill is one of the studio’s stronger projects that I am grateful to have seen. A huge thanks goes to Ospreyshire for bringing this film to my attention.

Overall score: 8.3 out of 10

Have you seen Studio Ghibli’s films? Which movie would you like to see me review next? Share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen