Tag: movies

Top 5 Hallmark Films Based on a True Story

On By 18cinemalane8 Comments

Last December, I was nominated for The Pick My Movie Tag by Gill from Realweegiemidget Reviews. My selected topic was “A list of must-watch Hallmark film star biopics”. In my quest to find these kinds of films, however, I found very few Hallmark titles about film stars, especially those I’ve seen. More often than not, I came across Hallmark movies that were based on true stories that were not celebrity related. Therefore, I decided for this tag I would write about the top five Hallmark films based on a true story! Before I list the tag’s rules, I’d like to thank Gill for the nomination, as Gill’s thoughtfulness is appreciated.

The Tag’s Rules

  • Nominate one or more people to review the film or films of your choice. Or you can request they review something from a certain year, genre, or star. Everyone can review the same thing, or you can request each person cover something different. As long as it’s something they haven’t written about yet, you’re good.
  • Nominees are allowed to request a different pick for whatever reason no more than five times. Stuff happens. We all know it.
  • Nominees must thank the person who nominated them and provide a link their blog.
  • Nominees may nominate others to keep the tag going. Picking the person who nominated them is allowed, or they can nominate someone else. Maybe both.
  • All participants need to include these rules in their post, whether they’re nominees or picking nominees.
  • All participants should use the “Pick My Movie” banner or something similar in their posts.
  • Have fun!
The Pick My Movie Tag banner created by Rebecca from Taking Up Room and found on Realweegiemidget Reviews

1. The Christmas Choir (2008)

It’s been years since I’ve seen The Christmas Choir. From what I remember, I enjoyed this film! The cast as a whole is strong. Quality in acting talents and screenwriting allow the characters to come across as realistic and endearing. The Christmas Choir is one of Hallmark’s more unique Christmas titles, as it doesn’t follow a formula or contain a certain set of Christmas movie tropes and cliches. In fact, it’s surprising this film isn’t a Hallmark Hall of Fame production, as the story of a choir that started in a homeless shelter seems like the perfect material for that collection of movies. Another thing I remember about The Christmas Choir is the genuine good-heartedness the film exuded. As the Christmas season is on the horizon, this may be a movie I end up revisiting!

2. Hallmark Hall of Fame’s The Courageous Heart of Irena Sendler (2009)

I first talked about this film in my tier rank list of all the Hallmark Hall of Fame movies I’ve seen. In that list, I mentioned the film’s presentation, as the film itself felt like a theatrical release. However, that’s not the only strength The Courageous Heart of Irena Sendler contains. Historical accuracy is an element that Hallmark Hall of Fame productions have, more often than not, executed well. This film is no exception, as the movie appropriately reflects the story’s time period! Movies like The Courageous Heart of Irena Sendler make me wish Hallmark had created more period dramas. Yes, we have When Calls the Heart. But, to me, that feels like the exception to the rule.

3. Hallmark Hall of Fame’s A Smile as Big as the Moon (2012)

If you asked me to name a “space camp” movie, A Smile as Big as the Moon is the first one that comes to mind. As I said in my aforementioned tier rank list, this film is the perfect example of what a Hall of Fame title should be. I still stand by that statement, with the movie containing so many good components! Similar to The Christmas Choir, the strong acting performances and screenwriting brought to life characters that were worth rooting for. It was also interesting to see what it takes to be enrolled in space camp. The story’s messages and themes are just as relevant today as they were in 2012 or even the late 80s, when the story takes place. A Smile as Big as the Moon is a Hallmark Hall of Fame title that I consider a classic!

4. The Color of Rain (2014)

In my opinion, The Color of Rain is Lacey Chabert’s best film from Hallmark. One reason why is the story in this film is so different from those in Lacey’s other Hallmark movies. The Color of Rain does contain sadder moments, as both families are dealing with the death of a family member. But similar to films like Holly and Ivy, the movie’s creative team adopted a balance between sorrow and joy. It also helps how the cast’s acting talents were strong, as it allowed the characters to be memorable. The more I think about The Color of Rain, the more it feels like a Hallmark Hall of Fame title.

5. A Godwink Christmas: Meant for Love (2019)

Personally, I enjoyed this sequel in the “Godwink” series more than the first film. A Godwink Christmas: Meant for Love does a better job at explaining and showcasing what a “Godwink” is. Like Holly and Ivy and The Color of Rain, this movie’s creative team successfully balances joy and sorrow. I also think Cindy Busby’s portrayal of Alice is one of her best performances, as it is well-rounded and contained emotionality. In a year when Hallmark premiered new films weekend after weekend, A Godwink Christmas: Meant for Love was, to me, one of their stand-outs. I may have to seek out the other two films in this series.

Movie time image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/food”>Food photo created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Nominations

  • Jillian from The Classic Film Connection – A Hallmark Hall of Fame movie starring at least one “classic” film star
  • Rebecca from Taking Up Room – A vampire film released after 1960
  • Eric from Diary of a Movie Maniac – A made-for-TV movie from the 1990s
  • Andrew from The Stop Button – An underrated sports film
  • J-Dub from Dubsism – Another entry in the Movies Everybody Loves That I Hate series

Have fun at the movies!

Sally Silverscreen

The Conclusion to my 80s-tastic Mall-tacular Double Feature!

On By 18cinemalaneLeave a comment

The films I reviewed in this double feature, The Legend of Billie Jean and Night of the Comet, were referenced by Dan, from the Youtube channel, This is Dan Bell. Because both movies were classified as “mall movies”, I assumed at least one of these titles would primarily take place in a mall. But after I watched The Legend of Billie Jean and Night of the Comet, I discovered this was not the case, as both stories featured a mall for a very short amount of time. This made me reflect on the idea of movies being defined by a singular location and the inconsistency of that idea. As I’ve already said, Night of the Comet and The Legend of Billie Jean are labeled “mall movies”, despite their respective malls not being the story’s primary setting. Yet, I have never heard anyone call Phantom of the Megaplex a “movie theater movie”, even though more than fifty percent of that film takes place at the Megaplex movie theater. This can also be said about the “destination film”. Whenever a protagonist in a Hallmark movie travels to somewhere other than their small hometown, “destination film” is the distinction these titles are given. But by Hallmark’s logic, wouldn’t the Fast & Furious films be considered “destination films”, especially since, more often than not, the characters are shown traveling to destinations outside the United States? The idea of movies being defined by a singular location and its inconsistency is a fascinating one that might be covered in a future editorial or double feature!

Have fun at the movies!

Sally Silverscreen

Image by Freepik

If you want to read the other articles associated with this double feature, I’ll provide the links here:

The 80s-tastic Mall-tacular Double Feature Introduction!

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

Take 3: The Legend of Billie Jean Review (80s-tastic Mall-tacular Double Feature Part 2)

Take 3: Hallmark Hall of Fame’s The Corsican Brothers Review

On By 18cinemalane10 Comments

When I reviewed the 1982 Hallmark Hall of Fame movie, Witness for the Prosecution, back in July, I stated how I didn’t think I’d ever see the film. This was due to the movie’s lack of DVD or VHS release. But this is not the only Hallmark Hall of Fame production I didn’t think I would ever receive the opportunity to watch. One of these titles is the 1985 film adaptation, The Corsican Brothers. Similar to Witness for the Prosecution, the 1985 title didn’t receive a VHS or DVD release, as far as I know. Also similar to Witness for the Prosecution, I was able to locate the full movie on Youtube! Besides these similarities, both films star Donald Pleasence. In fact, Donald’s involvement in The Corsican Brothers is one of the reasons why I chose to review this film, as I’m participating in The Devilishly Delightful Donald Pleasence Blogathon!

The Corsican Brothers poster created by Hallmark Hall of Fame Productions, Norman Rosemont Productions, and CBS

Things I liked about the film:

The scenery: Within the movie’s introduction, there is a shot of the ocean surrounding Corsica. As the introduction continues, rocky terrains, rolling hills, and a city on a mountain are also showcased. The natural beauty of this island was captured well on film, making outdoor scenes visually appealing. When scenes took place in the town, quaint looking buildings met cobble stoned streets. A fountain was located in the town’s square. From a visual perspective, the town looked peaceful. It resembled Wanda’s hometown in the Hallmark Hall of Fame movie, In Love and War!

The historical accuracy: According to the film’s introduction, the story begins in 1820. Though the majority of the story revolves around Louis and Lucien’s life as adults, the film still takes place in the 19th century. While watching The Corsican Brothers, I was impressed by the historical accuracy shown on screen! Furniture is one example of this. In a scene where the camera pans over a section of a study room, a green embroidered chair with bolted upholstery was featured. An oil lamp was also included in the room. The windows boasted a lattice design, which highlighted an old-world charm to the titular characters’ home. These details provided a nice blend of the characters’ past and present!

The Devilishly Delightful Donald Pleasence Blogathon banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

The underutilization of Donald Pleasence: As I stated in the introduction, Donald Pleasence is one of the reasons why I chose to review this adaptation of The Corsican Brothers. As this is his second Hallmark Hall of Fame production I’ve seen and reviewed, I was eager to witness more of his acting talents. But, to my disappointment, Donald only appeared in about three and a half scenes. He did a good job with the acting material he was given. However, it made me wonder why he was cast in this movie in the first place, especially if the role didn’t allow his talents to be fully showcased?

Unexplained parts of the story:  I have never read this film’s source material. Despite this, I expected The Corsican Brothers to be like other adaptations of Alexandre Dumas’ stories; exciting tales full of adventure and intrigue. With the 1985 Hallmark Hall of Fame project, however, I was, more often than not, confused by what was happening on screen. At the beginning of the movie, a voice-over talks about how the region of Corsica is overruled by a multi-generational long vendetta. What this voice-over forgets to mention is how and why this vendetta started. From time to time, a mysterious woman appeared in Corsica, giving some of the characters fates. No explanations are provided for who this woman is or why she wants to get involved in the story’s events.

Little to no sense of urgency: In the adaptations of Alexandre Dumas’ stories I’ve seen, a common ingredient is a sense of urgency. Since there is a sense of adventure found in these stories, an added element of urgency gives the audience a reason to stay invested in the characters and their journey. With The Corsican Brothers, though, this sense of urgency was almost non-existent. I’d say about fifty percent of this movie showed Louis attending fancy events in Paris. Even when parts of the story were meant to be exciting, they either came across as anti-climactic or were not shown on screen. A good example is the trial in Paris that Louis is a part of.

Limited use of lighting: In a few scenes, events took place at night. But because of the limited use of lighting, it was difficult to see what was happening on screen. It got to the point where I couldn’t see characters’ faces. I am aware cinematic technology in the mid-80s was not as advanced as it is today, especially when it comes to made-for-tv films. Had the creative team of The Corsican Brothers incorporated a little more light to the nighttime scenes, it would have remedied the issue.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

When creating a book-to-film adaption, you should strive to create a movie that satisfies both the casual viewer and readers of the source material. As I stated in this review, I have never read The Corsican Brothers. Instead of being invested in the characters and their stories, I was, more often than not, confused by the events on screen. It felt like the creative team behind the movie expected the audience to have read the book prior to watching their presentation. Story related flaws are not the only flaws that stood out to me. Limited use of lighting made nighttime scenes difficult to see. The underutilization of Donald Pleasence also didn’t help. Not all Hallmark Hall of Fame movies are created equal, as some are bound to be better than others. Sadly, The Corsican Brothers isn’t one of the better ones.

Overall score: 5.5 out of 10

Have you seen The Corsican Brothers? What’s your favorite adaptation of Alexandre Dumas’ literary work? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: A Quiet Place Review + 445 Follower Thank You

On By 18cinemalaneLeave a comment

This month, 18 Cinema Lane received 445 followers! Therefore, a Blog Follower Dedication Review is in order! Since October is typically known as the Halloween season, I wanted to select a film that was appropriate for this time of year. But I’m also participating in Genre Grandeur, where the theme this month is ‘Movies Directed by the Main Actor/Actress’. So, as the title of this review says, I have chosen to write about A Quiet Place! Prior to this review, I had heard of the 2018 film. Mixed results are what I have heard; either viewers have loved the movie or they thought the story’s logistics didn’t make sense. I’ve also heard A Quiet Place is a horror film that thinks outside the box. This is another reason why I chose to review this movie, as I don’t often talk about titles from the horror genre.

A Quiet Place poster created by Platinum Dunes, Sunday Night Productions, and Paramount Pictures

Things I liked about the film:

The family dynamic: John Krasinski and Emily Blunt are two actors I am familiar with, primarily for their comedic performances. With John, I have seen clips of The Office, while one of Emily’s most notable performances was in The Devil Wears Prada. As I’ve said before on 18 Cinema Lane, I’ve seen more comedic actors successfully transition to dramatic acting. John’s and Emily’s performance definitely stuck the landing, as they were both able to convey a variety of emotions through facial expressions and body language! Portraying John and Emily’s on-screen children were Noah Jupe, Millicent Simmonds, and Cade Woodward. Adding their strong performances, the Abbott family had a really good family dynamic that felt believable and genuine. Toward the beginning of the film, Cade’s character, Beau, really wants a toy space shuttle. However, the toy makes noise, which is a no-no within the Abbott family’s world. Through sign language and facial expressions, John’s character, Lee, explains how Beau can’t have the toy. Beau’s response was a look of pure sadness and confusion on his face. Another memorable scene was when Regan refused a new cochlear implant. Throughout the film, Lee attempts to create a functioning cochlear implant for his daughter. When he gives Regan the implant, Lee is optimistic it will work this time, wide eyes and even a smile conveying this optimism. Regan is not impressed with the new implant, as she’s frustrated at the idea of another implant not working. She not only expresses frustration on her face, she even pushes away her father’s hand.  

The atmosphere: As I mentioned in my point about the family dynamic, noise is a no-no in the Abbott family’s world. That’s because unidentified extraterrestrial creatures have taken over their environment, destroying anyone or anything that makes noise. Right in the very first scene, the audience can see how these creatures have driven people away from a small town. It looks like what most people would call a “ghost town”; cars frozen in the street and leaves slowly blowing through the air. The store where the Abbott family visits appears to be an urban explorer’s dream. Natural light from the store’s windows provides the facility’s only source of light. Products are strewn on the floor, waiting for someone to finally pick them up. Cinematography and inclusion of light help create a film that feels very atmospheric!

Use of sound: Even though the Abbott family try to create as little sound as possible, the film itself was not devoid of sound. At various moments in the story, natural sound could be heard whenever the family traveled from place to place. One notable example is when Noah’s character, Marcus, and Lee walk near a river. Sounds could also be heard through headphones or earbuds. In a scene where Lee and Emily’s character, Evelyn, are slow dancing, Evelyn puts one of her earbuds in Lee’s ear. Not only can the song be heard through the earbud, the song is amplified so the audience can hear it too. It serves as a reminder how sound, even noise, plays a role in our lives.

Sunny autumn landscape picture created by Kotkoa at freepik.com. <a href=’https://www.freepik.com/free-photo/autumn-forest_1436222.htm’>Designed by Kotkoa</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Kotkoa – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A film that doesn’t feel like a horror film: Like I said in my introduction, A Quiet Place is a horror film. Even the poster bears the hallmarks of a typical horror production. But, to me, A Quiet Place didn’t feel like a horror movie. Sure, there were terrifying moments in the story. But, if anything, the film felt like a dystopian/apocalyptic film with sci-fi elements. As I watched A Quiet Place, it reminded me of a more creative version of Signs.

Questions that are left unanswered: While I appreciate the film’s creative team respecting the audience’s intelligence, there were some questions I wish were answered. For instance, why did the Abbott family choose not to wear shoes? During Lee and Marcus’ hike, they cross paths with an elderly couple. Who were they and why did the elderly man want the creatures to capture him? Couldn’t the couple join the Abbott family and seek safety together?

The science’s confusing logic: As Marcus and Lee attempt to catch fish in a river, Lee explains how it’s ok to make small sounds. While big sounds are bad, they can be cancelled out with bigger sounds. With this logic in mind, why aren’t the extraterrestrial creatures congregating near the river? Why would they even bother trying to capture people, animals, and objects that make noise? Statements like Lee’s made the story somewhat confusing.

Sign language alphabet image created by Freepik at freepik.com. Hand sign vector created by freepik – www.freepik.com

My overall impression:

Before I share my overall impression of A Quiet Place, I’d like to thank all of 18 Cinema Lane’s followers! You are the reason why I continue to write and publish so many Blog Follower Dedication Reviews! Now, on to my thoughts on A Quiet Place. I will admit this is a fine, ambitious film that is one of the more unique titles of this nature. However, some aspects of the project could have been stronger. Like I said in my review of Night of the Comet, you need to explain the science in your science fiction story, especially in a way that satisfies the audience. While some of the science in A Quiet Place was explained, other parts of the story were confusing. The movie, to me, felt less like a horror movie and more like a dystopian/apocalyptic film with sci-fi elements. This makes the film’s marketing, as well as its horror classification, somewhat misleading. I am aware there is a sequel to A Quiet Place. Because I thought the movie was just fine, I’m not rushing to see the sequel anytime soon.

Overall score: 7 out of 10

Have you seen A Quiet Place? What movie do you like to watch around Halloween? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Harvey (1972) Review

On By 18cinemalane12 Comments

One of the first movies I reviewed this year was the 1950 film, Harvey. Since publishing my review back in January, that movie has become the most disappointing one I’ve seen this year, so far. Jillian, from The Classic Film Connection, recommended I give this story a second chance by checking out the 1972 Hallmark Hall of Fame production. Since this title is a remake and since I’m participating in The “Take Two!” Blogathon (which focuses on remakes), I found the perfect opportunity to watch this movie! When I reviewed 1950’s Harvey, I questioned what the point of the story was. This is because I was confused by what the movie’s creative team was trying to say through their project. Will I be less confused by the 1972 adaptation? Keep reading if you want to find out!

Harvey (1972) poster created by Foote, Cone and Belding Productions, Hallmark Hall of Fame Productions, Talent Associates-Norton Simon, and National Broadcasting Company (NBC)

Things I liked about the film:

Changes from the original film: As I said in my review of the 1950 film, there were things about Harvey I didn’t like. One of them was the medical negligence Veta experiences at Chumley’s Rest. In the 1972 version, that specific scene plays out differently. When Veta is being interviewed by Dr. Lyman Sanderson, he notices how distressed Veta appears. Her body language, tone of voice, and tears are noted by the doctor as he listens to what Veta has to say. This leads Dr. Lyman to admit Veta into the hospital for her well-being. The mix-up is presented as an example of good intentions leading to bad results. The film’s dramatic tone also helps elaborate how terrifying Veta’s experience would be.

A sense of magical realism: An element I thought was lacking in the 1950 version of Harvey was a sense of ‘magical realism’. Because the story featured a 6 foot 3 ½ inch, invisible white rabbit, I thought that aforementioned element would be automatically included in the film. In the 1972 adaptation, there was a stronger sense of ‘magical realism’ within the overall story. At the hospital, a hat with two holes on top is found in Dr. Lyman Sanderson’s office. The staff question who this hat could possibly belong to. Since the holes on the hat would allow rabbit ears to stick out, the hat itself implies Harvey does exist. This along with other strange occurrences in the story show how the film’s creative team put more effort into including ‘magical realism’.

The acting: When I reviewed the 1950 version of Harvey, I talked about James Stewart’s portrayal of Elwood P. Dowd, saying it was “laid-back” and “somewhat philosophical”. Reprising this role in the 1972 version of the story, James brought these same elements to his performance. But this time, his portrayal of Elwood reminded me of Mister Rogers from Mister Rogers Neighborhood. What I mean by this is Elwood came across as the type of man you’d want to spend hours having a conversation with. Elwood’s approachable and pleasant persona make him such a fascinating individual. If Elwood P. Dowd existed in the real world, I’d like to think he’d come up with an interesting TED Talk!

Despite appearing in the film for a limited period of time, I liked Madeline Kahn’s portrayal of Nurse Ruth Kelly! Her pleasant on-screen personality allowed her to stand out and give a memorable performance! Her interactions with the other characters also came across as realistic. After Veta was admitted to the hospital, Dr. Lyman has difficulty finding her. In a state of panic, he thinks Veta escaped. Sensing Dr. Lyman’s panic, Ruth becomes concerned. Her face has fallen from the smile she usually carries and her tone of voice contains a sense of dread. There’s even an ounce of timidness to her overall demeanor. Scenes like this one make me wish Madeline was given more on-screen appearances.

The “Take Two!” Blogathon banner created by Annette from Hometowns to Hollywood

What I didn’t like about the film:

Most of the story being rehashed: When creating a remake of a pre-established story, it’s important to do two things: respect the source material that came before your project and bring your own voice to the table. In the case of Hallmark Hall of Fame’s version of Harvey, more emphasis was placed on respecting the original film. While this idea isn’t a bad one, the 1972 movie’s creative team didn’t allow themselves to create a unique identity for their project. The sets in this film looked almost exactly like they did in the 1950 film. The story, more often than not, followed the 1950 movie’s narrative, making very few deviations. While watching the 1972 version of Harvey, I wondered, at times, why this remake exists?

A televised version of a play: In my review of Hallmark Hall of Fame’s Foxfire, I talked about how that title felt more like a televised play. This is because the 1987 film contained a smaller cast and a condensed story. The 1972 adaptation of Harvey also felt like a televised version of a play. Fewer locations are a reason why. In the 1950 version, Elwood is shown taking Harvey to Charlie’s Pub. Elwood simply recalls this experience in the 1972 version. What’s also important to note is how the 1972 story takes place in either the hospital or the Dowd family home.

The underutilization of Betty Chumley: At one point in the 1972 story, Elwood makes plans with Dr. Chumley’s wife, Betty, to meet at Charlie’s Pub and share drinks. But because this trip was never shown on-screen, Betty received one less on-screen appearance. Within the story, she only appeared in two scenes. Personally, I think Betty should have had a stronger significance in the film.

Collection of white rabbit images created by freepik at freepik.com Hand drawn vector created by freepik – www.freepik.com

My overall impression:

After publishing my review of the 1950 version of Harvey, Jillian, from The Classic Film Connection, explained how the story’s point was “about the right to be uniquely yourself and live life on your own terms”. Now that I’ve seen the 1972 version of this story, I think the Hallmark Hall of Fame film did a better job at executing this idea. What worked in the movie’s favor was how the story was just a drama instead of trying to be both a drama and comedy. Scenes like Veta’s hospital admittance elaborated how terrifying her situation would be. There was also a sense of ‘magical realism’, something I thought was lacking in the 1950 film. However, the majority of the 1972 movie was a copy of the 1950 movie. In 1993, Hallmark Hall of Fame released the film, To Dance With the White Dog. Based on what I know about the story, it sounds like a version of Harvey. But this time, a man sees a white dog only he can see. Maybe I’ll write about that movie in a future review.

Overall score: 6.1 out of 10

Have you seen any version of Harvey? Are there any Hallmark Hall of Fame movies you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Legend of Billie Jean Review (80s-tastic Mall-tacular Double Feature Part 2)

On By 18cinemalane3 Comments

Hello and welcome to the second part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for The Legend of Billie Jean. If you’re interested, you can check out the double feature’s introduction and first part at these links:

The 80s-tastic Mall-tacular Double Feature Introduction!

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

The Legend of Billie Jean poster created by Delphi III Productions, The Guber-Peters Company, and Tri-Star Pictures

1. How were you introduced to The Legend of Billie Jean?

Before I started watching Dan Bell’s Dead Mall series, I had heard of The Legend of Billie Jean. It wasn’t until I saw the video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, that my interest in the film piqued. In this 2016 video, Dan uses clips from The Legend of Billie Jean to compare how Sunrise Mall looks in the 21st century. He even discusses the history of the mall itself.

2. As of 2022, what is the state of the Sunrise Mall?

The portions of the mall that were featured in Dan’s video permanently closed in 2019. Only three tenants are still standing, which are connected to the mall’s exterior.

3. What role did the Sunrise Mall play in The Legend of Billie Jean?

In The Legend of Billie Jean, the Sunrise Mall was called ‘Ocean Park Mall’. It was the place Billie Jean agreed to meet the police in order to accept the money. Prior to this arrangement, Billie Jean’s brother, Binx, had his scooter destroyed. Billie Jean and her friends turn to the police with little success. She even tries to acquire the money to repair Binx’s scooter. One thing leads to another, causing Billie Jean, Binx, and her friends to run from the law. When Billie Jean arrives at Ocean Park Mall, she thinks she’ll finally get the money. But those plans don’t work out, with a chase scene ensuing.

4. Why do you think the Sunrise Mall was in the film for a short amount of time?

The Legend of Billie Jean is an expansive narrative, similar to Night of the Comet. As I said in answer number three, Billie Jean, Binx, and her friends go on the run. Because of this, the characters are not going to stay in the same place for an extended period of time. Around the filming and release of The Legend of Billie Jean, the Sunrise Mall was a business that relied on daily revenue and foot traffic. Therefore, the mall could only allow filming to take place within a certain time period.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

Like I mentioned in answer number three, the film’s conflict started because Binx’s scooter was destroyed. After the scooter was stolen by a neighborhood bully named Hubie, Binx’s attempt to retrieve it resulted in him getting beaten up by Hubie and his friends. This is when Billie Jean decided more needed to be done to help her brother. Billie Jean and Binx reminded me of Regina and Samantha from Night of the Comet. Both pairs of siblings are prominently featured in their respective story, with each pair trying to make the best of a complicated situation. Throughout each film, both sibling pairs appear to get along well with each other, displaying a good sense of camaraderie.

Money image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/bills-and-coins-in-isometric-design_1065328.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about The Legend of Billie Jean you liked or didn’t like?

A pleasant surprise while watching The Legend of Billie Jean was the discovery of mixed media! Throughout the film, voice-overs from a radio station were heard. A newspaper would appear in the story from time to time. Video footage of Billie Jean also made an appearance in the story. The inclusion of mixed media led to creative and interesting ways it was used in the movie. Radio station voice-overs featured calls from listeners, sharing their support for Billie Jean and her cause. Newspaper articles shared details to progress the story forward, from the health status of Hubie’s father to the identity of Lloyd. In an effort to clear her name, Billie Jean, Binx, and her friends create a video and give copies to the police and various tv stations. Mixed media allowed the movie to receive a unique and memorable identity!

The majority of this story focused on the conflict of how Billie Jean, Binx, and her friends would obtain the money to repair Binx’s scooter. Billie Jean received the most character development, as she is the titular character. While I thought the story was interesting and while I liked Billie Jean as a character, I wish some of the other characters had received more character development. Toward the beginning of the film, one of Billie Jean’s friends, Putter, is watching a female wrestling match on tv. When she learns of Billie Jean’s plan to report Binx’s stolen scooter, Putter eagerly looks forward to this excursion to the police station. As I was watching the movie, I was curious about Putter’s interest in going to the police station and watching wrestling on television.  Unfortunately, these parts of the story were not explained.

7. Did you develop any thoughts and/or questions while watching this film?

While I didn’t develop any questions, I did notice some interesting coincidences. During my viewing of The Legend of Billie Jean, I learned the movie was a “modern” Joan of Arc story. After Billie Jean, Binx, and her friends break into Lloyd’s house, Lloyd introduces them to the story of Joan of Arc. Billie Jean is so inspired by what Lloyd told her, she decides to cut her hair short to reflect Joan’s appearance. There’s even a parallel between Joan of Arc getting burned at the stake and a statue of Billie Jean getting burned in a fire toward the end of the movie. Now here’s where the interesting coincidences come in. Last year, I reviewed the Touched by an Angel episode, “The Spirit of Liberty Moon”. That episode was not only a “modern” Joan of Arc story, Bai Ling’s character was named Jean. Yes, I know the name, Jean, is Billie’s middle name. But according to Jean’s friend in “The Spirit of Liberty Moon”, Jean is the French version of Joan. Plus, I reviewed both the Touched by an Angel episode and The Legend of Billie Jean in October.

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected The Legend of Billie Jean or teenagers from that time?

Imagine, once again, you’re a teenager in the 1980s. You have so much to be thankful for, from a family that loves and supports you to that new set of wheels you just got as a gift. But, sometimes, you think life can be a little unfair. On your way home from school, you see a homeless person on a street corner, asking for money or even a sandwich. A flyer appears in your family’s mailbox from time to time, asking for food bank donations. No matter how respectful you are to the homeless person on the street corner or how many donations you take to the food bank, you wonder if your efforts are enough to truly make a long-lasting impact. Then, you hear about an event called Hands Across America. Everyone is talking about it, from your next-door neighbor to the cashier at your local grocery store. There’s even an assembly at your school about the event. The more you think about Hands Across America, the more you realize there are other people that have the same thought as you do: try to make the world a better place than how you found it.

Hands Across America was not mentioned in The Legend of Billie Jean. In fact, the event took place a year after the film was released. But there was one scene that reminded me of this piece of ‘80s history. While Billie Jean, Binx, and her friends are on the run, a group of children ask for Billie Jean’s help. They lead her to a house where one of their friends is being physically abused by his father. The small group grows larger as Billie Jean makes her way to the house. Binx and Billie Jean’s friends eventually join the group, adding their support for Billie Jean’s mission. Now you’re probably wondering, “What does this scene have to do with Hands Across America”? Well, it’s the idea of people from all walks of life coming together to support a common goal. In the case of The Legend of Billie Jean, those children, plus Billie Jean, Binx, and her friends, shared the same idea: save the young boy from his abusive dad. Before Billie Jean succeeded in her rescue effort, the large group of children circled around the boy’s house, intimidating the boy’s father. The film itself, as well as Hands Across America, showed teenagers at that time there were other teens who shared their same goals and dreams.

9. A lot has changed since the release of The Legend of Billie Jean. Have you come across any recent pieces of media that prominently feature a mall?

After breaking into Lloyd’s house, Billie Jean discovers a room upstairs. In this room, there are Halloween masks, security monitors, even video equipment. The room itself could make any Halloween costume store jealous, with dim lighting, candles, and cobwebs adding to the room’s eerie atmosphere. Even the build-up to the room’s discovery was straight out of a horror movie, as a costumed Lloyd follows Billie Jean. Later in the film, it is discovered Lloyd is a member of his school’s drama club, explaining why the aforementioned room contained so many costumes.

The scene I just described reminded me of a Hallmark film titled hoops&yoyo’s Haunted Halloween. In this animated film, the protagonists, Hoops and Yoyo, along with their friend, Piddles, go Halloween costume shopping at their local mall. During their trip, they become locked inside the mall after hours. I’ve only seen pieces of this 2012 movie. But based on what I have seen, the film is more spooky than scary. However, I do think it’s an interesting coincidence how both hoops&yoyo’s Haunted Halloween and The Legend of Billie Jean feature a mall in their respective story.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling The Legend of Billie Jean a “mall movie” is, in my opinion, a bit of a stretch. Similar to Night of the Comet, the Sunrise Mall was featured in only a few scenes. If anything, The Legend of Billie Jean is a “coming of age” story, as Billie Jean, Binx, and her friends experience personal growth over the course of the film. I liked The Legend of Billie Jean more than Night of the Comet. The story in the 1985 movie was pretty straight forward, making the film easier to follow. It was also interesting how mixed media was incorporated into the story. The Legend of Billie Jean is a fine, competently made film, complete with its own merits and flaws. The film’s message of how “fair is fair” is just as relevant now as it was in 1985, allowing the movie to be a more timeless title.

Image by Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

On By 18cinemalane3 Comments

Hello and welcome to the first part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for Night of the Comet. If you’re interested, you can check out the double feature’s introduction at this link:

The 80s-tastic Mall-tacular Double Feature Introduction!

Night of the Comet poster created by Thomas Coleman and Michael Rosenblatt Productions, Film Development Fund, and Atlantic Releasing Corporation

1. How were you introduced to Night of the Comet?

At the beginning of Dan’s video, ‘DEAD MALL SERIES : Back to the 80s : The Gallery in Philadelphia (Hologram Plaza – Disconscious)’, the scene where Regina and Samantha, the film’s protagonists, go to the mall is included in the introduction. That scene is spliced with Dan’s footage of The Gallery in Philadelphia, as the song, Enter Through the Lobby by Disconscious, plays over the images. In Dan’s video, ‘DEAD MALL SERIES : Best Fountain in the US : Burlington Center Mall NJ **CLOSED**’, he brings up several of his favorite “mall movies”. One of these movies is Night of the Comet.

2. Was Night of the Comet filmed in a mall? If so, which one?

According to a Youtube comment, Night of the Comet was filmed at Bullocks Wilshire. Upon further research, I learned it was a high-end, Los Angeles department store, complete with its own tea room. As of late 2022, the building is owned by Southwestern Law School.

3. What role did the mall play in Night of the Comet?

Before Regina suggests she and Samantha go to the mall, their world had been turned outside down. Most of the population had either been disintegrated into dust or turned into a zombie, due to the aftermath of the titular comet. The sisters are at their wits end, desperately trying to not only defend themselves, but also trying to find answers. After Samantha tearfully confesses how a guy from her class was going to ask her out on a date, Regina sees going to the mall as an opportunity to get their minds off the confusion surrounding them.

4. Why do you think the mall was in the film for a short amount of time?

When Dan Bell referred to Night of the Comet as a “mall movie”, I assumed the mall would play a significant role in the story. I even predicted the mall would play a bigger role in Night of the Comet than in The Legend of Billie Jean, as I thought the story would primarily take place in one location. But the 1984 title is a more expansive narrative. Not only is the aftermath of the comet more widespread, there are more locations for the characters to explore. While Regina and Samantha’s mall excursion was fun to watch, it was interesting to see the comet’s effects on other locales, like the local movie theater and a mysterious science headquarters.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

I haven’t seen The Legend of Billie Jean yet. But based on the introduction of Dan’s video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, I can safely assume a shared idea between The Legend of Billie Jean and Night of the Comet is younger characters taking matters into their own hands. As I mentioned in answer number three, Regina and Samantha are at their wits end, as they desperately try to defend themselves and figure out what is truly going on. Since there are very few people to turn to, they rely on themselves and each other, proving they are capable of anything they set their mind on. Through strength, resilience, and adversity, Regina and Samantha become the embodiment of Christopher Robin’s quote:

“You’re braver than you believe, stronger than you seem, and smarter than you think.”

Colorful galaxy image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/lovely-hand-drawn-galaxy-background_2943080.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about Night of the Comet you liked or didn’t like?

Based on the synopsis and Dan’s thoughts on Night of the Comet, I knew the protagonists were described as “valley girls”. But I didn’t know what to expect from Regina and Samantha. When I watched the movie, though, I adored these characters, as they were so endearing! In fact, they’ve become two of my favorite characters from film! Part of this is due to Catherine Mary Stewart’s and Kelli Maroney’s performance. Through their well-rounded portrayals, Catherine and Kelli carried this film, making it worth the price of admission. No matter what their characters experienced, their expressions and reactions felt realistic. Even the on-screen camaraderie was believable, successfully selling the idea Regina and Samantha were sisters. According to Wikipedia, Thom Eberhardt, Night of the Comet’s director, asked teenage girls how they’d respond to a large-scale catastrophe while working on PBS specials. The answers he received were used as inspiration for the film’s script, adding to Regina and Samantha’s believability.

When creating a science fiction story, you need to explain the science in a way that satisfies the audience. Even if the science was made specifically for the story, you still need to provide a logical explanation. With Night of the Comet, though, most of the science was left unexplained. There were also parts of the story that were under-utilized. At the beginning of the movie, Regina is playing an arcade game. She discovers a gamer named “DMK” has beaten her high score. Not only does Regina attempt to beat “DMK”’s high score, she wonders who “DMK” is. While the audience learns the identity of “DMK” (a random survivor named Danny, who used his initials to record his high score), this part of the story was forgotten about until the end of the movie. To me, this was a missed opportunity. Regina could have used her video game/arcade game skills to save the day. She and “DMK” could have met face-to-face earlier in the story, setting aside their differences to recruit more survivors to safety. But, alas, it just wasn’t meant to be.

7. Did you develop any thoughts and/or questions while watching this film?

As I said in answer number six, most of the science was left unexplained. While watching Night of the Comet, I found myself more confused than entertained. I’ll list some of the questions I had after I saw the movie, as I don’t want this review to become even longer than it already is:

  • Why did the effects of the comet cause some people to disintegrate into dust while causing others to become zombies?
  • Why exactly did steel protect Samantha, Regina, and the other survivors from the comet’s effects?
  • How did Brian and Sarah survive? Where did they come from?
  • Why did Willy and his gang of zombies possess more intelligence than other zombies the survivors encountered?
  •  What was the mission of the scientists? Were they trying to save or harm humanity?
  • Why did Audrey White go rogue? Was she a zombie?

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected Night of the Comet or teenagers from that time?

Imagine you’re a teenager in the 1980s. You’ve got a lot of your plate as it is, from trying to pass your upcoming math test to figuring out how you’re going to get that latest album from the music store. But from time to time, you hear about this thing called The Cold War. That phrase puts a concerned look on your parent’s face as they drive you to school. You hear about it on the news, with the President pleading to “tear down that wall”. Even your favorite tv show is bringing it up. The Cold War seems to be everywhere. You wish there was something you could do to end this conflict. But because you’re just a teenager, you feel powerless, like there’s not much you can do. As you’re reading this, you’re probably wondering, “What does The Cold War have to do with Night of the Comet”? Even though The Cold War isn’t brought up in the story, it was present around the time of the film’s release. And yes, the film is meant to be a form of escapism. However, through Regina and Samantha’s adventures, teenagers at that time could see there were things within their control they could do.

9. A lot has changed since the release of Night of the Comet. Have you come across any recent pieces of media that prominently feature a mall?

For this answer, I’m not going to bring up a piece of media. Instead, I’ll talk about an experience, as it makes more sense with Night of the Comet. In the U.K., there is a company called Zombie Experiences, providing customers with the opportunity to explore abandoned locations and defeat zombies. One of those locations was a mall. But according to Zombie Experiences’ website, this experience ended in February 2018. They did re-locate this particular experience to a shopping complex. However, on Zombie Infection’s website, it will end this December. There are two other shopping mall experiences offered, but they seem inactive at the time of this review’s publication.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling Night of the Comet a “mall movie” is, in my opinion, a bit of a stretch. This is because the mall only appears in a few scenes. If I had to call Night of the Comet anything, I’d call it an “alternative Christmas film”. The story takes place around Christmastime, but doesn’t rely on the tropes and clichés typically found in Christmas movies. Like I said in answer number seven, I was more confused than entertained by Night of the Comet. After watching this film, I was left with more questions than I planned to have. But one of the reasons why I kept watching was Catherine’s and Kelli’s performance. I also think the story itself contained interesting ideas. Overall, I think Night of the Comet is an ok film with some bright spots.

Image by evening_tao on Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Kyoko/Because of You Review

On By 18cinemalaneLeave a comment

Kyoko/Because of You is a movie I first planned to review back in May. But as I explained in my review of The Pit and the Pendulum, my DVD copy of Kyoko/Because of You didn’t arrive in time for the blogathon I was participating in. Thanks to this month’s Genre Grandeur, I now have an excuse to finally check this movie out! ‘New York Films That Take Place Prior to 9/11’ was selected for September’s Genre Grandeur theme. Not only was Kyoko/Because of You released in 1996, the protagonist takes a trip to New York. When I first came across this movie on IMDB, the synopsis immediately caught my attention. It sounded heartfelt, almost like a Hallmark Hall of Fame production. Since this movie is a lesser-known title, it gave me a chance to try to find a hidden gem!

Kyoko/Because of You poster created by Concorde-New Horizons

Things I liked about the film:

The acting: I’m not familiar with Saki Takaoka’s filmography. Despite this, I thought her portrayal of the titular character was pleasant to watch! From scene to scene, Saki displayed genuine emotion. One great example is when Jose is telling her about a lampshade his mom loved. When the scene begins, Kyoko has a smile on her face, happy to be spending time with her mentor. But as Jose is sharing his story, Kyoko’s face slowly falls, highlighting just how sad his story is. At the end of Jose’s story, Kyoko smiles again and tells him she’ll help find this lampshade, making her response bittersweet.

Kyoko’s mentor, Jose, is portrayed by Carlos Osorio. For the majority of the film, Jose is dealing with the effects of not only AIDS, but also Dementia. Despite these struggles, the humanity of this character shown through, thanks to Carlos’ acting talents. Before Kyoko leaves to purchase a souvenir, Jose asks to keep the van door open, as he wants to feel the breeze. Jose’s face has a wistful look about it, like he is reminiscing on simpler times. When Kyoko returns, Jose is angry at a young man named Angel. He not only yells at Angel, Jose also uses his cane to protect himself.

While in New York, Kyoko meets a limousine driver named Ralph. Portrayed by Scott Whitehurst, Ralph was one of the best characters in this movie! He was so charismatic and such a good friend to Kyoko. During their first interaction, Ralph encourages Kyoko to take a ride in his limousine. Using charm to his advantage, Ralph’s encouragement sounded more like a sales pitch. Despite this, the pleasant demeanor and friendliness of Scott’s body language and facial expressions indicated his good intentions.

Various sides of New York: In any movie taking place in a well-known, beloved location, there are two angles a creative team can take their project: glamourize and glorify it or show the not-so-pretty sides of that location. When it came to New York in Kyoko/Because of You, the presentation of New York seemed balanced. Yes, there is a shot of Radio City Music Hall. But well-known landmarks were not the only places featured in this part of the story. While looking for Jose, Kyoko visits a dance studio and a local bar. While the dance studio visit was brief, the local bar is where Kyoko shows off her dance skills. Since New York is such a large city, it hosts a landscape of multiple restaurants and cultural hubs. The film shows how various communities can make their home in the Big Apple.

The soundtrack: Throughout the film, Latin tunes can be heard in the background. While the tunes themselves were pleasant, I liked how they contained a strong connection to the story. Jose is from Cuba, sharing through a voice-over how dancing plays a huge role in his culture. Both Jose and Kyoko are Latin dancers, with the music emphasizing their shared interest. What’s also good about the music is its consistency, as Latin music was the principal sound for this movie.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Dancing has a limited presence: In the synopsis for Kyoko/Because of You, it states Jose taught Kyoko to dance when she was younger. With that in mind, I was expecting dance to be one of the film’s key themes. Sadly, there wasn’t much dancing within the story. In this hour and twenty-five-minute movie, there were two dance solos and three duets. Even though this film wasn’t a musical, I still found this disappointing.

The bait-and-switch: Because Kyoko travels to New York and because the New York City skyline is featured on the film’s poster, I assumed the majority of the story would take place in New York City. Even though the Big Apple is featured in the movie, only about a third of the film is set there. The rest of the movie becomes a road trip story, with some shots of a moving vehicle used as padding. Since I watched this film partly because of its New York City backdrop, this was somewhat misleading.

Drawn out scenes: As I just mentioned, some shots of a moving vehicle were used as padding. They were also used to satisfy the film’s run-time. One example is when Kyoko is driving out of New York. In this shot, she is driving her vehicle on a bridge, which lasts for about thirty seconds. Scenes like that one should have been cut shorter, giving more time to the plot.

Image of ballerina preparing to dance created by Pressfoto at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by pressfoto – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

The story of someone reconnecting with their mentor could be heartwarming. While that potential was there for Kyoko/Because of You, it didn’t contain as much heart as I expected. The majority of this story focused on the road trip instead of the bond between Kyoko and Jose. Yes, I know Jose was experiencing Dementia. But it seems like the road trip, from a story-telling perspective, tried to make up for Jose’s disintegrating memory. The acting performances were nice to watch. I also enjoyed the dance routines. However, I wish dance had been a key theme in this movie. New York is such a diverse landscape, especially when it comes to dancing. Therefore, this felt, to me, like a missed opportunity. I’m glad I finally got a chance to review Kyoko/Because of You. But it’s not the hidden gem I thought it could be.

Overall score: 6.1 out of 10

Have you seen Kyoko/Because of You? Which ‘dance films’ do you like? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Anna and the King Review

On By 18cinemalane9 Comments

I know what you’re thinking, “What does Anna and the King have to do with the number five”? Well, I’m glad you asked! As Rebecca has stated in the announcement post for the Fifth Broadway Bound Blogathon, all entries had to have something to do with the number five, to commemorate the event’s fifth anniversary. For my selection, Anna and the King, which stars Bai Ling, was released in 1999, five years after The Crow premiered. From what I’ve heard, The Crow was Bai Ling’s first American/English film. Last year, when I reviewed the 1956 adaptation of The King and I, I mentioned Anna and the King was a non-musical version of the story. As I write this review, I realize I haven’t seen many non-musical film adaptations of musicals. Sure, I’ve heard of these types of productions. But, off the top of my head, a non-musical adaptation doesn’t immediately come to mind. So, with this review, I will expand my cinematic horizons!

Anna and the King poster created by Fox 2000 Pictures, Lawrence Bender Productions, and 20th Century Fox

Things I liked about the film:

The acting: Anna and the King is a drama film with a more serious tone. Therefore, Jodie Foster’s portrayal of Anna is sterner in nature. However, Anna also comes across as being fair. A great example of this is when she is disciplining both her son and King Mongkut’s eldest son. In the evening, when the royal family is bringing Anna dinner, Jodie presents a mild-mannered sweetness that feels genuine. As she’s realizing the dinner is for her and not King Mongkut’s son, Anna never displays any meanness toward her student, as she truly wants to teach him a valuable lesson. King Mongkut himself is also a stern, yet fair character. Chow Yun-fat balances the seriousness and loving sides of his character consistently throughout the film. In one of their many conversations, King Mongkut is asked by Anna if his wives ever get jealous of one another. Even though this question is a personal one, King Mongkut never appears offended. Instead, his calm, collected, and approachable demeanor make the conversation less awkward than it could have gotten. One of these aforementioned wives is Tuptim. Portrayed by Bai Ling, Tuptim is an emotional character that expresses herself in subtle ways. It’s not until she faces a life-or-death moment where more of her emotions are drawn forward. While I won’t spoil Anna and the King for those of my readers who might be interested in seeing it, Bai delivers on the emotional intensity needed for a moment like the one I just mentioned. But even outside of that moment, Bai knows how to use emotion in her and her character’s favor.

The set design: Anna and the King is a beautiful looking film! One of the reasons why is its set design. Everywhere you look, exquisite detail and impressive structure helped elevate the world around Anna and King Mongkut. The royal family takes a trip in a massive river boat. This boat was a deep blue with gold etched artwork. At the head of the boat, a set of giant golden dragons adorn this beautiful mode of transportation. On the walls of King Mongkut’s palace, a full-length mural consistently coats the interior perimeter of rooms and even a hallway. The mural itself appears painted, depicting the natural landscape of Siam. Smaller elements like the ones I mentioned added to the overall beauty of the set design!

The costume design: Similar to the 1956 adaptation, the costume design in Anna and the King was simply elegant! One notable example was Anna’s reception gown. At this event, Anna wore a full length, white gown. The off the shoulder bodice and sparkly skirt was not only eye-catching, it also felt reminiscent of Belle’s gown from the 1991 animated film, Beauty and the Beast. At this same reception, King Mongkut’s wives also wear beautiful gowns. Tuptim’s was especially pretty, a simple yet classy red dress. What also complimented Tuptim’s ensemble was a sparkly gold and bronze crown that adorned her dark hair. The exquisiteness of the costume design carried the spirit of The King and I story!

The Fifth Broadway Bound Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

The war story-line: Because Anna and the King is a non-musical version of The King and I, there needs to be something to replace the musical numbers. In the 1999 adaptation, that replacement was a subplot about a war between the Siamese and the Burmese. While it was interesting to explore the tense side of ruling a country, I found this subplot to be the weakest one. That subplot was drawn-out, getting resolved at the very end of the movie. With the run-time being two hours and twenty-eight minutes, the war story-line felt longer than it really was.

Under-utilized characters: Anna and the King contains a larger cast of characters. Therefore, some of them are bound to receive less screen-time than others. Tuptim was, once again, one of those characters. After seeing how under-utilized Rita Moreno’s talents were in the 1956 adaptation, I was hoping Bai Ling would receive more screen time. Sadly, she only appeared in a handful of scenes. In the 1956 adaptation, Tuptim created a play based on Uncle Tom’s Cabin, giving her a reason to stay on screen a little bit longer. Because there is no Uncle Tom’s Cabin play in the 1999 adaptation and because only King Mongkut’s oldest son reads Uncle Tom’s Cabin, Tuptim, in Anna and the King, has less reasons to stay on screen.

No musical Easter eggs: Before I wrote this review, I was well aware Anna and the King was not a musical film. But because the film is an adaptation of a musical, it was a missed opportunity to not include musical related Easter eggs. In the 1956 adaptation, King Mongkut says “Et cetera, et cetera, et cetera” on multiple occasions, whenever he had something important to say. In the 1999 adaptation, however, King Mongkut never says the aforementioned quote. One of the songs from the 1956 adaptation is ‘Shall We Dance?’. During both versions of this story, King Mongkut and Anna dance with one another. However, it would have been nice to hear one of them say “shall we dance.”

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

Anna and the King is a fine, competently made film. The movie’s creative team clearly knew what they doing, displaying the clear direction they wanted to take their adaptation. But compared to the 1956 musical, I find myself liking the musical more. Without the musical numbers, it feels like the story is missing something. Even though the 1999 adaptation found a replacement for the lack of musical numbers, I was wishing they hadn’t been omitted. I would have even accepted Easter eggs related to the musical, such as quotes from the songs woven into the dialogue. But despite its shortcomings, Anna and the King does attempt to make meaningful changes that were not in the 1956 musical. One of these changes is giving Anna’s son, Louis, and some of King Mongkut’s children their own unique personalities and a little more involvement in the overall story. As for Bai Ling’s involvement in the film, I wish she was given more on-screen appearances. But because Anna and the King is based on The King and I, which also showed Tuptim in only a handful of scenes, maybe I was naïve to think more material was available?

Overall score: 7.2 out of 10

Have you seen Anna and the King or The King and I? Can you think of any musicals that received a non-musical adaptation? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

‘Redwood Curtain’: From Stage to Screen

On By 18cinemalane11 Comments

The Hallmark Hall of Fame adaptation of Redwood Curtain is based on a Broadway play. It was also released in 1995. With these facts in mind, I found Redwood Curtain to be the perfect subject for the Fifth Broadway Bound Blogathon. Prior to this event, I saw the movie and read the play. This lent itself to an interesting idea. Discussions about film adaptations often feature films adapted from books, short stories, or poems. Movies born from plays aren’t often included in the conversation. So, I decided to write an editorial highlighting the similarities and differences between the Redwood Curtain play and film. This article contains spoilers for the story of Redwood Curtain.

The Fifth Broadway Bound Blogathon banner created by Rebecca from Taking Up Room

Movie-Exclusive Characters

On the stage, Redwood Curtain contains three characters: Lyman, Geri, and Geneva. While there are other characters in the story, they’re only mentioned within the dialogue. Geri’s father, Laird, is one of these characters. According to the script, Laird was a desk-jockey lieutenant in the Vietnam War. This means he “didn’t see a day’s fighting, to come completely unglued in the war.” Laird taught Geri how to play the piano simply to entertain dinner guests. He also developed a dependence on alcohol and died two years prior to the play’s events. Laird is even described as a “drunk.” Because Laird never physically appears in the play, all the information about him is hearsay.

John Lithgow portrays Laird in the film adaptation. The film version of Laird did fight in the Vietnam War, though his specific role was never mentioned. Like in the play, he develops a dependence on alcohol. However, this dependence was Laird’s attempt to cope with war-related trauma. Toward the end of the movie, Geneva shares with Geri how Laird wanted to be a pianist, but didn’t feel he was talented enough. So, he became invested in Geri’s piano career, appearing to live vicariously through his daughter. His presence in the movie shows the audience the strained, yet close relationship between Geri and Laird. Laird’s death within the film’s first half and Geri’s discovery that Laird is her biological father are presented as bittersweet moments.

Redwood Curtain poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)

Expanding the World

The majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. A few scenes happen in Geneva’s house, Geneva’s car, or a local coffee house. Geri’s first encounter with Lyman is when the play starts, with the lead-up to this moment woven into the dialogue. Events such as Laird’s death take place off stage, prior to the play’s story. The creative team behind a play is given a limited amount of space and time to work with. Therefore, designating a few key locations makes sense among these limitations. In the Redwood Curtain play, Geneva’s house is described as “a large and very fine Victorian house.” The script states her house contains a music room as well. When presenting this play at a theater, only the home’s sitting room and music room would be staged and the style of the house would be heavily implied through décor and set structure.

A plus side to film-making is the freedom to take the story wherever the film-maker chooses. If a movie’s creative team desires to adapt a stage play, that story has the opportunity to grow beyond the boundaries of a stage. In the case of the Redwood Curtain film, the events from the play are contained in the story’s second half. That means the movie’s first half takes place in and around the Riordan family home. This inclusion not only expands the world the characters exist in, but also gives the audience a glimpse into Geri’s world that they wouldn’t have seen otherwise. Filming on location provides benefits to visual storytelling. However, that creative decision has its own limitations. Using Geneva’s house in the movie as an example, a location scout might not be able to secure a location similar to one described in the source material. Even if they succeeded, there’s a process in order to film at a residential building, especially if it’s someone’s real-life home. That’s probably why Geneva’s house is presented as a smaller log cabin with a large deck, but no music room.

A picture of the Redwood Curtain play from my copy of the play’s script. Screenshot taken by me, Sally Silverscreen

Geri’s Motive

In both the play and movie, Geri attempts to search for her biological father. This attempt is the story’s main conflict. Geri’s reason for her search was different in each version of Redwood Curtain. In the play, Geri knew some information about her past. Prior to the start of the play, Geri discovered Lyman tried to help her and her biological mother get to the United States. The script mentions that Geri began her search when she was twelve. Her search turns into an obsession, to the point of abandoning her musical endeavors. In fact, the play’s synopsis states Redwood Curtain “is a story of obsession and discovery.” Though the information Geri received was partly true, she eventually learns more through her interactions with Lyman.

The movie version of Geri has three motives for her search. Wanting to receive answers about her past was the first motive. The film’s script heavily implies Geri did not know much about her past until the events of the movie. Yes, she was aware she was adopted. But Geri’s belief that Lyman was her biological father stemmed from a photo and a note bearing the name ‘Raymond Farrow’ that Laird gave his daughter after he died. At various moments in the movie, Geri expresses how she feels she doesn’t belong. She even shares these thoughts with the Riordan’s house-keeper, Matilda. These feelings fuel Geri’s journey of self-discovery and finding her biological family. Her third and final motive is her music, which plays a crucial role in Geri’s life. Geri believes if she finds her biological father, she will be able to incorporate more emotion into her musical pieces.

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Significance of the Redwoods

As I’ve said before on my blog, a film’s title can serve as a promise to the audience. In the case of Redwood Curtain, the audience should expect not only to see redwoods, but also to receive an explanation of what the “redwood curtain” is. The “redwood curtain,” in both the play and movie, is the redwood forest itself, where Vietnam veterans choose to live their lives. This is one of the reasons Geri meets with Lyman in the forest. While Geri learns about the “redwood curtain” in each version of the story, the way she learns about it is different. An Arcata Union reporter provides the explanation for the “redwood curtain” to Geri in the play. In the movie, she is given this same explanation by a gentleman working at Arcata’s veterans’ office.  

As I mentioned above, the majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. The redwood forest in the movie only appears in the story’s second half. Because of how often or little this location appears in the story, its association with the characters and the themes connected to it depend on these appearances. Topics relating to the environment are brought up throughout the play. When Lyman asks Geri why she’s visiting Arcata, she tells him she’s studying horticulture and botany at the local college. Geri also claims to have magical powers, which allow her to do things such as control the weather. Within the play, Geneva talks about how her family’s portion of the redwood forest is being bought out by investors. While this part of the story is also in the movie, it is discussed in more detail in the play, from Geneva bringing up the specifics of the sale itself to describing Arcata’s weather. The theme of family connects with the redwood forest in the movie. The Riordan family owns a portion of the redwood forest. While Geri stays at Geneva’s house, Geneva shows her niece a wall of family photos. These photos showcase various members of the Riordan family in the redwood forest. The number of photos and whether or not the photos are in black-and-white indicate how the forest has been in the family for generations.

Image by mb-photoarts on Freepik

Wellbeing of Veterans

When I brought up the movie version of Laird, I mentioned how he depended on alcohol to cope with war-related trauma. I also mentioned how Geri learns about the “redwood curtain” at Arcata’s veterans’ office. These are just two examples of how the movie includes the subject of veterans’ well-being. In the history of Hallmark films, veterans have been presented with a sense of reverence and respect. Veteran-related issues have also been included in Hallmark’s programming. An example is a veteran struggling with trauma in Signed, Sealed, Delivered: Lost Without You. Even though the film adaptation of Redwood Curtain was released a decade before Hallmark debuted the Hallmark Channel, this tradition can be seen and felt in this Hallmark Hall of Fame presentation. At Laird’s funeral, Geri shares with Geneva how she wished the family had addressed Laird’s alcohol dependency sooner. Geneva reminds her niece how Laird had a problem related to his experiences in the war. Geri says the family’s politeness and willingness to skirt the issue are what enabled Laird’s struggles. The points Geri makes to her aunt highlight how seriously these topics are taken in this adaptation.

While veteran-related issues are brought up in the play, it was never enough to be one of the story’s main topics. Compared to the movie, there isn’t the same amount of reverence for veterans. During her first interaction with Lyman, Geri’s personality is pessimistic and bitter. When Lyman asks Geri about the translation of her hometown’s name, Geri responds by saying, “Well, you’re not Spanish. You must belong to the other half of the country’s population.” After Geri learns Laird was her biological father, she says, “You’re right, Lyman, he was the saddest man I’ve ever known.” Geri also says, “And I thought I was joking when I said to follow in my father’s footsteps I had to mope and pine and drink myself to death. Not a very promising path he’s laid out for me to follow.” With the way veterans’ well-being wasn’t addressed, it made the play seem less hopeful. It also seemed like none of the characters were willing to find any solutions.

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Lyman, Geri, and Geneva

As mentioned above, I said Lyman, Geri, and Geneva were the only three characters to physically appear in the play. These three characters also serve prominent roles in the movie. Geri’s personality in the play was pessimistic and bitter. She was also disrespectful when talking to Lyman or talking about Laird. In the movie, however, Geri was a more empathetic character. While interacting with Matilda in the Riordan family kitchen, Laird recalls a memory of Geri when she was younger. In this memory, Laird was tearing up as he was chopping onions. Upon seeing this, Geri asks if Laird is sad because the onions are hurt.

Lyman, in both the play and movie, shares parts of his life story with Geri. In the play, though, more of this information is given. Toward the end of the movie, Lyman tells Geri how, before the war, he would fix and race cars with his dad. He also talks about how he never dated a crush he had. Lyman in the play not only drag-raced vehicles, he also worked in his dad’s garage. He recalls owning a Mustang Boss 302 and never having a girlfriend. Geneva’s family’s portion of the redwood forest was being bought out by investors. As a result of this, Geneva, in the play, is planning on moving to Key Biscayne, Florida, with her husband, Barney. In the movie, however, Geneva expresses no interest in moving out of Arcata. In fact, after one of Geri’s piano performances, Geneva tells Laird how she plans on fighting to keep her land. She and Barney are also divorced.

The cover of my copy of the play’s script. Screenshot taken by me, Sally Silverscreen

After I watched and read Redwood Curtain, I ended up liking the movie adaptation over the source material. What worked in the Hallmark Hall of Fame presentation’s favor was how the story was expanded. Not only were more locations added to the characters’ world, more context was given than the play provided. Even though there were more characters added to the film, the cast as a whole was smaller. Through their interactions, the audience gets a more intimate look into the characters’ relationships. The changes to the characters from the play made them more likable, especially Geri. Both the screenwriting and acting allowed Geri to be one of the strongest protagonists in Hallmark movie history. Redwood Curtain reminded me of another Hallmark Hall of Fame movie based on a play: The Boys Next Door. Similar to Redwood Curtain, The Boys Next Door contained multiple locations and provided context to each of the key characters. Since I have seen the 1996 adaptation, but have never read the play, perhaps another comparison and contrast editorial is in order.

Have fun at the movies!

Sally Silverscreen