The Cabot Cove-thon Blogathon is Here to Commemorate 40 Years of ‘Murder, She Wrote’!

Welcome to my blogathon, Cabot Cove-thon! With Murder, She Wrote‘s first episode premiering on September 30th, 1984, this event is commemorating the show’s 40th anniversary! In Murder, She Wrote‘s twelve season lifespan, viewers watched as Jessica successfully cracked each case, whether in her hometown, Cabot Cove, or beyond her own backyard. The show also proved to its audience how diverse the mystery genre can be; telling stories, expressing ideas, and showcasing talent that make each episode unique. The participants of Cabot Cove-thon created articles that highlight the multifaceted nature of Murder, She Wrote. From observing Angela Lansbury’s film career to discussing the show’s theme park presence, let the Cabot Cove-thon Blogathon begin!

Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

18 Cinema Lane — Why Universal Orlando Resort Should Host ‘Murder, She Wrote’ Weekend, Sally Reads…’Murder, She Wrote: Dying to Retire’ by Jessica Fletcher and Donald Bain

Taking Up Room — Miss Angela Cruises the Nile

The Very Special Blog — Happy 40th Anniversary to Murder, She Wrote!

Sally Watches… Touched by an Angel (30th Anniversary Edition)!

2024 has hosted several anniversaries, from the 30th anniversary of the Disney animated film, The Lion King, to the 50th anniversary of Little House on the Prairie. But there is one anniversary that can’t be overlooked: the 30th anniversary of Touched by an Angel! With the show premiering on September 21st, 1994, I figured it would be appropriate to review some episodes this month in honor of the occasion. Since I reviewed three individual episodes of Touched by an Angel in the past, I will be writing about three episodes at once this time. Similar to past reviews of television episodes, I’m going to discuss what I liked about the episode, what I didn’t like about the episode, the story itself, the other factors from the episode, and my overall thoughts. Now, let’s talk about the three selected episodes: “The Southbound Bus”, “Psalm 151”, and “Mother’s Day”!

Touched by an Angel season one DVD poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: The Southbound Bus

Season 1, Episode 1

Premiere Date: September 21st, 1994

What I liked about this episode:

Touched by An Angel has incorporated serious, real-world topics into their stories; providing the show with dramatic, even sad, moments. But there are times when Touched by An Angel can become light-hearted. One perfect example is when David meets Tess for the first time. Tess arrives at David’s house as his new nanny. Because of hardships he experienced prior to the events of “The Southbound Bus”, David is skeptical of Tess and her new role. Tess, on the other hand, is ready to deal with David’s skepticism. Her no-nonsense attitude and motherly persona make it clear who’s in charge. She even calls David “dinosaur boy”, due to the dinosaur print on David’s shorts. The scene I described was genuinely hilarious because of how well written and acted it was. It also provided a balance between the episode’s light-hearted and serious tones!

What I didn’t like about this episode:

When she visits a rest stop known as Hewitt, Monica meets Ruth Ann and Christine. Later in the episode, a run-in with a local police officer forces Ruth Ann to confess to Christine how she’s attempting to flee the FBI due to her association with a criminal. During Ruth Ann’s attempt to flee, Monica pleads with Ruth Ann to confront her past. Monica’s pleading is fruitless, as not only Ruth Ann hitchhikes out of Hewitt, her part of the story is left unresolved. I know there’s only so much story you can tell in an hour-long episode. But if the show’s creative team knew Ruth Ann’s story wasn’t going to receive a resolution, why address it in the first place?

The story itself:

As I mentioned earlier in this review, Touched by An Angel has included dramatic, even sad, moments in their stories due to the show’s subject matter. However, as I’ve also mentioned, there are times when the show can become light-hearted. These tones were balanced very well in “The Southbound Bus” as viewers are introduced to Monica, Tess, and their roles as “case workers”! The story jumps right into the action as Monica not only receives an upgrade from “search and rescue”, she also receives her first assignment in her new role. This creative choice grabs viewers’ attention as Monica meets Tess at the bus stop. Touched by An Angel sometimes incorporates plot twists and surprises in their stories which can catch viewers off-guard. There is one plot twist in “The Southbound Bus” that I found really effective!

The other factors from this episode:

  • For this part of my review, I will spoil “The Southbound Bus”. If you have not seen this episode and are planning on watching it, please skip to the next point in this section.

When Monica confronts Christine on the loss of her daughter, Monica admits an angel was with Christine’s daughter, Katie, when she died. She also confesses how an angel is with Katie in Heaven. Monica’s statement confused me because I remembered how, prior to this episode, she was on “search and rescue”. Yet, when talking with her friend from “search and rescue”, Adam, Monica didn’t know the history of David’s family. Was Adam with Katie or was it perhaps Andrew, with this detail revealed in a later episode?

  • During her assignment to help David, Monica reconnects with a friend from “search and rescue” named Adam. Through their conversation, Monica receives key information about David’s mother and sister. From what I remember of Touched by An Angel, Adam doesn’t join the show’s main cast. This makes me believe Adam was the precursor of Andrew (who would make his debut in season two).
  • At the beginning of “The Southbound Bus”, Tess reminds Monica how she hasn’t appeared in human form for more than a few moments. This fact causes Tess to warn Monica not to eat everything in sight. Tess’s guidelines for the human world make me wonder what other rules angels have to follow? Were these rules expressed in other episodes?

My overall thoughts:

The Southbound Bus” is the very first episode of Touched by An Angel. It’s also the very first time viewers meet Monica, Tess, and the world they interact with. I’d say this was a strong start for not only Touched by An Angel’s first season, but also for the series as a whole! The overall quality of the production sets up what viewers can expect from this show. “The Southbound Bus” addresses serious subjects like grief and neglect. But the way this story was written allowed moments of humor and even hope, providing a balance between serious and light-hearted tones. The dialogue is thought provoking as well, such as when Monica marvels at how humans have the courage to wake up and start a new day. I said in the past how “Perfect Little Angel” would be a good starting point when introducing someone to Touched by An Angel. Another good choice would be “The Southbound Bus”, as that is where it all began!

Rating: A solid 4 out of 5

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Touched by an Angel season five poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: Psalm 151

Season 5, Episode 9

Premiere Date: November 15th, 1998

What I liked about this episode:

If I could choose one phrase to describe “Psalm 151”, it would be “genuine sincerity”. The reason is how genuine sincerity was the glue that kept this story together! The interactions between the characters felt sincere, giving the impression they truly wanted to respect Petey’s wishes. Cornelia/Celine and Petey’s friendship came across as genuine due to the performances of Mika Boorem and Joseph Cross, as well as the screenwriting. Even Céline Dion’s inclusion in this story felt sincere as she tells Petey and Cornelia/Celine to always focus on the light. This genuine sincerity left me invested in the story and caring about the characters!

What I didn’t like about this episode:

Psalm 151”is a music-centric episode because music is one of the story’s main themes. As I mentioned in my review of the episode, “Perfect Little Angel”, Della Reese is a real-life singer. With that said, I think not incorporating Della’s singing talents in “Psalm 151” was a missed opportunity. Like I stated while talking about “The Southbound Bus”, there’s only so much story you can tell in an hour-long episode. This means there’s only so much time to include the singing talents of Céline Dion and Wynonna Judd. I still wish some amount of time had been given to Della so she could sing at least one song.

The story itself:

For Monica’s 100th case, the creative team behind “Psalm 151” could have turned this story into a “remember when” episode; where Monica, Tess, and Andrew reflect on flashbacks that occurred in previous episodes. Instead, Monica received a new case containing its own unique conflicts and resolutions. Even though the story of “Psalm 151” was different from preceding episodes, it shared a major similarity with “The Southbound Bus”: the story revolved around a mother and son dealing with a challenging situation. This similarity allowed Monica’s story to come full circle. When a television show chooses to create a musical episode, it can sometimes be met with skepticism due to the concern of the musical episode feeling out of character. But in the case of “Psalm 151”, a musical episode felt like an appropriate choice for Monica’s milestone, especially since Touched by An Angel is known for being a heart-warming, uplifting program.

The other factors from this episode:

  • Monica celebrates her 100th case by throwing a party. Tess explains to Andrew how Monica wanted coffee-flavored treats at her celebration. When Monica travels to Hewitt in “The Southbound Bus”, she tells Christine and Ruth Ann how coffee was a treat for her, as she consumed coffee so infrequently while on “search and rescue”. This creative detail was a nice throwback to Monica’s very first case!
  • Petey’s friend, Cornelia/Celine, calls herself “Celine” because she adores Céline Dion. In fact, one of Petey’s wishes is for Cornelia/Celine to meet her favorite singer. Céline Dion’s appearance in this episode serves an interesting coincidence. “Psalm 151” premiered in 1998, ten years after Céline won Eurovision. Reviewing this episode now also serves a coincidence, as Switzerland (the country Céline represented) won this year’s Eurovision and Céline performed during this year’s Olympic opening ceremony.
  • While reflecting on the coincidences in “Psalm 151”, I realized there is one coincidence related to Wynonna Judd. 2024 marks the 30th anniversary of when Wynonna performed during the Super Bowl half time show. This is also a coincidence, as 1994 is when Touched by An Angel made its television debut.

My overall thoughts:

According to IMDB, “Psalm 151” is a top-rated episode with a score of 9.5 out of 10. Looking back on this episode, I can see why so many people like “Psalm 151”! Touched by An Angel pulled out every stop they could think of for Monica’s 100th case! The screenwriters created a script that allowed Monica’s story to come full circle. This same script also gave viewers characters, interactions, and resolutions that felt genuinely sincere; inviting viewers to care about the characters and stay invested in their story! Musical television episodes can sometimes receive a bad rap due to those episodes feeling out of place among their respective shows. For “Psalm 151”, its musical nature made the episode feel like a joyous celebration. Yet the serious subjects of chronic illness and grief were never overlooked or sugarcoated. If I came up with a list of the top ten best Touched by An Angel episodes, “Psalm 151” would find a place on that list!

Rating: A strong 4.5 out of 5

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Touched by an Angel season six poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: Mother’s Day

Season 6, Episode 25

Premiere Date: May 14th, 2000

What I liked about this episode:

Wynonna Judd is, in my opinion, talented, yet underrated. Even though she guest-starred in “Psalm 151” and “Mother’s Day”, Wynonna’s strongest performance was found in “Mother’s Day”! The emotional intensity Wynonna brought to this episode made Audrey’s grief feel realistic. In a scene where Cornelia/Celine is confronting Audrey about her alcohol addiction, Audrey’s bitter tone, sharp look in her eyes, and anger show how she is not yet ready to handle the truth. Meanwhile, Cornelia/Celine is terrified of Audrey, even becoming sad and tearful by Audrey’s hurtfulness. Wynonna Judd should have, at least, been nominated for an award for her portrayal of Audrey in this episode!

What I didn’t like about this episode:

In order to help Audrey cope with Petey’s death, Monica is sent to “The Middle”; giving her the ability to enter Audrey’s dreams. The way these dreams were presented felt out of character for Touched by An Angel. The background and even certain objects were coated in bright, fluorescent colors. Monica would look at Audrey with a blank stare and speak to her in a cryptic manner. Even Petey’s iguana, Fluffy, talks to Audrey. The dreams Monica enters would be described as “trippy”, a word typically not used for a show known for being heart-warming and wholesome.

The story Itself:

Mother’s Day” is the follow-up to “Psalm 151”, picking up the story after Petey passed away. The death of Petey causes Audrey to turn further into her grief as well as give up music. While the story has its touching moments and a resolution is found, it undermines the message of “Psalm 151”; how music can help people heal and bring them closer together. Cornelia/Celine understandably misses Petey. Yet her grief is glossed over due to the story primarily focusing on Audrey’s struggles. The story of “Psalm 151” dealt with serious topics such as chronic illness and grief. Yet the genuine sincerity I mentioned earlier in this review is one of the reasons why that episode felt heart-warming, even hopeful. Because Audrey is consumed by grief in the majority of “Mother’s Day”, the story felt depressing.

The other factors from this episode:

  • Jean Stapleton portrays Emma, an angel who poses as a housekeeper. Reflecting on Jean’s role on All in the Family made me realize how her appearance in this episode was an interesting coincidence. In All in the Family’s two-part episode, “Edith’s Crisis of Faith”, Edith struggles with grief and her faith after her friend is murdered around Christmastime. Touched by An Angel’s episode, “Mother’s Day”, shows Audrey struggling with grief and her faith after the loss of Petey.
  • Without spoiling this episode, I recognize why it is called “Mother’s Day”. Yet, in my opinion, this is a story that could have taken place any time of year presenting a similar outcome. When a television show episode is holiday themed, messages connected to that holiday serve as threads throughout the story. With all that said, it makes me wonder why, out of all the holidays on the calendar, was Mother’s Day selected for this episode? Why not Christmas or Petey’s birthday?
  • When I talked about “Psalm 151”, I mentioned how 2024 (the year I’m reviewing the episode) marks the 30th anniversary of when Wynonna performed during the Super Bowl half time show. It should also be noted that Naomi Judd also performed in 1994’s Super Bowl half time show, where she and Wynonna sang “Love Can Build a Bridge”. The reason why I’m bringing this fact up is because Naomi appears in “Mother’s Day”.

My overall thoughts:

When it comes to “Mother’s Day”, I’m honestly torn. Earlier in my review, I pointed out how “Psalm 151” is a top-rated episode on IMDB. Therefore, it makes sense for a popular episode to receive a follow-up. On the other hand, “Mother’s Day” isn’t as strong as “Psalm 151”. The message of music helping people heal and bringing them closer together is undermined as Audrey is consumed by grief for the majority of the episode. Even though there are touching moments in this story, as well as a resolution, the overall presentation didn’t feel as heartwarming or hopeful as “Psalm 151” or even “The Southbound Bus”. However, Wynonna’s portrayal of Audrey was a highlight of this episode, as her emotional intensity showed a more realistic depiction of grief. I also thought Mika Boorem gave a solid acting performance, showing how Cornelia/Celine tried to provide the thread that kept her world together. “Mother’s Day” is not a bad episode. But its weaker production kind of makes me wish a different episode had received a follow-up instead.

Rating: A 3.5 out of 5

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Have fun on television!

Sally Silverscreen

One Month Until the Cabot Cove-thon Blogathon Arrives!

Are you a fan of Murder, She Wrote? Do you want to participate in a blogathon that is fun and creative? If you answered yes to these questions, then come join my blogathon, Cabot Cove-thon! The event starts on September 27th, so you still have time to sign up. Plus, there are plenty of topics to choose from! To learn more about Cabot Cove-thon, click on the link below.

Celebrating 40 Years of ‘Murder, She Wrote’ with the Blogathon; Cabot Cove-thon!

Celebrating 40 Years of ‘Murder, She Wrote’ with the Blogathon; Cabot Cove-thon!

When I signed up for the It’s In The Name of The Title Blogathon, one of the movies I chose to review was Harry & Son starring Robby Benson. When I think of Robby, I think of how he voiced Beast in the 1991 animated film, Beauty and the Beast. Remembering how Angela Lansbury also starred in that film, I always thought it was a missed opportunity for Murder, She Wrote to not promote the 1991 movie, especially since the show was still a popular program at the time. This led me to realize Angela and Robby have another thing in common; they both starred in a project released in 1984. In Angela’s case, that program was Murder, She Wrote! In honor of the show’s 40th anniversary, I’m hosting Cabot Cove-thon! Because Murder, She Wrote is a multifaceted program, there are many ideas for blogathon participants to choose from. Here is a list of possible subjects:

Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.
  • Murder, She Wrote episodes
  • Characters, locations, or stories from the show
  • Actors, Actresses, behind-the-scenes team members, etc. who worked on Murder, She Wrote
  • Murder, She Wrote made-for-TV movies
  • Murder, She Wrote books
  • The Murder, She Wrote theme park attraction at Universal Studios Florida
  • Movies, tv shows/tv show episodes, or books taking place in a location featured on Murder, She Wrote (example: a movie set in Maine)
  • Movies, tv shows/tv show episodes, or books released between 1984 to 1996
  • Programs Angela Lansbury starred in (example: 1991’s Beauty and the Beast)

Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

If you’re interested in joining Cabot Cove-thon and found an idea you’re interested in writing about, please read the official rules before signing up for the event.

  1. Please be respectful to your fellow blogathon participants and the subject you’re writing about
  2. Only new entries are allowed
  3. Participants are able to publish a maximum of four entries
  4. Only two blogathon participants are allowed to write about a blogathon subject (example: no more than two people can write about a specific Murder, She Wrote episode)
  5. Creativity and fun are encouraged
  6. Blogathon entries must be submitted between September 27th to October 1st
  7. If you plan to publish your entry earlier or later than the blogathon week, please let me know before the event
  8. If you’d like to join the blogathon, share your blogathon ideas in the comment section of this announcement post
  9. Feature one of the five blogathon banners anywhere in your entry
Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

Cabot Cove-thon Participants

Sally from 18 Cinema Lane — Editorial about Why Universal Orlando Resort Should Host Murder, She Wrote Weekend, Review of Murder, She Wrote: Dying to Retire by Jessica Fletcher and Donald Bain

— Kristen from Hoofers and Honeys — Review of The Harvey Girls (1946)

— Rebecca from Taking Up Room — Review of Death on the Nile (1978)

Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.
Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

Watching ‘Singin in the Rain’ for the First Time

Throughout my years of movie viewing (and blogging), I have received the opportunity to check out films boasting a “classic” status. This status has, in my opinion, been earned on some occasions, as I gained an understanding for why a particular movie was granted its praise. However, there were certain titles I found myself unable to figure out why it is considered a “classic”. Out of all these “classic” films, I have been meaning to see one specific picture. That title is Singin in the Rain. The 1952 production needs no introduction. From the song, “Good Morning”, being featured in an orange juice commercial to a replica of Gene Kelly’s umbrella in Disney MGM/Hollywood Studios, Singin in the Rain has carved out a slice in America’s pop culture pie. But for someone, like me, who hasn’t seen this iconic film before, these references are going to seem like a company, individual, or creative team is, simply, taking advantage of the movie’s 50+ year popularity. That replica is just used for tourists to have their photo taken. That song was just an appropriate selection to promote a beverage primarily found at breakfast-time. With the arrival and fruition of the Singin in the Rain Blogathon, I finally have a wonderful excuse to watch Singin in the Rain. It also gives me an opportunity to gain more context of the film’s respective songs, images, and quotes.

Singin in the Rain poster created by
Metro-Goldwyn-Mayer and Loew’s Inc.

Creative Musical Numbers

Singin in the Rain is not just one of the most iconic movies of all time, it’s one of the most iconic musicals of all time! A musical with a “classic” status will bring something unique and creative to the table. The Wizard of Oz took on the power of Technicolor, in a time when that specific technology was more of a luxury. Xanadu showed the world roller skating can be magical. When it comes to Singin in the Rain, the creativity lies in the musical numbers themselves, presenting performances that hadn’t really been seen before 1952. Toward the beginning of the film, Gene and Donald perform a duet, “Fit as a Fiddle (And Ready for Love)”, at a vaudeville show. Throughout this musical number, Donald and Gene not only tap danced, but played the fiddle as well. For the 21st century viewer, dancing and playing an instrument at the same time doesn’t seem like a new concept, as Lindsey Stirling has capitalized on those talents. Within the realm of cinematic musicals, however, a routine like Gene and Donald’s isn’t often included.

Gene Kelly’s famous solo isn’t the first musical number featuring rain. Two decades prior, in Just Around the Corner, Shirley Temple performed “I Love to Walk in the Rain”, her film’s big musical number that represented the spirit of the movie. Looking back on “Singin in the Rain”, I, personally, feel Shirley’s number walked (no pun intended) so Gene’s solo could soar! The solo from the 1952 production takes place after Gene’s character, Don, takes Kathy home. Despite it raining outdoors, Don is head-over-heels in love with Kathy. Gene tap danced in his solo. But unlike “I Love to Walk in the Rain”, “Singin in the Rain” felt more immersive, as it wasn’t just a performative routine. Because the number takes place within the story’s context, it feels grounded in reality, a downtown street replacing a glamourized stage. Watching Gene jumping and splashing in puddles added uniqueness to the routine. Even though “Singin in the Rain” wasn’t the big musical number for its respective movie, it represents the film’s spirit, reminding the audience to see the good in a not-so-good situation.

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Strong Camaraderie

In most of my reviews, I talk about the acting. I will choose a few performances to discuss and write about what I liked about them. For this review, I want to talk about a different acting component. While the overall acting in Singin in the Rain was strong, what stood out to me more was the on-screen camaraderie between Gene Kelly, Debbie Reynolds, and Donald O’Connor! One of my favorite scenes is when Don, Kathy, and Cosmo are concocting a plan to save Don’s film. Each character’s personality shines through during this brainstorming session. Cosmo encourages Don to turn the film into a musical, as he spontaneously breaks out into song. Meanwhile, Kathy attempts to keep the group’s good spirits lifted, her kind demeanor certainly helping the situation. After hearing Cosmo’s idea, Don is open-minded about it, joyously realizing he can use his talents to his advantage. This scene, as well as the “Good Morning” musical number, is just one example of Gene, Debbie, and Donald’s on-screen camaraderie. Through their interactions, it felt like Don, Kathy, and Cosmo had been friends all along. This on-screen bond was so pleasant, I looked forward to each time these characters crossed paths!

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Learning about Cinema’s Early Years

Singin in the Rain takes place in the 1920s, during the transitional period between silent films and “talkies” (movies with sound). Even though the 1952 film is a musical that takes time to focus on its numbers, it lifts the figurative curtain enough to educate the audience on how film-making was executed in that time period. Don’s respective studio, Monumental Pictures, adopted sound after Warner Bros. took a chance with their film, The Jazz Singer, a high risk that was met with high rewards. Because of that one creative decision, it forever changed the cinematic landscape. As emphasized in the musical number, “Moses Supposes”, actors had to not only memorize their lines, they also had to remember to annunciate those lines. Singin in the Rain also shows the audience how dialogue is incorporated into a movie. As someone who appreciates the film-making process, it was nice to see this part of movie-making shown in steps. This step-to-step process was a good introduction to some of the work that goes on behind the camera.

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The Context of “Broadway Melody” in Don’s Film

While working to adapt his film, The Dancing Cavalier, into a musical, Don proposes the movie’s new opening scene. This scene is presented as the musical number “Broadway Melody”. As a musical number in Singin in the Rain, I liked this performance! It had colorful set and costume design, as well as strong choreography. But as an opening scene in The Dancing Cavalier, the musical number, in my opinion, doesn’t work. “Broadway Melody” is too long, my guess is ten minutes. The number itself kind of feels like an extension of Don’s past, as his journey to Hollywood came from simpler beginnings. Based on what the characters said about The Dancing Cavalier, Don’s proposed opening scene seems to have little connection to that film’s story. If Don’s movie were a real picture, some audience members might become bored with the film before the story began.

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No Subplot for Cosmo

As I mentioned earlier in this review, I liked the on-screen camaraderie of Gene, Debbie, and Donald. In fact, I liked Donald’s character, Cosmo! Not only was he hilarious and charming, but he was talented as well! The story of Singin in the Rain primarily revolved around the main plot; Monumental Pictures attempting to save their latest film. There is a subplot in the movie, but it mostly focuses on Lina, Don’s co-star. I would have loved to see Cosmo receive his own subplot. Since his contribution to the studio is musical, Cosmo’s part of the story would have pulled back that figurative curtain a little further to show the audience cinematic work behind the camera. I’ve said in previous reviews how important music is in film. Without it, there isn’t an opportunity for viewers to become emotionally affected by a given scene. Because Cosmo is a musician, that aspect of film-making could have been explored.

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A Love Interest That Wasn’t Meant to be

In my point about Cosmo not receiving a subplot, I mentioned how Singin in the Rain’s subplot mostly focused on Don’s co-star, Lina. Personally, I think more of that time should have been given to Cosmo. I know Lina is meant to be the film’s antagonist. I also know her actions and choices are intended to fuel the movie’s conflict. But why would Lina receive so much time when she and Don were never meant to be? Before and after the premiere of The Royal Rascal, people speculate about Lina and Don’s relationship. Even Lina carries the assumption she and Don are romantically involved with one another. But Don makes it pretty clear he is not romantically interested in Lina. This part of the story reminded me of a Hallmark movie cliché I’ve talked about in the past: the “protagonist’s ex showing up unannounced” cliché.

The Singin in the Rain Blogathon banner created by Ari from The Classic Movie Muse

In Conclusion

Before the Singin in the Rain Blogathon, I had never seen the event’s namesake. That means if someone were to tell me one of the movie’s quotes or if I heard one of the film’s songs, I wouldn’t have thought much of it. Now that I have finally seen Singin in the Rain, I have gained an understanding and appreciation for it! When Kathy first meets Don, she claims, when referring to films, that “when you’ve seen one, you’ve seen them all”. However, I’d argue the 1952 musical built a solid identity that affords it a distinction from other musical movies. Even though Singin in the Rain was released within the Breen Code era, I was pleasantly surprised by the good messages and themes in the story. When I talked about the movie’s on-screen camaraderie, I shared one of my favorite scenes; where Kathy, Don, and Cosmo were figuring out how to save Don’s film. Through this interaction, the message of being one’s self is stressed. This message also allowed Don to use his talents in his favor. When I reviewed The Bridge on the River Kwai, I wondered what the criteria was for lists such as AFI’s 100 Greatest  American  Movies of All Time. One of my speculations was titles that brought something new to the cinematic table. It should be noted that Singin in the Rain is on AFI’s list. While I don’t know for certain how it got there, I think I have a pretty good idea why it’s there.

Have fun at the movies!

Sally Silverscreen

The 4th Annual Gold Sally Awards Has Arrived!

18 Cinema Lane recently celebrated its fourth anniversary! To commemorate such an important milestone, I am, once again, hosting the Gold Sally Awards! As I said last month, each award post will feature two polls at a time. This decision was made to help the voting process move at a faster pace. With that said, this year’s Gold Sally Awards will begin with the Best Movie and Story polls! Because I didn’t post any announcements for the Gold Sally Awards, the first two polls will be available for two weeks; from February 16th to March 2nd. Like years past, you are allowed to vote for more than one nominee. But you can only vote once per person. The link to the polls will be located under each poll. Just click on the word ‘PollMaker’.

Similar to last year, I thought featuring this anniversary image was appropriate for the start of the Gold Sally Awards! Anniversary image created by WordPress.
What was the Best Movie of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
Created with PollMaker
What was the Best Story of 2021?
1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
 
Created with PollMaker

Have fun voting!

Sally Silverscreen

I Will Always Love You: ‘The Bodyguard’ at 30

When I think of the word “umpteenth” paired in the same sentence as film, I think of a movie that you love so much, you don’t mind watching it over and over again. A movie that deserves your undivided attention whenever it appears on television. A title that never fails to make you smile every time you hear it. For me, that film is none other than 1992’s The Bodyguard! If you were to ask me what my top ten favorite movies of all time are, The Bodyguard would be placed somewhere on that list. When I received my first Sunshine Blogger Award, I talked about how I loved this film’s soundtrack. So, for a blogathon that revolves around movies viewed for the “umpteenth” time, I found the perfect opportunity to write about The Bodyguard. But because it is turning thirty this year, simply reviewing this movie wasn’t going to do. Therefore, I decided to write an editorial explaining why I love the film so much! Without further ado, let me tell you why The Bodyguard still holds up thirty years later!

The Bodyguard poster created by Tig Productions, Kasdan Pictures, and Warner Bros. Pictures

The Acting

We can’t talk about The Bodyguard without also talking about Whitney Houston. From what I’ve heard over the years, Whitney had little to no acting experience prior to working on the 1992 film. But her portrayal of Rachel Marron does not reflect what she didn’t have. Instead, Whitney did a fantastic job presenting Rachel as a complex character! Miss Marron is a singer and actress who is constantly presenting herself as a lovable starlet who can do no wrong. Behind the scenes, she is a mother and sister who craves control over her life and career. Whitney’s emotions and expressions weave through the story and adapt to each situation. A great example is the scene before Rachel’s concert. While backstage at the Mayan Club, Rachel receives a disturbing note. When she addresses this to Frank and her friends, Bill and Sy, Rachel discovers the delivery of these notes has occurred more than once. In this scene, she goes from being excited about her concert to expressing genuine concern and fear over the note to being upset by not knowing the severity of the situation sooner. Whitney delivers each line and expression in a realistic way, highlighting how multi-layered Rachel is as an individual!

Recording studio image created by Senivpetro at freepik.com. Music photo created by senivpetro – www.freepik.com

I’ve always thought Kevin Costner should have portrayed James Bond at least once in his career. Now I know it’s an unspoken rule that James Bond has to be portrayed by someone from England/Europe. But before you write off my opinion as being silly, just hear me out. In The Bodyguard, Kevin is cast as Frank Farmer, a former Secret Service agent. While watching this film for the “umpteenth” time, I can point out some similarities Frank shares with the legendary 007. For starters, Frank has a signature drink, which is orange juice. He also has the look, with Frank sporting a suit and bow-tie at the Academy Awards. Frank possesses the poise, skill, and experience to successfully do his job. He can even turn on the charm when he wants to, as Rachel successfully tears down his defense mechanism of keeping his distance from others. But the most important part of my argument is that Kevin has the talent! What works in Kevin’s favor is his ability to consistently carry a collected and serious composure. While this is expected for a character like Frank, Kevin is given moments where genuine emotions are expressed. When Frank and Rachel go on a date to a restaurant, they talk about a woman from Frank’s past. As Rachel makes a joking remark about how she thinks the relationship ended, Frank remains silent, giving Rachel the impression the subject is no laughing matter. A few seconds later, Frank begins chuckling, revealing how he pulled a trick on Rachel. This scene shows that even though Frank is strong and can hold his own is his profession, he is still a man of feelings and fears.

Ski lodge during winter-time image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ski-station-background_3423830.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

Whitney and Kevin give great acting performances individually. However, it’s their on-screen chemistry that helps make their interactions memorable! From the moment Rachel and Frank first meet, you can feel the sparklers sizzling. Their banter bounces off each other like an exciting game of ping-pong. At first glance, you wouldn’t think Rachel and Frank would get along. This is because their personalities are the opposite of one another. But when they share private, intimate moments, Rachel and Frank are kindred spirits, understanding each other in a way that can’t be easily explained. The strong on-chemistry is not limited to the interactions between Whitney and Kevin. The interactions they share with the other actors in the film feel believable as well. One good example are the times when Frank interacts with Rachel’s son, Fletcher, portrayed by DeVaughn Nixon. Because of Fletcher’s desire to learn more about his mother’s bodyguard, the audience receives wisdom from Frank, along with clarity about why he is who he is. Fletcher’s curiosity of Frank is innocent and full of wonder, which presents the perfect counterpart to the dangerous and harsh reality of Frank’s career. These conversations between sweet and adorable Fletcher and tough and no-nonsense Frank kind of remind me of the conversations of Sarah and Eric from The Crow. The moments with Frank and Fletcher also allow the audience to take a break from the action and suspense The Bodyguard contains.

Sailing on the sea image created by Michele L at freeimages.com. “FreeImages.com/Michele L.”

The Soundtrack

While we’re talking about Whitney Houston, let’s discuss the soundtrack. In my first Sunshine Blogger Award post, I said Whitney’s songs are such a timeless addition to any playlist. In the case of The Bodyguard soundtrack, these songs perfectly showcase the vocal range Whitney is known for! Delivering half of the soundtrack’s songs, Whitney flawlessly masters three different genres. The tracks ‘Run to You’, ‘I Have Nothing’, and the classic ‘I Will Always Love You’ are presented as emotional ballads that amplify the scenes they’re featured in. Meanwhile, ‘I’m Every Woman’ and ‘Queen of the Night’ are sassy and energetic pop tunes that are somewhat reminiscent of the “get up and dance” feel of ‘I Wanna Dance With Somebody’. ‘Jesus Loves Me’ gives Whitney an opportunity to contribute to the world of gospel music by presenting a heartfelt, powerful melody. These six songs not only compliment Whitney’s singing abilities, but they also add to the album’s musical diversity.

The Bodyguard soundtrack boasts a total of twelve songs. Each track is a good representation of its respective genre. As I already mentioned, ‘I’m Every Woman’ and ‘Queen of the Night’ are sassy and energetic pop tunes. However, those are not the only pop songs featured on the album. Lisa Stansfield’s ‘Someday (I’m Coming Back)’ is a pop song that revolves around a finished relationship. Pop influences can also be heard in the rock song ‘What’s So Funny ‘Bout Peace, Love and Understanding’, sung by Curtis Stigers. ‘It’s Gonna Be a Lovely Day’, performed by S.O.U.L. S.Y.S.T.E.M., is a laid-back hip-hop track that is as straight forward as its title suggests. Another laid-back tune is ‘Even If My Heart Would Break’, an R&B song that features the vocals of Aaron Neville and the saxophone sounds of Kenny G. Alan Silvestri delivers on a theatrical score that carries a somber and serious tune. Finishing the soundtrack is Joe Cocker’s ‘Trust In Me’, which adds some country flavor to this strong album.

Since I own a copy of The Bodyguard soundtrack, I thought it would make sense to post a picture of it in this editorial. Screenshot taken by me, Sally Silverscreen.

The Kitchen Scene

In almost any action movie, there is that one scene audience members talk about long after the movie ends. It usually involves a lot of action, showing characters in an exciting battle of good versus evil. But there is a scene in The Bodyguard that, I feel, is the best scene from any action film. In what I call “the kitchen scene”, Tony, one of Rachel’s bodyguards, is upset over a miscommunication caused by Frank. In a fit of rage, Tony decides to take his frustrations out on Kevin Costner’s character. But he quickly realizes he made a big mistake. Throughout this scene, Kevin’s fight choreography is fast and filled with adrenaline. But he executes the clean choreography with precision and focus while maintaining a cool, collected composure.  Even though the kitchen is a smaller space, different parts of the kitchen are utilized. From Frank pinning Tony to the floor with a chair to Tony being thrown across the kitchen counter, the actors see the limited space given as a challenge instead of a hindrance. The best part of this scene is how there is no music or dialogue. This forces the audience to give their undivided attention to what is happening on-screen. While “the kitchen scene” is shorter in time length, it’s delivery is affective!

Vintage style kitchen image created by karlyukav at freepik.com Light photo created by karlyukav – www.freepik.com

Blending Several Genres

The Bodyguard consists of four genres: action, mystery, drama, and romance. On paper, it seems like there would be an overwhelming amount of content in this one story. In reality, however, these genres end up complimenting and working with each other instead of competing or clashing with one another. The 1992 film revolves around Rachel’s dilemma, which involves her life being threatened by an unknown perpetrator. While this mystery takes place throughout the movie, the audience is given enough clues, suspects, and possible motives to keep them invested in the mystery solving process. Action is sprinkled into the story to raise the stakes and keep viewers on the edge of their seat. As I mentioned earlier, the moments with Frank and Fletcher allow the audience to take a break from the action and suspense The Bodyguard contains. The drama among the Marron family and the romantic moments between Rachel and Frank are also placed in the story to give the audience time to breathe after scenes focusing on the mystery and action. In these moments, the audience learns more about the characters, as well as their motivations for making certain choices. The cycle of these four genres moves like an ocean’s wave, in ebbs and flows.

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

Its Timeless Story

In the world of cinema, there are two types of film: those that are products of their time and those that stand the test of time. I can only speak for myself, but I feel The Bodyguard belongs in the latter category! Like I said in my previous point, this film consists of four genres. Instead of these genres coming together to create a convoluted narrative, the story ends up not being difficult to understand and follow. Even if you have seen The Bodyguard before, like I have, the script provides an intriguing plot, hilarious one-liners, and dialogue that is well-written, with these aspects of the film making your two hours of viewing worthwhile. Speaking of the plot, it is not defined by the time of its release. The assassination attempt against Ronald Reagan is mentioned on a few occasions. However, this is done to provide context to Frank’s part of the story. The romance between Rachel and Frank is based on the classic trope of opposites attracting. But the quality of the acting performances and on-screen chemistry make this concept work. While the film does contain heavier moments, they’re not too unbearable. This allows the movie to have a higher re-watchability rate.

The Umpteenth Blogathon banner created by CineMaven from Essays from the Couch.

While on a dinner and movie date, Rachel asks Frank how many times he has seen Yojimbo, a Japanese film from the early ‘60s. Frank responds by saying he has seen it a total of 62 times. While I’m not sure how many times I’ve seen The Bodyguard in my life, I found this quote to be such a coincidence, as I’m writing about the film for the Umpteenth Blogathon! Whether you choose to watch this movie for the first time or plan on re-visiting it, The Bodyguard is a movie that, in my opinion, still holds up. It is not only an exciting action flick paired with an intriguing mystery, but there are moments in this story that can make you think. While talking with Fletcher, Frank tells him that when someone is afraid, that means they care about something. Frank’s quote not only provides an interesting perspective on fear itself, but it also highlights the intent of my editorial. Why do we celebrate the birthday of a loved one? Why do we commemorate a holiday or important historical event? Why did I write about a film that was released thirty years ago? It’s because we care about those people, events, or films. Watching a movie for the “umpteenth” time is like spending time with a good friend. You may know every line by heart and how the story plays out, but the time well spent will always be cherished.

Have fun at the movies!

Sally Silverscreen

If you’d like to check out the other entries in the Umpteenth Blogathon, you can visit this link:

FOR THE UMPTEENTH TIME BLOGATHON

The 3rd Annual Gold Sally Awards is Finally Here!

To celebrate the anniversary of 18 Cinema Lane’s beginning, I host a movie awards to highlight the best films I saw in the previous year. As I had several projects on my plate in February, the Gold Sally Awards were pushed back. However, the Gold Sally Awards are still happening, starting with the Best Movie category! In this division, all of the films that were featured on my Top 10 Best Movies I Saw in 2020 list will compete for the title of Gold Sally Awards’ Best Movie. Like in years past, you are allowed to vote for more than one nominee. But you can only vote once per person. This poll starts today and ends on March 14th. On the bottom of the poll, there is a link where you can submit your vote. If you’re having technical difficulties, please don’t hesitate to speak up in the comment section.

I usually don’t show this anniversary image on my blog. However, I thought it would make sense for the start of this year’s Gold Sally Awards! WordPress Anniversary image created by WordPress.

What was the Best Movie of 2020?
Anchors Aweigh
The Boy Who Could Fly
Matinee
Grace & Glorie
Batman: Mask of the Phantasm
From Up on Poppy Hill
Sweet Nothing in my Ear
If You Believe
The Unfinished Dance
Nicholas Nickleby (2002)
 
 
 
 
 
 

Have fun voting!

Sally Silverscreen