As Christmas is just around the corner, it’s time for me to publish my annual Movie Blogger’s Christmas Wish-List! For those who are new to 18 Cinema Lane, I post a Christmas related article in honor of the holiday to sharing the things I, as a movie blogger, would like to receive as Christmas gifts. This is a tradition I started back in 2018. While I know I won’t get most of the items on my list, I try to choose those that seem realistic. Because my blog primarily revolves around movies, I pick “gifts” that have something to do with film. Unless I say otherwise, the screenshots were taken taken by me. If you’d like to read my previous Christmas wish-lists, I will provide the links here:
In 2020, Hallmark didn’t release any new Hallmark Hall of Fame movies. The on-going Coronavirus is likely one of the reasons why this was the case. Due to the lack of Hallmark Hall of Fame films this year, I’d like to see Hallmark create four new HHoF presentations in 2021 to make up for this. I feel that Hallmark has what it takes to tell interesting stories through visually appealing and captivating projects, something I’ve mentioned at various moments on my blog. If they chose to make four new HHoF movies, each story could revolve around a different seasonal component. The first film could have something to do with either St. Patrick’s Day, Easter, or Memorial Day, as those holidays are set around springtime. As the second film might be released during the summer, Fourth of July or Father’s Day could have a primary place in the plot. Because Halloween or Thanksgiving movies from Hallmark are far and few between, the third HHoF film might focus on those holidays. Since Hallmark Hall of Fame Christmas movies have a staple in the collection, the last film of the aforementioned four would revolve around Christmas. If Hallmark could create forty new Christmas movies among two networks during a pandemic, then they can find the time to release four new Hallmark Hall of Fame films in 2021.
Something You Need to See
Since I’ve talked about this subject at length before, I won’t repeat myself. All I’ll say is that I want the Tim Pope cut of The Crow: City of Angels to see the light of day. For me, this is more than just re-releasing a decades old movie. It’s about consumer advocacy and respecting the cinematic creative process. As of mid-to-late December 2020, my editorial about this topic has received over 200 views! This means a lot to me because it shows that that many people care about this particular issue. Hopefully, Paramount (the studio who owns the distribution rights to The Crow: City of Angels) hears our voices and releases this version of the film. If you would like to read my aforementioned editorial, here’s the link:
A movie related piece of clothing or accessory I’d want to wear
Similar to last year’s Christmas Wish-List, I have two choices for this category. The first is the cargo slim jeans from Perry Mason Returns! This pair of pants was worn by a gas station employee Perry’s assistant, Paul, interacts with toward the end of the movie. What I like about this pair of pants is how they appear to be a different style of cargo pants that isn’t common. Also, I think it’s cool how the pockets are big enough to fit a rolled up readable magazine. The second is the silver pair of pants Barbara Niven’s character, Joan, wears in the Hallmark Hall of Fame movie, Promise. That is one of the coolest pairs of pants I’ve ever seen! Whenever Joan moved from location to location, the pants always shined. It is definitely an ‘80s piece that I would love to have in my wardrobe.
A book I’ve read that I’d like to see adapted into a film
Instead of talking about one book like I have in the past, I will talk about two of them. Both Hallmark Hall of Fame and BYU-TV have done a good job creating historical/period films in years prior. Because of this, To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson would make a good presentation from either network, as the story takes place in the 1930s! While reading this book back in May, I couldn’t help noticing several parallels between the polio epidemic described in the book and the Coronavirus pandemic the world experienced in 2020. Just to provide one example, Noreen, the narrator of the story, discusses how some businesses were closed to the public and how there were periods of quarantine. If Hallmark or BYU-TV wanted to create a film in response to the Coronavirus, this particular story would be an interesting way to discuss that without coming across as too on the nose.
Another book I read this year was Zlata’s Diary. As I was reading, I came across this quote:
“I think about all the films that could be made in Sarajevo. There are loads of subjects for films here”.
Now that I think about it, I can’t think of many films about the Bosnian War, especially from the perspective of a civilian from Sarajevo. When it comes to Zlata’s suggestion of films about and/or filmed in Sarajevo, maybe this is the decade where that dream comes true. As I said about BYU-TV, they have done a good job at creating historical/period films. What they have also done is effectively told stories involving conflict. A perfect example is the Christmas film, Instrument of War. This movie showed the horrors of World War II without being graphic when it came to violence. With everything I just said, I could see BYU-TV adapting Zlata’s Diary into a film.
What are your thoughts on this year’s Christmas Wish-List? Is there anything movie related you’d add to your list? Let me know in the comment section!
Because I received positive responses for the way I wrote my review of The Crow, I decided to write another open letter. This time, I’ve addressed it to The Crow: City of Angels. As I mentioned before, this isn’t the typical writing style I adopt for my reviews. But it’d only be fair to present this article in a similar fashion. Now, let me start this letter to The Crow: City of Angels.
An Open Letter to The Crow: City of Angels,
I’m pretty sure you’ve heard of my editorial that I wrote back in May. You know the one; about how the Tim Pope cut should be released. A question you’re probably asking is “How can you advocate for a cut of a movie you’ve never seen”? Well, I’m glad you asked! I first learned about your experience with “studio intervention” from the Youtube video, “Exploring The Crow City of Angels”. I was not happy to hear what you had to go through, thinking it a circumstance that should have never happened. While scrolling through the video’s comment section, I read responses from people who expressed interest in seeing the Tim Pope cut. But despite this interest, it seemed like nothing was being done about the situation. From how I saw it, wishful thinking overshadowed any plans or ideas. After Justice League’s Snyder Cut was announced for a 2021 release, I knew it was the perfect time to bring up the Tim Pope cut and explain why it’s important. When other films were brought up in the discussion of special cuts, you weren’t really added to the conversation. So, I’m actually doing you a favor by advocating on your behalf. By the way, my original plan was to watch you and your predecessor, The Crow, around Halloween. But I’m guessing they told you about my change of plans.
Because of a grammatical error I stumbled across on the internet, where your title was written as The Crow, City of Angels, I honestly thought Vincent Perez had starred in your predecessor. However, when I discovered The Crow Wiki, I learned he was the lead actor in the second chapter. Like I’ve said about movies like Swept from the Sea and Cyrano Bergerac, Vincent’s involvement is what made me want to check you out. In the previous films of Vincent’s I’ve seen, he always steals the show for the right reasons. He certainly did that this time around! Similar to Brandon’s portrayal of Eric, Vincent brought an emotional intensity that made his performance captivating to watch! However, he went out of his way to set his character, Ashe, apart by adding a sense of showmanship to his role. In a scene where some of the villains are shooting at Ashe in a club, Ashe acts performative about the situation, using the violence against him in his one-man show. He even bows after the villains have finished shooting. This acting decision ended up working in Vincent’s favor! I’m not sure how much acting experience Iggy Pop had prior to his casting. However, I feel he did a fairly good job with the material he was given! While portraying Curve, one of the villains, Iggy effectively showcased the anger and frustration a person in that situation or environment might feel. This can be seen when Curve goes to Noah’s tattoo parlor and fights with Sarah. As Curve’s hostility grew, I quickly became concerned for Sarah and Noah’s safety. This scene showed me that Iggy’s performance was convincing. Speaking of Sarah, I liked seeing Mia Kirshner portray this character! Through her performance, she brought a calmness that the world surrounding Sarah was missing. Sarah’s gentle demeanor was a physical representation that hope wasn’t completely lost. This definitely worked in Mia’s favor, as it helped her performance stand out!
Over the twenty-four years you have existed, I’m guessing you’re tired of being compared to your predecessor. You so desperately wanted to be your own individual, but “studio intervention” prevented you from doing so. However, I made sure to notice how you were different from the first chapter. Eric and Ashe’s face disguise are just one example. In The Crow, Eric painted his face to resemble a mask he and Shelly owned when they were still alive. Ashe, in The Crow: City of Angels, uses some paints his son, Danny, owned before he died. This contrast shows the personal, semimetal touches each character’s appearance was given. Throughout the second chapter, Ashe moves around Los Angeles by primarily riding on a motorcycle. Because he was a mechanic before he became the Crow, this distinction makes sense. While we’re on the subject of Los Angeles, I really liked your set design! It’s griminess and unruliness showed a different way a city can express chaos. The sets were also colorful, which is the opposite of your predecessor’s black-and-white color palette. Day of the Dead festivities certainly made a contribution, as various masks, flowers and other items related to the holiday helped scenes visually pop. I’m glad you decided to use more light when presenting the story! This decision allowed me to clearly see what was happening on screen. It certainly sets you apart from the first chapter, as they only used a certain amount of light throughout the story.
Now it’s time for me to point out your flaws and mishaps. I’m not doing this to be mean, but only to be honest, as I do recognize your horrible experience with “studio intervention”. All of the villains were weak imitations of those who came before them. One perfect example is Sybil, who was the mystical figure Myca was in your predecessor. In a scene where she is explaining the connection between the crow and Ashe to Judah, Sybil sounded like she was quoting Myca word for word. Because of everything I just said, these villains were not allowed to have their own stories and be their own characters. It also made it easier for me to root for Ashe, as the villains didn’t have anything interesting or unique to offer. While I don’t have anything against Grace herself, I found her to be insignificant in the grand scheme of things. She didn’t add anything to the story or have a strong reason for being in that world. I’m guessing this was a “studio intervention” related decision, where the studio wanted Los Angeles to have their own “Sarah”. The difference between Sarah in The Crow and Grace in The Crow: City of Angels is Sarah receiving a vital role in the first chapter, serving as a reminder for Eric to keep his moral compass. In the second chapter, Grace could have been written out of the story and not much would change.
Now that I mention Sarah, I was not a fan of her and Ashe’s attraction for one another. This has nothing to do with the characters themselves or the actors portraying them. I just found this part of the story to be unnecessary. This is because nothing became of this attraction, which prevented it from going anywhere. Even Ashe warns Sarah against this attraction, as he tells her that nothing will likely happen. If Ashe knew this all along, then why would he even entertain this idea in the first place? I could see what you were trying to do; give Ashe a conflicting choice between life on Earth and the afterlife. This would have been an interesting concept had more time been devoted to it. Because Ashe and Sarah’s attraction for each other came about so quickly and with everything else happening in the film, it ended up as a spark that had trouble igniting.
As a movie, you’re a fine, run-of-the-mill action film. But, as a continuation to The Crow story, you were weaker than your predecessor. I did cut you a little bit of slack because of the one thing I’ve been mentioning throughout this letter: “studio intervention”. Now that I have seen you, I still believe the Tim Pope cut should see the light of day. You do deserve to be the movie you were meant to be and we the audience and fans deserve to see that happen. On 18 Cinema Lane, I feature a crow image with the hashtag, #ReleasetheTimPopeCut, on the homepage. This is so people who come to my blog can easily find my editorial and read it for themselves. I also posted the aforementioned hashtag on all of 18 Cinema Lane’s social media accounts. If you know anyone who wants to see the Tim Pope cut, please tell them to speak up. Paramount, the studio you now call “home”, will never hear the fans unless they say something. All I’m asking is for you to be kind and respectful if you share this letter with others. I recently watched Lee’s video review from his Youtube channel, Drumdums. When addressing the horrible circumstance you went through, he contemplated the likelihood of the Tim Pope cut’s release. While he felt anything was possible, he also didn’t believe this cut would ever be seen. As I close this letter, I’d like to remind Lee and those who may have doubts of what Eric said in The Crow: “It can’t rain all the time”.
P.S. I’m giving you a score of 7 out of 10.
If you want to watch Lee’s review of The Crow: City of Angels, you can find it on Youtube by typing “The Crow: City of Angels Movie Review” into the search bar or visiting his channel, Drumdums.
In recent days, the news about the release of the infamous “Snyder Cut” of Justice League has taken over the internet. Multiple Youtube videos have covered this story and the discussion of its arrival has been rampant on social media. It has even gone so far as to make Paul Feig consider releasing a new cut of his version of Ghostbusters. But among the articles, videos, perspectives, and comments, there is a cut of one movie that was left out of the conversation: the Tim Pope cut of The Crow: City of Angels. As you’re reading this, you’re probably wondering “What is the Tim Pope cut?” “Didn’t this film already receive a director’s cut?” In this editorial, I’ll answer those questions. I will also be sharing a list of reasons why now is the perfect time to release the Tim Pope cut of The Crow: City of Angels. This isn’t the first time I’ve brought this subject up. In my Sunshine Blogger Award post from this April, I said that one of my greatest wishes for cinema was for the full version of The Crow: City of Angels to be released. However, I honestly never thought I’d write an editorial about this subject. Since many people are not talking about the Tim Pope cut, I decided to do so. Besides, when life gives you lemons, it’s better to write a blog post about it while everyone else is making lemonade.
What is the Tim Pope cut?
Before I talk about the reasons why the Tim Pope cut should be released, I need to explain what the cut itself is. The Tim Pope cut is the 160-minute version of The Crow: City of Angels that was purposefully intended to be different from the first film. Unfortunately, this version never saw the light of day because the movie was heavily affected by “studio intervention”. In a video titled “Exploring The Crow City of Angels,” Cecil, the creator and narrator of the video, explains how the studio’s decisions prevented the film’s creative team from telling the story they wanted. It got so bad that the movie’s director and writer, Tim Pope and David S. Goyer, disowned their project because of the changes. While the film did receive a director’s cut, “it’s mostly just extended scenes,” according to Cecil. The original version of this movie is not officially called “the Tim Pope cut.” Supporters, including myself, gave it this name to make it sound more official.
Reason #1: The “Snyder Cut” Opens the Doors for a Winning Cycle
In an article from The Hollywood Reporter, Borys Kit reported that “a growing movement of fans, rallied around the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned – even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con – for Snyder’s version to be released.” The reason why people wanted to see Zack Snyder’s version of Justice League is because the director had to leave the project due to a personal situation involving his family. This caused a different director, Joss Whedon, to step in and change Zack’s intended vision. Because of how vocal and passionate these supporters were, HBO Max is finally granting their wish. Borys says, in their article, the streaming service “will debut the project in 2021.” They also state that “whether it will be released as an almost four-hour director’s cut or split into six “chapters” has yet to be decided.”
Since the “Snyder Cut” is going to see the light of day, it opens the door for other films that have been creatively damaged, like Justice League, to receive the proper treatment they deserve. It also sets a precedent for a cinematic cycle where everyone wins. I provide an image of this cycle to give a visual for what I will be discussing. The following bullet-points show each part of the cycle and why its important.
Movie’s Creative Team – Given creative freedom, allowed to make the films they want, has option to incorporate fan feedback and source material if IP is used
Fans/Audience Members – Greater chance they’ll spend money on movie ticket if creative team and studio respected and listened to them
Studio – Will see good financial results on projects where creative team was given creative freedom and fans/audience members are respected
Reason #2: The Person Responsible for The Crow: City of Angels’ Destruction is No Longer in Control of This Film
In the aforementioned video, “Exploring The Crow City of Angels”, Cecil discussed how the film was a victim of “studio intervention.” They mention on several occasions how Tim, David, and even The Crow’s creator, James O’Barr, had always planned on creating a new story for the sequel. This decision was made to show respect toward the predecessor and its devoted fans. After the film had already been finished, “studio intervention” took over. Harvey Weinstein, who was a producer at Miramax at the time, “demanded the film be edited to be more like the first movie,” as Cecil says in the video. This choice single-handedly stopped the creative team of The Crow: City of Angels from making the film they wanted.
In 2005, Harvey left Miramax in order to create The Weinstein Company. This means that he gave up control of the studio. At the time, Disney had ownership over Miramax. It was the result of an acquisition that took place in 1993. Over the years, the studio has changed hands among various companies. On April 3rd, Jill Goldsmith, from Deadline, reported that ViacomCBS “closed on the acquisition of a 49% stake in Miramax.” This allows Paramount, which is owned by ViacomCBS, “an exclusive, long-term distribution agreement for Miramax’s film library and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on Miramax IP.” What this means is Paramount/ViacomCBS is now in control over the potential restoration and release of the Tim Pope cut.
Reason #3: Paramount has Respected a Pre-Existing Fanbase Before
When Paramount chose to acquire Miramax, they purchased projects related to The Crow. With those projects comes a pre-existing fanbase. However, this is not the first time the studio dealt with a project where a pre-existing fanbase was a part of the equation. Last year, fans of Sonic the Hedgehog were not pleased with the way their favorite character looked in a trailer for a movie based on the famous blue protagonist. After backlash over Sonic’s design, Jeff Fowler, the director of Sonic the Hedgehog, announced plans to change Sonic’s look. In an article from SlashFilm, Ben Pearson shares the director’s tweet, which says “Thank you for the support. And the criticism. The message is loud and clear… you aren’t happy with the design & you want changes. It’s going to happen. Everyone at Paramount & Sega are fully committed to making this character the BEST he can be…”. This choice caused the film to be delayed until February of 2020.
When Sonic’s re-design was revealed, fans and potential audience members praised Paramount and the creative team behind the film. Two of those people were Kneon and Geeky Sparkles from Clownfish TV. In a video called “Sonic the Hedgehog is FIXED! Sonic Looks GREAT!”, Kneon and Geeky marvel over Sonic’s drastic change. They also approve of Paramount’s decision to put customers first. Geeky asks, “Look, if it looks really bad and the fans say it looks really bad, you want people to come to your movie, right?” She quickly answers that question by stating “So, um, you’re going to need to, uh, do things that make the fans happy.” Kneon says, “The Sonic fandom is very, very vocal. Ok, they’re a very passionate, vocal fanbase”. He and Geeky express interest in seeing the film due to Paramount’s efforts to make a better product. Because Paramount and Sonic the Hedgehog’s creative team took the time to show the Sonic fans respect, the film went on to, so far, become the second highest grossing movie of 2020! While a part of its ranking at the box office was affected by the Coronavirus, acquiring a domestic receipt of over $300 million is something Paramount should be proud of.
Reason #4: Fans of The Crow are a Dedicated Group of People
The Crow has a pre-existing fanbase that spans more than a decade. Whether drawn to the comic or a fan of any film, fans who love The Crow are dedicated, vocal, and passionate about their favorite IP. They will find an opportunity to talk about the story and have even pushed The Crow into cult classic status. One of these fans is Lee from the Youtube channel Drumdums. In his video, titled “The Crow: Legacy of a Cult Classic,” Lee says “I have been obsessed with this movie, really, since I saw it, in the theater, opening night, uh, in May of 1994.” He shares his personal experiences with the film, as well as praising the project. He even created a live commentary video dedicated to the movie. Another fan is Pale Writer from the blog Pale Writer. Last Halloween, Pale Writer published a review titled “Rain and Revenge: The Crow (1994).” They say in their article, “I first watched The Crow with my older brother when I was in my mid teens, and I’ve loved it ever since. I was an emo teenager with a love of the gothic, and my brother knew that.” Throughout the article, Pale Writer explores many different components related to the film. Because of how well-written and passionate the review was, it encouraged me to watch The Crow for the first time this year.
Within any fanbase, people have their own perspectives and opinions. The Crow’s fanbase is no different. There are people who are vocal about their love for The Crow: City of Angels. Take, for instance, the video, “1. City of Angels – The Crow City of Angels.” Looking through the comment section will show how fans care about this film. One commentator says “I loved City of Angels.” Another person shares “This is the only sequel I liked.” When talking about a piece of lost media, Jorge from the Youtube channel blameitonjorge, says, “It was something that a lot of people wanted to see.” This mindset is similar to the “Snyder Cut’s” journey. Fans wanted to see Zack’s vision come to life, so their desire drove that campaign. I’ve seen comments from fans of The Crow saying how they wish they could see the original version of the sequel. Even Cecil from GoodBadFlicks expresses an interest in finding it.
Reason #5: Studios Can’t Make a lot of New, Live-Action Projects RightNow
2020 has become the year of Coronavirus. Many practices have been put in place to stop the virus’ spread. One of these practices has been “social-distancing.” This has resulted in many businesses temporarily closing their doors, including those from the entertainment industry. Kate Aurthur and Adam B. Vary, from Variety, reported how Hollywood is planning on returning to work. They say that one of the plans is obtaining “medical-grade cleaning equipment and PPE.” This, along with other new procedures and practices “will balloon the hard costs of production.”
A studio like Paramount needs to make money. At the same time, they also want to move forward as safely as possible. While ViacomCBS has generated revenue from their streaming service, CBS All Access, their incoming funds are more limited than normal. The Tim Pope cut could give the studio content to release. There is an audience for it, so fans are willing to pay for this version of the film. Paramount could either place the movie on the streaming service or release it on physical media. No matter how this film could be released, it would give Paramount something to create.
Reason #6: People Need More Entertainment Options
As I already mentioned, the Coronavirus has forced people to “social-distance” and “self-quarantine.” Streaming services, cable, and the internet have provided instant entertainment for consumers as they are required to stay home. Because new content is not as common as usual these days, The Crow: City of Angels could become a newer entertainment option. I also mentioned that Paramount could either release this movie on the streaming service, CBS All Access, in a digital format, like Xfinity on demand, or on physical media. Earlier in this editorial, I said that HBO Max was planning on releasing the “Snyder Cut” of Justice League in 2021. If Paramount wants to release the Tim Pope cut of The Crow: City of Angels next year, it gives fans something to look forward to during this stressful time.
The road to the “Snyder Cut” was met with perseverance, determination, and ambition. While this journey lasted for a few years, the fans’ efforts proved worthwhile. This situation shows how studios, cinematic creative teams, and fans can work together to form a situation where everyone benefits. It also shows that the sky’s the limit for other films that have gone through a similar situation to Justice League. If Paramount doesn’t release the Tim Pope cut of The Crow: City of Angels, it makes the studio look hypocritical. If they could go the extra mile for the Sonic fans, it would only be fair for them to go the extra mile for The Crow fans as well. This is why we need to let Paramount hear our voices. If you are a fan of The Crow, someone who approves of studios putting customers first, support consumer advocacy, want to see creative teams receive creative freedom, someone who loves movies, or want to help set a “wrong thing right” (yes, Sarah’s quote was intentional), then please consider joining the movement to encourage Paramount to release the Tim Pope cut. I created an official image with the hashtag that you are welcome to use. The most important point is to spread the word, so please let others know about this cut. All I ask is to please be respectful while sharing this message.
Have fun at the movies!
Paul Feig Thinks Ghostbusters 2016 is Next Snyder Cut from Odin’s Movie Blog (this video contains some language)
City of Angels – The Crow City of Angels from Jared
Exploring The Crow City of Angels from GoodBadFlicks
The Crow: Legacy of a Cult Classic and The Crow LIVE Commentary | “Can’t Rain All The Time” from Drumdums
Lost Media Case Files Vol 1. | blameitonjorge (this video contains some language and sensitive material)
Sonic the Hedgehog is FIXED! Sonic Looks Great! from Clownfish TV (this video contains some language)