Bringing Back the Gold Sally Awards’ Best Supporting Actor Division!

As I promised, I am hosting a re-vote for the Gold Sally Awards’ Best Supporting Actor Division. I also plan to wrap up the Awards voting, as there are three polls lefts. But don’t worry, Sally’s Star of the Year will still be included. This round of voting will start today, June 30th, and end on July 7th. Like before, you can vote for more than one nominee. But you can only vote once per person. The link to the poll is featured under the list of nominees.


Who was the Best Supporting Actor of 2020?

 

Gene Kelly — Anchors Aweigh
Fred Savage — The Boy Who Could Fly
Omri Katz — Matinee
Noah Valencia — Sweet Nothing in My Ear
Andrew Tarbet — If You Believe
Jamie Bell — Nicholas Nickleby (2002)
Brock Peters — To Kill a Mockingbird
Vincent Perez — Cyrano de Bergerac (1990)
Joe Penny — Perry Mason: The Case of the Shooting Star
Steve Bacic — Mystery 101: An Education in Murder
 
 
 
 
 
 

 

Have fun voting!

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Take 3: The King and I (1956) Review

For the Fourth Broadway Bound Blogathon, I chose to review the 1956 version of The King and I! Years ago, I had seen the 1999 animated adaptation of the musical. Since I vaguely remember it, I can’t provide an honest opinion of that movie. Because I had only seen pieces of the 1956 film and because it was recommended to me by Maddy from Maddy Loves Her Classic Films, I now found a good excuse to finally check the film out! While I knew the play itself was successful, I was surprised to discover it had won a Tony award. As this year’s blogathon focuses on Tony winners, it gave me an opportunity to learn something new. This is one of the reasons why I love participating in blogathons! Now, let’s start this review of 1956’s The King and I!

The King and I (1956) poster created by 20th Century-Fox.

Things I liked about the film:

The acting: Deborah Kerr is a dramatic actress, as her strengths can be seen in drama films. Because there were plenty of dramatic moments in The King and I, this allowed the best of Deborah’s acting abilities to be placed on display! In scenes that allowed Anna to stand up to King Mongkut, Deborah adopts a serious persona without any sarcasm. Her tone of voice is stern, while also standing up straight and looking directly at King Mongkut. Because there were light-hearted moments as well, it gave Deborah an opportunity to incorporate humor into her performance. This balance made the role suit Deborah well! This is the first time I had ever seen any of Yul Brynner’s performances. However, I was quite impressed by his portrayal of King Mongkut of Siam! Similar to Deborah Kerr’s role, there was a good balance of drama and comedy. In a scene where King Mongkut is talking to his son about what he learned in school, Yul speaks with a serious tone of voice. He also moved around the set with a posture that reflects his character’s royal power. However, when he introduced Anna to his children, King Mongkut would make silly faces in order to get them to smile. Before watching The King and I, the only film of Rita Moreno’s I had seen is West Side Story. Because of this, it was interesting to see Rita work with different material. While Anita, Rita’s character in West Side Story, is sassy and confident, Tuptim is more reserved and sensitive. When Rita didn’t have speaking lines, facial expressions and body language helped convey what Tuptim was thinking. As I liked her portrayal of Tuptim, it makes me wish Rita had appeared in more scenes.

The musical numbers: A musical is only as good as its musical numbers. With The King and I, I found the musical numbers to be entertaining! The most interesting one is the Siamese interpretation of Uncle Tom’s Cabin. Because Tuptim is reading a copy Anna gave her, she decides to write a play based on her own version of the novel. This particular number features traditional dancing, stylized face masks, and practical effects, such as a white sheet representing ice. It served as a good example of how everyone can view a text differently. The rest of the musical numbers in The King and I ranged from dramatic to comedic. One of them is ‘Getting to Know You’. In this scene, Anna dances with one of King Mongkut’s wives. Some of the children circled around their mother in order to mimic Anna’s skirt. This was a simple way humor was incorporated into some of the musical numbers.

The costume design: The King and I is known for being an elaborate musical, with elegance being found within the costume design. Bright colors were worn by almost all the characters. In a scene where Anna is introduced to King Mongkut’s children, the children’s outfits featured hues of pink, red, and green. The members of the royal family sometimes wore plaid, which complimented the rich color palette of the movie. Metals like gold could also be seen in the royal family’s attire. Some of King Mongkut’s jackets featured gold embroidery, a reminder of his wealth and affluence. Bronze coated the children’s headpieces as well. With the costume design being so exquisite, I wonder how much of this movie’s budget was devoted to it?

The Fourth Broadway Bound Blogathon banner created by Rebecca from Taking Up Room.

What I didn’t like about the film:

The under-utilization of Rita Moreno: As I mentioned earlier, the only film of Rita’s I had seen is West Side Story. Therefore, I was looking forward to seeing her performance in The King and I. I was disappointed to see Rita’s talents under-utilized. In this two hour and thirteen-minute movie, Rita appeared in a handful of scenes. While she did participate in the story’s musical components, she was only given one duet and the narration during the Uncle Tom’s Cabin play. I understand The King and I was released five years before West Side Story. But if the 1961 film has taught me anything, it’s how Rita is, talent wise, capable of so much more.

Drawn out storylines: The storylines in The King and I were drawn out because of the film’s two hour and thirteen-minute run-time. King Mongkut’s story, where he attempts to save his reputation, is one example. For about half the movie, King Mongkut wants to prevent other world leaders from thinking he is “barbaric”. Since this particular storyline lasted for so long, the resolution/payoff was fine, but somewhat anti-climactic. Lun Tha and Tuptim’s storyline took place throughout the whole movie. However, by the end of the film, it was left unresolved. It makes me wonder if it would have been resolved if The King and I’s run-time had been shorter?

Songs interrupting the story: In a typical musical, the musical numbers help progress the story forward. But in The King and I, the musical numbers interrupt the over-arching story, causing the transition between story and song to feel less seamless. After an elegant party at the palace, King Mongkut discovers Tuptim is missing. King Mongkut’s search is disrupted by Anna singing ‘Shall We Dance?’. This then turns into a private dance between Anna and King Mongkut, which is interrupted by a guard. The guard informs King Mongkut that Tuptim has been found. Moments like this one cause the story to pause for the sake of a musical number.

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My overall impression:

So far, I have seen four of Deborah Kerr’s movies. Out of those titles, I’d say The King and I is her best one! As I said in my review, the material complimented her acting abilities. There was enough drama to show off her strengths, while also having enough comedy to let Deborah have fun with the role. The film gave me a chance to see interesting performances and musical numbers, from Rita’s portrayal of Tuptim to a Siamese interpretation of Uncle Tom’s Cabin. The exquisite costume design and sets are definitely photogenic, highlighting the wealth and power within the royal family. Even though the movie as a whole is good, there are musicals I would choose over it. The songs interrupting the story instead of progressing it forward is one reason why I feel this way. I’ve heard Anna and the King is a non-musical version of this particular story, so I’d be interested in seeing how lack of musical numbers affects the overall story-telling. I’d also be interested in watching Deborah Kerr and Yul Brynner’s other film, The Journey.

Overall score: 7.7 out of 10

What are your thoughts on The King and I? Which version is your favorite? Let me know in the comment section!

Have fun on Broadway!

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The Gold Sally Awards is Back with the Best Supporting Actor Division

Despite being busy with some blog and non-blog related projects, I am still continuing to host the Gold Sally Awards! For this round of voting, you get to choose who will receive the title of Best Supporting Actor. Like the previous polls, you can vote for more than one nominee. But you can only vote once per person. This poll will be active until June 7th and the link to the poll is under the list of nominees.

Movie award essentials image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background psd created by freepik – http://www.freepik.com</a>. Image found at freepik.com. 

 

Who was the Best Supporting Actor of 2020?
Gene Kelly — Anchors Aweigh
Fred Savage — The Boy Who Could Fly
Omri Katz — Matinee
Noah Valencia — Sweet Nothing in My Ear
Andrew Tarbet — If You Believe
Jamie Bell — Nicholas Nickleby (2002)
Brock Peters — To Kill a Mockingbird
Vincent Perez — Cyrano de Bergerac (1990)
Joe Penny — Perry Mason: The Case of the Shooting Star
Steve Bacic — Mystery 101: An Education in Murder
 
Created with PollMaker

Have fun voting!

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Take 3: Rigoletto Review + 350 and 355 Follower Thank You

For my American Girl Instagram account, Dolly Parkington’s Dollhouse, I recently talked about the 1993 movie, Rigoletto. Because of this, I decided to review the film for my next blog follower dedication review! While I heard good things about this particular title, I have never seen it until this year. The one constant statement was how Rigoletto was “Phantom of the Opera for kids”. As someone who has seen the 2004 adaptation of the musical, I was curious to see how it could be adapted into a family friendly version. If you have taken notice, I have recently relied on older movies for my blog’s content. Come to think of it, I only reviewed one new release in 2021 so far. That’s because I enjoy discovering films that are new to me, as well as finding hidden gems in the world of cinema. This also correlates with my blog’s mission of giving underrated titles a “standing ovation”. Now, let’s raise the curtain on this review of Rigoletto!

Rigoletto poster created by Feature Films for Families

Things I liked about the film:

The acting: Even though I liked the acting performances from the film’s younger cast members, it’s the movie’s older cast members that stole the show for me! One noteworthy performance was John Huntington’s! Portraying Ribaldi’s butler, Hans, John was able to serve as the story’s comic relief while, at times, being intimidating. When Bonnie’s mother visits Ribaldi’s house in an effort to address an impending eviction notice, Hans gives her a set of instructions. The tone in his voice and the look in his eyes is so intense and direct, even the audience may feel intimidated by his demeanor. But, as I mentioned before, Hans can also be a source of comic relief. In one scene, Hans makes a comment about music. This comment causes Ribaldi to throw a book at Hans. Even though the moment itself was hilarious, I was caught off guard because it was so sudden. While we’re on the subject of Ribaldi, let’s talk about Joseph Paur’s performance! His portrayal of Ribaldi reminded me a lot of the Beast from Beauty and the Beast. In scenes that were more suspenseful in tone, Ribaldi’s persona was aggressive and powerful, with his presence appearing intimidating at times. For more gentler moments in the film, such as when Ribaldi was giving advice to a boy named Porter, his personality was kinder. This allowed Ribaldi to become an approachable character as the story went on. Despite appearing in the film for a short amount of time, I liked Tracey Williams’ portrayal of Gabriella. Not only did she have a pleasant on-screen personality, but she also had good on-screen chemistry with Joseph Paur! Honestly, I wish she had appeared in more scenes.

The music: Because this movie is loosely based on the opera of the same name, there are musical elements within the story. Even though the musical elements were limited, I really liked the music! A memorable song is ‘The Curse’. Performed by Joseph Paur, this was an operatic piece that was powerful and emotional in tone and musical scope. It reminded me of the Trans-Siberian Orchestra songs ‘The Moment’ and ‘This Is Who You Are’. Toward the end of the movie, Ivey Lloyd, the actress who portrayed Bonnie, performed a song titled ‘The Melody Within’. While Ivey’s voice in the movie sounded fine and delicate, the song itself complimented her talents! Not only was it pleasant to listen to, but it also contained a good message. Musical numbers like ‘The Curse’ and ‘The Melody Within’ gave weight to the film.

Wisdom within the script: As I watched Rigoletto, there were several moments where wisdom could be heard within the script. This was such a pleasant surprise, as I was not expecting to hear that. When Bonnie’s mother tries to talk to Ribaldi about her eviction notice, Ribaldi explains how she has a home while he has a house. During this explanation, it is clear that Ribaldi had enough self-awareness to know what really mattered the most. After interacting with a rude peer, Bonnie reminds her friends how pointless it is to match unkindness with unkindness. While this piece of wisdom was simple, it served as a reminder for how to treat others. What also helped was how these pieces are woven into the script through dialogue. It prevented the wisdom from coming across as mini lectures or heavy-handed.

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundvector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The “disappearing disabilities” subplot: In the town of Castle Gate, there are several citizens who have a disability. These disabilities could be seen or heard; from a young boy who stuttered to a woman who relied on a wheelchair in order to move from place to place. But as the film progressed, their disabilities were magically reversed. Without spoiling the movie, I understand why this subplot was in the story, as it did serve an important message. On the other hand, it kind of contradicts another important message, one about inner beauty. According to IMDB, Rigoletto “is a branch off of the story line of “Beauty and the Beast”, a story where you would find this kind of message. However, it feels like the movie’s creative team wanted to have their cake and eat it too.

Little to no context: Rigoletto is the second movie I’ve recently reviewed where there was little to no context in certain areas of the story. Toward the beginning of the film, it was stated that Ribaldi’s face became disfigured due to an “accident”. But the audience never learns about the accident itself, as well as Ribaldi’s life before he came to Castle Gate. Ribaldi reveals a magical mirror that he claims was given to him by “Snow White”. However, it is never explained if the mirror actually contains magic or is magical in a figurative sense. Similar to what I said in my review of The Girl Who Spelled Freedom, context would have been beneficial in understanding Ribaldi as a character.

Under-utilizing musical potential: While I liked the songs in Rigoletto, I wish it had been a musical, similar to productions like Beauty and the Beast or The Sound of Music. Throughout the film, I can think of only four scenes that featured characters singing. Even though the story should be the first priority of any movie, Rigoletto relied on the script’s drama more than the film’s musical components. I’m also disappointed by the missed opportunity for at least one duet. Maybe Ribaldi and Bonnie could have sang a song about friendship. Perhaps Gabriella and Ribaldi could have shared a romantic, but wholesome melody. This idea might have become a reality had the movie been a musical instead of a drama with musical elements.

Masks of comedy and tragedy images created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As I said in my introduction, Rigoletto has been compared to Phantom of the Opera. However, it felt more like a live-action adaptation of Beauty and the Beast. Because I like the 1991 version of the aforementioned story, I didn’t mind this subversion of expectations. In fact, I found Rigoletto to be an interesting re-telling! The emphasis on music within the world of Castle Gate helped the film obtain its own identity. Having the story take place during the Great Depression and relying less on fantastical elements also helps the film’s case. The movie did have its strengths, but it also had its flaws too. I honestly wish Rigoletto had been a musical like Beauty and the Beast, so its full potential could have been reached. If you do like films with musical elements or are a fan of “modern” fairy tale re-tellings , I would definitely recommend this movie! As this review reaches the final curtain, I want to thank all my followers for helping 18 Cinema Lane make it this far! Like I’ve said before, this blog would not be the same without you!

Overall score: 7.8 out of 10

Have you seen Rigoletto? Are there any musical movies you enjoy watching? Let me know in the comment section!

Have fun at the movies!

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Extending the Gold Sally Awards’ Best Actress Poll

Similar to the Gold Sally Awards’ Best Actor Poll, I am extending the Best Actress Poll. This is because the Best Actress Poll did not receive any votes. If you are interested in voting, you have until May 10th to submit your votes. Even though you can only vote once per person, you can vote for more than one nominee. The link to the poll is listed under the poll image.

Tools of a writer image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/camera-and-coffee-near-notebook-and-accessories_2399437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Freepik</a>. Image found at freepik.com.

Who is the Best Actress of 2021?

 

Kathryn Grayson — Anchors Aweigh
Lucy Deakins — The Boy Who Could Fly
Kellie Martin — Matinee
Gena Rowlands — Grace & Glorie
Marlee Matlin — Sweet Nothing in My Ear
Ally Walker — If You Believe
Margaret O’Brien — The Unfinished Dance
Anne Hathaway — Nicholas Nickleby (2002)
Kat Graham — Fashionably Yours
Lucia Micarelli — The Christmas Bow
 
 
 
 
 
 
Created with PollMaker

Have fun voting!

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Now is the time to vote for the Gold Sally Awards’ Best Actress!

I’ve been working on a personal creative project that has taken me longer than I expected. But now I’m back to publish another poll for the 3rd Annual Gold Sally Awards! For this poll, you can vote for who is the Best actress from the movies I saw in last year. While you are able to choose more than one nominee, you can only vote once per person. This poll begins today, April 21st, and ends on April 28th.

Image of prom boutonniere created by Cynthia Lutes at freeimages.com. Photo by <a href=”/photographer/cindylutes-60975″>Cynthia Lutes</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

Who is the Best Actress of 2021?

 

Kathryn Grayson — Anchors Aweigh
Lucy Deakins — The Boy Who Could Fly
Kellie Martin — Matinee
Gena Rowlands — Grace & Glorie
Marlee Matlin — Sweet Nothing in My Ear
Ally Walker — If You Believe
Margaret O’Brien — The Unfinished Dance
Anne Hathaway — Nicholas Nickleby (2002)
Kat Graham — Fashionably Yours
Lucia Micarelli — The Christmas Bow
 
 
 
 
 
 
Created with PollMaker

Have fun voting!

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Extending the Gold Sally Awards’ Best Actor Division!

Last week, I posted the Best Actor poll for the Gold Sally Awards. But no votes were received within that week. So, I’m extending this poll from today, April 6th to April 13th. Like I’ve said before, you can vote for more than one nominee. However, you can only vote once per person. The link to the poll is listed at the bottom of the poll image.

Masks of comedy and tragedy images created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Who is the Best Actor of 2020?

 

Charlie Hunnam — Nicholas Nickleby (2002)
Danny Thomas — The Unfinished Dance
Tom Amandes — If You Believe
Jeff Daniels — Sweet Nothing in My Ear
Brandon Lee — The Crow
Kendrick Sampson — Fashionably Yours
Neal McDonough — Grace & Glorie
John Goodman — Matinee
Jay Underwood — The Boy Who Could Fly
Frank Sinatra — Anchors Aweigh
 
 
 
 
 
 
Created with PollMaker

Have fun voting!

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It’s Time to Choose the Gold Sally Awards’ Best Actor of 2021

After a short hiatus, the Gold Sally Awards polls are back! This time, you can choose which actor was the best one out of the movies I saw in 2020! As usual, you can vote for as many nominees as you’d like. But you can only vote once per person. The poll begins today on March 29th and ends on April 5th. You can vote by clicking on the link under the poll image.

The official logo of 18 Cinema Lane! Image found at https://katthemovies.wordpress.com/2019/03/30/graphic-design-is-my-passion/.
Who is the Best Actor of 2020?
Charlie Hunnam — Nicholas Nickleby (2002)
Danny Thomas — The Unfinished Dance
Tom Amandes — If You Believe
Jeff Daniels — Sweet Nothing in My Ear
Brandon Lee — The Crow
Kendrick Sampson — Fashionably Yours
Neal McDonough — Grace & Glorie
John Goodman — Matinee
Jay Underwood — The Boy Who Could Fly
Frank Sinatra — Anchors Aweigh
 
 
 
 
 
 
Created with PollMaker

Have fun voting!

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Sally Watches…Kids Incorporated!

For Terence’s 7th Annual Favourite TV Show Episode Blogathon, I was originally going to write an editorial on an episode from Highway to Heaven. But the more I thought about that decision, the more I realized the shows I’ve reviewed so far have one of two things in common: the shows are darker in tone or they cover heavier, real-world subjects. Because of this, I decided to change things up a bit. I have never watched a full episode of Kids Incorporated, but I have seen two performance videos from the show. Since I liked what I saw, I thought reviewing the show for the blogathon would be a good idea! Its light-hearted, joyous tone is definitely different from the other shows I’ve talked about. This will also be the first time a musical show has been covered on 18 Cinema Lane. Like some of my previous TV show reviews, I have chosen four random episodes. Each episode will be broken down into five categories: what I liked about this episode, what I didn’t like about this episode, the musical numbers, the other factors from this episode, and my overall thoughts. I wasn’t able to find a consistent record of when these episodes premiered, so I will not be listing premiere dates this time. But I will share my final assessment of the show toward the end of my review.

The 7th Annual Favourite TV Show Episode Blogathon banner by Terence from A Shroud of Thoughts.
Episode Name: Peter Pam
Season 3
 Episode 63
What I like about Kids Incorporated is each character’s preferences and personalities are showcased in subtle ways. Seeing which books the cast was reading is a perfect example of this. Screenshot taken from the Youtube channel, Kids Incorporated.

What I liked about this episode:

When you have a television or movie series that revolves around a group of people, that group needs to consist of actors and/or actresses who have good on-screen camaraderie with one another. With this episode of Kids Incorporated, I immediately took notice of how well these young actors and actresses worked together! The fact this cast also appeared in season two gives the impression they are familiar with each other’s’ talents, which helps make their on-screen relationship convincing. My favorite moment in ‘Peter Pam’ was when Gloria is talking to Stacey about Stacey’s lack of excitement for a new sibling. This conversation came across as sincere and believable, almost like Gloria assumed the role of an older sister looking out for her younger sister. It was a sweet moment that definitely added heart to this story!

What I didn’t like about this episode:

With this episode’s run-time clocking in at a little over twenty-two minutes, there is only so much content that can be included in the project. Because of this, I thought Stacey’s story was rushed. The “Peter Pam” part of the episode was not given the amount of time I expected, with that part of the story taking place in a small handful of scenes. Stacey’s change in perspective from being against the idea of a new sibling to being excited about growing up happens a little too quickly, which causes that resolution to feel unbelievable. I wish more time had been devoted to Stacey’s/the “Peter Pam” story.

The musical numbers:

I actually enjoyed most of the musical numbers in ‘Peter Pam’! They not only sounded good, but the overall presentation was fun to watch! A big surprise was how most of the musical numbers were unrelated to the ‘Peter Pam’ story. Because Kids Incorporated aired on Disney Channel and because this episode retold the story of Peter Pan, I’m shocked the cast didn’t perform a cover of ‘You Can Fly’. Personally, I think that was a missed opportunity.

My favorite musical number was ‘Yo Ho Ho’! It was so whimsical and imaginative, from the colorful costumes to seeing who portrayed which character. Creative changes from the Disney film, like giving Captain Hook’s sidekick more confidence, give the number and story its own voice.  The choreography was fantastic, almost like I was watching a Broadway show! All of the dancers were in sync with one another and there was never a dull moment. The weakest musical number was Stacey’s solo, ‘Take Me Home’. She sang slower than the song’s tempo, which caused her to sound like she was singing out of tune. Stacey is a good singer, but ‘Take Me Home’ did not do her singing talents justice.

The other factors from this episode:

  • While Stacey gave a good acting performance overall, her portrayal of “Peter Pam” was weaker than her portrayal of her “real world” character. Despite this being the first episode of Kids Incorporated I’ve seen, I get the sense that Stacey is a more emotional actress who uses expressions and emotions in subtle ways. Based on her stage presence, Martika is a more dramatic and expressive performer. With that said, I wish a role like “Peter Pam” was given to Martika instead.
  • My favorite costume from this episode is definitely Stacey’s “Peter Pam” costume! It maintains the iconic look of the Peter Pan character, making the costume recognizable. Subtle sparkles on the pink sleeves and collar add a girly twist. Even though I’m not familiar with Stacey’s character, this costume seemed to compliment her personality. I could see this costume standing the test of time!
  • In shows like Kids Incorporated, at least one young character will be fascinated by the idea of getting older. Hijinks then ensue, which causes the character to realize growing up is not what it’s cracked up to be. With ‘Peter Pam’, a new take on this kind of story is presented, focusing on a character wanting to stay young. Instead of showing the downsides of staying young, it highlights how growing up in not always a bad thing. The way this message was executed served as one of the stronger points of this episode!

My overall thoughts:

‘Peter Pam’ was a fine episode. I could tell the creative team had their hearts in the right place, especially when it came to the overarching message. However, I wish the majority of the episode and musical numbers had revolved around the “Peter Pam” story. The parallels between Peter Pan and the desire to remain a younger sibling are an interesting concept. But with all of the content that was included in this episode, Stacey’s story was rushed, with the discovery of a resolution happening a little too quickly. I was pleasantly surprised by how well ‘Peter Pam’ has aged! Having a relatable and timeless message certainly helped its case.

Rating: A 3.7 out of 5

I love how colorful these costumes are! They feel consistent with tone of the show! Screenshot taken from the Youtube channel, Kids Incorporated.
Episode Name: I Love You Suzanne
Season 2
 Episode 30
Suzanne, wearing a yellow shirt, is dancing with the cast of Kids Incorporated toward the end of the episode. I apologize for the quality of this picture. But I just wanted to say this is one of my favorite moments from this episode! Screenshot taken from the Youtube channel, Tammy Coleman.

What I liked about this episode:

After Ryan is caught off guard by the fact Riley’s cousin, Suzanne, is blind, Riley reminds Ryan that Suzanne is no different from anyone else. He also points out that Suzanne has feelings and interests similar to Ryan’s. When Ryan is telling Renee and Stacey that Suzanne is blind, they act like her disability is no big deal. Even The Kid quickly befriends Suzanne before breaking out in song. The attitudes and beliefs of the characters highlights this episode’s overarching message: our differences bringing us together instead of holding each other apart. It’s a sentiment that is just as important today as it was in 1985.

What I didn’t like about this episode:

Ryan and Suzanne’s first encounter was awkward, as this is the moment when Ryan learns of Suzanne’s disability. I know this moment was intended to be awkward. In fact, I felt embarrassed for both characters. But the fact that it took Ryan a while to realize Suzanne is blind was somewhat unbelievable. He ends up figuring this out when Suzanne says she hasn’t seen the sights in the neighborhood. I guess you could use the excuse of Ryan being so infatuated with Suzanne, that he didn’t notice this detail at first. However, in reality, I feel like Ryan would have caught on a little bit sooner.

The musical numbers:

Unlike ‘Peter Pam’, all of the musical numbers in ‘I Love You Suzanne’ directly correlated with Ryan’s story! It felt like they were effortlessly woven into the episode. Suzanne was included in two of the musical numbers; performing a simple dance and handshake in ‘New Attitude’ and joining the Kids Incorporated cast on stage during ‘I Love You, Suzanne’. This brought home the message I talked about earlier, of our differences bringing us together. Stacey’s solo, ‘Premonition’, was much stronger than ‘Take Me Home’ from ‘Peter Pam’! It showcased her singing talents well and the pace of the song matched with the pace of her voice. The most interesting musical number was Martika’s solo, ‘Too Late for Goodbyes’! Her performance did not take place on stage, but she was edited into the scene through the use of greenscreen technology. Martika appeared in various places, from the wheel of Ryan’s bicycle to reflections in Ryan’s sunglasses. Despite this episode being filmed in the mid-‘80s, the technology holds up pretty well!

The other factors from this episode:

  • After Ryan leaves the P*lace, The Kid finds Ryan trying to fix his bike. The Kid then asks Ryan if he still plans on going to the movies, with Ryan replying how he is tired of them. Even though ‘I Love You Suzanne’ aired in Kids Incorporated’s second season, that scene felt like it was foreshadowing the season four episode, ‘When Movies Were Movies’. It should also be noted that Rahsaan Patterson and Ryan Lambert star in that 1987 episode.
  • This episode was funnier than I expected! While I know this show is meant to be light-hearted, I did not expect ‘I Love You Suzanne’ to contain as much humor as it did. The Kid threatening to leave the room if things got too “mushy” was one of the funniest moments. It contained on-point comedic timing and Rahsaan gave a good acting performance. Comedy definitely prevented this episode from becoming too dramatic or serious.
  • At the beginning of the episode, Riley is performing a magic trick while waiting for Kids Incorporated to start performing. He’s also practicing a magic trick during his shift at the soda shop stand. Riley’s attempts at being a magician fail both times. But it made me want to see a story where Riley creates his own act. Though I haven’t seen a lot of Kids Incorporated episodes, I wonder if a magician ever paid a visit to the P*lace?

My overall thoughts:

I once saw a bumper sticker that read, “Diversity is being invited to the party. Inclusion is being asked to dance”. ‘I Love You Suzanne’ is the embodiment of that bumper sticker. Ryan’s story is a simple one, but it ends up working. This is because the overarching message of togetherness feels organic and believable. Even the way the characters talk about Suzanne comes across as realistic. It also helps how all the musical numbers directly correlated with the story. Each one was equally enjoyable; I honestly can’t choose a favorite. Similar to ‘Peter Pam’, ‘I Love You Suzanne’ has also aged well! Everything about it has stood the test of time.

Rating: A 4.1 out of 5

Here is an image from Martika’s solo, ‘Too Late for Goodbyes’. The special effects are impressive, even by 1980s standards. Screenshot taken from the Youtube channel, Tammy Coleman.
Episode Name: Russian 101
Season 4
 Episode 73
This is the final shot of the musical number, ‘That’s America’. I’m sorry if the image isn’t the clearest. But, as you will read in this part of the review, this was my favoritte musical number in this episode. Screenshot taken from the Youtube channel, Tammy Coleman.

What I liked about this episode:

You can tell the character of Ryan has grown up over the course of two seasons! I like how these characters change during their time on the show instead of remaining stagnant. As he expresses interest in a Russian ballerina named Katrina, Ryan takes the time to learn more about her country and culture, as well as ballet. This is very different from “I Love You Suzanne”, where he displays more consideration and respect for his crush this time. ‘Russian 101’ also explores the reality of long-distance relationships, especially when both parties are from different countries. I was not expecting this topic to be addressed, as it is more mature than what you’d usually find in a show like Kids Incorporated. However, it was handled with a sense of honesty.

What I didn’t like about this episode:

When one thinks of the ‘80s from a historical context, the Cold War will come to mind. At the time of ‘Russian 101’s’ release, the Berlin Wall hadn’t fallen yet and some movies and TV show episodes covered this particular conflict in history. But programs like Murder, She Wrote and the original Red Dawn were created for an older audience, people who were aware of what was happening in the world. With Kids Incorporated, I wanted to see how the Cold War was addressed to a younger audience, those who were not as educated on that subject. Unfortunately, the Cold War was glossed over throughout this story. Sure, Russia was mostly referred to as the Soviet Union (a term that is of its time). But the conflict itself was never brought up by any of the characters.

The musical numbers:

Similar to ‘Peter Pam’, I liked most of the musical numbers in ‘Russian 101’! However, my favorite musical number was ‘That’s America’! Not only was it entertaining to listen to, but it was also well choreographed. Some of the dancers were dressed in traditional Russian attire and performed Russian dances. Katrina even participates in the musical number. This highlights a similar message to “I Love You Suzanne”; how our differences can bring us together instead of keeping each other apart. The only minor critique I have is how the Kids Incorporated casts’ costumes should have been red, white, and blue. Also similar to ‘Peter Pam’, the weakest musical number was a solo. But this time, it was Ryan’s solo, ‘I Can Dream About You’. At some points in the song, Ryan sang faster than the music’s tempo. I found this to be, at times, distracting. However, I did like seeing Katrina perform a ballet solo within that musical number.

The other factors from this episode:

  • Toward the end of ‘Russian 101’, Katrina gives Ryan a record of her favorite Russian band. Even though this was a nice gesture, it brings up the question: if Katrina is temporarily in the United States with a traveling ballet company, how was she able to acquire a Russian record? Did she happen to take one with her on the trip?
  • During a conversation with the Kids Incorporated members, Renee compares ballet to basketball. While she doesn’t refer to ballet as a sport, she does acknowledge how, like basketball, ballet requires strength and skill. This stance on dance actually sounds ahead of its time. More people would now consider competitive dance a sport, recognizing the athleticism associated with it. Also, ballet was featured in the Sochi Winter Olympics, even though it was only included in the opening ceremonies.
  • While giving Katrina a tour of his neighborhood, Ryan takes her to the P*lace. He briefly explains the P*lace’s history, expressing his enthusiasm about one of his favorite spots. Because this episode aired in season four, it is to be assumed this history was thoroughly explained in, as least, season one. I liked how this script referenced earlier episodes, as it maintains the show’s overarching continuity!

My overall thoughts:

Out of the three episodes I’ve reviewed so far, I’ve noticed a consistent element. Each episode has aged fairly well, despite premiering four decades ago! I didn’t like how the Cold War was glossed over in ‘Russian 101’. But I do appreciate the episode’s message of our differences bringing us together instead of tearing each other apart. Between ‘Russian 101’ and ‘I Love You Suzanne’, I’d pick “I Love You Suzanne”, as I found that episode to be stronger overall. However, there are aspects of the 1987 episode I liked. One of them was most of the musical numbers. Like the other two episodes, they were fun to watch and were the highlight of the story. ‘Russian 101’ became a nice piece of entertainment that was worth the twenty-one minutes!

Rating: A 3.9 out of 5

Even though ‘I Can Dream About You’ was the weakest musical number in this episode, I did like Katrina’s inclusion in the number. Screenshot taken from the Youtube channel, Tammy Coleman.
Episode Name: When Movies Were Movies
Season 4
 Episode 74
Here’s a picture that was featured in the episode, ‘When Movies Were Movies’. It shows how this musical number was meant to look like a movie from the 1920s. Screenshot taken from the Youtube channel, Kids Incorporated.

What I liked about this episode:

When I read the synopsis for this episode, I was expecting a completely different story. In ‘When Movies Were Movies’, I expected the episode to revolve around the cast’s day-off, with the musical numbers taking place at a movie theater. Each musical number would be based on each member’s cinematic preferences. For example, Renee might want to see a romantic movie, so her song would be a slower tune with a romantic tone. However, this episode was about the early history of cinema, as well as Laurel and Hardy’s contributions to the world of film. Since about a third of this episode showed the cast traveling back in time to the 1920s, an imaginary conflict was created in correlation with the story’s discussion on film. I liked the direction this story took because it was a creative subversion of expectations! Because the topic of film is so broad, it was nice to see the show’s team think outside the box!

What I didn’t like about this episode:

Even though Kids Incorporated is somewhat grounded in reality, the locations within the characters’ world are clearly sets in a filming studio. Because of this, I was curious to see what a movie theater would look like in this world. Unfortunately, no movie theater was shown in this episode. In fact, we never see the cast go to the movies. Another thing I didn’t like about this episode was how the cast either didn’t mention a movie’s title or said a fake movie title when suggesting which film they should see. As someone who is interested in ‘80s pop culture, I was looking forward to hearing which films each character would bring up. Like I said before, Kids Incorporated aired on Disney Channel, so I’m surprised no Disney affiliated movies were included in this script.

The musical numbers:

I mentioned earlier how a third of this episode showed the cast traveling back in time to the 1920s. These scenes were presented as a skit where each character is given a role at an imaginary movie studio, trying to figure out what the next big picture will be. Within this skit, two musical numbers directly associated with this part of the story. The first one was Ryan’s solo, ‘Forever (Like Heroes and Fools)’. For a show of this nature, this was a mature number because it brought up feelings and thoughts that might come to mind for people around Ryan’s age or older: failure, self-doubt, and the figurative cost of a dream. The way the overall musical number sounded reminded me of ‘One More Try’ by Timmy T. ‘When Movies Were Movies’ was the second musical number. Even though there was singing and some dancing involved, the number itself was presented as a skit. It was shown in black and white, like a movie from the 1920s. This was the most creative musical number from the four episodes I saw!

I liked all the musical numbers in this episode, but I don’t think Connie, Stacey, and Renee’s number, ‘I’m Still Standing’, fit in its moment of the episode. It should have been a group number placed as the finale. If ‘I’m Still Standing’ had been the last song of ‘When Movies Were Movies’, it would have represented two ideas: the cast finding a solution to their problem in the imaginary world and movies remaining a pastime since the 1920s. ‘The Finer Things’, the musical number that was this episode’s finale, should have been the second number.

The other factors from this episode:

  • According to a comment from Youtube, Kids Incorporated was filmed at Hal Roach Studio. This particular studio also filmed silent comedies from the 1920s. The decision to take a movie-centric episode and using it to pay tribute to the history of the studio shows the creative team put a lot of thought into this story. It also makes me appreciate the efforts made when it came to this episode.
  • In ‘Peter Pam’, Stacey portrayed “Peter Pam” while the rest of the cast portrayed either lost children or pirates. While I liked the musical number, ‘Yo Ho Ho’, I feel there are other roles the Kids Incorporated cast could have portrayed. For example, Martika could have portrayed TinkerBell and Renee could have portrayed Wendy. With ‘When Movies Were Movies’, the roles the cast were given in the imaginary world were more diverse. While Ryan portrays the executive leader of a studio, The Kid and Connie are given the roles of directors. Meanwhile, Richie is portraying an actor from the Western genre and Stacey and Renee are portraying glamourous actresses.
  • Even though there was an overarching message in ‘When Movies Were Movies’, it wasn’t in the center of the story like the previous episodes I saw. This episode primarily focused on the exploration of the early history of cinema. The message came after this history was explained; when it comes to entertainment, sometimes older is better. It’s a message that seems to be relevant today, as I have heard people say they choose to turn toward the older films than the modern ones. In fact, I have found myself doing this on my blog.  

My overall thoughts:

‘When Movies Were Movies’ is my favorite episode out of the four I’ve seen! It not only covers a topic I’m interested in, but the concept was executed in such a creative way! I am disappointed a movie theater wasn’t shown on-screen or any real-life movies weren’t brought up. However, the episode has more positives than negatives. The majority of the musical numbers had a strong connection to the story. ‘When Movies Were Movies’ and ‘Forever (Like Heroes and Fools)’ were the only two that correlated with the cast’s trip to the 1920s. These numbers were interesting for various reasons. It gave the cast different material to work with from a musical and acting perspective. ‘When Movies Were Movies’ serves as a good introduction to movies for a younger audience. How entertaining this history lesson is also helps!

Rating: A 4.2 out of 5

It was interesting to see which characters were given which roles, as it gave the cast new material to work with. Screenshot taken from the Youtube channel, Kids Incorporated.

My final assessment:

I was not expecting to like Kids Incorporated as much as I did! Even though there are episodes I liked more than others, I had an enjoyable experience watching this show for the first time! By this point, I’m going to sound like a broken record. But I was surprised by how well the episodes and their messages held up.  Each episode’s story was simple yet interesting, with a message that was timeless and relatable. These elements work in Kids Incorporated’s favor, as they help the show live on past its prime. Entertaining musical numbers also make this show as enjoyable as I found it! Most of the songs were likable and the musical numbers were a joy to watch. I liked seeing the creativity in some of these numbers, like ‘Yo Ho Ho’ and ‘When Movies Were Movies’. Witnessing imagination come to life is what stands out when I think about this show. I’m actually considering watching all of Kids Incorporated’s episodes and ranking them. Since I don’t create rank posts often, it would be something different from the content I usually publish.

Have you seen Kids Incorporated? Are there any episodes you’d like to see me review? Share your thoughts in the comment section!

Have fun at the P*lace!

Sally Silverscreen

It’s time to vote for the Gold Sally Awards’ Best Story

The Gold Sally Awards recognizes the crucial role screenwriting plays in the filmmaking process. Among the best movies I saw in 2020, you can choose which film contained the best story! Even though you can only vote once per person, you are able to vote for more than one nominee. As I’ve said before, the link to the poll is featured under the list of nominees. This poll starts today, March 15th, and ends on March 21st.

In case you’re wondering, this is a screenshot from the Murder, She Wrote episode, ‘The Legacy of Borbey House’. Screenshot taken by me, Sally Silverscreen.

Which film from 2020 had the Best Story?

 

Nicholas Nickleby (2002)
The Unfinished Dance
If You Believe
Sweet Nothing in my Ear
From Up on Poppy Hill
Batman: Mask of the Phantasm
Grace & Glorie
Matinee
The Boy Who Could Fly
Anchors Aweigh
 
 
 
 
 
 
Created with Poll Maker

Have fun voting!

Sally Silverscreen