In 2020, it seems like the world of film has been plagued with bad news because of the Coronavirus. Multiple movies saw their premiere dates pushed back as far as a year. Productions all across the world were temporarily placed on hold. Several events were cancelled or postponed, as well as businesses closing their doors for the time being. Recently, however, it seems like things are looking up. Film crews are slowly going back to work. Several occupational operations have picked up where they left off. Even some theaters have opened their doors again. In this Word on the Street story, I will be talking about films that are about to go into production, as of June 2020. Also, I have news about a film that I have mentioned on 18 Cinema Lane before. As I usually do, I will share my thoughts on these stories. Now, let’s talk about some good news in the world of cinema!
Last year, in my post called “A Movie Blogger’s Christmas Wish-List 2019”, I said I wanted to see Words on Bathroom Walls receive a distributor. I’m happy to report my Christmas wish came true! In an article from Deadline, Dino-Ray Ramos writes how Roadside Attractions agreed to be the film’s distributor. The article also states Words on Bathroom Walls “is set to debut nationwide August 7”. This movie “marks the first theatrical release for both companies [Roadside Attractions and LD Entertainment] since the coronavirus pandemic”. Even though the film now has a release date, there remains the possibility for it to be pushed back. For months, Tenet was scheduled for a premiere in July. However, Pamela McClintock, from The Hollywood Reporter, shares that August 12th is the new date for the film’s release. I think this news about Words on Bathroom Walls is the best movie news I’ve talked about this year! I read the book and it’s become the best one I read in 2020! We don’t know how things will be in August, in relation to the Coronavirus. Hopefully, I’ll have the chance to see Words onBathroom Walls and review it or my blog.
Sources for this story:
As I said in the introduction, film crews are slowly going back to work. With some popular filming locations lifting lock-down regulations, studios and movie companies are either finishing or starting projects. One website, called Hollywood North Buzz, has recently listed several titles that are either currently in production or will soon be in production. These titles are the following:
For Better or Worse (Ended filming on June 23rd)
Kite Festival of Love
Wedding Every Weekend
Beverly Hills Wedding
My One True Love
Another website called JC Films announced an upcoming Christmas film titled “Light Up Night”. The film will star Dean Cain and will begin filming this July. According to the article, the film “is about all the community Christmas events wrapped around a modern-day Biblical story of Ruth”. More movie titles are listed on the website Creative BC, with production dates coming in the near future. These films are:
Aurora Teagarden Mysteries: Reunited and It Feels So Deadly
Deliver By Christmas
When reading these titles, one will note that they all sound like they belong to Hallmark. However, as of June 2020, the only films that are confirmed to be a Hallmark production are “Wedding Every Weekend”, which was confirmed by star Paul Campbell, according to the Twitter account Hotline to Hallmark, and ‘Aurora Teagarden Mysteries: Reunited and It Feels So Deadly’. While looking at the list, I noticed how most of the titles reference Christmas or weddings. If these movies are Hallmark projects, my guess is the wedding themed movies are created in preparation for next year’s “June Weddings” line-up. As for the Christmas movies, it’ll be interesting to see how many of them will be included in the “Countdown to Christmas” or “Miracles of Christmas” line-up.
When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shoreswas renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.
Tone down the relationship drama
As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shorescontained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.
2. A wedding for Jess and David
Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.
3. Get rid of the love triangle
It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.
4. A subplot for Carrie and Caitlyn
Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.
5. More episodes
Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.
6. The fruition of Trace’s recording studio
Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.
7. For Bree and Simon’s paths to cross again
When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.
8. More appearances for Nell
Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue together in the O’Brien family together. Without her, things just wouldn’t be the same.
9. A Chesapeake Shores Movie
I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.
10. Megan becoming a successful businesswoman
You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.
Yesterday, on June 9th, Orion Pictures/MGM Studios released an official trailer of the upcoming film, Bill & Ted Face The Music! The studio also released an official poster for the movie! I haven’t seen any of the films in the Bill & Ted series, but I really like what I’ve seen and heard about this third film so far. The poster itself adopts elements that were found in film posters from the past; artistic visuals that come together to create a singular image conveying mystery and intrigue. As for the trailer, I found it hilarious, as it had the kind of random humor that I resonate towards. This marketing campaign makes me want to watch the previous two Bill & Ted films! As of June 2020, the film has an August 21st premiere date. Bill & Ted is not the only Hollywood IP that has received sequel related news. Two weeks ago, Chris Murphy from Vulture reports how Sonic the Hedgehog will get a sequel! According to the article, “Paramount Pictures and Sega Sammy have begun development on a sequel to Sonic the Hedgehog”, which means the project is in the pre-production stage. The producers who have signed on to the film are Neal H. Moritz, Toby Ascher, Toru Nakahara, Hajime Satomi, Haruki Satomi, and Tim Miller. The first film’s director, Jeff Fowler, and screenwriters, Pat Casey and Josh Miller, are coming back for the second movie. While I haven’t seen Sonic the Hedgehog, I think this is great news for Sonic fans and for people who support studios that put their customers first. Even Chris, from Vulture, says “listening to feedback can be incredibly fruitful for everyone involved”. Hopefully, the sequel can be just as successful as its predecessor.
Months after Coronavirus forced businesses all over the world to pause their operations, steps are now being taken to reach a state of normalcy. In an article from The Hollywood Reporter, Etan Vlessing discusses how “the Quebec provincial government and health officials have given the green light for film and TV production to resume on June 8 amid the coronavirus pandemic”. Before this decision was made, Manitoba had resumed film and television production in their province of Canada. Toward the end of May, Vancouver Island said “the industry can resume shooting by June”. Robert Buffam, from CTV News, writes about the precautionary steps film and television teams will take to work as safely as possible. Ric Nesh, a television show producer, shares “We may reduce, revise, rewrite scenes without the larger crowds. No we may, we will revise scenes.” In the United States, film studios and movie theaters are making attempts to go back to work. A Hollywood Reporter article from June 8th states “anxious theater owners — and Hollywood studios — are being given the go ahead to flip on the lights later this week by California Gov. Gavin Newsom’s office and the Department of Public Health.” June 12th is the selected date when California’s cinemas may start their operations again. Similar to the film and television industry in Canada, safety precautions will be put in place. One example is adopting a 25% capacity limit “or no more than 100 people per auditorium”.
I know this piece of news relates to television. But because it’s about Hallmark going out of their comfort zone, the story became an exception. Earlier last month, Emre Kaya from The Cinema Spot reported how Hallmark Channel is creating a new television show! The article shares that this is the network’s “first high-budget drama series”, which “is a science fiction soap drama series set on a space colony.” Emre’s post doesn’t reveal much information about the project. As of June 2020, Hallmark has not made an official statement about the show. When I first read this story, I was excited at the idea of Hallmark creating a project that is very different from their norm. On several occasions at 18 Cinema Lane, I have talked about how Hallmark should take creative risks and think outside the box. It looks like they’re starting to pay attention to these ideas. Maybe this show could be the beginning of a new era where creativity and originality reign.
I know it has been awhile since I reviewed a Hallmark Channel movie. The last one I wrote about was the 2011 picture, Honeymoon for One, which was my submission for the Out to Sea Blogathon back in March. Since I just watched Nature of Love, I decided to discuss one of Hallmark’s more recent releases. A reason why I’ve watched less new Hallmark Channel movies this year is how most of them reuse the same plot ideas. What set Nature of Love apart is the inclusion of glamping, or “glamourous camping”. This is Hallmark history in the making, as this specific concept has never been featured in a Hallmark film until now. Anytime the network introduces a new idea like this into one of their stories, I’m always curious to see how it will be executed within the movie. As someone who supports Hallmark taking creative risks, I appreciate when they choose to leave their comfort zone.
Things I liked about the film:
The acting: Emilie Ullerup is an actress with strong acting abilities! I’ve seen her performances on Chesapeake Shores and in most of her Hallmark movies. What I liked about Emilie’s portrayal of Katie is how expressive it was. One of her best scenes in Nature of Love was when she went on the rope course/zip-lane. The emotions Emilie adopted for her character made the performance appear believable. One of my favorite Hallmark films is Midnight Masquerade. Christopher Russell’s endearing performance is one of the reasons why I love that film. Christopher’s portrayal of Will in Nature of Love was not only endearing, but also charming! I liked how the character of Will was used to instill wisdom to Katie and the audience. It brought a “wise beyond their years” element to Christopher’s character that is not often incorporated in Hallmark productions. A stand-out performance in Nature of Love came from Donna Benedicto! I enjoyed watching her portrayal of Penny, Katie’s new friend from camp. She was expressive and, at times, hilarious. One example is when Penny is telling Katie to reveal the real reason why she’s at the camp.
The scenery: Whenever Hallmark creates a film that revolves around travel, the creative team behind that project usually does a good job at capturing the natural beauty of that location. For Nature of Love, the landscape consisted of forestry, mountains, and lakes. Filmed in British Columbia, these locations were photogenic and appealing to the eye! In two scenes, Will and Katie watch the sun rising over a mountain. The bright colors of orange, purple, and yellow complimented the mountain’s light gray. Two other scenes boasted a field of lavender. The flowers’ shade of purple dominated the screen, with the appearance and abundance of the plants highlighting those scenes. While watching this film, I could tell this film’s creative team loved this location, as they provided multiple opportunities to show this location off! I enjoyed seeing these spaces as much as the creative team liked sharing them!
The glamping experience: As I said in the introduction, I was excited to see glamping featured in a Hallmark movie! Even though the idea of camping has appeared in Hallmark projects before, this is the first time this particular form of camping has been incorporated in Hallmark’s films. Nature of Love successfully promotes the idea of glamping by providing a balance between the “glamour” and “rustic”. The activities shown in this film included canoeing, horse riding, and making s’mores, things that would typically be associated with the camping experience. Representing the glamourous side were gourmet meals, up-scale tents, and resort style amenities. If the purpose of this movie was to entice viewers to desire a glamping vacation, I think it accomplished that mission.
What I didn’t like about the film:
The CGI animals: Hallmark is not known for incorporating CGI into their films. But there have been rare occasions where CGI was found. In Nature of Love, a few CGI animals are included in the movie. While the CGI itself looked fine, it was obvious the animals were added to the scenes in post-production. Fortunately, there was more stock footage of real animals than animals created with CGI.
Weak conflicts: Nature of Love had three conflicts within the script. One of them revolved around the expansion of the glamping resort. This conflict turned into a “save the establishment” story. The other two conflicts were interconnected. They were about Katie going out of her comfort zone and dealing with an ethical dilemma related to journalism. I found all three conflicts to be on the weaker side because they’ve been seen before in other Hallmark films. The creative team behind this movie played it safe with their story.
Things that didn’t make sense: At several moments, there was dialogue spoken by the characters that didn’t make sense within the story. When Katie is talking with her boss, Sabrina, about her article, Sabrina tells her she should write about Will. Katie’s boss acts as if she has no idea who he is. This doesn’t make sense because Sabrina gave Katie the assignment to go to the glamping resort. Because of this, you’d think she would have done research about the resort and the people who work there.
My overall impression:
When Hallmark incorporates a new idea into one of their movies, it shows how the network can expand their creative horizons. If the new idea involves travel, it can inspire viewers to take a similar trip like the characters in the story. In the case of Nature of Love, this movie effectively promoted the idea of glamping. With the help of beautiful scenery and a balance between “glamour” and camping, this concept was positively presented to the viewers. But movies are not just meant to promote ideas, they are also created to tell stories. The story of Nature of Love could have stronger. The conflicts were rehashed from previous Hallmark entries and some of the dialogue didn’t make sense in the story. This movie is a fine, harmless production from the network. But when you look beyond the glamping promotion, you will see that Nature of Love is more typical than it appears.
Overall score: 7 out of 10
Have you seen Nature of Love? Which vacation destination would you like to see in a Hallmark movie? Let me know in the comment section!
I spent Memorial Day with my family, so I didn’t publish a post on Monday. This is the reason why this week’s schedule will be shifted. However, Memorial Day has inspired me to choose a patriotic film for this blog follower dedication review. When I first watched the Hallmark Hall of Fame movie, Blind Spot, I saw a commercial for another film in this collection titled An American Story. The film looked intriguing and exciting, enticing me to want to check the film out. Recently, Hallmark Drama aired this film with a different title. This time, the movie is called After the Glory. Anyone who pays attention to Hallmark will know how the network loves changing their film’s titles after that project has been announced. But Hallmark changing a movie’s title 20+ years after its release seems like a strange decision. Despite this unusual choice, my family chose to watch this film in honor of Memorial Day.
Things I liked about the film:
The acting: Last August, I reviewed I Never Promised You a Rose Garden. One of the strongest aspects of that film was Kathleen Quinlan’s performance, as itwaswell-rounded, emotional, and powerful. Kathleen’s portrayal of Hope in After the Glory contained those same qualities. In one scene, Hope is reacting to George recalling her husband’s, Tim’s, final minutes. She goes from being pleased about George’s visit to the Veteran’s Office to crying for her lost love. This scene is an example of how much emotionality Kathleen brought to her role. Speaking of George, Brad Johnson effectively adopted the persona that’s expected of a character like George, one of the returning veterans. He appeared confident and sure of himself. But what I also liked about Brad’s performance was how he incorporated a sense of humility. During the film, there were times when George was held accountable for his choices and faced his mistakes. This made the character more relatable. Tom Sizemore portrayed another returning veteran named Jesse. His performance was versatile and highlighted his adaptability. When he was introduced, Jesse is happy to finally return home. A few scenes later, he is angry over the corruption taking place in his town. The well-rounded nature of Tom’s performance helped his character stand out!
The discussion of a veteran’s mental health: In the world of cinema and society as a whole, it seems like the subject of a veteran’s mental health has been recognized more in recent years. When this film was released in 1992, I don’t think there were many films released before or during that year that addressed this topic, especially when a movie takes places around the time of World War II. In After the Glory, the mental well-being of veterans was one of the recurring ideas of the story. During the war, Hope went back to school to earn her psychology degree. She did this in order to provide psychological services to returning veterans. She even tries to use her psychology skills to stop Jesse from committing suicide. The way this idea of a veteran’s mental health was written into the script was done with respect and realism. It made the movie feel like it was kind of ahead of its time.
The veterans’ transition period: An important part of this story was the veterans’ transition period to civilian life. Because the movie focuses on three different veterans, their journeys toward civilian life look and feel unique from each other. When he returns home, George is welcomed to an elaborate parade. He is even offered a job at his father’s law firm and is given an opportunity to be a running mate in Mayor Cantrell’s election campaign. Meanwhile, Jesse is only greeted by a small group of his family and friends when he comes home. He also struggles with issues relating to his physical and mental health. Like the aforementioned subject of a veteran’s mental health, this part of the story was written very well, making the film come across as reverent toward military veterans. It shows that within the uniform is a person that has their own thoughts, feelings, and perspectives.
What I didn’t like about the film:
Juan’s limited presence: One of the soldiers that was highlighted in this story is a Texas local named Juan. Despite facing racism in his civilian life, he still felt the world was bigger than his own backyard and that change was on the horizon. He was also starting civilian life as a newlywed. Compared to George and Jesse, Juan was featured on screen for a limited amount of time. His story was also weaker than George’s and Jesse’s. I’m not sure if this creative decision was meant to show how racism can negatively affective story-telling or if it was just a coincidence. But I feel Juan should have received the same amount of screen-time as George and Jesse.
A drawn-out first half: In the first half of After the Glory, the majority of the story focused on the veterans transitioning to civilian life. While this was an important part of the plot that provided context, it caused the film’s conflict, the town’s political corruption, to be placed on the back-burner. The conflict does maintain the plot’s primary focus in the second half of the film. But I think the conflict should have had a more consistent presence.
A limited amount of suspense: Because of the town’s election, it allowed the story to incorporate suspense. The process toward the conflict’s resolution was wrapped up in mystery, keeping the audience guessing what would happen next. However, the suspense in this movie was limited. This is the result of the aforementioned drawn-out first half. The creative team’s choice to adopt a more dramatic tone is also what caused the suspense to have a limited presence. Like the film’s conflict, I think the suspense needed to be more consistent.
An overall impression:
During Hallmark Hall of Fame’s 69-year lifespan, there have been some films that took place either during or around the time of World War II. If you look at my post where I tier ranked every Hallmark Hall of Fame movie I’ve seen, you will see that I have enjoyed these films. It looks like After the Glory will be joining that tier with a “good” status! This movie shows how innovative and compelling a project in this collection can be! The subject of a veteran’s mental health being incorporated in this story shows how Hallmark wanted to start a conversation among their audience when it came to important topics. While this is not a new concept for Hallmark Hall of Fame, it has been a consistent part of this collection. While watching this film, I realized that if After the Glory had not been released in 1992, it probably would have never been created. This is because, ever since the Hallmark Hall of Fame branch was moved to Hallmark Channel in 2014, the network has placed an emphasis on trying make the films adopt the same tone and feel as the movies that usually air on Hallmark Channel. I still hope that Hallmark can take more creative risks with their films and promote more creative freedom. To my 195 followers, thank you so much for helping my blog come this far! This review would not have possible without you!
Overall score: 8 out of 10
Have you seen any of Hallmark Hall of Fame’s military related films? Which movie would you watch on Memorial Day? Tell me in the comment section below!
In a recent video, Kneon and Geeky Sparkles, from Clownfish TV, reported the news that Kevin Mayer will be stepping down as the CEO of Disney+. While no reason for this decision was provided, it should be noted that Kevin will now be the Chief Executive of the musical app, Tik Tok. He will also be the Chief Operating Officer of the company that owns Tik Tok, ByteDance. To fill his position at Disney, Rebecca Campbell has now been named Chairman of Disney’s Direct-To-Consumer and International, the role that allows her to oversee Disney+. Despite being the former President of Disneyland, she does have experience working with Disney’s streaming service. According to Geeky Sparkles, “she set up Disney+ overseas, she was key in that”. Ken Potrock will now be the President of Disneyland and Kareem Daniel will take Ken’s place as President of Consumer Products. Currently, it’s unknown who will take Kareem’s position as President of Walt Disney Imagineering/Operations/Product Creation/Publishing/Games. Also, Josh D’Amaro is the new Chairman of Disney Parks, Experiences, and Products, the position Bob Chapek left behind when he became Disney’s CEO. Since Josh is giving up his title as President of Walt Disney World in order to take this new position, Jeff Vahle will take his place. Taking Jeff’s place as President of Disney Signature Experiences is now Thomas Mazloum. Through this confusing domino effect, both Kneon and Geeky bring up concerns that I couldn’t agree with more. Kneon thinks these new leadership choices are a bad idea because he sees it as history repeating itself. He brings up how the President of Disney Parks West, Catherine Powell, was let go by Disney last September. Geeky asks, “is any of these changes going to equate to actually, you know, better changes in the parks and better changes, you know, in the Disney company in general or are we just going to get the same old shit, different day”? Kneon responds by saying “Nobody’s in their position long enough to make any kind of a difference”. At this point, it’s difficult to tell how these leadership changes will affect Disney’s outcome. However, I do agree with Kneon’s point. To bring up one example, Bob Chapek has been the CEO for less than six months. But, from my perspective, I find it challenging to think of anything significant he’s done in his new position.
Here are the sources featured in this story:
Type “Disney Plus Boss JUMPS SHIP for TikTok! Disney Leadership PANIC Shuffle?!” into Youtube search bar or visit Clownfish TV’s official Youtube channel (there is some language in this video)
Trevor Donovan, an actor from Hallmark, appeared as a guest on a recent episode of the Deck The Hallmark podcast. While on the episode, he shared two projects that are currently in the works, but are not completed due to the Coronavirus. The first one was described as an “indie film/Hallmark acquisition that will be shooting in Hawaii”. For the second project, Trevor says it will “hopefully be able to parlay that right into a Hallmark movie in Hawaii after that, so two back to back”. None of these projects are confirmed as belonging to Hallmark, as of May 2020. However, it was indicated in the interview that the potential is there. As far as I know, Hallmark has never filmed a movie or had a movie take place in the Aloha State before. This would introduce their audience to a newer landscape than is not usually showcased. While the plot for both projects is currently unknown, I hope one of these is a Christmas film. Hallmark has never created a Christmas movie that takes in Hawaii. Also, it would be nice to hear Trevor sing Mele Kalikimaka.
Here is the link to the Deck the Hallmark podcast:
It’s no secret that my Hallmark Movies & Mysteries related content is some of the most popular on 18 Cinema Lane. My review of Hailey Dean Mysteries: A Will to Kill has acquired over 1,000 views, making it the most popular movie I’ve ever written about! In recent days, my Aurora Teagarden reviews have garnered a large number of views. Because I was planning on talking about the newest film from this series, these viewership numbers gave me a greater reason to review Aurora Teagarden Mysteries: Heist and Seek! In a Word on the Street story from two months ago, I discussed the likelihood of this film being removed from Hallmark’s schedule due to unfinished post-production work. While this work was eventually completed, the film moved from its original release date in April to May 17th. Despite this date change, I’m thankful this movie was able to premiere at all. Because the Coronavirus has prevented Hallmark from creating new content, I appreciate the network’s attempts to adapt to the current situation.
Things I liked about the film:
The acting: A consistent strength I’ve noticed in the series on Hallmark Movies & Mysteries is the quality of the acting performances! Specifically in the Aurora Teagarden series, the acting has always been a highlight! Because most of the starring cast has appeared in more than one film, it allows the actors and actresses to become comfortable in that role and help their character adapt to a particular story. One of these actors is Dylan Sloane, who portrays Aurora’s relative, Phillip. Whenever he appeared on screen, Dylan always seemed at ease in his role. With a believable performance, Dylan’s portrayal made it easier for the audience to focus on how Phillip would contribute to the mystery. Newer additions to the cast also gave memorable performances, as two standouts came from Oliver Rice and Brendon Zub! I recognize Oliver from Chesapeake Shores. Since he has had a recurring presence on that show, his role as James gave him the opportunity to adapt to a variety of situations. After seeing his performance in this film, it makes me wish Hallmark would give him a lead role. As for Brendon, I liked what he brought to his role! His character, Eric, had a good persona and fit in well with the pre-established cast of characters. I’d like to see Brendon appear in more Hallmark films!
The inclusion of history: When it comes to Hallmark Movies & Mysteries’ films, history is not often included in the story. This is because most of the stories focus on the current situations going on in a specific location. Since Aurora Teagarden Mysteries: Heist and Seek incorporated Elizabethan history into their script, a unique identity was given to that film. It also made the project somewhat educational. Personally, I know a limited amount of information on the Elizabethan era. After hearing the explanation behind “Leicester’s Gift”, I feel like I gained more knowledge about Queen Elizabeth. While this movie doesn’t replace a history lesson, it at least starts the conversation.
The absence of the “don’t-get-involved” cliché: There have been times in the Aurora Teagarden series where Aurora is told to not get involved in a case. She is even told this after she had successfully solved more than one mystery. In the series’ thirteenth movie, I’m glad the creative team chose to not include the “don’t-get-involved” cliché! While Lynn tells her not to get in the police’s way, Aurora is never told not to solve the mystery. In fact, there is one scene where Aurora encourages her mom to continue being the voice of reason in her life. This was such a great subversion of expectations, as it gives Aurora freedom to solve the mystery but has someone in her corner to hold her accountable. This creative choice allowed Aurora to be recognized as the intelligent yet imperfect woman that she is!
What I didn’t like about the film:
Nick’s engagement proposal: In the trailers for this movie, Nick’s attempts of proposing to Aurora were heavily emphasized. This part of the story, in the film’s marketing, was highlighted more than the plot. Personally, I think this was a creative mistake. It didn’t play as large of a role in the story as I expected. But, because it was shown in the advertising, Nick’s proposal attempts felt predictable. As soon as it was introduced in the film, I correctly predicted the outcome. The proposal’s resolution also felt predictable.
A limited amount of suspense: Suspense has a consistent presence in the mystery series on Hallmark Movies & Mysteries. However, some movies contain less suspense than others. This is certainly the case for Aurora Teagarden Mysteries: Heist and Seek. While watching the movie, I noticed how the suspense was used sparingly. In my opinion, I like seeing a healthy amount of suspense in a mystery film. It helps the film maintain a good pace and it creates higher stakes for the story. Since this installment of the Aurora Teagarden series adopted less suspense, it almost gave the story lower stakes than usual. It also felt like the overall level of urgency was on the lower end of the spectrum.
Under-utilized clues: In my review of Mystery 101: An Education in Murder, I talked about how the clues were found in the spoken dialogue of the suspects. This was a unique creative choice that worked for that film. Aurora Teagarden Mysteries: Heist and Seek chose to incorporate physical clues as well as the perspectives of the suspects. Unfortunately, the script provided an imbalance between these perspectives and the clues. This caused the suspects’ perspectives to be given more attention than the clues. The majority of the clues consisted of paper, which created a lack of variety to the types of clues that were found. If the creative team knew how the clues were being under-utilized, they should have placed the clues within the dialogue like Mystery 101: An Education in Murder.
My overall impression:
As I’ve said before on 18 Cinema Lane, the Aurora Teagarden series is one of the strongest movie series on Hallmark Movies & Mysteries. There are movies in this series that are better than others, but I have yet to see a movie that is bad. Aurora Teagarden Mysteries: Heist and Seek was a likable addition to the series. The inclusion of history gave the project its own identity and the story subverted expectations from a familiar cliché. However, I feel there are movies that are stronger than this one. This chapter in the Aurora Teagarden story was not as suspenseful as other installments. Even though Nick proposing to Aurora progresses the overarching plot forward, it ended up being predictable because of the marketing campaign. Based on the title for the next movie, Aurora Teagarden Mysteries: Reunited and It Feels So Deadly, I’m wondering if Yannick Bisson’s character, Martin, makes an appearance? If Martin returns, that would provide an interesting dynamic as Aurora plans her wedding.
Overall score: 7.3-7.4 out of 10
Have you seen the newest Aurora Teagarden movie? What do you think the next film will be about? Share your thoughts in the comment section!
This year, I’ve seen several tier ranking videos on Youtube. While most of these videos have revolved around books, there have been a few that focus on films. As I watched these tier lists being created, I discovered how there was no list dedicated to Hallmark’s productions. So, I decided to fill that void by making a list of my own! Because Hallmark has created so many movies, my tier ranking list focuses on all the Hallmark Hall of Fame movies I have seen in my life. This article is based solely on my own opinion and is not meant to be mean-spirited in any way. I also created this list to bring unique content to my blog. I was trying to complete this post yesterday, but this project took longer than I expected, so I apologize for its late arrival. For this tier ranking list, there will be five categories; Bottom of the Barrel, Ok, Decent/Fine, Good, and Great. I will give each film a brief, but thorough explanation for why it has earned that placement.
Bottom of the Barrel
Back When We Were Grown-Ups
Anyone who has read my list of the Top 10 Worst Hallmark Movies of All Time would not be surprised to see this movie placed in the Bottom of the Barrel category. To me, this is not only the worst Hallmark Hall of Fame picture, but also the worst Hallmark project ever made. If you’d like to learn more about why I don’t like Back When We Were Grown-Ups, you can check out my list of the Worst Hallmark Movies at this link:
This is another movie I talked about in my Top 10 Worst Hallmark Movies of All Time list. I’ve only seen Firelight once, but I found it to be so forgettable. When I think about this movie, on rare occasions, I wonder what message it was trying to deliver to their audience? If I, as an audience member, can’t determine what the intended purpose of that specific film is, that likely means something went wrong during the creative process. The rest of my thoughts on Firelight are found in my Top 10 Worst Hallmark Movies of All Time list at this link:
From what I remember, the overall plot was very lackluster. I also found the premise revolving around a child rarely lying to be unbelievable. A Painted House contains other flaws that prevented me from enjoying this picture. One of them was how a few characters were unlikable for no clear reason. For a stand-alone film, having it end on a cliff-hanger wasn’t a good idea. I haven’t read John Grisham’s novel, so I’m not sure if the film’s creative team adopted any liberties for this project.
While I don’t think Rose Hill is a bad movie, I just wasn’t impressed with the final project. The story as a whole was not the most interesting and Rose herself seemed to sit on the sidelines of her own story. There was a mystery within this script, but that part of the story was poorly executed. This surprises me, as Hallmark Hall of Fame released a film in 1990 with a similar story concept titled Caroline?
My Sister’s Keeper
I liked the first half of this movie, where the audience witnesses the two sisters growing up alongside each other. It provided strong opportunities for each sister to receive character development and the film’s first half felt like it was building up to something bigger. When the second half of the movie arrives and both sisters become adults, the project hits a stand-still where nothing interesting happens. I will say the high-light of My Sister’s Keeper is seeing Kathy Bates riding on an elephant.
I’ve only seen about 50% of this movie. However, based on what I saw, I found the project to be just ok. I didn’t find myself feeling emotionally invested in the story like I did with other Hall of Fame titles. I wouldn’t mind re-watching this one, and maybe even reviewing it, to see if I still hold the same opinion.
When I first saw this film, I thought it was decent/fine. But since its 2013 release, it has been relegated to ok status. The Makeover is a glorified Hallmark Channel movie, complete with the male and female protagonist falling in love with each other. In fact, Hallmark’s first network released a movie with a similar premise the year prior called Fixing Pete. Maybe the first Hallmark Hall of Fame project of 2013 should have been given a stronger story.
Blind Spot was decent/fine upon initial viewing, but is now in the ok category. The film’s cautionary message was given more emphasis than the plot. This caused the movie to feel like it belonged on Lifetime when these kinds of films were in their hey-day. As I’ve said before, Karina Arroyave stars in this Hall of Fame presentation. However, her talents were under-utilized in this picture.
The Magic of Ordinary Days
This is one of the most beloved titles Hallmark has ever made. However, I don’t like or love this project as much as other people do. I found the main plot to be too unbelievable for my liking. Hallmark also glossed over the subject of Japanese internment camps when they could have provided some commentary on how prejudice can negatively affect someone’s perspective. There was one romantic relationship that I knew wasn’t going to lead anywhere, making me wonder why it was included in the first place. The Magic of Ordinary Days is another Hall of Fame movie based on a book, so I don’t know what elements from the novel where translated to the screen.
I reviewed this film for the James Garner Blogathon back in February. On the dvd cover, it is considered “the most-honored television movie of all time”. But, to me, the project is a bit on the over-rated side. I’m not a fan of “slice-of-life” stories, which is exactly what the plot of Promise is. The road to educating the audience about Mental Illness seems like it was paved with good intentions. As I say in my review, it could have been executed better though. You can read my review at the link below if you want to learn more about my thoughts on Promise.
Back in 2015, I felt Just in Time for Christmas was a good movie. After giving it some more thought, I’ve come to see the film as just fine. Like The Makeover, the project is a glorified Hallmark Channel movie. But, unlike the aforementioned 2013 release, Just in Time for Christmas tried to do something different with their creative material. Time travel is rarely incorporated in any of Hallmark’s projects. This release was, I believe, the first time it had been included in a Hallmark Hall of Fame title.
In Love and War
When The World War II Blogathon took place last September, In Love and War is the film I chose to review. As a movie, I liked it for it was. But, as a Hall of Fame picture, it didn’t leave as big of an emotional impact as other titles from this collection have. For a story taking place during World War II, there wasn’t a lot of action in it. There was also an imbalance between the ideas of “love” and “war”. If you want to read my review for In Love and War, you can click on the link below:
I haven’t seen this movie since its 2011 release. From I remember, it was just fine. While I liked the acting, the story was straight-forward. I also found the part about the pregnant teacher working and, eventually, bringing her baby to a compromising environment to be unbelievable. Like I said about Loving Leah, I’m not opposed to re-watching this movie and reassessing my opinion on it.
Front of the Class
This is another picture I haven’t seen in years. However, I thought Front of the Class was a fine film. Similar to In Love and War, it didn’t leave a big, emotional impact on me. But, as I’ve said before, I wouldn’t mind watching this movie again and seeing if my thoughts on it have changed.
The Secret Garden
In my Bonus Double Feature last September, I talked about Hallmark Hall of Fame’s version of The Secret Garden. I liked this adaptation, but I found it to be drawn-out. Looking back on this movie, it seems like the creative team placed so much emphasis on respecting the source material, they forgot to bring their own voice to the table. You can check out my thoughts on three different adaptations of The Secret Garden at these links:
I feel The Boys Next Door is one of the more under-rated titles from the Hall of Fame collection. The acting is solid and the perception of individuals with disabilities is mostly positive. My favorite character from this movie is Barry Klemper, but I felt he was under-utilized in the overall story. Also, some of the language toward the four men with disabilities reflects the time period the film was released in. I wonder how different the play this movie is based on is different from this adaptation?
The Valley of Light
Despite not having seen this movie since its 2007 release, I remember really liking this film! “She won’t give me my chocolate” is still one of my favorite quotes from a Hallmark Hall of Fame movie. This film also contains one of the most shocking plot twists in the history of this collection. I definitely want to re-watch this film and possibly share my thoughts on this movie viewing experience!
As I have said before on this blog, Love Locks is the first newer Hall of Fame title that made me feel like this branch of Hallmark was going back to their roots! Yes, this is the type of story you’d likely find in Hallmark Channel movies. But the way Love Locks was presented made the overall project feel like a Hallmark Hall of Fame movie. I also like the movie’s original poster, as it is one of the most creative pieces of marketing in Hallmark history! Personally, I think this is a good picture if you want to introduce someone to the Hall of Fame collection!
Love Takes Flight
This is the most recent release from the Hall of Fame collection I’ve talked about, as I reviewed the film last April. Love Takes Flight is a better movie than its marketing campaign made it seem. However, as I’ve noticed with the newer Hall of Fame titles, it lacks emotional depth because it feels like it adopted Hallmark Channel’s “formula”. It also contains other flaws, like having too many plots. Here’s the link to my review of Love Takes Flight if you’re interested in reading it:
The Beach House is another Hallmark Hall of Fame film that was given less-than-stellar marketing. But this didn’t stop it from being better than I expected! As someone who has also read the book, I think the movie did a better job at telling the story than its source material did! I also believe the overall quality of this project is a good reminder of why the Hall of Fame branch exists. This is another title I reviewed, so I’ll provide the link to that post here:
I thoroughly enjoyed Christmas Everlasting when it was released in 2018! In fact, the only aspect of the film I didn’t like was the limited on-screen presence Patti LaBelle received, as I expected her to have a larger role in the film. Similar to other Hall of Fame titles I’ll mention, this movie features a mystery within the overall plot. Mysteries are not often found in Hallmark Hall of Fame projects, so I like how Christmas Everlasting helped bring something different to the table. I reviewed this movie as well, so here is the link:
I liked this movie and the book it was based on! The overall execution of this project made it feel like a Hall of Fame production, making this the collection’s first newer Christmas film to make me feel this way. Similar to Christmas Everlasting, The Christmas Train incorporates a mystery into their story. While this element is also in the book, it brings a unique component to Hallmark Hall of Fame’s Christmas line-up. It’s also special in how most of the film’s events take place on a train, which is rare for a Hall of Fame movie!
The Lost Valentine
This is a good, but sad film! While I appreciate the effort that has gone into Hallmark Hall of Fame’s Christmas movies, it’s nice to see other holidays receive recognition within this branch of Hallmark. The use of flashbacks enhanced the overall story, giving context to the events being presented on screen. Because of how sad the film is, the re-watchability rate is on the lower side of the spectrum. But this is a project I would definitely recommend!
A Dog Named Christmas
A Dog Named Christmas is another Hall of Fame Christmas film I genuinely enjoyed! It does a good job at effectively showing how someone can make a difference in their community. Since this movie places a lot of attention on the titular dog, some story elements end up being over-looked. One of them is seeing how the main protagonist lives his life with a disability. I know there’s a prequel to this film called Christmas with Tucker. I haven’t seen it, but I’d like to see how it holds up to A Dog Named Christmas!
Sweet Nothing in My Ear
I saw this movie for the first time in 2020 and it made me miss the Hallmark Hall of Fame films of yester-year. Even though this story revolves around a debate, the overall project was interesting to watch. Both sides are treated equally and are given enough time to present their case. I don’t like the ending, but I can understand why the creative team made that specific choice. Sweet Nothing in My Ear is a unique addition to the Hallmark Hall of Fame collection!
Pictures of Hollis Woods
I haven’t seen this movie in years, but I recall having a good experience watching it. However, this film has flown under the radar for far too long. The acting is good and the overarching message of family is incorporated into the story very well. I also remember one of the characters lives in and owns a movie theater. This was a highlight for me because that is a dream of mine.
As I’ve said before, mysteries are not often found in Hallmark Hall of Fame projects. It is even rarer when the entire plot is a mystery story. The overall quality of the film’s writing is strong and I also liked the acting performances. However, like I said about Blind Spot, Karina Arroyave’s talents were under-utilized in this project. I’m surprised this movie has never been aired on Hallmark Movies & Mysteries, as this title fits the network’s brand.
Grace & Glorie
One of the plot points of this film is a woman from a big city moving to a small town. However, it never felt like the project was following a formula. Instead, the story focuses on the friendship between Grace and Gloria. This part of the movie provided interesting opportunities for character development and exploration of certain themes. The movie also showcased wonderful scenery.
Christmas with Holly
In Christmas with Holly, the protagonist and his brothers take care of Holly after she loses her mother. This part of the movie reminded me of Three Men and a Baby. But what’s great about this 2012 release is how it takes a pre-existing story structure and creates a different narrative with it. While there was a romance in this film, it was never heavily emphasized like in other Hall of Fame titles. The overall story felt well-rounded.
A Smile as Big as the Moon
This is one of my favorite Hallmark Hall of Fame films! I was really impressed with the overall quality of the project when I first saw it in 2012. There is so much to like about this movie, from the acting performances to the messages and themes. To me, this is the perfect example of what a Hall of Fame should be.
I’m not going to lie; I thought the title sounded ridiculous when I first heard it. But the movie was better than I expected it to be! This film does a good job at exploring how childhood cancer can affect a child and the people around them. It also has a genuine sincerity that doesn’t feel too mushy or manipulative. I won’t spoil anything, but I will say this is a good choice to watch around Christmas-time!
The Courageous Heart of Irena Sendler
Hallmark Hall of Fame movies are known for having larger budgets than a typical Hallmark Channel or Hallmark Movies & Mysteries film. The creative team behind The Courageous Heart of Irena Sendler used that budget to their advantage. The presentation of this film is so good, it feels like a theatrical release! Everything about the movie feels like it is of the highest quality. I honestly wish Hallmark created more Hall of Fame pictures like this one.
Follow the Stars Home
From the moment I first saw this movie, I knew it would be a winner! But it sometimes feels like this film doesn’t get the recognition it deserves. The acting performances from the whole cast is one of the strongest components of this project. This movie also contains one of the most intense scenes I’ve ever seen in a film. Follow the Stars Home does a good job at balancing the lighted-hearted and serious moments of the story.
The Sarah, Plain and Tall trilogy
This series introduced me to Hallmark Hall of Fame as well as Hallmark films in general. I’d say this is one of the strongest trilogies in film history! The overall quality is consistent and it feels like the creative team truly cared about the project they were making. I would like to see Hallmark attempt another series within their Hallmark Hall of Fame branch!
Ellen Foster is an excellent, but sad film! What makes this movie work is Jena Malone’s performance, as she carries the entire project! This movie features one of the few times where a young person is the film’s lead. The story as a whole is an emotional roller coaster ride that makes its audience experience a variety of feelings. I haven’t read the book this film is based on, but I’d be interested in reading how emotionally intense it is compared to the film.
What the Deaf Man Heard
I have fallen in love with this movie since I first saw it! It does a great job showing how far someone will go to show their love for another person. This film also shows how easy it is for people to take things at face value. There are other solid messages in this story, but I don’t want to spoil it. What the Deaf Man Heard is another Hall of Fame title I can’t recommend enough! It’s also based on a book, so I’d like to read it someday!
After three months of voting, the winners of the 2020 Gold Sally Awards have been determined! This year, the nominees were expanded beyond Hallmark projects. I made this choice to better reflect 18 Cinema Lane. Because of its success, I will not only bring the Gold Sally Awards back in 2021, but I’ll continue nominating films from within Hallmark and outside of Hallmark! Thank you to everyone who liked and voted in the 2nd Annual Gold Sally Awards! You are the reason why I keep this event around! Like last year, I have brought back the scrapbook style page showcasing this year’s winners! 2020’s theme is silver and gold with a dash of sparkle! And now, the winners of the 2020 Gold Sally Awards!
Best Movie and Ensemble: Avengers: Endgame
Best Story: Mystery 101: Words Can Kill
Best On-Screen Couple: Ziyi Zhang and Chen Chang – Crouching Tiger, Hidden Dragon
Best Actress: Haya Harareet – Ben-Hur (1959)
Best Actor: Spencer Tracy – Boys Town
Best Supporting Actress: Kathy Bates – Swept from the Sea
Best Supporting Actor: Ian McKellen – Swept from the Sea
As When Calls the Heart was walking away from its seventh chapter, the Matchmaker Mysteries series was embarking on their second installment! After its 2019 debut, this series has already found a place in Hallmark Movies & Mysteries’ collection of films. I have seen the first Matchmaker Mysteries installment, Matchmaker Mysteries: A Killer Engagement, and I thought it was a strong start to this series! It left me wondering where the story would go and how it would evolve over time. As I said in my review of Mystery 101: An Education in Murder, I have found Hallmark Movies & Mysteries’ 2020 line-up to be strong. I’ve also enjoyed the majority of the films that have premiered so far. Since I liked the first Matchmaker Mysteries film, I felt there would be a chance I would like its successor!
Things I liked about the film:
The acting: I’ve seen all of Danica McKellar’s Hallmark movies. The one consistent element I’ve noticed about Danica’s acting abilities while watching her films, including this one, is how her emotions seamlessly transition from one situation to the next. One great example is when Kyle shows up at Angie’s studio shortly after the murder victim is discovered. Danica, as Angie, goes from smiling and laughing at a friend’s joke to looking concerned when she notices Kyle’s presence. Lara Gilchrist also did a good job transitioning her emotions between scenes. This is because her acting abilities are versatile. A scene that effectively displays Lara’s talents is one where her character, Margaret, is sharing a personal secret to Angie. What helped this movie was how some of the cast members appeared in the first movie as well as the second movie. One of these members is Victor Webster. Throughout Matchmaker Mysteries: A Fatal Romance, he appeared at ease in his role as Kyle. This was caused by Victor being familiar with the material.
Angie’s relationship with Ethan: In Hallmark’s films, the female protagonist usually spends a lot of time with the male protagonist. This is done in the hopes of having these characters end up together in a relationship. In Matchmaker Mysteries: A Fatal Romance, Angie spends more time with her ex-boyfriend, Ethan, than with Kyle. By having the female protagonist associate herself with the male supporting character, this creates a unique dynamic from other Hallmark projects. It also helps that Danica and Dan Payne, the actor who portrays Ethan, had on-screen chemistry!
The locations/sets: Matchmaker Mysteries: A Fatal Romance boasted some great locations, which lent themselves as sets for the project. At the beginning of the film, Angie attends a convention, where she is a co-host for a particular panel. This panel took place in a ballroom that has been featured in other Hallmark movies. The ballroom itself is spacious and grand. My favorite part of this place is the large windows, as they oversaw a golf course and let in a soft, natural light in one specific scene. I also loved the design of Beatrice’s house! The exterior had a cute Victorian look to it, from its pale-yellow hue to the wrap-around porch. The interior showcased impressive dark woodwork that complemented the space, especially on the fireplace! This was paired really well with the blue-green tiles found in this feature. Speaking of fireplaces, Angie’s father’s house also contained some eye-catching design features! One of them was a stone fireplace. Even thought this was never the focal point in the film, it was an interesting component of that space.
What I didn’t like about the film:
The matchmaking subplot: I know Angie’s matchmaking career plays a role in this series. In fact, placing this aspect within a subplot allows it to continue existing in the series’ identity. However, I didn’t find the matchmaking subplot in Matchmaker Mysteries: A Fatal Romance interesting. If anything, it was predictable, coming off as a basic plot from an unaired Hallmark Channel movie. The story itself contains rehashed ideas that I’ve already seen from other Hallmark productions. This subplot, to me, didn’t add anything significant to the overall film.
Limited amount of suspense: In a typical mystery film, suspense is used to keep the audience invested in the story. While the first movie in the Matchmaker Mysteries series contained a good amount of suspense, the second film used suspense very sparingly. Moments of suspense were only found in a few scenes. While it was effective for those scenes, it also made the movie feel less thrilling.
A small amount of urgency: Having the protagonist talk to the suspects is an important part of any mystery. But in Matchmaker Mysteries: A Fatal Romance, this part of the mystery-solving process was the most prominent of the story. It got to the point where it seemed like all the characters were just sitting around and talking to one another. Because of this, it made the film as a whole feature a small amount of urgency.
My overall impression:
Matchmaker Mysteries: A Fatal Romance was a fine film. However, it took a few steps backwards from its predecessor. As I said in the introduction, I thought the first movie, Matchmaker Mysteries: A Killer Engagement was a strong start to the series. But this sequel didn’t leave as big of an impression on me as some of the other 2020 releases from Hallmark Movies and Mysteries have. The small amount of urgency and the limited amount of suspense has not helped this film’s case. While I appreciate this creative team’s decision to place the series’ defining element in a subplot, I was not a fan of the subplot itself. Even though this movie had its strengths, I think the overall project could have been stronger. It does take a while for each series to find its footing. But it also takes time for the next installment in each series to be announced. If there is a third movie in the Matchmaker Mysteries series, I hope it is better than the second movie was.
Overall score: 7.3 out of 10
Do you watch the movies from the Matchmaker Mysteries series? Have you seen any of Danica’s Hallmark films? Let me know in the comment section!