As I promised, I am hosting a re-vote for the Gold Sally Awards’ Best Supporting Actor Division. I also plan to wrap up the Awards voting, as there are three polls lefts. But don’t worry, Sally’s Star of the Year will still be included. This round of voting will start today, June 30th, and end on July 7th. Like before, you can vote for more than one nominee. But you can only vote once per person. The link to the poll is featured under the list of nominees.
Who was the Best Supporting Actor of 2020?
Gene Kelly — Anchors Aweigh
Fred Savage — The Boy Who Could Fly
Omri Katz — Matinee
Noah Valencia — Sweet Nothing in My Ear
Andrew Tarbet — If You Believe
Jamie Bell — Nicholas Nickleby (2002)
Brock Peters — To Kill a Mockingbird
Vincent Perez — Cyrano de Bergerac (1990)
Joe Penny — Perry Mason: The Case of the Shooting Star
Despite being busy with some blog and non-blog related projects, I am still continuing to host the Gold Sally Awards! For this round of voting, you get to choose who will receive the title of Best Supporting Actor. Like the previous polls, you can vote for more than one nominee. But you can only vote once per person. This poll will be active until June 7th and the link to the poll is under the list of nominees.
Because I received positive responses for the way I wrote my review of The Crow, I decided to write another open letter. This time, I’ve addressed it to The Crow: City of Angels. As I mentioned before, this isn’t the typical writing style I adopt for my reviews. But it’d only be fair to present this article in a similar fashion. Now, let me start this letter to The Crow: City of Angels.
The Crow: City of Angels poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:The_Crow_2.jpg.
An Open Letter to The Crow: City of Angels,
I’m pretty sure you’ve heard of my editorial that I wrote back in May. You know the one; about how the Tim Pope cut should be released. A question you’re probably asking is “How can you advocate for a cut of a movie you’ve never seen”? Well, I’m glad you asked! I first learned about your experience with “studio intervention” from the Youtube video, “Exploring The Crow City of Angels”. I was not happy to hear what you had to go through, thinking it a circumstance that should have never happened. While scrolling through the video’s comment section, I read responses from people who expressed interest in seeing the Tim Pope cut. But despite this interest, it seemed like nothing was being done about the situation. From how I saw it, wishful thinking overshadowed any plans or ideas. After Justice League’s Snyder Cut was announced for a 2021 release, I knew it was the perfect time to bring up the Tim Pope cut and explain why it’s important. When other films were brought up in the discussion of special cuts, you weren’t really added to the conversation. So, I’m actually doing you a favor by advocating on your behalf. By the way, my original plan was to watch you and your predecessor, The Crow, around Halloween. But I’m guessing they told you about my change of plans.
Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a>. Image found at freeimages.com.
Because of a grammatical error I stumbled across on the internet, where your title was written as The Crow, City of Angels, I honestly thought Vincent Perez had starred in your predecessor. However, when I discovered The Crow Wiki, I learned he was the lead actor in the second chapter. Like I’ve said about movies like Swept from the Sea and Cyrano Bergerac, Vincent’s involvement is what made me want to check you out. In the previous films of Vincent’s I’ve seen, he always steals the show for the right reasons. He certainly did that this time around! Similar to Brandon’s portrayal of Eric, Vincent brought an emotional intensity that made his performance captivating to watch! However, he went out of his way to set his character, Ashe, apart by adding a sense of showmanship to his role. In a scene where some of the villains are shooting at Ashe in a club, Ashe acts performative about the situation, using the violence against him in his one-man show. He even bows after the villains have finished shooting. This acting decision ended up working in Vincent’s favor! I’m not sure how much acting experience Iggy Pop had prior to his casting. However, I feel he did a fairly good job with the material he was given! While portraying Curve, one of the villains, Iggy effectively showcased the anger and frustration a person in that situation or environment might feel. This can be seen when Curve goes to Noah’s tattoo parlor and fights with Sarah. As Curve’s hostility grew, I quickly became concerned for Sarah and Noah’s safety. This scene showed me that Iggy’s performance was convincing. Speaking of Sarah, I liked seeing Mia Kirshner portray this character! Through her performance, she brought a calmness that the world surrounding Sarah was missing. Sarah’s gentle demeanor was a physical representation that hope wasn’t completely lost. This definitely worked in Mia’s favor, as it helped her performance stand out!
Over the twenty-four years you have existed, I’m guessing you’re tired of being compared to your predecessor. You so desperately wanted to be your own individual, but “studio intervention” prevented you from doing so. However, I made sure to notice how you were different from the first chapter. Eric and Ashe’s face disguise are just one example. In The Crow, Eric painted his face to resemble a mask he and Shelly owned when they were still alive. Ashe, in The Crow: City of Angels, uses some paints his son, Danny, owned before he died. This contrast shows the personal, semimetal touches each character’s appearance was given. Throughout the second chapter, Ashe moves around Los Angeles by primarily riding on a motorcycle. Because he was a mechanic before he became the Crow, this distinction makes sense. While we’re on the subject of Los Angeles, I really liked your set design! It’s griminess and unruliness showed a different way a city can express chaos. The sets were also colorful, which is the opposite of your predecessor’s black-and-white color palette. Day of the Dead festivities certainly made a contribution, as various masks, flowers and other items related to the holiday helped scenes visually pop. I’m glad you decided to use more light when presenting the story! This decision allowed me to clearly see what was happening on screen. It certainly sets you apart from the first chapter, as they only used a certain amount of light throughout the story.
Now it’s time for me to point out your flaws and mishaps. I’m not doing this to be mean, but only to be honest, as I do recognize your horrible experience with “studio intervention”. All of the villains were weak imitations of those who came before them. One perfect example is Sybil, who was the mystical figure Myca was in your predecessor. In a scene where she is explaining the connection between the crow and Ashe to Judah, Sybil sounded like she was quoting Myca word for word. Because of everything I just said, these villains were not allowed to have their own stories and be their own characters. It also made it easier for me to root for Ashe, as the villains didn’t have anything interesting or unique to offer. While I don’t have anything against Grace herself, I found her to be insignificant in the grand scheme of things. She didn’t add anything to the story or have a strong reason for being in that world. I’m guessing this was a “studio intervention” related decision, where the studio wanted Los Angeles to have their own “Sarah”. The difference between Sarah in The Crow and Grace in The Crow: City of Angels is Sarah receiving a vital role in the first chapter, serving as a reminder for Eric to keep his moral compass. In the second chapter, Grace could have been written out of the story and not much would change.
Now that I mention Sarah, I was not a fan of her and Ashe’s attraction for one another. This has nothing to do with the characters themselves or the actors portraying them. I just found this part of the story to be unnecessary. This is because nothing became of this attraction, which prevented it from going anywhere. Even Ashe warns Sarah against this attraction, as he tells her that nothing will likely happen. If Ashe knew this all along, then why would he even entertain this idea in the first place? I could see what you were trying to do; give Ashe a conflicting choice between life on Earth and the afterlife. This would have been an interesting concept had more time been devoted to it. Because Ashe and Sarah’s attraction for each other came about so quickly and with everything else happening in the film, it ended up as a spark that had trouble igniting.
The image I created with the hashtag, #ReleasetheTimPopeCut. Screenshot taken by me, Sally Silverscreen.
As a movie, you’re a fine, run-of-the-mill action film. But, as a continuation to The Crow story, you were weaker than your predecessor. I did cut you a little bit of slack because of the one thing I’ve been mentioning throughout this letter: “studio intervention”. Now that I have seen you, I still believe the Tim Pope cut should see the light of day. You do deserve to be the movie you were meant to be and we the audience and fans deserve to see that happen. On 18 Cinema Lane, I feature a crow image with the hashtag, #ReleasetheTimPopeCut, on the homepage. This is so people who come to my blog can easily find my editorial and read it for themselves. I also posted the aforementioned hashtag on all of 18 Cinema Lane’s social media accounts. If you know anyone who wants to see the Tim Pope cut, please tell them to speak up. Paramount, the studio you now call “home”, will never hear the fans unless they say something. All I’m asking is for you to be kind and respectful if you share this letter with others. I recently watched Lee’s video review from his Youtube channel, Drumdums. When addressing the horrible circumstance you went through, he contemplated the likelihood of the Tim Pope cut’s release. While he felt anything was possible, he also didn’t believe this cut would ever be seen. As I close this letter, I’d like to remind Lee and those who may have doubts of what Eric said in The Crow: “It can’t rain all the time”.
Sincerely,
Sally Silverscreen
P.S. I’m giving you a score of 7 out of 10.
If you want to watch Lee’s review of The Crow: City of Angels, you can find it on Youtube by typing “The Crow: City of Angels Movie Review” into the search bar or visiting his channel, Drumdums.
When I published my Hallmark Hall of Fame Reading Challenge last March, one of the literary works I listed was Cyrano de Bergerac by Edmond Rostand. While I’ve never read the play, I was interested in seeing how Hallmark Hall of Fame would adapt this particular story. Sadly, I couldn’t find this specific version on DVD, VHS, or digital, as a lot of the collection’s movies from the ‘50s to about the early ‘80s appear to be lost. When I discovered Vincent Perez starred in the 1990 adaptation of Cyrano de Bergerac, I thought seeing this version would be the next best thing. It was also a perfect choice for The Third Broadway Bound Blogathon, as it was listed under the “Movies Made From Broadway Shows” section in the veryfirst announcement for the event.This blogathon also happens to takeplace days before Vincent’s birthday, sothis became another reason to review Cyrano de Bergerac! I was able to obtain a copy of this film, but I had to purchase two DVDs and a Blu-Ray just to find one that worked with my home entertainment system. Read my review to find out if this film wasworth the search!
After weeks of searching, I finally found a DVD copy of Cyrano de Bergerac I could watch! Screenshot taken by me, Sally Silverscren.
Things I liked about the film:
The acting: Since I chose this film because of Vincent’s involvement, I’ll talk about his performance first. One aspect that stood out to me was how his voice was always soft-spoken. This fit his character, Christian de Neuvillette, well because he wasn’t as confident with his words, like Cyrano. I also noticed how sincere Vincent’s performance came across. No matter what situation Christian is in, he always has his heart in the right place. The goodness of this character showed through in Vincent’s portrayal, which helped Christian be as likable as possible! Since I just mentioned Cyrano, I will now talk about Gérard Depardieu’s performance. The word I’d use to describe his portrayal of the titular character is expressive. Every feeling Cyrano was experiencing felt genuine, emotions appearing in his facial expressions, body language, and poetry. Toward the beginning of the film, Cyrano performs at a local theater and participates in a dual shortly after. Gérard was able to adapt to every situation given to his character. Besides Vincent and Gérard, the cast is filled with talented actors and actresses. Anne Brochet is one of those cast members, bringing a gentle nature to her character, Roxane. Through emotionality, Anne brings her character to life in a way that feels believable. One example is when Christian and Cyrano visit her at her balcony.
The historical accuracy: As I’ve said before on this blog, the quality of a film’s historical accuracy can show how much a creative team cares about their project. The historical accuracy of Cyrano de Bergerac is proof of this statement! The world in this movie felt immersive, presenting the locations with a sense of realism. The set designs reflected the financial situation/social status of the characters, with the local bakery and Roxane’s room being perfect examples. While the bakery featured a simpler interior design, Roxane’s room appeared elegant. Costumes looked appropriate for that specific time period, with the color palette for the cast’s wardrobe ranging from lighter shades of beige and blue to darker tones of gray and black. Tools and utensils from yesteryear were used by the characters, such as Cyrano and Christian applying a wax seal on letters to Roxane. This movie shows that no detail was ignored.
The humor: One of the strongest elements of this film was the humor! Not only was it well-written, but the humor itself seemed to fit that world. The funny moments within Cyrano de Bergerac were also given good executions by the actors. My favorite scene is when Christian continuously interrupts Cyrano’s story by making references to Cyrano’s nose. During this exchange, Christian would sometimes only say “nose” to get a reaction from Cyrano. While Christian appears unfazed by Cyrano’s reactions, Cyrano becomes more irritated as the scene continues. This scene made me repeatedly laugh, as I found it hilarious!
The under-utilization of Vincent Perez: Vincent Perez is one of the reasons why I sought out the 1990 adaptation of Cyrano de Bergerac, as I’ve enjoyed his acting performances so far. Before watching this movie, I knew his involvement in the project was a break-out role and likely the biggest role he received at that time. However, because Vincent is billed as the main supporting actor, I was disappointed to find out he was in the film for a limited amount of time. The majority of the story revolves around Cyrano, which means that Vincent was only given a reduced amount of material to work with. There were even large intervals when Vincent was not featured on screen. Usually, main supporting actors receive about half the screen-time the film’s protagonist does. In the case of Cyrano de Bergerac, however, the antagonist, Comte Antoine de Guiche, is given more prominence in the production than Vincent’s character.
The war storyline: Prior to seeing Cyrano de Bergerac, I had a general knowledge of what the story was about. The movie is even classified as a “comedy-drama”, with the assumption that the romantic aspects of the story would fall under the “drama” part. While the comedy and romance within Cyrano de Bergerac dominated the first half of the film, a storyline involving a war took over the film’s second half. The build-up toward the event and the reasoning behind it felt too “inside baseball”. It also caused the entire story to pull a “bait and switch” with its overall tone. Based on the knowledge I had about this film and even based on the DVD cover, I expected the light-hearted tone within the first half to have a consistent presence throughout the film. Even though there were romantic and light-hearted moments within the second half, some of them didn’t feel like they fit in the context of the war.
The poetic monologues: I’m aware that Cyrano is known for being “a man of many words”. I also know the original play was written only in verse. The poems themselves weren’t the issue, as the poetic monologues within this film were performed and written well. However, some of them lasted too long. Toward the end of the movie, Cyrano recited one of his signature monologues. Because it was long in time length, the monologue made the scene drawn out. I realize that the reason for the long monologues was to satisfy the film’s run-time. Personally, I think, at least, a few of the them should have been a bit shorter in length.
I’ve heard that the 1990 adaptation of Cyrano de Bergerac is “the definitive film version of the Edmond Rostand play from 1897.” This is the only film version of the story I have seen. As I also said in the introduction, I have never read the play. So, I can only judge this film simply as a film. Cyrano de Bergerac is a good, solid movie! I found myself invested as the story was unfolding and I can definitely see how this could be presented on Broadway. The poetic dialogue was an interesting choice that helped this project achieve a unique identity. However, there were aspects that prevented the production from being better than it was. Some of the poetic monologues were too long, causing scenes to feel drawn out. Despite flaws like that one, I’m glad I was given an opportunity to see this film! If you do choose to watch this version of Cyrano de Bergerac, keep in mind it is a rarer title to find on physical media. While this movie did receive a Blu-Ray release, prices can get expensive.
Overall score: 7.6 out of 10
Do you enjoy movies based on Broadway shows? Are there any literary adaptations that you like? Tell me in the comment section!
In recent days, the news about the release of the infamous “Snyder Cut” of Justice League has taken over the internet. Multiple Youtube videos have covered this story and the discussion of its arrival has been rampant on social media. It has even gone so far as to make Paul Feig consider releasing a new cut of his version of Ghostbusters. But among the articles, videos, perspectives, and comments, there is a cut of one movie that was left out of the conversation: the Tim Pope cut of The Crow: City of Angels. As you’re reading this, you’re probably wondering “What is the Tim Pope cut?” “Didn’t this film already receive a director’s cut?” In this editorial, I’ll answer those questions. I will also be sharing a list of reasons why now is the perfect time to release the Tim Pope cut of The Crow: City of Angels. This isn’t the first time I’ve brought this subject up. In my Sunshine Blogger Award post from this April, I said that one of my greatest wishes for cinema was for the full version of The Crow: City of Angels to be released. However, I honestly never thought I’d write an editorial about this subject. Since many people are not talking about the Tim Pope cut, I decided to do so. Besides, when life gives you lemons, it’s better to write a blog post about it while everyone else is making lemonade.
The Crow: City of Angels poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:The_Crow_2.jpg.
What is the Tim Pope cut?
Before I talk about the reasons why the Tim Pope cut should be released, I need to explain what the cut itself is. The Tim Pope cut is the 160-minute version of The Crow: City of Angels that was purposefully intended to be different from the first film. Unfortunately, this version never saw the light of day because the movie was heavily affected by “studio intervention”. In a video titled “Exploring The Crow City of Angels,” Cecil, the creator and narrator of the video, explains how the studio’s decisions prevented the film’s creative team from telling the story they wanted. It got so bad that the movie’s director and writer, Tim Pope and David S. Goyer, disowned their project because of the changes. While the film did receive a director’s cut, “it’s mostly just extended scenes,” according to Cecil. The original version of this movie is not officially called “the Tim Pope cut.” Supporters, including myself, gave it this name to make it sound more official.
Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a>. Image found at freeimages.com.
Reason #1: The “Snyder Cut” Opens the Doors for a Winning Cycle
In an article from The Hollywood Reporter, Borys Kit reported that “a growing movement of fans, rallied around the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned – even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con – for Snyder’s version to be released.” The reason why people wanted to see Zack Snyder’s version of Justice League is because the director had to leave the project due to a personal situation involving his family. This caused a different director, Joss Whedon, to step in and change Zack’s intended vision. Because of how vocal and passionate these supporters were, HBO Max is finally granting their wish. Borys says, in their article, the streaming service “will debut the project in 2021.” They also state that “whether it will be released as an almost four-hour director’s cut or split into six “chapters” has yet to be decided.”
Since the “Snyder Cut” is going to see the light of day, it opens the door for other films that have been creatively damaged, like Justice League, to receive the proper treatment they deserve. It also sets a precedent for a cinematic cycle where everyone wins. I provide an image of this cycle to give a visual for what I will be discussing. The following bullet-points show each part of the cycle and why its important.
Movie’s Creative Team – Given creative freedom, allowed to make the films they want, has option to incorporate fan feedback and source material if IP is used
Fans/Audience Members – Greater chance they’ll spend money on movie ticket if creative team and studio respected and listened to them
Studio – Will see good financial results on projects where creative team was given creative freedom and fans/audience members are respected
Screenshot taken by me, Sally Silverscreen
Reason #2: The Person Responsible for The Crow: City of Angels’ Destruction is No Longer in Control of This Film
In the aforementioned video, “Exploring The Crow City of Angels”, Cecil discussed how the film was a victim of “studio intervention.” They mention on several occasions how Tim, David, and even The Crow’s creator, James O’Barr, had always planned on creating a new story for the sequel. This decision was made to show respect toward the predecessor and its devoted fans. After the film had already been finished, “studio intervention” took over. Harvey Weinstein, who was a producer at Miramax at the time, “demanded the film be edited to be more like the first movie,” as Cecil says in the video. This choice single-handedly stopped the creative team of The Crow: City of Angels from making the film they wanted.
In 2005, Harvey left Miramax in order to create The Weinstein Company. This means that he gave up control of the studio. At the time, Disney had ownership over Miramax. It was the result of an acquisition that took place in 1993. Over the years, the studio has changed hands among various companies. On April 3rd, Jill Goldsmith, from Deadline, reported that ViacomCBS “closed on the acquisition of a 49% stake in Miramax.” This allows Paramount, which is owned by ViacomCBS, “an exclusive, long-term distribution agreement for Miramax’s film library and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on Miramax IP.” What this means is Paramount/ViacomCBS is now in control over the potential restoration and release of the Tim Pope cut.
Reason #3: Paramount has Respected a Pre-Existing Fanbase Before
When Paramount chose to acquire Miramax, they purchased projects related to The Crow. With those projects comes a pre-existing fanbase. However, this is not the first time the studio dealt with a project where a pre-existing fanbase was a part of the equation. Last year, fans of Sonic the Hedgehog were not pleased with the way their favorite character looked in a trailer for a movie based on the famous blue protagonist. After backlash over Sonic’s design, Jeff Fowler, the director of Sonic the Hedgehog, announced plans to change Sonic’s look. In an article from SlashFilm, Ben Pearson shares the director’s tweet, which says “Thank you for the support. And the criticism. The message is loud and clear… you aren’t happy with the design & you want changes. It’s going to happen. Everyone at Paramount & Sega are fully committed to making this character the BEST he can be…”. This choice caused the film to be delayed until February of 2020.
When Sonic’s re-design was revealed, fans and potential audience members praised Paramount and the creative team behind the film. Two of those people were Kneon and Geeky Sparkles from Clownfish TV. In a video called “Sonic the Hedgehog is FIXED! Sonic Looks GREAT!”, Kneon and Geeky marvel over Sonic’s drastic change. They also approve of Paramount’s decision to put customers first. Geeky asks, “Look, if it looks really bad and the fans say it looks really bad, you want people to come to your movie, right?” She quickly answers that question by stating “So, um, you’re going to need to, uh, do things that make the fans happy.” Kneon says, “The Sonic fandom is very, very vocal. Ok, they’re a very passionate, vocal fanbase”. He and Geeky express interest in seeing the film due to Paramount’s efforts to make a better product. Because Paramount and Sonic the Hedgehog’s creative team took the time to show the Sonic fans respect, the film went on to, so far, become the second highest grossing movie of 2020! While a part of its ranking at the box office was affected by the Coronavirus, acquiring a domestic receipt of over $300 million is something Paramount should be proud of.
In this chart of 2020’s highest grossing films, Sonic the Hedgehog is currently in the top three. Screenshot taken by me, Sally Silverscreen.
Reason #4: Fans of The Crow are a Dedicated Group of People
The Crow has a pre-existing fanbase that spans more than a decade. Whether drawn to the comic or a fan of any film, fans who love The Crow are dedicated, vocal, and passionate about their favorite IP. They will find an opportunity to talk about the story and have even pushed The Crow into cult classic status. One of these fans is Lee from the Youtube channel Drumdums. In his video, titled “The Crow: Legacy of a Cult Classic,” Lee says “I have been obsessed with this movie, really, since I saw it, in the theater, opening night, uh, in May of 1994.” He shares his personal experiences with the film, as well as praising the project. He even created a live commentary video dedicated to the movie. Another fan is Pale Writer from the blog Pale Writer. Last Halloween, Pale Writer published a review titled “Rain and Revenge: The Crow (1994).” They say in their article, “I first watched The Crow with my older brother when I was in my mid teens, and I’ve loved it ever since. I was an emo teenager with a love of the gothic, and my brother knew that.” Throughout the article, Pale Writer explores many different components related to the film. Because of how well-written and passionate the review was, it encouraged me to watch The Crow for the first time this year.
Within any fanbase, people have their own perspectives and opinions. The Crow’s fanbase is no different. There are people who are vocal about their love for The Crow: City of Angels. Take, for instance, the video, “1. City of Angels – The Crow City of Angels.” Looking through the comment section will show how fans care about this film. One commentator says “I loved City of Angels.” Another person shares “This is the only sequel I liked.” When talking about a piece of lost media, Jorge from the Youtube channel blameitonjorge, says, “It was something that a lot of people wanted to see.” This mindset is similar to the “Snyder Cut’s” journey. Fans wanted to see Zack’s vision come to life, so their desire drove that campaign. I’ve seen comments from fans of The Crow saying how they wish they could see the original version of the sequel. Even Cecil from GoodBadFlicks expresses an interest in finding it.
The Crow poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:Crow_ver2.jpg
Reason #5: Studios Can’t Make a lot of New, Live-Action Projects RightNow
2020 has become the year of Coronavirus. Many practices have been put in place to stop the virus’ spread. One of these practices has been “social-distancing.” This has resulted in many businesses temporarily closing their doors, including those from the entertainment industry. Kate Aurthur and Adam B. Vary, from Variety, reported how Hollywood is planning on returning to work. They say that one of the plans is obtaining “medical-grade cleaning equipment and PPE.” This, along with other new procedures and practices “will balloon the hard costs of production.”
A studio like Paramount needs to make money. At the same time, they also want to move forward as safely as possible. While ViacomCBS has generated revenue from their streaming service, CBS All Access, their incoming funds are more limited than normal. The Tim Pope cut could give the studio content to release. There is an audience for it, so fans are willing to pay for this version of the film. Paramount could either place the movie on the streaming service or release it on physical media. No matter how this film could be released, it would give Paramount something to create.
As I already mentioned, the Coronavirus has forced people to “social-distance” and “self-quarantine.” Streaming services, cable, and the internet have provided instant entertainment for consumers as they are required to stay home. Because new content is not as common as usual these days, The Crow: City of Angels could become a newer entertainment option. I also mentioned that Paramount could either release this movie on the streaming service, CBS All Access, in a digital format, like Xfinity on demand, or on physical media. Earlier in this editorial, I said that HBO Max was planning on releasing the “Snyder Cut” of Justice League in 2021. If Paramount wants to release the Tim Pope cut of The Crow: City of Angels next year, it gives fans something to look forward to during this stressful time.
The road to the “Snyder Cut” was met with perseverance, determination, and ambition. While this journey lasted for a few years, the fans’ efforts proved worthwhile. This situation shows how studios, cinematic creative teams, and fans can work together to form a situation where everyone benefits. It also shows that the sky’s the limit for other films that have gone through a similar situation to Justice League. If Paramount doesn’t release the Tim Pope cut of The Crow: City of Angels, it makes the studio look hypocritical. If they could go the extra mile for the Sonic fans, it would only be fair for them to go the extra mile for The Crow fans as well. This is why we need to let Paramount hear our voices. If you are a fan of The Crow, someone who approves of studios putting customers first, support consumer advocacy, want to see creative teams receive creative freedom, someone who loves movies, or want to help set a “wrong thing right” (yes, Sarah’s quote was intentional), then please consider joining the movement to encourage Paramount to release the Tim Pope cut. I created an official image with the hashtag that you are welcome to use. The most important point is to spread the word, so please let others know about this cut. All I ask is to please be respectful while sharing this message.
The image I created with the hashtag, #ReleasetheTimPopeCut. Screenshot taken by me, Sally Silverscreen.
Have fun at the movies!
Sally Silverscreen
Sources:
Videos:
Paul Feig Thinks Ghostbusters 2016 is Next Snyder Cut from Odin’s Movie Blog (this video contains some language)
City of Angels – The Crow City of Angels from Jared
Exploring The Crow City of Angels from GoodBadFlicks
The Crow: Legacy of a Cult Classic and The Crow LIVE Commentary | “Can’t Rain All The Time” from Drumdums
Lost Media Case Files Vol 1. | blameitonjorge (this video contains some language and sensitive material)
Sonic the Hedgehog is FIXED! Sonic Looks Great! from Clownfish TV (this video contains some language)
After three months of voting, the winners of the 2020 Gold Sally Awards have been determined! This year, the nominees were expanded beyond Hallmark projects. I made this choice to better reflect 18 Cinema Lane. Because of its success, I will not only bring the Gold Sally Awards back in 2021, but I’ll continue nominating films from within Hallmark and outside of Hallmark! Thank you to everyone who liked and voted in the 2nd Annual Gold Sally Awards! You are the reason why I keep this event around! Like last year, I have brought back the scrapbook style page showcasing this year’s winners! 2020’s theme is silver and gold with a dash of sparkle! And now, the winners of the 2020 Gold Sally Awards!
Scrapbook page and screenshot taken by me, Sally Silverscreen.
Best Movie and Ensemble: Avengers: Endgame
Best Story: Mystery 101: Words Can Kill
Best On-Screen Couple: Ziyi Zhang and Chen Chang – Crouching Tiger, Hidden Dragon
Best Actress: Haya Harareet – Ben-Hur (1959)
Best Actor: Spencer Tracy – Boys Town
Best Supporting Actress: Kathy Bates – Swept from the Sea
Best Supporting Actor: Ian McKellen – Swept from the Sea
Before I start this award post, I’d like to remind everyone that Thursday, April 16th, is the last day to cast your vote for the Best Movie and Story of the 2nd Annual Gold Sally Awards! The last award category will be posted on the April 17th! Here is the link to the poll:
Last week, Ospreyshire, from Iridium Eye Reviews, nominated me for the Sunshine Blogger Award! This is my fourth time receiving the title. To me, even winning one of these awards in an honor. Thank you, Ospreyshire, for your thoughtfulness when it came to nominating me! Moments like these make me feel like I’m doing some good in the world of blogging. If you want to check out Ospreyshire’s blog, here is the link:
Which actor or actress do you think is overlooked by the public and what role would you like to see them in? For this question, I had to really think about who I would talk about. There are a number of actors and actresses that I believe are underrated. Some of them have been mentioned on 18 Cinema Lane before, like Max Lloyd-Jones. However, there are others that I haven’t found the opportunity to talk about yet. But, this time, I’ve decided to pick someone who I’ve previously brought up on my blog. According to her filmography on IMDB, Karina Arroyave has been acting in the film and television industry since the late ‘80s. However, it seems like she doesn’t receive the amount of recognition and attention that I think she deserves. As I’ve said in my Christmas Camp review, Karina has starred in two Hallmark Hall of Fame movies, Blind Spot from 1993 and Missing Pieces from 2000. But her roles in those films were smaller than what they could have been. One day, I’d like to see Karina cast in a Hallmark Hall of Fame film with a bigger role than she has received in years past.
If you could have a crossover between an anime and something involving Western animation, what would they be and what would the plot look like? When I read this question, I immediately thought of the Sailor Scouts from Sailor Moon teaming up with heroes from the MCU (Marvel Cinematic Universe)! Because the animated shows from Marvel follow a different story than the films, the Heart of the Universe would provide an interesting component to the plot. I’ve read online that the ‘Heart of the Universe’ is more powerful than the Infinity Gauntlet. Whether the ‘Heart of the Universe’ is a part of official Marvel canon is unknown to me. But it could create a way to raise the stakes for both programs.
What is your favorite thing about international cinema? I’d have to say being introduced to new people in the world of film! Before I started 18 Cinema Lane, I didn’t know who Vincent Perez was. Now, I’ve seen two of his films; Queen of the Damned and Swept from the Sea! This June, I’ll be reviewing the 1990 film, Cyrano de Bergerac, which I’m looking forward to because of Vincent’s involvement in the project!
If you could switch a theme song from a movie or TV series with a different song, what would it be and why? I have two choices for this question. The first is the theme music from Murder, She Wrote. To me, this piece of music doesn’t fit the tone of the show. It makes the program appear more cheerful than it really is. While there are light-hearted moments within the show, there can also be suspenseful and darker moments. I would change the theme music to something that sounds more mysterious. The second choice is The Crow: Stairway to Heaven. I’ve never watched the show, but I have seen a video of the show’s opening credits. I was surprised by the creative team’s choice not to use music from the 1994 film. For this show, I’d select a song directly from the movie.
What book would you like to see adapted onto the screen? This could be a novel or comic book, by the way. I’ve mentioned this on 18 Cinema Lane before, but I’ll say it again. I would love to see Murder on Ice by Alina Adams become a Hallmark Movies & Mysteries film! If you want to learn why I feel this way, you can read my Movie Blogger’s Christmas Wish-List at this link:
What band would you like to see compose an entire soundtrack? What kind of movie would they score? My favorite band is Trans-Siberian Orchestra! While their music was featured in the movie, The Ghosts of Christmas Eve, I really want to see them create a soundtrack for a Christmas movie musical for Hallmark Hall of Fame!
What is the least favorite thing from a creator you really like? Some of my favorite youtubers from the movie community host scheduled livestream videos. Unfortunately, there have been times when these videos have started late at night or lasted two+ hours. It also doesn’t help that I can’t pause the video while it’s live, as I end up missing important content. So, I either skip the video completely or watch it on a later date.
Who would you like to see voicing over a documentary that has never done so before? What would the documentary be about? Even though Disney+ is hosting Wandavision, it would be fascinating to see a mockumentary about Sokovia. It also makes sense for Elizabeth Olsen to provide the project’s voice-over, especially since we haven’t heard her speak in a Sokovian accent while portraying Wanda/Scarlet Witch in quite some time.
Which actor would sound ridiculous if they tried an accent outside of their own? I don’t know if it would sound ridiculous, but I’ve never heard Vin Diesel attempt an accent.
Who do you think is the most overrated film or animation director? Personally, I would say Steven Soderbergh is overrated as a director. Granted, I only saw Logan Lucky. But I couldn’t finish the movie, as I disliked it that much.
What is your greatest wish for cinema and/or animation? This could be realistic or a pipe dream. I will select two wishes for this question. Whether they’re realistic or just a dream is up for debate. The first is for the more underrated people in the entertainment industry to receive more recognition and attention then they might currently have. The second is for the full version of The Crow: City of Angels to be released. The Youtube channel, GoodBadFlicks, created a really good video about this film called “Exploring The Crow City of Angels”. I’ve only watched half of it, but it’s an informative piece on the “studio intervention” that heavily effected this movie. Because of the growing awareness and drive to restore lost media/films, I feel the release of the full version of The Crow: City of Angels could be possible.
Award show image created by Nick Winchester at freeimages.com. “FreeImages.com/Nick Winchester.”
My 11 Nominees
Eric from Dr. Eric Perry, PhD
Zach from Shut Up Zach!
Paul from Classic Film Journal
Luke from Luke Atkins – Critic
Steve from Movie Movie Blog Blog II
Gill from Realweegiemidget Reviews
Bonnie from Quaint Cooking
The Brannan sisters from Pure Entertainment Preservation Society
It’s now time to vote for the Best Actor of the 2nd Annual Gold Sally Awards! There are ten nominees, but only one can be crowned the champion! For this poll, you’re allowed to vote for more than one actor. But you can only vote once per person. This poll starts today, March 13th, and ends on March 19th.
Happy New Year’s Eve, everybody! Since I published my list of The Top 10 Worst Movies I saw in 2019 yesterday, it’s time for me to post my list of The Top 10 Best Movies I saw in 2019! Like I said before, I found 2019 has been a better year for movies. I saw a lot of good films, but only ten can be considered the best of the year. As I mentioned in my previous list, this article is based on my opinion and films that I personally watched. It’s also not meant to be mean-spirited or negative toward anyone’s opinions/cinematic preferences. Now that the introduction is over, let’s begin by bringing up the Honorable Mentions!
Christmas Bells are Ringing, Time for Me to Come Home for Christmas, Northern Lights of Christmas, A Gingerbread Romance, Kim Possible (2019), Flip that Romance, Chronicle Mysteries: Vines that Bind, Just Add Romance, Boys Town, Men of Boys Town, Bobby Jones: Stroke of Genius, The Last Bridesmaid, Toy Story 4, Return to Oz, I Remember Mama, Ruby Herring Mysteries: Her Last Breath, Merry and Bright, A Godwink Christmas: Meant for Love, Time for You to Come Home for Christmas, and The Christmas Club
Who knew I would like this movie as much as I did? As part of the Happy Holidays Blogathon, I watched and reviewed this movie in an attempt to figure out if it was worth the hype it has received. Like I said in that post, I can now understand why so many people like the film so much! The humor within this movie is one of its highlights. Because of the quality of the script and the acting performances, The Nine Lives of Christmas was genuinely hilarious. While watching this movie, I found myself laughing more than I thought I would. Another part of this story that was well-written was the interactions among the characters. They were not only great to watch, but they also appeared natural on-screen. I’m glad I finally realize why this movie always makes an appearance in Hallmark’s yearly Christmas line-ups.
9. Holiday for Heroes
I will admit I had lower expectations for this film than I probably should have. But those lower expectations allowed the movie to surpass them and become the pleasant surprise it was. Holiday for Heroes was so good, that it reminded me of another movie I liked, Operation Christmas. With its genuine sincerity, the messages that were expressed in this story came across very well. I also liked how the formation of the protagonists’ relationship was more realistic than in something like The Christmas Card. Throughout this film, I could tell the creative team’s heart was always in the right place. It made it seem like they truly cared about the project they were working on.
8. Easter Under Wraps
In 2019, Hallmark finally created their first Easter themed movie! Even though it took so long to get to this point, I definitely think it was worth the wait. I really liked the writing within this film, as it created a story that was entertaining. Something I pointed out in my review is how conversations felt like they came from real-life. This helped me stay invested in what the characters were saying and doing throughout the film. Like in most movies from Hallmark Channel, Easter Under Wraps contained messages and themes that were relatable. Just one example is of personal growth. I’m not sure what Hallmark’s plans are for their “Spring Fever” line-up. I hope one of them includes a sequel to this film.
7. Ben-Hur (1959)
This is the first of two movies that I reviewed for a blog follower dedication review. At the beginning of the year, I was thrilled to share this movie with my readers and followers. That’s because I enjoyed it more than I expected to. Ben-Hur is a film that has acquired a lot of critical acclaim. As I said in my review, the hype surrounding it was well-earned. The script itself is one of the strongest elements of the project. Even though Ben-Hur is known as an “epic” picture, it is also a compelling story of faith and perseverance. From the acting performances to the cinematography, these things make this film the masterpiece it is. It’s no wonder Ben-Hur has been able to stand the test of time for so long.
6. Mystery 101: Words Can Kill
One of the newest mystery series that premiered in 2019, Mystery 101, has quickly become one of my favorites. I found the third movie in this series, Mystery 101: Words Can Kill, to be the strongest one. Unlike most of the films on Hallmark’s second network, this movie felt like it had higher stakes. This was caused by the female protagonist’s father being falsely accused on the crime and the male and female leads not being able to see eye-to-eye on the film’s main conflict. I also liked how the book festival was showcased in the movie for a satisfying amount of time. Like I’ll say about another movie on this list, Mystery 101: Words Can Kill shares some of the same positive qualities of its predecessors. It not only keeps up the series’ continuity, it makes me look forward to the future of Mystery 101.
Jack Dawson from Titanic: “I’m the king of the world”! Jake Sully from Avatar: “No, I’m the king of the world”. Bucky Barnes from Avengers: Endgame: “Am I that much of a joke to you”? Screenshot taken by me, Sally Silverscreen
5. Christmas in Evergreen: Tidings of Joy
Christmas in Evergreen: Tidings of Joy was one of my most anticipated Christmas movies of 2019. After enjoying the second film in the series, Christmas in Evergreen: Letters to Santa, I was looking forward to seeing what was in store for the next chapter. This film did not disappoint! It felt like receiving a hug from a friend one hasn’t seen in a while. The third entry is one of the few Christmas films from Hallmark that tried to do different things with their story. One example is how the script explores the aftermath of the mystery. This is something that is hardly shown in Hallmark’s films, especially in their Hallmark Movies & Mysteries productions. After hearing other people’s positive responses to this movie, I’m hoping that a fourth one is in the cards.
4. Avengers: Endgame
After becoming the king (or queen) of the world, Avengers: Endgame will still be a movie that is remembered for years. Whether debating over the film’s time travel or discussing the highlights and flaws of the project, people are going to find an opportunity to talk about this movie. For me, I found it to be a satisfying conclusion to this particular series of the MCU. Sure, there are things about it that I don’t like. But there is no such thing as a perfect film. Without spoiling the movie, I will say that several interesting decisions were made within this script. These decisions allowed the film to be engaging and, at times, thought-provoking. What also worked in the project’s favor was how it shared some of the same strengths as its predecessor, Avengers: Infinity War. This actually helped it maintain a sense of continuity.
3. Kubo and the Two Strings
For my blog follower dedication reviews, I try my best to talk about films that I feel good about sharing with my readers and followers. When I think about Kubo and the Two Strings, it makes me thankful that I chose to watch this movie! This is the first time an animated film has appeared on my best of the year list. I’m glad this movie was the one to make 18 Cinema Lane history because, to me, it deserves it. The story is enriching and beautifully written. It takes elements that we’ve seen before and crafts them in a way that feel like a breath of fresh air. It also helps that the animation is visually appealing. Even though this is the only Laika film I’ve seen, so far, I’d be more than willing to check out what this studio has to offer.
2. Rome in Love
This movie premiered while I was on an out-of-town trip, so I wasn’t able to review it. But when I did watch this film, it ended up being the best Hallmark movie I saw this year! Rome in Love does so many things right when it comes to cinematic story-telling. It went out of its way to use as few Hallmark movie clichés as possible. But when the film did adopt a tried-and-true cliché, it improved upon that cliché, which enhanced the overall story. At times, this film felt like a theatrical production. This is because of how well done the cinematography is. If I were introducing someone to Hallmark’s library of films, this is one of the movies I would choose to show them.
1. Swept from the Sea
When I look back on 2019, Swept from the Sea is the one film I can’t stop thinking about! As the biggest pleasant surprise of the year, it is definitely deserving of the number one spot. There are no such thing as “perfect” films. However, this movie is the only one I saw this year that comes pretty close to it. There is so much to love about this film. But, for me, the best part of the movie was Vincent Perez’s performance! He single-handedly stole the show, which gave me an opportunity to appreciate his acting abilities more than I expected. From the cinematography to the on-screen chemistry, the other elements of this film certainly added to my enjoyment of it. As I think about Swept from the Sea, I feel that this is a movie I wish more people were aware of.
Swept from the Sea poster created TriStar Pictures, Phoenix Pictures, and Tapson Steel Films. Image found at en.wikipedia.org/wiki/File:Sftspost.jpg
What do you think of my list? Which is your favorite movie of 2019? Share your thoughts in the comment section!
Out of all the movies that I’ve chosen for the A Month Without the Code Blogathon, this film is the one that I’m the most excited to talk about! I had never heard of Swept from the Sea until I discovered it on Pinterest this year (by the way, Pinterest is a great place to discover movies). When I first saw the film’s poster, I immediately noticed that Vincent Perez not only starred in the movie, but he also was the film’s top-billed actor. For those of you who are not familiar with this particular actor, Vincent portrayed Marius in Queen of the Damned, which I reviewed last Halloween. Since I enjoyed his performance in Queen of the Damned, I wanted to see what his acting talents had to offer in other films. When I was about to read the movie’s synopsis, I decided to watch the movie knowing as little about it as possible. I did this when I reviewed Hush…Hush, Sweet Charlotte and I ended up having a really good movie-viewing experience. Will history repeat itself with Swept from the Sea? I’m glad you joined me for my last A Month Without the Code review because we’re about to find the answer to this question!
Swept from the Sea poster created TriStar Pictures, Phoenix Pictures, and Tapson Steel Films. Image found at en.wikipedia.org/wiki/File:Sftspost.jpg
Things I liked about the film:
The acting: Among all of the movies I’ve seen in my life and among all the movies I’ve reviewed on 18 Cinema Lane, Vincent Perez’s acting performance in Swept from the Sea is one of the best I’ve ever seen! Throughout the entire film, he gave a captivating performance that was both heart-warming and heart-breaking. There were even times where, through the use of emotion, he was able to say so much without saying anything at all. One example is when Amy, Rachel Weisz’s character, gives Yanko, Vincent’s character, some food after they officially meet for the first time. Even though Vincent was the one who stole the show, I enjoyed seeing the other acting performances in this film. Despite the fact that Kathy Bates appears in the movie for a limited amount of time, her portrayal of Miss Swaffer was excellent! Not only was her performance well-rounded, but she also did a really good job pulling off an English accent. Performances like these made the characters come across like they were real-life individuals!
The cinematography: Swept from the Sea had some interesting cinematography that I was not expecting to see. At one point in the movie, all of the dead bodies from a recent tragedy at sea are featured on screen. In this particular scene, the camera pans outward in order to show Dr. James Kennedy, Ian McKellen’s character, standing in the middle of the area where these dead bodies were placed. Because of the cinematography, this moment showed the magnitude of the tragedy. Another great use of cinematography was when Amy was running through a rain-storm. What I liked about this scene was how it was dark enough to create the feelings of fear and dread, but not dark enough where one could barely see what’s happening on screen. Swept from the Sea’s cinematography made the film visually engaging!
The scenery: The majority of this movie takes place in the English countryside. Everything about this location was beautiful to look at! From the never-ending fields to the titular sea, all of the countryside’s natural landscapes were captured very well on film. Even the snowy environment that is briefly shown during Yanko’s journey is visually appealing. Because of the care that was taken in recording these locations, especially the sea, it gave the impression that the scenery was its own character. It also helped to create a stunning picture!
The on-screen chemistry: Because this story puts a good amount of focus on a romance, it’s important for the actors portraying the characters in that relationship to have good on-screen chemistry. As I’ve already said in this review, Vincent Perez’s acting performance stole the show! I was also impressed with Rachel Weisz’s portrayal of Amy Foster. Not only were they talented individually, but they were also a very talented pair! Anytime Amy and Yanko interacted with one another, their relationship was brought to life in a very sweet and genuine way. Amy and Yanko were an adorable couple without trying too hard to be. While some of the credit goes to the screenwriter, the rest of it belongs to Vincent and Rachel. What helped them was how different their acting styles were. These differences ended up complimenting each other instead of competing against them.
The dialect: Swept from the Sea takes place in the late 1800s, so the dialect reflects that particular time-period. This aspect of the movie sounded authentic to that decade. However, because I’m not used to hearing it in films very often, I had difficulty, at times, understanding what the characters were saying. This is not the fault of the film, but the fault of me, as a viewer, for not being familiar with the dialect.
Have you ever seen a movie that was so great, that all you wanted to do was tell everyone you knew about it? Well, that is exactly how Swept from the Sea made me feel! So far, this is the best movie I’ve seen this year! It’s endearing and emotional, grabbing hold of my attention from start to finish. So many components came together to make this film as entertaining as it was. From the acting to the scenery, there were so many things I liked about this movie. It is truly a hidden gem that I’m thankful to have discovered. Like I said about The Nun’s Story, Swept from the Sea is one of the “cleaner” films out of the ones I’ve chosen for A Month Without the Code. I found this to be pretty surprising, considering the fact that this is the only PG-13 rated movie in this roster. Despite this, I think the movie could be “breenable” with a few changes. These are the following:
There were about three times when characters were heard swearing and one time where Christ’s name was used in vain. These words would need to be omitted from the script.
Toward the beginning of the film, Miss Swaffer has a bloody wound on her leg and is having it taken care of by Dr. James Kennedy. While the scene itself is fine, the wound would have to be hidden on screen.
In one scene, a man is making an unflattering joke about Amy. While Amy and Yanko express their disgust over this joke, the joke itself would have to meet the standards of the Breen Code.
On the ship, at the beginning of the storm, Yanko is seen throwing up. To fit within the qualifications of the Breen Code, this image would have to be removed.
Because there is a tragedy at sea, there are several dead bodies that are shown on screen. There is one other part of the film that features a dead body as well. These scenes would need to be revised to fit with the Breen Code.
Yanko and Amy’s kisses are more passionate and last longer than kisses from the Breen Code era’s films. These kisses would have to be shorter in time-length.
There are two scenes that heavily imply that Yanko and Amy are having sex. Even though these scenes take place after they become married, these scenes would need to rewritten to make the implication more subtle.
Overall score: 9.6 out of 10
How do you feel about A Month Without the Code? Which review from this blogathon has been your favorite? Please tell me in the comment section!
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18 Cinema Lane 