Take 3: Another Man, Another Chance Review

On February 13, 2021February 13, 2021 By 18cinemalane6 Comments

When it comes to blog events taking place on or around Valentine’s Day, romantic stories or favorite couples are usually the chosen topic. But for Pure Entertainment Preservation Society’s Unhappy Valentines Blogathon, there was an interesting twist placed on their event. For this blogathon, the theme was love stories that were “unhappily ever after”. After reading the requirements, I knew exactly which film I wanted to write about! For about a year, I have had the 1977 movie Another Man, Another Chance on my DVR. In this film, a man and woman who have each lost their spouses fall in love with one another. For some people, Valentine’s Day may not be a happy time. This can be the case for a variety of reasons. Whenever I’ve reviewed a Valentine’s Day themed film in honor of this holiday, the tone of those stories were lighthearted. So, it was nice to be given the opportunity to select a change of pace!

Because the poster for *Another Man, Another Chance* was featured on my television, I decided to take a screenshot of it with my phone. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: This isn’t the first western of James Caan’s I’ve seen. Prior to reviewing Another Man, Another Chance, I have seen JL Family Ranch and JL Family Ranch: The Wedding Gift (with the latter film receiving a review on this blog). In those films, James’ character was more reserved, his character, Tap, learning from his mistakes and defending his family. With his character in Another Man, Another Chance, David, he appeared surer of himself. However, he wasn’t afraid to express emotions. When he was looking for his wife, David expresses genuine concern throughout his search. As he discovers his wife has died, his eyes tear up as he physically turns away from the sight of his wife’s dead body. Within the movie, the relationship of Francis and Jeanne stole the show! Portrayed by Francis Huster and Geneviève Bujold, both actors had good on-screen chemistry, giving the impression their characters truly loved each other. Geneviève brought a gentleness to her role that is sometimes seen in female protagonists in westerns. This presented a contrast to the harsh environment Jeanne experienced in France and the United States. Francis had a way with words and thought outside the box. When Francis invites Jeanne to come to the United States with him, she reminds him how he barely knows her. Without skipping a beat, Francis tells her how he barely knows America. In order to earn extra money for his family, Francis tries to apply for a part time job at a newspaper by offering to be the Gazette’s photographer. These two examples show the intelligence and wisdom Francis was able to bring to his character!

Showcasing photography: It was interesting to see what the art and business of photography was like in the 1800s! Not only did the equipment look different, but the techniques were different as well. When a customer visits the studio, Jeanne makes him sit in a special chair. This chair features a vertical metal bar with a smaller, curved metal piece at the top. It helped customers sit up straight and keep their head in place as they had their picture taken. While in France, Francis says he can only take pictures for a certain amount of time and on certain days due to needing sunlight. His solution to this problem is moving to the United States and settling in the West, where he feels there will be more natural light.

An immigrant’s perspective: When it comes to stories in the western genre, most of them revolve around characters that were either born or raised in the United States. By devoting a large piece of the story to Francis and Jeanne, the audience is able to see a perspective that is rarely explored in this area of cinema. It also allowed the audience to witness these characters’ contributions to their environment. As I mentioned in this review, Francis tries to apply for a part time job at a newspaper by offering to be the Gazette’s photographer. In the 1800s, photographs were not included in newspapers. However, the editor in chief of the Gazette solved this dilemma by agreeing to create stencils of Francis’ photos and adding them to the paper. If it weren’t for Francis’ talent and profession, the Gazette would never have been ahead of their time!

The Unhappy Valentines Blogathon banner created by the Brannan sisters from Pure Entertainment Preservation Society.

What I didn’t like about the film:

Limited time spent with Jeanne and David’s relationship: One of the biggest plot points (and one of the reasons why I watched this film) is Jeanne and David learning to fall in love again. However, they don’t officially meet until an hour and twenty-eight minutes into the movie. Most of the film revolves around David’s and Jeanne’s life prior to their relationship. I know that context and build-up are important to any story. But for Another Man, Another Chance, there was too much build-up to Jeanne and David’s romance.

The run-time: Another Man, Another Chance is a two hour and sixteen-minute film. Personally, I think this run-time was unnecessary. Several scenes lasted longer than they needed to because of the creative team’s desire to satisfy this length in time. One example is when Francis and Jeanne open their photography studio. The scene itself is somewhere between two to five minutes. Because there are no major conflicts or significant moments happening, that scene could have reduced to either a few seconds or a minute. The film’s run-time might have been an hour and twenty or thirty minutes if scenes like that one had been shorter.

Too many unanswered questions: In the story of Another Man, Another Chance, there is a lot going on within the overall plot. This resulted in many questions remaining unanswered. At the beginning of the film, a wealthy woman named Alice is interested in opening a boarding school in France. She shares how she is unable to have children of her own and mentions her sympathy toward the French people. Later in the movie, Alice ends up starting a partial boarding school in her neighborhood. What caused her to change her mind about that boarding school in France? Where did her sympathy for the French people go? These questions were ignored throughout the story.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Every so often, I come across a film that, intentionally or not, made a significant contribution to the world of film. In the case of Another Man, Another Chance, this was done by telling a type of story that isn’t often seen in westerns. The creativity found in this movie is something I can appreciate. It should also be noted how this is one of the few bilingual westerns. But, to me, the overall project could have been much stronger. Another Man, Another Chance did not need to be over two hours. While watching the film, I noticed several scenes that could have easily been cut shorter. It also doesn’t help that Jeanne and David’s relationship was not featured in the story as much as the synopsis advertised. Even though this blogathon highlights romance gone wrong, I feel there are better stories of this nature to watch on Valentine’s Day. My personal choice is the PixL film, Same Time Next Week. Similar to Another Man, Another Chance, the protagonists learn to fall in love again. But in the 2017 film, the overall story is a lot stronger.

Overall score: 6.1 out of 10

Have you watched a western on Valentine’s Day? If so, which one was it? Tell me in the comment section!

Have fun on Valentine’s Day!

Sally Silverscreen

The Valentine’s Day Period Drama Blog Party Tag 2021

On February 12, 2021 By 18cinemalane3 Comments

When Heidi, from Along the Brandywine, started her Valentine’s Day Period Drama Blog Party, she also published an official tag! As I’ve already posted my entry for the event, a review of the Hallmark Hall of Fame picture, The Love Letter, I thought it’d be nice to answer the tag questions. As I said in that review, period dramas are not regularly covered on 18 Cinema Lane. However, I did try to answer each question as best as I could. If you’ve visited my blog before, you’d know this isn’t my first blogathon tag. Last year, when I joined the Legends of Western Cinema Week, I published my answers relating to the western genre. This time around, I’m answering questions about this blogathon’s theme: period dramas!

The Valentine’s Day Period Drama Blog Party banner created by Heidi from Along the Brandywine.

Your current three (or up to five!) favorite period dramas?

Swept from the Sea
The Enchanted Cottage
Ben-Hur (the 1959 version)
Nicholas Nickleby (the 2002 version)
To Kill a Mockingbird

2. What would you recommend to someone who’s never seen a period drama as a starter?

Definitely Swept from the Sea! It was the best movie I saw in 2019 and I wish more people knew about it. Here’s the link to my review:

Take 3: Swept from the Sea Review (A Month Without the Code — #8)

3. A favorite couple that wouldn’t be included in answer #1 (cause I’m figuring those are already top favorites ;)) and/or a favorite secondary character romance?

I really like both couples from Anchors Aweigh! Even though the movie is a musical, there are romantic elements that work well in the overall story. Without giving much away, it shows how subverting expectations can be a good thing.

4. What do you consider foundational qualities for a healthy romance?

Consent and communication. Two years ago, I wrote an editorial about how Lestat and Akasha’s relationship in Queen of the Damned was not healthy. Their lack or consent and communication serve as two reasons why. I’ll leave a link to the article if you want to read it:

Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)

5. Worst villain/antagonist?

I’d say Nicholas’ uncle, Ralph, from Nicholas Nickleby. Like my answer for question number three, I won’t give the story away. But I will say that Ralph is one of the reasons why Nicholas and his family experience hardship in that movie.

6. A favorite proposal scene?

I’m not sure if this would count, but I liked Nicholas and Madeline’s conversation, from Nicholas Nickleby, where they reflect on their pasts. It has a good message of strength that came across as genuine. Nicholas and Madeline also look like they truly care about one another.

Heart image created by Dashu83 at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundimage created by Dashu83 – Freepik.com</a>. <a href=’https://www.freepik.com/free-photo/happy-valentines-day-and-heart-card-with-happy-valentines-day-and-heart_1747001.htm’>Designed by Freepik</a>. Image found at freepik.com.

7. Favorite period drama characters based on a real life couple?

I haven’t seen this movie in years, but I’ll choose The Young Victoria. From what I remember, I liked Queen Victoria and Prince Albert’s relationship. Similar to Nicholas and Madeline’s relationship in Nicholas Nickleby,Victoria and Albert looked like they truly loved each other. In a film about royals in the 19^th century, I found that part of the story refreshing!

8. Any classic b/w period dramas you like? and 9. Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)

For this answer, I combined questions eight and nine. This is because I think The Enchanted Cottage fits both of them. Not only is this movie presented in black and white, but there is maturity within the protagonists’ relationship. Because Robert Young’s character, Oliver Bradford, is a World War II veteran, there are discussions of trauma and self-worth. Inner beauty and self-perception are also explored between Oliver and Laura, portrayed by Dorothy McGuire.

10. Most excruciatingly long, slow burn romance in a period drama?

The first one that comes to mind is Elizabeth and Jack’s relationship from When Calls the Heart. For five seasons, fans were waiting for these two characters to get married. While they eventually tied the knot, Jack was sent away on a Mountie mission, only for him to die at the end of the fifth season. This means that the fans barely got to see Elizabeth and Jack as a married couple.

11. A story that has multiple film adaptations where you love more than one of them?

After thinking about a double feature I wrote, I’ll pick The Secret Garden. Out of the three adaptations I’ve seen, I like the 1987 Hallmark Hall of Fame presentation and the 1993 film. If you’re interested, I’ve posted the links to the aforementioned double feature and its conclusion.

My Bonus Double Feature Has Arrived!

The Conclusion to My Bonus Double Feature

12. A book you think needs to be made into a film (or a new adaptation)?

Last year, in my Movie Blogger’s Christmas Wish-List, I talked about how I’d like to see To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson and Zlata’s Diary receive film adaptations. Instead of repeating myself, I’m sharing the link to that list, so you can read why I feel this way.

A Movie Blogger’s Christmas Wish-List 2020

Because this tag is about period dramas, I thought this photo would be fitting. Screenshot taken by me, Sally Silverscreen.

What are your thoughts on this tag? Do you like watching period dramas? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Love Letter Review

On February 10, 2021 By 18cinemalane6 Comments

I’m not going to lie; I love a good blog party! So, when I discovered Heidi, from Along the Brandywine, was hosting the Valentine’s Day Period Drama Blog Party, I couldn’t wait to sign up! Period dramas are not regularly covered on 18 Cinema Lane. While I do have a re-cap series for When Calls the Heart, I choose what films to watch based on how interesting their stories sound. There have been period dramas I loved, such as Swept from the Sea. But, for this blogathon, I wanted to review a film I hadn’t seen before. For about a year, I’ve had the Hallmark Hall of Fame movie, The Love Letter, on my DVR. Because parts of the movie take place in the 19^th century, I felt it fit Heidi’s time period requirement of the 1600’s to World War II. I try to watch as many Hallmark Hall of Fame titles as I realistically can. Prior to reviewing The Love Letter, the only Hallmark Hall of Fame movie from 1998 I’ve seen is Grace & Glorie, which was one of the best movies I saw last year! While not all movies from this collection are created equally, I do watch these movies with an open mind.

Since an image of *The Love Letter*‘s poster was featured on my television, I took a screenshot of it with my phone. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: Because The Love Letter heavily relies on the performances of its lead actor and actress, this part of the review will focus on Campbell Scott’s and Jennifer Jason Leigh’s portrayal of Scott Corrigan and Elizabeth Whitcomb. With Campbell’s performance, there was always a sense of focus in his character. This focus could be seen in Scott’s eyes. When he was inspecting the desk at the antique store or restoring that same desk, Scott’s focus showed how much he cared. This was a consistent part of the character and helped whenever he wrote to Elizabeth. In historical fiction/period films, it would be easy for the screenwriter to give their lead female character one distinct type of personality. Elizabeth Whitcomb, on the other hand, held a balance of two that brought something unique to the character. She had a youthful radiance about her, being a “romantic dreamer” at heart. However, Elizabeth carried herself with a graceful maturity that prevented her from becoming childish or immature. Jennifer brought both aspects to Elizabeth equally and beautifully, allowing her character to be multi-dimensional.

The historical accuracy: I am not an expert on the 1860s and its historical significance. But based on what I do know about this particular period in time, Elizabeth’s part of the story looked and felt historically accurate! The Whitcomb family home was furnished with pieces that appeared antique, from the couch in the sitting room to the desk Elizabeth and Scott share. Dark wood held these structures together, with green cushions and intricate carvings finishing the couch and desk. The costumes were very detailed and also reflective of the 1860s. Embroidery on Elizabeth’s jacket and the overall design of her lacy parasol serve as two examples. Even the dialogue spoken by the characters sounded like it came directly from an era gone by. Pieces of the story like the ones I mentioned tell me, as an audience member, the creative team behind this film cared about the presentation of this part of their project!

A fantastical element: Most of the stories from the Hallmark Hall of Fame collection are grounded in reality, which means that fantastical elements are rarely found in these scripts. With The Love Letter, the story revolves around two people from different time periods who communicate to each other through letter writing. The idea of time manipulation is a concept that would likely be found in either a fantasy or science fiction film. While stories like Somewhere in Time and Portrait of Jennie have been dramas paired with this specific concept, I don’t recall Hallmark Hall of Fame creating their own film like that before or after 1998. Because The Love Letter’s creative team chose to include a fantastical element into their overall project, it gave the movie an opportunity to stand out from other titles. This was a creative risk that worked in the film’s favor!

What I didn’t like about the film:

Scott being engaged: A trope that has appeared in several Hallmark films is the male or female protagonist being engaged at the beginning of the story, only to fall in love with someone else by the end of that story. This trope has found its way into The Love Letter. For most of the movie, Scott is engaged to a woman named Debra. As he finds himself falling in love with Elizabeth, he strings Debra along and keeps the letter writing a secret. Scott does tell Debra the truth about his feelings, but this doesn’t happen until the movie is almost over. Personally, I think this trope is pointless, as the audience is spending time with a relationship that will end up leading nowhere. Scott should have remained single so the script could give its undivided attention to his and Elizabeth’s exchanges.

A rushed explanation: When fantastical or science fiction elements are included in a script, it helps to provide clear explanations to the audience so they can understand what is happening on screen. In The Love Letter, Scott’s mother tells Scott that an imbalance in the time-space continuum is the reason why he and Elizabeth are able to write to one another. However, this explanation was rushed, with Scott’s mother briefly bringing it up on only two occasions throughout the whole movie. She gives Scott stamps from the 1860s and had a special kind of writing ink made for him. Scott’s mother even found a post office that has existed since the Civil War era. These objects and the post office felt more like they conveniently benefited the plot instead of serving as ‘macguffins’ to move the story forward. As I already mentioned, this kind of story is rarely found in the Hallmark Hall of Fame collection. Despite this, a little more time should have been devoted to providing a clearer explanation.

Lack of physical interactions between Scott and Elizabeth: Because Scott and Elizabeth are from different time periods, it is not possible for them to physically interact with one another. Even though this is the nature of the story, it prevented the audience from seeing the on-screen chemistry between Campbell Scott and Jennifer Jason Leigh. One of the staples of a romance film is the on-screen chemistry between the lead actor and actress. Since that element was missing from The Love Letter, I was only invested in Scott and Elizabeth’s relationship to a certain extent. While their words were romantic, verbal communication only plays a part among any given couple.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

As I said in my review, most Hallmark Hall of Fame stories are grounded in reality. These stories are also on the simple side, with messages and themes that audience members can relate to. Even though The Love Letter has a fantastical element that is rarely found in films from this collection, it has a simpler story that works! Romance through words and thoughts is what carries the overall story, with important advice woven into the script. Forming a relationship with someone you truly love and never giving up on yourself are nice sentiments that can make audience members feel good about what they are watching. The movie also has the ingredients of a good Hallmark Hall of Fame title, like the level of detail when it comes to the film’s historical accuracy. It is true the movie has its flaws. However, the execution of a creative risk like this makes up for The Love Letter’s weaknesses. Films such as this one make me wish Hallmark would be more creative with their stories and think outside the box more. With the ball in their court, I don’t know what their next creative step will be.

Overall score: 8 out of 10

Have you seen The Love Letter? What Hallmark Hall of Fame movies would you like to see me review? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Introducing the Olympic Dreams Blogathon!

On January 31, 2021July 11, 2021 By 18cinemalane29 Comments

The Olympics are an event that many people around the world look forward to. However, the 2020 Summer Games were postponed due to the on-going Coronavirus. As of late January 2021, the Summer Olympics are still taking place. In honor of that, I am hosting an Olympic themed blogathon! Because the Olympics are such a broad topic, I am encouraging you to be creative! Movies, tv shows, books, music, art, etc. involving the following will be eligible for the blogathon:

Winter or Summer Games
Sports that have been a part of or are still in the Olympics
Olympic athletes past and present
Special Olympics
Paralympics
Countries and/or cities where Olympic games have taken place
Performers and/or performances from an Olympic opening or closing ceremony
Years when an Olympic game has taken place
Advertising promotions related to the Olympics

The Official Blogathon Rules

Please be respectful when writing your entries and toward other participants.
If you plan on publishing your post(s) earlier or later than the allotted time-frame (July 19^th to the 23^rd), please let me know in advance.
Only new posts are allowed for this blogathon.
As I mentioned, the Olympics are a broad topic. Therefore, I am not allowing duplicate entries for the Olympic Dreams Blogathon.
A maximum of three entries are allowed for each participant.
All entries must be original work.
If you’re interested in participating, please share your idea(s) in the comment section below.
Pick one of the five banners and let others know about the Olympic Dreams Blogathon!

The List of Participants

Sally of 18 Cinema Lane — Movie reviews of The Karate Kid and Karate Kid Part II (1984 and 1986)

Gill of Realweegiemidget Reviews — Movie review of Those Glory Glory Days (1983)

J-Dub of Dubsism — Movie review of Personal Best (1982)

Ruth of Silver Screenings — Movie review of Golden Boy (1939)

The Very Special Blog of The Very Special Blog — The Cutting Edge (1992)

Le of Crítica Retrô — Laff-a-Lympics (1977/1978)

Movierob of MovieRob — 16 Days of Glory (1986), Blades of Glory (2007), Eddie the Eagle (2016), Prefontaine (1997), Visions of Eight (1973)

Created by me, Sally Silverscreen, on Adobe Spark.

Have fun at the Blogathon!

Sally Silverscreen

Take 3: Taming Andrew Review

On January 28, 2021 By 18cinemalane12 Comments

When you hear the phrase, “Home Sweet Home”, what comes to mind? Perhaps warm, happy memories spent with family or the feeling of being safe within a chosen, personal environment. Unfortunately, some families don’t get to experience these feelings of safety and happiness. This could be the case for a variety of reasons. Because of that fact, I picked the 2000 movie, Taming Andrew, for Realweegiemidget Reviews’ and Taking Up Room’s Home Sweet Home Blogathon. The second reason why I selected this particular film is because of the subject matter itself. When it comes to cinematic stories that revolve around kidnapping, we mostly get two kinds of films; a movie that primarily focuses on the kidnapping or a movie where the supposed kidnapping victim’s identity is questioned. Taming Andrew is about the aftermath of a kidnapping, when a missing child is found. Since that specific storyline is not often found in film, I wanted to see this story unfold.

*Taming Andrew* poster created by Hearst Entertainment Productions, Michael Filerman Productions, Lifetime Television, and Starlight Home Entertainment

Things I liked about the film:

The acting: In Taming Andrew, there were some acting performances that stood out to me. The most notable one came from Seth Adkins, whose portrayal of the titular character stole the show! When a story revolves around a young character, casting a young actor or actress who can, talent-wise, carry most of the movie is essential. With Seth’s performance, it contained the emotional weight you would expect from a film of this nature. As Andrew’s mother, Gail, is helping Andrew get ready for bed-time, he refuses to show his mother any amount of affection. Andrew turns away from Gail and irritation can be seen on his face. When Gail turns off the light in Andrew’s room, he immediately screams, as the dark room reminds Andrew of what he experienced during the kidnapping. Another good performance came from Jason Beghe! Portraying Andrew’s stepfather, Eddie, Jason presented his character with a sense of realism. As Eddie and Gail are discussing recent events involving Andrew, Eddie is concerned about the safety of their baby. This scene showcases how Eddie’s acting talents appeared natural. Shannon Lawson portrayed Deena, Gail’s friend and co-worker. What made her performance memorable was how she was able to balance a sassy and serious persona. At the beginning of the film, Gail is sharing her fears about her ex-husband with Deena. Filled with concern in her face and words, Deena tells Gail that she’ll stand by her friend, offering to help Gail if she needed it. Later in the movie, when Gail is leaving her job in order to homeschool her son, Deena jokingly agrees that no one will replace Gail at work. These scenes are a good example of Shannon’s versatility when it comes to her acting talents!

Exploring the aftermath of a kidnapping: As I mentioned in the introduction, Taming Andrew focuses on the aftermath of a kidnapping. This means the story primarily shows what happens after Andrew is found. It was interesting to see the journey of a kidnapping victim overcoming their trauma. Because of Seth’s performance and because the script emphasizes Andrew’s emotional, psychological, and educational struggles, it effectively shows how a horrific situation like Andrew’s can affect a child. I also said the aftermath of a kidnapping is not often found in cinema. Since this is the case, I’m glad Taming Andrew chose this route for their script. It highlights what some individuals and families face, as well as address how one person’s decision can cause a ripple effect.

The inclusion of The National Center for Missing and Exploited Children: In one scene, when Gail and her mother are watching television, they see a news report featuring Gail. This report shows Gail making a speech about her missing son. During the speech, a banner for The National Center for Missing and Exploited Children is briefly shown. Buttons and posters displaying the photos of other missing children can also be seen on the television screen. The inclusion of the banner, buttons, and posters was a subtle, yet effective way of showcasing how big of an issue children’s safety really is. It highlights how abduction can take place at any time for any person as well.

Home Sweet Home Blogathon banner created by Gill from Realweegiemidget Reviews and Rebecca from Taking Up Room.

What I didn’t like about the film:

Andrew’s return is treated as no big deal: Like I just mentioned, Gail was featured on the news making a speech about her missing son. This news report was on a local news station, with the report itself taking place five months after Andrew was kidnapped. When Andrew returns five years later, no news reports are made about him. In fact, the event itself seems to be no big deal for almost anyone outside of Andrew’s family. Because Taming Andrew is based on true events, I, personally, find it hard to believe the aforementioned local news station wouldn’t cover Andrew’s return. Looking back on missing persons stories where the missing person was found alive, those types of stories tend to receive a lot of attention from the news.

A rushed journey: Even though Andrew’s personal journey was interesting to watch, I found it to be, at times, rushed. One example can be seen toward the beginning of Andrew’s journey. At an evaluation meeting, the medical professionals tell Gail that her son might need to be placed in a school for children who benefit from special education. A few moments later, the audience can see Gail taking Andrew to traditional public school. I know there is only so much story you can tell in an hour and twenty-eight minutes. However, it felt like important steps from point A to point B were missing.

The events of the kidnapping revealed at the end of the movie: When a movie’s story is about a kidnapping, the biggest question on almost every audience member’s mind is what happened during the event itself. These stories, more often than not, show or tell what happened as a way to provide the audience with a sense of closure. Taming Andrew does reveal how Andrew became traumatized by the kidnapping. However, this information isn’t presented until the end of the film. I understand those who have faced traumatic situations face their trauma at their own pace. But, as I already said, there is only so much story you can tell in an hour and twenty-eight minutes. With that said, the events surrounding Andrew’s kidnapping should have been revealed sooner.

Sneakers with shoelaces image created by Mrsiraphol at freepik.com. <a href=’https://www.freepik.com/free-photo/fashion-shoes_1123476.htm’>Designed by Mrsiraphol</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Mrsiraphol – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Whenever I participate in a blogathon, I try to choose a film or topic that brings something different to the table. That is certainly the case for Taming Andrew, as it presents the aftermath of a kidnapping. I’m glad a film like this exists because it sheds light on a subject that doesn’t often get talked about in the world of cinema. But there are flaws that held this movie back from being stronger than it was. Parts of Andrew’s journey were rushed and the events surrounding the kidnapping were revealed at the end of the movie. These issues make me wish the film had been two hours. The part where the news completely ignores Andrew’s return is something I found unbelievable, especially since Taming Andrew is based on true events. What I can say about this movie is how it emphasizes the point I made in my introduction, how some families don’t experience safety and happiness. A missing child or trauma can certainly be just two factors that deny families these things.

Overall score: 7.2 out of 10

Are you participating in the Home Sweet Home Blogathon? If so, which movie did you choose to write about? Let me know in the comments section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Cabinet of Dr. Caligari Review

On January 26, 2021 By 18cinemalaneLeave a comment

January’s theme for MovieRob’s Genre Grandeur is ‘Unreliable Narrator Movies’. I will admit this round of the blogathon wasn’t easy to find movies for, as most of the films that were continuously recommended were those I’d already seen. However, I discovered a movie that I had never even heard of on a list from IMDB. That film is The Cabinet of Dr. Caligari, a title from 1920! Silent movies and those from the ‘20s are not often covered on 18 Cinema Lane. This is due to the availability of the films themselves. Fortunately, I was able to rent The Cabinet of Dr. Caligari, as that is one of the reasons why I selected it for this blogathon. I was also curious to see who the unreliable narrator was. The Cabinet of Dr. Caligari sounded like an intriguing start to Genre Grandeur!

*The Cabinet of Dr. Caligari* poster created by Decla-Bioscop.

Things I liked about the film:

The acting: As I have said before, acting performances in silent films rely on facial expressions and body language. The actors in The Cabinet of Dr. Caligari utilize these acting techniques, as they represent one way to help the audience understand what is happening in the story. Lil Dagover gave a very expressive performance as a character named Jane! When one of her friends, Francis, tells her his friend, Alan, has died, horror and surprise wash over her face. In another scene, when Francis and Jane’s father are talking about a man named Cesare, fear can be seen in Jane’s eyes. This specific behavior tells the audience Jane is afraid of Cesare. The lead actor, Friedrich Fehér, gave an expressive performance as well! While portraying his character, Francis, Friedrich displayed a variety of emotions. A scene where Francis visits a police station serves as a perfect example, as he fearfully informs the police who is likely causing the murders throughout his neighborhood. For an earlier scene, his overall demeanor was much different, as Francis introduces his story as a joyful man with a positive outlook on life. As the titular character, Dr. Caligari, Werner Krauss gave a performance that comes across as unsettling. With wide eyes and exaggerated expressions, Werner appears excited whenever he’s presenting his sideshow act to his audience. Dr. Caligari’s animated demeanor truly makes up for the lack of dialogue!

The title cards: A common staple in silent films is the use of title cards. This concept is incorporated into The Cabinet of Dr. Caligari to help the audience understand what the characters are trying to say. Not only is this effectively shown, but we can also see other articles that the characters are given. Toward the beginning of the film, Francis and his friend, Alan, receive a flyer for an upcoming fair. In one shot, the text on this flyer is enlarged, revealing an advertisement for the fair itself. When Francis is figuring out Dr. Caligari’s true identity, he looks through books found in the doctor’s office. As he finds more clues, the audience is shown journal entries from Dr. Caligari himself. The inclusion of these articles makes the overall viewing experience more engaging!

The mystery: Throughout the film, Francis is attempting to solve the mystery surrounding a collection of murders in his neighborhood. In his efforts, he recruits the help of the local police and gathers clues. Out of all the silent films I’ve seen before, The Cabinet of Dr. Caligari has a pretty unique concept, as it is a mystery. This stands out from movies of this nature I have previously seen and/or reviewed, as those stories were either comedies, dramas, or horror. I also like how the audience gets to experience the story’s events alongside Francis. Even though pieces of the mystery are revealed as the film goes on, it allows the audience a chance to share an experience with the protagonist.

Carousel image created by Daviles at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Daviles – Freepik.com</a>. <a href=’https://www.freepik.com/free-photo/carrousel-with-sky-background_954546.htm’>Designed by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The run-time: The Cabinet of Dr. Caligari is a little over an hour. Because of this, there were scenes throughout the movie that feel like “filler”. When the fair comes to town, scenes where people are walking around the fairgrounds for about a minute to two minutes each are shown. These scenes add up to a collection of moments that are there to satisfy the film’s run-time. In my opinion, this movie did not need to be over an hour. If the “filler” scenes had been shortened or removed, The Cabinet of Dr. Caligari could have been a forty- or fifty-minute short film.

An inconsistent use of title cards: While I appreciate the use of title cards in The Cabinet of Dr. Caligari, I feel its inclusion should have been more consistent. There were stretches of time where title cards were not used, watching as characters spoke with no form of dialogue. This caused confusion when certain scenarios happened on-screen. One of them was a flashback involving Dr. Caligari. Since there were no title cards indicating this was a flashback, it was a confusing transition from one scene to the next. Even the plot twist was confusing, as there was no clear indication, through title cards, that it was a separate component to Francis’ story. This made the overall movie less entertaining.

Some of the musical choices: Music plays a significant role in silent films, as it sets the stage for a particular scene’s tone. In The Cabinet of Dr. Caligari, however, there were a few scenes where the musical choices did not fit within a scene. When Francis is first introduced in the movie, as he is talking to a man sitting next to him, it sounded like there were two pieces of music playing at once. It made the scene itself feel jarring. Later in the film, when Francis goes to visit Dr. Caligari at his office, music that sounded more joyful than that scene called for could be heard. The piece of music itself felt out of place in that specific scene.

Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

The Cabinet of Dr. Caligari is a good example of how far cinema has come. Silent films show us how this particular entertainment medium has evolved over time. Even though I respect the movie for what it brought to the table, the overall project was weaker than it should have been. I found The Cabinet of Dr. Caligari to be more confusing than entertaining. This was caused by some of the musical choices and the inconsistent use of title cards. The limited amount of title cards prevented the reveal of the unreliable narrator from being surprising. Because of the film’s run-time, I felt tired by the length of the story. In fact, there were times where I felt taking a nap. Despite these flaws, I am glad I chose this movie for the blogathon! As I said in the introduction, silent films and those from the ‘20s are not often written about on my blog. Therefore, The Cabinet of Dr. Caligari joins 18 Cinema Lane’s growing list of movie reviews!

Overall score: 6 out of 10

Have you ever a silent film? If so, what was your viewing experience? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Ladies in Lavender Review

On January 16, 2021September 8, 2022 By 18cinemalane6 Comments

This is my first time participating in the Luso World Cinema Blogathon. Because I’m not familiar with the subject of Luso World Cinema, I gave my submission careful consideration. A movie I have wanted to watch for a while is Ladies in Lavender. When I discovered Daniel Brühl was one of the blogathon’s recommended subjects, I decided to review his 2005 film, as he is one of the starring actors in that movie. I haven’t seen many projects from Daniel’s filmography. In fact, the only film of his I’ve seen is Captain America: Civil War. So, this is a good opportunity for me to see what his acting talents have to offer outside of the Marvel Cinematic Universe. The synopsis of Ladies in Lavender reminded me of Swept from the Sea, a movie I reviewed two years ago. Because of this, I will compare and contrast these two films from time to time in this review.

*Ladies in Lavender* poster created by Tale Partnerships, Scala Productions, and Lakeshore International.

Things I liked about the film:

The acting: For this part of the review, I will take a moment to talk about Daniel Brühl’s performance, as he is the reason why I reviewed this movie. His portrayal of Andrea was enjoyable to watch! It combined both comedic and dramatic elements that helped make Daniel’s performance entertaining. One example is when Andrea is peeling potatoes with Dorcas. What also worked in Daniel’s favor was how he was able to portray his character realistically. Whenever Andrea is trying to make his wishes known to the other characters, you can see him becoming frustrated at times. This was achieved through Daniel’s facial expressions and body language. Despite not being familiar with Natascha McElhone as an actress, I did like her portrayal of Olga. She appeared throughout the film as an approachable character. Natascha also had a good on-screen relationship with Daniel Brühl as well as with the other actors. A perfect example is when Olga is interacting with Andrea in her cottage. Speaking of on-screen relationships, I liked seeing Judi Dench and Maggie Smith work together in this film. While they have similar acting styles, their characters were allowed to have their own distinct personalities. This let them shine individually as well as together! One of their best scenes is when their characters, Janet and Ursula, receive terrible news over the phone. As Janet is telling her sister what happened, Ursula immediately crumbles into tears. This scene showcases how the sisters have an unbreakable bond!

The scenery: Similar to Swept from the Sea, Ladies in Lavender takes place in the English countryside. This particular environment provided photogenic scenery that visually complemented the story! Because Ladies in Lavender is set in a seaside town, there are some scenes that take place around the ocean. It was captured very well on film at various moments, from a morning scene where the rising sun perfectly contrasted the water to a night-time shot of the rolling waves. Country landscapes were also included in the movie! In one scene, Olga is painting a landscape of rolling hills with a nearby tower. The location itself contained beautiful green hills that looked great on a sunny day. The gray of the nearby tower paired surprisingly well with the rolling hills’ green hue. Because of how picturesque this space was, it makes sense that Olga would want to capture it on canvas!

The cinematography: I was pleasantly surprised by the good cinematography found in Ladies in Lavender, especially when it came to scenes involving water! In films where a character is drowning, those scenes are usually presented with a fast pace and quick cuts. When we see Andrea’s flashbacks, they are presented at a slower pace. This allowed the audience to see what is happening on screen as Andrea is shown in the water. One of the most beautifully shot scenes I’ve ever seen is when Andrea is playing a violin on a rocky ledge at night. His dark silhouette perfectly contrasts with the deep blue ocean that looks like it sparkles in the evening. The color scheme of blue, white, and black are prominently featured and is visually appealing!

The Second Luso World Cinema Blogathon banner created by Le from Critica Retro and by Beth from Spellbound by Movies.

What I didn’t like about the film:

An unclear direction: In Swept from the Sea, the overall story is a drama with a romance included. This is a clear creative direction that was consistent throughout the film. Ladies in Lavender is different, as the story went in many different directions. It gets to the point where it was difficult to determine what the plot was about besides the main premise. Was the story supposed to be about a forbidden romance? Or was it meant to revolve around the strained relationship between two siblings? Maybe it was supposed to partially focus on Andrea’s musical dreams? The story of Ladies in Lavender adopted too many ideas. That decision made the overall film feel like it was bouncing around from place to place.

Telling more than showing: At various moments in Ladies in Lavender, the audience is told how Andrea was washed up ashore. We are even shown flashbacks where he is seen drowning. However, we never get to see the events that caused Andrea to fall overboard. Because of this, the audience is not given a complete picture of what happened. At one point in the story, Janet and Ursula meet Olga. They express how they don’t like this new visitor. But the audience never receives an explanation for why Janet and Ursula do not like Olga. Visuals should have been used to illustrate the sisters’ point. If this had been the case, we might have gotten a better glimpse into Janet and Ursula’s perspective.

The exclusion of Andrea’s perspective: I know this movie is called Ladies in Lavender, with the title referring to Janet and Ursula. But because the overall story primarily focused on Janet and Ursula’s perspective, we don’t see the story from Andrea’s perspective. In Swept from the Sea, the story is narrated by Dr. Kennedy. Despite this, the audience is allowed to see that film’s world from Yanko’s perspective. That aspect of Swept from the Sea also gave the audience an opportunity to truly get to know Yanko as a character. With Ladies in Lavender, I feel like I barely know Andrea. The inclusion of Andrea’s perspective would have easily solved this issue.

Paper Boats in the Sea image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/background-of-paper-boats-with-hand-drawn-waves_1189898.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Ladies in Lavender is a film that I found to be just ok. Yes, there are aspects worth appreciating, such as Daniel Brühl’s performance. As a matter of fact, this movie made me appreciate Daniel’s acting abilities more! But if I had to choose between Ladies in Lavender and Swept from the Sea, I’d choose Swept from the Sea. This is because I find that movie to be stronger among the two. With Ladies in Lavender, the direction of the overall story was unclear. While there was a main conflict, it was difficult to determine what the main plot was. More telling than showing was also one of the movie’s flaws, not giving the audience the full picture when it came to certain areas of the story. I found the lack of Andrea’s perspective to be disappointing as well. This prevented me from truly getting to know Andrea as a character. Even though Ladies in Lavender will not be one of the best movies I saw this year, I am glad I participated in the Luso World Cinema Blogathon. I wonder what I’ll chose to write about next year?

Overall score: 6.3 out of 10

Have you seen Ladies in Lavender? Are there any Luso World Cinema films you’d like to see me review? Share your thoughts in the comment section below!

Have fun at the movies!

Sally Silverscreen

What Readers Can Expect From 18 Cinema Lane in 2021

On January 5, 2021May 12, 2022 By 18cinemalane1 Comment

Another new year comes new goals and new paths! As 18 Cinema Lane embarks on a third year in the world of blogging, there are many more things to accomplish! Some of these things I’d like to share with you. I have created a post of what readers can expect for 2021, similar to articles from years past. The post will also include statistical highlights from 2020. The support I’ve received during this time has served as the fuel that has kept this blog going. To everyone who has left a like or comment, thank you. I also thank visitors and followers who have taken the time to read my content. To this day, it still amazes me how successful 18 Cinema Lane has become in such a short amount of time. Grateful is the word I would use to describe this blogging journey so far!

<a href=”http://<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com</a>” data-type=”URL” data-id=”<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com2021 New Year image created by BiZkettE1 at freepik.com.

2020

Total Blog Posts: 169

Total followers: 125

Total Comments: 697

Total Likes: 895

Awards: 8

Participated Blogathons: 52

Total Movie Reviews: 227

Total Word on the Street stories: 16

18 Cinema Lane’s Annual Blogathon

The tradition continues as I host a new blogathon in 2021! What is different about this year’s event is how it will take place during the summer, instead of the fall like the first two blogathons. Because of this, I will announce the event in January.

New Blogathon Folders

As I was resolving a technical blog-related issue, I was told my site’s blogathon folder was too long. To fix this problem, I decided to create a new folder for blogathons I participate in between 2021 to 2023. For the original blogathon folder, I have named it “My Blogathon Folder 2018-2020”. This decision was made to prevent my readers from becoming overwhelmed by blogathon related content, as I have participated in over fifty of these events.

Separate Blog Folders

At the top of 18 Cinema Lane’s home page, there are separate tabs for different content-related areas of the site. This was done to make my blog easier to navigate. Originally, I had a tab called “Sally’s Special Posts”, where readers were led to a section of the site that featured all the editorials, lists, and double features I’ve created, as well as all the awards I’ve won. Now, these categories are split into separate folders. For example, each award I have won will be located in the “Awards” folder.

No set schedules

Last year, I announced I would be publishing posts on Mondays, Wednesdays, Fridays. I thought this would promote structure and consistency on my blog. However, I found this particular schedule to be too restrictive for myself. While I continue to make regular content, it won’t be within a pre-set schedule. This means that posts may be published on any day of the week.

TBR Tin

Occasionally, I talk about books on 18 Cinema Lane. This is to create a sense of variety on my blog. In 2021, I chose a different way to determine which book I would select next. With the John Wayne Hot Chocolate tin I won in a blogathon, I have written titles on slips of paper and placed them in the tin. Every time I read a book, I will randomly pull a slip out of this tin in order to choose the next book I read. From time to time, I might bring up which books I selected. As of January of the new year, my first book is The Musician’s Daughter by Susanne Dunlap!

<a href=”http://<a href=’https://www.freepik.com/vectors/background’>Background vector created by pikisuperstar – http://www.freepik.com</a>” data-type=”URL” data-id=”<a href=’https://www.freepik.com/vectors/background’>Background vector created by pikisuperstar – http://www.freepik.comColorful 2021 image created by Pikisuperstar at freepik.com.

What are your thoughts on these announcements? Is there anything you’re looking forward to in 2021? Let me know in the comment section!

Have fun in 2021!

Sally Silverscreen

Take 3: The World of Suzie Wong Review

On January 3, 2021 By 18cinemalane3 Comments

Sunset Blvd. is a “classic” that a majority of film fans have seen at least once in their lives. It is so iconic that the Brannan sisters, from Pure Entertainment Preservation Society, have decided to dedicate a blogathon to it! Because I’ve already seen Sunset Blvd., I choose a film that was new to me. As it is a brand-new year, I wanted the first movie of 2021 to be a fresh step forward. After looking through William Holden’s filmography, I selected the 1960 picture, The World of Suzie Wong! Whenever I think of William, I always think of Joe Gillis from Sunset Blvd. But, as a movie fan, I know that William, acting wise, is more than this iconic role. Therefore, I am grateful to be given this opportunity to explore more of his film work!

*The World of Suzie Wong* poster created by World Enterprises, Inc.
Worldfilm, Ltd, Paramount British Pictures, Ltd, and Paramount Pictures.

Things I liked about the film:

The acting: Since I’ve only seen Sunset Blvd. and Stalag 17, there’s only so much I can say about William Holden’s acting abilities. What I will say is how William’s performance in The World of Suzie Wong was consistent! From what I remember, William’s characters in Stalag 17 and Sunset Blvd. were serious and had their guard up due to being suspicious of those around them. In The World of Suzie Wong, his character was similar to those from the two previously mentioned movies. However, a major difference was how those characteristics were softened a bit. This was because William’s character, Robert, had a love interest, which is different from his characters in Stalag 17 and Sunset Blvd. I am not familiar with Nancy Kwan as an actress. Despite this, I really liked seeing her performance in this film! It reminded me of the portrayals from actresses in the “Golden Age” of film, where leading ladies not only worked well with other cast members, but were able to, talent wise, stand on their own. While starring as Suzie, Nancy was able to pull off a performance that was captivating, emotional, and memorable! Another performance I enjoyed seeing was Jacqueline Chan’s! As Gwennie Lee, she was able to use her on-screen personality to her advantage. The other female characters in The World of Suzie Wong carried themselves with a sense of sophistication, making themselves seem more mature than they really were. With Gwennie, her personality was joyful, carrying a youthful heart wherever she went. This creative decision helped Jacqueline stand out among the cast!

An educated and aware protagonist: In a story where a protagonist travels to a different country or new place, it can be easy for the screenwriter(s) to create a character that romanticizes a location to the point of being arrogant or clueless about that specific place. With Robert from The World of Suzie Wong, that was certainly not the case! While in Hong Kong, Robert tries to educate himself about his surroundings. When trying to find a hotel, he speaks Chinese to a police officer. Even though he didn’t memorize the question, it shows Robert was willing to go out of his way to learn the language of his temporary home. Robert also seems aware of the people and the customs of Hong Kong. When talking to a business associate, Ben, Robert senses that Ben is attempting to pursue a romantic relationship with Suzie for the wrong reasons. He stands up to Ben and reminds him how Suzie is a person with feelings. Everything I just mentioned effectively drives home a point Suzie made about “a boy cloud with a good heart”.

The use of color: A film’s color palette can help make a scene visually appealing as well as present creative ways to showcase various hues. With that said, I found the use of color in The World of Suzie Wong to be very interesting! At the bar next to Robert’s hotel, all of the female characters wore bright colors. This nicely contrasted the location of the bar itself, a place that didn’t feature a lot of color within the interior design. Color was also used in other ways throughout the movie. One example was the O’Neill family’s home, where a set of red seat cushions provide the only splash of color in their primarily white dining room. Another example is present when Robert tries to find Suzie in the city. Though this scene is brief, the colorful neon lights within this space nicely stand out against the city’s darkness.

Traditional Chinese dragon image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The concept of “keeping face”: Throughout the film, Suzie and her friends talk about “keeping face”. One night, Gwennie asks Robert if he will enter the bar with her. She tells Robert that if she were to enter the bar by herself, she wouldn’t be able to “keep face”. Later in the film, after Suzie is physically injured by a drunken sailor, she tells Robert to say that he hurt her so she can “keep face”. Because there were no explanations for what “keeping face” was or why it was important, this concept ended up confusing me.

The run-time: The World of Suzie Wong is a little over two hours long. Personally, I don’t think this specific story needed its run-time. In fact, the film could have easily been set at an hour and thirty minutes. This might be achieved by shortening some of the movie’s longer scenes. One of them is when Suzie journeys to an undisclosed location for reasons unknown to Robert. In an attempt to find answers, Robert follows Suzie all the way to this undisclosed location in a scene that lasts about two minutes. When there are multiple scenes that are longer than necessary, they add up to a run-time that doesn’t feel justified.

An inconsistent relationship: While William Holden and Nancy Kwan had good on-screen chemistry, the on-screen relationship of their characters was inconsistent. Throughout the film, Robert and Suzie’s relationship was “on again/off again”. It also doesn’t help that Robert and Suzie don’t officially become a couple until about forty minutes into the movie. I understand that relationships take time to develop and that they contain good and bad moments. However, when a story includes a couple trying to pursue a romantic relationship, the relationship itself needs to be consistent enough for the audience to stay invested in.

The Sunset Blvd. Blogathon banner created by the Brannan sisters from Pure Entertainment Preservation Society.

My overall impression:

The World of Suzie Wong is a film that gets hurt by its run-time. This two-hour story could have been an hour and thirty minutes, with longer scenes cut shorter to move the story along faster. This also would help Robert and Suzie’s relationship officially start a lot sooner. Without spoiling the movie for anyone who hasn’t seen it yet, I will say The World of Suzie Wong is much sadder than I expected. I am aware of everyone experiencing different situations in their lives. However, the sadness in this movie made the story feel like there was a gray cloud hanging over the characters’ heads. There are aspects of this film that I appreciate. One of them is the protagonists sharing an interracial relationship in a time when that idea wasn’t commonly shown in cinema. I also appreciate some of the film’s artistic merit, such as the acting performances and the use of color within various scenes. In the end, though, I found The World of Suzie Wong to be a just ok start to 2021.

Overall score: 6.4 out of 10

Have you seen The World of Suzie Wong? Has a movie ever enticed you to travel to its featured location? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Teenage Rebel Review (Ginger Rogers and Fred Astaire Double Feature Part 1)

On December 26, 2020April 28, 2022 By 18cinemalane6 Comments

I haven’t seen many films from Ginger Rogers’ and Fred Astaire’s filmography. Despite this, I joined the third Fred Astaire and Ginger Rogers Blogathon, in the hopes of expanding my cinematic horizons! Because I figured other participants would cover Ginger’s musicals, I chose one of her movies that wasn’t a part of the musical genre. As the title says, I’ll be reviewing Teenage Rebel! The aftermath of a divorce/custody battle is rarely explored in film. This is what made me take notice of this particular title. What I also thought was interesting was how this story discussed the subject of divorce during a time when the concept was not as talked about as it is today. While I have reviewed the 1939 movie, In Name Only, that film revolved around the divorce itself and what led up to it. Now, let us begin part one of my Ginger Rogers and Fred Astaire Double Feature!

*Teenage Rebel* poster created by 20th Century Fox.

Things I liked about the film:

The acting: Ginger Rogers is an actress from what would be considered the “Golden Era” of Hollywood. This particular period in time is often depicted with a sense of glamour. Because of this, Ginger carried herself in Teenage Rebel with that same sense of glamour I just brought up. Not only that, her emotionality really shined through in her role as Nancy Fallon! Some of her best scenes featured her interacting with Dorothy/Dodie. Both actresses go toe-to-toe with each other, acting-wise, and make their characters feel believable and genuine. Out of context, Dorothy/Dodie could be written off as a spoiled brat. But Betty Lou Keim’s performance, plus the aftermath of the divorce, makes the audience feel bad for Dorothy/Dodie. While Betty’s portrayal is consistent, she is given enough flexibility to add emotion. This highlights the idea that Dorothy/Dodie is simply human, with thoughts and feelings that need to be expressed. Warren Berlinger portrays Dick, one of the Fallon’s next-door neighbors. What I liked about his performance is how animated it is. This animation livened Warren’s portrayal without coming across as over-the-top. Instead, it gave him a wide range of emotions to work with. His conversation with his family about his long distance girlfriend is a perfect example of this.

The use of symbolism: One night, as a literal storm is brewing in the neighborhood, Nancy finds Dorothy/Dodie sitting outside by herself. The wind outside is strong and doesn’t have any plans to calm down. During their conversation, the sound of cracking lightening can be heard in the background. When Dorothy/Dodie and Nancy return to the house, rain starts to fall. These elements represented the personal turmoil taking place between mother and daughter.

The messages and themes: In films where younger characters are the center of the story, there is always a place for meaningful messages and themes. This is certainly the case for Teenage Rebel. One of the notable themes of this movie is having compassion for others. No matter how closed-off Dorothy/Dodie was, Nancy never gave up on her daughter. Even though Nancy does express feelings of frustration and stress, she always tried her best to make Dorothy/Dodie feel welcome and loved. Even Dick and his sister, Jane, show compassion for Dorothy/Dodie. They invite her to teenage functions like dances and a local car race. Because of the time they spend with her, Dorothy/Dodie allows herself to open her heart to others. The reason why Dorothy/Dodie distances herself from people is because she has lost her trust in them due to the divorce. As the story progresses, Dorothy/Dodie changes her life around. In one scene, Nancy gives her daughter a lecture about how she needs to stop living in isolation. That speech and the overall message of opening your heart comes across in this story as genuine.

The Third Fred Astaire and Ginger Rogers Blogathon banner created by Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood.

What I didn’t like about the film:

A very misleading title: This film is called Teenage Rebel. Paired with the quotes on the movie’s poster, the film is advertised as a cautionary tale about teenagers going “over the edge”. However, none of the teens in this story rebel or misbehave. Even when there is a car race, the event itself appears to be well organized and legal. While Dorothy/Dodie has a bad attitude and runs away from home, she does these things to 1.) put on a brave face to protect her true feelings and 2.) find some alone time to get away from the tension between her and her mother. The title and marketing built this movie up to be something it wasn’t.

The character of Larry: Larry Fallon, portrayed by Rusty Swope, is Nancy and Jay’s son. He had some funny lines in this movie, such as when he said “a man” after Dorothy/Dodie asks him what he wants to be when he grows up. However, after a while, Larry kind of overstays his welcome. I don’t fault Rusty for this, as there was only so much he could do for an actor of his age. This specific flaw is the result of the screenwriting. Larry doesn’t have much to do in the overall story. In fact, he has little to no significance within the main plot. Prior to watching Teenage Rebel, I was expecting to see an interesting dynamic between half-siblings who didn’t grow up together. But, in reality, Dorothy/Dodie and Larry only interacted once. Either Rusty needed more material to work with or the character should have been written out of the movie completely.

An abrupt transformation: When Dorothy/Dodie is introduced in the film, she carries herself with a chip on her shoulder. It gets to the point where she and her mother have an emotionally fueled, tension filled conversation. As I mentioned earlier, Dorothy/Dodie’s attitude was caused by an ugly divorce with an even uglier custody battle. After the aforementioned conversation between Dorothy/Dodie and Nancy, Dorothy/Dodie runs away, where Dick finds her and takes her to a local soda shop. When she returns home, she acts nice toward her mother, like their previous conversation never happened. Similar to what I said about Larry, this flaw was the result of the screenwriting. This change in character should have been a consistent progression throughout the film as a whole.

Breaking heart image created by Kjpargeter at freepik.com. <a href=’https://www.freepik.com/free-vector/broken-heart-valentine-background_1041991.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Kjpargeter – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Teenage Rebel is an ok film. However, its dishonest title and poster doesn’t help its case. In a time when teen centered films were on the rise, the studio wanted to capitalize on that. While a significant part of this story focused on a teenage perspective, it was marketed as something different than what it honestly was. Instead of selling the movie as a meaningful drama exploring the aftermath of divorce, they decided to make the film sound like it was about misbehaving youngsters, despite never being found in the story. Even though it seems like the creative team had their hearts in the right place, I was not a fan of how the story was more “slice of life” than I had wanted. I don’t find these types of stories intriguing, but I appreciate Teenage Rebel’s incorporation of its messages and themes. If you want to watch a teen movie with similar ideas, I’d recommend The Boy Who Could Fly. Not only does it emphasize showing compassion to others, but it’s a much stronger film.

Overall score: 6.3 out of 10

Have you seen Ginger Rogers’ movies? Which film about divorce would you recommend? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen