Tag: 1980s

The Top Ten Best Stand-Alone Films

On By 18cinemalaneLeave a comment

On this day in 2000, The Road to El Dorado made its official debut. While the movie didn’t meet or exceed DreamWorks’ expectations, it certainly found an audience, which stuck with the film for all these years. I once heard The Road to El Dorado was intended to be the first story in a trilogy. But fate decided it worked better as a stand-alone picture. This caused me to think about the other stand-alone movies I’ve come to love. So, in honor of The Road to El Dorado’s 25th anniversary, I have compiled a list of what I believe are the top ten best stand-alone films! For my list, the criteria for a stand-alone film is not only a title that didn’t receive a sequel, but also isn’t affiliated with a series/franchise. If I covered a film on 18 Cinema Lane, I will provide a link to that article or review in this list. Each title will be presented in order of release year and each choice is based on my opinion.

The Road to El Dorado poster created by Dreamworks Pictures, DreamWorks Animation, and DreamWorks Distribution

1. Singin in the Rain (1952)

    I start my list with a classic I was introduced to because of my blog. Now that I have finally seen Singin in the Rain, I have an understanding and appreciation for why the movie is so beloved. Gene Kelly’s iconic musical number, “Singin in the Rain”, should provide enough explanation for why you should check the film out! The number itself feels immersive, as it takes place within the story’s context. Gene adds uniqueness to the number by jumping and splashing in puddles. “Singin in the Rain” successfully represents the spirit of the film, while also delivering the message of seeing the good in a not-so-good situation. That number is just one reason why Singin in the Rain is a solid musical!

    Watching ‘Singin in the Rain’ for the First Time

    2. Ben-Hur (1959)

    If you’re going to watch any classics, you have to see 1959’s Ben-Hur! Though the three-hour run-time can seem intimidating, that time flew by for me, as I was so engrossed in the story. The emotional intensity of Charlton Heston’s, Stephen Boyd’s, and Haya Harareet’s performance complimented the scope of the overall film. Ben-Hur contains other likable qualities as well, from the magnificent sets/scenery to the interesting cinematography. How Christianity/faith was incorporated into the story sets the 1959 production apart from other “sword and sandal” pictures. Those who celebrate Easter may find Ben-Hur an appropriate seasonal title.

    Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

    3. To Kill a Mockingbird (1963)

    While the book, To Kill a Mockingbird, received a sequel, the film adaptation did not. The 1963 movie presents one of the few times where, in my opinion, the film was better than its source material. Getting straight to the point a lot sooner was a main focus for the creative team. The film’s visual nature worked in the favor of certain elements from the book. Showing suspenseful moments from the source material makes those moments seem real, as well as intensifies uncertainty. Leaving out scenes that feel like padding helps the movie maintain a steadier pace.

    Take 3: To Kill a Mockingbird Review

    4. The Boy Who Could Fly (1986)

    When I first saw The Boy Who Could Fly, it subverted my expectations. That’s because the 1986 picture aged surprisingly well! Through Milly and Eric’s friendship, the script shows how people with Autism can create and maintain meaningful relationships. Helping someone with Autism based on their personal preferences and accommodations may have seemed ahead of its time back in the mid to late ‘80s. Timeless messages and themes make up one of the reasons why I love the 1986 film. Showing compassion for others, dealing with grief, and understanding people’s differences take center stage.

    Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

    5. The Bodyguard (1992)

    In 2022, I wrote an editorial explaining why The Bodyguard held up thirty years later. Because I love the 1992 film, finding explanations wasn’t difficult. “The kitchen scene” is, in my opinion, the best scene from any action movie. One reason why is how the kitchen’s smaller space is seen by the actors as a challenge instead of a hindrance. What also worked in The Bodyguard’s favor was Whitney Houston’s portrayal of Rachel Marron. Throughout the story, Whitney realistically showcases emotions and expressions. This helped Rachel become a multi-layered character.

    I Will Always Love You: ‘The Bodyguard’ at 30

    The Boy Who Could Fly poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

    6. Swept from the Sea (1998)

    Swept from the Sea was one of the earliest hidden gems I discovered in 2019. It’s a movie that’s so great, I just had to include it on this list. There are so many things to like about Swept from the Sea. From Vincent Perez’s captivating performance to the beautiful scenery, the film’s components came together to create an endearing and emotional presentation! The 1998 film is a character-driven story, relying on on-screen chemistry in order to work. Because of Vincent Perez’s and Rachel Weisz’s differing acting styles, the on-screen chemistry between Yanko and Amy was very sweet and genuine.

    Take 3: Swept from the Sea Review (A Month Without the Code — #8)

    7. Phantom of the Megaplex (2000)

    This is another movie I just had to include on my list. But this time, it’s because Phantom of the Megaplex is also celebrating its 25th anniversary this year! The Disney Channel picture showed that the movie-going experience can be fun. As I explained in my editorial celebrating the film’s 20th anniversary, the made-for-TV movie also serves as a time capsule of how the cinema operated in the beginning of the millennium. Phantom of the Megaplex even shows how movies can influence our lives. Though I’m not sure if that aspect of the story was intentional, it makes the 2000 title, somewhat, thought-provoking.

    ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience

    8. I Am David (2004)

    I Am David was the biggest pleasant surprise of 2024. It became the year’s best movie in March and stayed number one until the very end! What set I Am David apart was the film’s genuine emotion and sincerity. This was seen and felt through every aspect of the production. The 2004 movie emphasized visual depth. Achieved by exploring light and darkness, as well as showcasing Europe’s natural landscape, the creative team used the visual nature of film to their project’s advantage. Two effective plot twists are another reason why I liked I Am David. Their delivery in the story was well-written.

    Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

    9. From Up on Poppy Hill (2011)

    This 2011 presentation is one of Studio Ghibli’s stronger projects. A reason is one of the overarching themes; honoring the past. The film intelligently and creatively shows its audience how important history is in our lives and our world. Whether referencing the 1964 Olympics or focusing on the characters’ relationships, the theme of honoring the past acts as an umbrella sheltering Poppy Hill and its surrounding areas. Studio Ghibli’s signature colorful palette is consistently on display in the 2011 film. The strong understanding for how and when to use color makes scenes look like priceless pieces of art! Personally, I think movies like From Up on Poppy Hill present an argument why 2-D animation still has its time and place.

    Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

    10. The Wild Robot (2024)

      I think it’s fitting to close this list with a DreamWorks movie, as a DreamWorks movie is the reason why I created this list in the first place. Though this was a recent watch for me, The Wild Robot is, so far, the best film I’ve seen this year! The animation itself is absolutely gorgeous! Sometimes, scenes look like paintings and other times, they look like priceless photographs. I was not expecting the story to contain as much emotional depth as it did. An abundance of good messages and themes add a sense of timelessness to the production. Though it’s unknown right now if The Wild Robot will gain an audience like The Road to El Dorado has, I can confidently say it was a really good movie!

      Phantom of the Megaplex poster created by the Walt Disney Company and Disney Channel. © Disney•Pixar. All rights reserved. Disney XD© Disney Enterprises, Inc.

      Have fun at the movies!

      Sally Silverscreen

      Sally Watches…Highway to Heaven

      On By 18cinemalane2 Comments

      Have you read a synopsis for a movie or television episode that sounded so “bonkers” or over-the-top, you just had to check it out? That’s what happened when I came across the Highway to Heaven episode, “Ghost Rider”. I’ve seen enough episodes of this show to have an idea of what to expect. But then I read the synopsis for “Ghost Rider” on Hallmark Family’s website, which is the following:

      “A lonely female novelist is in love with a legendary spy hero who has been dead for 20 years. She buys his sports car, that is being auctioned off, only to find out that his ghost comes with the car.”

      For the 11th Annual Favourite TV Show Episode Blogathon, I had an excuse to not only check out “Ghost Rider”, but to also write about it. However, just because a movie or tv episode sounds “bonkers”, doesn’t mean it will be. Two examples from 18 Cinema Lane are the Lifetime movie, Sea Change, and the 1977 picture, The White Buffalo. Will “Ghost Rider” prove to be as “bonkers” as it sounds? Let’s travel down the highway of this review!

      The 11th Annual Favourite TV Show Episode Blogathon banner created by Terence from A Shroud of Thoughts

      Episode Name: Ghost Rider

      Season 3, Episode 24

      Premiere Date: April 1st, 1987

      What I liked about this episode:

      As I mentioned in this review’s introduction, the synopsis for “Ghost Rider” sounded “bonkers”, due to the story containing a car inhabited by a ghost. But that was not the primary focus of the story. Instead, the creative team behind Highway to Heaven placed more emphasis on Mark and Jonathan helping Birdy Belker. Birdy is a mystery writer who is not only interested in espionage, she’s obsessed with a special agent named Roger Bolt. Jonathan and Mark attempt to give Birdy the courage to live a more satisfying life, one where she can thrive and tell her own tales of adventure. Birdy’s story reminded me of Tracy’s story from the Touched by an Angel episode, “Perfect Little Angel”. A similarity between these episodes is how a major theme is being brave enough to reach your potential.

      What I didn’t like about this episode:

      Toward the beginning of the episode, Jonathan explains to Mark (and the audience) who Birdy is and why she needs their help. This explanation is presented as a voice-over, as if Jonathan were talking about events from a story in the mystery/noir genre. The voice-over was a good creative choice, making the episode unique from others of Highway to Heaven. However, this voice-over was included in only one part of the story. I wish that creative element was more consistently incorporated into the episode, with Jonathan’s voice-over appropriately fitting Birdy’s interest in espionage.

      Typewriter image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/typewriter-and-paper-sheet_713020.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by Freepik</a>. Image found at freepik.com.

      The story itself:

      When I talked about what I liked about “Ghost Rider”, I said the story placed more emphasis on Jonathan and Mark helping Birdy develop the courage to reach her potential. While the episode features a car inhabited by a ghost, these elements were woven together in a way that fit within the established brand/tone of Highway to Heaven. The reason for Birdy possessing the car was because Mark encouraged her to purchase it, in an effort to help her find a new perspective on life. The ghost’s existence in the story had less to do with haunting and more to do with their place in the Afterlife. There was also a creative approach to the type of story about “never meeting your heroes”. In the case of “Ghost Rider”, the reality of who Roger Bolt was affects Birdy’s fantasy of him.

      The other factors from this episode:

      • I already mentioned in this review how Birdy is a mystery writer. However, she uses the pen name ‘Natasha Gudonov’. When you say that last name quickly, it sounds like “good enough”. This joke is even acknowledged by the ghost after they learn more about Birdy. Personally, I found the joke to be the most cringe-worthy part of this episode.
      • In a typical Highway to Heaven episode, Jonathan will reveal his true identity as an angel toward the end of the story. He will discreetly use his angelic abilities throughout the episode as well. But in “Ghost Rider”, Jonathan is more honest with Birdy, sharing the truth about himself shortly after they meet. He’s even straightforward about his angelic abilities. I liked this change in storytelling! It gave “Ghost Rider” some creativity and allowed the story to stand out from other Highway to Heaven episodes!
      • For this part of my review, I will be spoiling “Ghost Rider”. If you have not seen this episode and are interested in watching it, skip ahead to the part of my review titled “my overall thoughts”.

      Earlier in this review, I said there was a creative approach to the type of story about “never meeting your heroes”. In “Ghost Rider”, Birdy receives the opportunity to meet Roger Bolt, as he is the ghost inhabiting the car she purchases. During this initial meeting, Jonathan reveals how, during Roger’s life, he was an arrogant womanizer. This information shocks Birdy. However, earlier in the episode, Birdy tells Jonathan and Mark how she knows everything about Roger. With that said, wouldn’t Birdy have known about Roger’s true persona?

      Antique car image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/red-classic-car_803652.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by Freepik</a>. Image found at freepik.com.

      My overall thoughts:

      In my review’s introduction, I talked about wanting to check out “Ghost Rider” because of the synopsis on Hallmark Family’s website. But looking back on this episode, I feel that synopsis does the story a disservice. Yes, a story of a ghost inhabiting a car sounds “bonkers” on paper. How that concept was incorporated into “Ghost Rider”, let alone Highway to Heaven, actually worked better than I expected! As I said in my review, more emphasis was placed on Mark and Jonathan helping Birdy thrive in life. This part of the story, along with the ghost inhabiting the car, fit within the established brand/tone of the show. “Ghost Rider” does have its flaws, such as Jonathan’s voice-over being inconsistent. But, overall, I found this episode to be fine and pleasant!

      Rating: A 3.5 out of 5

      Have fun on television!

      Sally Silverscreen

      Take 3: Tarzan in Manhattan Review

      On By 18cinemalane9 Comments

      During my search for my “so bad, it’s good” movie, I’ve learned to find two things: a film that is built on a gimmick and a film that is unintentionally funny. Though these things have helped me get one step closer to finding my “so bad, it’s good” movie, a film has yet to earn that coveted title. For the annual So Bad It’s Good Blogathon, I had several selected movies to choose from. But, in the end, I picked the 1989 film, Tarzan in Manhattan! That title alone gives away the project’s gimmick; an iconic character existing in a more contemporary setting. Based on the movie’s synopsis, there seems to be elements that could be unintentionally funny, such as Jane becoming more street-smart when she’s usually known for being book-smart. But what made me ultimately select Tarzan in Manhattan for the So Bad It’s Good Blogathon were the reviews on IMDB. According to what I read, it seemed like the movie’s creative team didn’t take their project seriously because they acknowledged the film’s gimmick. With all of that said, let’s see if this movie could become my “so bad, it’s good” film!

      Tarzan in Manhattan poster created by American First Run Studios and CBS

      Things I liked about the film:

      The acting: When I reviewed The Chalk Garden earlier this month, I said I was invested in the story because of the acting performances’ quality. I also said each acting performance was good for different reasons. In Tarzan in Manhattan, the cast made a strong effort to make their performances as entertaining as possible. In my opinion, these efforts worked, as their performances kept me invested in the story! Joe Lara used emotion well while portraying the titular character. A great example comes from the first ten minutes of the movie. Tarzan experiences a tragedy, as he discovers someone close to him passed away. Upon making this discovery, Tarzan is understandably upset. His eyes are brimming with tears and his mouth presents a frown. Quickly realizing what possibly happened, Tarzan’s sadness turns into anger within seconds. He then grits his teeth and the rest of his facial features become tense.

      Kim Crosby portrays Jane in Tarzan in Manhattan. In my review’s introduction, I pointed out how Jane became more street-smart. Because of this creative decision, Kim adopts a down-to-earth, laid-back personality she consistently carried throughout the movie. When Jane meets Tarzan, she’s unfazed by the situation. Her whole persona presented the idea she, as a cab driver, has seen it all. Portraying Jane’s father, Archimedes, is Tony Curtis. Similar to Kim’s performance, Tony’s on-screen no-nonsense attitude was consistent. What also worked in Tony’s favor was how believable his on-screen interactions were. Anytime Archimedes and Jane shared a conversation, it felt like a realistic discussion between father and daughter. The strength of Kim’s and Tony’s acting talents helped make that possible!

      Respect toward the source material: While I haven’t read the book Tarzan in Manhattan is based on, I have seen another adaptation of the Tarzan story. Based on that experience, it appears the creative team of the 1989 film made efforts to respect the source material their project is based on. Remember when I said in this review’s introduction how Jane became more street-smart when she’s usually known for being book-smart? It is true she is street-smart in Tarzan in Manhattan. However, the book-smart aspect of her character actually worked in harmony with the street-smarts. Around the time she and Tarzan first meet, Jane shares how she has a Bachelor’s degree in Computer Science from NYU. Her book-smarts, along with problem-solving skills, help Tarzan find an important clue in figuring out Cheetah’s whereabouts. Throughout his New York City trip, Tarzan carries a bag of expensive jewelry as a form of currency. It is revealed the collection of jewelry belonged to Tarzan’s parents, the Lord and Lady of Greystone, before they passed away.

      How humor was incorporated: I mentioned in my review’s introduction how Tarzan in Manhattan’s IMDB reviews were the reason I chose the film for the So Bad It’s Good Blogathon. Based on those reviews, it seemed the movie’s creative team didn’t take their project seriously because they acknowledged the film’s gimmick. As I watched the 1989 picture, I could detect a sense of self-awareness. From the dialogue to the “Easter Eggs”, it felt like the movie’s creative team recognized how much of a gimmick their project was built on. During the plane ride to New York City, Tarzan is reading a book about surviving in New York on five dollars a day. This “Easter Egg” calls out how expensive the Big Apple can be. After somersaulting his way into a locked room, Tarzan leaves that same room by escaping through an open window. This situation causes Archimedes to ask Jane why Tarzan can’t leave through the door like other people. The aforementioned self-awareness in Tarzan in Manhattan made comedic moments genuinely hilarious!

      The Seventh So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

      What I didn’t like about the film:

      Things that don’t make sense: There were some parts of Tarzan in Manhattan that didn’t make sense. One example takes place toward the beginning of the film. Within the first five minutes of the story, Tarzan is shown living a secluded life from civilization, how Tarzan is usually portrayed in other adaptations. Then, all of a sudden, a man named Joseph shows up to give Tarzan and Cheetah a pair of books. Based on their interaction, it seems like Joseph and Tarzan’s friendship has lasted even before the events of the movie. If Tarzan lives close enough to civilization where walking to Joseph’s store is possible, why does he still live isolated in the jungle?

      Inconsistent sense of urgency: A reason why Tarzan travels to New York City is to rescue Cheetah. This part of the film’s synopsis would warrant a sense of urgency throughout the story. But Tarzan, along with Jane and Archimedes, don’t figure out what likely happened to Cheetah until more than twenty minutes into an hour and thirty-four-minute film. While there is a sense of urgency in Tarzan in Manhattan, it appears at certain moments in the movie. These creative choices made the story’s sense of urgency inconsistent.

      Part of the story that doesn’t lead anywhere: On more than one occasion, the audience is reminded how Tarzan is the son of the Lord and Lady of Greystone. Jane even purchases a book featuring his family’s portrait. I appreciate the creative team’s efforts to respect the source material their project is based on. However, the part of the film about Tarzan’s family history didn’t lead anywhere. The story’s main conflict had nothing to do with the Greystone estate. Tarzan’s family weren’t even featured in a subplot. I wish that part of Tarzan in Manhattan had a stronger connection to the overall story.

      New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      When I started this review, I said I learned to find two things when looking for my “so bad, it’s good” movie; a film that is built on a gimmick and a film that is unintentionally funny. Tarzan in Manhattan is definitely built a gimmick, with enough self-awareness in the movie to acknowledge this. But what the film isn’t is unintentionally funny. The way the story’s humor was written and delivered gave the audience a reason to laugh with the creative team, not at them. Humorous moments felt like they were intended to be comedic. This is one of the reasons why Tarzan in Manhattan was as entertaining as it was! Though there were flaws in the 1989 picture, there were aspects of the project I liked. A few examples are the acting performances and the on-screen chemistry between Joe Lara and Kim Crosby. Even though moments with high-stakes and a sense of urgency are sprinkled throughout the story, Tarzan in Manhattan is, for the most part, silly and goofy fun. Out of all the movies I reviewed for the So Bad It’s Good Blogathon, I’d say Tarzan in Manhattan is the best one. So, when it comes to finding my “so bad, it’s good” movie, I ended up taking a detour this time.

      Overall score: 7 out of 10

      Have you seen Tarzan in Manhattan? Which adaptation of the Tarzan story is your favorite? Please tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      It’s Time for the 7th Annual Gold Sally Awards!

      On By 18cinemalaneLeave a comment

      Here at 18 Cinema Lane, I maintain several annual traditions to give my readers something to look forward to. One of those traditions is the Gold Sally Awards, which commemorates my blog’s anniversary! The award categories are created by me and based on topics I’ve brought up on my blog. With two new awards in 2025, I’ll explain the significance of those categories. Like in 2024, I will discuss why I chose each recipient. Now, let the 7th Annual Gold Sally Awards begin!

      7th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

      The Kay’s Costume Party Dress Award

      (Best Outfit from a Movie)

      Helen’s Christmastime Outfit from Hallmark Hall of Fame’s Pack of Lies

      When I thought about the various categories of the Gold Sally Awards, I realized there was no category recognizing the wardrobe department of the movie industry. To fix that, I created the Kay’s Costume Party Dress Award! The name of this award references the dress Kay (Joan Collins’ character) wore at a costume party in the 1983 tv movie, Making of a Male Model. I loved this dress so much, it was featured in 2021’s Movie Blogger’s Christmas Wish-List! From the films I saw in 2024, there were several outfits I really liked. The one that was the most memorable, however, came from the Hallmark Hall of Fame presentation, Pack of Lies! The outfit in question was featured in my Movie Blogger’s Christmas Wish-List from last year; the black and blue ensemble Helen (portrayed by Teri Garr) wore during Christmastime. This timeless outfit was worn in only one scene. That fact is why Helen’s outfit earned the inaugural Kay’s Costume Party Dress Award!

      The Edward Boult Award

      (Missed Opportunity in Cinema)

      Not making Signed, Sealed, Delivered: A Tale of Three Letters a Christmas movie

      Last June, I speculated how Signed, Sealed, Delivered: A Tale of Three Letters could be a Christmas film. In my editorial about my speculation, I explained how the movie’s title could be a reference to either the Nativity story or A Christmas Carol. I also wondered if Signed, Sealed, Delivered: A Tale of Three Letters and “Signed, Sealed, Delivered: To the Moon and Back” could be a two-part adaptation of A Christmas Carol, with the rock star character intended to be a Marley-like character. The official marketing for Signed, Sealed, Delivered: A Tale of Three Letters proved my speculation wrong. But the more I think about how this movie could have been a Christmas picture, the more I wish it had been a Christmas production. As of early February, 2025, the Signed, Sealed, Delivered series has received only one Christmas movie. Plus, my aforementioned editorial provided ideas for a potential Christmas script. With Hallmark Mystery’s ‘Miracles of Christmas’ viewership numbers lower in 2024 than 2023, maybe the network will consider creating another Signed, Sealed, Delivered Christmas film.

      The They Deserve an Award Award

      (An Actor or Actress Who Deserves Recognition)

      Luke Goss (for his performance in Hallmark’s Frankenstein) and Badja Djola (for his performance in Christmas on Division Street)

      There were several good acting performances I saw in 2024. So, it was difficult to choose just one recipient for this year’s Gold Sally Awards. Both Luke Goss’ and Badja Djola’s performance was so impressive! In Hallmark’s Frankenstein, Luke’s use of emotion allowed The Creature to speak without actually speaking. An example I used in my review of the 2004 television film was when The Creature bursts into tears while seeking refuge in a barn. Luke’s acting skills made his character as complicated as he was in Mary Shelley’s source material. Badja made his character, Scorpio, so memorable, despite having limited appearances in Christmas on Division Street. With a consistently commanding presence, Scorpio was a character I looked forward to seeing on screen. That’s because Badja used his acting talents to give Scorpio captivating interactions with other characters. The scene where Scorpio shares some of his backstory with Cleveland is the example I used in my Christmas on Division Street review.

      The Cowboy Award

      (Character Who Makes an Unnecessary, Drastic Change)

      Sorsha from Willow

      You’re probably wondering why I gave Sorsha the Cowboy Award, even though I grew to like her as a character. While I found her transformation from villain to hero necessary, it was drastic. In my Comparing with the Critics review of Willow, I shared how Sorsha’s aforementioned evolution was too abrupt. The transformation gave Sorsha some character development, but it left some questions unanswered. For this flaw, blame lies in the screenwriting.

      Sally’s MVP Award

      (Character Who Left a Memorable, Showstopping Impression)

      Madmartigan from Willow

      When I watch a movie, there is, sometimes, a character who leaves such a memorable impression on me, they end up stealing the show. I have called these types of characters “MVP”. To acknowledge the “MVPs” of 18 Cinema Lane, I created the new Sally’s MVP Award! One of these “MVPs” was Madmartigan from Willow. In my Comparing with the Critics review of the 1988 film, I talked about how Madmartigan was the story’s comic relief. His personality and comedic timing captivated my attention and kept me invested in his story. What helped Madmartigan become the “MVP” of Willow was the screenwriting and Val’s performance.

      The “She Won’t Give Me My Chocolate” Award

      (Best Quote from a Movie)

      “Christmas is already a poem. It doesn’t need my help” – Henry Wadsworth Longfellow, I Heard the Bells (2022)

      In the 2022 movie, I Heard the Bells, Fanny (portrayed by Rachel Day Hughes) encourages her husband, Henry, to create a Christmas themed poem. Henry (portrayed by Stephen Atherholt) told his wife, “Christmas is already a poem. It doesn’t need my help”. When Henry said this, I started to think about what his quote meant. Poems require planning and putting the right pieces together, in order for that poem to have good flow and writing structure. Christmas festivities require a certain amount of planning, whether it’s a local church’s Nativity play or a family’s Christmas party. Using these two examples, finding the right pieces is important, such as who will portray the Three Wise Men or what will be the entrée of Christmas dinner. Poems can also tell stories. One classic example is ‘‘Twas the Night Before Christmas’. Christmastime is filled with stories, from the Nativity story to A Christmas Carol. Henry’s aforementioned quote made me see Christmas in a completely different way! Plus, a quote from a Christmas movie has never won the “She Won’t Give Me My Chocolate” Award before.

      The Honorable and Dishonorable Mention Award

      (Best and Worst Movie from the Honorable and Dishonorable Mention Category)

      Best – Interstellar

      Worst — The Reluctant Debutante

      For last year’s Gold Sally Awards, there was only the Dishonorable Mention Award. That’s because I didn’t see enough movies to include an honorable mention category. With the honorable mention category returning in 2024, the Honorable Mention Award is also coming back! Science fiction stories about space exploration will typically emphasize the thrills and wonder of the galaxy. This can make it easy for a movie’s audience to get caught up in how adventurous and exciting outer space can seem. In Interstellar, a major focus is space travel’s effect on human beings. So, themes of family, sacrifice, and the price of scientific achievement are woven into the script. That, along with quality acting performances and impressive special effects, is why I liked Interstellar!

      Out of all the movies that ended up in the dishonorable mention category, I had the highest expectations for The Reluctant Debutante. This is because I not only reviewed the film for The John Saxon Blogathon, there was some well-known talent involved with the project. Unfortunately, the 1958 movie fell short of those expectations. The Reluctant Debutante was a premise driven story that felt longer than one hour and thirty-four minutes, due to the jokes being drawn-out. It also didn’t help how some story ideas were overlooked. When I reviewed the 1958 film, I shared how movies from the 1950s are covered so infrequently on 18 Cinema Lane. So, it’s disappointing when a production from the ‘50s is weaker than expected.

      The Hallmark Hall of Fame Award

      (Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

      Hallmark’s Frankenstein

      There are different kinds of stories in the Hallmark Hall of Fame collection. One kind of story is adaptations of pre-existing literature. Sometimes, “classic” literature became Hallmark Hall of Fame presentations, like The Secret Garden and A Tale of Two Cities. When these adaptations are good, they can be an immersive experience. This is how I would describe Hallmark’s Frankenstein! Due to the combination of screenwriting, acting performances, set design, and costume design, the movie made me feel like I was transported to another time and place. I also appreciate how close to the source material the 2004 television film is. Looking back on Hallmark’s Frankenstein and the Hallmark Hall of Fame collection, I’m actually surprised Mary Shelley’s novel wasn’t adapted into a Hallmark Hall of Fame project. Everything I said is why I chose Hallmark’s Frankenstein for the Hallmark Hall of Fame Award!

      The “Based on a Book I Haven’t Read Yet” Award

      (Movie Based on Source Material I Have Not Yet Read)

      I Am David

      Movies that won the “Based on a Book I Haven’t Read Yet” Award were first placed on a best films of the year list. I Am David is continuing that tradition! The 2004 film earned the top spot on my best movies list of 2024. This is the second time a number one movie of the year received the “Based on a Book I Haven’t Read Yet” Award! After I reviewed I Am David, I learned the movie was based on a book. I’m not sure how affective the story’s plot twists will be, as I already know what they are because I saw the film. However, I’d still be interested in reading I Am David someday!

      The Standing Ovation Award

      (Character Most Deserving of Receiving Their Full Potential)

      Scorpio from Christmas on Division Street

      When the Gold Sally Awards presented the Standing Ovation Award, the recipients were characters who should have received their “standing ovation”, but were denied that for various reasons. Scorpio (from Christmas on Division Street) actively worked toward getting where he wanted to go. As I said during the They Deserve an Award Award, Scorpio had limited appearances in the 1991 made-for-TV movie. Despite that, the audience learned enough about him to know what he had gone through. During this limited period of time, Scorpio attempts to overcome his obstacles. While I won’t spoil Christmas on Division Street, I will say those attempts earned Scorpio the Standing Ovation Award!

      Have fun at the movies!

      Sally Silverscreen

      The Top Ten Worst Movies I Saw in 2024

      On By 18cinemalaneLeave a comment

      While 2024 was, for me, a better year for movies, I still saw some movies I didn’t like. Similar to my worst movies list of 2023, most of the films on this year’s list were disappointing or average. But, unlike 2023, the top four titles are from different genres. The dishonorable mentions section has returned! This time, however, there are more DNFs (did not finish). Like I have said in past lists, my top ten worst movies I saw in 2024 list is not intended to be mean-spirited, negative, or disrespectful. It’s just a list of my own, honest opinion. Since I reviewed some of the movies on my list, I will provide the links to those reviews in this article.

      Dishonorable Mentions

      The Reluctant Debutante, The Gambler: Luck of the Draw, Jazz Ramsey: A K-9 Mystery, Million Dollar Lethal Listing, CrimeTime: Freefall (I turned it off after about forty minutes), Mermaid Down (I turned off this movie after about twenty minutes), Blood, Sweat and Cheer (I turned it off after about eighteen minutes), and Temptation Under the Sun (I turned off this movie after about twenty-two minutes)

      Image by starline on Freepik

      10. Crimes of Fashion: Killer Clutch

      In the 2020s, Hallmark has come up with story ideas that worked well enough for a stand-alone mystery movie, but unsustainable for a multi-chapter series. One of these ideas came from Crimes of Fashion: Killer Clutch. This film made the same mistake as Mystery Island: not allowing the protagonist to use her skills to solve the case. For Lauren, the main character in Crimes of Fashion: Killer Clutch, her psychology skills were so underutilized, she seemed more like an over glorified intern. Thick French accents making several characters difficult to understand is another major flaw of the film. It prevented me from being fully invested in the story. Crimes of Fashion: Killer Clutch was, in my opinion, a disappointing movie. But compared to the other titles on 2024’s worst of the year list, Hallmark’s production was, simply, ‘underwhelming’.

      Take 3: Crimes of Fashion: Killer Clutch Review

      9. Boy in the Walls

      When I first read the synopsis for Boy in the Walls, I thought the film would be a spookier version of 2016’s Boy in the Attic. Sadly, this was not the case. The 2023 Lifetime presentation contained a mystery that was drawn out for too long. It also doesn’t help how the protagonist made one dumb decision after another. Without spoiling the film, all I’ll say is the title is misleading. If you haven’t watched either referenced movie, I’d recommend Boy in the Attic.

      8. The 39 Steps

      In my review of The 39 Steps, I said the 1935 picture was the most “meh” title from Alfred Hitchcock’s filmography. This statement was made due to the limited sense of urgency and intrigue within the story. As I also said in my review, The 39 Steps seems longer than an hour and twenty-six minutes. The drawn-out nature of the movie created a slow and boring build-up to a reveal that feels kind of ridiculous and anti-climactic. While romance has been incorporated in some of Alfred’s films, it didn’t work in The 39 Steps. Richard and Pamela’s attraction for one another was too abrupt, welcoming the presence of the “insta-love” trope. Even though The 39 Steps was a disappointing movie, I gave it a lower placement on my list. Comparing the 1935 film to Alfred’s other productions, Hitchcock’s filmography shows how much he improved as a director.

      Take 3: The 39 Steps Review

      7. Hallmark Hall of Fame’s Pack of Lies

      There are some movies that, in my opinion, should have been documentaries instead. The 1987 Hallmark Hall of Fame presentation, Pack of Lies, is just one example. This film in the Hallmark Hall of Fame collection is based on a true story. While “based on a true story” movies can be engaging, intriguing, and even thought-provoking, Pack of Lies was disappointing. Like I said in my review of the 1987 production, the film was a two hour slow and tedious build-up to a resolution that was underwhelming and anti-climactic. The creative team’s decision to choose telling over showing caused other flaws, from little lapse in time to things not making sense. Pack of Lies proves Hallmark Hall of Fame movies are not created equally. However, there are other Hallmark Hall of Fame presentations from the 1980s I like, such as the adaptations of The Secret Garden and A Tale of Two Cities.

      Take 3: Hallmark Hall of Fame’s Pack of Lies Review

      6. One Bad Apple: A Hannah Swensen Mystery

      While A Sprinkle of Deceit: A Hannah Swensen Mystery was slightly better than One Bad Apple: A Hannah Swensen Mystery, I was still disappointed in the latter film. For starters, Victor Webster and Alison Sweeney had no on-screen chemistry. A character (not Hannah) solves the mystery by making an assumption about the case and being conveniently correct. But the worst part about One Bad Apple: A Hannah Swensen Mystery was Delores’ subplot. Up until this film, Delores was very against Hannah getting involved in cases, as well as dating Mike. So, for Delores to become a private investigator and seem to treat her new job as a joke completely went against her character. In fact, this was such a bad creative idea, Delores’ private investigating career was barely mentioned in A Sprinkle of Deceit: A Hannah Swensen Mystery. If there are more Hannah Swensen films in the works, I really hope Delores receives better story ideas.

      Hallmark Hall of Fame’s Pack of Lies poster created by Hallmark Hall of Fame Productions, Robert Halmi, and CBS

      5. My Life Is on the Line

      This Lifetime movie had one of the network’s most creative story ideas. The 2024 picture was about a woman who tried to solve a mystery on her computer at her office cubicle. But the longer I watched this movie, the sooner I realized that aforementioned idea wasn’t sustainable for a feature-length production. Instead, the novelty of how the mystery was solved got old very quickly. My Life Is on the Line is yet another Lifetime film where the protagonist makes a collection of dumb choices. Her decision-making is so bad, other characters in the story, including her boss, call her out for it. Lifetime’s 2024 presentation was, for me, the most disappointing movie of the year.

      4. Network

      Network holds the honor of not only being the first film I reviewed for my Comparing with the Critics series, it’s also the first film I disagreed with the critics on. Even though Gene Siskel and Roger Ebert placed the movie in their list of the top five films from 1976, I would call Network one of the “Dogs of the Year”. For me, it was more of an endurance test, where the story’s first half was a drawn-out search for a resolution to the movie’s conflict and the second half was a yelling contest. Being a pretentious picture by taking itself too seriously and telling a dry, boring story didn’t work in Network’s favor. There are movies from the 1970s I like. Unfortunately, Network isn’t one of them.

      Comparing with the Critics – Best of 1976 – Network

      3. Mount Hideaway Mysteries: Exes and Oh No’s

      It’s ironic that Mount Hideaway Mysteries: Heartache and Homecoming became the third worst movie of 2023 and now Mount Hideaway Mysteries: Exes and Oh No’s became the third worst movie of 2024. When you look past this irony, you’ll see how Mount Hideaway Mysteries: Exes and Oh No’s shares some of the same flaws as its sequel, like not understanding how technology works. Mount Hideaway Mysteries: Exes and Oh No’s contains its own flaws, with poor special effects as one example. While this movie is so bad, it’s, at times, unintentionally funny, I do acknowledge how challenging it can be to create a cinematic project. In fact, the best way to sum up Mount Hideaway Mysteries: Exes and Oh No’s is the quote, “Mistakes are proof that you are trying”.

      Take 3: Mount Hideaway Mysteries: Exes and Oh No’s Review

      2. Revenge Best Served Chilled

      This Lifetime movie from 2022 had a very misleading title and synopsis. Not only is there no revenge in the story, there’s also nothing being chilled throughout the film. According to a plot summary I read, Revenge Best Served Chilled is about a series of murder mysteries taking place at a wine expert competition, with the protagonist trying to clear her name and solve the mysteries. The movie actually emphasizes the wine expert competition to the point where there is little to no mystery involved. Like Boy in the Walls and My Life Is on The Line, the protagonist, Emily, makes so many dumb decisions. I, honestly, should have turned this movie off after Emily doesn’t lock her family’s restaurant’s front doors as she’s spending the night at the restaurant. But I naively thought Revenge Best Served Chilled was going to be a better movie.

      1. Frankenstein (2004)

      I referenced this movie while reviewing the Hallmark adaptation of Frankenstein, as I was pointing out a technical error on Wikipedia. When I saw the version of Frankenstein starring Vincent Perez, I immediately knew it was going to be the worst movie I saw in 2024. While this movie contains some interesting ideas, those ideas are bogged down by other ideas. The excessive number of ideas made the story feel like a series of vignettes either loosely connected to each other or not connected at all. What also makes the overall story weak is how nothing is explained. The ending is one of the most “sequel bait” endings I’ve seen in a long time. I would strongly discourage readers from checking out this version of Frankenstein. More time will be spent being frustrated than entertained.

      Mount Hideaway Mysteries: Exes and Oh No’s poster created by Glass House Distribution

      Have fun in 2025!

      Sally Silverscreen

      The Top Ten Best Movies I Saw in 2024

      On By 18cinemalane2 Comments

      For me, 2024 was a better year for movies. That’s because I saw more movies I liked, compared to 2023! Another difference from 2023 is how, on 2024’s list, more movies are theatrical pictures. However, there are still some made-for-TV productions that found a spot on my list. With more likable movies comes the return of the honorable mentions section! In that part of my list, most of the films are television projects. Since I reviewed almost all the movies on this year’s list, I will provide links to those reviews in this post. So, with 2025 on the horizon, let’s begin my list of the top ten best movies I saw in 2024!

      Honorable Mentions

      Legend of the Lost Locket, My Baby Is Missing, My Mother’s Split Personalities, Christmas on Division Street, and Interstellar

      Image by starline on Freepik

      10. I Heard the Bells

      I Heard the Bells achieved so much in a short amount of time. The 2022 movie was chosen for my 500 Blog Follower Dedication Review. Then, I Heard the Bells became my 400th published movie review, as I recently revealed in my list of the ten movie trends I don’t understand. Now, the film is the only Christmas picture to earn a place on 2024’s best movies of the year list! When I wrote about I Heard the Bells, I compared it to It’s a Wonderful Life. Both titles are not only about more than just the Christmas holiday, they also cared about their overall presentation. I Heard the Bells was a visually immersive movie because of the attention to detail placed on historical accuracy. The strength of the acting performances allowed the story to be engaging. While it’s too early to say right now, I think I Heard the Bells could be a Christmas classic!

      Take 3: I Heard the Bells Review + 500 Follower Thank You

      9. Easter Parade

      If I could choose one word to describe Easter Parade, it would be “colorful”. With the movie’s creative team taking advantage of Technicolor, costumes and décor boasted vibrant hues that complimented the story’s spring season! The musical numbers provide another strength in Easter Parade. From Fred’s festive and creative solo, “Drum Crazy”, to Ann’s energetic and fast-paced solo, “Shakin’ the Blues Away”, the movie’s musical numbers were enjoyable because of their choreography and delivery. The reason the 1948 film is placed lower on my list is due to the premise-driven story and the limited inclusion of Easter. However, Easter Parade’s positives outweigh the negatives!

      Take 3: Easter Parade Review

      8. For Me and My Gal

      In my review of For Me and My Gal, I mentioned how Breen Code era movie musicals contain simpler stories. These simpler stories will typically feature lower stakes. But in For Me and My Gal, the story of Harry and Jo included stakes that were higher. The story wasn’t afraid to show Jo and Harry making difficult decisions when it came to their dreams. Along their journey, the duo even deals with regret and heartbreak. The way World War I was incorporated into For Me and My Gal gave the script a sense of realism. Creative decisions like that one gave the 1942 picture emotional depth!

      Take 3: For Me and My Gal Review

      7. Willow

      When I started my Comparing with the Critics series, I knew there were some movies I would disagree with the critics on. What I didn’t know was how much I would like Willow. Now that I’ve seen the 1988 film, I can understand why some people have given it the coveted title of “classic”. Likable elements, such as humor and unique perspectives on familiar story ideas, provide arguments for the aforementioned claim. The simplistic and straight-forward nature of the story made it easier to follow what was happening on screen. For me, Madmartigan stole the show! Movies like Willow make me thankful for my Comparing with the Critics series.

      Comparing with the Critics – Worst of 1988 – Willow

      6. Curious Caterer: Forbidden Fruit

      2024 saw the premiere of two Curious Caterer films; Curious Caterer: Foiled Plans and Curious Caterer: Forbidden Fruit. Though I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit, Curious Caterer: Forbidden Fruit was still a good movie. The fifth chapter in the series consistently carried the strong components of the Curious Caterer story, like the acting, humor, and prioritizing the mystery. A peek behind the music industry’s curtain and the incorporation of serious, real-world topics helped make the identity of Curious Caterer: Forbidden Fruit unique. As of the publication of this list, Hallmark has not provided any 2025 dates to the Curious Caterer series. If there are going to be more Curious Caterer films, I hope at least one of them is a seasonal picture.

      Take 3: Curious Caterer: Forbidden Fruit Review

      Hallmark’s Frankenstein poster created by Hallmark Entertainment, Hallmark Channel, Silverstar Ltd., Larry Levinson Productions, and RTL

      5. Hallmark’s Frankenstein (2004)

      Back in March, I called Hallmark’s adaptation of Frankenstein a “hidden gem”. This claim was based on my observation of how a good movie was not only forgotten by time, but also overshadowed by other titles released in 2004. What makes this version of Frankenstein a good movie, in my opinion, is how respectful it was toward Mary Shelley’s novel. One great example is Luke Goss’ portrayal of The Creature, as the way emotion was utilized throughout Luke’s performance highlighted how complicated The Creature is. Hallmark’s adaptation of Frankenstein is another movie where the visual presentation created an immersive experience. Combining set design, costume design, and attention to historical accuracy, the movie made me feel like I was transported to another time and place.

      Take 3: Hallmark’s Frankenstein (2004) Review (Double Feature: 2004 Edition Part 2)

      4. The Boys in the Boat

      If you’re going to create a sports movie involving a team sport, it’s important to make the camaraderie among the team believable. An on-screen team with believable camaraderie helps the audience stay invested in the story, as well as the team’s journey. Because the acting performances were strong in The Boys in the Boat, the camaraderie within the team dynamic felt genuine. The 2023 film also makes rowing look exciting! This was accomplished through cinematography, editing, and music selection. The Boys in the Boat is a “based on a true story” film that, in my opinion, is worth the time! This is yet another production where historical accuracy was a top priority.

      3. Amadeus

      Out of all the movies I reviewed for my Comparing with the Critics series, Amadeus is, so far, the only movie I agreed with the critics on. While the biopic is a glamourous spectacle, it also contains substance. Thought-provoking material can be found in the script, such as how fame can negatively impact the human soul. The story is an immersive, detail-oriented character study that explores the good and bad sides of the music industry. The creative team’s focus on detail made Amadeus look and feel historically accurate, as can be seen in the costume and set design. F. Murray Abraham and Tom Hulce each gave a strong performance. I can, honestly, say the 1984 movie is one of the best biopics I’ve ever seen!

      Comparing with the Critics – Best of 1984 – Amadeus

      2. Curious Caterer: Foiled Plans

      Remember when I said I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit? One reason why I said this is Goldy’s consistent involvement in Curious Caterer: Foiled Plans’ case. Other reasons why I liked the fourth chapter in the series are the creativity of the mystery, the quality of the acting performances, and how humor was written into the story. Looking back on Hallmark’s mystery films I saw in 2024, this Curious Caterer movie is pretty unique. That’s because, as I mentioned in my review, it’s a locked room mystery revolving around a costume party. In 2023’s best movies of the year list, I claimed Curious Caterer: Grilling Season was the best film in the series. I certainly changed my mind after I saw Curious Caterer: Foiled Plans!

      Take 3: Curious Caterer: Foiled Plans Review

      1. I Am David

      It’s amazing how I Am David became 2024’s best movie in March and clung on to the number one spot all these months later! This impressive film allowed the story of David and his journey to be told with genuine emotion and sincerity. This was achieved through every aspect of the production, like the acting performances and the screenwriting. Exploring light and darkness, as well as showcasing Europe’s natural landscape, gave the production visual depth. Timeless, universal messages were also woven into the script. As I said in my review, I wish more people knew about this movie. Hopefully, my review or maybe this list can encourage someone to check out I Am David!

      Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

      I Am David poster created by Walden Media, Film and General Productions, Lionsgate Films, Artisan Entertainment, and David Productions Ltd.

      Have fun in 2025!

      Sally Silverscreen

      The Cabot Cove-thon Blogathon Has Been Brought to You by Our Sponsor; 18 Cinema Lane

      On By 18cinemalaneLeave a comment

      Hello everyone! Now that Cabot Cove-thon has come to an end, I’d like to thank those who participated in the event! While this year’s blogathon received a smaller turn-out, I was impressed by the diversity of the entries. It elaborated my point about how Murder, She Wrote is a multifaceted program. There will be a new blogathon held in 2025! But, as of early October 2024, the event’s theme and dates are pending. Blogathon news will be announced sometime between early to mid 2025. With all that said, 18 Cinema Lane will get back to its regularly scheduled programming!

      Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

      Have fun in Cabot Cove!

      Sally Silverscreen

      The Cabot Cove-thon Blogathon is Here to Commemorate 40 Years of ‘Murder, She Wrote’!

      On By 18cinemalane7 Comments

      Welcome to my blogathon, Cabot Cove-thon! With Murder, She Wrote‘s first episode premiering on September 30th, 1984, this event is commemorating the show’s 40th anniversary! In Murder, She Wrote‘s twelve season lifespan, viewers watched as Jessica successfully cracked each case, whether in her hometown, Cabot Cove, or beyond her own backyard. The show also proved to its audience how diverse the mystery genre can be; telling stories, expressing ideas, and showcasing talent that make each episode unique. The participants of Cabot Cove-thon created articles that highlight the multifaceted nature of Murder, She Wrote. From observing Angela Lansbury’s film career to discussing the show’s theme park presence, let the Cabot Cove-thon Blogathon begin!

      Cabot Cove-thon banner created by me, Sally Silverscreen. Original picture found on IMDB.

      18 Cinema Lane — Why Universal Orlando Resort Should Host ‘Murder, She Wrote’ Weekend, Sally Reads…’Murder, She Wrote: Dying to Retire’ by Jessica Fletcher and Donald Bain

      Taking Up Room — Miss Angela Cruises the Nile

      The Very Special Blog — Happy 40th Anniversary to Murder, She Wrote!

      Comparing with the Critics – Worst of 1988 – Willow

      On By 18cinemalane10 Comments

      This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

      Introducing my new series, Comparing with the Critics!

      Siskel & Ebert and 18 Cinema Lane share one thing in common: the fantasy genre is underrepresented. This is a reason why I not only chose to participate in the Barbarians at the Gates Blogathon, it’s also a reason why I selected Willow for this review of Comparing with the Critics. But another reason why I picked Willow is how the film was featured in Siskel & Ebert’s Worst of 1988 episode. After hearing good things over the years about the movie, even some people giving it the coveted title of “classic”, I was shocked to see Willow included among the worst of 1988. But since I didn’t see the film before the Barbarians at the Gates Blogathon, I couldn’t agree or disagree with Siskel and Ebert. Film is subjective, with this subjectivity being the reason why I created the Comparing with the Critics series. So far, I disagreed with the critics on Network and Harry & Son, yet agreed with them on Amadeus. With that said, I’d have to say I disagree, yet again, with Ebert and Siskel. While Willow has its flaws, its placement in the Worst of 1988 episode is unjustified.

      Willow poster created by Metro-Goldwyn-Mayer (MGM), Lucasfilm, and Imagine Entertainment

      Before going over his complete list of the worst films from 1988, Gene Siskel introduces the episode’s segment on Willow. He calls the film “a heavy duty and quite dreary production”. I will admit there are darker moments within the story. However, the movie was more humorous than I expected it to be! Most of the humor came from Madmartigan, portrayed by Val Kilmer. Because of the screenwriting and Val’s versatile performance, the comedic timing was effectively executed. One of the funniest scenes in Willow is when Madmartigan and Willow are traveling on a sled down a snowy hill. During this trip, Madmartigan falls off the sled. But instead of being left behind, Madmartigan rolls down the hill, becoming a giant snow ball. When Madmartigan was introduced in Willow as the story’s comic relief, I knew he was going to be a character I would like. His personality, along with the dialogue shared between him and Willow, presented someone who captivated my attention and kept me invested in his story. It also helps that Madmartigan is hilarious, as he is the reason why I burst out laughing several times while watching Willow!

      Madmartigan and Sorsha picture created by Metro-Goldwyn-Mayer (MGM), Lucasfilm, and Imagine Entertainment

      Gene Siskel is not the only critic who disliked Willow. Though he didn’t put the movie on his list of the worst films of 1988, Roger Ebert expressed his disapproval over how the story seemed similar to Star Wars, claiming children who liked the movie “hadn’t seen it a hundred times before”. I can only speak for myself, but Star Wars never crossed my mind as I watched Willow. But some moments did feel reminiscent of The Wizard of Oz. The film clip included in the Worst of 1988 episode shows Cherlindrea, a fairy queen, revealing to Willow the purpose of his journey. She even gives him a wand to help him accomplish his mission. The scene reminded me of when Glinda explained to Dorothy how she could return home. The iconic ruby slippers became a tool to help Dorothy along her way to Emerald City. Story ideas are bound to get repeated over time. Therefore, moments in Willow feeling reminiscent of The Wizard of Oz didn’t bother me. Instead, it showed me how a film’s creative team can take a familiar story idea and add their own unique perspective on it!

      The Barbarians at the Gates Blogathon banner created by Quiggy from The Midnite Drive-In and Hamlette from Hamlette’s Soliloquy

      Another criticism Gene had about Willow was the film’s setting, stating “I’m tired of seeing epic pictures set in forests with lots of people running around and, uh, hitting each other over the head”. Personally, I was not bothered by this, as I felt the setting fit the story Willow’s creative team was trying to tell. What did bother me was how the build-up of Madmartigan and Sorsha going from enemies to lovers happened too quickly. Incorporating the “enemies to lovers” trope works in a fantasy story like Willow, where there is at least one battle and a major theme is good versus evil. It should be noted how Val Kilmer and Joanne Whalley had nice on-screen chemistry, as well as Sorsha and Madmartigan appearing photogenic together. I still wish the aforementioned build-up had been more gradual. As the story progressed, Sorsha evolved from villain to hero. Unfortunately, this evolution was too abrupt. While Sorsha’s change of heart gave her some character development, it left some questions unanswered. Perhaps a scene explaining this transformation didn’t find its way into the movie?

      Snowy mountain image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-background-of-snow-track-and-mountains_968656.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

      In past reviews, I criticized films for containing parts of a story that didn’t make sense. Willow is a film that doesn’t avoid this flaw. Bavmorda is the villain of the story. When the heroes attempt to defeat Bavmorda, she uses a spell to transform the heroes into pigs, with Willow and a sorceress named Fin Raziel being the only exceptions. This spell takes place in a short amount of time, with the afflicted heroes becoming pigs all at once. When Fin Raziel reverses the spell, this proves to be a lengthy process, as she uses her magic on one person at a time. This creative choice left me wondering why Fin Raziel wouldn’t use her magic on all the heroes all at once similar to Bavmorda? To me, it didn’t make sense, especially since the heroes didn’t have the luxury of time.

      Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

      During their discussion of Willow in Siskel & Ebert’s Worst of 1988 episode, Roger reminds Gene how, despite the movie’s bad reviews, it became the top selling video and was successful at the box office. Had I seen Willow sooner, I might have contributed to the movie’s statistics. This is another Comparing with the Critics review where I found myself disagreeing with Siskel and Ebert. That’s because I had a genuinely good time watching Willow! I brought up in this review how the project has its flaws. But the story was simplistic and straight-forward, which made it easier to follow what was happening on screen. Even though Willow was the movie’s protagonist, it was Madmartigan who stole the show! In fact, I’d say he was the MVP of this story, as his personality and comedic timing left a good impression. There were moments in the film that felt reminiscent of The Wizard of Oz. However, I saw those moments as ways for Willow’s creative team to bring their own unique perspective to familiar story ideas. I have to say I’m glad I chose to review Willow for this edition of Comparing with the Critics! Now if you’ll excuse me, I have to watch the Siskel & Ebert 1988 Holiday Video Gift Guide episode in the hopes something Willow related can be included in my Movie Blogger’s Christmas Wish List.

      This review was brought to you by

      Sally Silverscreen