Last week, I posted the Best Actor poll for the Gold Sally Awards. But no votes were received within that week. So, I’m extending this poll from today, April 6th to April 13th. Like I’ve said before, you can vote for more than one nominee. However, you can only vote once per person. The link to the poll is listed at the bottom of the poll image.
After a short hiatus, the Gold Sally Awards polls are back! This time, you can choose which actor was the best one out of the movies I saw in 2020! As usual, you can vote for as many nominees as you’d like. But you can only vote once per person. The poll begins today on March 29th and ends on April 5th. You can vote by clicking on the link under the poll image.
The Gold Sally Awards recognizes the crucial role screenwriting plays in the filmmaking process. Among the best movies I saw in 2020, you can choose which film contained the best story! Even though you can only vote once per person, you are able to vote for more than one nominee. As I’ve said before, the link to the poll is featured under the list of nominees. This poll starts today, March 15th, and ends on March 21st.
To celebrate the anniversary of 18 Cinema Lane’s beginning, I host a movie awards to highlight the best films I saw in the previous year. As I had several projects on my plate in February, the Gold Sally Awards were pushed back. However, the Gold Sally Awards are still happening, starting with the Best Movie category! In this division, all of the films that were featured on my Top 10 Best Movies I Saw in 2020 list will compete for the title of Gold Sally Awards’ Best Movie. Like in years past, you are allowed to vote for more than one nominee. But you can only vote once per person. This poll starts today and ends on March 14th. On the bottom of the poll, there is a link where you can submit your vote. If you’re having technical difficulties, please don’t hesitate to speak up in the comment section.
When Heidi, from Along the Brandywine, started her Valentine’s Day Period Drama Blog Party, she also published an official tag! As I’ve already posted my entry for the event, a review of the Hallmark Hall of Fame picture, The Love Letter, I thought it’d be nice to answer the tag questions. As I said in that review, period dramas are not regularly covered on 18 Cinema Lane. However, I did try to answer each question as best as I could. If you’ve visited my blog before, you’d know this isn’t my first blogathon tag. Last year, when I joined the Legends of Western Cinema Week, I published my answers relating to the western genre. This time around, I’m answering questions about this blogathon’s theme: period dramas!
Your current three (or up to five!) favorite period dramas?
Swept from the Sea
The Enchanted Cottage
Ben-Hur (the 1959 version)
Nicholas Nickleby (the 2002 version)
To Kill a Mockingbird
2. What would you recommend to someone who’s never seen a period drama as a starter?
Definitely Swept from the Sea! It was the best movie I saw in 2019 and I wish more people knew about it. Here’s the link to my review:
3. A favorite couple that wouldn’t be included in answer #1 (cause I’m figuring those are already top favorites ;)) and/or a favorite secondary character romance?
I really like both couples from Anchors Aweigh! Even though the movie is a musical, there are romantic elements that work well in the overall story. Without giving much away, it shows how subverting expectations can be a good thing.
4. What do you consider foundational qualities for a healthy romance?
Consent and communication. Two years ago, I wrote an editorial about how Lestat and Akasha’s relationship in Queen of the Damned was not healthy. Their lack or consent and communication serve as two reasons why. I’ll leave a link to the article if you want to read it:
I’d say Nicholas’ uncle, Ralph, from Nicholas Nickleby. Like my answer for question number three, I won’t give the story away. But I will say that Ralph is one of the reasons why Nicholas and his family experience hardship in that movie.
6. A favorite proposal scene?
I’m not sure if this would count, but I liked Nicholas and Madeline’s conversation, from Nicholas Nickleby, where they reflect on their pasts. It has a good message of strength that came across as genuine. Nicholas and Madeline also look like they truly care about one another.
7. Favorite period drama characters based on a real life couple?
I haven’t seen this movie in years, but I’ll choose The Young Victoria. From what I remember, I liked Queen Victoria and Prince Albert’s relationship. Similar to Nicholas and Madeline’s relationship in Nicholas Nickleby,Victoria and Albert looked like they truly loved each other. In a film about royals in the 19th century, I found that part of the story refreshing!
8. Any classic b/w period dramas you like? and 9. Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)
For this answer, I combined questions eight and nine. This is because I think The Enchanted Cottage fits both of them. Not only is this movie presented in black and white, but there is maturity within the protagonists’ relationship. Because Robert Young’s character, Oliver Bradford, is a World War II veteran, there are discussions of trauma and self-worth. Inner beauty and self-perception are also explored between Oliver and Laura, portrayed by Dorothy McGuire.
10. Most excruciatingly long, slow burn romance in a period drama?
The first one that comes to mind is Elizabeth and Jack’s relationship from When Calls the Heart. For five seasons, fans were waiting for these two characters to get married. While they eventually tied the knot, Jack was sent away on a Mountie mission, only for him to die at the end of the fifth season. This means that the fans barely got to see Elizabeth and Jack as a married couple.
11. A story that has multiple film adaptations where you love more than one of them?
After thinking about a double feature I wrote, I’ll pick The Secret Garden. Out of the three adaptations I’ve seen, I like the 1987 Hallmark Hall of Fame presentation and the 1993 film. If you’re interested, I’ve posted the links to the aforementioned double feature and its conclusion.
12. A book you think needs to be made into a film (or a new adaptation)?
Last year, in my Movie Blogger’s Christmas Wish-List, I talked about how I’d like to see To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson and Zlata’s Diary receive film adaptations. Instead of repeating myself, I’m sharing the link to that list, so you can read why I feel this way.
2020 was a year that threw a huge wrench into a lot of movie-goers’ plans. As theaters shut their doors and new releases continuously changed dates, there were movie related content creators that had to either adapt as best they could or completely change their formula. Fortunately for 18 Cinema Lane, the impact of this year’s Coronavirus didn’t change the type of content published on the site. As with the previous two years, I saw more good movies than bad. This is honestly the first year where I had difficulty creating my top ten best movies list because of the quantity of enjoyable films that left a memorable impression on me. Since I published my worst movies of the year list first last year, I’ll post my best movies of the year list first this time around. As usual, I will begin the list with my honorable mentions and then move on to the official top ten list. Now let’s get this list started!
Crossword Mysteries: Abracadaver, Where There’s a Will, Generation Gap, A Beautiful Place to Die: A Martha’s Vineyard Mystery, Sweet Surrender, Picture Perfect Mysteries: Dead Over Diamonds, Riddled with Deceit: A Martha’s Vineyard Mystery, Mystery 101: An Education in Murder, To Kill a Mockingbird, Ruby Herring Mysteries: Prediction Murder, House of the Long Shadows, Up in the Air, The Crow, Mystery Woman: Game Time, Fashionably Yours, Finding Forrester, Cyrano de Bergerac (1990), Expecting a Miracle, Time Share, Little Lord Fauntleroy (1936), The Wife of Monte Cristo, Cry Wolf, Mystery Woman: Mystery Weekend, Perry Mason Returns, Perry Mason and the Notorious Nun, Perry Mason: The Case of the Shooting Star, The Terry Fox Story, Follow Your Heart, House of Wax, Funny Face, and The Christmas Bow
10. Nicholas Nickleby (2002)
Looking back on the four film adaptations of Charles Dickens’ work I’ve reviewed, I realize how lucky I am to come across those I enjoyed. Despite having never read Nicholas Nickleby, this production was both understandable and engaging! With the 2002 version of this story, its balance of joy and despair is a staple of the world-famous author’s I recognize from his other stories like Oliver Twist. As I said in my review of Nicholas Nickleby, it can be easy to forget the beauty this world can offer, especially during a year like 2020. I don’t often come across a movie that is so good, it makes me want to seek out its original source material. For this film, however, I just found an exception!
This is an interesting entry from the Breen Code era. It’s a darker musical that is dark in nature for the sake of providing thought-provoking commentary. Like I said in my review, The Unfinished Dance does a good job exploring what happens when truth disappears from the world. All of the musical numbers in this film have a strong reason for being in the story, as opposed to typical musicals where the numbers feel more spontaneous than planned. Even though dance is emphasized more than the story, the quality of the routines themselves make this film worth a watch! The movie is a hidden gem that I wish more people knew about.
I’m glad I was given an opportunity to re-watch this film, as it was just as enjoyable as when I first saw it! The story moves away from the aesthetic that most Christmas movies adopt. Instead, it relies on the messages and themes associated with the Christmas holiday. This creative decision is a breath of fresh air, bringing a different kind of narrative that isn’t often found during that time of year. If You Believe is a film that does what it sets out to do. It also helps that it has stood the test of time.
This is the kind of Hallmark Hall of Fame movie I wish was made more often, one where unique concepts are explored and celebrated. Instead of following a plot, the story revolves around a debate. The subject matter was not only handled with reverence, but each perspective was shown in a respectful light. I’m not a fan of this film’s ending, but I respect Hallmark’s decision to include it in the script, as it respects the audience’s intelligence. Sweet Nothing in My Ear is a title from this collection that can be used as an introduction to Hallmark Hall of Fame!
6. From Up on Poppy Hill
Studio Ghibli has a reputation for giving it their all when it comes to making movies. Besides their signature animation style, they also take the time to create fantastic worlds and memorable characters. While From Up on Poppy Hill doesn’t contain any of the magical elements that can sometimes be found in Studio Ghibli’s stories, the project doesn’t feel out of place in their collection. The plot is a simple one, but the inclusion of interesting characters and world-building is what makes it work. It also contains a great message about history that fits into the script very well.
Batman: Mask of the Phantasm is more than just a story about Batman. It’s a chance for audience members to see a side of this superhero that doesn’t often get presented in the world of film. The movie is a good example of how impressive 2-D animation can be. Even though the world has moved on to the wonders of 3-D and computer graphics, there will always be a place for older styles of animation. Despite having seen only a handful of Batman films, I can honestly say Batman: Mask of the Phantasm is one of the better options! The story itself is just as interesting as the world of Gotham City.
Grace & Glorie contains Hallmark’s favorite cliché of featuring a woman from a big city moving to a small town. But what sets this story apart is how that cliché is not the main focus of the film. Instead, the plot revolves around the friendship of Grace and Gloria. Because the titular characters were portrayed by two strong actresses, it made the dynamic between Grace and Gloria interesting to watch. Similar to From Up on Poppy Hill, this Hallmark Hall of Fame title has a simpler plot that works in its favor. Grace & Glorie is a type of story that is rarely seen on Hallmark Channel or Hallmark Movies & Mysteries. The movie is also an underrated gem that I wish more Hallmark fans were aware of.
With the way the theatrical landscape was affected in 2020, it kind of feels weird that a film like Matinee would appear on a best movies of the year list for 2020. But instead of making me miss the cinema or feel jealous of the characters as they get to see a movie in a theater, this particular 1993 title reminded me of what I love about film. Because I have a special place in my heart for Phantom of the Megaplex, Matinee showed me that there is more than one story that could show people how movies can be fun. One of the messages of this narrative is that film can provide a much-needed break from the troubles of the real world. With the way 2020 turned out, Matinee seemed to come at the right place and time.
Every year, there is that one movie that catches me by surprise because of how good it is. The Boy Who Could Fly was definitely that film in 2020! I was pleasantly surprised by how well the overall story has aged. Given the subject material and the time it was released in, I can certainly say that my expectations were subverted. While The Boy Who Could Fly would be considered a “teen movie”, it doesn’t follow a lot of the patterns that most of these types of stories would contain. The themes of showing compassion for others, dealing with grief, and understanding people’s differences are given center stage.
Who knew a Frank Sinatra movie would become the best one I saw in 2020? When I look back on this film, I remember how much fun I had watching it! As I said in my review, I spent most of my time smiling and laughing, which shows how the film’s joyful nature can certainly help anyone improve their mood. Anchors Aweigh is a strong movie on so many different levels. The acting, story, and musical numbers alone showcase how much thought and effort went into the overall production. If I were to introduce someone to the Breen Code era or musicals in general, this is the film I’d show them. Anchors Aweigh was certainly a bright spot in a year like 2020.
For A Shroud of Thoughts’ 7th Annual Rule, Britannia Blogathon, I decided to choose a film that was already located on my DVR. Since last February, I have had a recording of the 2002 adaptation of Nicholas Nickleby. Because this story takes place in 19th century England and because this blogathon celebrates British cinema, reviewing the movie seemed like a perfect choice! Nicholas Nickleby is not the first adaptation based on a Charles Dickens novel I’ve written about. Within these two years, I have reviewed Oliver!, Oliver & Company, and The Death of Poor Joe. To tell you the truth, I didn’t even know Nicholas Nickleby was based on a book by Charles Dickens until I saw the film’s opening credits. This film selection is a blessing in disguise. It not only gives me an opportunity to watch more movies from my DVR, but it also allows me to expand my cinematic horizons!
Things I liked about the film:
The acting: Nicholas and Smike have one of the most beautiful friendships I’ve ever seen put on film! This is the result of good screen-writing and good acting! Charlie Hunnam and Jamie Bell put emotion and heart into their individual roles. Together, they display strong on-screen camaraderie. A great example is when Nicholas is trying to read a story to Smike at Dotheboys Hall. Nicholas Nickleby contained an ensemble cast. Each actor and actress worked well with one another, as the performances complimented and highlighted every talent shown on screen. From Anne Hathaway’s use of various emotions to Christopher Plummer’s consistency, all the interactions brought out the best in each cast member!
The dialogue: As I just mentioned, Nicholas and Smike’s friendship was partly the result of good screen-writing. The movie’s screen-writing is also what caused the dialogue to be so memorable! Every piece of conversation reflected this film’s time period. However, the dialogue sounded eloquent without being pretentious. It was also easy to understand, allowing the audience to make sense of what the characters are saying. In one scene, Nicholas is helping Smike escape his kidnapping. The way he told Smike to hurry out of his current location contained urgency and importance. Conversations like the one I just referenced were a consistent and present component of this film!
A balance of despair and joy: I haven’t read Nicholas Nickleby, but I have read Oliver Twist. From what I remember, Charles Dickens found a way to balance the ideas of despair and joy. This balance can be found in the 2002 film! In the movie’s darker moments, despair could be seen and felt. It showed how ugliness presented itself in Nicholas’ world. But there was not so much of this ugliness and despair to make the audience feel depressed. Moments of joy and happiness served to counteract the darker moments. When joyous scenes occurred, they felt earned by the characters. At the same time, they didn’t make it seem like the rest of the film couldn’t be taken seriously. Instead, the incorporation of joy showed how there was beauty in the world, especially if Nicholas searched for it.
What I didn’t like about the film:
Lots of content in a limited time-frame: Having read two of Charles Dickens’ books, I know there is a lot of content in his stories. While watching Nicholas Nickleby, I could see there was a significant amount of content. The movie is two hours and twelve minutes. But because each plot point was seen as important, the run-time was bogged down by the large number of storylines. This caused the film to feel longer than its run-time. It makes me wonder if this particular narrative would have benefitted from a mini-series format?
Some unsmooth scene transitions: There were a few scene transitions in Nicholas Nickleby that weren’t given smooth transitions. When the story shows Kate’s, Nicholas’ sister’s, perspective, the chapter comes and ends more abruptly than other scenes. It almost feels like the plot temporarily shifts the protagonist role from Nicholas to Kate. Even though Kate plays an important role in Nicholas’ life, she is a supporting character, while her brother is the main character.
My overall impression:
Nicholas Nickleby is the fourth adaptation of one of Charles Dickens’ works I’ve reviewed on 18 Cinema Lane. Out of these four, the best one is still the 1968 musical Oliver! Because I have read its source material, I know there was some content that was cut from the movie, likely for reasons relating to the run-time. Unlike Oliver!, Nicholas Nickleby contained a lot of content that effected its run-time. However, the story was understandable and the screen-writing was strong! Even though there were a few unsmooth scene transitions in Nicholas Nickleby, it never became a common occurrence. What was common was great acting performances, well-written dialogue, and relatable messages! Nicholas Nickleby does a good job at showing how there is both darkness and goodness in our world. In a year like 2020, where it seems like there is one conflict after another, it can be easy to forget the beauty this world can offer. Because of his bad and good experiences, Nicholas Nickleby always perseveres and never takes anything for granted. This is what we can learn from Nicholas’ story, whether or not Charles Dickens intended to teach his readers.
Overall score: 8.2 out of 10
Have you seen any adaptations from Charles Dickens’ work? Are there any British films you enjoy watching? Share your thoughts in the comment section!