Take 3: Tombstone Review

When an actor or actress is celebrating a birthday, I will sometimes write about a project from their filmography and publish that article on their birthday. This has given me an excuse to check out a movie or television show I haven’t seen before. Because July 11th is Stephen Lang’s birthday, I found a perfect opportunity to finally see the 1993 western, Tombstone! This is a movie I not only have heard of before, I have heard the movie receive consistent praise over the years. It’s even earned the coveted title of “classic” within the western genre. Though I have covered some movies from this particular genre on 18 Cinema Lane, I had no idea how Tombstone was going to stand out among those other titles. Now that I’ve seen the 1993 picture, I found an answer to that question. But you have to read my review to discover what that answer is!

Tombstone poster created by Hollywood Pictures, Cinergi Pictures Entertainment, Alphaville Films, and Buena Vista Pictures Distribution

Things I liked about the film:

Historical accuracy: In my recent review of Young Washington, I praised the film’s creative team for effectively executing their project’s historical accuracy. Because of how well-done that storytelling element was, the creative team behind Young Washington successfully created an illusion of immersion. Tombstone also possessed the illusion of immersion due to the efforts of that movie’s creative team. From the construction of the town itself to the artwork on a wall at the Bird Cage Theatre, the appearance of the film and its finer details effectively reflect Tombstone’s respective time period of the late 1800s. An example of how this particular time period was brought back to life was through the characters’ wardrobe. In a scene where Wyatt Earp goes for a horse ride with Josephine, Josephine wears elegant yet practical riding attire. Sporting a black tailored jacket and a long black skirt, she adds a black and white polka dot scarf as well as a black top hat adorned with black and white ribbons. Finishing the ensemble is a pair of simple black gloves. Josephine even rode side-saddle, what would have been the appropriate way for a woman to ride a horse at that time. The example I presented in this review visually represents the research and attention to detail that went into Tombstone’s presentation!

Interconnected stories: Tombstone is a movie known for its large cast of characters. At the beginning of the film, the characters are shown engaging in their own separate part of the story. Whether it’s the Cowboys rudely interrupting a wedding or Doc Holliday winning a poker game, the first minutes of Tombstone let the audience know everyone who is featured in the movie has an important role to play. As the film progresses, each separate story becomes interconnected. Characters who may seem like strangers are actually revealed to be friends. The actions caused by one character greatly impact another character. And crossed paths develop consequences. These interconnections between characters allowed on-screen interactions to contain a strong sense of intrigue. That intrigue kept me invested in what was happening in Tombstone!

The acting: Because Stephen Lang is the reason why I’m reviewing Tombstone, I have to talk about his performance first. Though he appeared in the film for a limited period of time as Ike Clanton, Stephen’s portrayal was very memorable! This memorability was due to his expressiveness and animated reactions. Yet, Stephen’s animation never came across as over-the-top or too “cartoony”. Instead, he effectively utilized a variety of emotions which helped him stand out among the ensemble cast. One of Stephen’s best moments in Tombstone is when Ike is watching a play involving Faust, the confused look on Ike’s face appearing completely genuine. I also liked Sam Elliott’s portrayal of Virgil Earp, Wyatt’s brother. In a scene where Virgil receives bad medical related news, a combination of fear, anger, and sadness are present in his eyes, through the frown on his mouth, and even within the muscle control throughout his face. Virgil’s wife, Allie (portrayed by Paula Malcomson), is also upset by the news Virgil receives. Her tear-streaked face says so much without saying anything at all. Even as she yells at Wyatt, the anger in her voice holds an intensity that forces Wyatt (and the audience) to take her seriously. But besides these three performances I brought up, the cast as a whole gave solid portrayals throughout Tombstone!

Since I’m reviewing Tombstone on Stephen Lang’s birthday, I thought including a picture of his character, Ike Clanton, in this review made sense. Screenshot taken by me, Sally Silverscreen.

What I didn’t like about the film:

Glossed over parts of the story: There were a few parts of Tombstone’s story that became glossed over as the movie progressed. One of those glossed over parts involved Wyatt’s wife, Mattie. Toward the beginning of the film, Mattie seeks to receive laudanum in order to cure a headache. Yet, she refuses to visit a doctor when Wyatt suggests it. Later in the movie, Mattie is seen drinking a bottle of opium. These displayed behaviors imply she is battling an addiction. But none of the other characters, including Wyatt, address Mattie’s concerning issue. In historical/period stories like Tombstone, a storyline involving addiction will sometimes be woven into the script. Usually, these storylines will not only be addressed in that respective story, they will also be treated with a sense of respect, as addiction is a serious, real-world topic. With everything said, I wish Mattie’s part of the story had received some more attention within Tombstone’s overarching story.

The underutilization of Billy Zane: In movies containing ensemble casts, an actor or actress may sometimes become underutilized due to how much screen-time the cast needs to share. The case of Tombstone shows Billy Zane as an underrated performer within the film. Portraying a stage actor named Mr. Fabian, Mr. Fabian represents something beautiful that came to the ugliness of Tombstone, according to Josephine. Billy’s appearances in Tombstone were so limited, he was present in only three scenes within the first half of the movie. He doesn’t show up in the film again until toward the end of the story, when the actions of the Cowboys and Wyatt’s group have taken their toll on Mr. Fabian. Taking Josephine’s words into consideration, I was disappointed Mr. Fabian wasn’t utilized more in the story, as a way to achieve peace within Tombstone. But I guess as a stage actor, there was only so much he could have done to find a solution to the town’s conflict.

Half of the story feeling “slice of life”: The overarching conflict of Tombstone involves the Cowboys and Wyatt alongside his brothers and Doc fighting over control of Tombstone. But this conflict doesn’t really become the story’s central focus until the second half of the movie. In the film’s first half, the emphasis is placed on the “slice of life” aspect of the characters residing in Tombstone. While it was interesting to catch a glimpse of life within the late 1800s, the intrigue wasn’t as consistent in the movie’s first half as it was in the second half. In fact, as I watching the first half of Tombstone, I honestly wondered why this story wasn’t a television show instead of a movie?

Birthday party set-up image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/food”>Food photo created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As I said in the introduction of this review, I chose to write about Tombstone in honor of Stephen Lang’s birthday. Therefore, I was looking forward to seeing his performance in this movie. While I did witness a very memorable portrayal of Ike Clanton, there is so much more this film gave me. The cast as a whole was strong, which made each performance enjoyable to watch. The research and attention to detail put into Tombstone’s historical accuracy allowed the movie’s creative team to achieve an illusion of immersion. Interconnections between characters’ stories added intrigue to characters’ on-screen interactions. Though the film gave me an enjoyable movie-viewing experience, there were flaws that held it back from being stronger. I wish the overarching story had consistently focused on the conflict for control over Tombstone. I also wish Mattie’s part of the story had received some more attention in the script. Seeing Billy Zane’s talents become underutilized was disappointing as well. But despite these flaws, I can recognize why Tombstone is highly regarded by fans of the western genre!

Overall score 7.3-7.4 out of 10

Have you seen Tombstone? Are there any films from the western genre you’d like to see me review? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Lost Child Review + 395 Follower Thank You

To all 395 followers, thank you for helping make 18 Cinema Lane the success it is today! With a new blog follower milestone comes a new blog follower dedication review! I recently read Black Star, Bright Dawn by Scott O’Dell. After reading that book, I realized how rarely I review films revolving around Native American stories. The last one I reviewed was Luna: Spirit of the Whale, with that review published two years ago. To make up for that, I decided to select Hallmark Hall of Fame’s The Lost Child to write about and discuss! It also has been several months since I reviewed a Hallmark Hall of Fame production, with my review of Saint Maybe published last September. Within Hallmark’s library of films, those containing Native American stories are far and few between. These handful of movies have ranged in quality, with Dear Prudence being the best one, in my opinion. So, where does The Lost Child rank? The only way to find out is to keep reading!

Since I had The Lost Child recorded on my DVR, I took a screenshot of the film’s poster with my phone. Screenshot taken by me, Sally Silverscreen

Things I liked about the film:

The acting: Mercedes Ruehl and Jamey Sheridan are no strangers to the world of Hallmark entertainment, as both actors have appeared in at least one Hallmark film besides The Lost Child. Back in 2013, Mercedes starred in Banner 4th of July, a film I haven’t seen. A movie I have seen is 2008’s Dear Prudence, which starred Jamey Sheridan. I don’t believe Mercedes and Jamey appeared in a movie together prior to The Lost Child. Despite this, they had really nice on-screen chemistry! Their characters, Rebecca and Jack, seemed like kindred spirits. The acting abilities of Jamey and Mercedes are part of the reason why this is the case! When Rebecca first meets Jack at a bar, the audience can tell how in sync these two characters are. Jack and Rebecca appear to enjoy each other’s company, with the body language and facial expressions of each actor showing how their characters feel. Mercedes and Jamey not only had good chemistry with each other, they had good chemistry with the other cast members as well! Even though they weren’t on screen together, the scene where Grace, portrayed by Irene Bedard, calls Rebecca is one of the strongest scenes in The Lost Child. Throughout their phone conversation, genuine emotions were shared between both women. The strength of Mercedes’ and Irene’s acting abilities elevated the scene itself, as their conversation revolves around a very emotional subject. A combination of facial expressions, tone of voice, and use of emotionality worked in the favor of each actress, as the scene felt believable!

The scenery: The Lost Child was filmed in Superior, Arizona, according to IMDB. This is because the majority of the story takes place on a Navajo reservation. At several moments in the movie, the film’s creative team took advantage of The Grand Canyon State’s beauty by incorporating the natural landscape within establishing shots or weaving them into the story. A woman named Aunt Mary gives Rebecca a tour of the reservation. During this tour, Aunt Mary takes Rebecca to the spot where Rebecca’s biological parents got married. It’s easy to see why they chose to get married in that spot, as a piece of canyon rock dominates the space. Set against a clear, blue sky, this rock contrasts beautifully with the sky’s hue, as well as the green of nearby cactus. Before Rebecca meets Aunt Mary, she watches the sun rise. The sky gives off hues of orange and yellow, which help the audience focus on this part of natural majesty. Scenes like the two I mentioned are examples of the creative team taking initiative to show how beautiful Arizona can be!

An introduction to Native American culture: As I previously stated, the majority of The Lost Child takes place on a Navajo reservation. Because of this, Rebecca and her family spend time interacting with other members of the Navajo community. Through these interactions, Rebecca’s family, as well as the audience, learn about some aspects of the Navajo culture. When she’s trying to learn how to weave, Aunt Mary tells Rebecca to make a break in her blanket design, in order to prevent losing her spirit in her work. This simple piece of advice teaches Rebecca and the viewers how blankets created by Navajo members carry a special meaning with each design. One evening, Rebecca’s biological family gather around a fire and dance around that fire together. When Rebecca arrives, she asks what her family is celebrating. Her cousin shares how there doesn’t need to be a celebration to have a good time. The Lost Child is not the “end all, be all” when it comes to Navajo culture. However, if one is interested in learning more, this movie provides a good starting point!

Illustrated image of Arizona desert created by pikisuperstar at freepik.com. Background vector created by pikisuperstar – www.freepik.com

What I didn’t like about the film:

A not so compelling conflict: In The Lost Child, Rebecca not only learns she is a Navajo woman, her biological family having been looking for her as well. However, this conflict is resolved within the first thirty minutes of the movie. To make up for the short resolution, the rest of the story focuses on Rebecca and her family acclimating to reservation life. Without spoiling the movie, I can see why Rebecca would make the choices she did. But I didn’t find this overarching conflict to be as compelling as Rebecca’s search for her family. Part of this has to do with how I’m not a fan of “slice of life” stories. The Lost Child is based on a book I haven’t read. Therefore, I’m not sure which parts are straight from the source material and which are creative liberties.

A missing twin brother: When Rebecca is around the age of thirteen, she accidently finds out she has a twin brother. Years later, she posts notices on the internet, in an attempt to find him. These posts are what lead Rebecca to Grace, one of her sisters. But when Rebecca meets her biological family, she abandons the search for her brother. Throughout the story, this twin is brought up in passing. His whereabouts or his name are never mentioned. Like I previously stated, this movie is based on a pre-existing book. Despite that fact, I was frustrated by this huge loose end.

Too many story ideas: I know there is only so much story you can tell in two hours, the run-time for The Lost Child. Therefore, you need enough story material to not only satisfy that run-time, but also hold the audience’s attention. In the case of this movie, there are too many ideas found within the story. Some of these ideas could have warranted its own film. One of them revolves around Rebecca’s daughter, Caroline, being bullied at her new school. Because of how many story ideas were in this film, some of those ideas get lost in the shuffle. A good example is Rebecca’s youngest daughter being diagnosed with a food sensitivity. Looking back on The Lost Child, it felt like the creative team tried to tackle so much in a short amount of time.

White horse image created by Gabor Palla at freeimages.com. “FreeImages.com/Gabor Palla.”

My overall impression:

The Lost Child is the forty-seventh Hallmark Hall of Fame movie I’ve seen in my life. At this point, I know what I like and expect to see in a film of this nature. Personally, I thought the 2000 production was just fine. But it didn’t leave a strong impression on me like other Hall of Fame titles have. I wish the story had focused more on Rebecca’s search for her family, as I found that more interesting than her reservation life. However, I recognize that the film is based on pre-existing material. As I said in the introduction, Hallmark movies revolving around Native American stories are far and few between. This can also be said for the coverage of these films on 18 Cinema Lane. When I do chance upon a movie containing Native American stories, I approach them in the hope they are good. For The Lost Child, it was about as enjoyable as Luna: Spirit of the Whale was, a movie I reviewed back in 2020. A good thing I can say about the Hallmark Hall of Fame project is how it does introduce the audience to the Navajo culture. Having beautiful scenery and containing strong acting performances also help its case. I happen to have other Hall of Fame titles on my DVR. The question is, which one will I review next?

Overall score: 7 out of 10

Do you watch Hallmark Hall of Fame movies? Are there any you’d like to see me review? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen