Last month, 18 Cinema Lane was nominated for a fifth Sunshine Blogger Award! Because the nomination was given to me around the start of The Legends of Western Cinema Week, I postponed my award post until that week had passed. Now that I found some time to write and publish this post, it’s time to accept another award! This nomination comes from animegoodreads from the blog, animegoodreads! Their award-winning site covers various anime titles and discusses non-anime topics from time to time. If you’re interested, you can check out animegoodreads’ blog at this link:
Thank you animegoodreads for my fifth Sunshine Blogger Award, as I appreciate your thoughtfulness! Before the award post officially begins, I need to list the rules, which are:
Thank the blogger who nominated you in the blog post and link back to their blog.
2. Answer the 11 questions the blogger asked you.
3. Nominate 11 new blogs to receive the award and write them 11 new questions.
4. List the rules and display the Sunshine Blogger Award logo in your post and/or on your blog.
As a blogger, what is more important to you other than just writing blog posts?
Something I have always strived to do is give recognition to those who don’t often receive it. This is why you’ll see me talk about lesser known subjects from time to time. I hope by addressing these people, films, and topics, they can finally achieve recognition.
2. If you were to create your own anime, then explain how would the “protagonist” would look and behave like?
An anime that I like is Sailor Moon. Throughout the series, the audience gets to see Serena/Usagi grow as a person and hero over time. For my anime, I would create a character that grows and adapts as the series went on. This would be a relatable concept, as people can change throughout the journey of life. As for the look, the protagonist would have more realistic looking features. They would also dress in age-appropriate attire.
3. Any best moment or scene from an anime/movie/drama show that you would like to share with us?
A scene I’ll choose for this question comes from the best movie I’ve seen this year so far, The Boy Who Could Fly. The scene features the protagonist, Milly, watching home videos with her mother and brother. Milly’s friend, Eric, also watches these videos, as he was invited to her house for dinner. These videos cause an emotional reaction from the family, as they feature the family’s father who had died prior to the film’s events. Eric also experiences an emotional reaction, even though he had never met Milly’s father. This is an important moment for Eric because he made a personal breakthrough, as it shows Eric is capable of forming connections with others.
4. Are you a gamer? If yes, then which types of games do you prefer to play the most?
I don’t play many video games, so I wouldn’t consider myself a “gamer”. In terms of board games, however, I’ve enjoyed playing the Blockbuster party game!
5. What is more important to you, sports or academics?
I’d say academics. Sports offer no guarantee for longevity, as many different factors can come into play. I have heard of athletes experiencing injuries that have ended their careers. For every superstar in the world of sports, there are probably five athletes who don’t enjoy success or fame. Once you receive an education, no one can take that knowledge away from you. You can apply it to any area of your life and can even create a career of your choosing.
6. Any thrilling childhood experience that you had with your friends or family, maybe an adventure or a memorable trip? If yes, then please share!
As I’ve mentioned before in an award post, I’ve ridden on an elephant! This happened many years ago while I attended the circus. I haven’t been to the circus for a long time, so I would like to attend one (after the Coronavirus passes) if there are any around. If given the opportunity, I’d also like to ride on an elephant again!
7. Your thoughts on the current “COVID” scenario. (Very Odd Question)
I’m not one to be envious of other people. But when I see posts on the internet of fellow movie-goers returning to the cinema, I can’t help feeling a little jealous. This is because, where I live, the theaters are not open or the drive-ins aren’t showing many new titles. I know I can wait until newer films are available for rent. However, if I were to summarize my feelings in a nutshell, it would be frustration.
8. Some skillful dreams that you want to accomplish (Ex. Riding a horse, Mountain Climbing etc)?
As I’ve said in a previous award post, I’d like to improve my swimming skills. I also want to become a better roller-skater. I hope to focus on these skills after 2020.
9. Any countries or places where you want to visit just to relax and chill?
For years, I’ve wanted to travel to Hawaii. I knew someone that decided to take a vacation there and they ended up having a good experience. Hawaii seems like one of those places where pictures and videos don’t do it justice!
10. Arrange the following points based upon the priority (high to low) that you consider the most while watching an anime. The points are : Story, Characters, Animation, Music and Dialogues.
I’ll admit I don’t watch a lot of anime. But if I did choose to watch an anime, here are how I’d arrange these points:
11. In the future, will you change the ‘prime niche’ of your blog or continue to write on the same topic?
For now, I don’t plan on changing 18 Cinema Lane’s ‘prime niche’. However, I will continue to publish content that is different from the niche, such as re-caps of When Calls the Heart and Chesapeake Shores. This will be done in an attempt to create a sense of variety on my blog.
Asra Anime from key of knowledge
Irina from I drink and watch anime
Lacie from Building The Love Shack
Sofia from Live Sofiabulous
Anketsu from Anketsu
Paul from Paul’s Pages Too
Ania Juzak from Holiday Royal Way
Kristen from KN Winiarski Writes
Jessica from Comet Over Hollywood
MovieCritic from Movies Meet Their Match
Little Miss Traveler from Love Travelling Blog
What is the most creative blog post idea you’ve ever thought of?
When was the last time you left a comment on someone else’s blog?
Is there a movie or tv show other people like that you don’t? If so, what is it?
Do you like reading? If so, what book are you currently reading?
What is a movie related opinion you and your friend see eye-to-eye on?
Is there any advice your family has given you that has be applicable to your blog?
Has Coronavirus affected your blog in any way? How?
What was the most recent gift you purchased for a loved one?
Have you come across a character from media that you found relatable? Who and why?
If given the opportunity, which movie scene would you re-do?
If you’ve read my recent blog follower dedication reviews, you could tell that I’ve been trying to watch more films from my DVR. This has been a conscious decision, as there are several films that have been there for a year or more. One of those movies is Matinee, as it has been on my DVR since last February. What caused me to record it was how the movie revolved around a movie. Film is a topic that I am very passionate about. Because Matinee was about a subject I’m interested in, it gave me a reason to watch it. While looking back on the movies I’ve reviewed within the past month, I realized that the last film I talked about from the ‘90s was the 1990 adaptation of Cyrano de Bergerac. This is another reason why I chose Matinee for my 220-follower dedication review, as the movie was released in 1993. Before I start this review, I’d like to thank all of my followers! I’m incredibly grateful for the success this blog has achieved!
Things I liked about this film:
The acting: Any time I have seen one of John Goodman’s movies, I have noticed how his character has a larger-than-life personality. Even when John was voice-acting as Sully from Monsters, Inc., that character’s personality was very jovial and memorable. When it comes to John’s performance in Matinee, Lawrence Woolsey also had a larger-than-life personality. The persona that John brought to his role was commanding, allowing the audience to focus on him whenever he came on screen. His performance was not only consistent in this film, but it also plays a consistent part in John’s acting career. It’s nice to see actors you recognize from one movie appear in another one. Omri Katz and Kellie Martin are two good examples of this. I’m familiar with Omri because of his performance in Hocus Pocus. Kellie Martin’s small-screen work is what I have seen from her filmography. Watching Omri and Kellie’s performance in Matinee was a joy to watch! They had good on-screen chemistry and both of their portrayals were convincing!
The historical accuracy: The story of Matinee takes places during the 1962 Cuban Missile Crisis. Because of this, the presentation of the film needs to reflects that moment in history. The historical accuracy in this movie was executed so well, I felt like I was transported to 1962. All of the costumes looked like the wardrobe you’d see on a typical episode of The Andy Griffith Show. Cars from that time period can be seen cruising down the street, sporting color palettes that are not often seen on today’s roads. Lawrence’s sea green convertible with matching interior is one example. Even the music set the tone for that environment. When Sherry’s ex-boyfriend, Harvey, returns to town, The Angels’ song, “My Boyfriend’s Back” is heard. Even though this song was released in 1963, the overall sound reflects the soundtrack of that period in time.
The special effects: I was not expecting the creative team behind Matinee to incorporate any special effects into their project. However, these special effects were impressive! They were mostly used during the presentation of Lawrence’s movie, Mant! At certain points in the fictional film, smoke and flashing lights could be seen. Matinee’s climax boasts even more eye-catching effects! In one scene, a section of the theater is being destroyed. During this moment, the theater rumbled as flames engulfed the background. The way these effects came together made this destruction look so real! They also looked very good for a movie released in 1993!
Relevant ideas: I was surprised to find ideas within this story that are just as relevant in 2020 as they were in the ‘90s or even the ‘60s. When Gene and Stan pass by their local grocery store, they see patrons shopping in panic. These patrons grab everything in sight, with one woman buying as much toilet paper as she can carry. While the Cuban Missile Crisis and the Coronavirus are two completely different events, both of them have caused a large group of people to panic. Toward the beginning of the Coronavirus, grocery stores were witnessing the fear their customers carried. The situation became so dire, there were reports about people fighting over toilet paper.
What I didn’t like about the film:
Under-utilized characters: I found some characters in Matinee to be under-utilized more than others. One of them was Gene’s brother, Dennis. From a historical fiction perspective, I understand that Dennis is meant to show how younger children might have responded to an event like the Cuban Missile Crisis. But from the perspective of Lawrence’s movie presentation, I asked myself why Dennis was in the story at all? This makes me wish this particular character had received his own subplot.
Weaker subplots: A few of Matinee’s subplots were either too straight-forward or didn’t lead anywhere. A perfect example involves two of Lawrence’s employees, who pose as a special interest group attempting to ban his movie. Like Dennis’ presence in Matinee, I understand that this part of the narrative contains historical context, showing how some people choose to publicly dislike something to the point of protest. But after they interact with Harvey, these employees disappeared from the film. They didn’t receive a satisfying resolution and were forgotten about as the movie progressed.
My overall impression:
Anyone who knows me knows that Phantom of the Megaplex is my favorite Disney Channel movie.It showed me how movies, as well as the movie-going experience, can be fun. Even though Matinee was released seven years prior, it reminded me a lot of the 2000 picture. They happen to share similar ideas, some of them beyond the subject of film. This is one of the reasons why I enjoyed Matinee so much! It was funny and, at times, clever, with relevant ideas woven into the story. The film also had solid components, like the acting and special effects. Most important is how Matinee was fun! In a year when so much has happened, movies can play a role in providing a form of escapism and making viewers feel like they can conquer something, even when events in their world are beyond their control. Before the presentation of Mant!, Lawrence explains to the theater employees why it’s important to release his movie at that given time. He tells them that, despite scary things appearing in his picture, he wants to remind his audience that everything is going to be ok. Lawrence also shares that he wants to remind his audience that his film’s villain can be defeated.
Overall score: 8.5 out of 10
Have you seen Matinee? What movies involving movies have you enjoyed watching? Let me know in the comment section!
In 2020, it seems like the world of film has been plagued with bad news because of the Coronavirus. Multiple movies saw their premiere dates pushed back as far as a year. Productions all across the world were temporarily placed on hold. Several events were cancelled or postponed, as well as businesses closing their doors for the time being. Recently, however, it seems like things are looking up. Film crews are slowly going back to work. Several occupational operations have picked up where they left off. Even some theaters have opened their doors again. In this Word on the Street story, I will be talking about films that are about to go into production, as of June 2020. Also, I have news about a film that I have mentioned on 18 Cinema Lane before. As I usually do, I will share my thoughts on these stories. Now, let’s talk about some good news in the world of cinema!
Last year, in my post called “A Movie Blogger’s Christmas Wish-List 2019”, I said I wanted to see Words on Bathroom Walls receive a distributor. I’m happy to report my Christmas wish came true! In an article from Deadline, Dino-Ray Ramos writes how Roadside Attractions agreed to be the film’s distributor. The article also states Words on Bathroom Walls “is set to debut nationwide August 7”. This movie “marks the first theatrical release for both companies [Roadside Attractions and LD Entertainment] since the coronavirus pandemic”. Even though the film now has a release date, there remains the possibility for it to be pushed back. For months, Tenet was scheduled for a premiere in July. However, Pamela McClintock, from The Hollywood Reporter, shares that August 12th is the new date for the film’s release. I think this news about Words on Bathroom Walls is the best movie news I’ve talked about this year! I read the book and it’s become the best one I read in 2020! We don’t know how things will be in August, in relation to the Coronavirus. Hopefully, I’ll have the chance to see Words onBathroom Walls and review it or my blog.
Sources for this story:
As I said in the introduction, film crews are slowly going back to work. With some popular filming locations lifting lock-down regulations, studios and movie companies are either finishing or starting projects. One website, called Hollywood North Buzz, has recently listed several titles that are either currently in production or will soon be in production. These titles are the following:
For Better or Worse (Ended filming on June 23rd)
Kite Festival of Love
Wedding Every Weekend
Beverly Hills Wedding
My One True Love
Another website called JC Films announced an upcoming Christmas film titled “Light Up Night”. The film will star Dean Cain and will begin filming this July. According to the article, the film “is about all the community Christmas events wrapped around a modern-day Biblical story of Ruth”. More movie titles are listed on the website Creative BC, with production dates coming in the near future. These films are:
Aurora Teagarden Mysteries: Reunited and It Feels So Deadly
Deliver By Christmas
When reading these titles, one will note that they all sound like they belong to Hallmark. However, as of June 2020, the only films that are confirmed to be a Hallmark production are “Wedding Every Weekend”, which was confirmed by star Paul Campbell, according to the Twitter account Hotline to Hallmark, and ‘Aurora Teagarden Mysteries: Reunited and It Feels So Deadly’. While looking at the list, I noticed how most of the titles reference Christmas or weddings. If these movies are Hallmark projects, my guess is the wedding themed movies are created in preparation for next year’s “June Weddings” line-up. As for the Christmas movies, it’ll be interesting to see how many of them will be included in the “Countdown to Christmas” or “Miracles of Christmas” line-up.
When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shoreswas renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.
Tone down the relationship drama
As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shorescontained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.
2. A wedding for Jess and David
Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.
3. Get rid of the love triangle
It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.
4. A subplot for Carrie and Caitlyn
Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.
5. More episodes
Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.
6. The fruition of Trace’s recording studio
Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.
7. For Bree and Simon’s paths to cross again
When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.
8. More appearances for Nell
Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue of the O’Brien family together. Without her, things just wouldn’t be the same.
9. A Chesapeake Shores Movie
I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.
10. Megan becoming a successful businesswoman
You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.
Yesterday, on June 9th, Orion Pictures/MGM Studios released an official trailer of the upcoming film, Bill & Ted Face The Music! The studio also released an official poster for the movie! I haven’t seen any of the films in the Bill & Ted series, but I really like what I’ve seen and heard about this third film so far. The poster itself adopts elements that were found in film posters from the past; artistic visuals that come together to create a singular image conveying mystery and intrigue. As for the trailer, I found it hilarious, as it had the kind of random humor that I resonate towards. This marketing campaign makes me want to watch the previous two Bill & Ted films! As of June 2020, the film has an August 21st premiere date. Bill & Ted is not the only Hollywood IP that has received sequel related news. Two weeks ago, Chris Murphy from Vulture reports how Sonic the Hedgehog will get a sequel! According to the article, “Paramount Pictures and Sega Sammy have begun development on a sequel to Sonic the Hedgehog”, which means the project is in the pre-production stage. The producers who have signed on to the film are Neal H. Moritz, Toby Ascher, Toru Nakahara, Hajime Satomi, Haruki Satomi, and Tim Miller. The first film’s director, Jeff Fowler, and screenwriters, Pat Casey and Josh Miller, are coming back for the second movie. While I haven’t seen Sonic the Hedgehog, I think this is great news for Sonic fans and for people who support studios that put their customers first. Even Chris, from Vulture, says “listening to feedback can be incredibly fruitful for everyone involved”. Hopefully, the sequel can be just as successful as its predecessor.
Months after Coronavirus forced businesses all over the world to pause their operations, steps are now being taken to reach a state of normalcy. In an article from The Hollywood Reporter, Etan Vlessing discusses how “the Quebec provincial government and health officials have given the green light for film and TV production to resume on June 8 amid the coronavirus pandemic”. Before this decision was made, Manitoba had resumed film and television production in their province of Canada. Toward the end of May, Vancouver Island said “the industry can resume shooting by June”. Robert Buffam, from CTV News, writes about the precautionary steps film and television teams will take to work as safely as possible. Ric Nesh, a television show producer, shares “We may reduce, revise, rewrite scenes without the larger crowds. No we may, we will revise scenes.” In the United States, film studios and movie theaters are making attempts to go back to work. A Hollywood Reporter article from June 8th states “anxious theater owners — and Hollywood studios — are being given the go ahead to flip on the lights later this week by California Gov. Gavin Newsom’s office and the Department of Public Health.” June 12th is the selected date when California’s cinemas may start their operations again. Similar to the film and television industry in Canada, safety precautions will be put in place. One example is adopting a 25% capacity limit “or no more than 100 people per auditorium”.
I know this piece of news relates to television. But because it’s about Hallmark going out of their comfort zone, the story became an exception. Earlier last month, Emre Kaya from The Cinema Spot reported how Hallmark Channel is creating a new television show! The article shares that this is the network’s “first high-budget drama series”, which “is a science fiction soap drama series set on a space colony.” Emre’s post doesn’t reveal much information about the project. As of June 2020, Hallmark has not made an official statement about the show. When I first read this story, I was excited at the idea of Hallmark creating a project that is very different from their norm. On several occasions at 18 Cinema Lane, I have talked about how Hallmark should take creative risks and think outside the box. It looks like they’re starting to pay attention to these ideas. Maybe this show could be the beginning of a new era where creativity and originality reign.
Within the blogging community, it’s impossible not to bring up the Coronavirus at one point or another. Some plans were forced to change and anticipated events were either cancelled or rescheduled. A situation like this can make it easy to lose sight of what’s really important. I can only speak for myself, but in times like these, I try to think about things that I’m thankful for. Originally, I was going to host this blogathon in 2021. But, due to the global pandemic, I thought this year would be a better time to host it. Hallmark is one area of film I cover on 18 Cinema Lane. Over the years, I’ve noticed the network’s diminishing recognition toward Thanksgiving. It’s not just a Hallmark related issue, as I’ve seen this happen in stores and other retail establishments. So, because of that, I chose to dedicate this year’s blogathon to Thanksgiving! It will take place from November 19th to November 22nd. If you want to participate, you can sign up in one of the following categories:
Write about a movie or television show episode that either revolves around Thanksgiving or features, at least, one scene taking place on Thanksgiving
Talk about something movie related you’re thankful for (can be about people, places, props, memorabilia, etc.)
Write about a movie or television show episode that has premiered in November (any genre and year is acceptable)
Talk about someone who has a birthday in November (can be about an actor/actress, director, producer, screenwriter, costume designer, etc. If you have a family member or friend with a November birthday, you are allowed to talk about them in your post.)
The Official Blogathon Rules
Please be respectful toward other bloggers and the subject you are writing about.
If you plan on publishing your post(s) earlier or later than the allotted time-frame (November 19th to the 22nd), please let me know in advance.
New posts are required.
Because this subject is so broad, no duplicates are allowed
Each participant is allowed to publish a maximum of three entries.
All entries must be original work and creativity is encouraged.
If you’re interested in participating, please share your idea(s) in the comment section below.
Pick one of the four banners and spread the word about A Blogathon to be Thankful For!
Gill from Realweegiemidget Reviews — (Review) Planes, Trains, and Automobiles
Neil from Neil “The Musical Man” Powell — (Review) The Gold Rush
Ruth from Silver Screenings — (Review) The Thanksgiving Visitor
Rebecca from Taking Up Room — (Review) Episode of ‘Christy’ titled “Sweetest Gift”
Tiffany from Pure Entertainment Preservation Society — (Review) The Plymouth Adventure
Janis from themomshiediaries — Don’t You Love New York in the Fall?
A You’ve Got Mail Review
Hamlette from Hamlette’s Soliloquy — (Review) Rocky (1976)
Tiffany from Pure Entertainment Preservation Society — Thankful for The Breen Code
Sally from 18 Cinema Lane — (Editorial) ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience
J-Dub from Dubsism — (Editorial) “Sports Analogies Hidden in Classic Movies: Why I’m Thankful For The Comedy of Jonathan Winters.”
In recent days, the news about the release of the infamous “Snyder Cut” of Justice League has taken over the internet. Multiple Youtube videos have covered this story and the discussion of its arrival has been rampant on social media. It has even gone so far as to make Paul Feig consider releasing a new cut of his version of Ghostbusters. But among the articles, videos, perspectives, and comments, there is a cut of one movie that was left out of the conversation: the Tim Pope cut of The Crow: City of Angels. As you’re reading this, you’re probably wondering “What is the Tim Pope cut?” “Didn’t this film already receive a director’s cut?” In this editorial, I’ll answer those questions. I will also be sharing a list of reasons why now is the perfect time to release the Tim Pope cut of The Crow: City of Angels. This isn’t the first time I’ve brought this subject up. In my Sunshine Blogger Award post from this April, I said that one of my greatest wishes for cinema was for the full version of The Crow: City of Angels to be released. However, I honestly never thought I’d write an editorial about this subject. Since many people are not talking about the Tim Pope cut, I decided to do so. Besides, when life gives you lemons, it’s better to write a blog post about it while everyone else is making lemonade.
What is the Tim Pope cut?
Before I talk about the reasons why the Tim Pope cut should be released, I need to explain what the cut itself is. The Tim Pope cut is the 160-minute version of The Crow: City of Angels that was purposefully intended to be different from the first film. Unfortunately, this version never saw the light of day because the movie was heavily affected by “studio intervention”. In a video titled “Exploring The Crow City of Angels,” Cecil, the creator and narrator of the video, explains how the studio’s decisions prevented the film’s creative team from telling the story they wanted. It got so bad that the movie’s director and writer, Tim Pope and David S. Goyer, disowned their project because of the changes. While the film did receive a director’s cut, “it’s mostly just extended scenes,” according to Cecil. The original version of this movie is not officially called “the Tim Pope cut.” Supporters, including myself, gave it this name to make it sound more official.
Reason #1: The “Snyder Cut” Opens the Doors for a Winning Cycle
In an article from The Hollywood Reporter, Borys Kit reported that “a growing movement of fans, rallied around the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned – even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con – for Snyder’s version to be released.” The reason why people wanted to see Zack Snyder’s version of Justice League is because the director had to leave the project due to a personal situation involving his family. This caused a different director, Joss Whedon, to step in and change Zack’s intended vision. Because of how vocal and passionate these supporters were, HBO Max is finally granting their wish. Borys says, in their article, the streaming service “will debut the project in 2021.” They also state that “whether it will be released as an almost four-hour director’s cut or split into six “chapters” has yet to be decided.”
Since the “Snyder Cut” is going to see the light of day, it opens the door for other films that have been creatively damaged, like Justice League, to receive the proper treatment they deserve. It also sets a precedent for a cinematic cycle where everyone wins. I provide an image of this cycle to give a visual for what I will be discussing. The following bullet-points show each part of the cycle and why its important.
Movie’s Creative Team – Given creative freedom, allowed to make the films they want, has option to incorporate fan feedback and source material if IP is used
Fans/Audience Members – Greater chance they’ll spend money on movie ticket if creative team and studio respected and listened to them
Studio – Will see good financial results on projects where creative team was given creative freedom and fans/audience members are respected
Reason #2: The Person Responsible for The Crow: City of Angels’ Destruction is No Longer in Control of This Film
In the aforementioned video, “Exploring The Crow City of Angels”, Cecil discussed how the film was a victim of “studio intervention.” They mention on several occasions how Tim, David, and even The Crow’s creator, James O’Barr, had always planned on creating a new story for the sequel. This decision was made to show respect toward the predecessor and its devoted fans. After the film had already been finished, “studio intervention” took over. Harvey Weinstein, who was a producer at Miramax at the time, “demanded the film be edited to be more like the first movie,” as Cecil says in the video. This choice single-handedly stopped the creative team of The Crow: City of Angels from making the film they wanted.
In 2005, Harvey left Miramax in order to create The Weinstein Company. This means that he gave up control of the studio. At the time, Disney had ownership over Miramax. It was the result of an acquisition that took place in 1993. Over the years, the studio has changed hands among various companies. On April 3rd, Jill Goldsmith, from Deadline, reported that ViacomCBS “closed on the acquisition of a 49% stake in Miramax.” This allows Paramount, which is owned by ViacomCBS, “an exclusive, long-term distribution agreement for Miramax’s film library and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on Miramax IP.” What this means is Paramount/ViacomCBS is now in control over the potential restoration and release of the Tim Pope cut.
Reason #3: Paramount has Respected a Pre-Existing Fanbase Before
When Paramount chose to acquire Miramax, they purchased projects related to The Crow. With those projects comes a pre-existing fanbase. However, this is not the first time the studio dealt with a project where a pre-existing fanbase was a part of the equation. Last year, fans of Sonic the Hedgehog were not pleased with the way their favorite character looked in a trailer for a movie based on the famous blue protagonist. After backlash over Sonic’s design, Jeff Fowler, the director of Sonic the Hedgehog, announced plans to change Sonic’s look. In an article from SlashFilm, Ben Pearson shares the director’s tweet, which says “Thank you for the support. And the criticism. The message is loud and clear… you aren’t happy with the design & you want changes. It’s going to happen. Everyone at Paramount & Sega are fully committed to making this character the BEST he can be…”. This choice caused the film to be delayed until February of 2020.
When Sonic’s re-design was revealed, fans and potential audience members praised Paramount and the creative team behind the film. Two of those people were Kneon and Geeky Sparkles from Clownfish TV. In a video called “Sonic the Hedgehog is FIXED! Sonic Looks GREAT!”, Kneon and Geeky marvel over Sonic’s drastic change. They also approve of Paramount’s decision to put customers first. Geeky asks, “Look, if it looks really bad and the fans say it looks really bad, you want people to come to your movie, right?” She quickly answers that question by stating “So, um, you’re going to need to, uh, do things that make the fans happy.” Kneon says, “The Sonic fandom is very, very vocal. Ok, they’re a very passionate, vocal fanbase”. He and Geeky express interest in seeing the film due to Paramount’s efforts to make a better product. Because Paramount and Sonic the Hedgehog’s creative team took the time to show the Sonic fans respect, the film went on to, so far, become the second highest grossing movie of 2020! While a part of its ranking at the box office was affected by the Coronavirus, acquiring a domestic receipt of over $300 million is something Paramount should be proud of.
Reason #4: Fans of The Crow are a Dedicated Group of People
The Crow has a pre-existing fanbase that spans more than a decade. Whether drawn to the comic or a fan of any film, fans who love The Crow are dedicated, vocal, and passionate about their favorite IP. They will find an opportunity to talk about the story and have even pushed The Crow into cult classic status. One of these fans is Lee from the Youtube channel Drumdums. In his video, titled “The Crow: Legacy of a Cult Classic,” Lee says “I have been obsessed with this movie, really, since I saw it, in the theater, opening night, uh, in May of 1994.” He shares his personal experiences with the film, as well as praising the project. He even created a live commentary video dedicated to the movie. Another fan is Pale Writer from the blog Pale Writer. Last Halloween, Pale Writer published a review titled “Rain and Revenge: The Crow (1994).” They say in their article, “I first watched The Crow with my older brother when I was in my mid teens, and I’ve loved it ever since. I was an emo teenager with a love of the gothic, and my brother knew that.” Throughout the article, Pale Writer explores many different components related to the film. Because of how well-written and passionate the review was, it encouraged me to watch The Crow for the first time this year.
Within any fanbase, people have their own perspectives and opinions. The Crow’s fanbase is no different. There are people who are vocal about their love for The Crow: City of Angels. Take, for instance, the video, “1. City of Angels – The Crow City of Angels.” Looking through the comment section will show how fans care about this film. One commentator says “I loved City of Angels.” Another person shares “This is the only sequel I liked.” When talking about a piece of lost media, Jorge from the Youtube channel blameitonjorge, says, “It was something that a lot of people wanted to see.” This mindset is similar to the “Snyder Cut’s” journey. Fans wanted to see Zack’s vision come to life, so their desire drove that campaign. I’ve seen comments from fans of The Crow saying how they wish they could see the original version of the sequel. Even Cecil from GoodBadFlicks expresses an interest in finding it.
Reason #5: Studios Can’t Make a lot of New, Live-Action Projects RightNow
2020 has become the year of Coronavirus. Many practices have been put in place to stop the virus’ spread. One of these practices has been “social-distancing.” This has resulted in many businesses temporarily closing their doors, including those from the entertainment industry. Kate Aurthur and Adam B. Vary, from Variety, reported how Hollywood is planning on returning to work. They say that one of the plans is obtaining “medical-grade cleaning equipment and PPE.” This, along with other new procedures and practices “will balloon the hard costs of production.”
A studio like Paramount needs to make money. At the same time, they also want to move forward as safely as possible. While ViacomCBS has generated revenue from their streaming service, CBS All Access, their incoming funds are more limited than normal. The Tim Pope cut could give the studio content to release. There is an audience for it, so fans are willing to pay for this version of the film. Paramount could either place the movie on the streaming service or release it on physical media. No matter how this film could be released, it would give Paramount something to create.
Reason #6: People Need More Entertainment Options
As I already mentioned, the Coronavirus has forced people to “social-distance” and “self-quarantine.” Streaming services, cable, and the internet have provided instant entertainment for consumers as they are required to stay home. Because new content is not as common as usual these days, The Crow: City of Angels could become a newer entertainment option. I also mentioned that Paramount could either release this movie on the streaming service, CBS All Access, in a digital format, like Xfinity on demand, or on physical media. Earlier in this editorial, I said that HBO Max was planning on releasing the “Snyder Cut” of Justice League in 2021. If Paramount wants to release the Tim Pope cut of The Crow: City of Angels next year, it gives fans something to look forward to during this stressful time.
The road to the “Snyder Cut” was met with perseverance, determination, and ambition. While this journey lasted for a few years, the fans’ efforts proved worthwhile. This situation shows how studios, cinematic creative teams, and fans can work together to form a situation where everyone benefits. It also shows that the sky’s the limit for other films that have gone through a similar situation to Justice League. If Paramount doesn’t release the Tim Pope cut of The Crow: City of Angels, it makes the studio look hypocritical. If they could go the extra mile for the Sonic fans, it would only be fair for them to go the extra mile for The Crow fans as well. This is why we need to let Paramount hear our voices. If you are a fan of The Crow, someone who approves of studios putting customers first, support consumer advocacy, want to see creative teams receive creative freedom, someone who loves movies, or want to help set a “wrong thing right” (yes, Sarah’s quote was intentional), then please consider joining the movement to encourage Paramount to release the Tim Pope cut. I created an official image with the hashtag that you are welcome to use. The most important point is to spread the word, so please let others know about this cut. All I ask is to please be respectful while sharing this message.
Have fun at the movies!
Paul Feig Thinks Ghostbusters 2016 is Next Snyder Cut from Odin’s Movie Blog (this video contains some language)
City of Angels – The Crow City of Angels from Jared
Exploring The Crow City of Angels from GoodBadFlicks
The Crow: Legacy of a Cult Classic and The Crow LIVE Commentary | “Can’t Rain All The Time” from Drumdums
Lost Media Case Files Vol 1. | blameitonjorge (this video contains some language and sensitive material)
Sonic the Hedgehog is FIXED! Sonic Looks Great! from Clownfish TV (this video contains some language)
It’s no secret that my Hallmark Movies & Mysteries related content is some of the most popular on 18 Cinema Lane. My review of Hailey Dean Mysteries: A Will to Kill has acquired over 1,000 views, making it the most popular movie I’ve ever written about! In recent days, my Aurora Teagarden reviews have garnered a large number of views. Because I was planning on talking about the newest film from this series, these viewership numbers gave me a greater reason to review Aurora Teagarden Mysteries: Heist and Seek! In a Word on the Street story from two months ago, I discussed the likelihood of this film being removed from Hallmark’s schedule due to unfinished post-production work. While this work was eventually completed, the film moved from its original release date in April to May 17th. Despite this date change, I’m thankful this movie was able to premiere at all. Because the Coronavirus has prevented Hallmark from creating new content, I appreciate the network’s attempts to adapt to the current situation.
Things I liked about the film:
The acting: A consistent strength I’ve noticed in the series on Hallmark Movies & Mysteries is the quality of the acting performances! Specifically in the Aurora Teagarden series, the acting has always been a highlight! Because most of the starring cast has appeared in more than one film, it allows the actors and actresses to become comfortable in that role and help their character adapt to a particular story. One of these actors is Dylan Sloane, who portrays Aurora’s relative, Phillip. Whenever he appeared on screen, Dylan always seemed at ease in his role. With a believable performance, Dylan’s portrayal made it easier for the audience to focus on how Phillip would contribute to the mystery. Newer additions to the cast also gave memorable performances, as two standouts came from Oliver Rice and Brendon Zub! I recognize Oliver from Chesapeake Shores. Since he has had a recurring presence on that show, his role as James gave him the opportunity to adapt to a variety of situations. After seeing his performance in this film, it makes me wish Hallmark would give him a lead role. As for Brendon, I liked what he brought to his role! His character, Eric, had a good persona and fit in well with the pre-established cast of characters. I’d like to see Brendon appear in more Hallmark films!
The inclusion of history: When it comes to Hallmark Movies & Mysteries’ films, history is not often included in the story. This is because most of the stories focus on the current situations going on in a specific location. Since Aurora Teagarden Mysteries: Heist and Seek incorporated Elizabethan history into their script, a unique identity was given to that film. It also made the project somewhat educational. Personally, I know a limited amount of information on the Elizabethan era. After hearing the explanation behind “Leicester’s Gift”, I feel like I gained more knowledge about Queen Elizabeth. While this movie doesn’t replace a history lesson, it at least starts the conversation.
The absence of the “don’t-get-involved” cliché: There have been times in the Aurora Teagarden series where Aurora is told to not get involved in a case. She is even told this after she had successfully solved more than one mystery. In the series’ thirteenth movie, I’m glad the creative team chose to not include the “don’t-get-involved” cliché! While Lynn tells her not to get in the police’s way, Aurora is never told not to solve the mystery. In fact, there is one scene where Aurora encourages her mom to continue being the voice of reason in her life. This was such a great subversion of expectations, as it gives Aurora freedom to solve the mystery but has someone in her corner to hold her accountable. This creative choice allowed Aurora to be recognized as the intelligent yet imperfect woman that she is!
What I didn’t like about the film:
Nick’s engagement proposal: In the trailers for this movie, Nick’s attempts of proposing to Aurora were heavily emphasized. This part of the story, in the film’s marketing, was highlighted more than the plot. Personally, I think this was a creative mistake. It didn’t play as large of a role in the story as I expected. But, because it was shown in the advertising, Nick’s proposal attempts felt predictable. As soon as it was introduced in the film, I correctly predicted the outcome. The proposal’s resolution also felt predictable.
A limited amount of suspense: Suspense has a consistent presence in the mystery series on Hallmark Movies & Mysteries. However, some movies contain less suspense than others. This is certainly the case for Aurora Teagarden Mysteries: Heist and Seek. While watching the movie, I noticed how the suspense was used sparingly. In my opinion, I like seeing a healthy amount of suspense in a mystery film. It helps the film maintain a good pace and it creates higher stakes for the story. Since this installment of the Aurora Teagarden series adopted less suspense, it almost gave the story lower stakes than usual. It also felt like the overall level of urgency was on the lower end of the spectrum.
Under-utilized clues: In my review of Mystery 101: An Education in Murder, I talked about how the clues were found in the spoken dialogue of the suspects. This was a unique creative choice that worked for that film. Aurora Teagarden Mysteries: Heist and Seek chose to incorporate physical clues as well as the perspectives of the suspects. Unfortunately, the script provided an imbalance between these perspectives and the clues. This caused the suspects’ perspectives to be given more attention than the clues. The majority of the clues consisted of paper, which created a lack of variety to the types of clues that were found. If the creative team knew how the clues were being under-utilized, they should have placed the clues within the dialogue like Mystery 101: An Education in Murder.
My overall impression:
As I’ve said before on 18 Cinema Lane, the Aurora Teagarden series is one of the strongest movie series on Hallmark Movies & Mysteries. There are movies in this series that are better than others, but I have yet to see a movie that is bad. Aurora Teagarden Mysteries: Heist and Seek was a likable addition to the series. The inclusion of history gave the project its own identity and the story subverted expectations from a familiar cliché. However, I feel there are movies that are stronger than this one. This chapter in the Aurora Teagarden story was not as suspenseful as other installments. Even though Nick proposing to Aurora progresses the overarching plot forward, it ended up being predictable because of the marketing campaign. Based on the title for the next movie, Aurora Teagarden Mysteries: Reunited and It Feels So Deadly, I’m wondering if Yannick Bisson’s character, Martin, makes an appearance? If Martin returns, that would provide an interesting dynamic as Aurora plans her wedding.
Overall score: 7.3-7.4 out of 10
Have you seen the newest Aurora Teagarden movie? What do you think the next film will be about? Share your thoughts in the comment section!
Last week, AMC and Regal theaters made the bold decision to ban movies from Universal Studios. This came on the heels of an unexpected, yet successful, VOD (video on demand) run of Trolls: World Tour. Since this announcement, a debate over which side made the right choice has started on the internet. After some consideration, I thought I’d join this debate by expressing my perspectives through this editorial. As you read in the title, I have sided with Universal Studios. In my editorial, I will highlight three reasons why I think Universal is in the right when it comes to this situation. Before I begin, I would like to point out that this post is not meant to be mean-spirited and negative toward anyone. This article is created to simply express my opinion.
Universal Has More Mouths to Feed
It’s no secret that the Coronavirus has taken a heavy toll on the economy. Many industries have lost their finances as well as their employees. Because of the orders to “social-distance” and self-quarantine, businesses that attract large crowds have been forced to temporarily close their doors. Movie theaters are just one of them, with studios postponing some of their theatrical releases until it is safe for everyone to enjoy their films. Even though movie theaters have a legitimate place in communities around the world, they only offer one service: showing movies. The employees that work for any movie theater play an important role. But every job at that theater comes back to making the movie-going experience the best it can be. AMC Theatres offers a video on demand service, which means they have some more employees than a typical theater. However, Universal has different key components to their company. Besides the movie division, Universal also has a television department, with the ownership of NBC and other affiliated networks. Comcast is owned by Universal as well and they have four theme parks. Movie theaters have been financially impacted by the Coronavirus, but Universal Studios is also in the same boat.
Universal Had Always Planned on Releasing Films Theatrically
When the CEOs of Regal and AMC Theaters have been asked about their decision to ban Universal’s movies, they have made it seem like Universal intentionally tried to hurt the movie theaters. Mooky Greidinger, the CEO of Regal’s parent company, Cineworld, said “not only did Universal provide no commitment for the future window – but Universal was the only studio that tried to take advantage of the current crisis and provide a ‘day-and-date’ release of a movie that was not yet released”. Meanwhile, Adam Aron, AMC’s CEO, said “this radical change by Universal to the business model that currently exists between our two companies represents nothing but downside for us and is categorically unacceptable to AMC Entertainment”. Despite AMC and Regal’s animosity toward Universal, Universal claims they never intended to shut the theaters out. The studio said in a response to AMC that “we expect to release future films directly to theatres, as well as on PVOD when that distribution outlet makes sense”. Their recent actions seem to match these words. One of the first films that was rescheduled due to the Coronavirus was the latest James Bond installment, No Time to Die. It will get a theatrical release, but not until November 25th. Fast and Furious9 was also postponed, receiving a theatrical date next April. While Universal has released some of their titles on VOD, most of them were smaller films. One of these films was the 2020 remake of Jane Austin’s Emma. Similar to Trolls: World Tour, this movie was released around the “eye of the storm”. To make up for financial losses, Universal adapted to the global situation the best they could and tried to keep their business afloat.
The Movie Theaters Have Weak Arguments
Before writing this editorial, I read several articles and watched several videos about this subject. I have come to the conclusion that the arguments presented by the movie theaters are very weak. In an article from the website, Pirates & Princesses, Kambrea reports that John Fithian, the President and CEO of the National Association of Theatre Owners, stated “Universal heavily marketed the title as a theatrical release, in theaters and elsewhere, for weeks on end”. As I mentioned before in this editorial, Trolls: World Tour was released around the Coronavirus’ “eye of the storm”. Universal, or any other company, did not know how bad the Coronavirus was going to get. If this had never happened and things had gone according to plan, Universal would have continued to release Trolls: World Tour in theaters. Earlier in this editorial, I also mentioned that AMC Theatres has a video on demand service. If they offered Trolls: World Tour on this service, wouldn’t AMC and Universal benefit from that decision? Even though AMC and Regal have banned Universal’s projects, the studio is not the only one to put their upcoming movies on VOD. Kambrea, from Pirates & Princesses, reported how Disney’s Artemis Fowl, which had a May 29th theatrical release, will now receive a June 12th release date on Disney+. In theory, Disney did the exact same thing Universal did. However, AMC and Regal have not announced any plans to ban Disney’s films from being shown at their theaters. This makes the theaters look hypocritical.
The 21st century has never experienced a medical situation of this magnitude before. Because of this, all divisions of the economy were forced to respond the best they could. This includes Universal, who have multiple components to their company. I don’t believe they did anything wrong by releasing Trolls: World Tour on VOD. If anything, the movie theaters’ reaction to this choice has made them appear out-of-touch with not only the digital consumer landscape, but also with how this virus has affected the financial health of the economy. I understand that movie theaters need to make money to keep the lights on. But intentionally hurting another business is not going to make the Coronavirus go away any sooner. This kind of mindset is what makes companies regress, reminding me a lot of Blockbuster’s demise. Just because we are “social-distancing” doesn’t mean we have to push each other away.
Before I start this When Calls the Heart re-cap, I’d like to remind everyone that Thursday, April 16th, is the last day to cast your vote for the Best Movie and Story of the 2nd Annual Gold Sally Awards! The last award will be posted on the April 17th! Here is the link to the poll:
Sometimes, things happen beyond our control. Because we all have our own unique perspectives, we have different ways to reacting to these situations. Blame can sometimes be a choice that is made. Other people decide to take matters into their own hands, wanting to find a solution on their own. Coming together on common ground is another choice to come into the realm of possibilities. The windstorm in this episode of When Calls of Heart causes the characters to seek solutions in various ways. The answers may come quickly, but they may also take awhile to be discovered. In retrospect, these aspects reflect what is going on in the world’s current situation. The Coronavirus is beyond our control. There are people trying to find a solution to the current problem. But everyone has found their own way to react to the situation.
Just a reminder: If you did not see this episode of When Calls the Heart, there may be spoilers within this re-cap.
Name: Into the Woods
Elizabeth plans on taking the second half of her class on a field trip through the forest. Since she took the first half of her class on a field trip in the previous week, she has recruited Carson to be the substitute teacher on the day of the trip. The next day, Elizabeth and these aforementioned students head to the woods. While learning about nature, Emily finds an arrowhead. Elizabeth and her students also make use of a pair of binoculars they borrowed from Lucas. As they go deeper into the forest, Elizabeth discovers the wind picking up. Concerned about the safety of her students, Elizabeth ends the field trip early, in order to beat the oncoming windstorm. Unfortunately, they aren’t able to go home before the storm. So, they hide in a nearby hunting lodge until the storm subsides. When Elizabeth and her students arrive at the lodge, she discovers Emily is missing. She learns from Ally that Emily left the group to find her missing arrowhead. Elizabeth leaves Robert in charge of the students while she goes into the forest to look for Emily. Eventually, Elizabeth finds Emily in the forest. Nathan finds the both of them shortly after, then takes them back to the lodge. After the storm ends, Nathan gives Emily her arrowhead. He also criticizes Elizabeth for leaving her students during a windstorm, telling her how she could have put her students’ lives in danger.
During dinner, Jesse tells Clara he has received a lumber block. He also tells Clara that he has to leave early the next morning, in order to collect supplies from the lumber block. The next day, while Lee is fixing his car, he learns Jesse hasn’t returned from the lumber block. After hearing about the oncoming windstorm, Lee heads to the lumber block to retrieve Jesse. Several hours pass by and both men haven’t returned to Hope Valley. Several citizens from Hope Valley organize a search party, including Clara and Rosemary. During the search, Clara fears that Jesse faced a similar fate like Peter did years ago. Rosemary tells her not to worry. Shortly after she says this, they hear a noise that signifies Jesse and Lee have been found. When Rosemary and Clara arrive with the rest of the search party, they discover that Jesse is safe. However, they also discover that Lee has suffered from a bad head injury. At the end of the episode, Lee is unconscious. Rosemary asks Carson to do whatever he can to save Lee.
At the beginning of the episode, Lucas asks Henry if he can look at the oil plant’s financial records. Henry refuses to hand over the ledger. At the saloon, Mike reveals to Lucas he hasn’t received any payments from Henry. This causes Lucas to turn to Bill for help. He shares his concerns with Bill about Henry’s lack of cooperation. Bill tells Lucas that Henry has twenty-hours to hand over the records or else he’ll order a subpoena. Lucas delivers this news to Henry, which causes Henry to be conflicted over his next step.
Some thoughts to consider:
In this episode, there was some really good cinematography! One good example is when Elizabeth discovers the growing strength of the wind. The shot was presented as if the audience is looking through Lucas’ binoculars. The landscape itself shows mist moving over the trees, creating an eerie and unsettling presence before the windstorm wreaks havoc.
While watching this episode, it was disappointing to see some poor decisions being made during the windstorm. I agree with Nathan about Elizabeth leaving her students in order to find Emily. Nathan told Elizabeth he was going to look for Emily. As the only adult in the group, Elizabeth had a responsibility to look after her students.
I’d like to think Lee is going to recover from his head injury. But because this episode ended on a cliffhanger (similar to the episode that aired before the season five finale) and because Lee’s situation was not addressed in the commercial for the next episode, I’m honestly not so sure. According to the description for an extended preview of the upcoming episode, it says “Rosemary learns a secret about Lee’s past”. At this point, I have no idea what that could mean.
What are your thoughts on this episode? Do you think Lee will recover? Share your thoughts in the comment section.