Alfred Hitchcock is a man who needs no introduction. Director by choice and legend by chance, Alfred has single-handedly become a house-hold name in the world of cinema. While I have seen (and reviewed) some of his films, there are still plenty of titles I have yet to see. One of those films was 1958’s Vertigo, which was recommended by Charity from The Sacred in the Secular! This is a movie I had been meaning to write about for a while. With The 3rd Master Of Suspense Blogathon on its way, I found a great time to finally review Vertigo! As I already mentioned, I have reviewed some of Alfred’s films. While I still think Strangers on a Train is his best movie, The 39 Steps is one of my least favorite. Now, the time has come to share my thoughts on Alfred Hitchcock’s 1958 presentation!

Things I liked about the film:
The use of music: Music can be a powerful film-making tool. Through a combination of sound, instrumentals, and even lyrics, music can elevate a scene’s mood, foreshadow parts of the story, or emphasize events happening in a scene. In Vertigo, music was utilized to compliment a scene’s given mood. A perfect example is when Scottie follows Madeleine to a flower shop. While he walks through a flower shop’s storage room, suspenseful orchestral music builds up to the moment Scottie reaches the flower shop’s door. This type of music acknowledges Scottie’s fear of the unknown, as he doesn’t know what he’ll find on the door’s other side. But once he opens the door, he discovers Madeleine is in a flower shop, purchasing a bouquet of flowers. This discovery causes calming, orchestral music to play in the background, stressing how Madeleine and the shop itself are nonthreatening to Scottie.
Incorporation of culture: The mystery in Vertigo revolves around Madeleine being obsessed with a woman named Carlotta Valdes. Scottie follows clues from art and local history in an attempt to solve the mystery. The “local history” in this movie is a fictionalized version of San Francisco’s history. However, the blending of these aforementioned cultural elements gave Vertigo a unique identity from other Hitchcock productions. The creative team’s incorporation of culture can also spark thought-provoking analysis about how culture can influence or even solve mysteries. As someone who reviews mystery films and even has a series called Sally Solves a Mystery, this aspect of Vertigo has made me look at the subject of mysteries somewhat differently.
The set design: There was some impressive set design in Vertigo! One of my favorite examples is Gavin’s office. Wood paneling covers every wall. The entire floor is covered in red carpeting, which actually compliments the wood paneling. A large, dark wood desk with intricate detailing becomes the showstopper of the space! Other design choices, such as a large model of a ship, red chairs, and a huge window overlooking the cargo ship dock emphasize Gavin’s importance in the company he inherited. Artwork and photographs covering every wall presents a glimpse into Gavin’s artistic taste.

What I didn’t like about the film:
Questions left unanswered: For this part of my review, I will spoil Vertigo. If you have not seen this movie and are planning on watching it, skip to the part titled ‘The underutilization of Barbara Bel Geddes’.
After Madeleine dies, Scottie meets a woman named Judy, believing she looks like his deceased love. Shortly after Judy and Scottie meet for the first time, she writes a letter and confesses being Madeleine. In the letter, Judy claims parts of the story she and Gavin told Scottie were true. But she never specifies which parts of their story they were honest about. The creative team’s decision to leave questions unanswered frustrated me. This is because I was curious to see how the mystery of Madeleine’s psychological connection to Carlotta Valdes would be resolved.
The underutilization of Barbara Bel Geddes: In Vertigo, Barbara Bel Geddes portrays Marjorie ‘Midge’ Wood. A designer who is passionate about art, Midge was engaged to Scottie in the past. Even though their engagement didn’t last, they remain on friendly terms. Barbara’s on-screen chemistry with James was pleasant. Her performance effectively sold the idea Midge was good friends with Scottie. This made me hope Scottie and Midge would work together to solve Vertigo’s mystery. But that did not happen because Barbara was only in a handle of scenes. I think Midge is an interesting character, so this creative decision disappointed me. Not giving Barbara more material to work with was, in my opinion, a missed opportunity.
An unsolved mystery: For this part of my review, I will, once again, spoil Vertigo. If you have not seen this movie and are planning on watching it, skip to the part titled ‘My overall impression’.
At the beginning of Vertigo, Scottie is asked by Gavin to solve the mystery of why Madeleine is obsessed with a woman named Carlotta Valdes. This obsession gets to the point where Madeleine goes to places she has no memories of visiting. Because of how the fictionalized San Francisco culture and supernatural elements were combined in the mystery, I was curious to see how the mystery would be resolved. But, about halfway through Vertigo, Madeleine dies. Shortly after Madeleine passes away, the mystery of Judy’s identity begins. By the end of the movie, this new mystery is solved. If the screenwriters knew their script would contain more than one mystery, they should have resolved the first mystery before moving on the next one. The creative team’s decision to abandon Madeleine’s mystery left several questions unanswered.

My overall impression:
Have you ever watched a movie where you found yourself deceived by the movie’s end? That’s how I felt after watching 1958’s Vertigo. Without spoiling the movie, I will say how even though the story contained two mysteries, only one of them is solved. This is one of the reasons why the script left questions unanswered. I also didn’t like how Barbara Bel Geddes’ acting talents were underutilized. However, there were aspects of Vertigo I liked. The film’s creative team displayed an understanding for how to effectively utilize music. Incorporating culture into the story gave Vertigo a unique identity among Hitchcock’s collection of films. I was impressed by the movie’s set design as well. But when it comes to titles created by Alfred Hitchcock, especially those starring James Stewart, I think Rear Window is stronger than Vertigo. Not only was the talent of Rear Window’s cast well utilized, the mystery was solved as well as prioritized.
Overall score: 6.5 out of 10
Have you seen Vertigo? Which film of Alfred Hitchcock’s is your favorite? Let me know in the comment section below!
Have fun at the movies!
Sally Silverscreen






















