Tag: movies

Take 3: Fried Green Tomatoes Review

On By 18cinemalane4 Comments

When it comes to this year’s Genre Grandeur reviews, I have chosen not to write about Hallmark films, even though I could have. This trend is the result of wanting to expand my cinematic horizons. But that is not the only trend among my Genre Grandeur reviews this year. Most of the movies I’ve talked about, so far, were recommended by my readers. With April’s Genre Grandeur theme being “Films About Food”, I selected a movie suggested by Jillian from The Classic Film Connection. That title is 1991’s Fried Green Tomatoes! At first, I had no idea how food was significant to this story. While I knew Fried Green Tomatoes was based on a pre-existing book, I had not read the book prior to watching the film. As I watched the movie, though, I began to see how the story prioritizes food. So, set the table and get the entrée ready, for I’m about to review Fried Green Tomatoes!

Fried Green Tomatos poster created by Universal Pictures, Act III Communications, Avnet/Kerner Productions, Electric Shadow Productions, and Fried Green Tomatoes Productions

Things I liked about the film:

The inclusion of food: As I mentioned in the introduction, I did not know the role food would play in Fried Green Tomatoes. But as the story progressed, the significance of food became clearer! This aspect of the film is included in two ways. The first is forming connections between the characters, building bridges of communication and even camaraderie. When Evelyn and Ninny first meet, Evelyn shares one of her candy bars with Ninny. This exchange served as the starting point for these characters’ friendship. Food also represented the world surrounding the characters. When Ninny is first telling Idgie and Ruth’s story to Evelyn, the story starts at a wedding. At the wedding reception, a table of decadent desserts is shown on screen, from a variety of pies to the wedding cake itself. The picture-perfect presentation of these desserts emphasized the affluent backdrop these characters existed in. Those two ways food was placed into the story allowed food to be the thread that kept the movie together!

The acting: I’ve seen some of Kathy Bates’ films prior to watching Fried Green Tomatoes. Out of those movies, I noticed Kathy has portrayed characters who were head-strong and confident. But with her portrayal of Evelyn in Fried Green Tomatoes, this performance was different. That’s because Evelyn slowly, but surely, became confident over time. Kathy’s approach to her character was very reminiscent of a chameleon. This was achieved through a combination of body language, emotions, and facial expressions. Another great aspect of Kathy’s performance was her on-screen camaraderie with Jessica Tandy! With Jessica’s effortless portrayal of Ninny, the interactions between Evelyn and Ninny appeared so natural, as if their friendship was always meant to be. I also felt this way about Idgie and Ruth’s friendship. Portrayed by Mary Stuart Masterson and Mary-Louise Parker, these characters presented a classic example of “opposites attract”! One of my favorite scenes in Fried Green Tomatoes was when Ruth and Idgie are giving non-perishable food items to members of a homeless camp. At first, Ruth is alarmed by Idgie’s actions, believing Idgie is stealing. But Idgie explains how people at church only say they do good work instead of practicing what they preach. This explanation shows Ruth how Idgie’s free-spirited nature could be directed toward helping others, as Idgie sees Ruth is in her corner and willing to support her.

The addition of a mystery: In Fried Green Tomatoes, there is a murder mystery woven into Ruth and Idgie’s story. In fact, the movie begins with the murder victim’s car being pulled out of a river. But this murder mystery is simply a part of the story, not the main focus. Because it is drawn out throughout the film, it gave the audience a reason to stay invested in what was happening on screen. The mystery unfolded as the story progressed, with pieces revealed as Ninny told Evelyn Idgie and Ruth’s story. Since the audience is learning information alongside Evelyn, a shared experience is created between viewers and the characters.

Picnic basket in Autumn image created by Stockgiu at freepik.com. Picnic basket vector created by stockgiu – www.freepik.com

What I didn’t like about the film:

Confusing parts of the story: For this part of my review, I will share some spoilers for Fried Green Tomatoes. If you haven’t seen this movie or read the book and are interested in checking this story out, please skip this paragraph and resume at the paragraph titled ‘Ninny’s unknown involvement in Idgie and Ruth’s story’.

There were some parts of Fried Green Tomatoes I found confusing. One example is Ruth’s reaction to train tracks. At the beginning of Ruth and Idgie’s story, they witness their friend, Buddy, get run over by a train. His foot got caught in the train track, preventing him from escaping his demise. Years later, Ruth has a son named Buddy Jr., naming her son after her and Idgie’s deceased friend. But Buddy Jr. loses his arm after playing on a train track. This begs the question; why would Ruth allow her son anywhere near train tracks, especially after what her friend went through?

Ninny’s unknown involvement in Idgie and Ruth’s story: When Ninny first introduces herself to Evelyn, she claims she married into Idgie’s family. Yet throughout Idgie and Ruth’s story, a younger version of Ninny is nowhere to be seen. None of the characters in Ruth and Idgie’s story mention Ninny either. This left me confused as to what Ninny’s involvement in Idgie and Ruth’s story was. Even the movie’s ending made me question Ninny’s identity.

Some unsmooth scene transitions: Fried Green Tomatoes features two timelines: one for the past (Ruth and Idgie’s story) and one for the “present” (Ninny and Evelyn’s story). While it was interesting to see these timelines unfold, I did not like the scene transitions from the past to the present. They were too abrupt, with little to no indication of the change in time. No voiceovers brought the audience, as well as Evelyn, out of the past. These unsmooth scene transitions felt jarring.

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My overall impression:

In the 1990s, it seems like a popular cinematic trend was stories that primarily took place in the past. In these movies, a protagonist is either telling a story to other characters or a protagonist is reflecting on their life. Fried Green Tomatoes is one of these films, as there are two timelines in the story: one from the past and one from the “present”. But among these types of movies, there are titles I feel are stronger than Fried Green Tomatoes. With the inclusion of two timelines, it felt like they were competing for the audience’s attention. In fact, I thought Idgie and Ruth’s story was more interesting than Ninny and Evelyn’s story. There were also confusing parts of the movie, such as Ninny’s involvement in Ruth and Idgie’s story. Despite these flaws, though, I found Fried Green Tomatoes to be a fine, well-made film.

Overall score: 7.4 out of 10

Have you seen or read Fried Green Tomatoes? Are there any food related movies you’d like me to check out? Tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Raven (1963) Review

On By 18cinemalane21 Comments

April Fool’s Day; a time for jokes, pranks, and laughter. On such a day, a comedic film would be most appropriate. Therefore, it’s time to introduce my selection for The ‘Favorite Stars in B movies’ Blogathon: 1963’s The Raven! Recommended by the late Patricia from Caftan Woman, I discovered this particular title was considered a “B movie” while searching for the perfect movie to write about. It just so happens to star an actor that is no stranger to 18 Cinema Lane; Vincent Price! The Raven is the tenth film of Vincent’s I have seen and reviewed. Most of his projects I have enjoyed to various degrees. But how will the 1963 title turn out? Don’t fly away from this review, as the review is about to begin!

The Raven (1963) poster created by Alta Vista Productions and American International Pictures

Things I liked about the film:

Interactions between characters: When creating a movie, it’s important to cast actors and actresses who not only perform well individually, but also within a group. If the quality among the cast is strong, the interactions between their characters will appear realistic to the audience. This is the impression I received as I watched The Raven. Scenes shared by Vincent Price and Peter Lorre serve as one great example. In one scene, Vincent’s character, Dr. Erasmus Craven, has attempted to reverse the spell placed on Dr. Adolphus Bedlo, Peter Lorre’s character. Unfortunately, Craven’s attempt doesn’t go according to plan. Bedlo is distraught at having wings for arms. His face bears a frown, eyes filled with a sad look. With disdain and concern is his voice, Bedlo is afraid the spell’s effects will be permanent. Meanwhile, Craven bears a look of concern on his face. But with a worried look in his eyes, Craven appears to care about the well-being of his friend. Through interactions like the one I described, Craven and Bedlo’s friendship felt believable. That was made possible with a combination of screen-writing and the performances of Vincent and Peter!

The humor: I knew The Raven was classified as a “horror-comedy” before I watched it. However, I was surprised by how the comedy was incorporated into the story! The humor in The Raven was mostly found within the dialogue. But the movie’s climax is where the humor really shines! In this scene, Craven and Dr. Scarabus, portrayed by Boris Karloff, participate in a magical duel. When it was Craven’s turn to use his magic, his responses to Scarabus became sillier as the duel continued. I won’t spoil this part of the story, for readers who haven’t seen this movie yet. All I will say is the humor was so well executed, I burst out laughing on numerous occasions.

Following the characters’ journey: The Raven is about Craven and his friend, Bedlo, traveling to Scarabus’ castle to reclaim Bedlo’s magic and save the spirit of Craven’s late wife, Lenore. As the story unfolds, the audience witnesses the steps Bedlo and Craven take in order to make the trip a reality. Seeing this step-by-step process allows viewers to feel like they are traveling alongside the characters. That creative decision adds interactivity to the story!

The ‘Favorite Stars in B movies’ Blogathon banner created by Brian from The Films from Beyond the Time Barrier

What I didn’t like about the film:

Inconsistent parts of the story: Within the The Raven, there were times when parts of the story were inconsistent. In one example, Craven and Bedlo need hair from a dead man. So, they take some hair from Craven’s deceased father. In order to open the casket of Craven’s father, Craven uses a knife to pry open the casket’s lid. A few scenes later, when Bedlo and Craven want to open Lenore’s casket, they are easily able to lift the lid. While these inconsistencies were not a common flaw, I believe this issue could have been avoided.

A drawn-out first half: As I already mentioned in this review, I liked how the characters’ journey allowed the audience to feel like they were traveling alongside the characters. But because of the movie’s hour and twenty-six-minute run-time, this journey was drawn out. Within the story’s first half, the sense of urgency was limited. There was also a small conflict that prolonged the journey. With those flaws addressed, it makes me wonder if this story would have worked better as a short film?

A random plot twist: For this part of my review, I will spoil a plot twist in The Raven. If you are interested in watching this movie, but have not seen it yet, please skip ahead to the section titled ‘My overall impression’.

While spending the night at Scarabus’ castle, Bedlo helps Scarabus trap Craven, his daughter, Estelle, and Bedlo’s son, Rexford. After Scarabus and Bedlo succeed, Bedlo confesses he tricked Craven into coming to Scarabus’ castle, in order to gain more magic from Scarabus. While this plot twist was unexpected, it felt random. There was no indication Bedlo would be that under-handed. Plus, this plot twist came right after another plot twist had been revealed. In my opinion, the plot twist involving Bedlo felt like it was included in the story just for the sake of it.

Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

My overall impression:

As of early April, 2023, I have seen two Corman productions based on the works of Edgar Allan Poe; The Pit and the Pendulum and The Raven. A sense of wonder exudes from these two movies. What I mean by this is, I am amazed by how these creative teams were able to take simple stories and turn them into feature films! While I liked The Raven, I still prefer The Pit and the Pendulum. This is because of the movie’s flaws, such as the drawn-out first half and the random plot twist. However, there were strengths in The Raven, like the interactions between characters and the humor. I’m aware of Vincent Price’s other movies based on Edgar’s work. I’ll have to check those out another day!

Overall score: 7.3 out of 10

Have you seen or read The Raven? Are there any adaptations of Edgar Allan Poe’s work you’d like me to review? Let me know in the comment section below!

Have fun on April Fool’s Day!

Sally Silverscreen

Take 3: Charlie Chan at Treasure Island Review

On By 18cinemalane2 Comments

‘Movies featuring beaches or waterfront scenes’ is March’s theme for Genre Grandeur. I could have selected a Hallmark title, but I chose a different film instead. This seems to be a recurring theme on 18 Cinema Lane this year. Back when I published my editorial, Oh, The Places She’ll Go: A Map of Esther Williams’ Travels, Paddy Lee suggested I check out Charlie Chan at Treasure Island. Since then, I’ve been trying to find the right time to watch the film. When I searched through my movie recommendation board on Pinterest, I knew it would be the perfect movie to write about for this month’s Genre Grandeur! Before Paddy Lee’s suggestion, I had never heard of the Charlie Chan series. From what I’ve gathered, this is a mystery series from the 1920s to the 1940s. A made for TV movie, The Return of Charlie Chan, was released in 1972 and the last movie in the series, Charlie Chan and the Curse of the Dragon Queen, premiered in 1981. Starting this journey in the middle of the series, it’s time to review Charlie Chan at Treasure Island!

Charlie Chan at Treasure Island poster created by Twentieth Century Fox

Things I liked about the film:

The acting: I’ve seen a handful of Cesar Romero’s projects from his filmography. Out of those projects, he has carried his character with charisma. In Charlie Chan at Treasure Island, Cesar portrayed a magician named Rhadini. Not only did Rhadini have the charisma I’ve come to expect from Cesar’s performances, he also contained a strong amount of showmanship you’d expect from a magician! Consistency worked in Cesar’s favor, with his performance appearing effortless. Another acting performance that came across as effortless was Victor Sen Yung’s! Portraying Charlie’s son, Jimmy, Victor gave his character a great on-screen personality. His expressions while interacting with other cast members wove together seamlessly. A great example is when Jimmy is helping Charlie get ready for a dinner party. As he is interacting with his father, Jimmy’s emotions transition from pride to confusion to determination without missing a beat! Despite appearing in the film for a limited amount of time, I liked Billie Seward’s portrayal of Bessie Sibley! She had great control over her character’s emotions, allowing her talents to go toe-to-toe with the talents of the other cast members.

The inclusion of magic: As I just mentioned in this review, Rhadini is a magician. He performs magic tricks on a few occasions within the story. These tricks range from a disappearing bird to a levitating table. There were even times when the secrets behind these tricks were revealed, showing the audience how the illusion was achieved. This was a pleasant surprise for me, as I didn’t expect any magic to be featured in the movie. Its inclusion in the story added a unique aspect to the film’s identity!

The humor: In past reviews, I’ve brought up how some mystery films have incorporated humor into their story, as humor gives the audience a break from the heaviness of the mystery itself. Honestly, I was surprised by the inclusion of humor in Charlie Chan at Treasure Island. This is because I was not expecting this aspect to be as strong as it was in the story. In Charlie Chan at Treasure Island, Jimmy was the comic relief. Some of the things he said were genuinely hilarious. During Rhadini’s magic show, Jimmy is recruited to participate in the levitating table trick. Horrified at the idea of being lifted off the ground, Jimmy tells his father, “Oh, but flying makes me seasick, Pop”.

Image of magic show essentials created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/card”>Card vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A misleading title: Charlie’s adventures in Treasure Island are the reason why I chose this movie for March’s Genre Grandeur. Because of the film’s title, I expected Charlie to primarily spend his time at the titular location. But when I watched the movie, I discovered that wasn’t the case. While there was an aerial shot of Treasure Island, not much time was spent there. In fact, the characters talked about Hawaii, specifically Honolulu, more than Treasure Island. With that said, it made me wonder why this movie didn’t take place in Hawaii?

Charlie’s outdated “quirk”: In my editorial, Why ‘Francesca Quinn, PI’ is the Worst Hallmark Movie I’ve Ever Seen, I talked about how fictional detectives have a “quirk”, something that sets a detective apart from other sleuths. Charlie Chan does have his own “quirk”. However, it seems very outdated. Throughout the story, Charlie speaks in proverbs. His speech also sounds like broken English. I know the 1930s was a different time compared to the 2020s. But these factors make Charlie’s “quirk” seem stereotypical.

A limited amount of urgency: The main mystery in Charlie Chan at Treasure Island is a murder mystery, as a guest on a plane mysteriously dies during the trip. Charlie and the San Francisco police department discover a series of deaths that took place around the time of the aforementioned murder. But most of the story focuses on the mystery of who “Dr. Zodiac” is, a physic who is ripping off his clients. This focus caused the overall story to have a limited amount of urgency.

Image of Hawaiian poster created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/poster”>Poster vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As someone who actively seeks out programs from the mystery genre, I’m always looking for titles I can recommend to my readers. However, I am aware of how mystery films and shows are not created equally. Charlie Chan at Treasure Island was my introduction to the world of Charlie Chan. Unfortunately, this introduction was not as strong as it could have been. While there were aspects of the movie I liked, such as the acting and the humor, the story itself was weak. The misleading title made me wish the film had taken place in Hawaii. Charlie’s “quirk” also makes the story dated on arrival. I’m not sure if I’ll continue watching this series. Perhaps if a particular title fits a blogathon theme, then maybe I will check another film out.

Overall score: 6.7 out of 10

Have you seen any films from the Charlie Chan series? Are there mystery films you’d like to see reviewed on 18 Cinema Lane? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Caroline? Review + 460 Follower Thank You

On By 18cinemalane4 Comments

As I seek out Hallmark’s “older” content (“older” as in older than ten years old), I find myself gravitating toward Hallmark Hall of Fame’s VHS exclusive titles. For those who are not familiar with the history of Hallmark Hall of Fame, there are several movies from this collection that were only released on VHS. Caroline? from 1990 is one of those films. All I knew about this particular title was how the story revolved around a woman claiming to be a long-lost family member. Since I haven’t reviewed a Hallmark Hall of Fame movie in several months, I thought reviewing Caroline? for my latest Blog Follower Dedication Review would be perfect! Over my five years of movie blogging, I’ve noticed how my Hallmark related content has become some of my most popular content. In fact, one of my Hallmark Hall of Fame reviews, After the Glory, has garnered over a thousand views and counting! But will I like Caroline? as much as I liked 1992’s After the Glory? Keep reading my review in order to find out!

Hallmark Hall of Fame’s Caroline? poster created by Hallmark Hall of Fame productions, CBS, and Republic Pictures Home Video

Things I liked about the film:

The acting: When portraying a titular character, that movie’s actor or actress needs to use their talents to not only carry the production, but also shine on their own. While I’m not familiar with Stephanie Zimbalist’s filmography, she did succeed in this task! In Caroline?, Stephanie’s portrayal of the titular character was so naturally presented, her interactions with the other characters were fluid. One great example is when Caroline is being questioned about her past whereabouts. In a calm voice, she answers every question given to her. As she sits upright in her chair, Caroline recounts how she survived a plane crash, looking away from Grace and Paul Carmichael as she’s remembering what happened. When Paul confronts Caroline over her selfishness, her face effortlessly turns to sadness. Caroline’s mouth conforms into a frown and her eyes appear to be on the verge of tears.

While watching Caroline?, I was fascinated by the interactions among the characters. This was achieved because of the strength of the cast! But two performances that impressed me the most came from Shawn Phelan and Jenny Jacobs! When a younger character plays a significant role in a story, the likability of that character can depend on an actor or actress’ performance. With Heidi and Winston, their interactions felt so realistic! A perfect example is when Winston is looking through a family photo album. Curious about Caroline’s true identity, Winston sneaks into his father’s office in the middle of the night. Several minutes later, Heidi comes into the office, wanting to look at the photo album as well. Throughout this scene, there is tension between Winston and Heidi. Winston is frustrated by Heidi’s constant questions and comments about the photos. He also does not like the fact he can’t look at the photo album independently. Meanwhile, Heidi is frustrated at the idea of being left out of Winston’s activity. She even looks defeated after Winston doesn’t believe her claims that she can read. With a combination of vocal inflections, facial expressions, and emotions, both Shawn and Jenny were able to present a sibling relationship that felt believable!

The element of mystery: As I mentioned in the introduction, Caroline? is about a woman claiming to be a long-lost family member. Even though I wouldn’t consider this film as a part of the mystery genre, the mystery of Caroline’s identity is spread out throughout the story. This creative decision allowed the audience to witness the interactions between the characters. Through these character interactions, the audience is left guessing if Caroline is who she says she is. All I can about the mystery’s resolution is it ended on a plot twist I didn’t see coming. The combination of these creative decisions presented a movie that was captivating to watch!

The messages and themes: Hallmark films, especially Hallmark Hall of Fame productions, are known for featuring strong messages and themes that most people can support. Caroline? is no different, as this story contains a collection of great themes and messages! While in the Carmichael family’s attic, Winston and Caroline are talking about the past. During their interaction, Winston tells Caroline, “My history teacher tells me that the secret to the future is often found in the past”. This quote resonated with me, as I, more often than not, talk about films from the past on 18 Cinema Lane! Later in the movie, Winston is frustrated with Heidi because she won’t receive academic assistance from Caroline. When Winston comes to Caroline with his frustrations, Caroline tells him, “I can’t force her to. I can’t help her unless she wants me to”. That quote alone highlights the importance of respecting one’s wishes. At the same time, Winston’s desire to see his sister academically succeed shows how necessary it is to support those you care about.

The differentiation of time: The story of Caroline? features two time periods: the “present” (1990, when the film was released) and the past (late 1940s to early 1950s). Because of choices in styling and presentation, these time periods appeared distinct from one another. In one scene, Mr. and Mrs. Carmichael (Winston and Heidi’s parents) are debating the legitimacy of Caroline’s claims. This scene takes place in their bedroom, which contains two separate beds. That specific choice in the movie’s set design is a strong reflection of the ‘40s to ‘50s, as it was more common for married couples to have separate sleeping arrangements. It also boasts the historical accuracy between these aforementioned time periods.

Library image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/stack-of-books-on-library-desk_2509490.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/school”>School image created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Questions left unanswered: Any story containing a mystery will raise some questions within the script. Usually, these questions are answered as the film progresses. But in Caroline?, there were some questions I wish were addressed. While shopping at a bookstore, Winston purchases a book of poems for Caroline. Yet, at Caroline’s party, he gives the book to Heidi. Speaking of Heidi, she is called “Heidi” by her mother, despite her name being Hilary. These are two examples of questions that weren’t explained.

Fancy jewelry image created by Freepic.diller at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding photo created by freepic.diller – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

The story of a character claiming to be a long-lost family member is nothing new. The ‘90s, the decade when Caroline? was released, saw the premiere of 1997’s Anastasia, which revolves around this same type of story. But Hallmark Hall of Fame’s presentation makes several creative decisions that allow their story to travel down different avenues. It goes beyond simply figuring out if the protagonist is the claimed long-lost family member, as the film discusses reaching one’s full potential and helping those that need help. As I mentioned in my review, I was fascinated by the interactions among the characters because of the strength of the cast. That combined with the intriguing nature of the story is what kept me invested in the film! Caroline? is a movie I was Hallmark had re-released on DVD. In fact, I wish more people knew about this movie. With that, I’d like to thank all of my followers, as you are the reason why this review exists!

Overall score: 9 out of 10

Have you seen or heard of Caroline? Which Hallmark Hall of Fame movie would you like to see reviewed on 18 Cinema Lane? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Why ‘Francesca Quinn, PI’ is the Worst Hallmark Movie I’ve Ever Seen

On By 18cinemalane21 Comments

Once upon a time, in 2018, I declared the Hallmark Hall of Fame title, Back When We Were Grownups, as the worst Hallmark movie I had ever seen. Since publishing that list, I honestly didn’t think any movie would dethrone the 2004 film. That all changed when I saw Francesca Quinn, PI. At the end of 2022, when I released my list of the worst movies I watched, the Hallmark Movies & Mysteries film was placed at number one. While I explained why the film earned the top spot on my list, I didn’t discuss why Francesca Quinn, PI is now the worst Hallmark movie I’ve ever seen. As a Christmas present, J-Dub, from Dubsism, nominated me for The Pick My Movie Tag. My mission was to write about a movie I couldn’t stand. This gave me the perfect opportunity to explain why I don’t like Francesca Quinn, PI. Since this editorial is solely based on my opinion, I need to make it clear that everything I say is not meant to be mean-spirited or disrespectful. Examples from the movie will be used to support my intended points. I’d also like to thank J-Dub for the nomination! Because of this tag, I’m now publishing my first editorial of 2023! This editorial is written for a tag, so all tag rules will be posted below.

The Tag’s Rules

  • Nominate one or more people to review the film or films of your choice. Or you can request they review something from a certain year, genre, or star. Everyone can review the same thing, or you can request each person cover something different. As long as it’s something they haven’t written about yet, you’re good.
  • Nominees are allowed to request a different pick for whatever reason no more than five times. Stuff happens. We all know it.
  • Nominees must thank the person who nominated them and provide a link their blog.
  • Nominees may nominate others to keep the tag going. Picking the person who nominated them is allowed, or they can nominate someone else. Maybe both.
  • All participants need to include these rules in their post, whether they’re nominees or picking nominees.
  • All participants should use the “Pick My Movie” banner or something similar in their posts.
  • Have fun!
The Pick My Movie Tag banner created by Rebecca from Taking Up Room

Exposition Dumping

Exposition is an important storytelling component in any story, whether it’s a stand-alone tale or a chapter in an established franchise. This component provides the audience with necessary information about the characters, setting, and overarching conflict. The best way for the audience to absorb this information is, in my opinion, to spread it out throughout the story. That’s not what happened in Francesca Quinn, PI. Within the first six minutes of the movie, the following characters are introduced:

Francesca (the protagonist)

Jim (Francesca’s dad)

Bill (Jim’s friend)

Wynton (Francesca’s childhood friend and detective partner)

Megan (Francesca’s ex-stepmom)

Carl (Francesca’s high school sweetheart and fiancé)

In just one scene, Francesca, Jim, Bill, and Wynton are rapidly introduced to the audience. Within those same first six minutes, Francesca, through a voice over, discusses the six murders Megan committed over the span of four years. Because the audience is receiving so much information in such a short amount of time, they aren’t given the opportunity to truly get to know the characters. They also aren’t given enough time to decide for themselves if they want to care about a particular character. The first movie in a potential series is intended to serve as a first impression for the audience, an indication of what they could expect from the story. With Francesca Quinn, PI’s creative team choosing to dump exposition onto their audience’s plates, that will cause viewers to feel overwhelmed.

Vintage detective desk photo created by Olivier Bourgeois at freeimages.com. Photo by <a href=”/photographer/ornicar69-54520″>Olivier Bourgeois</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt; Image found at freeimages.com.

Francesca Herself

Since coming to fruition in 2001, Hallmark Channel has created several mystery series that would eventually lead to the rebranding of Hallmark’s second network. In these series, the audience follows a central protagonist who comes across as likable. This likability has worked in some series’ favor, expanding a story beyond three films. In the case of Francesca Quinn, PI, there are some factors working against the protagonist. Throughout the movie, Francesca speaks with a monotone voice, using very little emotional inflection. Most of the time, her face carries a blank, serious expression. With the material given, Mallory Jansen tries her best to give her character a wider range of emotion, smiling every once in a while. However, this attempt isn’t enough to make a good first impression on the audience.

Francesca’s limited expressions lead me to my next point; her weaker personality. When beginning a series, a protagonist’s personality could determine that story’s longevity. If the protagonist is presented as friendly, approachable, and even relatable, that could attract more viewers to follow the protagonist’s adventures. Showing a protagonist in various environments is a good way to showcase their personality. In the Aurora Teagarden series, the audience witnesses Aurora in both a professional and nonprofessional setting. Whether she’s trying to get along with her co-worker, Lillian, or interacting with the members of the Real Murders Club, viewers receive a more well-rounded glimpse into Aurora’s personality. Because Francesca’s story primarily revolves around her profession, the audience doesn’t get a strong idea of what her personality is really like. The fact Francesca does not have friends or hobbies outside of her occupation prevents her personality from shining. Another element Francesca’s personality is missing is charisma.

The most well-known detectives in pop culture have a “quirk”, something that sets them apart from other fictional detectives. A great example is Columbo, who is recognized for saying “and one more thing”. With Francesca Quinn, there are no “quirks” that help her stand out among Hallmark’s other detectives. As I previously mentioned, she doesn’t have any interests outside of her profession. She does not have a catchphrase that viewers could easily remember and quote. This missing ingredient is another reason why Francesca is not a likable and memorable protagonist.

Tools of a writer image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/camera-and-coffee-near-notebook-and-accessories_2399437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Freepik</a>. Image found at freepik.com.

An Unprofessional Investigator

In Hallmark’s various mystery series, there is a mix of professional and amateur detectives. This provides mystery fans with diverse perspectives, showing how different characters approach a mystery. For protagonists who are professional detectives, their critical thinking and problem-solving skills should give the impression they know what they’re doing. Yet, in Francesca Quinn, PI, Francesca makes several mistakes an amateur detective would likely make. When visiting a potential suspect, Francesca spots the security guard who happens to work at the prison Megan resides in. She, as well as Ella (the lead detective of the Minneapolis police department), chase after the security guard. As the chase continues, the security guard throws a set of fish at Francesca, in an effort to slow her down. Her disgust distracts her from the pursuit, with the security guard getting away. After the security guard trips and falls to the ground, Francesca pulls her gun on him. When Ella tries to calm Francesca down, Francesca tells her, “He threw a fish at me”, justifying her reason for pulling her weapon on the security guard.

The scene I described is just one example of Francesca’s poor decision-making skills. Yet Francesca Quinn, PI’s creative team wants the audience to believe Francesca is a professional investigator with years of experience. The story also establishes how Francesca has her own private investigation firm. Detectives in mystery stories are human, capable of making mistakes and experiencing obstacles. But Francesca crosses the line between human error and appearing incompetent at her job. Toward the beginning of her investigation to figure out who killed Carl, Wynton and Beatrice (a detective who works alongside Wynton) pays Francesca a visit. As Beatrice shares the alibis of the case’s prime suspects, Francesca believes a hit man murdered her fiancé. She is so convinced in her belief, she becomes defensive and argumentative with Beatrice and Wynton. Instead of looking at every possible avenue for a resolution to the mystery, Francesca chooses to be close-minded in her approach to figuring out “whodunit”.

Interior image of detective’s office created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

Unnecessary Explanations

Mystery stories will typically provide explanations when it comes to specific parts of the story. Whether it’s medical terminology or pieces of historical information, these explanations can help the audience better understand the story they are consuming. But Francesca Quinn, PI includes so many explanations, the protagonist ends up explaining things that don’t need to be explained. In the first minute of the movie, Francesca explains what a “murder board” is, saying “a murder board, we call it. Lots of pieces of evidence that hopefully bring you to a conclusion”. This explanation is presented as a voice over, with a “murder board” shown on screen. Speaking for myself, I’ve seen enough mystery programs, especially from Hallmark Movies & Mysteries, to know what the aforementioned board is and how it is used.

While voice overs were a way to provide unnecessary explanations, Francesca Quinn, PI’s creative team used other methods to keep this flaw consistent. When Francesca and Wynton visit Megan in prison, Wynton tells Megan the police “do things by the book”. The inclusion of this pun acknowledged Megan’s English teaching career and her request to receive books in prison. Shortly after Wynton made this pun, Francesca explains to Megan, as well as the audience, that not only is “by the book” a pun, she also explains the meaning behind the pun. In my list of the top ten worst movies I saw in 2022, I said Francesca Quinn, PI gave me the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. I also said one of the worst things a film-maker can do is disrespect their audience’s intelligence. With all the unnecessary explanations the creative team gave, the opportunity for the viewers to interact with the story was unavailable.

Francesca Quinn, PI poster created by Cartel Pictures, Mystery Island Pictures, Rogers Media, and Hallmark Movies & Mysteries

As of the publication of this editorial, there are no announced plans to grow Francesca Quinn, PI into a series. If I’m being honest, though, I hope that doesn’t happen. This is because I truly believe there are mystery stories that are better than this one. A decade ago, Hallmark Movies & Mysteries housed several mystery series that achieved viewership success. Hallmark’s second network would never have boasted the name, Hallmark Movies & Mysteries, had it not been for the popularity of these mystery films. Now, in the 2020s, it seems like Hallmark’s priorities no longer lie with the mystery genre. In early March, 2023, only three of Hallmark Movies & Mysteries’ movies are mystery titles. Out of the ten newer mystery titles to premiere this decade so far, just two of them have received at least one sequel: Martha’s Vineyard Mysteries and Curious Caterer. Looking back on Francesca Quinn, PI, Hallmark’s lack of care and respect for the mystery genre shined brighter than a typical neon sign.

The Nominees

Flapper Dame from The Flapper Dame

Ari from The Classic Movie Muse

Maddy from Classic Film and TV Corner

Ruth from Silver Screenings

Hamlette from Hamlette’s Soliloquy

As I mentioned in the introduction, I wrote this editorial for The Pick My Movie Tag. Because I wrote about the worst Hallmark movie I’d ever seen, I will give my nominees the mission to write about a Hallmark movie featured in my worst movies of the year lists. To make it easier for the nominees, I will list those titles below:

One Winter Weekend

Frozen in Love

Love at Sea

Pride, Prejudice, and Mistletoe

Mingle All the Way

Marrying Mr. Darcy

Yes, I Do

Our Christmas Love Song

My One and Only

Over the Moon in Love

Last Vermont Christmas

A Feeling of Home

Christmas at Graceland: Home for the Holidays

Christmas Scavenger Hunt

Christmas Camp

A Cheerful Christmas

Working Miracles

The Cabin

Thicker Than Water

Jane Doe: Yes, I Remember It Well

JL Family Ranch: The Wedding Gift

Jane Doe: Vanishing Act

Out of the Woods

Mystery Woman: At First Sight

I’m Not Ready for Christmas

Country at Heart

Jane Doe: Ties That Bind

Hallmark Hall of Fame’s Durango

Chasing Leprechauns

Signed, Sealed, Delivered: The Vows We Have Made

Hallmark Hall of Fame’s A Place for Annie

Nikki & Nora: Sister Sleuths

Hallmark Hall of Fame’s The Corsican Brothers

Hallmark Hall of Fame’s Journey

Lake Effects

A Boyfriend for Christmas

Francesca Quinn, PI

Have fun at the movies!

Sally Silverscreen

Take 3: The White Buffalo Review

On By 18cinemalane7 Comments

Though it’s only February, it seems like 2023 has become the year where movies that sound “bonkers” end up getting reviewed on 18 Cinema Lane. First, it was the Lifetime movie, Sea Change. Most recently, it was Jesse James Meets Frankenstein’s Daughter. Now, for Classic Movie Muse’s Kim Novak Blogathon, it’s The White Buffalo. If it wasn’t for this event, I would have never heard of this film, as I happened to stumble upon it on Kim’s IMDB filmography. Based on the title, synopsis, and poster, The White Buffalo seemed like it would be “bonkers”. But as Sea Change and Jesse James Meets Frankenstein’s Daughter have taught me, just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. So, I was curious to see if The White Buffalo met my expectations. I’ve also mentioned in the past how westerns aren’t often reviewed on 18 Cinema Lane. So writing about The White Buffalo for the Kim Novak Blogathon has given me an excuse to check out more western films!

The White Buffalo poster created by Dino De Laurentiis Company and United Artists

Things I liked about the film:

Kim Novak and Charles Bronson’s on-screen chemistry: In The White Buffalo, Kim portrays Poker Jenny, a widow from the town of Cheyenne. When Bill, portrayed by Charles Bronson, arrives in town, he pays Jenny a visit. Though these characters spent only a brief period of time together, I felt Kim and Charles had strong on-screen chemistry! There was camaraderie between Jenny and Bill, a shared history only they knew. Confident personalities complimented one another, highlighting how well they get along. Because of their strong acting performances, both Kim and Charles successfully sold this relationship! I wish their characters shared more screen time together.

Using the buffalo sparingly: The White Buffalo has gained legend status in the world within this movie. This is because of the terror it inflicts on people who have crossed its path. The buffalo itself is only shown in a handful of scenes, while the majority of the film shows the characters either talking about the buffalo or searching for its existence. That creative decision was a good way of building tension and suspense for the audience. Limited presentation of the buffalo highlights how this creature is a threat who can show up unexpectedly. It is also a film-making technique from the horror genre, where the unseen can be scarier than what is seen. This reminds me of films such as Jaws.

Building atmosphere: In any film, the atmosphere can compliment the world the characters and story exist in. It can also elevate the movie’s intended tone. In the opening scene of The White Buffalo, a snowy landscape is presented at night-time. Slow camera movements travel over the landscape, building up to the audience’s first look of the White Buffalo. Suspenseful music is heard on top of the footage, providing a reason for the viewer to be scared of the titular creature. When the buffalo finally appears on screen, it’s an explosive moment where adrenaline and terror collide. The opening scene of this movie lays down the foundation for what this story is about!

The Kim Novak Blogathon: A 90th Birthday Celebration banner created by Ari from The Classic Movie Muse

What I didn’t like about the film:

Limited sense of urgency: Throughout the film, Bill and Crazy Horse, portrayed by Will Sampson, are seeking the White Buffalo in order to destroy it. This quest serves as the main conflict in The White Buffalo. While there was a sense of urgency in the story, it wasn’t consistently featured in the movie. Along with the film’s main conflict, sub-conflicts share the run-time, such as Bill’s encounter with a criminal from his past. Because of this creative decision, those sub-conflicts took away from the urgency toward finding the White Buffalo.

The under-utilization of Kim Novak: In past blogathons, I have reviewed a movie because of a certain actor’s involvement, only to see that actor’s talents under-utilized. This was the case when watching The White Buffalo, as Kim Novak is one of the reasons why I sought out this film. As I mentioned earlier in this review, Jenny and Bill spent only a brief period of time together. During this hour and thirty seven minute movie, Kim appeared in about three to four scenes. She did a good job with the acting material she was given. However, I was disappointed by her limited on-screen appearances.

The run-time: When talking about Kim’s few appearances in The White Buffalo, I said the movie was an hour and thirty seven minutes. With the story itself being straight-forward, the run-time doesn’t need to be very long. This could have been achieved had the sub-conflicts been eliminated from the script. The run-time could have also been shortened if some scenes were cut down. One example is when Bill meets Charlie for the first time, a scene that lasts about fifteen minutes.

Snowy mountain image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-background-of-snow-track-and-mountains_968656.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

In the introduction of this review, I said just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. That is what happened when I saw The White Buffalo. At best, the movie is ok. The atmosphere was well-built and the acting was strong. The film even does a better job at combining the western and horror genres than Jesse James Meets Frankenstein’s Daughter! But the film isn’t without its flaws. The story contains a limited sense of urgency and the movie is a bit drawn out. I was also disappointed by the under-utilization of Kim’s talents. However, watching The White Buffalo did give me an opportunity to seek out more projects from Will Sampson’s filmography, as I am familiar with his performance in One Flew Over the Cuckoo’s Nest. Like I said in this review’s introduction, I was also given an excuse to watch more western movies. Therefore, I’m grateful I was able to expand my cinematic horizons!

Overall score: 6-6.1 out of 10

Have you seen The White Buffalo? Are there any westerns you’ve checked out that also feature the horror genre? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Jesse James Meets Frankenstein’s Daughter Review

On By 18cinemalane12 Comments

My quest to find my “so bad it’s good” movie has, at this point, turned into a saga. During my time participating in the So Bad It’s Good Blogathon from Taking Up Room, I have selected a film I thought would earn the coveted title, only to have that film fall short of my expectations. But I haven’t given up, as I still believe my “so bad it’s good” film is out there somewhere. When I reviewed Sea Change, I said the movie sounded so “bonkers”, I had to check it out for myself. I had a similar experience when I discovered the 1966 film, Jesse James Meets Frankenstein’s Daughter. Based on that title alone, the movie sounded “bonkers”, a well-known criminal from the “wild, wild west” crossing paths with someone from the story of Frankenstein. I hadn’t seen a film where the western and horror genres combined, so I was curious to see how this story would turn out. I was also curious to see if Jesse James Meets Frankenstein’s Daughter would finally be my “so bad it’s good” movie.

Jesse James Meets Frankenstein’s Daughter poster created by Circle Productions, Embassy Pictures, and Embassy Home Entertainment

Things I liked about the film:

Maria’s house: Within this movie’s dialogue, Maria explains how her house formerly belonged to a missionary. Though the space is more reflective of Maria’s taste in design, I was impressed with the set! Despite only three rooms being shown on screen, my favorite room was the sitting room! The walls and massive fireplace were covered in a light-colored sandstone. A large medallion with carved images sits over the fireplace, boasting a darker metal hue. Red armchairs and curtains nicely complimented the sandstone. These details added elements of elegance and European flair to the desert!

The inclusion of science: In stories from the western genre, science isn’t often found in the script. In fact, the only times I’ve seen science included in western stories are during school lessons or whenever a medical situation takes place. Maria is a scientist from Austria, who just so happens to be related to the same Frankenstein from Mary Shelley’s novel. She is driven to make her experiment work, using an artificial brain that was passed down through her family. Despite the film’s science being poorly written, I appreciate this story adopting a more unique identity. I also appreciate the creativity this movie’s creative team attempted.

The Fifth So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Poorly written science: As I previously stated in this review, the science in Jesse James Meets Frankenstein’s Daughter is poorly written. It honestly made the characters sound like they didn’t know what they were talking about. While performing one of her experiments, Maria explains to her brother why they moved to the United States. She says there are more “electrical storms” in the United States than there are in Austria. What Maria failed to remember is how thunderstorms can take place anywhere, as clouds can congregate to create the effects of a typical storm, such as lightening. This made Maria’s trip seem kind of pointless.

A misleading title: I mentioned in this review’s introduction how the title of Jesse James Meets Frankenstein’s Daughter sparked my curiosity, as it made the movie sound “bonkers”. Personally, I thought the film would feature Jesse James in his younger years interacting with the daughter of Frankenstein’s monster. However, the title turned out to be a lie. Maria is Victor Frankenstein’s granddaughter. When Jesse meets Maria, forty minutes into the movie, nothing happens after their initial meeting. They don’t fall in love or form some sort of alliance. If given an honest title, this film would be called “Jesse James Meets Juanita”.

Delayed reactions: Though not a common flaw, there were a few times where actors presented delayed reactions. When Juanita’s family first meets Jesse and his friend, Hank, both men are running from the law. Hank has a very noticeable injury, which is getting worse by the minute. But it takes Juanita about five to ten seconds to acknowledge Hank’s injury. I’m not faulting the actors, as they tried their best with the material given. I will fault the screenwriting, as there could have been a stronger sense of urgency written into the script.

Lack of horror: In this review’s introduction, I said I was curious to see a movie combine the western and horror genres. But when I watched the film, the western genre was emphasized. To me, it felt like the movie’s creative team wanted to take their western story seriously, instead of finding a balance between the horror and western genres. When the horror elements were utilized, it seemed like they were used to tell a rehashed version of Mary Shelley’s story. Even though I appreciate the creativity attempted, I wish the delivery was stronger.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

For five years, I have been searching for my “so bad it’s good” movie. Throughout this search, I have found films that were either ok or disappointing. With Jesse James Meets Frankenstein’s Daughter, there were a few times I found myself giggling. But I wouldn’t say this movie is “so bad it’s good”. To be honest, this film was built on a gimmick. Though that could work with the right creative talent, Jesse James Meets Frankenstein’s Daughter didn’t have a strong delivery. It felt like the movie’s creative team wanted to take their project seriously. This made the film feel more like a generic western. The inclusion of the horror genre added some creativity to the movie. Unfortunately, the horror elements were not utilized well. With this review for the So Bad It’s Good Blogathon, it feels like I took a step in the right direction! Hopefully, those steps will lead me to my “so bad it’s good” movie!

Overall score: 4.9-5 out of 10

Have you seen or heard of Jesse James Meets Frankenstein’s Daughter? Would you like to see more westerns combine other genres? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The 5th Annual Gold Sally Awards has Finally Arrived!

On By 18cinemalaneLeave a comment

With 18 Cinema Lane’s 5th anniversary in February, the annual Gold Sally Awards is here to mark this occasion! As I mentioned last month, this year’s awards will be presented differently. Each category was created by me, based on topics I’ve brought up on my blog. The award recipients relate to movies I saw in 2022, with some of those movies covered on 18 Cinema Lane. For each category, I will explain the significance of them and why I chose that recipient. So, without any delay, let the Gold Sally Awards begin!

5th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

The Edwin P. Christy Award

(Most Annoying Character in Film)

Grandpa Marcus from Hallmark Hall of Fame’s Journey

When I saw I Dream of Jeanie two years ago, I was introduced to the character of Edwin P. Christy. In my review of the 1952 movie, I said I found Edwin annoying. This is because he used every opportunity to put the spotlight on himself. He does this so often, I said in my list of the top ten worst movies of 2021 that I Dream of Jeanie’s honest title would be “The Edwin P. Christy Show”. In 2022, I met another annoying character named Marcus, from Hallmark Hall of Fame’s Journey.

Having a hobby can be a good thing. But in Marcus’ case, his hobby for photography turns into an obsession. This obsession causes Marcus’ family to either hide their faces or run away from him whenever he wants to take their picture. Marcus also takes pictures of people without their permission. It even gets to the point where Marcus makes his grandson, who appears to be eight to ten years old, drive a car so Marcus can take photos. His grandchildren jokingly remark how their grandpa will photograph their car accident if something should happen to them, their remark not sitting well with me at all. In Journey, Marcus’ hobby is related to one of the movie’s themes; memories are irreplaceable. The delivery of this theme, though, was an annoying one.

The “She Won’t Give Me My Chocolate” Award

(Best Quote from a Movie)

“Someone who likes their cereal really hot” – Wanda, Point of Origin

The Valley of Light is a Hallmark Hall of Fame movie I like. I’ve mentioned in my tier rank list of every Hallmark Hall of Fame movie I saw that “She won’t give me my chocolate” is one of my favorite quotes from this collection of films. When I watched Point of Origin last June, I heard a quote that was so funny, it caught me off guard! In one scene, John’s daughter asks John, the film’s protagonist, what a serial arsonist is, after hearing the term on the news. Without missing a beat, Wanda, John’s wife, answers the young girl’s question by explaining it is “someone who likes their cereal really hot”. I was not expecting Wanda to provide this kind of answer, let alone any answer at all. Its unexpectedness is why I found this quote hilarious!

The Edward Boult Award

(Missed Opportunity in Cinema)

Not Having the Quote, “I have a need, a need for speed”, in Top Gun: Maverick

Back in 2019, I watched Edward, My Son for the first time. In my review of that film, I talked about how Edward’s lack of on-screen appearances was a missed opportunity. Not only did this creative decision prevent the audience from getting to know and connect with Edward as a character, it also denied an actor from receiving the “standing ovation” he deserved. Out of the films I saw in 2022, there were a few times where I felt an opportunity was missed. But not having the quote, “I have a need, a need for speed”, in Top Gun: Maverick was, in my opinion, the biggest missed opportunity of the year. The aforementioned quote is not only the most well-known quote from Top Gun: Maverick’s predecessor, it’s one of the most famous quotes in movie history. Like I said in my review of the 2022 blockbuster, the film did a good job respecting Top Gun. However, I still think “I have a need, a need for speed” should have been referenced somewhere in the movie.

The They Deserve an Award Award

(An Actor or Actress Who Deserves Recognition)

Melissa Joan Hart (for her performance in Dirty Little Secret)

A quote I have always tried to incorporate into 18 Cinema Lane is Auggie’s quote from Wonder: “Everyone in the world should get a standing ovation at least once in their life because we all overcometh the world.” This is why I go out of my way to talk about movies, people, or movie related topics that may be overlooked. Dirty Little Secret is a Lifetime movie that premiered last year. In this film, Melissa portrays Joanna, a woman who is secretly a hoarder. As I have said in the past, Lifetime has a history of creating PSA/ “after school special”/cautionary tale type of movies. Unlike the majority of those projects, Dirty Little Secret revolves around a story, which happens to address the serious issue of hoarding. Through her performance, Melissa was able to successfully bring forth the humanity of her character. With a strong sense of emotionality and an array of expressions and body language, Joanna became a character the audience could be empathetic towards. Personally, I think Melissa should have, at least, been nominated for an award, as her performance in Dirty Little Secret was one of the best from 2022!

The “Woman from the City Coming Back to Her Small Hometown” Award

(Most Extreme Use of a Cliché)

Lily from Lake Effects

If you’ve read my list of the top ten worst cliches from Hallmark movies, you’d know the “woman from the city coming back to her small hometown” cliché is my least favorite. It’s been used so many times, it makes a story more predictable. There are two cliches from Hallmark productions I’ve never talked about on 18 Cinema Lane: the “younger sibling is free-spirited” cliché and the “artist = free-spirit” cliché. While these cliches have made several appearances in Hallmark projects, including When Calls the Heart, their presence hasn’t been as frequent as other cliches. But these two cliches were fully embodied by Lily, one of the characters in the 2012 film, Lake Effects. From her colorful wardrobe to her dream of studying art in Paris, Lilly adopted every component of the two aforementioned cliches you can think of. The combination of these elements created a character I couldn’t take seriously. In fact, you could make a bingo game revolving around the various ways the “younger sibling is free-spirited” cliché and the “artist = free-spirit” cliché are incorporated into Lilly’s story.

The Standing Ovation Award

(Character Most Deserving of Receiving Their Full Potential)

Kili from The Hobbit trilogy

When I talked about The They Deserve an Award Award, I brought up Auggie’s quote from Wonder. Last November, I created a list of characters who didn’t receive their full potential. With both of that said, I decided to create an award category where I recognize a character that I feel should receive the full potential they deserve. In my tag post, My take on The “Flaming Hot…5 Reasons Why” Tag, I brought up Kili from The Hobbit trilogy. Since I saw all three movies for the first time last year, Kili would be eligible for this award. In that aforementioned tag post, I claimed how Kili was, in my opinion, the MVP of Middle-Earth. This is because there are several attributes that make him a likable character, such as his humbleness toward his royal title. Throughout the trilogy, I was rooting for Kili to achieve his full potential, which I feel could have been possible. But, without spoiling this story, his potential was ultimately denied. I do plan on writing at least one editorial about Kili, so stay tuned!

The Honorable and Dishonorable Mention Award

(Best and Worst Movie from the Honorable and Dishonorable Mention Category)

Best – Akeelah and the Bee, Worst – Hallmark Hall of Fame’s The Corsican Brothers

Whenever I publish my best and worst movies of the year lists, I receive few opportunities to talk about the movies in my Honorable and Dishonorable Mention categories. In fact, the only times I talk about these movies are when I get the opportunity to review them on my blog. Therefore, I created an award category to recognize these films. Akeelah and the Bee was such a pleasant surprise for me! It was a feel-good story that felt sincere in the messages and delivery. There were even interesting twists that I did not see coming. Without spoiling the movie, the script did a good job at avoiding a cliché when it comes to competitions in movies. I’m glad I checked out Akeelah and the Bee, as the film was time well spent!

Last October, I reviewed Hallmark Hall of Fame’s The Corsican Brothers for the Devilishly Delightful Donald Pleasence Blogathon. After seeing some adaptations of Alexandre Dumas’ stories, I thought I knew what to expect from the 1985 made-for-tv movie. But the longer I watched The Corsican Brothers, the more disappointed I became. This story was not the exciting tale with adventure and intrigue I was hoping for. Instead, it was a confusing film with little to no use of urgency. As of the publication of this award post, I still have not read this movie’s source material. Therefore, I don’t know which parts of the production are creative liberties.

The Nosferatu vs. Dracula Award

(Two Movies That Feel Like You’re Watching the Same One)

Harvey (1950) and Hallmark Hall of Fame’s Harvey (1972)

For a Blog Follower Dedication Review, I wrote about 1931’s Dracula. Because I had seen Nosferatu prior to watching Dracula, the 1931 film felt like a re-tread of its predecessor. I even told my readers if they had seen Nosferatu, they’d already seen Dracula. Last year, I reviewed two versions of Harvey; the 1950 movie and the Hallmark Hall of Fame adaptation from 1972. Though I liked the Hallmark Hall of Fame movie more than its predecessor, I didn’t like how it was a copy of the 1950 film. The movie’s sets even looked almost exactly like they did in the 1950 production. If you’ve never seen any version of this story, I’d recommend only seeing 1972’s adaptation of Harvey.

The Hallmark Hall of Fame Award

(Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

A Godwink Christmas: Miracle of Love

I have sometimes found a movie that feels like it should have been included in the Hallmark Hall of Fame collection. So, when I find out a story isn’t associated with this series, it surprises me, whether it’s because the movie is based on a true story or the story itself covers a topic found within Hallmark Hall of Fame. That leads me to bring up A Godwink Christmas: Miracle of Love! Like other films in the Godwink series, the 2021 film is also based on a true story. Subjects related to faith, which usually aren’t found in a typical Hallmark Channel or Hallmark Movies & Mysteries production, are included within this particular story as well. In my opinion, the overall quality of A Godwink Christmas: Miracle of Love felt reminiscent of Hallmark Hall of Fame movies I like, such as The Valley of Light and A Dog Named Christmas. I’m honestly surprised SQuire Rushnell’s stories weren’t included in the Hallmark Hall of Fame collection back when Hallmark utilized that banner.

The “Based on a Book I Haven’t Read Yet” Award

(Movie Based on Source Material I Have Not Yet Read)

The Pit and the Pendulum

I feel like, more often than not, I find myself saying that a movie I review is based on source material I haven’t read. This prevents me from judging the film as an adaptation. It’s been years since I’ve read anything by Edgar Allan Poe. I even mentioned this fact in my review of the 1961 adaptation. Fortunately, The Pit and the Pendulum is a book I plan on reading for the upcoming Eurovisionathon readathon. Because of that, I selected The Pit and the Pendulum for this specific award!

Have fun at the movies!

Sally Silverscreen

Take 3: A Room with a View Review

On By 18cinemalane4 Comments

My approach to February’s Genre Grandeur is similar to my approach for last month’s blogathon. As the theme this time around is ‘movies that take place or feature Italian settings’, I could have selected one of several Hallmark productions where Italy serves as the story’s backdrop. Instead, I overlooked the realm of Hallmark for a movie that happened to be on my DVR; 1985’s A Room with a View! When I discovered the film’s protagonist, Lucy, travels to Florence, Italy, I knew it would the perfect selection for this month’s Genre Grandeur. Because my choices for 2023’s blogathon have, so far, featured a female protagonist traveling abroad (A Room with a View and Black Narcissus), I saw this is as a very interesting coincidence. In my review of Black Narcissus, I thought the 1947 film was just ok, as the movie emphasized style over substance. Did I feel the same way about A Room with a View? Take a trip through this review to find out!

A Room with a View poster created by
Merchant Ivory Productions, Goldcrest Films, FilmFour International,
Curzon Film Distributors, and Metro-Goldwyn-Mayer

Things I liked about the film:

Interactions between characters: A Room with a View is an ensemble film, with the actors and actresses coming from all walks of life and journeys in their careers. The characters reflect this idea, as they travel to Italy for various reasons. Because of everything I just said, it was interesting to see each interaction between the characters unfold. One of the funniest scenes was shared between Charlotte, portrayed by Maggie Smith, and Eleanor, portrayed by Judi Dench. Eleanor is a writer, a woman who adopts a more romantic view of the world. Meanwhile, Charlotte is more of a realist, someone who views the world through a practical lens. As they explore Florence, Eleanor encourages Charlotte to breath in the scent of the city, in an attempt to make the most of their traveling experience. Instead, Charlotte puts a handkerchief over her nose, as she and Eleanor just walked past a group of smokers. Due to the screenwriting, as well as Judi’s and Maggie’s performance, this scene elaborates my aforementioned points!

The scenery: As I stated in the introduction, I chose to review A Room with a View because of Lucy’s trip to Florence. Therefore, my discussions about the movie’s scenery will focus on the Italian background. Toward the beginning of the film, Lucy visits a cathedral. In the interior of this massive structure, the main hall is surrounded in light gray stone. Symmetrical stone columns with matching hue and carved designs burst from the cathedral’s high ceiling. Filled with giant statues, a sprinkling of candles, and artwork within the cathedral’s alcoves, the large scale of this space was captured well through various camera angles!

During Lucy’s trip, she and several tourists visit Florence’s countryside. While enjoying their picnic, the characters sit on rolling green hills, coated in varying shades of green. Trees proudly stood among the guests, joining their event from a distance. A few red-orange poppies poked out of the sea of grass, providing the landscape with a pop of bright color. Wrapped up in a clear, sunny sky, Florence’s countryside looked postcard perfect!

Lucy’s wardrobe: Since this was my first time watching A Room with a View, I had no expectations when it came to Lucy’s wardrobe. But as the story progressed, I found myself adoring Lucy’s attire, as it was classy and elegant! An excellent example is what Lucy decided to wear to her piano recital. Lucy wore a cream-colored gown with puffed lace sleeves. The scooped neckline was surrounded by embroidered flowers. Sparkles covered the bodice of the dress, providing just enough twinkle. Paired with a jeweled belt, Lucy’s gown was simply beautiful!

Italian countryside image created by Bill Silvermintz at freeimages.com. “FreeImages.com/Bill Silvermintz.” Photo by <a href=”/photographer/edudflog-58908″>Bill Silvermintz</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;.

What I didn’t like about the film:

The drawn-out story: A Room with a View’s primary focus was Lucy’s growing attraction for George, who she met on her trip to Florence. But alongside that part of the story were situations involving the other characters from this ensemble. These situations were competing against one another for the audience’s attention. One situation happened after Lucy came home to England. She tries to recruit some of the trip’s guests to stay in a local cottage. Her fiancé, Cecil, recruits guests to the cottage, who just so happen to be George and his father. However, the emphasis on the cottage’s status is one of the reasons why Lucy’s attraction for George isn’t resolved until the last forty minutes of the movie. Because of these things and the film’s two hour run-time, the story itself felt drawn out.

Lack of on-screen chemistry: Helena Bonham Carter and Julian Sands, the actors who portrayed Lucy and George, did a good job with the material they were given. But when their characters were interacting together, I didn’t feel a strong sense of on-screen chemistry. A reason why is because of how infrequently George and Lucy crossed paths. Within the film’s first forty minutes, Lucy and George spend time together in about two or three scenes. Shortly after those first forty minutes, Lucy becomes engaged to Cecil, a character who a) was never brought up during the Florence trip and b)didn’t appear on screen until forty minutes into the film. Even after the engagement, George and Lucy’s time together isn’t consistent. This resulted in the missed opportunity to watch this relationship grow over time.

The title cards and on-screen text: At various moments in A Room with a View, title cards announced when a character was about to do something. On-screen text would sometimes replace these title cards. One example takes place when Lucy and several tourists travel to Florence’s countryside. Before their excursion, white text appeared on the screen, explaining what they were about to do. I was not a fan of this creative decision because these title cards and on-screen text told the audience what they could see or figure out for themselves. This creative decision was also not consistently featured in the movie.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

When it comes to A Room with a View’s style, this movie excels! It’s a pretty looking film, as the scenery, set design, and even Lucy’s wardrobe made the production pleasant to the eye. But when it comes to the substance, the film falls short. I didn’t find the story compelling, which is caused by the story itself being drawn out. I also did not sense strong on-screen chemistry between Helena Bonham Carter and Julian Sands. The more historical fiction/period drama media I consume, I find myself, more often than not, gravitating toward stories whose casts are smaller. This creative decision prevents the stories from competing for attention, as there are less characters to keep track of. Because A Room with a View contained an ensemble cast, there were so many ideas brought up and so few time to address it all. As the saying goes “time flies when you’re having fun”.

Overall score: 6.1 out of 10

Have you seen A Room with a View? Do you prefer movies with bigger or smaller casts? Please tell me in the comment section below!

Have fun on your travels!

Sally Silverscreen

Take 3: Curious Caterer: Grilling Season Review + 455 Follower Thank You

On By 18cinemalane2 Comments

It’s been a little while since I last reviewed a Hallmark film. In fact, this is my first Hallmark movie review of 2023. Since 18 Cinema Lane recently received 455 followers, I thought this would the perfect opportunity to write about a Hallmark production. Besides, “absence makes the heart grow fonder”. Last year, I reviewed Curious Caterer: Dying for Chocolate (as a Blog Follower Dedication Review). Even though I thought it was just fine, the movie had potential to start a new series. Out of the newer mystery films to premiere on Hallmark Movies & Mysteries this decade, so far, Curious Caterer is one of only two to receive a sequel. I will admit when I first read the synopsis for Curious Caterer: Grilling Season, it sounded like a repeat of the first film. It also didn’t help how the trailer revealed very little information about the movie. However, as a thank you to every one of 18 Cinema Lane’s followers, I’m serving up this review of Hallmark Movies & Mysteries’ latest mystery title!

Curious Caterer: Grilling Season poster created by Crown Media Family Networks and Hallmark Movies & Mysteries

Things I liked about the film:

The acting: When I reviewed Curious Caterer: Dying for Chocolate last year, I complimented Nikki Deloach, Andrew W. Walker, and even Kendall Cross on their solid performances. Nikki and Andrew returned to this second chapter with equally strong portrayals of their respective characters! Throughout the film, I was impressed by the strength of the cast as a whole. Every interaction appeared so natural, I was immersed in the story! A great example is when Goldy and her friend, Marla, are unknowingly delivering evidence to Detective Tom’s office. In this scene, Goldy and Marla explain how they conveniently crossed paths with Mason, Tom’s detective partner, in the parking lot. Displaying genuine confusion on their faces, Marla and Goldy bring some of the murder victim’s paperwork, in an attempt to simply help in any way they can. Not wanting Goldy to be involved in official detective work, Tom tells both women how they are interfering with an investigation. During this interaction, Tom carries a stern tone in his voice and a frustrated look in his eyes, displeased with civilians interrupting his work. Meanwhile, Mason displays an easy-going, yet professional persona, trying his best to do his job right. This blend of personalities, emotions, and expressions created a scene that was not only well acted, but was hilarious as well!

The humor: Limited amount of humor was one of the flaws of Curious Caterer: Dying for Chocolate. This prevented the audience from receiving a break from the story’s heavy murder mystery plot. In Curious Caterer: Grilling Season, however, more humor was incorporated in the script. Like other mystery series on Hallmark’s second network, the humor felt like it belonged in the world of Curious Caterer. While Goldy and Marla are creating a mystery board, Detective Tom arrives at Goldy’s back door. Because this back door contains a see-through window, Tom can see exactly what Marla and Goldy are doing. When they see that Tom has arrived, Goldy and Marla try their best to cover the board up, as they know Tom would disapprove. With a irritated look on his face, he points to the door knob, demanding Goldy open the door. To me, this was one of the funniest scenes in the movie, as the intended ideas were expressed with very little dialogue!

Marla’s involvement in the mystery: In most mystery series from Hallmark Movies & Mysteries, the protagonist’s best friend either has a small role in the mystery or isn’t involved at all. Curious Caterer: Grilling Season gave Marla, Goldy’s friend and co-worker, a greater opportunity to participate in the mystery. During the creation of the mystery board, Marla was thinking up suspects and speculating on their motives. Meanwhile, Goldy was providing insight into other possible theories. Marla also shares information with Goldy about two possible suspects. Creative decisions like this one allow the Curious Caterer series to try new things and stand out from the network’s other mystery titles!

Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Providing far-reaching or no explanations: At the beginning of the movie, Goldy is catering the birthday party of her friend, Susie. Tom is one of the party’s guests, who appears to personally know the hostess. Within the dialogue, though, Tom’s relationship with Susie was never explained. In some mystery stories, explanations for clue discoveries and motive reveals can be so far-reaching, most audience members would have never figured it out on their own. Without spoiling the story, far-reaching explanations were found on a few occasions in Curious Caterer: Grilling Season. For me, this made the mystery less interactive. I also think this could frustrate some viewers.

The under-utilization of Olive: Last year, when I reviewed Curious Caterer: Dying for Chocolate, I talked about how the audience didn’t receive the opportunity to get to know Goldy’s daughter, Olive. This is because she was featured in a handful of “don’t blink or you’ll miss her” moments. In Curious Caterer: Grilling Season, the audience learned a little more about Olive, such as her participation on a softball team. But similar to the first film, her appearances in the story were limited. This was disappointing, as I was hoping Olive would receive a greater role in the story. Perhaps she could have helped Goldy solve a mystery, with both mother and daughter looking for information related to a case.

No close-up shots of the food: As I talked about the cinematography in Curious Caterer: Dying for Chocolate, I shared my thoughts on the close-up shots of some appetizers Goldy served. Those shots gave the audience an idea of the kind of catering service Goldy provides. At Susie’s birthday party in Curious Caterer: Grilling Season, however, there were no close-up shots of the food. Even Susie’s birthday cake was not featured on screen. Catering plays such a vital role in Goldy’s story, as that is her business. So not featuring a few close-up shots of the food not only feels like a missed opportunity, it takes away some of this series’ identity.

Birthday cake image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/chocolate-birthday-cakes-collection_765437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/birthday”>Birthday vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As I stated in the introduction, Curious Caterer is one of only two newer mystery titles to receive a sequel on Hallmark Movies & Mysteries. Like I also stated, I had my concerns about the sequel feeling like a repeat of its predecessor. Even though both films share some similarities, I found Curious Caterer: Grilling Season to be a stronger movie than the first chapter! There were times when the sequel improved upon the flaws made in last year’s title, such as incorporating more humor. A sense of consistency was found in the second movie, as the acting was just as strong as it was in the first film. But Curious Caterer: Grilling Season proves this series still has room to grow. The series has so many ideas for future stories! Since Nikki and Andrew have starred in their fair share of Christmas movies, maybe a Christmas mystery is possible? Or a mystery relating to Olive’s softball team is on the horizon, either focusing on the theft of a trophy or a coach is framed for poor sportsmanship? As of the publication of this review, there have been no announcements for upcoming Curious Caterer films. But as the saying goes, “the sky’s the limit”.

Overall score: 7.4-7.5 out of 10

Have you seen Curious Caterer: Grilling Season? Would you like to see this series continue? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen