Tag: mystery

I Will Always Love You: ‘The Bodyguard’ at 30

On By 18cinemalane9 Comments

When I think of the word “umpteenth” paired in the same sentence as film, I think of a movie that you love so much, you don’t mind watching it over and over again. A movie that deserves your undivided attention whenever it appears on television. A title that never fails to make you smile every time you hear it. For me, that film is none other than 1992’s The Bodyguard! If you were to ask me what my top ten favorite movies of all time are, The Bodyguard would be placed somewhere on that list. When I received my first Sunshine Blogger Award, I talked about how I loved this film’s soundtrack. So, for a blogathon that revolves around movies viewed for the “umpteenth” time, I found the perfect opportunity to write about The Bodyguard. But because it is turning thirty this year, simply reviewing this movie wasn’t going to do. Therefore, I decided to write an editorial explaining why I love the film so much! Without further ado, let me tell you why The Bodyguard still holds up thirty years later!

The Bodyguard poster created by Tig Productions, Kasdan Pictures, and Warner Bros. Pictures

The Acting

We can’t talk about The Bodyguard without also talking about Whitney Houston. From what I’ve heard over the years, Whitney had little to no acting experience prior to working on the 1992 film. But her portrayal of Rachel Marron does not reflect what she didn’t have. Instead, Whitney did a fantastic job presenting Rachel as a complex character! Miss Marron is a singer and actress who is constantly presenting herself as a lovable starlet who can do no wrong. Behind the scenes, she is a mother and sister who craves control over her life and career. Whitney’s emotions and expressions weave through the story and adapt to each situation. A great example is the scene before Rachel’s concert. While backstage at the Mayan Club, Rachel receives a disturbing note. When she addresses this to Frank and her friends, Bill and Sy, Rachel discovers the delivery of these notes has occurred more than once. In this scene, she goes from being excited about her concert to expressing genuine concern and fear over the note to being upset by not knowing the severity of the situation sooner. Whitney delivers each line and expression in a realistic way, highlighting how multi-layered Rachel is as an individual!

Recording studio image created by Senivpetro at freepik.com. Music photo created by senivpetro – www.freepik.com

I’ve always thought Kevin Costner should have portrayed James Bond at least once in his career. Now I know it’s an unspoken rule that James Bond has to be portrayed by someone from England/Europe. But before you write off my opinion as being silly, just hear me out. In The Bodyguard, Kevin is cast as Frank Farmer, a former Secret Service agent. While watching this film for the “umpteenth” time, I can point out some similarities Frank shares with the legendary 007. For starters, Frank has a signature drink, which is orange juice. He also has the look, with Frank sporting a suit and bow-tie at the Academy Awards. Frank possesses the poise, skill, and experience to successfully do his job. He can even turn on the charm when he wants to, as Rachel successfully tears down his defense mechanism of keeping his distance from others. But the most important part of my argument is that Kevin has the talent! What works in Kevin’s favor is his ability to consistently carry a collected and serious composure. While this is expected for a character like Frank, Kevin is given moments where genuine emotions are expressed. When Frank and Rachel go on a date to a restaurant, they talk about a woman from Frank’s past. As Rachel makes a joking remark about how she thinks the relationship ended, Frank remains silent, giving Rachel the impression the subject is no laughing matter. A few seconds later, Frank begins chuckling, revealing how he pulled a trick on Rachel. This scene shows that even though Frank is strong and can hold his own is his profession, he is still a man of feelings and fears.

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Whitney and Kevin give great acting performances individually. However, it’s their on-screen chemistry that helps make their interactions memorable! From the moment Rachel and Frank first meet, you can feel the sparklers sizzling. Their banter bounces off each other like an exciting game of ping-pong. At first glance, you wouldn’t think Rachel and Frank would get along. This is because their personalities are the opposite of one another. But when they share private, intimate moments, Rachel and Frank are kindred spirits, understanding each other in a way that can’t be easily explained. The strong on-chemistry is not limited to the interactions between Whitney and Kevin. The interactions they share with the other actors in the film feel believable as well. One good example are the times when Frank interacts with Rachel’s son, Fletcher, portrayed by DeVaughn Nixon. Because of Fletcher’s desire to learn more about his mother’s bodyguard, the audience receives wisdom from Frank, along with clarity about why he is who he is. Fletcher’s curiosity of Frank is innocent and full of wonder, which presents the perfect counterpart to the dangerous and harsh reality of Frank’s career. These conversations between sweet and adorable Fletcher and tough and no-nonsense Frank kind of remind me of the conversations of Sarah and Eric from The Crow. The moments with Frank and Fletcher also allow the audience to take a break from the action and suspense The Bodyguard contains.

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The Soundtrack

While we’re talking about Whitney Houston, let’s discuss the soundtrack. In my first Sunshine Blogger Award post, I said Whitney’s songs are such a timeless addition to any playlist. In the case of The Bodyguard soundtrack, these songs perfectly showcase the vocal range Whitney is known for! Delivering half of the soundtrack’s songs, Whitney flawlessly masters three different genres. The tracks ‘Run to You’, ‘I Have Nothing’, and the classic ‘I Will Always Love You’ are presented as emotional ballads that amplify the scenes they’re featured in. Meanwhile, ‘I’m Every Woman’ and ‘Queen of the Night’ are sassy and energetic pop tunes that are somewhat reminiscent of the “get up and dance” feel of ‘I Wanna Dance With Somebody’. ‘Jesus Loves Me’ gives Whitney an opportunity to contribute to the world of gospel music by presenting a heartfelt, powerful melody. These six songs not only compliment Whitney’s singing abilities, but they also add to the album’s musical diversity.

The Bodyguard soundtrack boasts a total of twelve songs. Each track is a good representation of its respective genre. As I already mentioned, ‘I’m Every Woman’ and ‘Queen of the Night’ are sassy and energetic pop tunes. However, those are not the only pop songs featured on the album. Lisa Stansfield’s ‘Someday (I’m Coming Back)’ is a pop song that revolves around a finished relationship. Pop influences can also be heard in the rock song ‘What’s So Funny ‘Bout Peace, Love and Understanding’, sung by Curtis Stigers. ‘It’s Gonna Be a Lovely Day’, performed by S.O.U.L. S.Y.S.T.E.M., is a laid-back hip-hop track that is as straight forward as its title suggests. Another laid-back tune is ‘Even If My Heart Would Break’, an R&B song that features the vocals of Aaron Neville and the saxophone sounds of Kenny G. Alan Silvestri delivers on a theatrical score that carries a somber and serious tune. Finishing the soundtrack is Joe Cocker’s ‘Trust In Me’, which adds some country flavor to this strong album.

Since I own a copy of The Bodyguard soundtrack, I thought it would make sense to post a picture of it in this editorial. Screenshot taken by me, Sally Silverscreen.

The Kitchen Scene

In almost any action movie, there is that one scene audience members talk about long after the movie ends. It usually involves a lot of action, showing characters in an exciting battle of good versus evil. But there is a scene in The Bodyguard that, I feel, is the best scene from any action film. In what I call “the kitchen scene”, Tony, one of Rachel’s bodyguards, is upset over a miscommunication caused by Frank. In a fit of rage, Tony decides to take his frustrations out on Kevin Costner’s character. But he quickly realizes he made a big mistake. Throughout this scene, Kevin’s fight choreography is fast and filled with adrenaline. But he executes the clean choreography with precision and focus while maintaining a cool, collected composure.  Even though the kitchen is a smaller space, different parts of the kitchen are utilized. From Frank pinning Tony to the floor with a chair to Tony being thrown across the kitchen counter, the actors see the limited space given as a challenge instead of a hindrance. The best part of this scene is how there is no music or dialogue. This forces the audience to give their undivided attention to what is happening on-screen. While “the kitchen scene” is shorter in time length, it’s delivery is affective!

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Blending Several Genres

The Bodyguard consists of four genres: action, mystery, drama, and romance. On paper, it seems like there would be an overwhelming amount of content in this one story. In reality, however, these genres end up complimenting and working with each other instead of competing or clashing with one another. The 1992 film revolves around Rachel’s dilemma, which involves her life being threatened by an unknown perpetrator. While this mystery takes place throughout the movie, the audience is given enough clues, suspects, and possible motives to keep them invested in the mystery solving process. Action is sprinkled into the story to raise the stakes and keep viewers on the edge of their seat. As I mentioned earlier, the moments with Frank and Fletcher allow the audience to take a break from the action and suspense The Bodyguard contains. The drama among the Marron family and the romantic moments between Rachel and Frank are also placed in the story to give the audience time to breathe after scenes focusing on the mystery and action. In these moments, the audience learns more about the characters, as well as their motivations for making certain choices. The cycle of these four genres moves like an ocean’s wave, in ebbs and flows.

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Its Timeless Story

In the world of cinema, there are two types of film: those that are products of their time and those that stand the test of time. I can only speak for myself, but I feel The Bodyguard belongs in the latter category! Like I said in my previous point, this film consists of four genres. Instead of these genres coming together to create a convoluted narrative, the story ends up not being difficult to understand and follow. Even if you have seen The Bodyguard before, like I have, the script provides an intriguing plot, hilarious one-liners, and dialogue that is well-written, with these aspects of the film making your two hours of viewing worthwhile. Speaking of the plot, it is not defined by the time of its release. The assassination attempt against Ronald Reagan is mentioned on a few occasions. However, this is done to provide context to Frank’s part of the story. The romance between Rachel and Frank is based on the classic trope of opposites attracting. But the quality of the acting performances and on-screen chemistry make this concept work. While the film does contain heavier moments, they’re not too unbearable. This allows the movie to have a higher re-watchability rate.

The Umpteenth Blogathon banner created by CineMaven from Essays from the Couch.

While on a dinner and movie date, Rachel asks Frank how many times he has seen Yojimbo, a Japanese film from the early ‘60s. Frank responds by saying he has seen it a total of 62 times. While I’m not sure how many times I’ve seen The Bodyguard in my life, I found this quote to be such a coincidence, as I’m writing about the film for the Umpteenth Blogathon! Whether you choose to watch this movie for the first time or plan on re-visiting it, The Bodyguard is a movie that, in my opinion, still holds up. It is not only an exciting action flick paired with an intriguing mystery, but there are moments in this story that can make you think. While talking with Fletcher, Frank tells him that when someone is afraid, that means they care about something. Frank’s quote not only provides an interesting perspective on fear itself, but it also highlights the intent of my editorial. Why do we celebrate the birthday of a loved one? Why do we commemorate a holiday or important historical event? Why did I write about a film that was released thirty years ago? It’s because we care about those people, events, or films. Watching a movie for the “umpteenth” time is like spending time with a good friend. You may know every line by heart and how the story plays out, but the time well spent will always be cherished.

Have fun at the movies!

Sally Silverscreen

If you’d like to check out the other entries in the Umpteenth Blogathon, you can visit this link:

FOR THE UMPTEENTH TIME BLOGATHON

Take 3: Knives Out Review

On By 18cinemalaneLeave a comment

Over the past week, I thought about what my first movie review of 2022 would be. Was I going to select a title from my DVR or choose a film that has been recommended to me? I knew that whatever movie I picked, it was probably going to set the tone for the rest of the year. Well, I just saw the 2019 production, Knives Out. This is a movie I had heard of because of its mixed reviews. If I’m going to be honest, it was a film I was originally planning to avoid. A few years ago, I saw the 2017 adaptation of Murder on the Orient Express. Without spoiling the story, I will say the ending made me not like the film. When I heard about Knives Out, I assumed it was going to let me down like Murder on the Orient Express did. But is that what really happened? Keep reading, as I’m about to start my first movie review of the year!

Knives Out poster created by T-Street, Lionsgate, and MRC

Things I liked about the film:

Ana de Armas’ performance: When I watch a movie that features an ensemble cast, I sometimes look for the performance that stood out among the rest. In Knives Out, that performance came from Ana de Armas! A variety of situations can happen in a mystery story. Therefore, you need actors or actresses who will respond to those events through their acting talents. With Ana’s portrayal of Marta, she was able to express a wide range of emotions, showcasing how versatile her acting abilities are. One great example happens in a tense scene with Marta and a member of the Thrombey family. Because a traumatic situation happens during that scene, Marta responds by holding back a scream and trying to fight back tears. That emotional response helped Ana’s performance appear realistic!

The set design: Because the majority of Knives Out takes place at Harlan Thrombey’s house, I will focus on this location in this part of my review. Harlan’s house was one of the most impressive structures in film! The exterior adopted a Victorian style that boasted warm brown brick. But the house’s interior is where the set design shines! The winding staircase in the main foyer is paired with railings in a rich dark wood. Almost every crevice displays either a statue, souvenir, or book. This specific detail gave the space its own personality. Some of the windows showcased stained glass designs, with at least one bearing intricate images. There were even secret compartments! Harlan Thrombey’s house was truly any mystery writer’s dream!

Not showing a complete picture: Within the first half of the movie, the police question members of the Thrombey family, as well as people connected to the Thrombeys. When each character is sharing their side of the story, the audience gets to see what happened in flash backs. But it’s important to point out how each character’s perspective was different. When a situation happens, whether real or fictional, there are various sides of that story. That causes the overall picture to not be complete, no matter how many perspectives are shared. For Knives Out, this part of the script felt realistic. It reminds the audience how they don’t always receive a complete narrative, especially since they weren’t present during the actual event.

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What I didn’t like about the film:

Little to no interactivity: I, personally, like mystery films where the story allows the audience to solve a case alongside the characters. But Knives Out had the same flaw Sherlock Holmes in New York did: featuring little to no interactivity in the script. In the first half of the film, the story is exposition-heavy. Along with character backstories and flash backs explaining what happened, the story reveals “whodunit”. Since all this took place within the movie’s first half, it felt like the screenwriter spoon-fed the information to the viewers instead of letting them figure things out. While there is a twist toward the end of the film, I feel it would have been more effective had the rest of the story allowed the audience to participate in the mystery.

The Thrombey family’s dysfunctionality: Stories featuring family dysfunctionality can be hit or miss. They can either be heart-warming and somewhat silly, like the television show, The Middle, or painfully unenjoyable, like the Hallmark Hall of Fame film, Back When We Were Grown-Ups. In the case of Knives Out, the Thrombey family’s dysfunctionality was somewhere in between. I understand this was meant to create tension among the characters and provide them with possible motives. However, there were times when the dysfunctionality was overbearing. It got to the point where it not only overshadowed the mystery, but some parts of the story felt like they belonged in a drama. In my opinion, I think some of this dysfunctionality should have been toned down.

Weaker characters: In my list of the top ten worst movies I saw in 2021, I talked about how I didn’t like Raising Arizona. Two of my reasons were a) the characters were not charming or likable enough to make their dysfunctionality tolerable for the audience and b) the characters were one-dimensional and uninteresting. Knives Out’s Thrombey family experienced a similar flaw. These characters lacked depth, as they were each defined by one aspect. It also didn’t help how they were so similar to one another. All of the older family members were successful to varying degrees. Meanwhile, the younger family members simply enjoyed the fruits of their parents’ or grandparents’ labor. Because the characters were weak, the dysfunctionality was less tolerable for the audience, as the characters weren’t able to make up for that.

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My overall impression:

Mysteries are one of the most popular genres on 18 Cinema Lane. The creativity and intrigue found in this genre make these types of stories interesting. Speaking of interesting, I find it such a coincidence how Knives Out is the first movie I reviewed in 2022. The reason is Crossword Mysteries: Abracadaver was the first film I wrote about in 2020, written on January 8th. But I did not enjoy Knives Out as much as the Hallmark Movies & Mysteries title. One of the issues lay in the story’s little to no interactivity, as I felt like I was just watching characters do things. While the mystery itself contained interesting components, such as not giving the audience a complete picture of what happened, it could have been stronger. The Thrombey family’s dysfunctionality also could have been toned down. But there were parts of Knives Out I did like, such as Ana de Armas’ performance and Harlan’s house. With that said, I thought the movie was ok.

Overall score: 6 out of 10

Do you like watching mystery films? If so, are there mystery movies you’re looking forward to seeing? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

The Top 10 Best Movies I Saw in 2021

On By 18cinemalaneLeave a comment

Like I said in my list of the worst movies I saw in 2021, this year is a little different. Since 2018, most of the movies on my best list have been those I have reviewed. But a few titles on those lists weren’t covered on my blog. 2021 is the first year where every film on my best list has been reviewed on 18 Cinema Lane! It should also be noted how each of these titles were either blogathon entries or Blog Follower Dedication Reviews. Therefore, I will include a link to each of these reviews on my list! As I said in my worst movies of 2021 list, I saw several films this year that I liked. This article is reflective of those feelings. But unlike my aforementioned list, there will be Honorable Mentions. So, with that said, let’s end 2021 on a high note with the top ten best movies I saw in 2021!

Honorable Mentions

Cape Fear (1962), Bathing Beauty, Aurora Teagarden Mysteries: Til Death Do Us Part, Elizabeth Is Missing, and The Girl Who Spelled Freedom

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10. Poisoned in Paradise: A Martha’s Vineyard Mystery

Hallmark Movies & Mysteries’ Martha’s Vineyard Mystery series is a newer story that began last year. Despite how young this series is, it has grown over the course of four movies! This chapter not only recognizes its strengths, but also improves on some of the previous movies’ mistakes. Giving equal focus to the main and side mysteries is one example. Speaking of the mysteries, the overarching story was intriguing and engaging. There were even new characters added to this film I wanted to know more about. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Jeff’s story didn’t receive a lot of development. With this and everything else said, I hope this series continues in 2022!

Take 3: Poisoned in Paradise: A Martha’s Vineyard Mystery Review + 360, 365, 370, and 375 Follower Thank You

9. A Star Is Born (1937)

In my three (soon to be four) years of movie blogging, I never thought I’d ever see any version of A Star Is Born. But now that I have seen the original from the ‘30s, I can honestly say it was better than I expected! The story’s honesty about the entertainment industry and maturity toward heavier subjects was such a surprise. What was also a surprise was the use of mixed-media throughout the film, as it was ahead of its time. Even though A Star Is Born was released toward the beginning of the Breen Code era, it highlights the quality storytelling that came from this period in time. With the constant changes in the entertainment landscape, as well as technology, I can kind of see why this story has been remade on more than one occasion.

Take 3: A Star Is Born (1937) Review

8. The King and I (1956)

In 2021, there is at least one movie from the ‘50s on my best and worst movies list. But since I already talked about I Dream of Jeanie and The Trap, it’s time for The King and I to shine! This was the first time I had seen this version of the story in its entirety. Despite that, I found the film to be quite enjoyable! It is a good looking and sounding film, with the costume design, musical numbers, and set design building an aesthetically pleasing picture. The most memorable part of the movie was Tuptim’s interpretation of Uncle Tom’s Cabin! As I said in my review, it served as a good example of how everyone can view a text differently. The scene itself was more interesting than I expected.

Take 3: The King and I (1956) Review

7. Holly and Ivy

Because Hallmark creates so many Christmas movies, it can sometimes feel like they blend together. However, that is not the case for Holly and Ivy! What helps this title stand out is showing realistic characters dealing with realistic situations. This is quite different from those Hallmark pictures where the conflict either revolves around returning to a small town, saving a beloved establishment, or planning a major event. The emotional balance within this story added to my enjoyment of the picture. It never felt like the creative team was trying to emotionally manipulate me or force a reaction out of me. Looking back on the few Christmas films I reviewed this year, I can say with all honesty that Holly and Ivy was the best one!

Take 3: Holly and Ivy Review

6. Rigoletto

In my opinion, Rigoletto is to Beauty and the Beast what Ever After: A Cinderella Story was for Cinderella. What I mean by this is Rigoletto does an effective job at executing a non-magical version of Beauty and the Beast! Even though there have been musical versions of this particular story, such as the 1991 animated production from Disney, the 1993 film chose music as one of the story’s themes. This was an interesting choice, as it showed the audience the talent and skill it takes to be a good singer. Another interesting choice was the story taking place during The Great Depression. As I said in my review, this creative decision helped the film achieve its own identity.

Take 3: Rigoletto Review + 350 and 355 Follower Thank You

A Star Is Born (1937) poster created by Selznick International Pictures and United Artists

5. Sincerely, Yours, Truly

This is the first year an UP Network movie has appeared on any of my best lists! While Sincerely, Yours, Truly does contain a similar story to those found on Hallmark Channel, it makes up of that in genuineness and sincerity. The movie also presented interesting ideas, such as a grant proposal process and avoiding the “it’s not what you think” cliché. The on-screen chemistry and witty banter between the lead actor and actress definitely added to my enjoyment of this film! I don’t know what’s in store for UP Network in 2022. But I hope they continue to release quality productions like Sincerely, Yours, Truly!

Take 3: Sincerely, Yours, Truly Review + 295, 300, 305, 310, and 315 Follower Thank You

4. Perry Mason: The Case of the Telltale Talk Show Host

This entry in the Perry Mason movie series is one of the most memorable titles! One of the reasons why was the titular talk show host. Featuring real life talk show hosts in this story was a good idea. Having them portray talk show hosts on the radio was an even better idea, especially since some of those hosts had their own television show. That creative decision gave them new material to work with. The engaging nature of the mystery, where the outcome unfolds as the story goes on, maintained a steady amount of intrigue. This served as another way Perry Mason: The Case of the Telltale Talk Show Host stood out in the mystery genre!

Take 3: Perry Mason: The Case of the Telltale Talk Show Host Review + 290 Follower Thank You

3.  The Love Letter

Over the years, I have enjoyed finding and watching Hallmark Hall of Fame movies from years, even decades past. Sometimes, there are hidden gems that can be discovered. 1998’s The Love Letter is one of those gems! Unlike Chasing Leprechauns, the creative team behind the Hallmark Hall of Fame title found a way to allow the realistic and whimsical aspects of the story to co-exist. In fact, the whimsical part of the movie is what made the project one of the most unique in Hallmark Hall of Fame history! The film does contain the elements you’d usually find in a production of this nature, such as historical accuracy. But that just adds to the strength of The Love Letter!

Take 3: Hallmark Hall of Fame’s The Love Letter Review

2. The Three Musketeers (1948)

Isn’t it interesting how another Gene Kelly movie made it to my best list’s top three? Despite the weird coincidence, I did enjoy this version of The Three Musketeers! There was so much about this project I liked, from the strength of the ensemble cast to the stellar fight choreography. However, the best part of the film was how much detail went into it. This can be seen in the set design and costumes, where research and care are also reflected. While I still haven’t gotten around to reading the novel this movie is based on, The Three Musketeers was definitely an entertaining story!

Take 3: The Three Musketeers (1948) Review

1. The Karate Kid (1984)

When it comes to the world of cinema, nothing beats the classics! The timelessness of 1984’s The Karate Kid allows the film to have a strong rate of re-watchability. The film’s story also contained ideas and messages that caused me to think, which is not something I’d expect from a sports movie. As I write this list, Mr. Miyagi’s words immediately come to mind. Whether it’s the famous “Wax on, Wax off” quote or his wisdom about karate, these words not only help The Karate Kid remain a memorable picture, but also give the audience something to apply to their lives. Add some exciting karate sequences and you have a solid film that has stood the test of time!

Take 3: The Karate Kid (1984) Review (Olympic Dreams Double Feature Part 1)

The Karate Kid (1984) poster created by Delphi II Productions, Jerry Weintraub Productions, and Columbia Pictures

Have fun in 2022!

Sally Silverscreen

The Top 10 Worst Movies I Saw in 2021

On By 18cinemalaneLeave a comment

When it comes to my best and worst of the year lists, 2021 is a little different. For one, this is the first year where I don’t have any Dishonorable Mentions. This is because I didn’t see enough movies to justify having this portion on the list. For another, my list has the least number of movies that were “so bad they were bad”. The reason is most of the films on this year’s list were disappointments. When I look back on my movie viewing in 2021, I feel most of the titles I saw and/or reviewed were either ok or fine/decent. Sure, I did see several films I liked. But some of those will be discussed on my best of the year list. Speaking of lists, let’s start counting down the top ten worst movies I saw in 2021!

Two disclaimers:

  1. As I’ve said in past lists, I did not write this list to be mean-spirited or negative. It’s simply a way to expressive my own, honest opinion.
  2. Some of the movies on this list have been reviewed on my blog. I will include a link to my reviews of these films.
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10. I Dream of Jeanie (1952)

This movie made me wish I had saved an hour and twenty-nine-minutes by reading Stephen Foster’s Wikipedia page. For a “biopic”, I Dream of Jeanie wasn’t very informative. While I did learn a few things, the story didn’t capture an almost complete picture of the famous composer. It also showcased him in a not-so-favorable light. Because he was portrayed as a desperate push-over, Stephen was a character that exuded sympathy to the audience. What did not help was how the film placed more focus on other characters and events as well, such as the oh so annoying Edwin P. Christy. Speaking of Edwin, this movie would be called “The Edwin P. Christy Show” if given an honest title.

Take 3: I Dream of Jeanie (1952) Review

9. Country at Heart

This movie is notorious among the Hallmark fans for having more than one release date between 2019 to 2020. Too bad it wasn’t worth the wait. What could have been an interesting story turned out to be another tale of a woman from the city coming back to her small hometown. This is also one of those films where the protagonist says they are going to do something, but ends up spending most of the movie not doing the aforementioned thing. Country at Heart’s biggest flaw, though, lay in the singing abilities of the main character, Shayna. Throughout the story, Shayna’s talents were treated as if she were the next great undiscovered talent. But, in reality, her talents were, at best, fine. I don’t know if Jessy Schram sang in the movie or if there was a singing double. However, this part of the film dissuaded me from buying what the movie was selling.

8. The Trap (1959)

What a weird coincidence for another movie from the ‘50s to end up on my worst list. Even though The Trap is classified as a drama, the creative team placed more emphasis on the drama within the story. When you have gangsters in your film, this is not the genre you want to place your movie in. Since my warning came way too late, the 1959 title was a boring combination of a Suddenly rip-off and a road trip picture. Adding insult to injury, the excitement and action you’d expect from a gangster film was so far and few between. I’m honestly surprised I didn’t fall asleep during this movie, as I wanted to on more than one occasion.

Take 3: The Trap (1959) Review

7. Jane Doe: Ties That Bind

It is possible to make a good movie revolving around a debate. The Hallmark Hall of Fame film, Sweet Nothing in My Ear, is a beautiful example of this. With Jane Doe: Ties That Bind, however, adding a debate to a mystery story doesn’t work. This is because it goes against the very nature of the mystery genre, which emphasizes finding a concrete resolution to the story’s conflict. Unfortunately for the 2007 movie, a debate was the most focused part of the script. Because of that decision, the debate overshadowed the mystery itself. When everything was said and done, the debate wasn’t resolved. If I could summarize this film in one meme, it would be the one where the woman asks “You did this for what”?

6. Hometown Hero

It’s a shame that not one, but two PixL movies ended up on my list, especially since I rarely talk about their films on my blog. The reason why Hometown Hero is considered one of the worst movies I saw this year is because of how bland it was. This caused me not to care about any of the characters or their stories. It also doesn’t help that the main actor and actress had such weak on-screen chemistry, it felt like their characters were becoming good friends instead of romantic significant others. Similar to what I said about choice number seven, I would choose the meme of the woman asking “Where’s the flavor”? if I needed to summarize Hometown Hero in one meme.

I Dream of Jeanie (1952) poster created by Republic Pictures

5. The Price of Fitting In

Lifetime has an infamous history of creating PSA/“after school special”/cautionary tale movies, which cover a variety of serious, real world subjects. When I came across this 2021 title, I was curious to see what new topics and issues would be discussed in this film, especially considering it’s been a long while since Lifetime created a movie of this nature. But unlike the network’s other PSA/“after school special”/cautionary tale productions from decades past, The Price of Fitting In suffers from an identity crisis. The script spends the entire movie trying to figure out what type of story it wants to adopt. This led several parts of the narrative to either be underdeveloped or unresolved. The Price of Fitting In does recognize how a robotics team can experience similar peer-related situations like other extracurriculars, so I’ll give the movie credit where it’s due. I just wish that idea had belonged in a better film.

4. Raising Arizona

The best way to describe how I feel about this movie is by using an analogy: You’re listening to someone tell a joke. But when it’s time to deliver the punchline, that person forgets what it is. So instead, they either try to come up with a new punchline on the spot or they attempt to figure out what the original punchline was.  In Raising Arizona, the comedic moments lasted so long, the punchline got lost in translation. Some of the jokes didn’t make sense because of this. The characters were not charming or likable enough to make their dysfunctionality tolerable for the audience. If anything, they were one-dimensional and uninteresting. The only part of the movie that prevented me from DNFing (did not finish) it was Leonard Smalls. He was such a mysterious and intriguing character, that I wish I watched a movie about a character like Leonard.

3. Durango

As I said in my review from July, Hallmark Hall of Fame’s Durango is “the first western set in Ireland”, according to IMDB. For the first of its kind, it was a step in the wrong direction. Stories in the western genre are known for having higher stakes, giving the audience an excuse to stay invested in the characters’ well-being. Durango didn’t get that memo because most of the stakes were so low, the characters’ plans worked out too perfectly. Despite never reading the book this Hallmark Hall of Fame title is based on, I can tell how weak this script was. What was also weak was Matt Keeslar’s performance and his on-screen chemistry with Nancy St. Alban. Watching this movie on Hallmark Drama was a blessing in disguise. I may not have saved some time, but at least I saved some money.

Take 3: Hallmark Hall of Fame’s Durango Review

2. Chasing Leprechauns

Yet another Hallmark movie set in Ireland joins the list. Since the network doesn’t create many St. Patrick’s Day themed movies, it is frustrating when a story relating to this particular holiday doesn’t stick the landing. With Chasing Leprechauns, the creative team wanted to include a whimsical element without making the movie too whimsical. Like I said in my review of the 2012 film, those involved with the project wanted to have their cake and eat it too. When I look at the movie’s poster, it feels like false advertising. For one, Chasing Leprechauns is a drab looking picture, not the lush, green paradise the poster wants you to believe. For another, there are no leprechauns in the story, despite the word ‘leprechauns’ being in the title. Hallmark is known for releasing some of their movies on DVD. As far as I know, Chasing Leprechauns was never made available for purchase. Maybe its poor quality is the reason why?

Take 3: Chasing Leprechauns Review

1. The Cookie Mobster

Remember when I said there were two PixL movies on my worst list? Well, The Cookie Mobster is the second film. For those who are not familiar with PixL, this is an entertainment company that typically creates “rom-coms” similar to those on Hallmark Channel. Because of that, this 2014 film was way too ambitious for the company’s own good. The light-hearted tone of the scouting troop’s story and the darker tone of the former gangster’s story ended up clashing with each other. Adding to that, the screenwriters didn’t display an understanding for several of the movie’s subjects. The weak script caused me to question the story’s validity, which took away any opportunity for me to stay invested in the story. The more I think about The Cookie Mobster, the more I wish it had been created by INSP or Hallmark Movies & Mysteries.

Since I’m talking about Durango again, I’m re-posting my screenshot of the film’s poster. Screenshot taken by me, Sally Silverscreen.

Have fun in 2022!

Sally Silverscreen

Take 3: Sherlock Holmes in New York Review

On By 18cinemalane16 Comments

As of late 2021, there have been six actors who have portrayed one of the most iconic characters in cinematic history. Despite the fact I’m reviewing a Sherlock Holmes movie, the role I’m referring to is James Bond. Now, you’re probably wondering, “what does James Bond have to do with Sherlock Holmes”? Besides being British, both characters were portrayed by Roger Moore. When I was invited by Gill, from Realweegiemidget Reviews, to join the You Knew My Name: The Bond Not Bond Blogathon, I had to think about what film I wanted to write about. When I discovered Roger Moore starred in a Sherlock Holmes movie back in 1976, I thought it’d be an interesting title to cover. While I have reviewed my fair share of mystery films, including those that were made for television, I haven’t seen a lot of Sherlock Holmes related movies. Therefore, talking about Sherlock Holmes in New York will certainly make up for that!

Sherlock Holmes in New York created by 20th Century Fox Televison, NBC, and Ascot Elite Home Entertainment

Things I liked about the film:

Roger’s portrayal of Sherlock Holmes: While I haven’t seen any of Roger Moore’s films from the James Bond franchise, I have seen his performance in the 2011 Hallmark Channel movie, A Princess for Christmas. From what I remember, Roger carried his character, Edward Duke of Castlebury, with class and dignity. These same qualities were present in his portrayal of Sherlock Holmes. During Sherlock Holmes in New York, I could see some James Bond-esque qualities in the titular character. Roger’s ability to be suave as well as calm under pressure are just two examples. At certain moments in the story, Sherlock interacts with a woman named Irene Adler. Because there is history between these characters, Sherlock and Irene’s interactions contain a romantic flair. This is where the suaveness comes in, as Roger uses this to emphasize his on-screen chemistry with Charlotte Rampling. At the very beginning of the film, Sherlock faces off against Professor Moriarty. In this scene, Moriarty tries to hurt Sherlock at every chance he gets. But Sherlock never cracks under pressure. Instead, he consistently keeps his composure.

The historical accuracy: Recently, I reviewed the movie, Let Him Go. In that review, I talked about how the set design appeared to come from the ‘50s, despite the story taking place in the ‘60s. This caused the film’s time period to be unclear. Sherlock Holmes in New York takes place in March of 1901. Unlike Let Him Go, everything in the 1976 movie looked and felt like the 1900s! The costume design appeared historically accurate, with Sherlock Holmes’ outdoor wear serving as one example. Toward the beginning and end of the film, Sherlock sported the iconic plaid short cape and cap. But in New York, he wore a longer black cape and top hat. The historical accuracy was so on point, even the posters in The Empire State looked like it came from 1901. The font and basic design of these posters were just one detail that helped this movie’s creative team achieve the aesthetic they wanted for their project!

The presentation of New York City: When a movie or television show takes place in a beloved location, that place can be presented in two ways: an over-glamourized empire or a disgusting landscape covered by a glittering mask. With Sherlock Holmes in New York, the titular city was given to the audience “as is”. Even though the more polished areas of this destination could be seen, that was not the “end all, be all” in the story. In a handful of scenes, Sherlock Holmes explores the performance community of New York. He even goes undercover as a stage performer. The Big Apple is known for being one of the world’s entertainment hot-spots. While that part of this location was not emphasized, it did show some of the different components of one of America’s largest cities.

The You Knew My Name: The Bond Not Bond Blogathon banner created by Gill from Realweegiemidget Reviews

What I didn’t like about the film:

A pointless change of scenery: When a movie or television series chooses to change the location of their story, there needs to be a strong reason for that change. These reasons can range from expanding upon the overarching story to giving the protagonist(s) something interesting to do. With Sherlock Holmes in New York, though, none of these things happened. As a matter of fact, having Sherlock Holmes go to New York at all seemed unnecessary. If the mysteries in this film took place in England, it wouldn’t make much of a difference. That’s because none of the mysteries have any exclusive connection to New York itself. Having Sherlock solve the disappearances of immigrants from Ellis Island would have given him a stronger reason to be in New York, as Ellis Island is a part of New York and United States history. A child being kidnapped or a bank robbery can take place anytime and anywhere.

Not interactive enough: An appealing aspect of the mystery genre is the opportunity to solve the mystery alongside the protagonist. This allows the story to be interactive and engaging. I know one of Sherlock Holmes’ traits is his ability to figure out clues and possible scenarios in a short amount of time. But in Sherlock Holmes in New York, Sherlock figures things out so quickly, the audience doesn’t get a chance to engage with the mystery themselves. Instead, they’re forced to sit on the sidelines and watch the protagonist do everything, giving the audience a weak reason to stay invested in the story. Because of this, I found myself zoning out of the movie on a few occasions.

Lack of urgency: When a mystery takes place in current time, it gives that story a sense of urgency. The audience watches as the protagonist(s) races against the clock to solve a given mystery. While I won’t spoil Sherlock Holmes in New York, I will say a kidnapping takes place in the story. However, shortly after this crime takes place, Sherlock plays his violin in his hotel room. He then smokes his pipe all night. As I mentioned earlier, Sherlock Holmes is known for figuring out clues and scenarios in a short amount of time. That doesn’t give the story an excuse not to have urgency.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

There was a time when having a movie take place in New York was the film’s selling point. From Friday the 13th Part VIII: Jason Takes Manhattan to A Troll in Central Park, movie studios wanted to take a bite out of The Big Apple for one reason or another. While I don’t know where or why this trend started, Sherlock Holmes in New York may have been one of the movies that caused this interesting ripple effect. Too bad the titular character didn’t have a stronger reason to visit The Empire State. The idea of Sherlock Holmes solving a mystery outside of England is not a bad one. But with the 1976 movie, the idea was better in theory than in practice. Add weak interactivity and a lack of urgency, this movie is not as strong as The Case of the Whitechapel Vampire, a Sherlock Holmes film I reviewed back in 2018. However, I did like Roger Moore’s portrayal of the famous detective. In fact, it’s a shame he didn’t receive more opportunities to appear in Sherlock Holmes stories. With this review completed, I need to make the time to see Roger’s films from the James Bond franchise. I just have to find the perfect opportunity to talk about them.

Overall score: 6-6.1 out of 10

Have you seen any Sherlock Holmes or James Bond films? If so, which one is your favorite? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Emil and the Detectives (1964) Review

On By 18cinemalane5 Comments

November’s Genre Grandeur focuses on Live Action Disney Films. Since I happen to have a few movies of this nature on my DVR, I had some options for this month’s event. I also wanted to participate in Taking Up Room’s Distraction Blogathon. Because “red herrings” and “dangling carrots” are a part of the movie distractions subject, I decided to review one film for both events; the 1964 title, Emil and the Detectives. Before both blogathons, I had this movie on my DVR for two years. The intention to review the film was there, but I hadn’t gotten around to writing about it. With these aforementioned events, I now have an excuse to finally talk about Emil and the Detectives! So, find a comfy seat and grab your magnifying glasses, as I’m about to review this 1964 live-action project from Disney!

This poster for Emil and the Detectives is a screenshot from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The camaraderie among the younger characters: When a story features a group of young characters who either are friends or become friends, the camaraderie between those characters needs to feel believable, especially if the story primarily revolves around them. With this movie, that camaraderie among Emil and the Detectives was definitely genuine! In the scene where Emil meets Gustav, the leader of the Detectives, the connection between these characters is strong, despite them having never met before. As Emil meets the rest of the Detectives, it feels like these group of boys have been friends all along. The strong camaraderie works with this story, as it gives the audience a reason to stay invested in the journey of the characters. The fact each character has their own distinct personality also works in the characters’ favor, as it allows each one to bring something different to the table. The acting performances and the script add to the strength of the characters’ camaraderie, as it makes the interactions between these characters look and feel realistic!

The German backdrop: Thinking about live-action Disney films from this time-period/era, Germany wouldn’t immediately come to mind for me when it comes to a movie’s setting. Even though this studio has created projects with interesting settings, such as The Moon-Spinners, these titles seem like exceptions to the rule. Emil and the Detectives not only takes place in Germany, but was also filmed there as well. While the story’s setting is the city, some of the buildings possess an old-world charm. The apartments displayed wood and brick styles, carrying a more vintage appearance than their more contemporary counterparts seen today. The details of these apartments were also very distinctive. When Pony meets one of the Detectives, her grandmother’s apartment door boasts a rich dark wood. A small stained-glass window and a gold mail slot can also be seen, emphasizing the antique fixtures of yesteryear. Toward the end of the film, the story takes place in an abandoned structure in ruin. Not only was the structure itself impressive, but it served as a reminder of the state of Germany post World War II. Because this film was released nineteen years after the end of World War II, it shows how these characters are not that far removed from this real-life event, providing a sense of realism to the story.

An introduction to the Film Noir genre: Back in 2018, I reviewed the 1978 Disney production, Return from Witch Mountain. In that review, I said the film and its predecessor, Escape to Witch Mountain, would be good introductions to the Science-Fiction (Sci-Fi) genre. Emil and the Detectives is also a good genre introduction, but to the Film Noir genre this time. While this film is not dark and gritty, the elements of Film Noir are certainly present. One great example is the character of Gustav. When a Film Noir story includes a detective, that character will usually have a strong, magnetic personality. This shows the audience this character can be trusted and is also approachable. Gustav is a charismatic child. Even though he is nowhere near perfect, solving any case is always his number one goal. He also displays strong leadership skills, such as helping the other Detectives use their skills to the case’s advantage. Despite being a child, Gustav is somewhat reminiscent of other detectives from the world of Film Noir, such as Philip from The Big Sleep.

The Distraction Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Limited number of German accents: During the film’s opening credits, German-sounding names were shown on-screen. These opening credits also state Emil and the Detectives was filmed in West Berlin (a term very much of its time). So, I was expecting the majority of the characters to carry German accents. To my disappointment, the only characters using German accents were the adults. The younger characters spoke in either American or British accents, a creative decision I found somewhat jarring. I’m not going to fault the younger actors too much, especially since they were so young when they participated in this project. However, it does make me wonder why the movie’s creative team chose to set this story in Germany if they weren’t able to find actors who could pull off a German accent?

Weaker villains: There are three ingredients to making a stand-out villain: a unique appearance, a strong personality, and a memorable motive. While the Skrinks, the villains of Emil and the Detectives, possess two of the ingredients, they lack the latter: a motive. In one scene, the Skrinks are impressed by how one of the villains, The Mole, escaped from East Berlin by digging a tunnel under the Berlin Wall. But The Mole’s reason for wanting to escape from East Berlin is never revealed. Throughout the film, the Skrinks are attempting to rob a bank. Once again, the reason for committing this crime is not mentioned by any of the villains. The omission of these motives prevent the Skrinks from standing out among other villains from live-action Disney films.

Pony’s under-utilized talents: One of the younger characters, Pony, is interested in writing and journalism. She follows Emil and the Detectives because she wants to write about the Skrinks’ crime for her school’s newspaper. But, throughout the film, the audience doesn’t get to see Pony using any of her writing/journalistic skills. This is a shame because we do get to see the talents of the Detectives. For example, one of the boys happens to be talented in art. Therefore, his talents are used to create an artist’s rendition of one of the villains.

Map of Germany image created by Macrovector at freepik.com. Background vector created by macrovector – www.freepik.com. Image found at freepik.com.

My overall impression:

1964’s Emil and the Detectives is certainly one of Disney’s more unique, interesting projects. On the one hand, it kind of feels like a Disney production. The way two of the Skrinks are captured contains that “Disney magic” you’d expect from one of their stories. But, on the other hand, it kind of doesn’t feel like a production from Disney. That’s because the Detectives assume child-appropriate versions of actions and choices usually adopted by grown-ups. A perfect example is when Emil and one of the Detectives eat chocolate cigarettes as they wait for a phone call from the rest of their group. As I said in my review, Emil and the Detectives is a good introduction to the Film Noir genre, especially for younger viewers. Some of the genre’s elements are present, but the humor and light-heartedness prevent the story from becoming too dark. I can’t believe this movie has been sitting on my DVR for two years. While I always intended to review this picture, I’m glad I found the perfect opportunity to finally talk about it!

Overall score: 7.3-7.4 out of 10

Have you seen Emil and the Detectives? Are there any lesser known, live-action Disney films you’d like me to check out? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Word On The Street: Has Daniel Lissing’s Role on ‘When Hope Calls’ Been Revealed?

On By 18cinemalaneLeave a comment

Earlier this week, it was announced that Daniel Lissing, When Calls the Heart alumni, will appear in the GAC Family Christmas special, When Hope Calls: A Country Christmas. The Christmas special will mark the start of a second season for When Calls the Heart’s spin-off, When Hope Calls. At the time of the initial announcement, Daniel’s role wasn’t revealed. But according on an article from CinemaBlend, it looks like the beans may have been spilled. CinemaBlend’s Jessica Rawden recently wrote about Daniel’s return to the When Calls the Heart universe. In the article, Jessica wrote how “his character Jack will be appearing along with Abigail on the small screen”. As of October 2021, we don’t know how accurate this statement is. Even if Daniel is portraying Jack again, we don’t know what the character’s significance will be in the story. Jessica also writes how “fans of the two Hallmark shows will learn more about Daniel Lissing’s When Hope Calls gig sometime on October 11”. If there is any truth to this statement, we could be hearing news about this particular development very soon.

Here’s the link to the aforementioned article:

https://www.cinemablend.com/television/erin-krakow-shares-new-post-as-when-calls-the-heart-spinoff-brings-in-lori-loughlin-and-one-more-returning-character

Mountie face image created by Bakar015 at freepik.com. <a href=’https://www.freepik.com/free-vector/a-set-of-canada-icons_1050671.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/food”>Food vector created by Bakar015 – Freepik.com</a>. Image found at freepik.com.

A trailer for the new Signed, Sealed, Delivered film, Signed, Sealed, Delivered: The Vows We Have, has been posted on Hallmark Movies & Mysteries’ home page. The trailer emphasized Shane and Oliver’s wedding, with the second half of the trailer briefly explaining the mystery surrounding a missing letter. This piece of marketing highlights an issue I’ve had with this particular series. In my review of the previous entry, Signed, Sealed, Delivered: To the Altar, I said there was an imbalance between the story of the POstables and the film’s main mystery. Based on this trailer, it looks like the Signed, Sealed, Delivered series is approaching the new story in the same way as before. I hope this new movie is better than Signed, Sealed, Delivered: To the Altar. For now, I’m going to keep my expectations low.

Here’s the link to the aforementioned trailer:

https://www.hallmarkmoviesandmysteries.com/signed-sealed-delivered-the-vows-we-have-made/videos/preview-signed-sealed-delivered-the-vows-we-have-made

Wedding couple image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-wedding-invitation-with-happy-couple_1259848.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding vector created by Freepik</a>. Image found at freepik.com.

In an article from Heavy, Stephanie Dube Dwilson wrote about the possibility of a Chesapeake Shores movie. The Executive Producer of the show, Daniel Paulson, expressed interest in creating a movie surrounding the series. Daniel said, “I’d be happy to do holiday or specials for them” and “maybe if the fans speak up and let that be known, we could do one”. According to the article, the show’s Facebook page stated back in August “as soon as we have more information, we will be sure to share it”, referring to the fruition of a movie. Personally, I think the show’s creative team is waiting until news of a sixth season is announced. As of October 2021, a sixth season for Chesapeake Shores has not been greenlit or denied. We also don’t know how the eighth season will end.

Here’s the link to the aforementioned article:

‘Chesapeake Shores’ Executive Producer Reveals Spinoff Movie’s Fate
Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

What are your thoughts on these movie news stories? Which story interests you the most? Share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen

Evenings At The Shore: There’s An App For That

On By 18cinemalaneLeave a comment

While preparing for their hiking trip, Thomas talks about the different apps that are on his phone. Even during the trip, Thomas uses an app that will record his voice and document information. As I write this re-cap, I just realized that television shows are similar to apps. There’s an abundance of them, sometimes feeling like too many. Prices also vary, some shows becoming free with a cable or dish plan. Other shows might cost extra due to their existence on a streaming service or a premium channel. At the end of the day, what matters most is if a television show is going to pull through for you. There are always reviews to read, just like apps, that can help sway an opinion. Accolades, like awards and records, can also serve as a deciding factor. But you are the only person who can ultimately make that choice.

Just a reminder: If you did not see this episode of Chesapeake Shores, there are spoilers in this re-cap.

Chesapeake Shores Season 5 poster created by Crown Media Family Networks and Hallmark Channel.

Season: 5

Episode: 4

Name: Happy Trails

Abby’s story: Abby is constantly receiving phone calls from Evan. While he only appears in one scene, Evan tells her he is now considering a brewery should be placed in a different location. For most of this episode, Abby is trying to find a building plan for a client named Mr. Chang. According to her, if she can’t find this building plan, the project can’t move forward. She asks Connor to help her find these documents, even offering to buy him dinner. Over the weekend, Connor meets Abby at the O’Brien firm. Because the aforementioned business plan was recorded in 1988 and digitized in 2000, it is located among the other paper files in the storage room. While sifting through these files, Connor finds one with the date of his 7th birthday; March 11th, 1999. He recalls how it was his best birthday, as that is when the O’Brien family went to Walt Disney World. Both Abby and Connor come to the realization that Dilpher must have forged Mick’s signature on the March 11th file. Back at the O’Brien family home, Connor and Abby find a photo from the Disney World trip, proving Mick was out of town that day.

Mick’s story: Mick and Thomas prepare to embark on their hiking trip through the Appalachian Trail. While Mick chooses to rely on a paper map, Thomas primarily utilizes his smart phone. During the hike, they reminiscence over several subjects, such as getting older and how their father treated them. When the brothers find the boulder they believe is in their photograph, Thomas tumbles down the side of the trail. In an attempt to save Thomas, Mick tumbles down as well. Mick is unscathed, but Thomas receives a sprained ankle. But when Mick tries to climb back up the trail’s side, he ends up with a minor shoulder injury. Mick thinks up a plan to create a pulley system. However, Thomas finds a path up the trail, helping both of them get back on track. Toward the end of their trip, they meet two younger hikers. These hikers help Thomas walk more comfortably. They also take Mick and Thomas’ picture, after the brothers find their boulder.

Connor’s story: After another successful day at the firm, Connor is invited to share cocktails with a fellow lawyer named Bob. During this get-together, Bob and Linda ask Connor questions about his work experience at his father’s firm. Refusing to answer these questions, Connor says by asking those questions, Bob and Linda are crossing a moral line. While working on a Saturday, Margaret warns Connor not to put important files inside his desk. This is because keys can not only be copied, but Margaret also makes a reference to the “firewall” surrounding Connor. Connor tells Abby about how he feels paranoid at work, almost like he is being spied on. He even suspects one of the O’Brien firm’s inspectors of being a suspicious character.

Interior image of detective’s office created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

Kevin’s story: At the fire station, Kevin and the firefighters try Captain Gahagan’s chili recipe. This meal ends up being too spicy for anybody’s liking. Kevin notices the Captain has not only called him “Carl” again, but that he also put baking soda in the recipe. As Kevin’s concerns continue to grow, Sarah reveals she had a firefighting partner named Carl, but he passed away on the job. She suggests to Kevin that he might remind Captain Gahagan of Carl. Later in the episode, Captain Gahagan is struggling to find his keys. Kevin helps in the search, finding the keys in the fridge. The next day, he addresses his concerns to the Captain. Captain Gahagan tells Kevin he is seeing his doctor, due to his insomnia.

Jess and David’s story: Jess and David’s B&B hosts a Snallygaster related event. As explained by the O’Brien family, a Snallygaster is a mythical creature that has never been seen in person before. During the weekend, Jess and David are astounded by the equipment the attendees have brought, such as night vision cameras and infrared technology. David also doesn’t believe the Snallygaster exists. On the night of the Snallygaster search, Jess explains to David how the Snallygaster is a reminder that there is beauty in everything. She also tells David how the event’s attendees want to believe the Snallygaster is real. Meanwhile, Jess and David continue to make wedding plans, such as choosing the type of cake they want and who will be Jess’ Maid of Honor.

Luke’s story: While Luke is sweeping the floors at The Bridge, his parole officer, Mr. Sampson, shows up unannounced. He asks Luke about his new job, specifically asking why he wasn’t informed about it yet. Luke explains that everything has happened so quickly, also telling Mr. Sampson how Mick already knows about his past. Luke tells Mr. Sampson that, due to his arrest record, it has been difficult finding a job. Even though Mr. Sampson lets the situation go, he warns Luke to stay in line.

Breakfast tray image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/composed-healthy-fruit-and-coffee-on-tray_1441643.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Freepik</a>. Image found at freepik.com.

Some thoughts to consider:

  • Even though the wedding episode is just around the corner, I’ve already found Jess and David’s storyline getting stale. This is because they rarely experience conflict. In the times David and Jess have faced a conflict this season, such as the pre-nuptial agreement, it was resolved easily and quickly. The timing of some of these conflicts also doesn’t seem realistic. In the commercial for the next episode, Jess tells David she might not want to have kids. Personally, I think this conversation should have happened before they got engaged.
  • Similar to this season’s second episode, the fourth episode felt like “filler”. While there was conflict to be found, most of it was weaker than others. The only storyline that was intriguing was Abby and Connor’s discovery at the firm. Hopefully, the storylines in episode five will be stronger.
  • In the last episode, Luke told Mick he got into a bar fight because a patron was harassing a woman. This makes me wonder if this woman will track Luke down and, possibly, fall in love with him? Even though it seems like Luke is in the middle of a love triangle right now (Jerome and Luke trying to win Bree’s heart), I’d much rather to see him enter a romantic relationship when he’s in a more stable place in his life. I also think Jerome is a better match for Bree.
Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

What are your thoughts on this episode? Are you excited for Jess and David’s wedding? Tell me in the comment section below!

Have fun in Chesapeake Shores!

Sally Silverscreen

Take 3: Suddenly (1954) Review

On By 18cinemalane3 Comments

Movies that take place over a 24 Hour time frame (not including time loop movies) are the chosen subject for August’s Genre Grandeur. Since this theme is so broad, I needed to do some research before choosing my contribution. While reading through a list on Wikipedia, I came across the 1954 title, Suddenly. I have heard of this movie because it was recommended by Maddy from Maddy Loves Her Classic Films. Last year, I reviewed five of Frank Sinatra’s movies. While most of the movies I’ve seen were either a comedy or musical, Ocean’s Eleven was the only one that was dramatic in tone. This makes Suddenly a unique project in Frank Sinatra’s filmography. Movies from the Film-Noir genre have also been far and few between on my blog. So, I’m hoping this review makes up for that!

Suddenly (1954) poster created by Libra Productions and United Artists

Things I liked about the film:

The acting: In Frank Sinatra’s movies I’ve seen so far, he was given roles that allow him to achieve likability. This is made possible through a charismatic personality. While Frank’s character in Suddenly, John Baron, carries himself with suave charisma, he is not someone the audience wants to root for. In fact, this part of John’s personality can make viewers uncomfortable. That’s because, as the movie poster says, he is “a savage, sensation-hungry killer”. The darker material is different from what I’ve seen from Frank’s filmography, so far. However, Frank gave a strong performance that really showcased his range as an actor! While he carried his character with the charisma he has portrayed in other films, he was quick to adopt anger. Whenever someone gave him an insult, John immediately grew intense with rage. It not only showed how John had an underlying instability, but also showed how Frank was like a chameleon with expressions and emotions. These elements help create a character that puts the audience on edge.

Despite being the only actress in Suddenly, Nancy Gates’ did a good job portraying her character, Ellen Benson! While watching this film, I couldn’t help but be reminded of Judy Garland’s acting abilities. This is because, like Judy, Nancy brought a gentleness to her role. Throughout the movie, Ellen always put others before herself. She tries to protect her son, Pidge, from a world she feels is too dangerous. That part of Ellen’s story gives Nancy an opportunity to bring genuine emotion to her role. Toward the beginning of the film, Ellen and Sheriff Tod Shaw, portrayed by Sterling Hayden, debate over her overprotective nature. When Tod brings up her deceased husband, Ellen is immediately moved to tears. James Gleason provides a good counterpart to Ellen Benson with his portrayal of her father, Peter Benson. In the film, he has a more easy-going, light-hearted personality. While I wouldn’t say he was the movie’s comic-relief, Peter did prevent the story from being too dark. Peter’s ability to adapt to any situation and his quick thinking give the audience peace of mind, as it shows he has a good head on his shoulders and will know what to do. It also helps that Peter was the glue that kept his family together.

The subject matter: I was not expecting Suddenly to contain the real-life subjects it did. But they provided a good insight into the views, beliefs, and issues within the time period of the movie’s release. Because the movie takes place in and premiered a decade after World War II, the characters discussed the negative impacts of war. John Baron’s part of the story kind of serves as a cautionary tale when it comes to a war’s psychological aftermath. As John’s plan starts to unravel, the Benson family and Tod accuse John of being “un-American”. This reflects the McCarthyism that primarily took place in the ‘50s.  United States history is also included in the story, with presidential assassination attempts brought up within the script. Tod argues these attempts were failures, because the perpetrators were not only caught, but also frowned upon in history. His insight into this particular subject is interesting, especially remembering what would happen a decade after the film’s release.

Film-Noir’s new setting: Whenever I think of the Film-Noir genre, I think of stories that take place either in big cities or shady places with a dark, ominous tone. With Suddenly, the story takes place in a small, suburban town. This type of location usually hosts stories that are light-hearted and matched with a happy ending. Suddenly’s pairing provided a good contradiction. It also expanded Film-Noir’s horizons, showing that movies from this genre can take place anywhere. It was a creative decision that was definitely thought outside the box!

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What I didn’t like about the film:

Some weak performances: While I liked the majority of the acting performances in Suddenly, there were a few that were weak. One of those performances came from Sterling Hayden. When his character was involved in police/serious matters, Sterling successfully carried his character with stoic confidence. But when it came to tender-hearted moments, like when Tod is asking Ellen on a date, Sterling appeared stiff and wooden. Another performance that was weak was Kim Charney’s. I know Kim was a young actor when portraying Pidge. However, Kim carried one expression and emotion throughout the movie, causing Pidge to appear one-dimensional. I am aware that performances from young actors or actresses can be hit or miss. But, for me, Kim’s performance was a miss.

Unclear story details: Suddenly is the type of story where the audience figures out what’s going on as the film progresses. However, there are some parts of the story that don’t receive clarification. When John reveals his plan, he says he is being paid to carry it out. But the audience never learns who this anonymous benefactor is or why John is being paid in the first place. When telling Ellen about his past, John says the “experts” removed the feeling out of him. The identities of these “experts” and the reason for removing John’s feelings are never revealed. The omission of these answers feels like the film’s creative team is intentionally withholding information from the audience.

A self-contained story: The film-noir genre typically shows characters doing what they want and going where they please. This reminds me of Cady’s quote from Mean Girls: “The limit does not exist”. But in Suddenly, the majority of the story takes place in the Benson family home, as John is holding the family hostage. That part causes the movie to feel stagnant and limited, which is the opposite of film-noir’s nature. It also doesn’t help when the movie’s conflict is drawn out for most of the story.

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My overall impression:

When I think about Tod’s view on presidential assassination attempts, I am reminded of the Touched by An Angel episode, “Beautiful Dreamer”. The majority of the episode’s story revolves around the assassination of President Abraham Lincoln, with John Wilkes Booth believing the act will make people see him as a hero. Instead, he is seen as not only a coward, but also one of the most hated people in history. I find it interesting that two different pieces of media from two different time periods share a similar belief. Suddenly also makes me think of the Hallmark Hall of Fame movie, Foxfire. That’s because the 1954 film felt more like a play than a movie. During my viewing experience, I found myself picturing the Benson family home as a stage, with any event outside of the home taking place off-stage. With the story being self-contained, I honestly feel this production works better in that format. Suddenly provides good insight into parts of the 1950s, with the characters’ dialogue sounding authentic. I also liked seeing Frank Sinatra’s performance, as it shows just how far he can stretch his acting abilities.

Overall score: 6.3 out of 10

Have you seen any of Frank Sinatra’s film? If so, which one is your favorite? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Poisoned in Paradise: A Martha’s Vineyard Mystery Review + 360, 365, 370, and 375 Follower Thank You

On By 18cinemalane1 Comment

Back in May, I said I was planning on reviewing the newest Martha’s Vineyard Mysteries film. Since I try my best to be a blogger of my word, I’m finally getting around to writing about it. Out of all the times I could review this film, it seems like now is more perfect than ever. This is due to the start of Chesapeake Shores’ fifth season, the same season Jesse Metcalfe will be departing from. While I have seen all the movies in the Martha’s Vineyard Mysteries series, I only reviewed the previous title; Ships in the Night: A Martha’s Vineyard Mystery. In that review, I said the third movie was fine, but caused the series to stumble a little bit. This was because of several flaws in the project, including a mystery that was overshadowed. With any series, each chapter is hit or miss. But will Poisoned in Paradise: A Martha’s Vineyard Mystery sink or swim? To solve this mystery, you need to read this review!

Poisoned in Paradise: A Martha’s Vineyard Mystery poster created by Crown Media Family Networks and Hallmark Movies & Mysteries

Things I liked about the film:

The acting: Since I mentioned Jesse Metcalfe in the introduction, I’ll talk about his performance first. Whenever Jesse is given a lead role in a Hallmark production, he carries his characters with a different kind of charisma compared to other lead actors. While Jesse’s performances are expressive, they feel more grounded and down-to-earth, like the character is a realistic individual. When Jeff and Zee discover the mystery’s victim, you can see sadness in his eyes. As he is looking away from the victim, he looks like he might cry due to how emotionally distraught finding a murder victim would be. Like Ships in the Night: A Martha’s Vineyard Mystery, Jesse and Sarah Lind had good on-screen chemistry! Their on-screen personalities work so well together, like their characters were meant to be with each other.

There are some supporting actors that caught my attention because of the quality of their talents. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Drew Henderson portrayed a friend of Zee’s named Noah. When he appeared on screen for the first time, I immediately took note of how charismatic he was! He also transitioned between emotions very effortlessly. Because of these things, I would love to see Drew lead a Hallmark project! Another performance I liked was Reilly Dolman’s portrayal of Glen, the boyfriend of the murder victim. As he was questioned by Jeff and Chief Madieras, Glen came across as angsty and “rough around the edges”. But it didn’t feel stereotypical or one-dimensional. Instead, a mysterious aura surrounded Glen, making you want to learn more about him. I wish Glen had more appearances in this movie, because I really enjoyed seeing Reilly’s acting talents! Similar to Reilly, Nhi Do appeared in the film for a short amount of time. However, her portrayal of a bank teller named Hazel was very memorable! In her limited time on screen, Nhi showed how she had good on-screen chemistry with the other cast members. While Hazel is talking with Zee about the gossip around the bank, it felt like both characters got along well with each other. While I don’t know what’s in store for the future of this series, I would love to see Nhi Do become a series regular!

The humor: Compared to the other series on Hallmark Movies & Mysteries, the Martha’s Vineyard Mystery series has a more serious tone. This has been a consistent element throughout the overall story. There was humor found in Poisoned in Paradise: A Martha’s Vineyard Mystery. But it felt like it belonged in that world, simply breaking up the darkness of the film’s tone and subject matter.  While getting ready for his date with Zee, Jeff was looking through some shirts to determine what would look presentable. During this scene, he sniffs one of these shirts, displaying a disgusted look on his face afterward. While this was a simpler moment, it was well-executed because of the writing and acting. The moment itself also felt believable and relatable. In Boston, while Jeff and Andrew, Jeff’s former police partner, are waiting to question a bank robber, an FBI agent shows up. When Andrew questions who the agent is, Jeff replies by saying “A problem”. Similar to what I said before, this exchange was a simple one. Yet, its delivery is what made it funny.

The mystery: In my review of Ships in the Night: A Martha’s Vineyard Mystery, I said the film’s side mystery was barely referenced because it was overshadowed by the main mystery. Personally, I feel both mysteries should have received an equal amount of attention. In Poisoned in Paradise: A Martha’s Vineyard Mystery, there were two mysteries within the story. While the majority of the script focused on the main mystery, the side mystery was shown for a satisfying amount of time. What also helps is how the main mystery was written as if the audience is solving it alongside the characters. Each clue and suspect was introduced as the film went on, allowing for new surprises to keep viewers on the edge of their seat. This creates a cinematic experience that feels engaging and interactive!

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What I didn’t like about the film:

Little development in Jeff’s overarching mystery: As I mentioned in my review of Ships in the Night: A Martha’s Vineyard Mystery, Jeff is attempting to figure out who shot him back in Boston. This mystery is the series’ overarching story, where pieces to this puzzle are given to the audience in small doses as the series goes on. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Jeff receives a lead in his case. I’m not going to spoil this mystery for anyone hasn’t seen the film. But all I’ll say is it feels like we take a step backward immediately after we step a step forward. I understand this series’ creative team wants to carry the story as long as possible, giving the audience a reason to stay invested. While I’m looking forward to seeing how this mystery unfolds, I feel like the audience should have received a little more.

The under-utilization of Britt Prajna: Zee’s friend, Britt, is one of the series regulars in the Martha’s Vineyard Mystery series. Her role is similar to Sally from the Aurora Teagarden Mysteries, a loyal and trust-worthy person in the protagonist’s life who provides advice and a listening ear. The difference between Sally and Britt is how Sally, sometimes, helps Aurora solve a mystery by using her journalistic skills to talk with potential suspects. As the Martha’s Vineyard Mystery series progresses, Britt has been featured less. She’s also not involved in a given mystery, never using her skills to help Zee or Jeff. I know civilians/hotel owners can only contribute so much when it comes to solving crimes. However, I think Britt has more to offer in the world this series has created.

The mystery’s start time: When I reviewed Ships in the Night: A Martha’s Vineyard Mystery, I stated the mystery’s start time was one of the movie’s flaws, as it didn’t begin until a little over twenty-five minutes into the film. While this was remedied a little bit in Poisoned in Paradise: A Martha’s Vineyard Mystery, it still took a while for the main mystery to start. This time around, the mystery didn’t begin until about twenty minutes into the movie. Before the mystery is introduced, the audience gets reacquainted with the characters and they are caught up on what has happened since the events of the previous film. I know this part of the story is important, especially when it has been several months since the last chapter was released. But I think the mystery should have been introduced sooner.

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My overall impression:

When asked why he tries to solve cold cases, Sergeant Webber tells Jeff it helps him be at peace with what has happened in his career. I found this to be an interesting answer, especially coming from a network where the majority of stories are murder mysteries. Some viewers, from what I’ve heard, have voiced their complaints over this creative decision. But after thinking about Sergeant Webber’s answer, I’m starting to see why this might be the case. Stories involving any sort of crime are never pretty. They can invoke fear, bring out the uncertain, and cause confusion. When we see a detective, real or fictional, get involved with a case, we see them attempt to find answers. Sometimes, answers can give us peace of mind, the peace of mind that can help us feel like things are going to be ok.  The series on Hallmark Movies & Mysteries represent the familiar, featuring friendly faces the audience has come to know and trust. If surrounded by people or things we are familiar with, it can make us feel comfortable, even when uncomfortable subjects, such as murder mysteries, are brought up. Watching the detectives in these series can remind us of how good people can do good things in our world. Maybe we don’t have the ability to single-handedly solve cases like our favorite TV detectives do. But maybe, just maybe, we can give a little bit of peace.  Before I close this review, I just want to thank all my followers for making 18 Cinema Lane the success it is today!

Overall score: 7.7 out of 10

Do you watch the Martha’s Vineyard Mystery series? If so, what are your thoughts on the latest film? Tell me in the comments section!

Have fun in Martha’s Vineyard!

Sally Silverscreen