Take 3: Jesse James Meets Frankenstein’s Daughter Review

On February 25, 2023February 26, 2023 By 18cinemalane11 Comments

My quest to find my “so bad it’s good” movie has, at this point, turned into a saga. During my time participating in the So Bad It’s Good Blogathon from Taking Up Room, I have selected a film I thought would earn the coveted title, only to have that film fall short of my expectations. But I haven’t given up, as I still believe my “so bad it’s good” film is out there somewhere. When I reviewed Sea Change, I said the movie sounded so “bonkers”, I had to check it out for myself. I had a similar experience when I discovered the 1966 film, Jesse James Meets Frankenstein’s Daughter. Based on that title alone, the movie sounded “bonkers”, a well-known criminal from the “wild, wild west” crossing paths with someone from the story of Frankenstein. I hadn’t seen a film where the western and horror genres combined, so I curious to see how this story would turn out. I was also curious to see if Jesse James Meets Frankenstein’s Daughter would finally be my “so bad it’s good” movie.

*Jesse James Meets Frankenstein’s Daughter* poster created by Circle Productions, Embassy Pictures, and Embassy Home Entertainment

Things I liked about the film:

Maria’s house: Within this movie’s dialogue, Maria explains how her house formerly belonged to a missionary. Though the space is more reflective of Maria’s taste in design, I was impressed with the set! Despite only three rooms being shown on screen, my favorite room was the sitting room! The walls and massive fireplace were covered in a light-colored sandstone. A large medallion with carved images sits over the fireplace, boasting a darker metal hue. Red armchairs and curtains nicely complimented the sandstone. These details added elements of elegance and European flair to the desert!

The inclusion of science: In stories from the western genre, science isn’t often found in the script. In fact, the only times I’ve seen science included in western stories are during school lessons or whenever a medical situation takes place. Maria is a scientist from Austria, who just so happens to be related to the same Frankenstein from Mary Shelley’s novel. She is driven to make her experiment work, using an artificial brain that was passed down through her family. Despite the film’s science being poorly written, I appreciate this story adopting a more unique identity. I also appreciate the creativity this movie’s creative team attempted.

The Fifth So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Poorly written science: As I previously stated in this review, the science in Jesse James Meets Frankenstein’s Daughter is poorly written. It honestly made the characters sound like they didn’t know what they were talking about. While performing one of her experiments, Maria explains to her brother why they moved to the United States. She says there are more “electrical storms” in the United States than there are in Austria. What Maria failed to remember is how thunderstorms can take place anywhere, as clouds can congregate to create the effects of a typical storm, such as lightening. This made Maria’s trip seem kind of pointless.

A misleading title: I mentioned in this review’s introduction how the title of Jesse James Meets Frankenstein’s Daughter sparked my curiosity, as it made the movie sound “bonkers”. Personally, I thought the film would feature Jesse James in his younger years interacting with the daughter of Frankenstein’s monster. However, the title turned out to be a lie. Maria is Victor Frankenstein’s granddaughter. When Jesse meets Maria, forty minutes into the movie, nothing happens after their initial meeting. They don’t fall in love or form some sort of alliance. If given an honest title, this film would be called “Jesse James Meets Juanita”.

Delayed reactions: Though not a common flaw, there were a few times where actors presented delayed reactions. When Juanita’s family first meets Jesse and his friend, Hank, both men are running from the law. Hank has a very noticeable injury, which is getting worse by the minute. But it takes Juanita about five to ten seconds to acknowledge Hank’s injury. I’m not faulting the actors, as they tried their best with the material given. I will fault the screenwriting, as there could have been a stronger sense of urgency written into the script.

Lack of horror: In this review’s introduction, I said I was curious to see a movie combine the western and horror genres. But when I watched the film, the western genre was emphasized. To me, it felt like the movie’s creative team wanted to take their western story seriously, instead of finding a balance between the horror and western genres. When the horror elements were utilized, it seemed like they were used to tell a rehashed version of Mary Shelley’s story. Even though I appreciate the creativity attempted, I wish the delivery was stronger.

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My overall impression:

For five years, I have been searching for my “so bad it’s good” movie. Throughout this search, I have found films that were either ok or disappointing. With Jesse James Meets Frankenstein’s Daughter, there were a few times I found myself giggling. But I wouldn’t say this movie is “so bad it’s good”. To be honest, this film was built on a gimmick. Though that could work with the right creative talent, Jesse James Meets Frankenstein’s Daughter didn’t have a strong delivery. It felt like the movie’s creative team wanted to take their project seriously. This made the film feel more like a generic western. The inclusion of the horror genre added some creativity to the movie. Unfortunately, the horror elements were not utilized well. With this review for the So Bad It’s Good Blogathon, it feels like I took a step in the right direction! Hopefully, those steps will lead me to my “so bad it’s good” movie!

Overall score: 4.9-5 out of 10

Have you seen or heard of Jesse James Meets Frankenstein’s Daughter? Would you like to see more westerns combine other genres? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The Top 10 Worst Movies I Saw in 2022

On December 31, 2022December 30, 2022 By 18cinemalane3 Comments

My worst movies list of 2022 is different from that of the previous year. This time, I’ll be talking about more films that were “so bad they were bad”, as only three of these movies were disappointments. The Dishonorable Mentions portion of the list has also returned! Though I did see more good movies than bad, I couldn’t avoid coming across a “stinker” every now and then. I like to think I’ll, one day, see less than ten films for my annual worst list. But someday has not come this year, as the title of this article suggests. As I’ve stated in past lists, I did not write my list to be mean-spirited or negative. It’s just a way to express my own, honest opinion. Since some of these films have been reviewed on my blog, I will provide links to those reviews.

Dishonorable Mentions

Signed, Sealed, Delivered: The Vows We Have Made, A Place for Annie, Swim Instructor Nightmare, Nikki & Nora: Sister Sleuths, The Corsican Brothers (1985), and Donnie Brasco (I only watched forty minutes of the film before turning it off)

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10. The New Adventures of Heidi

In 2022, I was hoping to finally find my coveted “so bad, it’s good” movie. Sadly, The New Adventures of Heidi was not it. As I said in my review, this film is “spectacularly average”. The more I think about the 1978 made-for-tv movie, the less justifiable reasons I can think of for the project’s existence. Yes, The New Adventures of Heidi was intended as a “modern” re-telling of Johanna Spyri’s story. But the movie didn’t feel unique enough, despite all the changes. Every year I’ve participated in the So Bad It’s Good Blogathon, there has been a pattern between movies that turned out ok and movies that were just disappointing. Hopefully, in 2023, I can break this pattern.

Take 3: The New Adventures of Heidi Review

9. Love in Wolf Creek

When I first read the synopsis for Love in Wolf Creek, I was excited at the idea of a “cozier” story filled with adventure and excitement. The 2022 television film seemed better on paper than in practice. For a movie titled Love in Wolf Creek, there was very little romance in the story. The writing was weaker than I hoped, filled with scenarios that were too unrealistic for my liking. This project was too ambitious for INSP, the network who created the film. It was so disappointing, I didn’t bother watching its sequel, Christmas in Wolf Creek.

8. Harvey (1950)

I think the 1972 Hallmark Hall of Fame adaptation of Harvey is better than its 1950 predecessor. While I’m aware how controversial my opinion is, the 1972 film had more success executing its intended points. A mistake the 1950 movie makes is trying to be a comedy and a drama. This decision led the comedy to not only be underutilized, but also showcased medical negligence in a way that didn’t sit well with me. “Magical realism” was lacking in the 1950 film. This took away any opportunity for the story to be charming and whimsical. When I reviewed Harvey back in January, it was the most disappointing movie I saw in 2022. Now, eleven months later, the 1950 picture still holds that title.

Take 3: Harvey (1950) Review

7. Journey

The 1995 Hallmark Hall of Fame presentation made the same mistake Durango did: not giving the audience a reason to care about the characters and their story. In the case of Journey, the creative team failed to provide explanations for the characters’ choices. At the beginning of the film, the protagonist’s mother, Min, abandons her family, claiming she hates her parents. But the script never explains why she made this decision. Even when there are cut-away scenes featuring Min, she isn’t doing anything significant. How am I expected to care about Min’s choice affecting her family when I don’t even know why she left in the first place?

6. My Mom Made Me Do It

According to a synopsis I read for this 2022 Lifetime film, the protagonist, Jade, turns to stealing in order to help her mom pay the bills. Both the title and synopsis turned out to be a lie because 1) Jade’s decisions were made on her own and 2) Jade never steals anything. What she does instead is crash wealthy people’s parties and photographs their belongings. Other issues contained in this movie are weak lead performances and characters who make one dumb choice after another. I will admit there was at least one effective plot twist. But I wish it had taken place in a better film.

*Harvey* (1950) poster created by Universal Pictures

5. The Sundowners (1960)

For a little while, I thought The Sundowners was going to be the worst movie I saw this year. Even though I was proven wrong, the 1960 film has still remained in my top five. Like I said in my review, one of the worst things you can do as a film-maker is waste your audience’s time. The story felt longer than necessary, which made the movie two hours and thirteen minutes not well spent. One of my biggest issues with The Sundowners was its “bait and switch” ending. While I won’t go into detail about the ending, as I don’t want to spoil the film, I will say it was cruel for both the characters and the audience.

Take 3: The Sundowners (1960) Review

4. The North Avenue Irregulars

This movie attempts to answer the question; “Wouldn’t it be funny if a group of women came together to solve a mystery”? By the time The North Avenue Irregulars was released in 1979, that question made the film dated on arrival, as there were several television programs from the ‘70s featuring at least one female character solving mysteries or fighting crime. The movie’s creative team told too many types of stories, yet failed at all of them. One minute, the film felt like a precursor to the Mitford series, revolving around a preacher trying to live his best life. The next minute, the film turns into a gangster heist picture, paired with car chases that were longer than necessary. Honestly, I wish this movie was a Scooby Doo-esque story about the film’s fictional band, Strawberry Shortcake. Maybe then the movie would seem more timeless.

3. Lake Effects

For the first time in 18 Cinema Lane history, all the movies in my worst list’s top three are Hallmark productions. Accepting the bronze is the 2012 film, Lake Effects. This movie has so many Hallmark movie clichés, you could create a bingo game around them. You could also create a bingo game around the many storylines found in this script. Lake Effects is a production that relies on style over substance. While Smith Mountain Lake, Virginia was captured well on film, there’s only so much the movie’s creative team could do with the weak script at their disposal. In my review from August, I stated how the movie seemed forgotten over the years. Its poor quality makes it not worth remembering.

Take 3: Lake Effects Review

2. A Boyfriend for Christmas

In 2019 and 2020, a Hallmark Christmas movie ended up in the top three of my annual worst movies list. History is kind of repeating itself with A Boyfriend for Christmas in second place. Like Lake Effects, the 2004 film contained a weak script. But in A Boyfriend for Christmas, I only liked two minor parts of the story. The lack of Christmas magic made my movie viewing experience unenjoyable. It was one of those stories that became worse the longer I watched it. I know this movie is one of the most beloved titles in Hallmark’s cinematic library. Honestly, though, I found it over-rated.

Take 3: A Boyfriend for Christmas Review

1. Francesca Quinn, PI

Remember when I said one of the worst things a film-maker can do is waste their audience’s time? Well, another worst thing a film-maker can do is disrespect their audience’s intelligence. As I watched Francesca Quinn, PI, I was given the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. That’s because Francesca explained things that didn’t need explaining. Despite Francesca being a professional private investigator, she constantly made decisions an amateur detective would likely make. Her lack of personality didn’t help either. According to IMDB, Francesca Quinn, PI could replace the Mystery 101 series. The reason is “the main characters’ relationship and the crime at the end of Deadly History are the same as the main characters’ relationship and crime in Francesca Quinn, PI”. If this is the case, the Mystery 101 fans, including myself, deserve so much better.

*A Boyfriend for Christmas* poster created by Hallmark Entertainment, MAT IV, Alpine Medien Productions, Larry Levinson Productions, Gaiam Entertainment, and Hallmark Channel

Have fun in 2023.

Sally Silverscreen

Ten Classic Movies I Watched Because of My Blog

On December 29, 2022 By 18cinemalane8 Comments

18 Cinema Lane is almost five years old. In that time, I have reviewed many films; from the blockbuster to the underrated and everything in between. Sometimes, I had the opportunity to talk about “classic” films. These opportunities were formal introductions to these titles. This list highlights some of the “classic” movies I watched because of my blog. Whether it was a blogathon entry or a Blog Follower Dedication Review, I’m thankful I was able to see these films. That way, I can now have an honest opinion about them. Since I have reviewed all the films on my list, I will provide links in this article. I will also be sharing my thoughts on these films, so anything I say is not meant to be mean-spirited or negative.

The Discovering Classic Cinema Blogathon banner created by Maddy from Classic Film and TV Corner

The Bridge on the River Kwai

Starting this list is the most recent “classic” I reviewed. I chose to write about The Bridge on the River Kwai for The 5^th Golden Boy Blogathon, where I was the only participant to select it. This movie made me question why some movies do or don’t end up on AFI’s list of The 100 Greatest American Movies Of All Time. Until I watched The Bridge on the River Kwai, I believed these titles met one of two criteria: those that represent the time they were released and those that brought something new to the cinematic table. With the 1957 film, I still haven’t figured out why it’s on the list. I am not saying this is a bad movie. But, at best, I thought it was just fine.

Take 3: The Bridge on the River Kwai Review

A Star Is Born (1937)

Before participating in the Fredric March Blogathon, I didn’t have an interest in watching any version of A Star Is Born. Because this story has been remade on more than one occasion, I thought each version was going to share a recycled plot, with little variation among them. As of this list’s publication, I’ve only seen the 1937 original. However, I was surprised by how impressive the movie was! Fredric March’s performance was so strong, not just among the Breen Code era films I’ve seen, but among any movie I have seen. He worked well alongside Janet Gaynor, sharing really good banter between each other. A Star Is Born made me want to actively seek out more films from Fredric’s filmography!

Take 3: A Star Is Born (1937) Review

Funny Face

As Fred Astaire famously said, “Do it big, do it right, and do it with style”. When it comes to his movie, Funny Face, that’s exactly what happened. This is a pleasant looking production! I remember loving the use of color, as pops of color were placed in scenes with a primarily plain color palette. The musical numbers were also entertaining to watch, with creative ideas woven through them. Though I haven’t seen many of Audrey Hepburn’s films, Funny Face is one of her projects I like. She appeared to be enjoying whatever she was doing, whether it was dancing in the “Basal Metabolism” number or portraying Jo traveling to Paris. Then again, Audrey did famously say “I believe that happy girls are the prettiest girls”.

Take 3: Funny Face Review (Fred Astaire and Gene Kelly Blogathon Part 2)

All About Eve

As the last movie I reviewed for 2019’s Clean Movie Month, All About Eve is a film I thought was just fine. A peek behind the theater world’s curtain was refreshing, providing the story with interesting perspectives. The use of voice-overs not only allowed the audience to witness Eve develop as an individual, but connect with the other characters as well. However, I found the title to be misleading, as the story was led by Margo. As I said in my review, the film would be called “Mostly About Margo” or “Sometimes About Eve” if given an honest title.

Take 3: All About Eve Review (Clean Movie Month — #5)

Nosferatu

Screenshot taken by me, Sally Silverscreen.

The same year I reviewed All About Eve, I also wrote about Nosferatu. My review of the 1922 “classic” was for 2019’s A Month Without the Code. I’m thankful for the opportunity I had to see Nosferatu, as the film was not only created under strict copyright rules, but has also been preserved over time. This film serves as a stone in cinema’s foundation, showcasing elements still found in today’s movies, such as using music to elevate the story’s tone. I don’t often talk about horror films on 18 Cinema Lane. But out of the ones I have reviewed, Nosferatu is definitely one of the better titles!

Take 3: Nosferatu Review (A Month Without the Code — #1)

To Kill a Mockingbird

Like I recently said in my list, ‘The Top 10 Best Movies I Saw in 2022’, there are few movies I found better than their source material. To Kill a Mockingbird is one of those films! I like this adaptation because the script gets straight to the point sooner than the book did. It also places more emphasis on the trial, the part of the book I found the most interesting. The visual nature of film elevated the suspenseful moments from the original story, presenting realistic situations with an intensified level of uncertainty. This is one of those times where I would suggest skipping the book and going straight to the film.

Take 3: To Kill a Mockingbird Review

Citizen Kane

In my opinion, Citizen Kane is an over-hyped movie. I know that’s a controversial opinion. But when I reviewed the movie in 2019, I didn’t find it the flawless masterpiece others have made it out to be. For starters, I don’t think the film needed an hour and fifty-nine-minute run-time. I also found it difficult to connect with the characters. Despite my view on Citizen Kane, I don’t think it’s a bad movie. If anything, I thought it was decent. But like I said with The Bridge on the River Kwai, I wonder why Citizen Kane is number one on AFI’s list of The 100 Greatest American Movies Of All Time?

Take 3: Citizen Kane Review (Clean Movie Month — #2)

Lawrence of Arabia

This is another “classic” I feel is over-hyped. However, the over-hyped status of Lawrence of Arabia is not to the same degree as Citizen Kane, in my opinion. The 1962 film is one of the most iconic “sword and sandal” titles. But beyond this simplified distinction is a World War I story from a unique perspective. Reviewing Lawrence of Arabia for The World War One On Film Blogathon was not my first choice. I had actually planned to review a different movie, which ended up being released on DVD after the blogathon took place. This last-minute decision was a blessing in disguise, as it gave me an excuse to check out Lawrence of Arabia!

Take 3: Lawrence of Arabia Review

Ben-Hur (1959)

When I chose to watch this movie for a Blog Follower Dedication Review, I had no idea how much I would love it! I remember being so invested in Judah’s journey, I wasn’t too bothered by the film’s three-hour run-time. This is another iconic “sword and sandal” picture. But only referring to this film by that simplified title does it such a disservice. That’s because the movie is, in my opinion, one of the better faith-based films! I’ve heard 1959’s Ben-Hur is a remake of a film from the ’20s. Maybe that version will be covered in a future review!

Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

Meet Me in St. Louis

The Breen Code era gave us some good musicals. Meet Me in St. Louis is no exception! A musical is only as strong as its musical numbers. In the 1944 film, there was an assortment of enjoyable songs. From Judy’s iconic rendition of “Have Yourself a Merry Little Christmas” to my favorite, “Under the Bamboo Tree”, this part of the story added to my movie viewing experience. While the film does have its flaws, it is a pleasant production. If I were introducing someone to the Breen Code era, Meet Me in St. Louis is a film I would recommend!

Take 3: Meet Me in St. Louis Review + 75 Follower Thank You

Have fun at the movies!

Sally Silverscreen

The Top 10 Best Movies I Saw in 2022

On December 28, 2022 By 18cinemalane1 Comment

As the sun begins to set on 2022, it’s time to publish my best and worst movies of the year lists! Last year, every film on my best list had been reviewed on 18 Cinema Lane. But that’s not the case this time around. For this list, only two movies were not reviewed, while another movie served as an editorial subject. Any film I covered on my blog will have a link included in this post. I’m thankful another year was filled with more good movies than bad. I’ll even have more titles in my Honorable Mentions! While these lists have become great traditions on their own, the variety of this collection of films has become another tradition. So, without any delay, let’s begin the list of the best movies I saw in 2022!

Honorable Mentions

Cut, Color, Murder, Sailor Moon S: The Movie, Cyrano de Bergerac (1950), Children of a Lesser God, Sweet Revenge: A Hannah Swensen Mystery, Aurora Teagarden Mysteries: Honeymoon, Honeymurder, The Princess and the Pirate, Dirty Little Secret, Singin in the Rain, McBride: Tune in for Murder, McBride: Dogged, McBride: Requiem, Hugo, Akeelah and the Bee, The Shoplifting Pact, and Secrets at the Inn

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10. Fiddler on the Roof

When I reviewed the 1971 musical back in February, I said it was too early to say whether it would be one of the best movies I saw this year. But Fiddler on the Roof captivated me so much, the film ended up on my annual top ten list! I described the movie as a well-made quilt, with each of the film’s strengths representing a different quilt piece. The inclusion of Jewish faith/culture also gave the project a unique identity by asking questions and discussing topics that aren’t often found in musicals. Looking back on this movie, Fiddler on the Roof was three hours well spent. It’s a special project in both the world of musicals and cinema. I hope to check out more Jewish cinematic stories in 2023!

Take 3: Fiddler on the Roof Review

9. The Lost Empire/The Monkey King

Out of all the movies on my best list for 2022, The Lost Empire/The Monkey King is the most unique one! A fantasy film based on Chinese folklore, this was an imaginative production I enjoyed watching. The story was sometimes thought-provoking and even somewhat educational, as it included literature related discussions. Strong acting performances brought to life characters who seemed believable. The set designs boasted a realistic and fantastical setting, which effectively presented the illusion of an immersive world. I wish Hallmark created more movies like The Lost Empire/The Monkey King, where the stories and ideas are more creative. With the network prioritizing rom-coms and dramas, though, I don’t know what their decisions will be in the new year.

Take 3: The Lost Empire/The Monkey King Review

8. Aurora Teagarden Mysteries: Haunted by Murder

Talking about this movie is bittersweet, as it is the last film in the Aurora Teagarden series. I’ve thought about all the moments the fans will never get to see, such as Aurora and Nick’s first Christmas, Phillip’s college graduation, and Sally falling in love. But if this is where the story must end, at least it ended on a strong note. The realistic and supernatural elements of the story complimented each other nicely. Supernatural elements being incorporated at all gave this chapter a more creative approach to the series. It was nice to spend time with Lawrenceton’s favorite residents; the acting performances and on-screen camaraderie remaining consistent. Even though I would have loved to see the Aurora Teagarden series continue for many more years, I know nothing lasts forever. But as the saying goes “Don’t cry because it’s over. Smile because it happened”.

7. Redwood Curtain

There are very few movies I found better than their source material. Redwood Curtain just so happens to be one of them! The creative team behind the Hallmark Hall of Fame adaptation took advantage of the expansive nature of film by providing the story with more locations. Allowing characters like Julia and Laird to appear in the movie showcase the Riordan family dynamic not present in the play. I found Geri more likable as a character in the movie. Lea’s performance paired with the screenwriting gave Geri an empathetic and understanding personality. Redwood Curtain is a Hallmark Hall of Fame presentation I wish was re-released on DVD.

‘Redwood Curtain’: From Stage to Screen

6. The Pit and the Pendulum

The Pit and the Pendulum was one of the biggest pleasant surprises of 2022! Despite the film not being my first choice for its respective blogathon, I thought it was engaging and entertaining. Vincent’s performance didn’t disappoint, as his portrayal of Nicholas was versatile and fueled on emotion. The mystery not only started right away, but it also allowed the audience to experience the journey alongside Francis, the main character. The Pit and the Pendulum is, to me, one of the more effective horror movies, like 1962’s Cape Fear. While this film would be a perfect choice to watch on Halloween, I’m glad I had the opportunity to see it around Vincent’s birthday!

Take 3: The Pit and the Pendulum (1961) Review

*Redwood Curtain* poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)

5. The Song of Bernadette

And another film of Vincent’s joins my list! Faith based films come in two forms; those that emphasize a message and those that emphasize a story. The Song of Bernadette falls into the latter category, as it revolves around religious phenomena affecting a small town. What I like about the 1943 film is how different perspectives relating to the phenomena are explored, highlighting how various members of the town view the events unfolding. The story doesn’t choose sides on the main topic, allowing the audience to come to their own conclusions about what is taking place in the movie. Even though The Song of Bernadette was released during the Breen Code era, the film is a good representation of the quality from that period in cinema. As I said in my review, Easter would be an appropriate time to watch the movie!

Take 3: The Song of Bernadette Review

4. Heaven Is for Real

Heaven Is for Real shares a major similarity with The Song of Bernadette. The 2014 film also revolves around religious phenomena affecting a small town. But what Heaven Is for Real does differently is encourage the audience to have a conversation about their beliefs on Heaven. Like I previously stated, faith based films come in two forms; those that emphasize a message and those that emphasize a story. However, I’ve rarely seen a movie of this nature start a discussion about one of their themes. This creative decision brings something new to the table and gives Heaven Is for Real a unique identity.

3. Words on Bathroom Walls

It seems like I’ve been talking about this title for as long as my blog has been around. But I’m glad I finally got the chance to see Words on Bathroom Walls this year, as it was such a good adaptation! There were changes between text and film. Despite that, the adaptation was, for the most part, respectful to its source material. The visual presentation of the story gave the audience a glimpse inside Adam’s mind. Interactions between the characters were believable, thanks to the actors’ performances and screenwriting. As I mentioned in my review a month ago, the adaptation for Words on Bathroom Walls seems more underrated. Based on the response my review received, my statement may be wrong.

Take 3: Words on Bathroom Walls Review

2. Top Gun: Maverick

I’m going to be honest; I had low expectations for Top Gun: Maverick. That’s because sequels released over ten years after their predecessor can be hit or miss. Top Gun: Maverick ended up surpassing my expectations, making it in the top three of my best of the year list! From what I know about Top Gun, the sequel respected what came before it. At the same time, new elements were added to the story, like focusing on an overarching mission. In a cinematic landscape where a film receiving over a billion dollars has become a rarity, Top Gun: Maverick achieved what some studios only dream of. As the 2020s move forward, maybe more filmmakers will turn to this film as an example of what can be cinematically possible.

Take 3: Top Gun: Maverick Review + 450 Follower Thank You

1. A Godwink Christmas: Miracle of Love

When it comes to “Godwink” stories, I prefer those that focus on a conflict. While that is the case for A Godwink Christmas: Miracle of Love, I found the overall production impressive! The interactions among the characters, as well as each volunteer’s talent being showcased, provided a nice amount of character development. Christmas activities were incorporated in more unique ways, such as the Romero family’s gift exchange. The inclusion of Advent was a newer approach to the Christmas movie genre. I don’t know what’s in store for the Godwink series. But I’d love to see more adaptations of these stories!

Take 3: A Godwink Christmas: Miracle of Love Review

*A Godwink Christmas: Miracle of Love* poster created by Crown Media Productions and Hallmark Movies & Mysteries

Have fun in 2023!

Sally Silverscreen

Take 3: The Sundowners (1960) Review

On June 5, 2022June 28, 2022 By 18cinemalane13 Comments

Here at 18 Cinema Lane, I try to go out of my way to watch, and review, as many film recommendations as possible. In fact, I have a board on Pinterest dedicated to these recommendations. Two years ago, when I reviewed Marriage on the Rocks, Maddy, from Maddy Loves Her Classic Films, suggested I check out the 1960 picture, The Sundowners. Shortly after Debbie, from Moon in Gemini, invited me to her Foreign Western Blogathon, I finally found an opportunity to write about the movie! The Sundowners fits two of the four blogathon categories: ‘directed by foreign directors’ and ‘shot in a foreign country’. According to IMDB, the film’s director, Fred Zinnemann, is from Austria-Hungary. The movie was also filmed in Australia, where the story takes place. Foreign westerns are not a new concept on 18 Cinema Lane. Neither are Australian films. Within the four years of my movie blogging journey, I reviewed Another Man, Another Chance, Interrupted Melody, and Hallmark Hall of Fame’s Durango. If you’re interested, I’ll provide the links to these reviews toward the beginning of this article.

Take 3: Another Man, Another Chance Review

Take 3: Interrupted Melody Review

Take 3: Hallmark Hall of Fame’s Durango Review

*The Sundowners* (1960) poster created by Warner Bros.

Things I liked about the film:

The cinematography: Like I said in the introduction, The Sundowners was filmed in Australia. The movie’s creative team took advantage of the country’s natural surroundings through cinematography! One long shot showcased Australia’s farmlands. What made this shot beautiful were the rays of sunlight showering over the green landscape, offering a light only nature could provide. The cinematography also did a good job putting things into perspective. During a forest fire, Ida is driving her family’s wagon away from the forest. While this maneuver is taking place, the camera is situated inside the back of the wagon. It looks out toward the road, giving the audience the illusion they are riding in the wagon with Ida.

Higher stakes: When I reviewed Hallmark Hall of Fame’s Durango last year, I talked about low stakes being one of the film’s biggest flaws. In The Sundowners, higher stakes were featured in a few scenes! A notable example is the forest fire I previously mentioned. While the Carmody family is herding sheep, a nearby forest fire breaks out. This leads all the characters to be in danger. The scene chronicled the entire process of the fire, starting from the detection of smoke and ending in the fire’s aftermath. Cut-away shots of scared wildlife are spliced into the story, emphasizing the other lives in harm’s way. Dramatic music can be heard in the background, elevating the sense of urgency. With all these elements combined, this scene was the perfect example of the higher stakes I expect from a western film!

The historical accuracy: With any “period film”, the historical accuracy can make or break that production. In the case of The Sundowners, the story takes place in the 1920s. From the looks of it, the 1960 project appears historical accurate! The forms of transportation are one indicator. While the Carmody family is working on the sheep farm, the employees sometimes rode in antique trucks with open beds. At least one motorcycle is featured in the story, revealing exposed gears and a model very different from the motorcycles of today. A covered wagon is the preferred vehicle of the Carmody family, with Paddy and Sean riding horses on a few occasions. This aspect of the film’s historical accuracy reminded me of a production like The Grapes of Wrath.

The Foreign Western Blogathon banner created by Debbie from Moon in Gemini

What I didn’t like about the film:

A “slice of life” story: Westerns, like any genre, contain a wide range of narratives. If given the choice, I’d rather watch a western with, at least, one conflict instead of a story that’s more “slice of life”. Unfortunately, the majority of The Sundowners is a “slice of life” story. The script primarily focuses on the daily operations of sheep farming. At first, this topic was interesting. But as the film carried on, the elements of sheep farming became repetitive. Had this movie contained one or two major conflicts, I might have found this story more intriguing.

Lack of Irish accents: According to Wikipedia, the Carmody family is Irish, a fact Sean tells Rupert early in the film. Michael Anderson Jr., Robert Mitchum, and Deborah Kerr must have missed that detail in the script, as none of them could successfully carry an Irish accent. Throughout The Sundowners, Deborah sounded like she was speaking in a British accent. Meanwhile, Robert and Michael sounded Australian. I don’t think Robert, Deborah, and Michael are bad actors. In fact, pulling off any accent can be a difficult skill to master. However, their lack of Irish accents was, for me, jarring.

The run-time: The Sundowners contains a straight-forward story about a family searching for employment in order to afford a place of their own. With that said, I found it unnecessary for the film’s run-time to be two hours and thirteen minutes. Some scenes felt drawn out in an attempt to satisfy this run-time, the shearing contest Paddy enters being one example. That scene lasts about five minutes, even though it could have only featured the most exciting parts of the contest. If scenes like that one had been cut shorter, the movie could have had a run-time of about an hour and thirty minutes.

A “bait and switch” ending: In my review of 1961’s The Pit and the Pendulum, I incorporated spoilers to explain my thoughts on a specific portion of the movie. Similarly, I will be including spoilers in this part of my review. If you haven’t seen The Sundowners, please skip this part and continue reading where it states “My overall impression”.

As I stated earlier in this review, The Sundowners contains a straight-forward story. I also stated how the movie is two hours and thirteen minutes. Within that run-time, the Carmody family receives the funds to afford a farm that was featured toward the beginning of the film. All seems to be going well until the last ten minutes in the story. While in a drunken state, Paddy makes several I-O-Us, losing the family’s finances in the process. In an attempt to earn back some of those funds, the family enters their race-horse, Sundowner, in an upcoming horse race. Not only does Sundowner and Sean win the race, Paddy also wins a bet. Even though they have enough money to make a down payment on the aforementioned farm, Ida changes her mind, saying Paddy can keep the race horse instead. This statement contradicts Ida’s goal throughout the movie; getting a place to put down roots. Moments later, an announcement declares Sundowner is disqualified from the race due to a pass interference. This means the Carmody family lost all the money they just won. The movie ends exactly how it begins; with the family on the road looking for employment and a place to stay. If I had known the story would end this way, I wouldn’t have become invested in the Carmody family’s ordeal.

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When it comes to film-making, one of the worst things you can do is waste the audience’s time. The way I feel about The Sundowners is similar to how I felt about The Birds; like I truly wasted two hours and thirteen minutes. I understand circumstances in western films aren’t always fair. Heck, life itself is sometimes unfair. But what is also not fair is giving your characters and audience hope for two hours, then taking that hope away in the film’s last ten minutes. With the way The Sundowners turned out for me, it almost seemed like history repeated itself. As I mentioned in this review, I wrote about Hallmark Hall of Fame’s Durango last year. That 1999 presentation was a foreign western I didn’t like. Both Durango and The Sundowners have one thing in common. Even though there were things about each film I liked, they contained a weak script. A script is the foundation of any cinematic production. If it isn’t strong, there’s only so much you can do to remedy the issue. Before I end this review, I want to make it clear that I have nothing against foreign westerns or Australian cinema. I’m confident there are stellar Australian and foreign western pictures I haven’t seen yet. Unfortunately, The Sundowners isn’t one of them.

Overall score: 4.7 out of 10

Have you watched any foreign westerns? If so, which ones would you recommend? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Pit and the Pendulum (1961) Review

On May 27, 2022May 29, 2022 By 18cinemalane15 Comments

For The Corman-Verse Blogathon, I was originally going to review the 1996 film Kyoko/Because of You. The only way I could watch the movie is if I purchased a DVD copy. Unfortunately, the copy I bought would not arrive in time for the blogathon. Even though I do plan to review Kyoko/Because of You in the near future, I needed to select a back-up film to write about for the event. While scrolling through Roger Corman’s filmography, I discovered he directed the 1961 adaptation, The Pit and the Pendulum. Since no other participant had selected the film, I chose to review this movie instead. Vincent Price is no stranger to 18 Cinema Lane. As of the publication of this review, The Pit and the Pendulum is the ninth movie of Vincent’s I’ve seen. The majority of his films have been enjoyable to varying degrees. So, where does the 1961 title lie? You won’t know that answer unless you read this review!

*The* *Pit and the Pendulum* (1961) poster created by Alta Vista Productions and
American International Pictures

Things I liked about the film:

The acting: As I said in the introduction, The Pit and the Pendulum is the ninth movie of Vincent’s I’ve seen. Among most of these films, Vincent’s acting talents have been on full display, allowing the audience to witness just how versatile of an actor he is. In the 1961 adaptation, Vincent portrays Nicholas Medina. Throughout the story, Nicholas is overcome not only by the loss of his wife, but also by trauma he experienced as a child. When Francis Barnard, the film’s protagonist, questions the cause of his sister’s death, Nicholas’ eyes appear both concerned and wounded. This is because he wants to protect Francis from the truth and himself from the grief. During Francis’ stay in the Medina Castle, Nicholas shows Francis Elizabeth’s (his wife and Francis’ sister) room. While reminiscing over his time with Elizabeth, Nicholas is suddenly overcome with sorrow. With a quivering lip and tear-filled eyes, he bursts out crying, longing for his dearly beloved.

Like I previously mentioned, Francis Barnard is the film’s protagonist. Portrayed by John Kerr, this character was a good representative of the audience. What I mean by this is he and the audience were in the same boat, figuring things out as they go along. That element of the story gave viewers an opportunity to connect with the character. What also worked in John’s favor is how consistent his performance was. Throughout The Pit and the Pendulum, Francis was suspicious of the Medina Castle and the people who lived there. His face was set in a serious expression; mouth displaying a tight, straight line and eyes in a scowling manner.

Nicholas’ sister, Catherine, is one of the people Francis meets. Catherine, portrayed by Luana Anders, reminded me of Snow White from the 1937 animated classic, Snow White and the Seven Dwarfs. This is because she showcased a gentle concern toward the characters around her. But unlike the cartoon princess, Catherine contributed more to the story, instead of being a more passive participant. When she and her brother are first confronted by Francis about Elizabeth’s death, Catherine shows worry on her face. However, the reason for her facial expression was different from Nicholas’, as she wonders how she will reveal the truth to Francis. Later in the film, Catherine explains Nicholas’ past trauma to Francis, in an effort to show him her brother is being honest. This time, her expressions show more understanding, appearing calmer and sure of herself.

The set design: The Pit and the Pendulum takes place inside the Medina Castle, during the year 1547. While I’m not a historian when it comes to this particular era, I will say the set design appeared historically accurate! Each room of the castle was spacious, presented in long to medium shots to showcase their size and scope. Though the walls were a mix of white and caramel marble, they were covered with exquisite artwork. In Francis’ room, there was a wall-sized piece of tapestry. Elizabeth’s room boasted her portrait, which captured her in blue and purple hues. The rooms in Medina Castle also included elaborate pieces of furniture. A gold canopy bed in Elizabeth’s room displayed small, detailed carvings on the footboard.

The mystery: When I talked about John Kerr’s performance, I said his character, Francis, was in the same boat as the audience. That’s because this is the type of mystery story where the audience figures things out alongside the protagonist. Out of the mystery movies I’ve seen in my life, I find these types of stories to be some of the more engaging ones in the genre. They give viewers the illusion they are experiencing a journey with the main character. The mystery in The Pit and the Pendulum started right away and was carried until the movie’s end. As the story moved forward, the reveal of certain secrets was evenly paced throughout the script. This allowed the film’s momentum to remain consistent and keep the story intriguing!

The flash-back scenes: In a few moments of the movie, flash-back scenes were used to explain things that happened in Nicholas’ past. One example is when Nicholas himself is telling Francis how Elizabeth passed away. Those flash-back scenes were narrated by Vincent Price and were coated in a single-color hue. For instance, in the days of Nicholas and Elizabeth’s happier times, the scenes were displayed in either green or blue. The way the flash-backs were presented made them feel distinct from the “current” events. They also brought Nicholas past to life.

The Corman-Verse Blogathon banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

The prolonged appearance of The Pit and The Pendulum: I’ve gone on record to say a movie’s title, sometimes, serves as a promise to the audience. There is a pit and pendulum in this film. But they appeared in the movie’s last eleven minutes. It’s been years since I’ve read anything by Edgar Allan Poe, so I’m not sure which parts of the story are straight from the source material. However, I kind of wish the pit and pendulum would have appeared in the movie sooner.

A somewhat confusing climax: For this part of the review, I will be bringing up spoilers. While I typically try to leave spoilers out of my reviews, I feel I can’t fully explain my points without including them. If you haven’t seen 1961’s The Pit and the Pendulum, please skip this part and continue reading where it states “The underutilization of Maximillian”.

In The Pit and the Pendulum, Francis, and the audience, learn Elizabeth died of shock. But throughout the film, Nicholas is convinced he killed his wife. To prove Nicholas didn’t kill Elizabeth, Francis and Doctor Leon open Elizabeth’s grave, revealing a skeleton. But toward the end of the movie, Nicholas discovers Elizabeth had been alive that whole time. Even though he is overcome by shock, Nicholas pulls out of it, believing he is his father, Sebastian. Looking back on the film, I wonder if Nicholas assumed his father’s identity because the grief and trauma made him take a psychological turn for the worse? Or did Nicholas know about Elizabeth and Leon’s affair that entire time, using the “shock” as the perfect opportunity for revenge? Also, where did Leon and Elizabeth find a skeleton for their plan?

The underutilization of Maximillian: In a handful of moments, a servant named Maximillian appeared in the movie. At one point, I honestly thought he would play a bigger role in the mystery. Unfortunately, Maximillian was underutilized throughout the story. It felt like this character was included in the movie just for the sake of it.

Castle photo created by Photoangel at freepik.com. <a href=’https://www.freepik.com/free-photo/old-castle-in-the-mountians_1286237.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree image created by Photoangel – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When it comes to movie blogging, things don’t always go according to plan. That was the case when I chose to review The Pit and the Pendulum. Looking back on the film, I realize this change of plans ended up being a good thing. For starters, I had the opportunity to review one of Vincent’s films on his birthday, which happens to be today. The film in question was also a pleasant surprise because of how good it was! The Pit and the Pendulum is an engaging and intriguing mystery from start to finish. This is one of the more effective horror movies, similar to titles like 1962’s Cape Fear. Vincent Price is one of those actors I’ve come to appreciate the more of his films I watch. After watching The Song of Bernadette, I thought it would be so cool to hear Vincent read some of Edgar Allan Poe’s work. Because of his involvement in The Pit and the Pendulum, my wish kind of came true. I also discovered, in 1970, Vincent was the narrator of An Evening of Edgar Allan Poe. Since I enjoyed the 1961 adaptation so much, I’ll have to seek that production out!

Overall score: 8.1-8.2 out of 10

Have you seen any adaptation of The Pit and the Pendulum? Did you read Edgar Allan Poe’s literary work? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The Travel Gone Wrong Blogathon is Ready to Set Sail!

On April 29, 2022May 17, 2022 By 18cinemalane19 Comments

All aboard the blogathon train! Spring is a time when vacations are either in the planning stage or just beginning. This is one of the inspirations for my Travel Gone Wrong Blogathon! As was mentioned in the official announcement post, plans can either go hilariously or horrifyingly wrong. So, for this year’s event, entries are classified accordingly. All the participant’s posts will be found on this one communal post, in order to locate them easier. With that said, grab your suitcase and fasten your seatbelts! We’re off on a blogathon adventure!

Created by Sally Silverscreen at Adobe Creative Cloud Express

Sally from 18 Cinema Lane — Travel Lessons I Learned from Movies and TV

Hilariously Wrong

Gill from Realweegiemidget Reviews — FILMS… Our Ladies (2019)

Ruth from Silver Screenings — How to Have a Miserable Vacation

Rebecca from Taking Up Room — The Hardys Take Manhattan

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 131: “Planes, Trains, and Automobiles”

Hamlette from Hamlette’s Soliloquy — “French Kiss” (1995)

Classic Movie Muse from The Classic Movie Muse — 5 Reasons Why You Should Watch The Great Race (1965)

Horrifyingly Wrong

Debbie from Moon In Gemini — The Travel Gone Wrong Blogathon: Train to Busan (2016)

geelw from “DESTROY ALL FANBOYS”! — The Passenger, Or: Boarding? Pass!, The Gift Or: “Where’s Waldo?” Or: “Really Dead Letter Office”

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 130: “Airport”

Eric from Diary of A Movie Maniac — THE LOST WEEKEND (1945)

Evaschon98 from Classics and Craziness — movie review: flightplan (2005).

Take 3: Emil and the Detectives (1964) Review

On November 14, 2021 By 18cinemalane5 Comments

November’s Genre Grandeur focuses on Live Action Disney Films. Since I happen to have a few movies of this nature on my DVR, I had some options for this month’s event. I also wanted to participate in Taking Up Room’s Distraction Blogathon. Because “red herrings” and “dangling carrots” are a part of the movie distractions subject, I decided to review one film for both events; the 1964 title, Emil and the Detectives. Before both blogathons, I had this movie on my DVR for two years. The intention to review the film was there, but I hadn’t gotten around to writing about it. With these aforementioned events, I now have an excuse to finally talk about Emil and the Detectives! So, find a comfy seat and grab your magnifying glasses, as I’m about to review this 1964 live-action project from Disney!

This poster for *Emil and the Detectives* is a screenshot from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The camaraderie among the younger characters: When a story features a group of young characters who either are friends or become friends, the camaraderie between those characters needs to feel believable, especially if the story primarily revolves around them. With this movie, that camaraderie among Emil and the Detectives was definitely genuine! In the scene where Emil meets Gustav, the leader of the Detectives, the connection between these characters is strong, despite them having never met before. As Emil meets the rest of the Detectives, it feels like these group of boys have been friends all along. The strong camaraderie works with this story, as it gives the audience a reason to stay invested in the journey of the characters. The fact each character has their own distinct personality also works in the characters’ favor, as it allows each one to bring something different to the table. The acting performances and the script add to the strength of the characters’ camaraderie, as it makes the interactions between these characters look and feel realistic!

The German backdrop: Thinking about live-action Disney films from this time-period/era, Germany wouldn’t immediately come to mind for me when it comes to a movie’s setting. Even though this studio has created projects with interesting settings, such as The Moon-Spinners, these titles seem like exceptions to the rule. Emil and the Detectives not only takes place in Germany, but was also filmed there as well. While the story’s setting is the city, some of the buildings possess an old-world charm. The apartments displayed wood and brick styles, carrying a more vintage appearance than their more contemporary counterparts seen today. The details of these apartments were also very distinctive. When Pony meets one of the Detectives, her grandmother’s apartment door boasts a rich dark wood. A small stained-glass window and a gold mail slot can also be seen, emphasizing the antique fixtures of yesteryear. Toward the end of the film, the story takes place in an abandoned structure in ruin. Not only was the structure itself impressive, but it served as a reminder of the state of Germany post World War II. Because this film was released nineteen years after the end of World War II, it shows how these characters are not that far removed from this real-life event, providing a sense of realism to the story.

An introduction to the Film Noir genre: Back in 2018, I reviewed the 1978 Disney production, Return from Witch Mountain. In that review, I said the film and its predecessor, Escape to Witch Mountain, would be good introductions to the Science-Fiction (Sci-Fi) genre. Emil and the Detectives is also a good genre introduction, but to the Film Noir genre this time. While this film is not dark and gritty, the elements of Film Noir are certainly present. One great example is the character of Gustav. When a Film Noir story includes a detective, that character will usually have a strong, magnetic personality. This shows the audience this character can be trusted and is also approachable. Gustav is a charismatic child. Even though he is nowhere near perfect, solving any case is always his number one goal. He also displays strong leadership skills, such as helping the other Detectives use their skills to the case’s advantage. Despite being a child, Gustav is somewhat reminiscent of other detectives from the world of Film Noir, such as Philip from The Big Sleep.

The Distraction Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Limited number of German accents: During the film’s opening credits, German-sounding names were shown on-screen. These opening credits also state Emil and the Detectives was filmed in West Berlin (a term very much of its time). So, I was expecting the majority of the characters to carry German accents. To my disappointment, the only characters using German accents were the adults. The younger characters spoke in either American or British accents, a creative decision I found somewhat jarring. I’m not going to fault the younger actors too much, especially since they were so young when they participated in this project. However, it does make me wonder why the movie’s creative team chose to set this story in Germany if they weren’t able to find actors who could pull off a German accent?

Weaker villains: There are three ingredients to making a stand-out villain: a unique appearance, a strong personality, and a memorable motive. While the Skrinks, the villains of Emil and the Detectives, possess two of the ingredients, they lack the latter: a motive. In one scene, the Skrinks are impressed by how one of the villains, The Mole, escaped from East Berlin by digging a tunnel under the Berlin Wall. But The Mole’s reason for wanting to escape from East Berlin is never revealed. Throughout the film, the Skrinks are attempting to rob a bank. Once again, the reason for committing this crime is not mentioned by any of the villains. The omission of these motives prevent the Skrinks from standing out among other villains from live-action Disney films.

Pony’s under-utilized talents: One of the younger characters, Pony, is interested in writing and journalism. She follows Emil and the Detectives because she wants to write about the Skrinks’ crime for her school’s newspaper. But, throughout the film, the audience doesn’t get to see Pony using any of her writing/journalistic skills. This is a shame because we do get to see the talents of the Detectives. For example, one of the boys happens to be talented in art. Therefore, his talents are used to create an artist’s rendition of one of the villains.

Map of Germany image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com. Image found at freepik.com.

My overall impression:

1964’s Emil and the Detectives is certainly one of Disney’s more unique, interesting projects. On the one hand, it kind of feels like a Disney production. The way two of the Skrinks are captured contains that “Disney magic” you’d expect from one of their stories. But, on the other hand, it kind of doesn’t feel like a production from Disney. That’s because the Detectives assume child-appropriate versions of actions and choices usually adopted by grown-ups. A perfect example is when Emil and one of the Detectives eat chocolate cigarettes as they wait for a phone call from the rest of their group. As I said in my review, Emil and the Detectives is a good introduction to the Film Noir genre, especially for younger viewers. Some of the genre’s elements are present, but the humor and light-heartedness prevent the story from becoming too dark. I can’t believe this movie has been sitting on my DVR for two years. While I always intended to review this picture, I’m glad I found the perfect opportunity to finally talk about it!

Overall score: 7.3-7.4 out of 10

Have you seen Emil and the Detectives? Are there any lesser known, live-action Disney films you’d like me to check out? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Cape Fear (1962) Review

On October 31, 2021November 2, 2021 By 18cinemalane4 Comments

Happy Halloween to all my followers and readers! Like last year, I am participating in the Spooky Classic Movie Blogathon! For the first event, I reviewed 1953’s House of Wax, a movie I enjoyed. This time around, I’m reviewing the 1962 film, Cape Fear! When it comes to choosing which movie to watch around Halloween-time, the usual selections with fictious monsters, ghost stories, and haunted tales are preferred. But in my opinion, the most effective “scary movies” are the ones that involve real-life situations. In Cape Fear, a former prisoner seeks revenge against the lawyer who testified against him. This synopsis alone sounds more realistic and terrifying than even those scary movies that are considered “classic”. But is this movie as terrifying as it sounds? The only way to find out is if you keep reading!

*Cape Fear* (1962) poster created by Melville Productions, Talbot Productions, and Universal Pictures

Things I liked about the film:

The acting: Before watching Cape Fear, I had seen and reviewed Heaven Knows, Mr. Allison. One of the best aspects of that film was Robert Mitchum’s performance. In the 1962 movie, Robert’s portrayal of Max Cady stole the show! As a character, Max was a creepy and gross fellow. This was made possible through Robert’s facial expressions, body language, and dialogue. In Max’s first scene with Sam, there is a twinge of anger in Max’s voice. But his demeanor was controlled by a sense of calm. The combination of anger and calm within Max Cady added to the character’s unsettling nature. Another actor that effectively balanced two emotions was Lori Martin! In a scene that takes place after a family emergency, Lori’s character, Nancy, appears calm. Yet, she can be seen crying as she talks to her mother in an angry tone. Without spoiling anything, Nancy did have a legitimate reason to be both sad and angry. But I found this performance impressive, especially for an actress so young!

I’ve seen and reviewed To Kill a Mockingbird and Amazing Grace and Chuck. Based on these two movies, it seems like Gregory Peck gets type-casted as either a lawyer or a politician. While he portrays a lawyer in Cape Fear, the script emphasized how his character is a family man. Like the aforementioned movies, Gregory carried his character, Sam, with professionalism and classiness. At the same time, he was given plenty of opportunity to express emotion. A great example is when Sam meets Max at a nearby restaurant. As Max is telling his story, Sam grows increasingly angry. This scene highlights the fierce protectiveness of a husband and a father. It also gave a sense of realism to Gregory’s character!

The music: Legendary composer Bernard Herrmann provided the music for Cape Fear. Throughout the film, his signature musical style could be consistently heard. Bernard’s strength is using music to elevate the suspense within a given scene. At the very beginning of the movie, Max is walking through the town as an ominous tune can be heard in the background. This effectively clued the audience in of what would come later in the story. It also let the audience know to pay attention to Max. With all that said, the music definitely added something special to the overall project!

The cinematography: I was not expecting the cinematography in Cape Fear to be as memorable as it was! It, honestly, reminded me of pictures directed by Alfred Hitchcock! One of my favorite scenes is when Peggy, Sam’s wife, has a dream about her and Sam. While Peggy is sleeping, ghostly images of her and Sam are presented over the main image. These images reveal their concerns over the movie’s events, as well as emphasize their desire for action. This way of presenting dialogue and character interactions was very interesting. It added a sense of spookiness to an already suspenseful story!

2nd Annual Spooky Classic Movie Blogathon banner created by Kristen of Hoofers and Honeys

What I didn’t like about the film:

An exposition heavy beginning: Within the first twelve minutes of Cape Fear, the audience learns about Sam Bowden, his family, Max Cady, his arrest, and why he was arrested. Personally, I felt this was too much information to present in the film’s beginning. In fact, I was disappointed Max’s secrets were revealed so soon. What the screenwriter should have done was sprinkle this information throughout the story. That way, the audience would have a greater reason to stay invested in the mystery.

Dumb decisions from the characters: After a family emergency involving a dog, Sam warns his wife and daughter of Max’s dangerous nature. He instructs his daughter, Nancy, to only leave school and home with either him or his wife, Peggy. But more often than not, Nancy is left by herself, with Sam and Peggy putting her in a vulnerable position. One example is when Nancy gets out of school to find her mother’s car empty. While waiting in the car, Nancy sees Max and attempts to get away from him. Even though she succeeds in this plan, she ends up getting hit by an oncoming car in the process. I know her parents are human and humans make mistakes. However, these mistakes felt unbelievable after some time.

An unrelated court case: Featured in a few scenes, a court case involving an arthritic patient receiving surgery was addressed in Cape Fear. But the only connection this case had with the rest of the story was Sam as one of the associated lawyers. I wish the case had a more significant reason to be in the film. Maybe it could have something to do with Max’s past crime, with two separate mysteries becoming one. I, honestly, wanted to learn more about that case, but was sadly not given the chance.

Scared audience image created by Katemangostar at freepik.com. <a href=’https://www.freepik.com/free-photo/terrified-friends-watching-horror-movie-in-cinema_1027311.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/people”>People image created by Katemangostar – Freepik.com</a>. Image found at freepik.com.

My overall impression:

As I said in my introduction, the most effective “scary movies” are the ones that involve real-life situations. Even though this is a fictional story, it is effective at being a scarier film! Max Cady is one of the most unsettling characters in film, with Robert Mitchum’s acting abilities highlighting the reason why. Come to think of it, this performance showed a different side to Robert’s talents. Bernard Herrmann’s music added to the scary nature of the story, emphasizing the suspense within the script. But the multiple dumb decisions of the characters took away some from the film’s believability. The beginning of the film was also exposition heavy. However, the overall production felt like an Alfred Hitchcock picture without actually being affiliated with Alfred Hitchcock. With this said, I’d recommend Cape Fear as your next pick for Halloween!

Overall score: 7.5 out of 10

Have you seen Cape Fear? Which movie would you watch on Halloween? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Lion Review

On July 24, 2021 By 18cinemalaneLeave a comment

I haven’t participated in MovieRob’s Genre Grandeur since April, when I reviewed the 1966 movie, Born Free. To make up for some of that lost time, I decided to review a film for July’s event. This month, the theme is “Movies of the Outdoors”. That means the majority of the film has to take place outdoors or the movie has to significantly feature nature within the story. In a search for ideas, I turned to a book that I’ve had in my possession since last year: Leonard Maltin’s TV Movies & Video Guide 1989 Edition. The pages of this text revealed a title I had never even heard of before. In 1962, 20^th Century Fox released a live-action production titled The Lion. Leonard gave this project two out of four stars, saying “Beautiful scenery of Kenya is far better than melodrama about young girl attached to pet lion, with family concerned it is turning her into a savage”. With curiosity getting the better of me, I chose to seek this movie out as my contribution for July’s Genre Grandeur! But will I end up agreeing or disagreeing with Leonard? Keep reading in order to find out!

*The Lion* poster created by 20th Century Fox.

Things I liked about the film:

William Holden and Capucine’s banter: While The Lion is the fourth film of William Holden’s I have seen, it is also the first film of Capucine’s I have seen. Despite this, I really liked hearing the banter between their characters, Robert and Christine! After Robert arrives at the game reserve’s guest house, Christine reminds him how he is now on a game reserve. In a nonchalant manner, Robert tells her that he won’t bite the animals. In this film, there was a hint of a laid-back persona with William Holden’s character. Even though this was not Robert’s strongest character trait, William pulled it off flawlessly, making his line sound like a piece of natural conversation. Another collection of banter between these characters carried a more serious tone later in the film. When Christine questions Robert’s reason for coming to Africa, he says “I’m here, aren’t I”? In my review of The World of Suzie Wong, I said that William Holden’s performance in that movie was consistent. His and Capucine’s performance in The Lion was consistent as well, each actor delivering their lines with effective execution!

The scenery: The natural landscape of Africa is one of the reasons why I chose to watch this film. Similar to the 1966 movie, Born Free, the African fields served as the principal scenery for The Lion, almost like the landscape itself served as a character in its own right. When Robert’s plane first flies to the game reserve, an establishing shot of a massive mountain is predominantly featured in the background. It was such a beautiful piece of earth, with its white and light blue hues glistening on screen. Like Born Free, the African plains are given multiple opportunities to be featured. But in The Lion, there were other locales that were shown. When Tina, Robert and Christine’s daughter, is on her way to introduce Robert to her pet lion, King, she walks along a winding path. One part of this scene shows Tina and Robert walking past a huge waterfall. While I wish this waterfall had been shown for a longer period of time, it highlights how there are various types of landscapes within Africa.

Pamela Franklin’s performance: I am not familiar with Pamela Franklin’s filmography. However, she gave a solid performance in The Lion! While watching her portrayal of Tina, I couldn’t help being reminded of Hayley Mills in films such as The Parent Trap. This is because, like Hayley, Pamela carried herself with confidence and a strong sense of self, especially for a young person. These qualities in character paired nicely with Tina’s headstrong personality. Pamela also brought enough emotionality to make her role sympathetic. Whenever she is instructing her per lion, King, on what she wants him to do, you can tell Tina truly cares about him. In one scene, King is leaving with a mate. As Tina is begging him to stay, desperation could be seen and heard in her eyes and voice. Everything I’ve been saying allowed Pamela to still the show!

Image of male lion created by Wirestock at freepik.com. Animals photo created by wirestock – www.freepik.com

What I didn’t like about the film:

Use of the words “wild” and “savage”: In The Lion, there are a few moments where Robert and Christine use the words “wild” or “savage” when referring to Tina’s interest in the local wildlife and African tribe. At one point, Christine fears her daughter will grow up to be “wild”. I know the ‘60s were a different time compared to the 2020s. But that is not the reason why I didn’t like the characters’ use of the words “wild” and “savage”. By them choosing those words to refer to Tina’s interests, they fail to understand the importance of these subjects. Throughout the movie, Christine, Robert, and even John worry about who Tina will grow up to be in the future. Instead, they should have taken the time to get to know her in the present. Since Tina’s passion for wildlife and her appreciation for the local African tribe is common knowledge to everyone in her life, her parents could have chosen to homeschool their daughter. Those aforementioned interests could have served as the basis for various academic subjects, with Tina’s parents guiding and protecting her along the way. Tina’s upbringing in Africa and a strong educational foundation might afford her a good chance to be accepted into a reputable university. If her parents took the initiative to nurture their daughter’s love for animals, maybe she would have become a veterinarian or operate her own wildlife sanctuary. Some people say “sticks and stones may break my bones, but words will never hurt me”. However, Christine and Robert’s words fail to recognize a middle ground where all parties are satisfied.

Poor special effects: As I just said in my previous point, the ‘60s were a different time compared to the 2020s. One way this is made apparent is the quality of the technology used in cinema. Sometimes, actors will be placed in front of a green screen, in an attempt to present the illusion that the actors are in a particular location. A few scenes in The Lion showed some of the characters driving through the fields of Africa, with pre-filmed shots of this landscape shown in the background. But during these on-screen trips, a faint but visible blue glow could be seen outlining the characters. This technological error prevented me from getting fully immersed in these scenes. Toward the end of the movie, rain was shown falling in one scene. But the special effect used looked like small images of raindrops lay on top of the scene’s picture instead like looking like the raindrops were falling in that world. That also ruined the illusion of being in the movie’s space.

A drawn-out conflict: Like I already mentioned before, Tina’s parents worry about her future. The way they talk about this conflict sounded like a dire situation. But throughout the film, there was no sense of urgency to find a resolution. Instead, several scenes focus on a safari trip John leads. While I enjoyed seeing Africa’s scenery, these scenes felt like padding to make up for the main conflict being drawn-out. Another part of the story that received more attention than the main conflict was the customs and politics of the local African tribe. I will admit that this part of the script was interesting. However, it took time away from the main conflict, causing its final outcome to be stalled. Even though Tina’s parents solve their problem, the answer doesn’t feel satisfying because of how long the problem was drawn out.

Illustrated African landscape image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com

My overall impression:

Because this month’s Genre Grandeur theme is “Movies of the Outdoors”, I knew The Lion would be the perfect choice for this event. As expected, the scenery in the film presented a pleasant picture to look at. But like I quoted in my review of To Catch a Spy, “The scenery can’t save you”. That is certainly the case for the 1962 movie. The pieces of a good project were there; from the strong acting performances to interesting conflicts. But the overall direction wasn’t focused. Instead of working to find a resolution to the film’s main conflict, the story traveled down side paths. This placed more emphasis on other parts of the plot and caused the overarching narrative to be drawn-out. I was also frustrated by the lack of initiative from Tina’s parents to help their daughter reach her full potential with the resources they already had. While I understand they wanted the best for her, they never took the time to ask Tina what she wished for. Honestly, I’d recommend Born Free over The Lion. The story of the 1966 picture is not only straight forward, but its script is also stronger.

Overall score: 6.2 out of 10

Have you seen The Lion? Which “outdoor movie” would you prefer? Tell me in the comment section below!

Have fun outside!

Sally Silverscreen