Take 3: In Name Only Review

One of the reasons why I love participating in blogathons is because it gives me the opportunity to watch films I might have never seen otherwise. In Name Only is a fantastic example! Before signing up for The Carole Lombard Memorial Blogathon, I had no idea that this film existed. After searching Carole’s filmography on IMDB and discovering the ability to rent the movie, I felt that In Name Only was a good choice for this review. Even though I had heard of Carole Lombard before, I had never seen any of her films. My participation in this particular blogathon gave me the opportunity to finally check out her acting work! Another surprise I discovered was that the film is based on a book! The source material for the project is Memory of Love by Bessie Breuer. Similar to my discovery of the film, I was not aware of this book’s existence before I watched the movie. Maybe in the future, I’ll check this story out! But, for now, let’s check out this review of In Name Only!

In Name Only poster
In Name Only poster created by RKO Radio Pictures. Image found at en.wikipedia.org/wiki/File:In_Name_Only.jpg

Things I liked about the film:

The acting: Like I said in the introduction, this is the first film from Carole’s filmography I’ve ever seen. Despite this, I was impressed with her performance in this film! Her portrayal of Julie Eden showcased an on-screen personality that appeared down-to-earth. Whenever her character was frustrated by the divorce process, her performance became heart-breaking. Carole’s sad demeanor created the opportunity for audience members to sympathize with Julie. Prior to watching In Name Only, the only film from Cary Grant’s filmography I’d seen was The Philadelphia Story. Because that movie was a romantic-comedy, it gave me the chance to see Cary take on a more dramatic role in this picture. Throughout the story, Cary’s character, Alec Walker, embodied the serious and charming nature of a gentlemen. For more sad and heart-breaking moments, his performance was very captivating to watch. A great example is when Alec is staying at the hospital. Since his health is deteriorating, his mental health is also affected. This is portrayed very well by Cary, as he adopts a distant stare and disjointed speech pattern that reflect his character’s state.

 

The on-screen chemistry: I enjoyed watching the on-screen performances of Carole Lombard and Cary Grant! One reason is their on-screen chemistry. Every time they appeared in a scene together, there was always a sense of genuine sweetness between them. This allowed their characters to appear like they truly loved one another. It also makes viewers want to see this on-screen couple resolve their issues. For me, the quality of Carole and Cary’s on-screen chemistry helped me stay invested in their characters and their relationship!

 

How the topic of divorce was handled: In my review of Marriage on the Rocks, I talked about how the movie’s view on divorce made me feel uncomfortable. This was because of the one-sided perspective the movie presented. When it comes to In Name Only, the topic of divorce was handled with maturity and reverence to all the parties involved in the film’s story. While there was an antagonist, this creative choice was meant to show the audience that divorce can sometimes become messy and complicated. Unlike Marriage on the Rocks, In Name Only treats divorce as a realistic yet difficult situation. I’ve never read the book this movie is based on. However, I’m hoping the book handled the subject of divorce as well as the film did.

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When I saw this postcard, I knew it had to make an appearance in this review! Screenshot taken by me, Sally Silverscreen.
What I didn’t like about the film:

A drawn-out conflict: I understand the divorce process can be very time-consuming. But within the context of the film’s story, this conflict was drawn-out for the majority of the run-time. It got to the point where I could see audience members becoming just as frustrated as the protagonists were. Now, I’m not sure if this shared frustration was intentional on the screenwriter’s or author’s part. However, I do know that because of this creative choice, it didn’t leave a lot of room for a pay-off.

 

Under-utilized characters: As I was watching this film, I came across some under-utilized characters. Maida’s friend, Suzanne, is just one example. The actress who portrayed this character, Helen Vinson, did a really good job with the role she was given. But her character wasn’t able to do much in the story. This caused Helen to have very little material to work with.

 

Run-time that was a little too long: IMDB says that In Name Only is an hour and thirty-four minutes. However, I feel some minutes could have been shaved off. Had this movie’s run-time been an hour and fifteen or twenty minutes, certain events in the movie could have happened sooner. It also could have gotten rid of scenes that felt like time-wasters. One of these scenes, to give you an example, was when Maida was talking to her in-laws during a car-ride.

Carole Lombard Blogathon banner
The Carole Lombard Memorial Blogathon banner created by Crystal from In The Good Old Days Of Classic Hollywood and Vincent from Carole & Co. Image found at https://crystalkalyana.wordpress.com/2019/09/25/announcing-the-carole-lombard-memorial-blogathon/

My overall impression:

Even though In Name Only is the first film of Carole Lombard’s I have seen, it is a film that I did like! There are aspects of the movie that could have made the overall project stronger. However, its merits overshadow them. The biggest highlight is how the story handles the subject of divorce. Throughout the story, I could sense the creative team knew exactly what they were doing. The screenwriting provided a sense of realism to the narrative, giving the characters thoughts and feelings that might emerge from a situation like this. The divorce itself was also taken very seriously. If you’re interested in watching a film about this topic, please pick In Name Only over something like Marriage on the Rocks. As I’ve said before, I feel that starting or ending a romantic relationship is not something that should be taken lightly. In Name Only not only recognizes that, but highlights that through the interactions of the characters.

 

Overall score: 7.4 out of 10

 

Have you ever seen Carole Lombard’s movies? If so, which one is your favorite? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: The Sky’s the Limit Review + 135 Follower Thank You

Thank you to all of my followers that helped 18 Cinema Lane reach this milestone! If it weren’t for you, this blog would have never reached 135 followers in only one year! So, like before, it’s time for another blog follower dedication review! This time, I’m going to talk about a film that was released in September of 1943. The Sky’s the Limit is the only film from this time period that I was able to rent, so that’s the film that I have chosen. I have a confession to make: up until this point, I have never seen a movie where Fred Astaire made an on-screen appearance. I am familiar with who Fred is as a performer, so it’s hard to believe that this is the first of his films that I’ve seen. Choosing this film seems fitting for this particular review.

The Sky's the Limit poster
The Sky’s the Limit poster created by RKO Radio Pictures. Image found at https://www.imdb.com/title/tt0036363/?ref_=nv_sr_1?ref_=nv_sr_1.

Things I liked about the film:

The acting: Like I mentioned in the introduction, this was the first film of Fred Astaire’s that I’ve seen. Despite this, I was very impressed with his performance! His presentation was very natural and believable, helping him bring a certain amount of charm to his character. Before watching The Sky’s the Limit, I had no idea that Fred could sing. His singing and dancing talents added uniqueness to his on-screen presence. Another performance that I was impressed by was Joan Leslie’s! Joan made her character well-rounded because of the various emotions and behaviors she adopted. I was also pleasantly surprised by her singing and dancing abilities! By incorporating those elements to her role, it made her performance that much more enjoyable!

 

The on-screen chemistry: Not only did Fred and Joan deliver good performances individually, they also presented good performances as an on-screen pair! Throughout the film, their characters appeared to truly like each other. Moments where Fred and Joan spent time together represent the sweeter parts of the movie. While the relationship of the characters gradually developed, this aspect was portrayed in a way that felt believable. The fact that Fred and Joan’s acting talents were similar worked in their favor. It made their performances complement one another!

 

The dance numbers: Whenever Fred Astaire is cast in a movie, it’s almost guaranteed that there will be, at least, one dance number. In The Sky’s the Limit, Fred performed one dance solo and two dance duets with Joan Leslie. These performances were very well choreographed, appearing flawless and captivating. All of those hours of practice seemed to pay off. Fred and Joan also looked like they having fun during their performances! When a dancer looks like they’re enjoying what they’re doing, it helps the enjoyment factor of the dance number!

Six designs of military airplane
Military plane image created by Brgfx at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by brgfx – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The plot: You’re probably thinking, “If you didn’t like the plot, then why did you watch this movie?” The plot itself wasn’t bad, but it was too straight-forward for my liking. Before watching The Sky’s the Limit, I assumed that the protagonist would face one hilarious situation after another in order to resolve the conflict. However, no efforts were made to find a solution to the conflict. There were very few humorous moments in the film as well. This story took itself more seriously than I think it should have. It seemed to forget that “comedy” was a part of its identity.

 

The limited amount of dance numbers: When I found out that Fred Astaire would be starring in the film and that it was classified as a “musical”, I was expecting the movie to be filled with singing and dancing. In this hour and thirty-minute picture, there were only three dance numbers, with the first one appearing about forty minutes into the film. When a movie’s creative team hires an actor with more than one talent, they should help that actor use their talents to the fullest extent. This is especially true when the movie is labeled as a “musical”. If this doesn’t happen, it makes the actor appear under-utilized.

 

No consequences: As I said in the introduction, The Sky’s the Limit was released in 1943. This means that the film premiered during the Breen Code era. But when Fred Astaire’s character never faced any consequences for his actions and choices, I was shocked that the people behind the Breen Code would find this part of the story to be acceptable. One example is when Fred’s character is upset over a break-up. This causes him to destroy a restaurant’s bar by breaking drinking glasses and throwing a bar stool at the mirrored background. All that happens is Fred paying for his drink and acting as if nothing out of the ordinary had happened. Because he never owned up to his mistakes, I found it difficult to root for his character.

Dancing Pairs 2 Retro Cartoon Templates
Couple performing the waltz image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I can’t believe that I hadn’t seen any of Fred Astaire’s movies until now! That’s a great thing about this blog, as it gives me an excuse to introduce myself to films that I might not have seen otherwise. Now that I’ve shared what I liked and didn’t like about the movie, I can now tell you my honest opinion about it. Personally, I found the film to be just ok. It’s definitely not one of the worst films I’ve seen this year. But, it’s not one of the best films I’ve seen this year either, as it hasn’t aged as well as other projects from that decade. Despite this, I’m still glad I gave this movie a chance! Something that I have said before was how you never know if a film will be good or bad unless you watch it. This is certainly the case for my experience seeing The Sky’s the Limit. Once again, thank you to all of my followers! If it weren’t for you, this review wouldn’t exist.

 

Overall score: 6.1 out of 10

 

What are your thoughts on my review? Are you looking forward to my next movie review? Please tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen