2020 is finally here! I am so excited to be embarking on my second year as a movie blogger! My movie blogging journey has, so far, been a good one. One reason for this is the support I have received from my readers and followers. Every like, visit, and comment is appreciated. It makes me feel like what I write about matters to someone. Like the previous year, 2019 was more successful than I ever expected! From receiving 100 followers to publishing 300 posts, 18 Cinema Lane grew and became a place that I’m proud of. Similar to last year, I will be sharing the stats of my blog and announce upcoming projects. This kind of post will be a new tradition for 18 Cinema Lane, as it allows my readers and followers to be informed about what’s happening on my blog.
Once again, I will be hosting another blogathon in 2020! It will be movie themed and it will take place later in the year. So that announcement will come in either May or June.
Changes to the Gold Sally Awards
The Gold Sally Awards is another event that will be coming back! However, there will be some changes made to the awards. These changes are not major, but they will, hopefully, improve the voting experience for my readers, followers, and visitors. This announcement will be posted toward the end of January.
Yearly Double Feature
Every time I publish 100 posts, I coordinate a special double feature to celebrate the accomplishment. At the end of 2019, I published 300 posts. I decided to create my double feature reviews in January because I wanted to take my time and make the best articles I realistically could. This double feature will correlate with Movierob’s Genre Grandeur, as January’s theme is “Youth-Led Movies”. Those series of articles will be published in either the middle of or later in the month.
Filmathon Readathon
On rare occasions, I talk about books on my blog. But I try to make that an exception to the rule, as my primary focus is on film. When I discovered a readathon that was movie themed, I knew I had to participate! The readathon is called “Filmathon” and will take place from January 7th to the 14th. It was created on the Youtube channel, lookingforshaki. I will making at least one post about it sometime in January.
New Blog Banner
Last year, K, from K at the Movies, created the official logo for 18 Cinema Lane. I love how it turned out and K did a fantastic job with the image! They also made two additional logos that I also like. One of them will be used as the new banner of my blog! This will take place shortly around the time this article is published.
Before I begin this review, I want to apologize for not publishing this article sooner. I’ve been busy not only preparing for Christmas, but also working on projects that are blog and non-blog related. But I finally found the time to post my review for December’s Genre Grandeur! For this round of the blogathon, the theme is “Shakespeare on Film Movies”. At first, I thought this was going to be a challenge. When I searched for possible titles on the internet, however, I realized that there were plenty of films for me to choose from. Out of all those choices, I picked Romeo Must Die! Over the years, I have discovered that Romeo and Juliet retellings can be hit or miss. While I thought Gnomeo & Juliet was cute, I was not a fan of Romeo + Juliet. When I discovered that Romeo Must Die was a modern adaptation of the famous William Shakespeare story featuring martial arts, it raised my interest in this film. For last month’s Genre Grandeur, I reviewed Crouching Tiger, Hidden Dragon. If you read that review, you would remember that I enjoyed the film. One of the reasons why was the martial arts choreography. But just because there are martial arts in Romeo Must Die, does that mean I’ll enjoy it as much as Crouching Tiger, Hidden Dragon? Thanks for joining me for this review, as we’re now about to answer that question!
The acting: Last Halloween, I reviewed Queen of the Damned. Aaliyah’s portrayal of Queen Akasha is one of the things I liked about that film. I’m not sure how much acting experience she had prior to being cast in Romeo Must Die. But I was very impressed with her performance! The acting material Aaliyah was given allowed her portrayal of Trish to be versatile and well-rounded. In a scene where she shares a childhood memory involving her brother, I felt sympathy toward Trish and her situation. Before watching Romeo Must Die, I had never seen a movie starring Jet Li. However, I enjoyed seeing his performance in this film! One scene shows his character, Han, being informed of his brother’s death. In that scene, there was so much emotion in his facial expressions and body language, that those things were able to convey a message without the use of dialogue. This whole cast was very talented! Not only were they able to pull off a dramatic performance, some actors even delivered a comedic performance. A great example is Anthony Anderson’s portrayal of Maurice. While there were times when this character could be menacing, there were times when he was hilarious. One of the funniest scenes is when Maurice accidently destroys a CD display.
The martial arts choreography: The martial arts sequences in Romeo Must Die brought something special to the project! Because this is an adaptation of Romeo and Juliet, it helps this version of the story stand out from other cinematic retellings. I wasn’t able to find out who choregraphed these sequences. But whoever they are, they deserve recognition for their hard work and effort! All of the martial arts sequences were choregraphed well. They were fast enough to keep up the film’s pace, but not fast enough to confuse audience members with what is happening on screen. Some of the martial arts were incorporated in very creative ways! One example was when it was used during a football game. Since I haven’t seen something like that before, I thought it was a new and exciting way to see martial arts in film!
The modernization of Romeo and Juliet: As I said in the introduction, I’ve seen other modern adaptations of Romeo and Juliet. Romeo Must Die’s take on this story was very interesting and made some improvements to the source material. In this movie, the division between the protagonists’ families is given a better and more clear explanation. Business and cultural/racial differences are what creates a separation for these characters. Also, the protagonists, Han and Trish, are aged up. Having them be of adult age actually helps them play a significant contribution to the narrative, allowing them to make an impact on their families and the conflict surrounding them. This is different from the titular characters in William Shakespeare’s story, where they aren’t given much to do because of their youth.
No romance for Trish and Han: Romance plays an important role in William Shakespeare’s Romeo and Juliet. In fact, the majority of that story revolves around the relationship of the titular characters. In Romeo Must Die, there was a relationship between the protagonists, Han and Trish. But this relationship was not romantic. This adaptation placed more focus on the division between the rivaling families. Han and Trish’s roles were to solve the mysteries between a series of murders. I understand that the creative team behind Romeo Must Die wanted to present the source material in a new way. But excluding romance takes away an essential part of Romeo and Juliet’s identity.
A limited use of martial arts: In my review of Crouching Tiger, Hidden Dragon, I shared that I didn’t like how the film’s martial arts sequences were featured for a limited amount of time on screen. Romeo Must Die has a similar flaw. The 2000 released project is classified as an action movie, so these sequences had a greater presence on film. But it felt like the martial arts were incorporated at select moments. Like I said in my Crouching Tiger, Hidden Dragon review, a 50/50 balance was not found. Because the story put more emphasis on the rivaling families’ division, there were more dialogue focused scenes.
The character of Roth and his business team: One of the story-points in Romeo Must Die involves the construction of a football stadium. This part of the story introduced the character of Vincent Roth and his business team. I think the actors who portrayed these characters did a good job with the acting material they were given. But the characters themselves were under-utilized. Compared to the other characters in the film, Roth and his team didn’t play as significant of a role as they could have. If anything, it felt like these characters were there for the sake of being there.
To review or not to review, that is the question (yes, that Shakespeare reference was intentional). Sure, I’m not going to be the first movie blogger to make that reference. But I probably won’t be the last! Adaptations of William Shakespeare’s works have been around since the beginning of cinema. Whether these adaptations are classical or modern, they prove there are various different ways to approach the source material. Romeo Must Die is a great example of this. Because of the creative team’s perspective on the story, they were able to create a project that had its own identity and added some unique elements to the narrative. Because of this, I found the movie to be one of the better cinematic versions of this story! By making this an action movie and featuring a mystery within the script, it created a sense of intrigue and suspense for the project. It also helped me stay invested in the film. While this movie does have its flaws, it also has strong components that I liked about it. When I learned that Romeo Must Die was a modern retelling of Romeo and Juliet with martial arts, I was hoping to, at least, get some enjoyment out of it. After watching it, I can now say this idea was well executed!
Overall score: 7.6 out of 10
Have you ever seen Romeo Must Die? Which adaptation of William Shakespeare’s stories do you like the most? Share your thoughts in the comment section!
For Pure Entertainment Preservation Society’s Happy Holidays Blogathon, I had planned on reviewing more than one film. However, after reflecting on how many movies I reviewed in November, I decided to talk about only one instead. When I signed up for this blogathon last month, I knew that I wanted to review The Nine Lives of Christmas, a Hallmark Channel movie that was released in 2014. Among fans of the network, this movie has caused the same reaction that 2006’s The Christmas Card has. From making repeat appearances in Hallmark Channel’s “Countdown to Christmas” line-up to fans of the film asking for a sequel, The Nine Lives of Christmas has gained a following of devoted audience members. Every Christmas season on 18 Cinema Lane, I try to review at least one past Hallmark Christmas film. This is to determine if my thoughts on the movie are similar to the general consensus. Last year, I talked about the aforementioned film, The Christmas Card. As I mentioned in that review, a lot of Hallmark fans love this movie. However, I found it to be just ok. So, it’ll be interesting to see how I feel about The Nine Lives of Christmas.
The acting: In most of Hallmark’s films, the acting from the entire cast appears natural and believable. That’s no different for The Nine Lives of Christmas! As I’ve said in my review of Sense, Sensibility and Snowmen, it’s always nice to see Kimberley Sustad appear in a Hallmark movie. Even though seeing her in a lead role is rare, I know that Kimberley will bring her A game to every role she is given. In The Nine Lives of Christmas, Kimberley’s portrayal of Marilee was delightful! Through her performance, she was able to create a character that was relatable. This was done by bringing various emotions and behaviors to her role. I also liked Brandon Routh’s portrayal of Zachary! He effectively gave me the impression that his character was a tough man with a kind heart. This fit the idea that I, personally, have of firefighters; strong and selfless individuals who are ready to save the day. Watching his interactions with Ambrose, the cat, were very sweet. It allowed the character to make a transformation in his perspectives, which Brandon naturally portrayed through his expressions and on-screen personality. The supporting cast was very memorable! They were able to elevate the material and help make it memorable. This is what made the overall cast a solid group of actors and actresses!
The interactions between the characters: A great component of this film was the various interactions that took place among the characters! What made them work was how natural they came across on screen. Whenever Zachary was sharing a scene with his fellow firefighters, I could sense the camaraderie between these characters. It was nice to see them share funny moments as well as look out for each other’s best interests. Another character interaction that I liked seeing was between Marilee and her sister, Jaclyn. Even though their personalities were different, their relationship felt genuine. I was always led to believe that Jaclyn had her sister’s best interests in mind and that Marilee truly cared about her sibling. Because this group of actors was talented, this added to the enjoyment of these interactions!
The humor: For some reason, it seems like most of Hallmark’s Christmas films have been light on humor this year. So, I found the light-hearted and humorous nature of The Nine Lives of Christmas to be refreshing! There were several moments that made me burst out laughing. One example is the very first scene, when Zachary was having his picture taken for a charity calendar. What made the moment work was the dialogue among the characters. It was well-written and good-natured, which helped make it feel genuine. Even the moments with Ambrose were funny! A perfect example is when the cat sits on Zachary’s chair, even after Zachary told him not to. The overall humor of this film made my viewing experience very memorable!
The villain: Within the first half of this movie, Zachary dates an unlikable woman named Blair. While the actress who portrayed this character, Chelsea Hobbs, did a really good job at bringing Blair to life and while it is rare to find an over-the-top villain in a Hallmark production, I found this particular character to be one-dimensional. I realize that the fault lies in the screen-writing, as that is where the structure of any character is built. In The Nine Lives of Christmas, Blair was a terrible person because she was a terrible person. I did not find this to be very interesting. Let me give you an example of when a villain/antagonist works within the story: in A Christmas Miracle, Emma’s boss, Valerie, is so desperate to impress her boss, that she steals Emma’s idea and tries to pass it off as her own. This leads her to make more choices that give the audience a reason to find her villainous. So, in that movie, Valerie is a terrible person because of her unlikable decisions.
An uneven build-up to Zachary and Marilee’s relationship: While Brandon and Kimberley had good on-screen chemistry and while Zachary and Marilee’s relationship was very sweet, I found the build-up of the relationship to be uneven. In the first half of the movie, Zachary and Marilee barely spent any time together. This caused the initial union of these characters to feel drawn-out. In the second half of the film, Zachary and Marilee spend almost every day together, which caused the relationship to feel rushed. The build-up didn’t have a sense of consistency and the transition was too abrupt.
Not a Christmas story: When I think of a Christmas movie, I think of a story that can only survive during the Christmas season. With The Nine Lives of Christmas, the plot felt like it didn’t need to belong within the Christmas holiday. Yes, there were Christmas decorations and festivities to be found. But no Christmas specific messages and themes were presented in the narrative. I felt like this exact same story could have been placed in any time of the year and it wouldn’t make a huge difference.
I said in this review’s introduction that a lot of Hallmark fans love The Nine Lives of Christmas. After finally seeing this movie for the first time, I can understand why people like it so much! Sure, this film has flaws. But I still found it to be enjoyable. What I like about this movie is how different it felt from Hallmark projects that were released within the past two years. While The Nine Lives of Christmas had story-telling elements that are familiar to consistent movie-watchers of the network, it felt like the film’s creative team made an effort to try something new. This makes me wish that Hallmark could go back to that mindset, where they weren’t afraid to do different things even though they were starting to create their brand’s image. The Nine Lives of Christmas is not my favorite Hallmark Christmas film, as there are other movies that I like more than this one. But I do think it is an overall solid production!
Overall score: 8.5 out of 10
Have you seen The Nine Lives of Christmas? Which past Hallmark Christmas movie would you like to see me review? Share your thoughts in the comment section!
Yes, I’m at it again. I’m participating in another Genre Grandeur! After a brief hiatus in October, I was ready to take on whatever challenge came my way. For November, the theme was chosen by David from Blueprint Review. In this Genre Grandeur, they wanted participants to talk about Hong Kong Martial Arts Movies. Whatever movie I picked, I knew this would be a special review. That’s because this is the first time I’ve ever reviewed a martial arts film! To figure out which movies qualified of this event, I searched for possible titles on the internet. One of the most well-known films that I saw on one list was Crouching Tiger, Hidden Dragon. Over the years, I have heard of this movie. But I had never gotten around to watching it. Now, because of MovieRob and David, I finally have an excuse to check it out!
Crouching Tiger, Hidden Dragon poster created by Sony Pictures Classics, Columbia Pictures Film Production Asia, Good Machine International, Edko Films, Zoom Hunt Productions, China Film Co-Production Corp., and Asian Union Film & Entertainment Ltd. Image found at https://www.imdb.com/title/tt0190332/?ref_=nv_sr_srsg_0.
Things I liked about the film:
The character interactions: Throughout the film, there were several character interactions that took place. This aspect of the overall project was very enjoyable for me to see. One reason was because these interactions shared key components of the story, allowing important details to be expressed and character development to take place. The second reason is how these interactions appeared on screen. Because this cast is talented, it gives the actors and actresses the opportunity to present these interactions in a way that feels believable and sincere. Whether it was the camaraderie between Li Mu Bai and Yu Shu Lien or the heart-felt encounters between Jen Yu and Lo, each interaction enhanced the material for both the characters and the overall story.
The martial arts choreography: The martial arts sequences that are featured in this movie were one of the strongest elements of the project! That’s because of how well choreographed each sequence was. Created by Yuen Wo-Ping, each martial arts movement appeared fast, yet smooth. It seemed like every opponent was engaging in a dance, with each one taking turns in the situation. There were times when some the characters looked like they were flying. This made them appear powerful, like their training had helped them gain a super power. The overall technique was precise and well-thought out. This shows how great of a job Yuen Wo-Ping did when it came to planning these sequences!
The scenery: Crouching Tiger, Hidden Dragon excels when it comes to the scenery! There were several natural landscapes featured in this film that were simply breath-taking! What helps was how well they were captured on film. Long and establishing shots showed the audience the true magnificence of these locations. The set designs also played a role in making the scenery memorable. Every set appears authentic for the film’s specific time period. They are also well staged, setting up the scene in a visually appealing way. These key ingredients created a cinematic world that felt immersive.
The presentation of the subtitles: This is not the first time I’ve reviewed a film that chose to use subtitles. In fact, I have found myself enjoying these movies, such as Les Enfants Terribles and Vampyr. But it’s not the subtitles that were the issue. The color of the subtitles was the flaw, as they were presented in yellow. While it made them easier to see against darker backgrounds, it was difficult to see them against light backgrounds. This was especially the case whenever someone wore a white outfit. To me, I feel that the subtitles should have been presented in the color red. That way, it could have been seen with almost any background.
Limited use of martial arts sequences: As I said earlier, I really liked the martial art sequences in this film. However, in the overall project, these sequences were very limited. When I think of a typical martial arts film, I think of it as a part of the action genre, where at least fifty percent of the movie is action-packed. With Crouching Tiger, Hidden Dragon, the majority of the film focused on the character and story development. This choice causes the movie to not have that 50/50 balance that I was expecting. I found there to be more dialogue-focused scenes than action-focused scenes.
A mystery that was too easy to solve: In Crouching Tiger, Hidden Dragon, there was a mystery surrounding the disappearance of a legendary, priceless sword. Through dialogue and martial arts sequences, it becomes more obvious who the thief is. I’m not going to spoil the reveal if you haven’t the seen the movie. But, shortly after this particular character was introduced, I knew that they were the guilty culprit. Instead of attempting to solve the mystery alongside the characters, I ended up just waiting for the reveal to take place. It made this part of the story less intriguing.
I’m always grateful whenever MovieRob invites me to join Genre Grandeur. This event, like almost any blogathon, gives me a good excuse to watch films that I might have never seen otherwise. Like I said in the introduction, I had not seen Crouching Tiger, Hidden Dragon before. But I’m glad that I finally gave it a chance! This is not just a good martial arts film or a good foreign film. It’s a good film in general! Yes, there were things about it that I wasn’t a fan of, including the ending. But there are components that make me like and appreciate the movie for what it is. I want to thank MovieRob for, once again, inviting me to Genre Grandeur. I also want to thank David, from Blueprint Review, for choosing November’s theme. It gave me a reason to, finally, review a martial arts film for 18 Cinema Lane!
Overall score: 7.7 out of 10
Do you have a favorite martial arts film? What is your favorite part about these types of films? Share your thoughts in the comment section!
When Crystal, from In The Good Old Days Of Classic Hollywood, invited me to join her Third Annual Lauren Bacall Blogathon, I was aware of who Lauren is as an actress. In fact, I reviewed The Big Sleep for a blog follower dedication review back in August. For this blogathon, I wanted to pick one of Lauren’s films from outside the Classic/Golden Era of Hollywood. After looking through her filmography, I decided to review From the Mixed-Up Files of Mrs. Basil E. Frankweiler! Before watching this movie, I knew that it was based on a book. However, I have never read the book or seen the film adaptation from 1973. I also heard that there was a mystery within this story. Because I like movies such as those from Hallmark Movies & Mysteries, I felt that this would be a film I might enjoy.
Because I had difficulty uploading an image of this poster, I decided to take a picture of it on my phone. Screenshot taken by me, Sally Silverscreen.Things I liked about the film:
The acting: Films that feature young actors as the leads can be hit or miss. Because of their limited talents, it’s difficult for the audience to know what to expect from that actor or actress. In From the Mixed-Up Files of Mrs. Basil E. Frankweiler, the lead actors did a good job with the acting material they were given! Jean Marie Barnwell, who portrayed Claudia, and Jesse Lee Soffer, who portrayed Jamie, were both expressive and believable in their roles. They brought their characters to life with versatility, helping them present reactions that appeared realistic for children in that kind of situation. The supporting cast was also memorable in this film! Miriam Flynn, who portrayed Claudia and Jamie’s mom, mastered her role! She did this by bringing animation and emotion to her character. Miriam helped make her role distinct from the others in this film. She also had good on-screen chemistry with her fellow co-stars!
The cinematography: This film had better cinematography than I expected! The creative team behind the movie made some interesting choices when it came to how certain scenes were presented. One example is when Claudia and Jamie are hiding on the school bus. There was one scene where the camera was looking upward from the floor, focusing on the view from the window. This helped the audience picture the moment from the kids’ perspective. In the museum, there were close-ups of various artifacts. At opening or closing time, these close-ups emphasized the lights shining on these objects. Shots like these made the film visually appealing!
The locations of the museum and Mrs. Frankweiler’s house: Whenever I’ve talked about Murder, She Wrote, I almost always talk about how great the locations are. That series shares a similarity with this film. The museum and Mrs. Frankweiler’s house were the two best locations in the movie! Filmed in Los Angeles, both locations were captured very well on screen. They represent the impression that the creative team was going for: larger than life and exquisite. Not only were the exteriors impressive, but so were the interiors. From the domed ceiling of the museum to the grand staircase of Mrs. Frankweiler’s house, these facilities were some of the best parts of this project!
Angelic statue image created by Marcelo Gerpe at freeimages.com. “FreeImages.com/Marcelo Gerpe.”
What I didn’t like about the film:
Lauren Bacall’s brief appearance: In my review of One Christmas, I shared that Katharine Hepburn’s limited presence was something that I didn’t like about the film. From the Mixed-Up Files of Mrs. Basil E. Frankweiler had the same problem. Like One Christmas, Lauren was the top-billed actor for this movie. This had given me the impression that she would appear in the majority of the project. But, similar to Katharine, Lauren only showed up in five scenes. Like I said in my One Christmas review, giving an actress like Lauren Bacall few opportunities to showcase her acting abilities does her a disservice. It also makes the movie’s creative team look like they’re making a promise they know they can’t keep. This decision came across as frustrating and misleading.
Over-shadowing the mystery: This story features a mystery about the authenticity of an angelic statue. While this was an interesting part of the overall narrative, it wasn’t given as much attention as I expected. Most of the story focused on Claudia and Jamie running away from home. The mystery itself wasn’t presented until forty minutes into the movie. Even then, the mystery was only discussed in a few scenes. It took a lot of intrigue out of the film, causing the story not to be as engaging or interactive.
Too much suspension of disbelief: I’ve said before on my blog that movies with fictional stories require their audience to suspend a certain amount of disbelief. But for From the Mixed-Up Files of Mrs. Basil E. Frankweiler asked me to suspend my belief more than I had planned to. One example is how the police don’t play a big role in trying to find Claudia and Jamie. I found that to be very unbelievable, considering the fact that these children have been missing for three days. The idea of people living in a museum is also not realistic, especially since most facilities have things like motion sensors and security cameras. Things like this partially took me out of the film.
While I’m glad that I gave this film a chance, I can honestly say that it was just ok. Sure, there were things about the movie that I liked. But there were also aspects that could have made it stronger. From the Mixed-Up Files of Mrs. Basil E. Frankweiler made the same mistake that One Christmas did: incorporating a legendary actress but not utilizing her talents to the fullest extent. After I watched Lauren’s film, I realized that her movie and Katharine’s movie were both released in the mid – ‘90s. I’m now starting to wonder if this was a trend from that decade? Until that question is answered, I just wanted to thank Crystal for inviting me to join her blogathon! I’ve participated in several of her movie related events and she is an excellent host! I can’t wait for the next blogathon!
Overall score: 6 out of 10
Have you seen any of Lauren Bacall’s films? If so, which one is your favorite? Please tell me in the comment section!
I know what you’re probably thinking; what does Touched by an Angel have to do with the Marines? Well, that’s where my explanation comes in. When J-Dub invited me to join their Send in the Marines Blogathon, they explained that there are a lot of actors who served in the Marines. One of them is Brian Keith. Because I was not familiar with this actor, I looked at his filmography on IMDB to see what projects he appeared in. In the ‘90s, Brian guest-starred on an episode of Touched by an Angel. I said in my post about the book, California Angel, that I like the aforementioned show. Since I own the entire series on DVD and since I haven’t talked about Touched by an Angel on my blog yet, I knew J-Dub’s blogathon would be a good excuse to do so. Also, with today being Veterans Day, talking about an episode co-starring a former U.S. Marine seems fitting.
There were several character interactions that were interesting to watch. But the two that were my favorite were between young Leonard and Penny and older Leonard and Monica. The interactions between young Leonard and Penny were adorable, acting as a light during a literally and figuratively dark time. The actors who portrayed these characters, Sam Gifaldi and Scarlett Pomers, were very believable and reacted in a realistic way for children in that particular situation. The interactions between older Leonard and Monica were interesting because of how different their personalities were. Their overall perspectives also differed from one another. Despite this, they both had the same goal and were able to reach that by helping each other.
What I didn’t like about this episode:
This episode takes place on Halloween. Based on the topics that were discussed in the story and because “The Sky Is Falling” was released after the spooky holiday, it felt more like an All Souls Day episode. While children can be seen dressed in costumes and going trick-or-treating , it isn’t the primary focus of the story. Also, several characters mention that the “War of the Worlds” broadcast took place on October 30th, the day before Halloween. So, having this episode take place on the aforementioned holiday doesn’t seem to make sense.
The story itself:
At the beginning of “The Sky Is Falling”, there were three components that seemed confusing at first. That’s because they were presented as three separate subplots. As the story goes on, these components came together very nicely to create a well-written story. Sometimes on Touched by an Angel, the writers will take a historical situation, like the “War of the Worlds” broadcast, and draw an intriguing story from it. This allows the audience to be both entertained and educated. This concept was executed very well in this episode, allowing lessons and messages to organically grow within the narrative. I also liked seeing how Tess and Monica first met. This part of the story provided an addition to their backstories and gave the audience the opportunity to see how far these characters have come as individuals and friends.
The other factors from this episode:
In “The Sky Is Falling”, part of the story was told through flashbacks, reflecting on October 30th of 1938. All of these scenes looked and felt historically accurate, like the creative team behind this show went the extra mile to capture this specific moment in time. Even the jewelry appeared as if it came from the late ‘30s.
This episode was filled with good lessons and morals. One example is how one should think before they speak. This was explored in a direct and indirect way, showing how people can positively or negatively react to words. “The Sky Is Falling” also had some good quotes. My favorite is when Tess tells Monica that “The story isn’t over ‘till it says The End”. Since Brian Keith’s character is a writer, this quote makes a lot of sense.
“The Sky Is Falling” had some really atmospheric scenes. If you haven’t seen this episode, I won’t give anything away. All I’ll say is that these atmospheric scenes took place in a forest. The way this location was staged and filmed was excellent! It effectively conveyed the tone that the show’s creative team was trying to achieve.
My overall thoughts:
I enjoyed this episode of Touched by an Angel more than I expected! This is definitely one of the stronger stories from the show, featuring a good cast who worked well together. The way this story was told was memorable, as it taught the audience lessons that went beyond the historical aspect. It’s better if you watch “The Sky Is Falling” as an All Souls Day episode, as Halloween doesn’t play as big of a role as in the show’s other stories. “The Sky Is Falling” kind of reminded me of another episode called “Monica’s Bad Day”, where the overarching message is how one’s actions can affect the people around them. In Brian Keith’s episode, this message was converted to focus on the power of words. Speaking of Brian, his portrayal of Leonard was such a highlight in this episode! This emotionally effective performance worked in his favor, as I found myself staying invested in his character throughout this story. “The Sky Is Falling” would not be the same without Brian.
Rating: A solid 4 out of 5
This is just one of the Touched by an Angel DVDs that I own. Screenshot taken by me, Sally Silverscreen.Have you seen any projects from Brian Keith’s filmography? Are there any episodes of Touched by an Angel you’d like to see me review? Please let me know in the comment section.
When Tiffany from Pure Entertainment Preservation Society invited me to join The Second Annual Claude Rains Blogathon, I was familiar with Claude as an actor. I’ve seen five of his movies, as I reviewed Caesar and Cleopatra back in September. While looking through his filmography on IMDB, I discovered that Claude starred in a film called Twilight of Honor. Because I happened to have this movie on my DVR, I figured it would be a great choice for the blogathon. This isn’t the first time I’ve talked about a courtroom film. Last year, I reviewed two movies from Hallmark Movies & Mysteries’ Darrow Mystery series. What I enjoy about those films is the mystery component featured within the narrative. It creates an intriguing and interactive experience for the audience. Will I find a mystery in Twilight of Honor? Keep reading if you want to find out!
Twilight of Honor poster created by Metro-Goldwyn-Mayer. Image found at commons.wikimedia.org/wiki/File:Twilight_of_Honor_FilmPoster.jpeg.
Things I liked about the film:
The acting: The overall cast in this film was pretty good! Everyone’s performance appeared believable, especially for their character’s situation. Even though Claude Rains was in the film for a limited amount of time, his portrayal of Art Harper was memorable! He brought a pleasant persona to his character and was a joy to watch on screen. The lead star, Richard Chamberlain, also gave a good acting performance! His character, David Mitchell, had a healthy balance between the seriousness of a lawyer and the charm of a gentleman. That’s because his acting abilities were well-rounded enough to pull off this specific kind of portrayal. The supporting cast was just as talented as the starring cast! Joey Heatherton was a standout in this film as Laura-Mae Brown! With an on-screen personality that was feisty and bold, Joey found a way to shine among her co-stars. Her character certainly brought an interesting element to the story.
The dual screen special effect: Whenever one of the characters shared their perspective on the case, the screen was split to show the flashback on one side of the screen while the character was speaking. After this was shown, the flashback was presented in a full-screen format. This element made the project appear ahead of its time. Because the ‘60s weren’t known for experimentation with technology in film, it makes the creative team behind this movie appear innovative. I respect their decision to try something new. They took a creative risk and it worked in their favor.
The Clinton house: At one point in the movie, David visits the widow of the murder victim, Mrs. Clinton, at her house. Despite this location being featured on screen for a short amount of time, this house looked very appealing on film! The way it was staged and decorated gave the impression that the creative team was going for: the living environment of an affluent family. From the winding staircase to the large door-frame, everything about it spoke volumes about the characters that lived there. It was also just a nice-looking place in general. I’m not sure if this was a real location or a set, but the people associated with bringing this place to life did a good job in doing so.
The run-time: Twilight of Honor is almost two hours. Because of this, it makes the story feel drawn out and some scenes last longer than they need to. One example is some of the courtroom scenes. I understand that court cases in film take time to be explored and discussed. But, personally, I don’t think this particular story needed to be as long as it was. If this movie was an hour and ten or twenty minutes, then the script could have been a little bit tighter and the run-time would be more condensed.
Very little intrigue: When I first heard about this movie, I was expecting the story to have a mystery element. Similar to programs such as Matlock, Perry Mason, and Hallmark’s Darrow Mystery series, I was ready to figure out whodunit. Sadly, that’s not the kind of story Twilight of Honor is. It’s a courtroom drama with a surface level narrative that’s “cut and dry”. Because the story was so basic, I found the final verdict to be anti-climactic. It wasn’t a boring story, but it wasn’t exciting either.
David and Susan’s relationship: I have nothing against David and Susan’s relationship. The issue I have with it is how little emphasis it was given in the film. David and Susan’s relationship feels rushed and under-developed. They are seen spending so little time with each other that when their relationship does progress, it just comes out of nowhere. There’s no build-up to where this relationship ends up. It just seems like it was placed in the movie just for the sake of being there.
Twilight of Honor is not what I expected it to be. That intriguing, courtroom mystery that I was looking to ended up becoming a straight-forward drama with a simplistic story. Because of that, I found the movie to be just ok. While there were things about it that I liked, the story itself could have been stronger. But that doesn’t mean that the movie is void of purpose. Twilight of Honor does have its place in film history with the use of the dual screen special effect that was featured in the movie. It also gives people a good excuse to watch Claude Rains perform on screen. This isn’t one of the best movies I’ve seen this year, so far. But it’s definitely not one of the worst films I’ve seen either. I’m glad that I saw Twilight of Honor, though, because now I can have an honest opinion about it.
Overall score: 6 out of 10
What do you think of this review? Which movie from Claude Rains’ filmography is your favorite? Share your thoughts in the comment section!
Now that the first day of November has finally arrived, it’s time for me to reflect on my participation in this year’s ‘31 Spooks of October’. First of all, I’d like to thank K, from K at the Movies, for allowing me to contribute to their event. I enjoyed reading their thoughts on various short stories and I can’t wait to see what’s in store for next year’s line-up. As I look at the collection of articles that I’ve published, I can honestly say that I’m proud of what I accomplished. While I didn’t complete everything I wanted to, I did create a variety of posts that are interesting and, hopefully, entertaining. These articles are:
What disappoints me is how I wasn’t able to complete my reading goal. But this experience has taught me a lesson. Before the month of October started, I thought that I would be able to read five books in one month. However, several blog related projects prevented this from happening. I did read more for this year’s Spookathon readathon by reading two books instead of just one! Also, this was my first year taking part in the Sbooktober readathon! After this experience, I think it would be better to focus on reading two books a month. As for the books I didn’t read? I’ll read them this November, especially since I have started Murder on Ice. If I were to participate in ‘31 Spooks of October’ again, I think publishing a post a week is a good idea. That way, I can contribute to the event and complete others projects that I want to publish.
This is a question that I asked when I saw Queen of the Damned for the first-time last year. I was curious how this particular character was able to afford his lavish lifestyle while balancing his endeavors as a rock-star. The more I thought about my question, the more I thought about the wealth of the other characters from this movie. How did they acquire their wealth? What is their net worth? Since I haven’t seen a post like this on WordPress before, I decided to write an editorial where I attempt to figure out these characters’ net worth. I’m not a historical or financial expert, so my information will be based on guesses and assumptions. I haven’t read any of the source material that Queen of the Damned is based on, so I turned to Vampire Chronicles Wiki only to determine birth dates and the years when these characters became vampires. However, I didn’t rely too much on this site because the film and the source material share more differences than similarities. To determine net worth, I looked at items from the auction website, Sotheby’s, that correlated with these significant years of the characters. All of the items’ prices will be included with its United States Dollar value. Because we don’t know the year when the film takes place, we will assume it takes place around Halloween of 2002, especially since Marius was seen reading a magazine where the back cover says “All Hallow’s Eve”. I also turned to Jen, from the blog, Bookworm, because she has read the books and seen the movie. This means that she would know these characters better than me. Here’s the link to Jen’s blog if you want to check it out!
This post is not only created for the Gothic Horror Blogathon, it also corelates with ‘31 Spooks of October’ and my recent achievement of publishing 125 movie reviews! Before we begin, I just want to let you know that this is probably the longest editorial I’ve ever written. Also, all of the pictures that are featured in this editorial are screenshots that I took with my cellphone.
Here is photo evidence that the concert took place around Halloween. Screenshot taken by me, Sally Silverscreen.
Khayman
In the Queen of the Damned film, Khayman is one of members of the Ancients group. According to Vampire Chronicles Wiki, Khayman was Akasha’s chief steward. But this detail was not brought up in the film, so we will assume that this was his occupation before he became a vampire. The reason for Khayman’s negative feelings toward Akasha is unknown in the movie, but it seems like she made a decision that did not sit well with Khayman. On Sothebys, I found three items that shared the date of or around 4,000 B.C.; the approximate date when Khayman was born and became a vampire. The first item, An Anatolian Figure, was sold in 2001 for $6,600. For the sake of this discussion, we will assume that if Khayman owned this item, the aforementioned price will be the worth of the item. Another item that sold in 2001 was a set of Three Stone Mace-heads. This set had a final price tag of $2,700, so this will the worth of the set for this conversation. The last item, an Egyptian Hardstone Jar, has an approximate worth somewhere between $8,000 and $12,000, so we’ll just say that it’s worth $12,000. If we add these prices up, it totals to $21,300. Remember when I mentioned that Khayman was Akasha’s chief steward? Well, let’s say that throughout his career, he received a third of her finances, which would be approximately $11,944. When we include that number with the prices of the previously stated items, Khayman’s net worth totals to the amount of $33,244.
Before starting this project, I had assumed that Akasha would be one of the film’s more wealthier vampires. But Jen, from Bookworm, brought up an excellent point that changed my perspective on Akasha’s net worth. Jen told me that Akasha wouldn’t have any money due to Marius taking care of her while she was in her semi-comatose, statuesque state. In the film, Akasha was seen in this state and stayed that way for the majority of the story. For this editorial, however, we’re going to assume that she was able to keep at least three possessions before she turned into a statue. The first possession would be an Egyptian Cosmetic Case, which sold for $1,693 in 2002. One year earlier, in 2001, a Stone Figure from the 6th Millennium sold for $19,150. An Egyptian Porphyritic Diorite Vase, which has a date of around the time when Akasha became a vampire, is worth $10,000 to $15,000. For this project, we will guess that this vase is worth $15,000. Adding up those numbers together, the total worth of these items would be $35,843. This means that this number represents Akasha’s total net worth.
For the first vampire ever created, this financial amount seems low. But, in the movie, Akasha spent more time in a semi-comatose, statuesque state than she did ruling over Egypt. Because she broke out of this state in 2002 after thousands of years, she probably wouldn’t be able to access the money she had as easily as the other vampires. In fact, she probably squatted the California house that she took Lestat to after taking him from his concert. Jen, from Bookworm, brought up another good point that puts Akasha’s financial situation into an interesting perspective. Even though, in the film, she doesn’t have any known family or children in existence, we would assume that she had a will. But if she did have a will, it wouldn’t be effective when she eventually died at the end of the film. Akasha traveled to Death Valley, California to take Lestat from his concert and she later died in Maharet’s house in the Sonoma area. As Jen told me, there’s a good chance that Akasha did not have any sort of legal U.S. citizenship, so any legal documents relating to finances would likely not be accounted for.
Not much is known about this particular character. Even in the movie, the only information that’s shared about him is that he’s an Ancient. But, according to Vampire Chronicles Wiki, Mael was born and became a vampire in 10 A.D. By taking a look at three items from this time period, we can guess his potential net worth. Two of these items are manuscripts. One of them is a Collection of Large Papyrus Documents, which has a worth of about $4,908 to $8,180. For this discussion, this collection will be worth $8,180. The other one, a Collection of Egyptian Papyrus Manuscripts, is worth $31,034 to $46,551. We’ll just say that if Mael owned this collection, it would have a worth of $46,551. The last item is a Roman Black-ware Miniature Amphora. For the sake of this project, let’s just say that this one item is worth $1,200. When these numbers are added up, Mael’s total net worth would be $55,931.
On the Vampire Chronicles Wiki website, it says that David was born in the 20th Century. Since his age is never mentioned in the movie, we are going to guess that David is 43 years old during the course of the film. The reason for choosing this age is because that’s how old Paul McGann, the actor who portrayed David, was in the year when the movie was released. As we can see in the film, David has a prominent position in a detective agency known as Talamasca. In fact, the Vampire Chronicles Wiki website clarifies his position is a “superior general”. Because salary was never brought up in the film, we’re going to assume that it would mirror the typical salary of an investigator. Since David’s standing in the Talamasca is pretty respectable, the assumption is that his salary is on the higher end of the spectrum. According to the website, SalaryList, this would be $189,592. Over his 43 years, David would probably have collected family heirlooms. For this project, we will highlight three items that could belong to him. The first item would be a Set of Danish Silver Dinner Plates. This collection is worth $12,000 to $18,000, so we’ll just say that the worth on the plates is $18,000. The next item is a Heriz Carpet, which has the exact same worth as the aforementioned dinner plates. Again, we’ll assume that this particular item is also worth $18,000. The final item is a Library Table, which has a worth of $20,000 to $30,000. Let’s make a guess that if David inherited this item, it would be worth $30,000. All of this means that David’s net worth is likely $255,592.
The Queen of the Damned movie reveals very little about Pandora. Even the Vampire Chronicles Wiki website doesn’t clearly state when she was born or when she became a vampire. After doing the necessary math based on what was written on the previously mentioned website, I assume that Pandora was born in 10 B.C. and that she became a vampire in 21 A.D. Though not mentioned in the film, the Vampire Chronicles Wiki website shares that her father was a Roman Senator, who happened to be wealthy. We’re going to assume that, after Pandora’s father died, she inherited $1,000,000. We’re also going to assume that she was able to hold on to some possessions she might have had before she became a vampire. One of these items would likely be a Conch Pearl Necklace. According to an article from Sotheby’s, “the Romans prized pearls as the ultimate status symbol”, so Pandora having pearls in her collection of heirlooms would make sense. This particular necklace has a worth of $305,784 to $407,712, so we’ll say that it’s worth the latter for this project. Speaking of jewelry, the next item would be a set of Lazuli, Beads, and Pendants from the 1st Millennium, when Pandora was born. This collection’s worth is between $3,000 and $5,000, so we’ll guess that it’s worth $5,000. The final item would be a Roman Marble Fragment, which has a worth of $19,288 to $32,147. In this discussion, we’ll just say that this item is worth $32,147. When we add these values, Pandora’s net worth ends up being $1,444,859.
As Pandora indicated in a deleted scene for the Queen of the Damned film, Armand was taken under Marius’ wing and became his vampire son. Because of this, there’s a chance that he would receive at least half of Marius’ net worth, which would be $3,959,059. Before becoming a member of Marius’ vampire family, Armand was born in 1480. After Armand was taken in by Marius, he became a vampire in 1497. Because we know very little about Armand’s biological family, we will guess that Armand was able to keep at least one item from them. This item, for the sake of this project, will be a Northern European Brass Pot. The brass pot is worth $2,000 to $3,000, so we’ll say that it’s worth $3,000.
In the film adaptation of Queen of the Damned’s predecessor, Interview with the Vampire, Armand owned the building where Theatre des Vampires, a group of performers who are also vampires, hosted shows. Armand was also the leader of this group. To determine the revenue that the theater possibly generated, I searched for theaters that had a similar date and location to Armand’s. The one I chose for this editorial is Théâtre de l’Ambigu-Comique, which, ironically, faced a similar fate to Armand’s theater. Before we talk about that, let’s go back to the discussion of revenue. In the 1800s, when Armand’s part of the story takes place, the cost of a theater ticket was around 30 cents. If there were 1,250 seats in Armand’s theater, the same number of seats that Théâtre de l’Ambigu-Comique had at one point, that means that the total sale of tickets for one show would be $375. If Armand’s theater hosted 36 shows throughout a single year, the total revenue would be $13,500. In the Interview with the Vampire film, Armand’s theater burns down and Armand becomes the only survivor of that situation. He even references this event in the aforementioned deleted scene. Because insurance has been around since the 2nd to 3rd millennia B.C. and because accident insurance existed in the 19th century, we’ll assume that Armand received an insurance settlement of $1,000,000. After all this is said, Armand’s net worth is revealed to be $4,975,559.
When he makes his debut in the Queen of the Damned film, Marius tells Lestat that he’s “a noble by nature”. Since we don’t exactly know what he meant by this statement, we’ll just assume that he was a literal noble before he became a vampire. If this were the case, it would make sense. One of the benefits of being a noble is having access to at least one estate. Through Lestat’s journalistic flashbacks, we see that Marius has a very large home on a private island. This estate would likely be valuable. In fact, I looked toward another structure that was built around the time when Marius became a vampire; 10 A.D., in order to determine the house’s worth. This structure is ‘Pyramid of the Sun’ from Mexico. One of the materials that was used to build this pyramid was limestone, so we’re going to assume that this material was also used to build Marius’s island home. In an article from History Channel, limestone was used to cover the pyramid’s walls. Also, according to Sotheby’s, a Limestone Head is worth somewhere between $6,706 to $10,730. Because one side of the pyramid is 733.2 feet, we’re going to multiply this number with the higher end of the price spectrum of the Limestone Head, which equals $7,867,236. This is the value that we will put on Marius’s island home for the sake of this discussion.
Marius’s house is not the only thing he owns that would be worth a lot of money. One of these items is likely be a pair of Egyptian Glass Eye Inlays, which is worth $7,715 to $10,287. For this project, we will say that this pair is worth the latter amount. Throughout the movie, we see Marius as an artist, creating a few paintings at various moments. Because of his status as an Ancient, let’s just guess that Marius is the Michelangelo of the vampire world. One work of Michelangelo’s, “Profile of a Man” has a worth of $1,504 to $2,257. Let’s say that Marius sold ten paintings for $1,504 each. This means that he collected a total of $15,040. Remember when I talked about Akasha’s net worth? Well, when she and Lestat got “married”, that marriage was not made legitimate. This is because their marriage was based on “he said, she said”. In one of Lestat’s flashbacks, Marius explains that he keeps Akasha and her husband in their statuesque states in his house. After she died, it would make sense for Marius to receive Akasha’s net worth. So, overall, Marius’s net worth rounds out to $7,918,119.
Another wealthy Ancient is Jesse’s aunt, Maharet. On the Vampire Chronicles Wiki website, she lived around the time of Akasha, becoming a vampire in 4,000 B.C. I found three items that share this date that we’re going to guess Maharet would own. The first item is a Porphyritic Diorite Vase that is similar to Akasha’s. Because I already talked about this vase’s worth, we’re going to restate that it’s worth $15,000. The next item is a Stone Figure, which is worth $15,000 to $25,000. For this article, we are going to say that it’s worth $25,000. The last item is a Basalt House Figure, which is worth six to nine thousand dollars. But because this item sold in 2001 for $19,150, let’s say that this is the worth of this figure.
The Queen of the Damned film never reveals how Maharet acquired her wealth. But the Vampire Chronicles Wiki website shares that she “could communicate with spirits”. I’m guessing that this is the equivalent to a “medium”. So let’s say, before she became a vampire, Maharet ran a business where she used her talents to help others. We’re going to assume that the price of these “communication sessions” cost a total of $10. If she conducted four of these sessions throughout a month, she would make $40. Now if she ran this business for a year, she would make $480. If she ran her business for 2,000 years, her total revenue would be $960,000. In the movie, the climax takes place at Marahet’s house, which is located in California. On realtor.com, there’s a listing for a house in a location and with a style similar to the one in the film. It’s listed at $6,700,000. If this was the worth of Maharet’s house, it would be included in her net worth of $7,719,150.
Shortly after meeting Marius for the first time, Lestat tells him that he’s the “lord of a great man”. Like what Marius said about being a “noble”, we’ll just assume that Lestat was being literal about being a lord. On the website, Prestige Property Group, I found two houses that look like a property that Lestat’s family could have owned. One of them has a price tag of $984,500 and the other one has a price tag of $2,267,100. For my editorial, we will guess that Lestat’s family home would be worth $3,251,600. Toward the beginning of the film, we see that Lestat has a run-down house in New Orleans, where his soon-to-be band mates are seen practicing. I found a listing for a house on realtor.com that could resemble the house in the film. In this listing, the New Orleans house is listed for $4,995,000. For the sake of this project, we will assume that this price is the worth of Lestat’s house. We’ll also assume that Lestat held on to three personal possessions from before he became a vampire. The first of these items is a Louis XV Giltwood Mirror, which is worth $3,000 to $5,000. We will say that this mirror has a worth of $5,000. A Louis XVI Tapestry is the next item, with an approximate worth of twelve to eighteen thousand dollars. In this discussion, we’ll just assume that the tapestry is worth $18,000. With a worth of $12,000 to $18,000, a George I Cabinet on Chest is the last item. Like I said about the tapestry, we’ll say that the worth of the cabinet is also $18,000. Because, in the film, Marius turned Lestat into a vampire, he could receive half of Marius’ net worth of $3,959,059.
One of the biggest factors of the Queen of the Damned film is Lestat being a rock star. This definitely plays into Lestat’s total net worth, even though he is a member of a five-person group. In the film, the band’s concert took place in Death Valley, California. The layout was different from that of a typical stadium, which sets separate prices based to where the seats are located. Also, this was the only concert that band was hosting, because Lestat didn’t want to repeat his performance. This means that tickets for this concert might have been very valuable. In an article from Princeton University, it was reported that “in 2001, the average concert ticket price was about $40, with the average high-end cost close to $60”. But because of what I just said about the aforementioned concert, we’re going to make a guess that the range of prices for this concert’s tickets were $50 and $100. Now, let’s say that 1,000 people attended the concert. Half of them bought the $50 tickets, while the other half purchased the $100. When we multiply the first half, we get a total of $25,000. The total of the other half would be $50,000. While the overall revenue would end up being $75,000, it’s important to figure out what Lestat’s piece of the pie would be. Not only do we see at least one music video from this band, we also see several pieces of advertising about the concert. Let’s say that some of the concert revenue went towards paying the music video’s filming team and covering the cost of marketing, which we’ll keep at 10% each. Divide this number with $75,000, this payment would be $7,500 each. This leaves the $60,000 to split between five people, which now means that Lestat would walk away with $12,000. If you think this is a low number, consider that Lestat’s band also made at least one CD. Based on an article from Electronic Musician, which reported in early 2002 that CD prices could be lowered to $9.99, we’ll assume that in the Queen of the Damned film, a typical CD costs $10. We’re also going to assume that a million copies of this CD were sold. When those numbers are multiplied, we get a total of $10,000,000. But remember, there’s five members in this band, so Lestat would end up receiving $2,000,000. After all of this information is accounted for, Lestat’s total net worth is likely $14,258,659.
The Vampire Chronicles Wiki website says that in the Queen of the Damned movie, Jesse was “in her early twenties”. So, for the sake of this discussion, we’ll guess that Jesse was 25 years old. This was the age of Marguerite Moreau, the actress who portrays Jesse, in 2002, so this is why I have chosen this age for this project. As we can see in the movie, Jesse works for the same Talamasca that David is the superior general of. But, since her position is that of an “apprentice”, her salary would be on the lower end of the spectrum. Going back to the website, SalaryList, it would likely be $39,370. Remember, Jesse is Maharet’s niece, so it’s possible that she would receive half of her aunt’s net worth. This number would be $3,859,575. Receiving this money would have allowed her to live in London, travel to California, and attend Lestat’s concert. Speaking of Lestat, he was the one that turned her into a vampire toward the end of the movie. This means that she could have access to half of Lestat’s net worth, which is $5,149,800. While the exact state of Lestat and Jesse’s relationship is unknown, it is assumed that they decided to pursue a romantic relationship at the end of the film. Jen, from Bookworm, told me that vampires do not marry, but it’s possible that Lestat and Jesse would have come up with a financial agreement if their relationship grew stronger. Overall, the grand total of Jesse’s net worth is going to be $9,048,745.
For this blog follower dedication review, I decided to take a different approach when choosing the next film. Instead of the usual system that I apply to these posts, I chose a film that felt like an appropriate choice for ‘31 Spooks of October’, the event I’ve been participating in. Since K, the creator of this event and K at the Movies, wrote about vampire related short stories recently, I thought that reviewing Vampyr would be very fitting. Last week, I was nominated for the Liebster Award by the Brannan sisters from Pure Entertainment Preservation Society! In their article, they offered an invitation to their Third Annual Great Breening Blogathon. Because the purpose of this event is to promote the preservation of the Breen Code, I felt that I had an understanding of the kind of entry that the Brannan sisters were looking for, especially since I participated in “Clean Movie Month” and “A Month Without the Code”. Vampyr was released in 1932, so through this review, I will try to determine how the Breen Code could be applied to this film!
The cinematography: While watching Vampyr, I was very impressed by the cinematography! Because this movie was created in the early ‘30s, some of the visual tricks that the film’s creative team incorporated into their project felt like they were ahead of their time. Throughout the movie, there were shadows that were presented inside an abandoned warehouse and around the grounds of a hotel and a mansion. When the protagonist, Allan Gray, first sees these shadows, one of them is seen digging in reverse. This is something that audiences probably take for granted today, but was revolutionary back then.
The music: All of the music in this movie was orchestral, similar to silent films. It was used to effectively convey the mood of each scene. Whenever there was a part of the film that was suspenseful, eerie music could be heard. There was even sad music that was playing when a sad moment was presented on screen. This film’s music helped explain what was happening even when no dialogue was spoken. It became an integral part of this project.
Audio that could be heard: This film was styled and constructed like a silent film. But what’s different about Vampyr is that the orchestral music wasn’t the only audio that could be heard. Audible dialogue from the actors replaced title cards. Things like knocks on doors and ringing bells could be heard by the audience. At one part of the film, the sounds of a parrot were included with the visual presentation of the bird. In a film that was created in this specific way, hearing all these sounds was a pleasant surprise!
A limited presence of vampires: When a movie’s creative team assigns a particular title to their project, they make a promise to their audience about what they can expect from the movie. With Vampyr, the subject of vampires wasn’t brought up until thirty-four minutes into the film. The very first vampire was revealed in the second half of the movie. In this project, vampires don’t play as big of a role as I expected. This shows that the creative team didn’t exactly fulfill the promise that they had made.
A simplistic story: For a movie like Vampyr, a sense of mystery in the story is to be expected. However, this plot felt too straight-forward. While there was a little bit of mystery, it wasn’t enough to maintain a consistent level of intrigue. It felt like the script put more emphasis on explaining through visuals what was going on instead of letting the visuals present things as they are. One perfect example is when a book about vampires is given to Allan Gray, in an effort to tell him what’s about to happen. It caused the narrative to be more simplified than it needed to be.
Some confusion: During this film, there were times when it felt like some of the mystery was kept at an arm’s length from the audience. Even though these mysteries were solved, it took awhile for the answers to be presented. Throughout the film, there was one character that kept reappearing. The audience didn’t learn who this person was until after thirty minutes. This extended explanation caused some confusion to happen in the narrative.
Before I share my overall impression of Vampyr, I want to thank all of my followers for helping 18 Cinema Lane reach this milestone! Every success that happens here is because you gave this blog a chance! Speaking of chances, I’m glad I gave this film a chance! While it had its errors, I ended up liking it more than I expected. The creative team behind this project adopted story-telling elements that were creative and interesting. Before watching this film, I learned that Vampyr was restored through the incorporation of two different versions of the movie. In the opening credits, there were a lot of names listed, indicating who was involved in the restoration process. This raises a good point of how many people it takes to restore a film. It makes me appreciate the work that’s involved in a cinematic procedure like this. Because this movie was released in 1932, it means that it wasn’t approved by the Breen Code. If it had been created two years later, these are the things that would need to change in order to meet Breen Code standards:
During the film’s introduction, it was said that the main character, Allan Gray, studies the subjects of “devil worship and vampires”. While the story does contain vampires, the first part of that statement would need to be rewritten.
When the subject of vampires is being explained, there were several references to “The Dark One”. Even though vampires are meant to be villainous in this film, any mentions of “The Dark One”, would need to be rewritten or omitted.
There were two times when God’s name was said in vain and one swear word was included in the script. New word choices would have to be made before production started.
In one scene, a pool of blood was shown on screen. This scene would have to be removed.
A few dead bodies can be seen on screen. These scenes should be rewritten, in order for the deaths to be implied.
Overall score: 7.6 out of 10
Have you seen Vampyr? Is there a film from the 1930s that you want me to see? Tell me in the comment section!
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18 Cinema Lane 