The day you’ve been waiting for is finally here; the World Television Day Blogathon! Since the dawn of television, this particular medium has become a staple in popular culture. Through this lens, history has been recorded and memories have been made, giving people a way to look back on the past. Television’s broad landscape has provided something for everyone, from cozy mystery shows to beloved musical competitions. In this blogathon, various television related topics will be showcased. Each entry highlights different decades, made-for-tv movies, and shows, illustrating the importance of World Television Day!
Created by Sally Silverscreen at Adobe Creative Cloud Express
When we talk about book-to-film adaptations, we are quick to point out how both pieces of media are different. Some of these differences can lead to insightful conversations between the fans and the casual audience. Other differences can cause a negative reaction, from readers walking out of the theater mid-film to Youtube videos showcasing fans’ rants and complaints. But one topic I haven’t heard addressed is why these changes between book and film likely happened. This topic can be applied to any adaptation. For the sake of my editorial, though, I’m writing about Hallmark Hall of Fame’s The Flamingo Rising. Back in June, I published a list of the top ten movies I’d love to, one day, review. The 2001 Hallmark Hall of Fame movie was on that list. Because I own a copy of Larry Baker’s novel, I thought it would be interesting to read the book after I saw the movie. Now that I’ve consumed both pieces of media, I have gained an understanding for why Hallmark likely made the changes they did. There are four main reasons why The Flamingo Rising’s book is different from its adaptation, which will be explored in this editorial. This article contains spoilers for the story of The Flamingo Rising.
Created by Sally Silverscreen at Adobe Creative Cloud Express
The Run-Time
Abraham Isaac Lee is the protagonist of The Flamingo Rising. In Larry Baker’s novel, Abraham takes a biographical approach to telling the story, reflecting on various moments that occurred in his life. He even goes into detail about the history of his parents and Grace’s parents. According to IMDB, Hallmark Hall of Fame’s The Flamingo Rising has an hour and thirty-four-minute run-time. As I’ve said before on 18 Cinema Lane, that run-time gives a film’s creative team only so much time to tell a story. Hallmark Hall of Fame’s adaptation of The Flamingo Rising condensed the events in Abraham’s and his family’s life. The book explains how Hubert, Abraham’s father, purchased the land for The Flamingo Drive-In before Abraham and his sister, Louise, were adopted. While Hubert was a soldier in the Korean War, he sent building plans and business ideas to his wife, Edna, who was put in charge of putting those plans into fruition. The purchase of the land and creation of The Flamingo Drive-In, in the movie, took place long after Hubert left the military and in a shorter amount of time. Both Abraham and Louise are teenagers for the majority of the movie, with only one flashback showing the siblings as babies.
There are many characters in The Flamingo Rising. While reflecting on his life, Abraham takes the time to explain who each person in his life is, as well as giving these people a significant presence in the story. Most of these characters were present in The Flamingo Rising movie. But because the film’s run-time is an hour and thirty-four-minutes, their parts of the story were reduced. Abraham’s sister, Louise, is one of these characters. The book reveals Louise grew up to become an actress, as Abraham claims she had the talent for it. In one scene, Louise expresses interest in flying in Harry “Judge” Lester’s plane. This interest was sparked by a promise Hubert made to his children. The movie’s script, however, never addresses why Louise wants to fly with “Judge”. In fact, the audience never sees her flying in “Judge’s” plane. When it comes to Louise’s acting, it was only mentioned once throughout the movie. During a conversation between Abraham and his friend, Gary, Abraham mentions how his sister wants to be an actress someday.
Hallmark Hall of Fame’s The Flamingo Rising VHS cover created by Hallmark Entertainment, Hallmark Hall of Fame Productions, McGee Street Productions, CBS, and Artisan Entertainment
The Budget
From what I’ve heard over the years, a typical made-for-TV movie costs somewhere between one to three million dollars. While that sounds like a lot of money to the average movie blogger, that amount is actually on the lower end of the financial spectrum, when it comes to making movies. If the aforementioned millions were the budget for Hallmark Hall of Fame’s The Flamingo Rising, it would explain why some parts of the source material were cut from the movie. In the book, Abraham shares his family had a temperamental dog named Frank. This dog was so unstable, he not only bit Louise, he was forced to live in an empty room above Abraham’s room, due to the dog’s behavior. In the film, however, Frank the dog is nowhere to be seen and is never acknowledged by any of the characters. If a movie’s creative team chooses to include an animal in their production, the training, veterinary care, and other related expenses will need to be factored into the overall budget. Working with an animal trainer also requires time, something the creative team behind The Flamingo Rising only had so much to spend. Therefore, the inclusion of Frank the dog was an expense the adaptation’s creative team likely thought was unnecessary.
Location scouting is a film-making component also affected by a creative team’s budget. Like I said in my editorial, ‘Redwood Curtain’: From Stage to Screen, a location scout might not be able to secure a location similar to one described in the source material. Even if they succeeded, there’s a process in order to film at a residential building, especially if it’s someone’s real-life home. This process, along with the budget, is the probable reason why the funeral home has a different appearance in the movie than described in the book. Larry Baker’s novel gives the West Funeral Home the look of a “Southern plantation style house”, complete with white columns and Jeffersonian arches. The Home also contains a garage full of hearses and limousines. The Flamingo Rising’s adaptation gives the funeral home a different exterior. Referred to as the Knight Funeral Home in the movie, the facility boasts a bungalow style in a dark green hue. The Home’s garage is not shown on-screen. However, the Home itself does feature a full-sized porch. The funeral home’s interior has more appearances in the book than in the movie. In fact, the only time the Lee family enter the Knight Funeral Home is shortly after Edna dies. For those two scenes, the creative team may have filmed them on a set, away from the building that portrayed the funeral home.
For many years, Hallmark garnered a reputation for presenting themselves as a “family-friendly” company. This has been reflected in their programming, including their Hallmark Hall of Fame productions. As someone who’s read The Flamingo Rising book, I’ll be the first person to say there are some parts of the story that are not “Hallmark appropriate”. One of these parts is Louise’s social life. Abraham, in the novel, recalls how, one night at The Flamingo Drive-In, Louise snuck out with some male college students. During this interaction, these males attempt to take advantage of her. Even though Louise is saved just in time by some of the drive-in’s employees, the ordeal is a frightening one. This event is not included in the movie. The only older characters Louise is friends with are Polly and Alice, who all happen to work at the drive-in. It should also be noted that Abraham and Gary are the only male characters Louise hangs out with in the film.
Louise’s story was not the only one to change in Hallmark’s efforts to keep the adaptation “Hallmark appropriate”. Polly, an employee of The Flamingo Drive-In, is a very problematic character in the book. A reason for this is due to her racism. Polly expresses how she didn’t like her high school becoming integrated. She also thinks Abraham is “too brown”, causing Abraham to have self-image related issues. Even though Polly’s role in the movie is smaller, she never comes across as racist. In fact, racism is never addressed in the film. Polly, along with Alice, appear to get along with both Abraham and Louise. Alice, throughout her time at the drive-in, gives Abraham advice and looks out for him, like an older sibling would look out for their younger brother or sister.
When an author creates a story, they sometimes don’t consider how that work could be translated to film or television. If that author’s work does receive an adaptation, the casting can dictate how the story changes. Abraham describes Alice Kite, in the book, as being “as tall as my mother”. Edna is six feet tall in the novel. Because of her height, Alice wore baggy jeans and shirts, never shorts. Elizabeth McGovern and Angela Bettis were cast as Edna and Alice in the Hallmark Hall of Fame adaptation. According to IMDB, Elizabeth is 5’7, while Angela is 5’3. Alice wardrobe’s, in the movie, included tank tops and shorts. This creative decision was likely made to compliment Angela’s height.
In both the book and movie, Grace looks like her mother. Turner, Grace’s father, tells Edna, in the film, “she looks just like her”, referring to his daughter’s resemblance of his late wife. But Grace’s mother never makes an on-screen appearance, as she dies before the movie’s events. Therefore, The Flamingo Rising’s creative team cast an actress that resembled the actor portraying Turner. William Hurt portrayed the owner of Knight Funeral Home. He appears blonde in the film, despite his character having “coal-black hair” in the book. Erin Broderick was cast as Grace, though it isn’t known if Erin or William was recruited to the movie first.
Since The Flamingo Rising takes place in Florida, I figured featuring this screenshot was appropriate. Screenshot taken by me, Sally Silverscreen. Image originally found at https://www.youtube.com/watch?v=tiBkULOrf7Y.
When I reviewed the Hallmark Hall of Fame movie, O Pioneers!, back in July, I said that story should have been adapted into a multi-part mini-series or a television show. That’s because I felt an hour and thirty-seven minutes was not enough time to tell a story with that many moving parts. I feel similarly about The Flamingo Rising. Because Abraham, in the book, is reflecting on his life, there are a lot of characters and plot points included in the text. With the Hallmark Hall of Fame adaptation being an hour and thirty-four-minutes, Larry Baker’s story was forced to be condensed.
There are several parts of The Flamingo Rising book that were either omitted or changed in the adaptation, due to these parts not being “Hallmark appropriate”. With that said, it makes wonder why Hallmark Hall of Fame chose to adapt Larry Baker’s novel over a story that was more “Hallmark appropriate”? This situation kind of reminds me of when Hallmark Channel adapted At Home in Mitford. Last September, I reviewed the 2017 film for one of my double features. After reading the book and watching its adaptation, I came to the conclusion the network wasattempting to fit a round peg into a square hole, trying so hard to fit At Home in Mitford into their brand of film-making. Perhaps something similar happened to The Flamingo Rising, causing history to repeat itself sixteen years later?
While looking through some of my movie reviews from last year, I came to the realization I only wrote about two Christmas films. To make up for that, I will make a greater effort this year to review more Christmas movies. As it was Veteran’s Day two days ago, I decided the first Christmas film review of 2022 would be for USS Christmas! In the two years since its release, I’ve heard good things about this particular Hallmark picture. The network also has a pretty consistent track record when it comes to their military related Christmas titles. This is not the first time I’ve talked about USS Christmas. Back in 2020, I wrote a Word on the Street story about the project. I mentioned that the only Tiger Cruise movie I knew of was the 2004 Disney Channel movie, Tiger Cruise. Therefore, USS Christmas was filling a creative void that hadn’t been revisited in over ten years.
USS Christmasposter created by Crown Media Productions and Hallmark Movies & Mysteries
Things I liked about the film:
The acting: Jen Lilley portrays the protagonist, Maddie. Her reason for joining the Tiger Cruise was to spend Christmas with her sister, Amelia, who was portrayed by Stefanie Butler. I really liked the on-screen camaraderie between the sisters! While sharing breakfast at a local restaurant, Amelia and Maddie talk about a variety of subjects. Throughout their conversation, Jen’s and Stefanie’s facial expressions changed with fluidity. The actresses also had nice on-screen chemistry, giving the impression the sisters got along really well. It’s been a while since I’ve seen one of Trevor Donovan’s movies. However, I have always thought he was one of Hallmark’s strongest actors. In USS Christmas, Trevor portrayed Lt. Billy Jenkins. At the start of the story, Billy is distant with Maddie, maintaining a sense of professionalism. As the film continues, a kind hearted, more spontaneous side to Billy breaks forth. This progression in Billy’s personality was well executed through Trevor’s acting talents! The naturalness of this progression allowed Billy’s part of the story to be believable.
The set design: Like any Hallmark Christmas film, USS Christmas contained its fair share of seasonal décor. But it was the way this décor was incorporated into the set design that caught my eye. When Maddie’s family has their first dinner on the Tiger Cruise, the dining room is surrounded by white walls. White and blue Christmas decorations are placed in the background, from a blue garland to a white Christmas tree with blue ornaments. These complimentary hues added a sense of elegance to this space! Garland was a nice touch to other sets. A traditional green garland paired with red ornaments and bows was framed around the dark wood windows of the Jenkin family home. A similar looking garland framed the kitchen window of the Contino family home, a room that contained white cabinets. That garland shows how a simple Christmas decoration can complement various different spaces!
The mystery: Mysteries are uncommon in Hallmark’s Christmas films. So, the inclusion of a mystery in USS Christmas was a pleasant addition! In an effort to write a story about finding love on a Tiger Cruise, Maddie finds a journal written by a man named Sam. In this journal, Sam talks about falling in love with a woman named Dorothy. Maddie and Billy spend the rest of the movie searching for Dorothy and Sam, going on a journey to figure out what happened to this couple. While I won’t reveal what Billy and Maddie discover, I will say the mystery itself was intriguing! It gave me a reason to stay invested in the story.
The Tiger Cruise itself getting overshadowed: It’s been years since I’ve seen Tiger Cruise. From what I remember, the cruise itself was focused on to the point where it was its own character. With USS Christmas, I felt the cruise was overshadowed by the mystery of Sam and Dorothy. As I already said in this review, I liked the mystery in this story. However, that part was prioritized above everything else. When Maddie and Billy go to New York, I thought, “Wait, isn’t this movie supposed to be about the Tiger Cruise”?
Underutilized characters: On the Tiger Cruise, Charlotte is boarding alongside her brother, who is a member of the U.S.S. Polaris. Because Charlotte is also a writer, I assumed she would help Maddie in her quest to find Sam and Dorothy. Unfortunately, Charlotte and her brother briefly appeared in the film for about three scenes. These are just two characters I feel were underutilized.
Inconsistent use of Easter Eggs: The inclusion of Easter Eggs can be a nice treat for viewers and, if done right, can be cleverly woven into the story. There were some nice Easter Eggs in USS Christmas. But I was confused what the overarching direction for these Easter Eggs was. Toward the beginning of the movie, I found a few Easter Eggs related to It’s a Wonderful Life, as Maddie says that is her favorite Christmas film. Throughout the movie, there were at least two Easter Eggs referencing Top Gun. I even caught an Easter Egg connected to Hallmark itself. I wish the film’s creative team had chosen one topic for their Easter Eggs and consistently stuck with it.
As I said in the introduction, Hallmark has a pretty consistent track record when it comes to their military related Christmas titles. While some of these titles have been better than others, I haven’t seen a military related Hallmark Christmas movie that was bad or disappointing. With USS Christmas, it was a nice, pleasant film. It isn’t an instant classic for me or a new favorite movie. But, for what it was, USS Christmas was fine. Hallmark’s efforts to tell more creative stories seems to be an exception to the rule. So, I appreciate how the creative team behind USS Christmas strove to create a type of story that isn’t common in entertainment media. It also helps how a mystery was incorporated into the film, as mysteries aren’t often found in Hallmark’s Christmas offerings. I’ve heard Jen Lilley and Trevor Donovan have begun appearing in Great American Family’s (GAF) movies. I’ll have to check out their films from that network!
Overall score: 7.1 out of 10
Have you seen USS Christmas? Which military related Hallmark Christmas movie do you like? Let me know in the comment section!
Even though Hallmark’s Christmas line-ups just started about two weeks ago, the network may be planning ahead for next year’s seasonal programming. While on IMDB recently, I stumbled upon a movie listing for what could be an upcoming Hallmark production. According to this listing, which I included a screenshot of in my article, there appears to be a third Gift to Remember film in the pre-production stage. As of the publication of this Word on the Street story, Hallmark has not made any official announcements about their film related projects for 2023. However, if ‘Gift to Remember 3’ (the project’s current working title) is going to be created, then this would fit a trend Hallmark has been practicing this decade. Since last year, Hallmark has been creating sequels for films that premiered several years ago. Some examples are the following:
The Nine Kittens of Christmas – Sequel to 2014’s The Nine Lives of Christmas
Debbie Macomber’s A Mrs. Miracle Christmas – Continuation of the Mrs. Miracle series, last film aired was 2014’s Debbie Macomber’s Mr. Miracle
A Cozy Christmas Inn — Sequel to 2014’s Christmas Under Wraps
Even though this IMDB listing says “announced”, Hallmark has not made any official announcements about film related projects for 2023. Screenshot taken by me, Sally Silverscreen.
The first film in the Gift to Remember story, A Gift to Remember, was released in 2017. Its sequel, Cherished Memories: A Gift to Remember 2, premiered in 2019. In place of ‘Gift to Remember 3’s poster, the cover for Melissa Hill’s stand-alone novel, The Gift of a Lifetime, is featured on IMDB. Since two of Melissa’s books, A Gift to Remember and The Charm Bracelet, have been adapted into Hallmark films, it would make sense if the network adapted The Gift of a Lifetime into a movie. But it does make me wonder if ‘Gift to Remember 3’ will incorporate elements from The Gift of a Lifetime’s story or if The Gift of a Lifetime will be its own film? While looking back on the aforementioned sequels, I realized they were continuations of movies that first aired in 2014. As of the publication of this Word on the Street story, nine Hallmark Channel Christmas movies from that year have not received sequels. I not only question why the network would choose 2014 specifically on focus their sequel efforts on, but also which 2014 film, if any, will be the next to receive a second chapter?
What are your thoughts on this potential piece of movie news? What book of Melissa Hill’s would you like to see adapted into a film? Please tell me in the comment section!
Have fun at the movies!
Sally Silverscreen
Here is the link to ‘Gift to Remember 3’s page on IMDB:
Last December, I was nominated for The Pick My Movie Tag by Gill from Realweegiemidget Reviews. My selected topic was “A list of must-watch Hallmark film star biopics”. In my quest to find these kinds of films, however, I found very few Hallmark titles about film stars, especially those I’ve seen. More often than not, I came across Hallmark movies that were based on true stories that were not celebrity related. Therefore, I decided for this tag I would write about the top five Hallmark films based on a true story! Before I list the tag’s rules, I’d like to thank Gill for the nomination, as Gill’s thoughtfulness is appreciated.
The Tag’s Rules
Nominate one or more people to review the film or films of your choice. Or you can request they review something from a certain year, genre, or star. Everyone can review the same thing, or you can request each person cover something different. As long as it’s something they haven’t written about yet, you’re good.
Nominees are allowed to request a different pick for whatever reason no more than five times. Stuff happens. We all know it.
Nominees must thank the person who nominated them and provide a link their blog.
Nominees may nominate others to keep the tag going. Picking the person who nominated them is allowed, or they can nominate someone else. Maybe both.
All participants need to include these rules in their post, whether they’re nominees or picking nominees.
All participants should use the “Pick My Movie” banner or something similar in their posts.
It’s been years since I’ve seen The Christmas Choir. From what I remember, I enjoyed this film! The cast as a whole is strong. Quality in acting talents and screenwriting allow the characters to come across as realistic and endearing. The Christmas Choir is one of Hallmark’s more unique Christmas titles, as it doesn’t follow a formula or contain a certain set of Christmas movie tropes and cliches. In fact, it’s surprising this film isn’t a Hallmark Hall of Fame production, as the story of a choir that started in a homeless shelter seems like the perfect material for that collection of movies. Another thing I remember about The Christmas Choir is the genuine good-heartedness the film exuded. As the Christmas season is on the horizon, this may be a movie I end up revisiting!
2. Hallmark Hall of Fame’s The Courageous Heart of Irena Sendler (2009)
I first talked about this film in my tier rank list of all the Hallmark Hall of Fame movies I’ve seen. In that list, I mentioned the film’s presentation, as the film itself felt like a theatrical release. However, that’s not the only strength The Courageous Heart of Irena Sendler contains. Historical accuracy is an element that Hallmark Hall of Fame productions have, more often than not, executed well. This film is no exception, as the movie appropriately reflects the story’s time period! Movies like The Courageous Heart of Irena Sendler make me wish Hallmark had created more period dramas. Yes, we have When Calls the Heart. But, to me, that feels like the exception to the rule.
3. Hallmark Hall of Fame’s A Smile as Big as the Moon (2012)
If you asked me to name a “space camp” movie, A Smile as Big as the Moon is the first one that comes to mind. As I said in my aforementioned tier rank list, this film is the perfect example of what a Hall of Fame title should be. I still stand by that statement, with the movie containing so many good components! Similar to The Christmas Choir, the strong acting performances and screenwriting brought to life characters that were worth rooting for. It was also interesting to see what it takes to be enrolled in space camp. The story’s messages and themes are just as relevant today as they were in 2012 or even the late 80s, when the story takes place. A Smile as Big as the Moon is a Hallmark Hall of Fame title that I consider a classic!
4. The Color of Rain (2014)
In my opinion, The Color of Rain is Lacey Chabert’s best film from Hallmark. One reason why is the story in this film is so different from those in Lacey’s other Hallmark movies. The Color of Rain does contain sadder moments, as both families are dealing with the death of a family member. But similar to films like Holly and Ivy, the movie’s creative team adopted a balance between sorrow and joy. It also helps how the cast’s acting talents were strong, as it allowed the characters to be memorable. The more I think about The Color of Rain, the more it feels like a Hallmark Hall of Fame title.
5. A Godwink Christmas: Meant for Love (2019)
Personally, I enjoyed this sequel in the “Godwink” series more than the first film. A Godwink Christmas: Meant for Love does a better job at explaining and showcasing what a “Godwink” is. Like Holly and Ivy and The Color of Rain, this movie’s creative team successfully balances joy and sorrow. I also think Cindy Busby’s portrayal of Alice is one of her best performances, as it is well-rounded and contained emotionality. In a year when Hallmark premiered new films weekend after weekend, A Godwink Christmas: Meant for Love was, to me, one of their stand-outs. I may have to seek out the other two films in this series.
Well, this is it. The final re-cap of Chesapeake Shores. They say “nothing lasts forever”. But honestly, I didn’t think this show would end as soon as it has, especially since I’ve never re-capped a show that was ending before. I will admit I was skeptical of the last season’s overall quality. Since last seasons of television shows are more often than not weak, I wondered if Chesapeake Shores would be any different. For the most part, though, this season has been fine. I like how the show’s creative team emphasized tying up loose ends and creating a cohesive narrative. Are there stories that could have been better written? Sure. Compared to other last seasons, however, the stories could have been a lot worse. I know six seasons is a pretty good run. This show has had its stellar and not-so-stellar moments since it came to Hallmark in 2016. However, in my opinion, Chesapeake Shores never became “bad tv”. I never walked away from it, like I did with Good Witch, and the resolutions were more satisfying than Cedar Cove.
Just a reminder: If you did not see this series finale of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 10
Name: All or Nothing at All
Abby and Evan’s story: Abby receives news that Mick is retiring, leaving the O’Brien’s construction company solely to her. As the business’ new leader, one of the first things she does is offer Mandrake an assistant position, which he says he’ll consider. She also crosses paths with Evan, who is still thinking about his father, John. During their interaction, Evan shares with Abby how his mom has had bad taste in boyfriends. He even recalls how his mom’s last boyfriend was so abusive, he and his mom were forced to flee their home. After his conversation with Abby, Evan decides to give John a second chance. Evan finds John on the beach, considering going kayaking. Not only does Evan apologize for his behavior in the previous episode, he and John reminisce over the memory of Evan’s mom. They also agree to go kayaking, as John tries to do one new thing every week. After Mick and Megan’s wedding, Evan takes Abby to his new house. Even though she is impressed by what she sees, Abby is surprised to hear jazz music playing throughout the house, knowing how much she loves it and Evan doesn’t. She is also surprised when Evan proposes to her. Not only does she say yes, Abby also agrees to move in to Evan’s new home.
Mick and Megan’s story: Mick and Megan share their engagement news while meeting their grandson. They plan to re-marry within that week, agreeing with Jess to host the wedding service at the bed and breakfast. Megan also plans to take some time off work, in order for her and Mick to finally take that trip around the world. With the wedding fast approaching, Megan is still looking for “something old”. Mick ends up re-giving Megan her old wedding band, revealing he never got rid of it. The day of the wedding arrives, with the ceremony running smoothly. Mick and Megan host their reception at the O’Brien family home.
Kevin and Sarah’s story: Kevin successfully delivers his son, who he and Sarah name Mick Jr. After they arrive home from the hospital, Kevin plans to visit some universities, in order to see which medical school will be the right choice for him. He not only visits John Hopkins, he also considers applying to University of Pittsburgh. Toward the end of the episode, Kevin reveals he will apply to both universities.
Connor and Margaret’s and Jess and David’s story: Margaret is upset Connor took Mr. Peck’s case against her wishes. Despite co-leading the firm, she doesn’t feel like an equal partner. Margaret eventually forgives Connor, as she discovers who likely framed Mr. Peck. According to the documents David gave Connor and Margaret, it appears Baron, Mr. Peck’s business associate, was taking the money. Though the documents don’t prove anything, they could help them possibly win the case. Margaret and Connor visit David at The Inn at Eagle Point to share the good news. Later that day, David shares this good news with Jess. He also thanks Jess for supporting him during his family’s struggles. Jess has good news to share too, as she reveals she is pregnant.
Bree and Luke’s story: Luke has been reflecting on his recent experiences. He feels Bree shouldn’t be dating him, as he doesn’t want to burden her. Luke arrives at Bree’s house to tell her how he feels. Bree doesn’t want to end their relationship, as she wants to stand by Luke through his struggles. At first, Luke decides he isn’t attending Mick and Megan’s wedding, as he wants to make “a clean getaway”. But he changes his mind, with him and Bree agreeing to give their relationship a chance.
Toward the end of this episode, there was a montage of the O’Brien family sitting around the fire pit over the show’s six seasons. A female vocalist sang the show’s theme song as the images played on screen. While this was a simpler way to commemorate Chesapeake Shores, I liked this part of the episode. It was not only bittersweet, but also a nice trip down memory lane.
Similar to the previous episode, there were too many stories in the series finale. As I’ve said before, I recognize the show’s creative team tried their best to tie up as many loose ends as they could. For the most part, they did a job well done. But I wish some of these stories had been drawn out throughout the season. Mr. Peck’s case is a good example of this, as it could have received a stronger resolution.
While Nell was mentioned throughout the final season, I wish she had appeared in, at least, the last episode. I’m not sure why Diane Ladd didn’t appear in the sixth season. But her absence in this chapter was definitely felt. In the previous season, Nell seemed to get along really well with Arthur. I honestly thought this relationship would be revisited before the show ended. Sadly, it looks like that story will never get resolved.
In this episode of Chesapeake Shores, David is still concerned about his father. These concerns consume him to the point of accidently planting flowers upside down. When Miranda, the bed and breakfast’s newest guest, sees the upside-down flowers, she tells David, “Don’t grow your troubles”. Miranda’s advice may seem easier said than done. But it is still a useful piece of advice. Specifically speaking about Jess and David’s troubles, there are various ways they could resolve them. Even though I will share their decision in this re-cap, sometimes one of the best decisions is to step away for a little while. This time away could help one gain a new perspective, see details that were unaddressed before. As the show comes to a close, it seems like these troubles are finally getting resolved.
Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 9
Name: Spring Can Really Hang Up the Most
Abby and Evan’s story: Evan is meeting his father for the first time. As his father, John, tells Mandrake and Abby how he met Evan’s mother and why he didn’t stay in contact with her, Evan is upset about these pieces of information. Evan not only calls out Mandrake for bringing John to the O’Brien family home, he also leaves the house, telling no one of his whereabouts. At a fancy restaurant called Giovanni’s, Mick crosses paths with Evan. While drinking at the restaurant, Evan confesses his father isn’t his father, as he abandoned him and his mother. When Mick offers him a ride, Evan accepts the invitation. Meanwhile, in Chesapeake Shores, Abby receives a call from Caitlyn’s school. According to the call, she has been suspended for fighting with her friend, Sloane. But after the meeting in the principal’s office, Abby learns Sloane isn’t who she says she is. Caitlyn shares with her mom how Sloane has actually been bullying her. The bullying became so bad, Sloane convinced Caitlyn to dye her hair blue, the insults about her hair escalating into the aforementioned fight. After helping Caitlyn wash out the blue hair dye, Abby reminds her daughter how true friends will like her just the way she is.
Later in the episode, Abby learns Evan has fired Mandrake. Understandably upset by this, Abby thinks something should be done about Mandrake’s loss of employment and Evan’s recent behavior. Mandrake reassures her how he will be fine, all things considered. He even reveals how he and Evan met. Many years prior to moving to Chesapeake Shores, Evan got in a car accident. Because Mandrake was living under a bridge, at that time, he was able to pull Evan out of the burning vehicle. Evan commented how Mandrake was magically at the right place at the right time. This is why Evan called Mandrake by that name instead of his real name, Alan, referring to “Mandrake the Magician”.
Mick and Megan’s story: Mick is planning on proposing to Megan, again. He not only consults members of the O’Brien family about this, he also consults his NA sponsor. Mick chose a ring and makes a reservation at a fancy restaurant called Giovanni’s. On their way to their date, Megan can tell Mick is nervous. She even becomes suspicious when they arrive at the restaurant and order her favorite dessert. As she’s eating her crème brulee, Mick appears concerned about what’s not in it. That’s because he put the ring in the crème brulee. After looking through the other dessert, Mick and Megan discover the ring ended up in someone else’s crème brulee, causing them tooth problems. Outside of Giovanni’s, Megan receives the ring from Mick. As he is about to propose, Mick gets a call from Kevin, proclaiming the baby will be born soon. Before they drive away, Megan accepts the proposal.
Bree and Luke’s story: While Luke was shot by the robber from the previous episode, the bullet bounced off his ribcage and became stuck in his arm. He ends up in the hospital because of his injuries. During his hospital stay, Luke’s parole officer pays him a visit. He informs Luke the convenience store incident took place outside of his jurisdiction. But because Luke saved the cashier’s life, he won’t be sent back to prison. Afterwards, Mick and Bree visit Luke in the hospital, reminding him how lucky he is. Meanwhile, at The Inn at Eagle Point, Miranda and Bree discuss the film adaptation. Miranda is looking for someone to write the screenplay. Despite having little to no screenwriting experience, Bree convinces Miranda to hire her as the film’s official screenwriter. The convincing seems to have worked, as Miranda agrees to Bree’s idea. But later in the episode, Miranda reveals she has accepted a villain role in a Marvel production. This means Bree’s film adaptation has been indefinitely put on hold.
Jess and David’s story: David and Jess’ problems have consumed their lives. In an effort to take their minds off of their problems, they agree to go on a picnic, away from the bed and breakfast. They also agree to not bring their phones. At the beginning of the picnic, David and Jess have no idea how to relax. Trying to forget about their worries, they look at the clouds, imagining shapes within them. But all they see are things related to their problems. During this picnic, David confesses how his missing trust fund allowed him to break free from that part of his life. He also shares with Jess how he can now live for himself. The rest of the picnic goes according to plan. When they return to the bed and breakfast, Miranda offers to invest in Jess’ vineyard idea. As Jess is accepting Miranda’s offer, Connor arrives at The Inn at Eagle Point. He tells David he and Margaret will accept Mr. Peck’s case.
Kevin and Sarah’s story: In his spare time, Kevin makes a financial plan for his and Sarah’s future. This plan is so detailed, it even includes steps toward retirement. Sarah is overwhelmed by this plan. Her only focus is to have a successful delivery. While Kevin is on an EMT job, Sarah goes into labor. Kevin and his fellow EMT pick Sarah up in their ambulance. But the baby is coming a lot sooner than expected. At the end of the episode, it is implied Kevin will deliver the baby in the back of the ambulance.
I’ve seen some fans on Twitter state they’d like to see a Chesapeake Shores Christmas movie. While I like that idea, I don’t think it will, realistically, happen. So, when Miranda and Bree discussed adapting Bree’s book into a movie, I thought turning that part of the story into a film could serve as a good alternative to the aforementioned Christmas movie idea. Miranda putting the adaptation on indefinite hold was disappointing, as it ended that idea before it even started. But after this show ends, it doesn’t seem like Chesapeake Shores will be a priority for Hallmark any more.
During Jess and David’s picnic, David compliments her hair. Jess then tells him she washed it, with David asking if she washed her hair for him. As soon as I heard this conversation, I immediately recognized it as a reference to the movie, A Summer Place. While I don’t know why this movie would be referenced on Chesapeake Shores, I thought David and Jess’ conversation was hilarious!
While I think this season of Chesapeake Shores has been fine, this episode contained too many stories. I recognize the show’s creative team tried their best to tie up as many loose ends as they could. But some of these stories should have either been drawn out or resolved much sooner. Evan’s story is a perfect example of this. Instead of meeting his father in the second to last episode of the season, this encounter should have taken place in the second or third episode. That way, the audience could not only get to know more about John, a father and son relationship could also form and grow between Evan and John.
When Evan talks about his family in this episode of Chesapeake Shores, Mandrake tells him how hope was found at the bottom of Pandora’s Box. The fact Mandrake would say something so profound is not surprising. But what he said was interesting. Pandora’s Box is, more often than not, associated with negativity. I remember hearing a saying about not being able to close Pandora’s Box once it’s opened. When you take “Pandora’s Box” out of the equation, though, you remember how there are such things as good boxes. Presents are a perfect example, as you anticipate what might be inside them. Sometimes, a person is gifted what they need instead of what they want. This is the case for Evan, as Mandrake likely knew hope is what Evan needed.
Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 8
Name: I Get a Kick Out of You
Abby and Evan’s story: Evan finally receives his DNA results. Not only does he learn about several of his quirks, he also learns he has cousins in Florida. For the majority of the episode, though, Evan avoids exploring this part of his family’s history. He even takes up magic again, a hobby he had when he was a child. While performing a card trick for Caitlyn and Carrie, Abby talks to Mandrake about Evan’s hesitance. Mandrake explains how Evan has been on his own for so long, he’s afraid of letting others get close to him. Later in the episode, Evan confesses to Abby he’s wanted to know more about his father since he was a teenager. He then tells Mandrake to visit his cousins in Florida. Several days later, Mandrake returns to the O’Brien family home with Evan’s father in tow.
Bree and Luke’s story: Kevin and Sarah’s baby shower is just around the corner. This makes Bree realize she still doesn’t have a gift to give them. Meanwhile, Miranda Livingston arrives in Chesapeake Shores to discuss the movie deal of Bree’s book. Because Bree has never met Miranda before, she doesn’t know what to expect. Miranda’s down-to-earth personality catches Bree off-guard. When sitting in on one of Bree’s classes, Miranda gives Bree some public speaking related advice. Bree isn’t sure what to make of Miranda. At Kevin and Sarah’s baby shower, where Bree gives them a collection of children’s books, Bree turns to Evan about Miranda. Evan reassures her that Miranda is a genuinely good person, recalling their time together on Celebrity Jeopardy. While Luke attends Kevin and Sarah’s baby shower with Bree, he can only stay for a little while. This is because he wants to lay flowers on his parents’ graves. After visiting the cemetery, Luke goes to a convenience store. During this trip, a robber enters the store, demanding the cashier hand over the money from the register. Luke tries to deescalate the situation, even knocking the robber’s gun out of his hand. The scene ends with someone getting shot off-screen.
Jess and David’s story: Jess is hosting a War of 1812 reenactment weekend at The Inn at Eagle Point. While this event is taking place, she has doubts about the longevity of the bed and breakfast. She’s also frustrated she still hasn’t found an investor for her vineyard. She discusses these issues with Bree and David, who assure her she’ll find a way to make things work out. Meanwhile, David believes his father might be innocent. He presents the computer files to Conner and Margaret, who tell David to hand them over to the FBI. Several days later, FBI Agent Malik arrives at The Inn at Eagle Point. She appreciates David handing over the computer files. But she informs him there will still be a trial. David also turns to Mr. Peck’s business associate, Baron. Even though Baron doesn’t know who exactly is guilty, he believes Mr. Peck is innocent. When all of his options to hire a lawyer don’t work, David turns to Connor and Margaret for help.
I know Mandrake meant well by bringing Evan’s father from Florida. But the fact he didn’t let Evan know ahead of time was out of character for him. Ever since he was introduced last season, Mandrake always looked out for Evan’s best interests. From what I recall, he never did anything without Evan’s permission. So, all of a sudden, Mandrake does something against Evan’s wishes? To me, that was a break in continuity.
The commercial for this episode was somewhat misleading. When Bree and Luke were featured in the commercial, Luke says something along the lines of how he needs to be on his own. Bree then appears concerned over what Luke told her. That scene’s presentation in the commercial gave the impression Luke and Bree were experiencing another relationship related issue. But in the episode, Luke was telling Bree he was going to visit his parents’ graves.
Toward the end of the episode, Kevin confesses to Sarah how he wants to go back to medical school to become a doctor. While this is a great chapter in Kevin’s story, we only have two episodes left until the show is over. According to the commercial for the next episode, it looks like Sarah might give birth. Maybe there will be another time-jump in the series finale?
Bree reveals to Luke how she doesn’t like birthdays. As her birthday is approaching, all she wants is treat it like any other day. While I feel birthdays should be a day of celebration, Bree might have an interesting point. Over the years, I’ve heard quotes about how bigger moments are made up of smaller moments. I also remember a quote from the 1997 film, Titanic, about making every moment count. Based on this episode, my guess is Bree just wants every day to be equally celebrated. This isn’t necessarily a bad thing, as that’s why the present is called “the present”: every day can be a gift.
Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 7
Name: It’s Not For Me to Say
Abby and Evan’s story: During a visit to the O’Brien family home, Evan says he feels like he’s known Abby forever. Abby asks if he’s saying he loves her. Before Evan can answer, Mick walks into the kitchen. Because Evan didn’t answer Abby’s question, Abby wonders throughout the episode if Evan loves her. She asks Kevin for advice, but he, once again, is no help. Later, in the episode, Abby confronts Evan about the unanswered question. This makes Evan wonder if she loves him back. They agree to say their responses at the same time. While Evan says, “I love you”, Abby says “You love me”. However, she does tell Evan she loves him. Toward the end of the episode, at an O’Brien family dinner, Evan shares with Abby how he wants to take a DNA test. This is because he wants to learn more about his family.
Kevin and Sarah’s story: Six months after the events of the previous episode, Kevin and Sarah are at their ultrasound appointment. Despite not wanting to know the gender of their baby, Kevin catches a glimpse on the ultrasound screen. Unsure what to do about the situation, he turns to Bree for advice, with Bree telling her brother he needs to comes clean with Sarah. He also tells Mick about his dilemma, learning more about his father during their conversation. Kevin does eventually tell Sarah what he saw, his wife delighted by this latest discovery. At the O’Brien family dinner, Sarah and Kevin reveal there are having a baby boy.
Mick and Megan’s story: When Megan returns from Los Angeles, Mick decides to take her on a date to a local, fancy restaurant. On this date, Mick tells Megan he’d like her to move back into the O’Brien family home. She refuses this offer, as she doesn’t want to disrupt Mick’s recovery. Later in the episode, Mick reveals to Megan he built a pergola in the O’Brien’s backyard. Megan is impressed when she sees this structure in person, especially since she claims to have waited over twenty years for it. This is where Megan tells Mick she needs some more time to decide what to do next. Toward the end of the episode, at the O’Brien family dinner, Megan asks Mick to retrieve an item from his room. When he goes to his room, Mick finds Megan’s suitcases, indicating she decided to move into the O’Brien family home.
David and Jess’ story: Jess is finding it difficult to secure a business loan from the bank. Even when she tweaks her business plans, it isn’t enough to receive a loan. Meanwhile, David gets a call from his dad’s lawyer. Mr. Peck wants his son to visit him at the Washington D.C. prison he’s currently in. David reluctantly visits his dad, but only as a cathartic experience. When David goes to the prison, Mr. Peck still claims his innocence. He also tells David about a secret apartment he owns in D.C., along with a flash drive containing valuable information about his company. Mr. Peck even encourages his son to contact the only business associate who didn’t abandon him. When he arrives at The Inn at Eagle Point, David looks through the files on the flash drive. This makes him start to think his dad was really framed.
Bree and Luke’s story: While talking about their relationship, Bree and Luke discover their birthday is on the same day. They also discover they don’t like birthdays. Bree and Luke tell each other not to give presents. But throughout the episode, they second guess themselves. They even turn to Kevin for advice on this issue. On their birthday, Bree gives Luke a glass plant holder for his cactus. Meanwhile, Luke didn’t give Bree a present, as that was their original agreement. He also gets a cake that says “Happy Birthday Luke and not Bree”. At the O’Brien family dinner, the O’Brien family sings “Happy Ordinary Day” to Luke and Bree.
Before this season premiered, I assumed there would be a time jump in the series finale, as a way to tie up the last remaining loose ends. But since this time jump happened at about the season’s half-way point, it only makes sense for Kevin and Sarah’s story. After that six-month time jump, it seems like not much has changed for the other characters. It also makes me wonder if Caitlyn will share what her “whatever” was she brought up in the previous episode? I’m starting to think this time jump was an unnecessary creative decision.
This episode was a mixed bag. On the one hand, I have been impressed with David and Jess’ story! It has been intriguing, keeping me on the edge of my seat. Jess has even come a long way since she was introduced back in 2016. On the other hand, though, Bree and Luke’s story was not only the weakest one in this episode, it’s, so far, the weakest one this season. Did we need an hour-long story about Bree and Luke struggling to not get a gift for one another? I’m hoping their next story is much stronger than this one was.
As I said in this re-cap, Mick built a pergola for Megan. Between his job and recovery process, how did he find the time to build it? With this six-month time jump, I’m guessing Mick built the pergola a little bit at a time. However, I wish the dialogue had provided a clearer explanation.
The Hallmark Hall of Fame adaptation of Redwood Curtain is based on a Broadway play. It was also released in 1995. With these facts in mind, I found Redwood Curtain to be the perfect subject for the Fifth Broadway Bound Blogathon. Prior to this event, I saw the movie and read the play. This lent itself to an interesting idea. Discussions about film adaptations often feature films adapted from books, short stories, or poems. Movies born from plays aren’t often included in the conversation. So, I decided to write an editorial highlighting the similarities and differences between the Redwood Curtain play and film. This article contains spoilers for the story of Redwood Curtain.
On the stage, Redwood Curtain contains three characters: Lyman, Geri, and Geneva. While there are other characters in the story, they’re only mentioned within the dialogue. Geri’s father, Laird, is one of these characters. According to the script, Laird was a desk-jockey lieutenant in the Vietnam War. This means he “didn’t see a day’s fighting, to come completely unglued in the war.” Laird taught Geri how to play the piano simply to entertain dinner guests. He also developed a dependence on alcohol and died two years prior to the play’s events. Laird is even described as a “drunk.” Because Laird never physically appears in the play, all the information about him is hearsay.
John Lithgow portrays Laird in the film adaptation. The film version of Laird did fight in the Vietnam War, though his specific role was never mentioned. Like in the play, he develops a dependence on alcohol. However, this dependence was Laird’s attempt to cope with war-related trauma. Toward the end of the movie, Geneva shares with Geri how Laird wanted to be a pianist, but didn’t feel he was talented enough. So, he became invested in Geri’s piano career, appearing to live vicariously through his daughter. His presence in the movie shows the audience the strained, yet close relationship between Geri and Laird. Laird’s death within the film’s first half and Geri’s discovery that Laird is her biological father are presented as bittersweet moments.
Redwood Curtain poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)
Expanding the World
The majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. A few scenes happen in Geneva’s house, Geneva’s car, or a local coffee house. Geri’s first encounter with Lyman is when the play starts, with the lead-up to this moment woven into the dialogue. Events such as Laird’s death take place off stage, prior to the play’s story. The creative team behind a play is given a limited amount of space and time to work with. Therefore, designating a few key locations makes sense among these limitations. In the Redwood Curtain play, Geneva’s house is described as “a large and very fine Victorian house.” The script states her house contains a music room as well. When presenting this play at a theater, only the home’s sitting room and music room would be staged and the style of the house would be heavily implied through décor and set structure.
A plus side to film-making is the freedom to take the story wherever the film-maker chooses. If a movie’s creative team desires to adapt a stage play, that story has the opportunity to grow beyond the boundaries of a stage. In the case of the Redwood Curtain film, the events from the play are contained in the story’s second half. That means the movie’s first half takes place in and around the Riordan family home. This inclusion not only expands the world the characters exist in, but also gives the audience a glimpse into Geri’s world that they wouldn’t have seen otherwise. Filming on location provides benefits to visual storytelling. However, that creative decision has its own limitations. Using Geneva’s house in the movie as an example, a location scout might not be able to secure a location similar to one described in the source material. Even if they succeeded, there’s a process in order to film at a residential building, especially if it’s someone’s real-life home. That’s probably why Geneva’s house is presented as a smaller log cabin with a large deck, but no music room.
A picture of the Redwood Curtain play from my copy of the play’s script. Screenshot taken by me, Sally Silverscreen
Geri’s Motive
In both the play and movie, Geri attempts to search for her biological father. This attempt is the story’s main conflict. Geri’s reason for her search was different in each version of Redwood Curtain. In the play, Geri knew some information about her past. Prior to the start of the play, Geri discovered Lyman tried to help her and her biological mother get to the United States. The script mentions that Geri began her search when she was twelve. Her search turns into an obsession, to the point of abandoning her musical endeavors. In fact, the play’s synopsis states Redwood Curtain “is a story of obsession and discovery.” Though the information Geri received was partly true, she eventually learns more through her interactions with Lyman.
The movie version of Geri has three motives for her search. Wanting to receive answers about her past was the first motive. The film’s script heavily implies Geri did not know much about her past until the events of the movie. Yes, she was aware she was adopted. But Geri’s belief that Lyman was her biological father stemmed from a photo and a note bearing the name ‘Raymond Farrow’ that Laird gave his daughter after he died. At various moments in the movie, Geri expresses how she feels she doesn’t belong. She even shares these thoughts with the Riordan’s house-keeper, Matilda. These feelings fuel Geri’s journey of self-discovery and finding her biological family. Her third and final motive is her music, which plays a crucial role in Geri’s life. Geri believes if she finds her biological father, she will be able to incorporate more emotion into her musical pieces.
As I’ve said before on my blog, a film’s title can serve as a promise to the audience. In the case of Redwood Curtain, the audience should expect not only to see redwoods, but also to receive an explanation of what the “redwood curtain” is. The “redwood curtain,” in both the play and movie, is the redwood forest itself, where Vietnam veterans choose to live their lives. This is one of the reasons Geri meets with Lyman in the forest. While Geri learns about the “redwood curtain” in each version of the story, the way she learns about it is different. An Arcata Union reporter provides the explanation for the “redwood curtain” to Geri in the play. In the movie, she is given this same explanation by a gentleman working at Arcata’s veterans’ office.
As I mentioned above, the majority of Redwood Curtain’s story in the play takes place in Arcata’s redwood forest. The redwood forest in the movie only appears in the story’s second half. Because of how often or little this location appears in the story, its association with the characters and the themes connected to it depend on these appearances. Topics relating to the environment are brought up throughout the play. When Lyman asks Geri why she’s visiting Arcata, she tells him she’s studying horticulture and botany at the local college. Geri also claims to have magical powers, which allow her to do things such as control the weather. Within the play, Geneva talks about how her family’s portion of the redwood forest is being bought out by investors. While this part of the story is also in the movie, it is discussed in more detail in the play, from Geneva bringing up the specifics of the sale itself to describing Arcata’s weather. The theme of family connects with the redwood forest in the movie. The Riordan family owns a portion of the redwood forest. While Geri stays at Geneva’s house, Geneva shows her niece a wall of family photos. These photos showcase various members of the Riordan family in the redwood forest. The number of photos and whether or not the photos are in black-and-white indicate how the forest has been in the family for generations.
When I brought up the movie version of Laird, I mentioned how he depended on alcohol to cope with war-related trauma. I also mentioned how Geri learns about the “redwood curtain” at Arcata’s veterans’ office. These are just two examples of how the movie includes the subject of veterans’ well-being. In the history of Hallmark films, veterans have been presented with a sense of reverence and respect. Veteran-related issues have also been included in Hallmark’s programming. An example is a veteran struggling with trauma in Signed, Sealed, Delivered: Lost Without You. Even though the film adaptation of Redwood Curtain was released a decade before Hallmark debuted the Hallmark Channel, this tradition can be seen and felt in this Hallmark Hall of Fame presentation. At Laird’s funeral, Geri shares with Geneva how she wished the family had addressed Laird’s alcohol dependency sooner. Geneva reminds her niece how Laird had a problem related to his experiences in the war. Geri says the family’s politeness and willingness to skirt the issue are what enabled Laird’s struggles. The points Geri makes to her aunt highlight how seriously these topics are taken in this adaptation.
While veteran-related issues are brought up in the play, it was never enough to be one of the story’s main topics. Compared to the movie, there isn’t the same amount of reverence for veterans. During her first interaction with Lyman, Geri’s personality is pessimistic and bitter. When Lyman asks Geri about the translation of her hometown’s name, Geri responds by saying, “Well, you’re not Spanish. You must belong to the other half of the country’s population.” After Geri learns Laird was her biological father, she says, “You’re right, Lyman, he was the saddest man I’ve ever known.” Geri also says, “And I thought I was joking when I said to follow in my father’s footsteps I had to mope and pine and drink myself to death. Not a very promising path he’s laid out for me to follow.” With the way veterans’ well-being wasn’t addressed, it made the play seem less hopeful. It also seemed like none of the characters were willing to find any solutions.
As mentioned above, I said Lyman, Geri, and Geneva were the only three characters to physically appear in the play. These three characters also serve prominent roles in the movie. Geri’s personality in the play was pessimistic and bitter. She was also disrespectful when talking to Lyman or talking about Laird. In the movie, however, Geri was a more empathetic character. While interacting with Matilda in the Riordan family kitchen, Laird recalls a memory of Geri when she was younger. In this memory, Laird was tearing up as he was chopping onions. Upon seeing this, Geri asks if Laird is sad because the onions are hurt.
Lyman, in both the play and movie, shares parts of his life story with Geri. In the play, though, more of this information is given. Toward the end of the movie, Lyman tells Geri how, before the war, he would fix and race cars with his dad. He also talks about how he never dated a crush he had. Lyman in the play not only drag-raced vehicles, he also worked in his dad’s garage. He recalls owning a Mustang Boss 302 and never having a girlfriend. Geneva’s family’s portion of the redwood forest was being bought out by investors. As a result of this, Geneva, in the play, is planning on moving to Key Biscayne, Florida, with her husband, Barney. In the movie, however, Geneva expresses no interest in moving out of Arcata. In fact, after one of Geri’s piano performances, Geneva tells Laird how she plans on fighting to keep her land. She and Barney are also divorced.
The cover of my copy of the play’s script. Screenshot taken by me, Sally Silverscreen
After I watched and read Redwood Curtain, I ended up liking the movie adaptation over the source material. What worked in the Hallmark Hall of Fame presentation’s favor was how the story was expanded. Not only were more locations added to the characters’ world, more context was given than the play provided. Even though there were more characters added to the film, the cast as a whole was smaller. Through their interactions, the audience gets a more intimate look into the characters’ relationships. The changes to the characters from the play made them more likable, especially Geri. Both the screenwriting and acting allowed Geri to be one of the strongest protagonists in Hallmark movie history. Redwood Curtain reminded me of another Hallmark Hall of Fame movie based on a play: The Boys Next Door. Similar to Redwood Curtain, The Boys Next Door contained multiple locations and provided context to each of the key characters. Since I have seen the 1996 adaptation, but have never read the play, perhaps another comparison and contrast editorial is in order.