The Top Ten Best Stand-Alone Films

On March 31, 2025 By 18cinemalaneLeave a comment

On this day in 2000, The Road to El Dorado made its official debut. While the movie didn’t meet or exceed DreamWorks’ expectations, it certainly found an audience, which stuck with the film for all these years. I once heard The Road to El Dorado was intended to be the first story in a trilogy. But fate decided it worked better as a stand-alone picture. This caused me to think about the other stand-alone movies I’ve come to love. So, in honor of The Road to El Dorado’s 25^th anniversary, I have compiled a list of what I believe are the top ten best stand-alone films! For my list, the criteria for a stand-alone film is not only a title that didn’t receive a sequel, but also isn’t affiliated with a series/franchise. If I covered a film on 18 Cinema Lane, I will provide a link to that article or review in this list. Each title will be presented in order of release year and each choice is based on my opinion.

*The Road to El Dorado* poster created by Dreamworks Pictures, DreamWorks Animation, and DreamWorks Distribution

**1. Singin in the Rain (1952)**

I start my list with a classic I was introduced to because of my blog. Now that I have finally seen Singin in the Rain, I have an understanding and appreciation for why the movie is so beloved. Gene Kelly’s iconic musical number, “Singin in the Rain”, should provide enough explanation for why you should check the film out! The number itself feels immersive, as it takes place within the story’s context. Gene adds uniqueness to the number by jumping and splashing in puddles. “Singin in the Rain” successfully represents the spirit of the film, while also delivering the message of seeing the good in a not-so-good situation. That number is just one reason why Singin in the Rain is a solid musical!

Watching ‘Singin in the Rain’ for the First Time

**2. Ben-Hur (1959)**

If you’re going to watch any classics, you have to see 1959’s Ben-Hur! Though the three-hour run-time can seem intimidating, that time flew by for me, as I was so engrossed in the story. The emotional intensity of Charlton Heston’s, Stephen Boyd’s, and Haya Harareet’s performance complimented the scope of the overall film. Ben-Hur contains other likable qualities as well, from the magnificent sets/scenery to the interesting cinematography. How Christianity/faith was incorporated into the story sets the 1959 production apart from other “sword and sandal” pictures. Those who celebrate Easter may find Ben-Hur an appropriate seasonal title.

Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

**3. To Kill a Mockingbird (1963)**

While the book, To Kill a Mockingbird, received a sequel, the film adaptation did not. The 1963 movie presents one of the few times where, in my opinion, the film was better than its source material. Getting straight to the point a lot sooner was a main focus for the creative team. The film’s visual nature worked in the favor of certain elements from the book. Showing suspenseful moments from the source material makes those moments seem real, as well as intensifies uncertainty. Leaving out scenes that feel like padding helps the movie maintain a steadier pace.

Take 3: To Kill a Mockingbird Review

**4. The Boy Who Could Fly (1986)**

When I first saw The Boy Who Could Fly, it subverted my expectations. That’s because the 1986 picture aged surprisingly well! Through Milly and Eric’s friendship, the script shows how people with Autism can create and maintain meaningful relationships. Helping someone with Autism based on their personal preferences and accommodations may have seemed ahead of its time back in the mid to late ‘80s. Timeless messages and themes make up one of the reasons why I love the 1986 film. Showing compassion for others, dealing with grief, and understanding people’s differences take center stage.

Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

**5. The Bodyguard (1992)**

In 2022, I wrote an editorial explaining why The Bodyguard held up thirty years later. Because I love the 1992 film, finding explanations wasn’t difficult. “The kitchen scene” is, in my opinion, the best scene from any action movie. One reason why is how the kitchen’s smaller space is seen by the actors as a challenge instead of a hindrance. What also worked in The Bodyguard’s favor was Whitney Houston’s portrayal of Rachel Marron. Throughout the story, Whitney realistically showcases emotions and expressions. This helped Rachel become a multi-layered character.

I Will Always Love You: ‘The Bodyguard’ at 30

*The Boy Who Could Fly* poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

**6. Swept from the Sea (1998)**

Swept from the Sea was one of the earliest hidden gems I discovered in 2019. It’s a movie that’s so great, I just had to include it on this list. There are so many things to like about Swept from the Sea. From Vincent Perez’s captivating performance to the beautiful scenery, the film’s components came together to create an endearing and emotional presentation! The 1998 film is a character-driven story, relying on on-screen chemistry in order to work. Because of Vincent Perez’s and Rachel Weisz’s differing acting styles, the on-screen chemistry between Yanko and Amy was very sweet and genuine.

Take 3: Swept from the Sea Review (A Month Without the Code — #8)

**7. Phantom of the Megaplex (2000)**

This is another movie I just had to include on my list. But this time, it’s because Phantom of the Megaplex is also celebrating its 25^th anniversary this year! The Disney Channel picture showed that the movie-going experience can be fun. As I explained in my editorial celebrating the film’s 20^th anniversary, the made-for-TV movie also serves as a time capsule of how the cinema operated in the beginning of the millennium. Phantom of the Megaplex even shows how movies can influence our lives. Though I’m not sure if that aspect of the story was intentional, it makes the 2000 title, somewhat, thought-provoking.

‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience

**8. I Am David (2004)**

I Am David was the biggest pleasant surprise of 2024. It became the year’s best movie in March and stayed number one until the very end! What set I Am David apart was the film’s genuine emotion and sincerity. This was seen and felt through every aspect of the production. The 2004 movie emphasized visual depth. Achieved by exploring light and darkness, as well as showcasing Europe’s natural landscape, the creative team used the visual nature of film to their project’s advantage. Two effective plot twists are another reason why I liked I Am David. Their delivery in the story was well-written.

Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

**9. From Up on Poppy Hill (2011)**

This 2011 presentation is one of Studio Ghibli’s stronger projects. A reason is one of the overarching themes; honoring the past. The film intelligently and creatively shows its audience how important history is in our lives and our world. Whether referencing the 1964 Olympics or focusing on the characters’ relationships, the theme of honoring the past acts as an umbrella sheltering Poppy Hill and its surrounding areas. Studio Ghibli’s signature colorful palette is consistently on display in the 2011 film. The strong understanding for how and when to use color makes scenes look like priceless pieces of art! Personally, I think movies like From Up on Poppy Hill present an argument why 2-D animation still has its time and place.

Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

**10. The Wild Robot (2024)**

I think it’s fitting to close this list with a DreamWorks movie, as a DreamWorks movie is the reason why I created this list in the first place. Though this was a recent watch for me, The Wild Robot is, so far, the best film I’ve seen this year! The animation itself is absolutely gorgeous! Sometimes, scenes look like paintings and other times, they look like priceless photographs. I was not expecting the story to contain as much emotional depth as it did. An abundance of good messages and themes add a sense of timelessness to the production. Though it’s unknown right now if The Wild Robot will gain an audience like The Road to El Dorado has, I can confidently say it was a really good movie!

*Phantom of the Megaplex* poster created by the Walt Disney Company and Disney Channel. © Disney•Pixar. All rights reserved. Disney XD© Disney Enterprises, Inc.

Have fun at the movies!

Sally Silverscreen

Ten Classic Movies I Watched Because of My Blog

On December 29, 2022 By 18cinemalane8 Comments

18 Cinema Lane is almost five years old. In that time, I have reviewed many films; from the blockbuster to the underrated and everything in between. Sometimes, I had the opportunity to talk about “classic” films. These opportunities were formal introductions to these titles. This list highlights some of the “classic” movies I watched because of my blog. Whether it was a blogathon entry or a Blog Follower Dedication Review, I’m thankful I was able to see these films. That way, I can now have an honest opinion about them. Since I have reviewed all the films on my list, I will provide links in this article. I will also be sharing my thoughts on these films, so anything I say is not meant to be mean-spirited or negative.

The Discovering Classic Cinema Blogathon banner created by Maddy from Classic Film and TV Corner

The Bridge on the River Kwai

Starting this list is the most recent “classic” I reviewed. I chose to write about The Bridge on the River Kwai for The 5^th Golden Boy Blogathon, where I was the only participant to select it. This movie made me question why some movies do or don’t end up on AFI’s list of The 100 Greatest American Movies Of All Time. Until I watched The Bridge on the River Kwai, I believed these titles met one of two criteria: those that represent the time they were released and those that brought something new to the cinematic table. With the 1957 film, I still haven’t figured out why it’s on the list. I am not saying this is a bad movie. But, at best, I thought it was just fine.

Take 3: The Bridge on the River Kwai Review

A Star Is Born (1937)

Before participating in the Fredric March Blogathon, I didn’t have an interest in watching any version of A Star Is Born. Because this story has been remade on more than one occasion, I thought each version was going to share a recycled plot, with little variation among them. As of this list’s publication, I’ve only seen the 1937 original. However, I was surprised by how impressive the movie was! Fredric March’s performance was so strong, not just among the Breen Code era films I’ve seen, but among any movie I have seen. He worked well alongside Janet Gaynor, sharing really good banter between each other. A Star Is Born made me want to actively seek out more films from Fredric’s filmography!

Take 3: A Star Is Born (1937) Review

Funny Face

As Fred Astaire famously said, “Do it big, do it right, and do it with style”. When it comes to his movie, Funny Face, that’s exactly what happened. This is a pleasant looking production! I remember loving the use of color, as pops of color were placed in scenes with a primarily plain color palette. The musical numbers were also entertaining to watch, with creative ideas woven through them. Though I haven’t seen many of Audrey Hepburn’s films, Funny Face is one of her projects I like. She appeared to be enjoying whatever she was doing, whether it was dancing in the “Basal Metabolism” number or portraying Jo traveling to Paris. Then again, Audrey did famously say “I believe that happy girls are the prettiest girls”.

Take 3: Funny Face Review (Fred Astaire and Gene Kelly Blogathon Part 2)

All About Eve

As the last movie I reviewed for 2019’s Clean Movie Month, All About Eve is a film I thought was just fine. A peek behind the theater world’s curtain was refreshing, providing the story with interesting perspectives. The use of voice-overs not only allowed the audience to witness Eve develop as an individual, but connect with the other characters as well. However, I found the title to be misleading, as the story was led by Margo. As I said in my review, the film would be called “Mostly About Margo” or “Sometimes About Eve” if given an honest title.

Take 3: All About Eve Review (Clean Movie Month — #5)

Nosferatu

Screenshot taken by me, Sally Silverscreen.

The same year I reviewed All About Eve, I also wrote about Nosferatu. My review of the 1922 “classic” was for 2019’s A Month Without the Code. I’m thankful for the opportunity I had to see Nosferatu, as the film was not only created under strict copyright rules, but has also been preserved over time. This film serves as a stone in cinema’s foundation, showcasing elements still found in today’s movies, such as using music to elevate the story’s tone. I don’t often talk about horror films on 18 Cinema Lane. But out of the ones I have reviewed, Nosferatu is definitely one of the better titles!

Take 3: Nosferatu Review (A Month Without the Code — #1)

To Kill a Mockingbird

Like I recently said in my list, ‘The Top 10 Best Movies I Saw in 2022’, there are few movies I found better than their source material. To Kill a Mockingbird is one of those films! I like this adaptation because the script gets straight to the point sooner than the book did. It also places more emphasis on the trial, the part of the book I found the most interesting. The visual nature of film elevated the suspenseful moments from the original story, presenting realistic situations with an intensified level of uncertainty. This is one of those times where I would suggest skipping the book and going straight to the film.

Take 3: To Kill a Mockingbird Review

Citizen Kane

In my opinion, Citizen Kane is an over-hyped movie. I know that’s a controversial opinion. But when I reviewed the movie in 2019, I didn’t find it the flawless masterpiece others have made it out to be. For starters, I don’t think the film needed an hour and fifty-nine-minute run-time. I also found it difficult to connect with the characters. Despite my view on Citizen Kane, I don’t think it’s a bad movie. If anything, I thought it was decent. But like I said with The Bridge on the River Kwai, I wonder why Citizen Kane is number one on AFI’s list of The 100 Greatest American Movies Of All Time?

Take 3: Citizen Kane Review (Clean Movie Month — #2)

Lawrence of Arabia

This is another “classic” I feel is over-hyped. However, the over-hyped status of Lawrence of Arabia is not to the same degree as Citizen Kane, in my opinion. The 1962 film is one of the most iconic “sword and sandal” titles. But beyond this simplified distinction is a World War I story from a unique perspective. Reviewing Lawrence of Arabia for The World War One On Film Blogathon was not my first choice. I had actually planned to review a different movie, which ended up being released on DVD after the blogathon took place. This last-minute decision was a blessing in disguise, as it gave me an excuse to check out Lawrence of Arabia!

Take 3: Lawrence of Arabia Review

Ben-Hur (1959)

When I chose to watch this movie for a Blog Follower Dedication Review, I had no idea how much I would love it! I remember being so invested in Judah’s journey, I wasn’t too bothered by the film’s three-hour run-time. This is another iconic “sword and sandal” picture. But only referring to this film by that simplified title does it such a disservice. That’s because the movie is, in my opinion, one of the better faith-based films! I’ve heard 1959’s Ben-Hur is a remake of a film from the ’20s. Maybe that version will be covered in a future review!

Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

Meet Me in St. Louis

The Breen Code era gave us some good musicals. Meet Me in St. Louis is no exception! A musical is only as strong as its musical numbers. In the 1944 film, there was an assortment of enjoyable songs. From Judy’s iconic rendition of “Have Yourself a Merry Little Christmas” to my favorite, “Under the Bamboo Tree”, this part of the story added to my movie viewing experience. While the film does have its flaws, it is a pleasant production. If I were introducing someone to the Breen Code era, Meet Me in St. Louis is a film I would recommend!

Take 3: Meet Me in St. Louis Review + 75 Follower Thank You

Have fun at the movies!

Sally Silverscreen

Here Are The Results of The 3rd Annual Gold Sally Awards!

On October 28, 2021 By 18cinemalaneLeave a comment

The results of The 3^rd Annual Gold Sally Awards were many months in the making! Like last year’s awards, I continued the tradition of nominating films and talent not exclusive to Hallmark. I also started presenting two voting polls at a time. In 2022, I will publish two polls in each post, as a way to move the polls along at a smoother pace. But, for now, let’s start the moment you’ve been waiting for: the results of my annual awards!

A collage of this year’s winners I created on PowerPoint. Screenshot taken by me, Sally Silverscreen.

Best Movie and Story: From Up on Poppy Hill

Best Ensemble: If You Believe

Best On-Screen Couple: Ally Walker and Tom Amandes — If You Believe

Best Actress: Margaret O’Brien – The Unfinished Dance

Best Actor: Neal McDonough – Grace & Glorie

Best Supporting Actress: Collin Wilcox Paxton – To Kill a Mockingbird

Best Supporting Actor: Fred Savage – The Boy Who Could Fly

Sally’s Star of the Year: Debbie Macomber

Have fun at the movies!

Sally Silverscreen

Coming close to the end of the Gold Sally Awards with the Best Supporting Actress and Best Ensemble Polls

On July 30, 2021July 30, 2021 By 18cinemalaneLeave a comment

We are now toward the end of the Gold Sally Awards! Before I reveal this year’s winners, there are three polls left and the nomination of Sally’s Star of the Year. I’m going to try something different for these next two polls. The Best Supporting Actress Poll and the Best Ensemble Poll will be combined into one voting post. But the voting rules will still be the same as in previous polls. Even though you can vote for more than one nominee, you can only vote once per person. This set of polls will start today, July 30th and end on August 6th. The link to the polls are at the bottom of each individual poll. Just click on the word, “PollMaker”.

Who was the Best Supporting Actress of 2020?

Pamela Britton — Anchors Aweigh

Hayden Panettiere — If You Believe

Bonnie Bedelia — The Boy Who Could Fly

Lisa Jakub — Matinee

Diane Lane — Grace & Glorie

Cyd Charisse — The Unfinished Dance

Romola Garai — Nicholas Nickleby (2002)

Collin Wilcox Paxton — To Kill a Mockingbird

Anna Kendrick — Up in the Air

Madison Lawlor — Follow Your Heart

Created with PollMaker

Which Movie has the Best Ensemble of 2020?

Anchors Aweigh

The Boy Who Could Fly

Matinee

Grace & Glorie

Sweet Nothing in My Ear

If You Believe

The Unfinished Dance

Nicholas Nickleby (2002)

The Crow

The Wife of Monte Cristo

Created with PollMaker

Have fun voting!

Sally Silverscreen

Bringing Back the Gold Sally Awards’ Best Supporting Actor Division!

On June 30, 2021June 28, 2021 By 18cinemalaneLeave a comment

As I promised, I am hosting a re-vote for the Gold Sally Awards’ Best Supporting Actor Division. I also plan to wrap up the Awards voting, as there are three polls lefts. But don’t worry, Sally’s Star of the Year will still be included. This round of voting will start today, June 30th, and end on July 7th. Like before, you can vote for more than one nominee. But you can only vote once per person. The link to the poll is featured under the list of nominees.

Who was the Best Supporting Actor of 2020?

Gene Kelly — Anchors Aweigh

Fred Savage — The Boy Who Could Fly

Omri Katz — Matinee

Noah Valencia — Sweet Nothing in My Ear

Andrew Tarbet — If You Believe

Jamie Bell — Nicholas Nickleby (2002)

Brock Peters — To Kill a Mockingbird

Vincent Perez — Cyrano de Bergerac (1990)

Joe Penny — Perry Mason: The Case of the Shooting Star

Steve Bacic — Mystery 101: An Education in Murder

Created with PollMaker

Have fun voting!

Sally Silverscreen

The Gold Sally Awards is Back with the Best Supporting Actor Division

On May 31, 2021May 30, 2021 By 18cinemalaneLeave a comment

Despite being busy with some blog and non-blog related projects, I am still continuing to host the Gold Sally Awards! For this round of voting, you get to choose who will receive the title of Best Supporting Actor. Like the previous polls, you can vote for more than one nominee. But you can only vote once per person. This poll will be active until June 7th and the link to the poll is under the list of nominees.

Movie award essentials image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background psd created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Who was the Best Supporting Actor of 2020?

Gene Kelly — Anchors Aweigh

Fred Savage — The Boy Who Could Fly

Omri Katz — Matinee

Noah Valencia — Sweet Nothing in My Ear

Andrew Tarbet — If You Believe

Jamie Bell — Nicholas Nickleby (2002)

Brock Peters — To Kill a Mockingbird

Vincent Perez — Cyrano de Bergerac (1990)

Joe Penny — Perry Mason: The Case of the Shooting Star

Steve Bacic — Mystery 101: An Education in Murder

Created with PollMaker

Have fun voting!

Sally Silverscreen

The Valentine’s Day Period Drama Blog Party Tag 2021

On February 12, 2021 By 18cinemalane3 Comments

When Heidi, from Along the Brandywine, started her Valentine’s Day Period Drama Blog Party, she also published an official tag! As I’ve already posted my entry for the event, a review of the Hallmark Hall of Fame picture, The Love Letter, I thought it’d be nice to answer the tag questions. As I said in that review, period dramas are not regularly covered on 18 Cinema Lane. However, I did try to answer each question as best as I could. If you’ve visited my blog before, you’d know this isn’t my first blogathon tag. Last year, when I joined the Legends of Western Cinema Week, I published my answers relating to the western genre. This time around, I’m answering questions about this blogathon’s theme: period dramas!

The Valentine’s Day Period Drama Blog Party banner created by Heidi from Along the Brandywine.

Your current three (or up to five!) favorite period dramas?

Swept from the Sea
The Enchanted Cottage
Ben-Hur (the 1959 version)
Nicholas Nickleby (the 2002 version)
To Kill a Mockingbird

2. What would you recommend to someone who’s never seen a period drama as a starter?

Definitely Swept from the Sea! It was the best movie I saw in 2019 and I wish more people knew about it. Here’s the link to my review:

Take 3: Swept from the Sea Review (A Month Without the Code — #8)

3. A favorite couple that wouldn’t be included in answer #1 (cause I’m figuring those are already top favorites ;)) and/or a favorite secondary character romance?

I really like both couples from Anchors Aweigh! Even though the movie is a musical, there are romantic elements that work well in the overall story. Without giving much away, it shows how subverting expectations can be a good thing.

4. What do you consider foundational qualities for a healthy romance?

Consent and communication. Two years ago, I wrote an editorial about how Lestat and Akasha’s relationship in Queen of the Damned was not healthy. Their lack or consent and communication serve as two reasons why. I’ll leave a link to the article if you want to read it:

Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)

5. Worst villain/antagonist?

I’d say Nicholas’ uncle, Ralph, from Nicholas Nickleby. Like my answer for question number three, I won’t give the story away. But I will say that Ralph is one of the reasons why Nicholas and his family experience hardship in that movie.

6. A favorite proposal scene?

I’m not sure if this would count, but I liked Nicholas and Madeline’s conversation, from Nicholas Nickleby, where they reflect on their pasts. It has a good message of strength that came across as genuine. Nicholas and Madeline also look like they truly care about one another.

Heart image created by Dashu83 at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundimage created by Dashu83 – Freepik.com</a>. <a href=’https://www.freepik.com/free-photo/happy-valentines-day-and-heart-card-with-happy-valentines-day-and-heart_1747001.htm’>Designed by Freepik</a>. Image found at freepik.com.

7. Favorite period drama characters based on a real life couple?

I haven’t seen this movie in years, but I’ll choose The Young Victoria. From what I remember, I liked Queen Victoria and Prince Albert’s relationship. Similar to Nicholas and Madeline’s relationship in Nicholas Nickleby,Victoria and Albert looked like they truly loved each other. In a film about royals in the 19^th century, I found that part of the story refreshing!

8. Any classic b/w period dramas you like? and 9. Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)

For this answer, I combined questions eight and nine. This is because I think The Enchanted Cottage fits both of them. Not only is this movie presented in black and white, but there is maturity within the protagonists’ relationship. Because Robert Young’s character, Oliver Bradford, is a World War II veteran, there are discussions of trauma and self-worth. Inner beauty and self-perception are also explored between Oliver and Laura, portrayed by Dorothy McGuire.

10. Most excruciatingly long, slow burn romance in a period drama?

The first one that comes to mind is Elizabeth and Jack’s relationship from When Calls the Heart. For five seasons, fans were waiting for these two characters to get married. While they eventually tied the knot, Jack was sent away on a Mountie mission, only for him to die at the end of the fifth season. This means that the fans barely got to see Elizabeth and Jack as a married couple.

11. A story that has multiple film adaptations where you love more than one of them?

After thinking about a double feature I wrote, I’ll pick The Secret Garden. Out of the three adaptations I’ve seen, I like the 1987 Hallmark Hall of Fame presentation and the 1993 film. If you’re interested, I’ve posted the links to the aforementioned double feature and its conclusion.

My Bonus Double Feature Has Arrived!

The Conclusion to My Bonus Double Feature

12. A book you think needs to be made into a film (or a new adaptation)?

Last year, in my Movie Blogger’s Christmas Wish-List, I talked about how I’d like to see To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson and Zlata’s Diary receive film adaptations. Instead of repeating myself, I’m sharing the link to that list, so you can read why I feel this way.

A Movie Blogger’s Christmas Wish-List 2020

Because this tag is about period dramas, I thought this photo would be fitting. Screenshot taken by me, Sally Silverscreen.

What are your thoughts on this tag? Do you like watching period dramas? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The 2020 Unpopular Opinions Tag

On September 21, 2020June 17, 2021 By 18cinemalane11 Comments

Last week, I announced I would be publishing a celebratory post to commemorate reaching 200 movie reviews. Now that my 200^th review is published, it’s time for the celebrating to begin! Two months ago, I read an Unpopular Opinions Tag post from the creator of Iridium Eye Reviews, Ospreyshire. This post inspired me to create an Unpopular Opinions Tag article of my own! However, I waited for the perfect opportunity to post it. Since publishing 200 movie reviews is an accomplishment, I thought this would be a good way to start the week! Before I begin, I’d like to remind my readers, followers, and visitors that these answers are based on my opinion. This post is not meant to be mean-spirited or negative.

Shocked man image created by Cookie_studio at freepik.com. People photo created by cookie_studio – www.freepik.com. Image found at freepik.com.

Popular series I don’t like* (* – as much as other people do)

For this question, I had to put an asterisk by the series I chose. As I’ve said before on 18 Cinema Lane, I don’t like Signed, Sealed, Delivered anywhere near as much as other people do. I find the overall quality to be inconsistent. While there have been a few movies I enjoyed, the majority of them, in my opinion, are either ok, decent, or bad. It also doesn’t help that the stories tend to emphasize the personal lives of the Postables over the mysteries of the letters. When the next Signed, Sealed, Delivered film is eventually released, I hope it’s one of the better ones.

2. Popular movie I like, but everyone seems to hate

I’ll select two movies for this question: Pirates of the Caribbean: Dead Man’s Chest and Pirates of the Caribbean: At World’s End. I haven’t watched these movies in several years, but I remember liking both of them over the first one. Over time, I discovered most people like the first movie, but dislike the second and third films. Personally, I think the first three films make up a solid trilogy!

3. Love triangle where the character didn’t end up with the character I wanted

I’m going to discuss a relationship from an animated movie for question number three. I haven’t seen FernGully: The Last Rainforest in a long time. However, I recall not agreeing with Crysta’s decision to stay with Pips. I found Pips to be a terrible significant other. Not only does he bully others, but he also manipulates Crysta by creating a false image of himself instead of being honest with her. Based on a video review I saw a few years ago, Pips apparently becomes a nicer person in FernGully 2: The Magical Rescue. But, personally, I feel the sequel was created to justify Crysta’s decision.

4. Popular genre you hardly watch

For me, this genre would definitely be documentaries. Either I don’t have the opportunity to purchase/rent them or I rarely come across one I’m actually excited about. The last one I watched was Life, Animated, which I would recommend to those who are fans of animation. I recently discovered a docuseries called The Road to Miss Amazing, so I might get around to checking that out!

Group of unhappy image created by Rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

5. Beloved character you don’t like

Gone with the Wind’s Scarlett O’Hara would be my choice for this question. She’s a static character with an unpleasant personality. Following her for about four hours doesn’t help either. I’m also not a fan of Scarlett’s relationship with Rhett Butler, which is one of the unhealthiest relationships in film.

6. Popular show or series I can’t get into

BYU-TV aired reruns of Wind at My Back for a period of time. Because I’m a fan of When Calls the Heart, I thought Wind at My Back would be a show I’d like. I watched two episodes with an open mind, but I ended up not becoming invested in the program. Wind at My Back is a show that tries to be a Hallmark Hall of Fame-esque production without showing an understanding for what makes a Hallmark Hall of Fame project typically work. Based on the two episodes I saw, I found the show to be devoid of humor. Wind at My Back is a show that was meant for someone. However, I recognize that someone was not me.

7. Popular show or movie I have no interest in seeing

When it comes to movies, I have no interest in seeing any of the Sharknado films. I know any title from that series would be a perfect choice for Taking Up Room’s So Bad It’s Good Blogathon. But just because other people say a film is “so bad it’s good”, it doesn’t mean I’m necessarily going to agree with them. The tv show I’ll choose for this question is the Canadian program, Heartland. This show has been on the air since 2007. Since this chronological story has been running for so long, I don’t have the time to devote to Heartland. Also, I’m a person who watches more movies than television.

8. Popular show or movie I prefer over the book

This year, I read To Kill a Mockingbird and saw its film adaptation. While I thought the book was fine, I found the movie to be a better story-teller than the source material. The 1962 film went to the heart of the text a lot sooner, cutting out a lot of the “slice of life” content I wasn’t a fan of. Visual elements, such as suspense and cinematography, helped to enhance the story.

To Kill a Mockingbird poster created by Brentwood Productions, Pakula-Mulligan, and Universal Pictures. Image found at commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(1963_US_theatrical_poster).jpg

Bonus Round: Movie I used to love, but I hate now

In this last question, I’ll talk about two movies. The first is High School Musical, a movie I used to like, but now strongly dislike. When it premiered in 2006, I really liked the concept of a modern-day musical airing on Disney Channel. This brought something new to the table. In a short amount of time, High School Musical became bigger than it needed to be, which made it appear everywhere. It also started what I call the “instant celebrity” trend, where characters are no longer allowed to lead typical lives and deal with typical problems (examples: Lizzie McGuire, Even Stevens). These things have turned me off from High School Musical.

The next movie is Avatar, a movie that I don’t dislike, but have fallen out of love with. I enjoyed the movie when it first came out. But as time went on, it lost relevancy. It also didn’t help when James Cameron kept pushing back the release dates for his sequels. Every movie doesn’t have to start a franchise, with Avatar as a prime example.

Did you like reading my Unpopular Opinions Tag post? Which tag would you like to see me write about next? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: To Kill a Mockingbird Review

On April 3, 2020September 21, 2020 By 18cinemalane15 Comments

Before I start this review, I’d like to remind everyone that Thursday, April 9^th, is the last day to cast your vote for the Best Supporting Actor of the 2^nd Annual Gold Sally Awards! The next poll will be posted on the April 10th! Here is the link to the poll:

Now it’s time to choose the Best Supporting Actor of 2020’s Gold Sally Awards!

Originally, I had planned on reviewing To Kill a Mockingbird for Pure Entertainment Preservation Society’s A Month Without the Code Blogathon. Since The 2020 Classic Literature On Film Blogathon was given an April participation date and because I was reading To Kill a Mockingbird at the time of the event’s announcement, I decided to review the film adaptation a lot sooner than I expected. For years, I had heard great things about the novel. The now famous quotes have been plastered all over the internet, sounding deep and thought-provoking against backgrounds of characters’ pictures from the film. No literary list would be complete without To Kill a Mockingbird’s inclusion. What caused me to pick up a copy, and eventually see the movie, was the trial where Atticus defends Tom Robinson. This situation taking place in a time that is very different from today brought up a lot of questions. How would Atticus approach the case? Was Tom innocent? How different was the court system back then? For a while, this book was sitting on my bookshelf, waiting for the day when it would be read. Because of this blogathon, the day to read the book and see the movie has finally come!

To Kill a Mockingbird poster — *To Kill a Mockingbird* poster created by Brentwood Productions, Pakula-Mulligan, and Universal Pictures. Image found at commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(1963_US_theatrical_poster).jpg

Things I liked about the film:

The acting: In my review of Mystery 101: An Education in Murder, I talked about how the characters in that movie appeared as if they came from real-life. This is partly the result of the quality of the actors’ performances. The aforementioned strengths are shared by both films. While watching To Kill a Mockingbird, I noticed how all the performances felt realistic. The actors brought enough emotion and animation to their roles, in order to bring their characters to life. I enjoyed watching the performances in this film. However, the two standouts came from Collin Wilcox Paxton (who portrayed Mayella Ewell) and Brock Peters (who portrayed Tom Robinson). Even though they appeared on screen for a limited amount of time, they were able to bring so much emotion and power to their roles. These elements allowed Collin and Brock to elevate their characters as well as the source material.

How the source material was presented: Looking back on the book, the story itself was 20% about the trial and 80% about the “slice of life” perspective Scout offers to the readers. This imbalance is what caused me to not enjoy the book as much as I had expected. The film’s creative team makes an effort to create a balance between these two ideas by removing scenes that would have felt like padding. In the book, the majority of a chapter is devoted to the Halloween carnival/play and what caused that event to take place. The movie, however, only shows Jem and Scout arriving and leaving the school. The way some scenes were presented in the movie highlighted Atticus’ abilities as a lawyer more effectively than in the book. When Atticus to talking to Scout about compromises and trying to see things from another person’s perspective, the scene places more emphasis on Atticus himself delivering the message, showing the values he follows as a lawyer. In the book, it feels like these lessons are rehashing information most readers already know.

Moments of suspense: There were some scenes containing suspenseful moments that were periodically placed in the film. One of these moments takes place in the scene when Atticus visits Helen Robinson for the first time. While Jem is sitting in Atticus’ car, Bob Ewell drunkenly approaches the vehicle. Because this is the first time Bob is introduced on screen and because he is presented in a disorderly state, Bob’s decisions and actions are very unpredictable. Scenes like this one maintained the overall story’s intrigue. It maintained my investment in the film as well. These scenes featuring suspenseful moments also allowed the creative team to adopt story-telling elements like the use of shadows and dramatic music.

The 2020 Classic Literature On Film Blogathon banner created by Paul from Silver Screen Classics. Image found at https://silverscreenclassicsblog.wordpress.com/2020/01/16/announcing-the-2020-classic-literature-on-film-blogathon/?wref=tp.

What I didn’t like about the film:

The trial taking place at a later time: As I said in the introduction, the trial where Atticus defends Tom Robinson is what made me want to read the book. When I did read it, I was disappointed to discover the trial itself took place sixteen out of thirty-one chapters into the story. In the movie, the trial appears at the halfway point. In this case, I fault the source material more than the film’s creative team. Even though I had to wait an hour for the trial to be presented on screen, the creative team did try their best to get to that point as soon as possible.

Some unclear details: Some details in this movie were unclear, especially if someone didn’t read the book before they saw the movie. In the book, Jem and Scout are introduced to Reverend Sykes when they attend Mass at Calpurnia’s church. When the trial takes place, they agree to sit with Reverend Sykes in the balcony section of the courthouse. Because the church service was omitted from the movie, there’s no clear explanation provided for how Jem and Scout know Reverend Sykes. It might have helped if details like this one were given some context.

The voice-over: The book is told from the perspective of an adult reflecting on their childhood. However, the movie presented the events as if they are taking place in “present-time”. Because of this decision, it allows the events to speak for themselves. This makes the voice-over seem like an unnecessary component. The voice-over was also not consistently included in the movie, causing its presence to not feel justified.

Law Justice Isometric Composition Icon — Courtroom image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/isometric”>Isometric vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

There are very few times when I feel a film adaptation is better than its literary source material. In fact, the two previous instances that I can think of are Hallmark’s Hall of Fame’s The Beach House and Hallmark Channel’s Rome in Love. After watching To Kill a Mockingbird, I have now found a third adaptation to add to that list. I’m not a fan of “slice of life” stories, hence why I didn’t enjoy the book as much as I had expected. While these aspects of the “slice of life” story were incorporated into the movie, the creative team’s main focus was about getting straight to the point a lot sooner. The film’s visual nature worked in the favor of certain elements from the source material. Suspenseful moments in certain scenes are one great example. Reading about those moments in a book does cause a level of uncertainty. Watching them take place on screen makes those moments seem real and intensifies that uncertainty. If I had known my feelings about this movie before reading the book, I honestly would have skipped the book and gone straight to the movie.

Overall score: 8.1 out of 10

Have you read any classic literature? If so, did you see its film adaptation, if it has one? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen