Take 3: Harvey (1950) Review

This month’s Genre Grandeur is one I have been anticipating! That’s because of the film I selected for the event! January’s theme is ‘Comedies that feature characters who are either Stoners or Drunk’. After doing some research on the internet, I discovered the 1950 movie, Harvey, would be eligible! Harvey is a film I have been wanting to see for several years. Led by the beloved James “Jimmy” Stewart, so many good things have been said about this film. I was also interested in seeing Harvey because of its release date. Recently, I read an editorial by Jillian Atchley titled ‘It’s A Wonderful Life, James Stewart, and George Bailey’. In the article, Jillian explains there are two kinds of James Stewart films; pre-war and post-war. The post-war films, such as It’s A Wonderful Life, contain depth. I’d also add the post-war films feature higher stakes. Since Harvey was released four years after It’s A Wonderful Life, I was curious to see how deep this story would go. I also wanted to see how James would approach a character who is friends with an imaginary rabbit.

Harvey (1950) poster created by Universal Pictures

Things I liked about the film:

The acting: I have seen some of James Stewart’s movies prior to watching Harvey. What I’ve noticed about his roles in films like The Philadelphia Story, Mr. Smith Goes to Washington, It’s A Wonderful Life, and Rear Window is how there is a certain amount of charm included in his character’s personality. While portraying Elwood P. Dowd, James’ on-screen personality was different from what I’d seen before. In Harvey, Elwood is more laid-back. He also has a gentler persona, not having a care in the world. But there was one point in the movie where Elwood became somewhat philosophical. When asked by Dr. Lyman Sanderson and Miss Kelly how he first met Harvey, Elwood gives a thorough answer that is thoughtful and reminiscent. His answers to Lyman’s and Kelly’s questions not only captivate them, but the audience as well. This conversation shows there is more to Elwood when you look past the drinking and fascination with Harvey.

There were other performances in Harvey I enjoyed seeing. One of them came from Josephine Hull. Portraying Elwood’s sister, Veta, Josephine’s performance reminded me, to an extent, of Frances Bavier’s portrayal of Aunt Bee Taylor from The Andy Griffith Show. Let me explain myself; like Aunt Bee, Veta has her concerns and worries. You can hear the tension in her voice and see the fear in her eyes, illustrating how much Veta had on her plate. But, like Aunt Bee, Veta had her heart in the right place. All she wanted was for her brother to be a functioning and contributing member of society. Even if her actions weren’t always agreeable, Veta put her brother’s needs before her own. Because of her performance’s consistency, Josephine became an actress I looked forward to seeing on screen!

The set design: When I thought of Harvey, impressive set design was not what came to mind. So, when I first saw the set design in this movie, I was pleasantly surprised! A great location is the Dowd family home, which I wish was given more screen-time. While the house boasts a classic Victorian exterior, its interior was shown the most. In the house’s foyer, the stone staircase immediately caught my eye. Bearing a carved design, this staircase felt like it belonged in a castle! Another part of the home that features carved designs are the door frames. Marble fireplaces and stained-glass windows added exquisite details that highlighted the elegance and charm of the house! Another location I loved was Charlie’s! From some character’s descriptions, the bar sounded like a cheap or sleazy place. But when its interior was shown, it actually looked kind of cozy! The wood paneled walls were covered in framed photos. As a viewer, this gave me the impression the establishment is proud of their history. The booth Elwood sits at also gives off a cozy feel! The dark wood, tall backed seats surround a smaller, dark wood table. Above this seating arrangement was a small Tiffany style ceiling light.

Collection of white rabbit images created by freepik at freepik.com Hand drawn vector created by freepik – www.freepik.com

What I didn’t like about the film:

Lack of comedy: According to IMDB, Harvey is partially classified as a comedy. As I’ve said before, comedy is a subjective genre. But personally, I didn’t find this movie very funny. In fact, I only chuckled once during this hour and forty-four-minute film. I could see the jokes the screenwriters were trying to deliver. Unfortunately, none of these jokes stuck the landing. On IMDB, Harvey is also partially classified as a drama. While watching this movie, it felt like the creative team involved leaned too much into the drama genre. There’s typically nothing wrong with having comedic and dramatic elements in a singular story. In the case of Harvey, the balance between these two elements was not there.

Medical negligence: In real life or fiction, members of the medical profession are human. They are not only capable of helping others, but also capable of making mistakes. However, there is a very fine line between making mistakes and committing medical negligence. In an effort to help Elwood, Veta takes him to a mental hospital called Chumley’s Rest. But due to a registration mix-up, Veta gets admitted into the hospital instead. The idea of mistaken identity and being forced to do something against your will sounds terrifying. Paired with the fact this situation is supposed to be played for laughs makes it worse. Because of this and because of how avoidable the situation was, it didn’t sit well with me.

No explanations for Harvey: As the title suggests, a portion of this story revolves around Elwood’s friendship with Harvey, a 6 foot 3 ½ inch, invisible white rabbit. Throughout the movie, I was waiting for an explanation of what Harvey was. I even waited to see if Harvey would show up on screen. Sadly, none of these things happened. Even though suggestions about Harvey’s purpose were given, no definitive answers were presented. Was Harvey truly an imaginary friend? Was he a mythical creature only Elwood could see? Was Harvey used as a tactic by Elwood to test people’s trust? As I continue to write this review, I still don’t know what Harvey is.

Decisions being flip-flopped: There’s nothing wrong with showing a character changing their mind about something. After all, that prevents them from being static. If a character is going to change their mind on something, you need to show the process of that viewpoint being changed. In the case of Harvey, that process was, sometimes, omitted. When visiting the Dowd family home in search of Elwood, Marvin Wilson, an employee from Chumley’s Rest, takes a romantic fancy to Myrtle Mae, Elwood’s niece. During Marvin’s visit, Myrtle expresses no interest in his romantic advances. But when they meet up again, later in the film, Myrtle suddenly wants to pursue a relationship with Marvin. Her change of opinion feels abrupt, with no lead-up to that decision. The omission of decision transitions sometimes left me frustrated.

Heartbeat image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/medical-logo_763775.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/logo”>Logo vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

“What is the point of this movie”? I’m not asking this to be disrespectful or mean-spirited. I’m asking this because I’m genuinely curious to figure out what that point is. Sometimes, a film’s purpose or intended message is either obvious or easier to figure out. But with Harvey, I don’t know what the creative team was trying to say. Was this movie meant to be a cinematic PSA about how those with mental health related issues should be treated with dignity and respect? Is the film supposed to be an exploration of how some adults lose their sense of imagination the older they become? How am I expected to care about the filmmakers’ message when I don’t have a clear idea what it is? Besides being confusing, Harvey was, for me, disappointing. Because of James Stewart’s involvement in this project and because of the inclusion of a 6 foot 3 ½ inch, invisible white rabbit, I thought the movie was going to be whimsical and charming, with a sense of ‘magical realism’. Unfortunately, the 1950 film was none of those things. The lack of comedy and medical negligence did not help either. In all my years of watching movies, I never thought I’d see a James Stewart film I didn’t like. But, as of January 23rd, 2022, here I am.

Overall score: 5 out of 10

Have you seen Harvey? Which film from James Stewart’s filmography would you recommend I review next? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

If you’re interested in reading Jillian’s editorial, here is the link:

Take 3: Perry Mason: The Case of the Lost Love Review + 320, 325, 330, and 335 Follower Thank You

For this blog follower dedication review, I was originally going to write about the PixL movie, The Cookie Mobster. However, that film became the worst one I’ve seen this year, so far. Because I feel my readers and followers deserve a better movie and because I just reviewed a bad movie two weeks ago (Chasing Leprechauns), I chose a different film for this post. Recently, I watched the 1987 TV movie, Perry Mason: The Case of the Lost Love, as it happened to be on my DVR. Mystery related media are some of my most popular content, so this review will be a treat for my readers! Even though some films are stronger than others, I have enjoyed the Perry Mason movie series. Three of these films have been covered on my blog, with all of them receiving good scores. Will Perry Mason: The Case of the Lost Love receive a similar score? Keep reading my review if you want to find out!

Perry Mason: The Case of the Lost Love poster created by Fred Silverman Company, Strathmore Productions, Viacom Productions, Dean Hargrove Productions, National Broadcasting Company, Starmaker Entertainment, and Viacom

Things I liked about the film:

The acting: Jean Simmons is an actress who I have talked about before, when I reviewed Howl’s Moving Castle two years ago. While that movie was the first of Jean’s I saw, she had a voice-acting role in that film. Perry Mason: The Case of the Lost Love contains the first live-action role of Jean’s I have seen! What I liked about her portrayal of Laura Robertson is how Jean carried a certain amount of grace throughout the movie. She also gave a different persona to a character of this nature. In films where a woman is involved with politics, the female politicians are usually portrayed with a “no nonsense” personality. Laura Robertson is different because she had a gentler personality, despite running for the United States Senate. Even though he appeared in the movie for a short amount of time, I liked Jonathan Banks’ portrayal of Luke Dickson! He was so expressive; he was like a chameleon. The meeting at the restaurant between Laura’s husband, Glenn, and Luke showcases a perfect example. Jonathan’s face displayed a variety of expressions. Toward the beginning of the meeting, Luke appears serious, as his face is set and he is glaring at Glenn. As he brings up some compromising information, Luke’s face brightens up and he becomes a bit animated.

The Robertson’s house: Despite appearing in the film for less than five scenes, I liked seeing the Robertson’s house in Perry Mason: The Case of the Lost Love! The house’s exterior was presented in the dark. But from what the audience can see, the house was covered in a gray stone brick. On the left side of the house, a stone cylinder was connected, making the house look like a castle. The most prominently featured part of the house’s interior is the staircase. Notable details are wrought-iron stair rails and a stained-glass window. These design details give subtle clues of how well off the Robertsons are.

The open discussion of mental health treatment: Because of Laura’s history with mental health, the subject of mental health treatment was briefly discussed in this film. While she is afraid this part of her life will prevent her from becoming a Senator, she still willingly brings it up. There is no shame detected in the voices and faces of the characters who address Laura’s mental health treatment. A debate about which kind of treatment is appropriate is even included in the script. This openness toward mental health treatment seems ahead of its time, as society is more aware of mental health now than four decades ago. It also highlights the importance of this particular subject.

Love of mental health image created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Ignored story points: A few story points within Perry Mason: The Case of the Lost Love’s script were ignored throughout the movie. One example is mentioned toward the beginning of the film. When Luke first called Glenn, he mentions a long-lost son who lives in Arizona. But when Glenn meets up with Luke at a local restaurant, this son was never brought up. In fact, this son is never referenced again. I was disappointed because I was not only curious to see who would portray this mysterious character, but also discover what role this long-lost son would play in the overall mystery. It makes me wonder why this “scandal” was included in the first place?

A late start time for the mystery: As I have said before, I am not a fan of mystery films that start their mysteries at later times. Perry Mason: The Case of the Lost Love is a movie that does this. The murder victim wasn’t discovered until about twenty minutes into the film. While this timespan featured build-up to this discovery, I think the mystery could have started sooner. In my opinion, introduction of characters and their connections should have been taken care of in the movie’s first ten minutes. The discovery of the murder victim could have taken place at the movie’s fifteen-minute mark.

The closeness of Perry and Laura’s relationship: Within this story, Perry reveals how he and Laura used to be a romantic couple. When Laura’s husband, Glenn, asks Perry if he still has feelings for Laura, Perry says no. However, his and Laura’s actions say otherwise. When Laura and Perry have drinks at a local hotel, they hold hands at one point, with Laura kissing Perry on the cheek. Later that night, Perry brings Laura to her house. Before Perry leaves, he and Laura share a kiss. I found these romantic displays of affection unnecessary. With Laura married and Perry going his own separate way, it felt like the actions among the characters were chosen just to get a reaction from the audience.

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My overall impression:

Like I mentioned in the introduction, I have enjoyed the Perry Mason movie series. The films within this series I have reviewed received good scores, as I liked what I saw. However, Perry Mason: The Case of the Lost Love was weaker than those three movies. It definitely wasn’t bad, but I feel it could have been stronger. A long-lost son being briefly brought up, but never mentioned again took away some intrigue from this story. Similar to what I said in my review of Edward, My Son, the opportunity for an actor to achieve his “standing ovation” through this role was not available because this part of the story was abandoned. The film contained other flaws, like a later start time for the mystery and the unnecessary closeness of Perry and Laura’s relationship. But there are things about the movie I can appreciate. The openness of mental health treatment was a topic I never expected to hear addressed in a Perry Mason film. While there were advancements and progress made within the field of mental health in the ‘80s, society’s perceptions of this topic were not the same in 1987 as they are now. This reminded me of The Boy Who Could Fly, where the use of therapy was normalized. It was a pleasant surprise to see a Perry Mason film address this subject! Before I finish this review, I’d like to thank all of 18 Cinema Lane’s followers! My blog would have never reached this amount of success without you!

Overall score: 7.1 out of 10

Have you seen any of the Perry Mason films? Do you enjoy my mystery related content? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Promise Review

When Gill from Realweegiemidget Reviews announced that her blogathon would focus on James Garner, I found the perfect excuse to talk about one of his Hallmark Hall of Fame movies! For this review, I chose to write about the first one he starred in called Promise. This entry from the Hallmark Hall of Fame collection is one of the most beloved. It has not only received critical praise, but several awards as well. Movies that achieve a lot of praise can be hit or miss. I either find myself not liking the film as much as other people (in the case of The Christmas Card) or I gain understanding for why people like the movie so much (in the case of The Nine Lives of Christmas). With Promise, I wanted to judge it for myself. Is it worth its praise or is it overrated? I was lucky enough to find a copy of this movie on DVD, so I could bring this review to my readers and followers!

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When getting this DVD, I was surprised by how rarer it was to find than other Hallmark Hall of Fame titles. Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

The acting: The acting in Promise was definitely one of the best parts of this film! Throughout the movie, James Garner and James Woods go toe-to-toe with their acting prowess. What brought believability to these respective roles were the versatility and emotionality of Garner and Woods. When it comes to the acting, the best scene in this movie is when Bob discovers D.J. having a psychological catatonic break. James Garner’s portrayal of Bob was heart-breaking, as his voice was battling sobs and his eyes were full of fear. As for James Woods’ portrayal of D.J., he was so listless and still that I honestly thought this character had died. Piper Laurie did a really good job bringing the character of Annie to life! What worked in her favor was the on-screen personality she presented. Since it was so sweet and gentle, it made Annie a likable individual. Even though she had a limited presence in Promise, Barbara Niven portrayed her character, Joan, wonderfully! The great thing about Barbara’s acting abilities is how expressive she is. A perfect example is when Joan spots D.J. watching her and Bob having an intimate moment, as she quickly changes from a passionate and flirty attitude to screaming in fear.

 

The set design: There were some interesting creative choices made when it came to the set design. For the interior design, I really liked the look of the restaurant where Bob visits his co-workers. The use of red and gold was magnificent, from the rich red carpet to the way the light illuminated off the gold details on the wall. There were also some visually appealing choices made for the film’s exterior design. On Annie’s porch, there was a large, white, multi-paned window at one end of it. It made that space feel like an outdoor room! It also provided a unique look from the other porches that were featured in this film. At one point in the movie, D.J. and Bob discover an abandoned castle. The way this castle looked was mysterious, but not scary. It reminded me of the abandoned places that are shown in urban exploring videos. Because of the look and feel of this place, it made me want to explore the castle alongside Bob and D.J.!

 

The scenery: Another appealing element of Promise was the scenery! My favorite place in this movie was the lake Bob and D.J. visit. This location was shown at different times of the day. It was even shown in the rain. But the lake always appeared serene and peaceful. Mixed with the forest’s foliage, it looked like an inviting environment! Long shots were used to showcase various landscapes. The field in front of D.J. and Bob’s mother’s house is one of them. The way this location was framed brought up the feelings of possibility and hope. This fit within the context of the story.

James Garner Blogathon banner
James Garner Blogathon banner created by Gill from Realweegiemidget Reviews. Image found at https://weegiemidget.wordpress.com/2019/11/26/james-garner-blogathon/.

What I didn’t like about the film:

The secondary storyline: In Promise, Bob tries to sell his and D.J.’s mother’s house. This part served as a secondary storyline. I wasn’t a fan of this narrative for a few reasons. Personally, I didn’t find it to be very interesting. Also, it felt distant from the main plot. I’m glad this story didn’t adopt a cliché similar to the “woman from the city coming back to her small hometown” cliché. However, I wish this movie kept its focus on Bob and D.J.’s story.

 

The discussion of Mental Illness: Promise’s discussion of Mental Illness is similar to A Time to Remember’s discussion of Alzheimer’s. I commend this film and its creative team for addressing the ways Mental Illness can affect an individual and the people around them. But I honestly think this discussion could have been executed better. For starters, D.J. ends up being a supporting character in the story instead of an equal co-lead. This does a disservice not only to D.J., but also to members of the audience who have been affected by Mental Illness in some fashion. Within the first half of the movie, D.J. is called “crazy” by Bob because he has Schizophrenia and because his beliefs happen to be different from his brother’s. I understand that stories like this are meant to feature unlikable protagonists, in an effort to showcase their personal growth throughout the movie. However, Bob’s attitude and views toward D.J. were unfair and they did not sit well with me. In one scene, D.J. explains to Bob what having Schizophrenia is like. While this monologue was well written and delivered, I think this explanation would have been a little more effective if the audience could see at least one of D.J.’s hallucinations and/or hear the audio from his “voices”. It would have shown and told the audience an idea of how Schizophrenia affects someone.

 

The editing: As I was watching Promise, the overall film felt uneven. This was caused by some scenes ending too quickly. One example is the scene where D.J. tells Bob that he feels normal again. Right after he says this, the next scene immediately starts. This not only felt abrupt, but there also wasn’t a smooth transition provided. The presentation of these scenes was the equivalent of stop-and-go traffic.

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Love of mental health image created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As the cover of Promise’s DVD says, this movie is “the most-honored television movie of all time”. However, I thought the film was just ok. This is certainly not one of the worst projects Hallmark Hall of Fame has created. Elements like the acting, set design, and scenery prevent it from being unenjoyable. However, I can think of other Hallmark Hall of Fame stories that are stronger than this one. The primary focus of Promise should have remained on Bob and D.J.’s story. It also should have given D.J. an equal portion of the narrative as Bob. This way, he could have a bigger voice and more perspective to share in the film. Since this is one of four Hallmark Hall of Fame movies James Garner starred in, I would be interested to see how those movies compare to Promise. I have Decoration Day on my DVR, so I might have to review it in the near future!

 

Overall score: 6.9 out of 10

 

Have you seen any Hallmark Hall of Fame movies? Are there any Hallmark Hall of Fame films you’d like me to review? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: I Never Promised You a Rose Garden Review (A Month Without the Code — #6)

I was introduced to the book, I Never Promised You a Rose Garden, over five years ago. When I heard what it was about, I became intrigued with the premise. Since then, the book has been added to my TBR (to be read) list. While I haven’t read I Never Promised You a Rose Garden yet, I wasn’t going to miss the opportunity to see the film. So, I recorded it on my DVR when it was airing on television. Out of all the movies in my roster of films for A Month Without the Code, this is the only movie that’s rated R. It’ll be interesting to see if it could be “breened”. I also wanted to see if the movie would encourage me to read the book. Film adaptations can be better or worse than its source material. While comparing them is fine, judging them on their own merit is also important.

I Never Promised You a Rose Garden poster
I Never Promised You a Rose Garden poster created by New World Pictures. Image found at en.wikipedia.org/wiki/File:Film_Poster_for_I_Never_Promised_You_a_Rose_Garden.jpg

Things I liked about the film:
The acting: For films that deal with serious subject material, you need a lead actor or actress that will give it their all, talent wise. Personally, I feel that Kathleen Quinlan did just that in her role of Deborah! Seeing this character experience trials and triumphs shows just how seriously Kathleen took this role. Her performance was so well-rounded, emotional, and powerful, that her on-screen presence was captivating. What surprised me about Kathleen’s portrayal was that Deborah seemed like a young woman who was beyond her years. Because I haven’t read the book yet, I don’t know if the character is like this in the book. However, Kathleen brought this aspect of the character to life with such realism.

The realistic depiction of mental health: When incorporating a real-life topic like mental health into a film, it’s better to depict it as realistically as possible. In I Never Promised You a Rose Garden, the portrayals of mental health appeared realistic. For Deborah’s schizophrenia, audience members can hear the “voices” in her head and see her imagined world come to life. Something that I noticed was how the patients had a sense of humanity to them. Some of them seemed to be lost in their own worlds more than others. But, at the end of the day, they had something important to say and a mind of their own.

The discussion of abuse toward patients: I’ve seen several films that talk about mental health, especially where the main setting is a psychiatric hospital. Usually, the treatments themselves end up being abusive toward the patients. In this film, some of the patients are abused because of a cruel employee. I’m glad the movie didn’t shy away from addressing this particular subject. In the films that I’ve seen about mental health, I don’t recall this topic ever being brought up. The fact that a movie from the ’70s that takes place in the ’50s would incorporate this issue in their film is pretty interesting.

A Month Without the Code banner
A Month Without the Code Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/31/announcing-amonthwithoutthecode65/.

What I didn’t like about the film:

A weaker plot: Like I’ve said before, I haven’t read I Never Promised You a Rose Garden. But, I know what the general premise is about from reading the book’s synopsis. After doing that, I believed that the story would be an insightful and thought-provoking tale of someone’s experience with schizophrenia. The movie’s plot, however, wasn’t as interesting as I had thought it would be. The story was very straight-forward, leaving little room for interpretation. While there were interesting ideas and concepts featured throughout the film, they weren’t thoroughly explored. Personally, I thought the movie was driven by a premise and not a plot.

The randomness of the “dream sequences”, To represent the imagined world inside Deborah’s mind, a series of “dream sequences” would appear at various moments in the movie. I think these “dream sequences” were important to the character of Deborah. But how these sequences were incorporated into the film was very random. Sometimes, they would suddenly appear without any warning or build-up. While the imagined world was addressed, it was never explored and dissected. I understand that this was meant to give audience members an idea of what living with schizophrenia is like. But the suddenness of these “dream sequences” was somewhat off-putting.

Very little character development: Because this story revolves around Deborah, she is going to receive the most character development. While this is true, she ends up becoming the only character the audience gets to really know. There’s about two or three other characters that also receive character development. However, the audience doesn’t get to know them as well as Deborah. For the rest of the characters, members of the audience just become familiar with them. This is very different from something like One Flew Over the Cuckoo’s Nest, where the audience gets to know each of the characters in the story. Because of  I Never Promised You a Rose Garden’s nature, most of the characters felt like they were there just for the sake of moving the plot forward.

Rushing the recovery process: In I Never Promised You a Rose Garden, the story was about Deborah’s experience in a psychiatric hospital. For most of the movie, it seems like whenever she took one step forward in her treatment, she would then take five steps backward. It wasn’t until about the last twenty minutes when Deborah experienced a break-through in her recovery process. Because Deborah’s end result happened way too quickly, it felt like it was achieved too easily. This reminded me of The Three Faces of Eve, where it seemed like everything was wrapped up in a neat little package. It’s understandable that, in a film, there’s only so much time to tell a novel long story. But maybe this is where the book succeeds more than the movie.

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Love of mental health image created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I Never Promised You a Rose Garden is the only rated R movie in my A Month Without the Code roster. I figured this was because of how the subject of mental health was realistically depicted. While this is one of the reasons for the film’s rating, it was also rated R for content related reasons. As for the quality of the movie, I thought it was just ok. It’s not the worst thing to be put on film, but it didn’t impress me either. The story wasn’t as intriguing as I hoped it would be. However, there were things about the film that I did like. One of them is Kathleen Quinlan’s performance, which was one of the highlights of the movie! Despite how I feel about the film, I still want to read the book. Who knows? Maybe the book will be better than the adaptation. Speaking of the adaptation, we need to talk about the film’s content. Sure, I Never Promised You a Rose Garden could be “breened”. But only if several aspects of the movie were to change. These aspects are:

  • Language: There were several times when characters either swore or spoke unpleasant words. The words themselves would need to be omitted and replaced with better choices.
  • Blood: In the film, there were a few instances when blood was shown on screen. This would need to be reduced by a significant amount.
  • Violence: Some violent moments are featured in the movie. They would need to be significantly reduced.
  • Unpleasant imagery: In one of the “dream sequences”, there is a dead body featured on screen. This part of the film would have to be omitted.
  • Nudity: There are two scenes with brief nudity. These scenes would need to be removed.
  • Sexual references: At the psychiatric hospital, there was one character that constantly made sexual references. Their lines would be rewritten before production begins. In a “dream sequence”, it is heavily implied that Deborah has sex with a male from her imagined world. This part of that scene would either be completely eliminated or rewritten.

Overall score: 6 out of 10

What are your thoughts on this review? Do you think this film could be “breenable”? Share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen