Comparing with the Critics – 1988 – Introduction

1988 is known as a year on the edge of change. In the United States, a Presidential election let Americans decide how they wanted their country to be led. The foundations of the “Disney Renaissance” were laid into place before Disney made a splash heard around the world. And one year later, President Ronald Reagan’s words to “tear down this wall” were finally put into practice. Reflecting on 1988’s box office, especially the highest-grossing films of that year, this edge of change could be seen and felt. Who Framed Roger Rabbit proved it was, indeed, possible for live action and animation to join forces. Tim Burton helped Beetlejuice walk so Batman could soar. In May of 1988, two films made contributions that would cause ripple effects throughout cinema. Though Gene Siskel and Roger Ebert appreciated one of these efforts more than the other. These movies are Wings of Desire and Willow. The Best of 1988 episode of Siskel & Ebert showed Wings of Desire earning a spot on Roger’s list of the year’s best movies, even though both he and Gene liked it. Meanwhile, in the show’s Worst of 1988 episode, Gene and Roger believed Willow was just a retread of Star Wars. However, the film only ended up on Gene’s list of 1988’s worst pictures. If you read my review of Willow from last year, you would know I selected it for Comparing with the Critics’ Worst of 1988. As for Wings of Desire, that is my choice for Best of 1988 in my Comparing with the Critics series.

Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

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