Take 3: Harvey (1950) Review

This month’s Genre Grandeur is one I have been anticipating! That’s because of the film I selected for the event! January’s theme is ‘Comedies that feature characters who are either Stoners or Drunk’. After doing some research on the internet, I discovered the 1950 movie, Harvey, would be eligible! Harvey is a film I have been wanting to see for several years. Led by the beloved James “Jimmy” Stewart, so many good things have been said about this film. I was also interested in seeing Harvey because of its release date. Recently, I read an editorial by Jillian Atchley titled ‘It’s A Wonderful Life, James Stewart, and George Bailey’. In the article, Jillian explains there are two kinds of James Stewart films; pre-war and post-war. The post-war films, such as It’s A Wonderful Life, contain depth. I’d also add the post-war films feature higher stakes. Since Harvey was released four years after It’s A Wonderful Life, I was curious to see how deep this story would go. I also wanted to see how James would approach a character who is friends with an imaginary rabbit.

Harvey (1950) poster created by Universal Pictures

Things I liked about the film:

The acting: I have seen some of James Stewart’s movies prior to watching Harvey. What I’ve noticed about his roles in films like The Philadelphia Story, Mr. Smith Goes to Washington, It’s A Wonderful Life, and Rear Window is how there is a certain amount of charm included in his character’s personality. While portraying Elwood P. Dowd, James’ on-screen personality was different from what I’d seen before. In Harvey, Elwood is more laid-back. He also has a gentler persona, not having a care in the world. But there was one point in the movie where Elwood became somewhat philosophical. When asked by Dr. Lyman Sanderson and Miss Kelly how he first met Harvey, Elwood gives a thorough answer that is thoughtful and reminiscent. His answers to Lyman’s and Kelly’s questions not only captivate them, but the audience as well. This conversation shows there is more to Elwood when you look past the drinking and fascination with Harvey.

There were other performances in Harvey I enjoyed seeing. One of them came from Josephine Hull. Portraying Elwood’s sister, Veta, Josephine’s performance reminded me, to an extent, of Frances Bavier’s portrayal of Aunt Bee Taylor from The Andy Griffith Show. Let me explain myself; like Aunt Bee, Veta has her concerns and worries. You can hear the tension in her voice and see the fear in her eyes, illustrating how much Veta had on her plate. But, like Aunt Bee, Veta had her heart in the right place. All she wanted was for her brother to be a functioning and contributing member of society. Even if her actions weren’t always agreeable, Veta put her brother’s needs before her own. Because of her performance’s consistency, Josephine became an actress I looked forward to seeing on screen!

The set design: When I thought of Harvey, impressive set design was not what came to mind. So, when I first saw the set design in this movie, I was pleasantly surprised! A great location is the Dowd family home, which I wish was given more screen-time. While the house boasts a classic Victorian exterior, its interior was shown the most. In the house’s foyer, the stone staircase immediately caught my eye. Bearing a carved design, this staircase felt like it belonged in a castle! Another part of the home that features carved designs are the door frames. Marble fireplaces and stained-glass windows added exquisite details that highlighted the elegance and charm of the house! Another location I loved was Charlie’s! From some character’s descriptions, the bar sounded like a cheap or sleazy place. But when its interior was shown, it actually looked kind of cozy! The wood paneled walls were covered in framed photos. As a viewer, this gave me the impression the establishment is proud of their history. The booth Elwood sits at also gives off a cozy feel! The dark wood, tall backed seats surround a smaller, dark wood table. Above this seating arrangement was a small Tiffany style ceiling light.

Collection of white rabbit images created by freepik at freepik.com Hand drawn vector created by freepik – www.freepik.com

What I didn’t like about the film:

Lack of comedy: According to IMDB, Harvey is partially classified as a comedy. As I’ve said before, comedy is a subjective genre. But personally, I didn’t find this movie very funny. In fact, I only chuckled once during this hour and forty-four-minute film. I could see the jokes the screenwriters were trying to deliver. Unfortunately, none of these jokes stuck the landing. On IMDB, Harvey is also partially classified as a drama. While watching this movie, it felt like the creative team involved leaned too much into the drama genre. There’s typically nothing wrong with having comedic and dramatic elements in a singular story. In the case of Harvey, the balance between these two elements was not there.

Medical negligence: In real life or fiction, members of the medical profession are human. They are not only capable of helping others, but also capable of making mistakes. However, there is a very fine line between making mistakes and committing medical negligence. In an effort to help Elwood, Veta takes him to a mental hospital called Chumley’s Rest. But due to a registration mix-up, Veta gets admitted into the hospital instead. The idea of mistaken identity and being forced to do something against your will sounds terrifying. Paired with the fact this situation is supposed to be played for laughs makes it worse. Because of this and because of how avoidable the situation was, it didn’t sit well with me.

No explanations for Harvey: As the title suggests, a portion of this story revolves around Elwood’s friendship with Harvey, a 6 foot 3 ½ inch, invisible white rabbit. Throughout the movie, I was waiting for an explanation of what Harvey was. I even waited to see if Harvey would show up on screen. Sadly, none of these things happened. Even though suggestions about Harvey’s purpose were given, no definitive answers were presented. Was Harvey truly an imaginary friend? Was he a mythical creature only Elwood could see? Was Harvey used as a tactic by Elwood to test people’s trust? As I continue to write this review, I still don’t know what Harvey is.

Decisions being flip-flopped: There’s nothing wrong with showing a character changing their mind about something. After all, that prevents them from being static. If a character is going to change their mind on something, you need to show the process of that viewpoint being changed. In the case of Harvey, that process was, sometimes, omitted. When visiting the Dowd family home in search of Elwood, Marvin Wilson, an employee from Chumley’s Rest, takes a romantic fancy to Myrtle Mae, Elwood’s niece. During Marvin’s visit, Myrtle expresses no interest in his romantic advances. But when they meet up again, later in the film, Myrtle suddenly wants to pursue a relationship with Marvin. Her change of opinion feels abrupt, with no lead-up to that decision. The omission of decision transitions sometimes left me frustrated.

Heartbeat image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/medical-logo_763775.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/logo”>Logo vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

“What is the point of this movie”? I’m not asking this to be disrespectful or mean-spirited. I’m asking this because I’m genuinely curious to figure out what that point is. Sometimes, a film’s purpose or intended message is either obvious or easier to figure out. But with Harvey, I don’t know what the creative team was trying to say. Was this movie meant to be a cinematic PSA about how those with mental health related issues should be treated with dignity and respect? Is the film supposed to be an exploration of how some adults lose their sense of imagination the older they become? How am I expected to care about the filmmakers’ message when I don’t have a clear idea what it is? Besides being confusing, Harvey was, for me, disappointing. Because of James Stewart’s involvement in this project and because of the inclusion of a 6 foot 3 ½ inch, invisible white rabbit, I thought the movie was going to be whimsical and charming, with a sense of ‘magical realism’. Unfortunately, the 1950 film was none of those things. The lack of comedy and medical negligence did not help either. In all my years of watching movies, I never thought I’d see a James Stewart film I didn’t like. But, as of January 23rd, 2022, here I am.

Overall score: 5 out of 10

Have you seen Harvey? Which film from James Stewart’s filmography would you recommend I review next? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

If you’re interested in reading Jillian’s editorial, here is the link:

The Top 10 Best Movies I Saw in 2021

Like I said in my list of the worst movies I saw in 2021, this year is a little different. Since 2018, most of the movies on my best list have been those I have reviewed. But a few titles on those lists weren’t covered on my blog. 2021 is the first year where every film on my best list has been reviewed on 18 Cinema Lane! It should also be noted how each of these titles were either blogathon entries or Blog Follower Dedication Reviews. Therefore, I will include a link to each of these reviews on my list! As I said in my worst movies of 2021 list, I saw several films this year that I liked. This article is reflective of those feelings. But unlike my aforementioned list, there will be Honorable Mentions. So, with that said, let’s end 2021 on a high note with the top ten best movies I saw in 2021!

Honorable Mentions

Cape Fear (1962), Bathing Beauty, Aurora Teagarden Mysteries: Til Death Do Us Part, Elizabeth Is Missing, and The Girl Who Spelled Freedom

<a href=”http://<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com</a>&quot; data-type=”URL” data-id=”<a href=”https://www.freepik.com/vectors/christmas”>Christmas vector created by BiZkettE1 – http://www.freepik.com2021 New Year image created by BiZkettE1 at freepik.com.

10. Poisoned in Paradise: A Martha’s Vineyard Mystery

Hallmark Movies & Mysteries’ Martha’s Vineyard Mystery series is a newer story that began last year. Despite how young this series is, it has grown over the course of four movies! This chapter not only recognizes its strengths, but also improves on some of the previous movies’ mistakes. Giving equal focus to the main and side mysteries is one example. Speaking of the mysteries, the overarching story was intriguing and engaging. There were even new characters added to this film I wanted to know more about. In Poisoned in Paradise: A Martha’s Vineyard Mystery, Jeff’s story didn’t receive a lot of development. With this and everything else said, I hope this series continues in 2022!

Take 3: Poisoned in Paradise: A Martha’s Vineyard Mystery Review + 360, 365, 370, and 375 Follower Thank You

9. A Star Is Born (1937)

In my three (soon to be four) years of movie blogging, I never thought I’d ever see any version of A Star Is Born. But now that I have seen the original from the ‘30s, I can honestly say it was better than I expected! The story’s honesty about the entertainment industry and maturity toward heavier subjects was such a surprise. What was also a surprise was the use of mixed-media throughout the film, as it was ahead of its time. Even though A Star Is Born was released toward the beginning of the Breen Code era, it highlights the quality storytelling that came from this period in time. With the constant changes in the entertainment landscape, as well as technology, I can kind of see why this story has been remade on more than one occasion.

Take 3: A Star Is Born (1937) Review

8. The King and I (1956)

In 2021, there is at least one movie from the ‘50s on my best and worst movies list. But since I already talked about I Dream of Jeanie and The Trap, it’s time for The King and I to shine! This was the first time I had seen this version of the story in its entirety. Despite that, I found the film to be quite enjoyable! It is a good looking and sounding film, with the costume design, musical numbers, and set design building an aesthetically pleasing picture. The most memorable part of the movie was Tuptim’s interpretation of Uncle Tom’s Cabin! As I said in my review, it served as a good example of how everyone can view a text differently. The scene itself was more interesting than I expected.

Take 3: The King and I (1956) Review

7. Holly and Ivy

Because Hallmark creates so many Christmas movies, it can sometimes feel like they blend together. However, that is not the case for Holly and Ivy! What helps this title stand out is showing realistic characters dealing with realistic situations. This is quite different from those Hallmark pictures where the conflict either revolves around returning to a small town, saving a beloved establishment, or planning a major event. The emotional balance within this story added to my enjoyment of the picture. It never felt like the creative team was trying to emotionally manipulate me or force a reaction out of me. Looking back on the few Christmas films I reviewed this year, I can say with all honesty that Holly and Ivy was the best one!

Take 3: Holly and Ivy Review

6. Rigoletto

In my opinion, Rigoletto is to Beauty and the Beast what Ever After: A Cinderella Story was for Cinderella. What I mean by this is Rigoletto does an effective job at executing a non-magical version of Beauty and the Beast! Even though there have been musical versions of this particular story, such as the 1991 animated production from Disney, the 1993 film chose music as one of the story’s themes. This was an interesting choice, as it showed the audience the talent and skill it takes to be a good singer. Another interesting choice was the story taking place during The Great Depression. As I said in my review, this creative decision helped the film achieve its own identity.

Take 3: Rigoletto Review + 350 and 355 Follower Thank You

A Star Is Born (1937) poster created by Selznick International Pictures and United Artists

5. Sincerely, Yours, Truly

This is the first year an UP Network movie has appeared on any of my best lists! While Sincerely, Yours, Truly does contain a similar story to those found on Hallmark Channel, it makes up of that in genuineness and sincerity. The movie also presented interesting ideas, such as a grant proposal process and avoiding the “it’s not what you think” cliché. The on-screen chemistry and witty banter between the lead actor and actress definitely added to my enjoyment of this film! I don’t know what’s in store for UP Network in 2022. But I hope they continue to release quality productions like Sincerely, Yours, Truly!

Take 3: Sincerely, Yours, Truly Review + 295, 300, 305, 310, and 315 Follower Thank You

4. Perry Mason: The Case of the Telltale Talk Show Host

This entry in the Perry Mason movie series is one of the most memorable titles! One of the reasons why was the titular talk show host. Featuring real life talk show hosts in this story was a good idea. Having them portray talk show hosts on the radio was an even better idea, especially since some of those hosts had their own television show. That creative decision gave them new material to work with. The engaging nature of the mystery, where the outcome unfolds as the story goes on, maintained a steady amount of intrigue. This served as another way Perry Mason: The Case of the Telltale Talk Show Host stood out in the mystery genre!

Take 3: Perry Mason: The Case of the Telltale Talk Show Host Review + 290 Follower Thank You

3.  The Love Letter

Over the years, I have enjoyed finding and watching Hallmark Hall of Fame movies from years, even decades past. Sometimes, there are hidden gems that can be discovered. 1998’s The Love Letter is one of those gems! Unlike Chasing Leprechauns, the creative team behind the Hallmark Hall of Fame title found a way to allow the realistic and whimsical aspects of the story to co-exist. In fact, the whimsical part of the movie is what made the project one of the most unique in Hallmark Hall of Fame history! The film does contain the elements you’d usually find in a production of this nature, such as historical accuracy. But that just adds to the strength of The Love Letter!

Take 3: Hallmark Hall of Fame’s The Love Letter Review

2. The Three Musketeers (1948)

Isn’t it interesting how another Gene Kelly movie made it to my best list’s top three? Despite the weird coincidence, I did enjoy this version of The Three Musketeers! There was so much about this project I liked, from the strength of the ensemble cast to the stellar fight choreography. However, the best part of the film was how much detail went into it. This can be seen in the set design and costumes, where research and care are also reflected. While I still haven’t gotten around to reading the novel this movie is based on, The Three Musketeers was definitely an entertaining story!

Take 3: The Three Musketeers (1948) Review

1. The Karate Kid (1984)

When it comes to the world of cinema, nothing beats the classics! The timelessness of 1984’s The Karate Kid allows the film to have a strong rate of re-watchability. The film’s story also contained ideas and messages that caused me to think, which is not something I’d expect from a sports movie. As I write this list, Mr. Miyagi’s words immediately come to mind. Whether it’s the famous “Wax on, Wax off” quote or his wisdom about karate, these words not only help The Karate Kid remain a memorable picture, but also give the audience something to apply to their lives. Add some exciting karate sequences and you have a solid film that has stood the test of time!

Take 3: The Karate Kid (1984) Review (Olympic Dreams Double Feature Part 1)

The Karate Kid (1984) poster created by Delphi II Productions, Jerry Weintraub Productions, and Columbia Pictures

Have fun in 2022!

Sally Silverscreen

A Movie Blogger’s Christmas Wish-List 2021

Another year, another Christmas wish list! Since I started my blog in 2018, I have created and maintained this annual tradition. In these posts, I share a list of movie-related things I would like to receive for Christmas. Most of the items on these lists have been realistic, but there have been a few items that were based on wishful thinking. For some of the categories on this year’s list, it took months to figure out what I wanted to wish for. This is much different from years past, as some of the wish list items were chosen almost immediately. But that didn’t stop me from creating a brand-new list! So, without any delay, it’s time for me to share what I’d like for Christmas!

Here is a screenshot of my Christmas tree this year! Screenshot taken by me, Sally Silverscreen.

Something You Want

On my first Movie Blogger’s Christmas Wish-List, I said I wanted to see Hallmark Hall of Fame team up with Trans-Siberian Orchestra to create a Christmas movie musical. But since I published that list three years ago, it doesn’t seem like that is one of Hallmark’s priorities. Instead, I’d like to see the band team up with GAC Family to create a movie! While I haven’t seen any of this network’s films, I have heard good things about them. Plus, Trans-Siberian Orchestra has been known for being a family-oriented musical group. This collaboration could be a win-win situation. Because GAC Family is a newer network, they are probably still looking for new content ideas. As for TSO, it would be a good opportunity to showcase new music. From what I’ve heard, there weren’t any musicals among their selection of Christmas films. So, this would be something new for the network!

Since I’m talking about Trans-Siberian Orchestra again, I’m including this picture of my TSO CD collection. Screenshot taken by me, Sally Silverscreen.

Something You Need to See

As I mentioned in my post, Top 10 Things I’d Like to See in When Calls the Heart’s Ninth Season, 2021 is the second year in a row Hearties won’t receive a Christmas movie. This is such a puzzling decision for Hallmark Channel, especially since the show draws a lot of viewership numbers for the network. These viewership numbers have led these Christmas movies to be successful. I wish Hallmark, as well as the creative team behind When Calls the Heart, would consider creating another Christmas movie. It would be wonderful to see a Christmas wedding in Hope Valley! In recent years, it seems like Hallmark has made less Christmas-related wedding films. But since Hope Valley has never hosted a wedding at Christmas time, it would bring something new to their table!

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Back in March, I reviewed a movie titled Making of a Male Model. In that review, I talked about how I loved Kay’s (the female protagonist’s) dress, describing it in detail. I even included a photo of the dress in my review, though its quality was poor. Because of how much this dress stood out to me, I knew it was going to appear on my Christmas Wish-List! Once again, I apologize for the photo’s poor quality. It’s one of those outfits that needs to be seen to be believed!

Here is a poor quality picture of the dress I was talking about. Screenshot taken by me, Sally Silverscreen.

A book I’ve read that I’d like to see adapted into a film

Earlier this year, I ventured into American Girl doll collecting. One aspect of this realm I find fascinating is stop motion short films. There have been several films released under the American Girl banner, with some of these titles focusing on a character from the company’s Girl of the Year line. While looking back on these movies, I took note of how only a few Girl of the Year characters received their own cinematic story. One of the characters that didn’t was Lindsey, who was American Girl’s first Girl of the Year. She was released in 2001, a time when the company never considered making movies for the Girl of the Year characters. To make up for this, I would love to love to see a fan-created, stop motion film based on Lindsey’s story! I reread her book this year and I enjoyed it the second time around. It was funny and intriguing, two qualities that would make a stop motion film interesting!

Lindsey book cover image found on Goodreads and created by American Girl.

What are your thoughts on my Christmas wish list? Which item did you find the most interesting? Let me know in the comment section!

Have fun at Christmas!

Sally Silverscreen

Take 3: The Nutcracker Prince (1990) Review

With 2021 soon coming to a close, this will be my last movie review and my last blogathon entry of the year! Because the Christmas season is upon us, I figured a Christmas flick was the way to go! As was announced by MovieRob, December’s Genre Grandeur theme is Non-Disney Animated Films of the 90’s. While looking for possible titles through a general internet search, I came across The Nutcracker Prince from 1990. Prior to writing this review, I had heard of the film. But I had never seen it. Over the years, it has been said most movie adaptations of The Nutcracker ballet are bad. Since I’ve only seen the Barbie version many years ago, I can’t agree or disagree with this statement. So, for this review of The Nutcracker Prince, I will only be judging the 1990 title.

The Nutcracker Prince (1990) poster created by Lacewood Productions, Boulevard Entertainment, Allied Filmmakers, and Cineplex Odeon Films

Things I liked about the film:

Use of color: The Nutcracker ballet is a production that is known for being colorful. Therefore, the use of color in an adaptation of this story can make or break it. The way color was used in The Nutcracker Prince complimented the source material! One good example is the Christmas party at Clara’s family’s house. The primary colors in the background were a faded red and coral. But Clara’s dress boasted a hue of sea foam green. This color selection allowed Clara’s dress to stand out against the background. It also gave Clara as a character definition and focus.

Utilizing the ballet’s musical pieces: Another iconic part of The Nutcracker ballet is its music! From the ‘Dance of the Sugar Plum Fairy’ to ‘Waltz of the Flowers’, these pieces of music have become a staple in not only the soundtrack of Christmas, but also in the world of classical music. What’s interesting about the ballet’s music in The Nutcracker Prince is how it was utilized in different parts of the story from the original show. The ‘Waltz of the Flowers’ can be heard twice in this film. The first time is during Clara’s family’s Christmas party, as the adult attendees are dancing a waltz. The second time is when Clara is dancing with the Nutcracker in the middle of the night. Only this time, she’s singing a song called ‘Save This Dance’, with the music from ‘Waltz of the Flowers’ serving as a background melody. Using these pieces in different contexts show how versatile they are. They elaborate a scene’s specific tone as well.

A backstory for the Nutcracker: In The Nutcracker ballet, the audience watches as the Nutcracker transforms into a human. Since there are no explanations provided for this transformation, the audience is forced to accept what happened at face value. In The Nutcracker Prince, the creative team makes sure to provide their audience with a backstory for the titular character. I can’t get into detail about this part of the story, as I don’t want to spoil the movie. But all I’ll say is there is an explanation given for why this character becomes a nutcracker. I like how this film’s creative team took a part of the ballet and gave it a new story. This shows one example of how they respected the source material while also bringing something new to the table!

Image of ballerina preparing to dance created by Pressfoto at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by pressfoto – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

No Land of Sweets: What sets The Nutcracker apart from other ballets is the second half of the production, reserved for the Land of Sweets. This is the part of the story where Clara and the Nutcracker visit the aforementioned land where sweet treats are brought to life through dance. The Nutcracker Prince omits the Land of Sweets. Instead, this land is replaced with The Land of the Dolls. From a creative perspective, I understand why the movie’s creative team made this decision, as they didn’t want to copy-and-paste the source material. But, on the other hand, I was disappointed by the lack of the Land of Sweets. That’s because I was curious to see how the ballet’s second half would translate to animation.

The amount of focus on The Mouse King vs. The Nutcracker: Within the ballet’s first half, the Nutcracker fights in a duel with The Mouse King, the villain in the story. Like The Nutcracker Prince, this duel served as a conflict in the ballet. However, it lasted for only one scene. In the movie, the conflict takes up the majority of the plot. Similar to what I said earlier, I understand why the film’s creative team made this decision, as they wanted to provide their story with a solid conflict. But because of that decision, it took away time from exploring The Land of the Dolls and showcasing elements from the Land of Sweets.

Unclear parts of the story: Within The Nutcracker Prince, there were a few parts of the story that I wish were clarified. On Christmas Eve, after Clara receives a doll named Marie, her parents say this is the last doll Clara will get. With little to no context provided, I was unsure if Clara was simply growing up or was about to pass away. At several points in the film, Uncle Drosselmeier mentions his nephew. To prevent spoilers from being revealed, I won’t share too many details about that part of the story. However, when Drosselmeier’s nephew does appear in the film, I was confused of the identity of this character. I’m assuming that information was supposed to be heavily implied. However, if it was related to the plot, it should have been clearly explained.

Merry Christmas banner created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/merry-christmas-decorative-vintage-background_1359013.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As I said in my introduction, I’ve heard most movie adaptations of The Nutcracker ballet are bad. The Nutcracker Prince from 1990 has been included in that conversation. But now that I have seen this movie, I can finally give my own honest opinion about it. With that said, I personally thought it was fine. With any adaptation, The Nutcracker Prince is not the “end all, be all”. Sure, there are parts of the story that could have been stronger. But I will give this film credit where it is due. Similar to what I’ve said about remakes, a good adaptation should do two things: respect the source material and bring something new and unique to the table. I can honestly say The Nutcracker Prince does both of those things! The story itself goes in different directions than the ballet. At the same time, the movie’s creative team uses elements of the ballet to their advantage, such as the colorful palette and the musical pieces. So, if you’re a fan of The Nutcracker, animated movies, or lesser-known projects of the ‘90s, then I would suggest adding The Nutcracker Prince to your to-watch list this Christmas season!

Overall score: 7.1 out of 10

Have you seen any film adaptation of The Nutcracker? Are there any animated movies you like watching during the Christmas season? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Emil and the Detectives (1964) Review

November’s Genre Grandeur focuses on Live Action Disney Films. Since I happen to have a few movies of this nature on my DVR, I had some options for this month’s event. I also wanted to participate in Taking Up Room’s Distraction Blogathon. Because “red herrings” and “dangling carrots” are a part of the movie distractions subject, I decided to review one film for both events; the 1964 title, Emil and the Detectives. Before both blogathons, I had this movie on my DVR for two years. The intention to review the film was there, but I hadn’t gotten around to writing about it. With these aforementioned events, I now have an excuse to finally talk about Emil and the Detectives! So, find a comfy seat and grab your magnifying glasses, as I’m about to review this 1964 live-action project from Disney!

This poster for Emil and the Detectives is a screenshot from my television. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The camaraderie among the younger characters: When a story features a group of young characters who either are friends or become friends, the camaraderie between those characters needs to feel believable, especially if the story primarily revolves around them. With this movie, that camaraderie among Emil and the Detectives was definitely genuine! In the scene where Emil meets Gustav, the leader of the Detectives, the connection between these characters is strong, despite them having never met before. As Emil meets the rest of the Detectives, it feels like these group of boys have been friends all along. The strong camaraderie works with this story, as it gives the audience a reason to stay invested in the journey of the characters. The fact each character has their own distinct personality also works in the characters’ favor, as it allows each one to bring something different to the table. The acting performances and the script add to the strength of the characters’ camaraderie, as it makes the interactions between these characters look and feel realistic!

The German backdrop: Thinking about live-action Disney films from this time-period/era, Germany wouldn’t immediately come to mind for me when it comes to a movie’s setting. Even though this studio has created projects with interesting settings, such as The Moon-Spinners, these titles seem like exceptions to the rule. Emil and the Detectives not only takes place in Germany, but was also filmed there as well. While the story’s setting is the city, some of the buildings possess an old-world charm. The apartments displayed wood and brick styles, carrying a more vintage appearance than their more contemporary counterparts seen today. The details of these apartments were also very distinctive. When Pony meets one of the Detectives, her grandmother’s apartment door boasts a rich dark wood. A small stained-glass window and a gold mail slot can also be seen, emphasizing the antique fixtures of yesteryear. Toward the end of the film, the story takes place in an abandoned structure in ruin. Not only was the structure itself impressive, but it served as a reminder of the state of Germany post World War II. Because this film was released nineteen years after the end of World War II, it shows how these characters are not that far removed from this real-life event, providing a sense of realism to the story.

An introduction to the Film Noir genre: Back in 2018, I reviewed the 1978 Disney production, Return from Witch Mountain. In that review, I said the film and its predecessor, Escape to Witch Mountain, would be good introductions to the Science-Fiction (Sci-Fi) genre. Emil and the Detectives is also a good genre introduction, but to the Film Noir genre this time. While this film is not dark and gritty, the elements of Film Noir are certainly present. One great example is the character of Gustav. When a Film Noir story includes a detective, that character will usually have a strong, magnetic personality. This shows the audience this character can be trusted and is also approachable. Gustav is a charismatic child. Even though he is nowhere near perfect, solving any case is always his number one goal. He also displays strong leadership skills, such as helping the other Detectives use their skills to the case’s advantage. Despite being a child, Gustav is somewhat reminiscent of other detectives from the world of Film Noir, such as Philip from The Big Sleep.

The Distraction Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Limited number of German accents: During the film’s opening credits, German-sounding names were shown on-screen. These opening credits also state Emil and the Detectives was filmed in West Berlin (a term very much of its time). So, I was expecting the majority of the characters to carry German accents. To my disappointment, the only characters using German accents were the adults. The younger characters spoke in either American or British accents, a creative decision I found somewhat jarring. I’m not going to fault the younger actors too much, especially since they were so young when they participated in this project. However, it does make me wonder why the movie’s creative team chose to set this story in Germany if they weren’t able to find actors who could pull off a German accent?

Weaker villains: There are three ingredients to making a stand-out villain: a unique appearance, a strong personality, and a memorable motive. While the Skrinks, the villains of Emil and the Detectives, possess two of the ingredients, they lack the latter: a motive. In one scene, the Skrinks are impressed by how one of the villains, The Mole, escaped from East Berlin by digging a tunnel under the Berlin Wall. But The Mole’s reason for wanting to escape from East Berlin is never revealed. Throughout the film, the Skrinks are attempting to rob a bank. Once again, the reason for committing this crime is not mentioned by any of the villains. The omission of these motives prevent the Skrinks from standing out among other villains from live-action Disney films.

Pony’s under-utilized talents: One of the younger characters, Pony, is interested in writing and journalism. She follows Emil and the Detectives because she wants to write about the Skrinks’ crime for her school’s newspaper. But, throughout the film, the audience doesn’t get to see Pony using any of her writing/journalistic skills. This is a shame because we do get to see the talents of the Detectives. For example, one of the boys happens to be talented in art. Therefore, his talents are used to create an artist’s rendition of one of the villains.

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My overall impression:

1964’s Emil and the Detectives is certainly one of Disney’s more unique, interesting projects. On the one hand, it kind of feels like a Disney production. The way two of the Skrinks are captured contains that “Disney magic” you’d expect from one of their stories. But, on the other hand, it kind of doesn’t feel like a production from Disney. That’s because the Detectives assume child-appropriate versions of actions and choices usually adopted by grown-ups. A perfect example is when Emil and one of the Detectives eat chocolate cigarettes as they wait for a phone call from the rest of their group. As I said in my review, Emil and the Detectives is a good introduction to the Film Noir genre, especially for younger viewers. Some of the genre’s elements are present, but the humor and light-heartedness prevent the story from becoming too dark. I can’t believe this movie has been sitting on my DVR for two years. While I always intended to review this picture, I’m glad I found the perfect opportunity to finally talk about it!

Overall score: 7.3-7.4 out of 10

Have you seen Emil and the Detectives? Are there any lesser known, live-action Disney films you’d like me to check out? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Here Are The Results of The 3rd Annual Gold Sally Awards!

The results of The 3rd Annual Gold Sally Awards were many months in the making! Like last year’s awards, I continued the tradition of nominating films and talent not exclusive to Hallmark. I also started presenting two voting polls at a time. In 2022, I will publish two polls in each post, as a way to move the polls along at a smoother pace. But, for now, let’s start the moment you’ve been waiting for: the results of my annual awards!

A collage of this year’s winners I created on PowerPoint. Screenshot taken by me, Sally Silverscreen.

Best Movie and Story: From Up on Poppy Hill

Best Ensemble: If You Believe

Best On-Screen Couple: Ally Walker and Tom Amandes — If You Believe

Best Actress: Margaret O’Brien – The Unfinished Dance

Best Actor: Neal McDonough – Grace & Glorie

Best Supporting Actress: Collin Wilcox Paxton – To Kill a Mockingbird

Best Supporting Actor: Fred Savage – The Boy Who Could Fly

Sally’s Star of the Year: Debbie Macomber

Have fun at the movies!

Sally Silverscreen

My Conclusion to the National Read a Book Day Double Feature

For the remaining days of October, I will try my best to “clean house”. This means I will be publishing articles that I’ve been meaning to post for some time. One of these posts is my conclusion to last month’s National Read a Book Day Double Feature! In September, I sought to answer the question, Would these adaptations [of Saint Maybe and At Home in Mitford] encourage the viewers to read their source material or any other book? Now that I’ve seen and reviewed both films, I’ve come to the realization how difficult it is to answer this question.

Library image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/stack-of-books-on-library-desk_2509490.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/school”>School image created by Freepik</a>. Image found at freepik.com.

While reading some of Saint Maybe’s reviews on IMDB, one of them stood out to me. Its title read “Made me want to read the book”. Written by someone named bkgmoonstar, they claim the movie was missing too much detail. After they read the novel, they said “the movie was actually quite faithful to the book”. This review represents the opinion of just one reader. There are many readers who choose to read a given book for various reasons. They also have their own preferences and literary interests.

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Like readers, there are many movie-goers with their own tastes in cinema. Some of the films of their choosing may be an adaptation. But even if they enjoy an adaptation, it doesn’t mean they’ll reach for the source material. This decision could be made for a variety of reasons. When I asked my aforementioned question in my reviews of Saint Maybe and At Home in Mitford, I wasn’t really able to give a definitive answer. That’s because the only reader I can speak for is myself. Therefore, if I had to answer the question, I think it all depends who you ask.

Have fun at the movies!

Sally Silverscreen

If you want to read the other articles associated with this double feature, I’ll provide the links here:

The National Read a Book Day’s Double Feature Introduction

Take 3: Anne Tyler’s Saint Maybe Review (National Read a Book Day Double Feature Part 1)

Take 3: At Home in Mitford Review (National Read a Book Day Double Feature Part 2)

Take 3: Pollyanna (1920) Review

When I discovered The Silent Movie Day Blogathon, hosted by In The Good Old Days Of Classic Hollywood and Silent-ology, I knew I had to take part in the event! As I mentioned in my review of The Cabinet of Dr. Caligari, silent movies are not often covered on 18 Cinema Lane due to their availability. Speaking of the aforementioned film, that review was published back in January. So, my blog was due for another article about a silent picture. I was fortunate to find 1920’s Pollyanna on Youtube. While choosing this movie for the blogathon, I realized this would be the first adaptation of Pollyanna I would see in its entirety. While I have seen the adaptation starring Hayley Mills, I only watched pieces of it. Therefore, I can’t give an honest opinion on that film. I am familiar with the general premise of Pollyanna, despite never reading the source material or seeing an entire film version. I also haven’t sought out any of Mary Pickford’s movies before. Because of everything I’ve said in this introduction, I knew watching 1920’s Pollyanna would be an exciting experience!

Pollyanna (1920) poster created by United Artists

Things I liked about the film:

Mary Pickford’s performance: I thought the cast of Pollyanna was solid. But the one actor that shined the brightest was Mary Pickford! As I’ve mentioned before, actors and actresses in silent films must rely on body language, facial expressions, and emotions to convey what a character is thinking and feeling. While portraying Pollyanna, Mary was so expressive, using the aforementioned acting components to her advantage. She was even able to quickly adapt to each situation very effortlessly! What I also liked about Mary’s performance was how she displayed feelings of sadness and frustration. Realistically, carrying a happy persona is tiring. You can only be happy for so long and so often until the feeling itself starts to wear off. Because of Mary expressing these emotions, she helps prevent her character from being one-dimensional.

Mary’s wardrobe: An element of this project that, surprisingly, stood out to me was Mary’s wardrobe. Even though these outfits appear age appropriate for her character, a more creative reason is what caught my eye. The majority of Mary’s wardrobe consisted of light-colored outfits. These outfits allowed Mary to stand out and become the focus of a given scene. This creative decision was a simple one that worked in the project’s favor. It shows how much thought was put into the film’s presentation.

The messages and lessons: Before watching this adaptation of Pollyanna, I knew the titular character’s purpose was to, simply, make people happy. While there is truth to this statement, making people happy only scratches at the surface. Pollyanna, more often than not, tries to find the “silver lining” that will help her move forward in life. This mentality allows her to see the good in everyone she meets, even her stubborn Aunt Polly. In the 21st century, it can sometimes be difficult to put ourselves in a good mood. Even in the world of movie blogging, it can be easier to talk about bad movies or unfavorable movie news. But Pollyanna shows the audience that it is possible to find the “silver lining” in our lives, even finding the good in ourselves. These are lessons and messages that are not only relatable, but timeless as well.

The Silent Movie Day Blogathon banner created by In The Good Old Days Of Classic Hollywood and Silent-ology

What I didn’t like about the film:

An unexplained scene: When Aunt Polly is first introduced, two small children dressed up as bunnies appeared on the table. They approach Aunt Polly with pitchforks in their hands, one of these “bunnies” even poking Aunt Polly with their pitchfork. After that scene, the “bunnies” never appeared again. They were never referenced by any of the characters either. It also doesn’t help that no title card provided context to the “bunnies”. This is a scene I wish was given more explanation.

Musical selections: To make up for the lack of dialogue, music is used to emphasis the tone of a given scene. While there were musical selections in Pollyanna that matched what was happening on screen, some of these musical selections felt out of place. In the second half of the film, Pollyanna deals with a difficult situation. This situation brought up feelings of sadness and low self-esteem. But the background music during this situation was a cheery, upbeat tune. Because of this musical choice, it kind of took me out of the film.

Pollyanna’s lack of uniqueness: Like I said in the introduction, I was familiar with the general premise of Pollyanna prior to watching this adaptation. Based on what I knew, I was expecting the titular character to magically make everyone feel happy, with the script making it seem like that was Pollyanna’s “magical power”. But as I watched the movie, Pollyanna reminded me of other characters; such as Anne Shirley, Heidi, and Annie. While I liked her promotion of the “glad game”, Pollyanna’s attempts at spreading joy to those around her didn’t feel much different from the attempts of the aforementioned characters. This discovery disappointed me because I expected Pollyanna and her story to be different from Annie, Heidi, and Anne of Green Gables.

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My overall impression:

Mary Pickford is someone I’d like to call one of the “grandmothers of cinema”. A face of Hollywood’s early years, she helped play a role in showing what was possible for, at the time, a new medium. This particular film also shows what is possible when it comes to adaptations. 1920’s Pollyanna is a fine film. With strong acting, effective creative choices, and good messages, it contains likable qualities. However, the movie kind of felt like a copy of similar stories. Pollyanna herself reminded me of other young characters with shining personalities, like Anne Shirley or Ceddie. Even the older characters’ transformations in attitude were reminiscent of those such as Daddy Warbucks, Marilla Cuthbert, and Heidi’s grandfather. With all this said, the movie didn’t add much to the adaptation table. I am aware of two other adaptations of Pollyanna, including Hayley Mills’ version I mentioned in the introduction. One day, I’d like to check these films out and see which one I like best!

Overall score: 7.2 out of 10

Have you seen any silent films? If so, which one would you like to recommend? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Picture of Dorian Gray (1945) Review

Whenever I think of Dorian Gray as a character, Stuart Townsend’s portrayal in The League of Extraordinary Gentlemen comes to mind. While I’ve never seen that film, I did watch a video review of it years ago. However, I know that, sometimes, no singular portrayal of a given character is the “end all, be all” when it comes to story-telling. This is one of the reasons why I chose to review the 1945 adaptation of The Picture of Dorian Gray. The other reason is Peter Lawford’s involvement in the project. Once again, I am participating in the Peter Lawford Blogathon, hosted by Kristen from Hoofers and Honeys of the Classic Movie Era/KN Winiarski Writes. Last year, I wrote about 1960’s Ocean’s Eleven. At the time, I was not familiar with Peter’s filmography. Now that I have seen at least one of his movies, I had a starting point for which film to choose next! Before Dorian’s portrait transforms on us, let’s get this review started!

The Picture of Dorian Gray (1945) poster created by Metro-Goldwyn-Mayer and Loew’s Inc.

Things I liked about the film:

The acting: I haven’t seen many of Peter Lawford’s films. But based on 1960’s Ocean’s Eleven and 1945’s The Picture of Dorian Gray, it seems like he can be found in movies with larger ensembles. When it comes to the 1945 title, I was disappointed by this, as I was hoping to see more of his performance. Nevertheless, Peter did do a good job with the material he was given! Portraying David Stone, a man interested in courting Gladys Hallward, he resembled the youth Dorian himself desperately sought after. Despite appearing in a handful of scenes, David’s concern of Gladys felt genuine. You can hear it in the inflection of Peter’s voice and the expressions on his face. In a way, these things made David seem like a “voice of reason”.

During the film’s opening credits, I was surprised to discover Angela Lansbury also starred in The Picture of Dorian Gray. But similar to Peter Lawford, she also appeared in a handful of scenes. Despite this, I enjoyed seeing her portrayal of Sibyl Vane! Within this film, she sang a song called “The Little Yellow Bird”. It was nice to hear a musical performance from Angela, as I feel her singing abilities are underrated. When it came to her acting performance, Angela carried her character with a youthfulness I haven’t noticed in her other roles I’ve seen. Her expressions were more subtle, but worked for her character. Another actor who had subtle expressions was Hurd Hatfield. I’m not familiar with his acting work. But based on his portrayal of the titular character, he carried himself with a sense of professionalism. Hurd did, however, have very expressive eyes. At one point during the story, Dorian makes a mistake. When he realizes what he did, his eyes grow wide with alarm. Meanwhile, Hurd still shows a composure that he partly gave to Dorian, which maintains consistency.

The lessons and morals: Since this film premiered in 1945, that means it had to follow the Breen Code guidelines. The Picture of Dorian Gray certainly obeys those guidelines, but it also serves up some good lessons and morals. Toward the beginning of the story, Lord Henry tells Dorian how lucky he is to be young and attractive. He also tells Dorian to not squander his youth. These pieces of conversation can be used as lessons to appreciate the things you have and to not take anything for granted. Certain events in Dorian’s life highlight these lessons well. Another idea that is addressed in this script is actions speaking louder than words. This can be seen throughout Dorian’s relationship with Sibyl. While I won’t spoil what happens, I will say something comes up that relates to the aforementioned idea.

The cinematography: A surprising element in The Picture of Dorian Gray was the cinematography. This is because of how creative and well filmed it was! My favorite use of cinematography was when Sibyl visits Dorian’s house. As Dorian is playing the piano, Sibyl enters his study. But before she walks through the doorway, you can only see Sibyl’s shadow. Even when she does appear in the doorway, Sibyl’s face isn’t shown until she reaches Dorian’s piano. That was a good way of building anticipation for Sibyl’s appearance. A filming technique that appeared in several moments of the film was framing a scene as if the camera was following a character or hiding from them. A great example is when Dorian was placing a letter in his fireplace. The camera is positioned inside the fireplace while he is burning the letter. It provides the illusion of the audience watching from the outside looking in.

The 2nd Annual Peter Lawford Blogathon banner created by Kristen from Hoofers and Honeys of the Classic Movie Era/KN Winiarski Writes

What I didn’t like about the film:

Limited use of Technicolor: In the movie’s opening credits, it was mentioned that Technicolor was used in the movie. This made me excited to see how Technicolor would be utilized in the story. While I wasn’t expecting as much Technicolor as in The Wizard of Oz, I was hoping it would be consistently featured throughout the film. Unfortunately, that is not the case for The Picture of Dorian Gray. The Technicolor was applied to Dorian’s painting. But it was only used three times during the whole movie. I think if Dorian’s painting had been consistently presented in Technicolor, it would have highlighted the importance of the painting within the story.

The painting is kind of an afterthought: For those who don’t know, a MacGuffin can be an object that progresses a story forward. In the case of The Picture of Dorian Gray, Dorian’s painting is that story’s MacGuffin. However, its presence wasn’t as significant as I expected. In the script, the state of Dorian’s relationships is given more focus than the painting. In fact, the painting is sometimes not shown on-screen. This made the painting itself kind of seem like an afterthought.

Dorian’s confusing choices: There were times when Dorian made choices that left me confused. One of these choices took place during his relationship with Sibyl. Throughout that relationship, Dorian appears to truly love her. He even seriously considers marrying Sibyl. But, out of the blue, Dorian changes his mind. Even the build-up toward that moment was confusing, making it difficult to interpret what happened. I realize all of that connects with the lessons I mentioned earlier. However, Dorian’s sudden change in attitude and choices was, to me, confusing.

Paint palette image created by Freepik at freepik.com <a href=’https://www.freepik.com/free-vector/hand-drawn-artsy-tools_836777.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/hand”>Hand vector created by Freepik</a> Image found at freepik.com

My overall impression:

There are movies that have fallen short of my expectations. Not all of these films have been bad. However, I was left desiring more from them. The Picture of Dorian Gray has now become one of those movies. Before watching this adaptation, I was familiar with the premise of this story. But that premise led me to believe the film would be more profound and thought-provoking than it was. The script did provide good lessons and morals. But I’m not left contemplating any deeper meaning on any particular theme. I was also disappointed by Peter Lawford’s limited appearance in the movie. Peter’s involvement in the project is one of the reasons why I chose to review it in the first place. Even though I liked his portrayal of David, I was expecting to see him receive a larger spotlight than in Ocean’s Eleven. If the Peter Lawford Blogathon returns for a third year, I’ll try to find a film where Peter was a leading actor.

Overall score: 7.2 out of 10

Have you seen any adaptation of The Picture of Dorian Gray? Would you like for me to read the book? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: At Home in Mitford Review (National Read a Book Day Double Feature Part 2)

Happy National Read a Book Day! I want to let you know there will be spoilers for both the book and movie in this review. If you want to check out this double feature’s introduction, you can visit this link:

The National Read a Book Day’s Double Feature Introduction

At Home in Mitford poster created by Crown Media Family Networks and Hallmark Channel
1. How did you come to know of this film?

I remember when Hallmark’s adaptation was announced four years ago. The biggest news associated with the project was the casting of Cameron Mathison and Andie MacDowell as Father Tim Kavanagh and Cynthia Coppersmith. This news made fans upset, due to the fact both Andie and Cameron were younger than their characters were described in the book. Their disapproval of the casting led the movie to be one of the lowest viewed films on Hallmark Channel that year, with 1.34 million viewers. I also remember the movie didn’t receive an encore presentation, as is customary for the majority of Hallmark productions. While I’m not sure if this information is accurate, I have heard Jan Karon, the author of the Mitford series, didn’t promote the film.

2. How did you acquire this movie’s respective source material?

Two years ago, I purchased a used copy of At Home in Mitford at a library book sale. I became interested in reading the series before the adaptation’s premiere, as I heard so many good things about it. Since I never got to read any of the books before the movie aired, I was curious to see how different the book was from the film. At the sale, they had the whole series available for purchase. But since I didn’t know if I would like the series, I just bought the first book.

3. Have you read Jan Karon‘s work before? What are your thoughts on her writing?

Like I mentioned in the introduction, I have never read anything by Jan Karon before. So, I didn’t know what to expect from the book. Jan’s emphasis on detail was one of At Home in Mitford’s strengths! An example is when things are being listed off. In the book, Father Tim and Cynthia go to the movies. Within a paragraph, Jan takes the time to mention the snacks they purchased, saying “they went into the empty row with a box of popcorn, a Diet Sprite, a Coke, and a box of Milk Duds”. It’s details like these that make the characters and the story itself feel realistic.

Similar to Saint Maybe, At Home in Mitford is mostly a “slice of life” story. But there are a series of mysteries that are drawn out throughout the text. Because this book has elements of mystery, but is not a mystery novel, the overall sense of urgency was low. At times, it felt like there were too many characters and storylines. Mitford seemed like any other small town I’ve seen in Hallmark’s programming. While reading this book, I kept asking myself, “How is Mitford any different from Cedar Cove? Or Chesapeake Shores?” Maybe if I had read At Home in Mitford before watching any of those programs, I would think differently. But, at the end of the day, I thought this book was a fine, wholesome story.

4. Was the movie different from its source material? If so, how?

Even though there were some similarities between the movie and the book, At Home in Mitford’s film adaptation contained more differences. Some characters were either omitted or changed from the text. One of these characters was Olivia Davenport. In the film, she was a parishioner who was seeking Tim’s guidance for her rocky marriage. Her presence in the movie was very limited, which is different from the book. In the novel, Olivia was a part of At Home in Mitford’s ensemble cast of characters. Her storyline was one of the most important, as she desperately needed a heart transplant. Olivia also helped Mitford’s doctor, Hoppy Harper, move forward from the loss of his deceased wife. As I said in answer number three, I, at times, felt like there were too many characters and storylines in the book. Therefore, I don’t fault Hallmark for leaving out certain parts of the source material. However, if the adaptation’s creative team knew they were going to include one of the book’s characters in their script, then they should have given Olivia a greater significance in the film.

Despite the film adaptation’s differences from the book, some of them had purpose. The novel and film featured a character named Marge Owen. While she became pregnant in both versions of the story, she was given a greater importance in the movie. The book never revealed her occupation, where the film shows Marge owning her own bookstore. She also provides friendship and guidance to Cynthia in the adaptation. As a way to overcome her writer’s block, Cynthia volunteers to restore the church’s paintings. In Jan Karon’s book, Cynthia wasn’t involved with the church. She does attend church services, but she doesn’t go the extra mile for the parish. The movie version of Cynthia tells Tim that she wants to give back. Cynthia’s decision not only gives her a stronger connection to the church, but it also shows how someone living their faith can come in different forms.

This is the copy of At Home in Mitford I purchased two years ago. Screenshot taken by me, Sally Silverscreen.
5. Do you think the movie was better than the book or was the book better than the movie?

When it comes to At Home in Mitford, I can’t give a yes or no answer. So, I’ll say it like this: As a movie, At Home in Mitford is a fine, run-of-the-mill Hallmark Channel production, with some of the film’s changes improving upon the book. But as an adaptation, it feels like the network was trying to fit a round peg into a square hole. The first book in Jar Karon’s series was published before Hallmark Channel came into existence. By the time the adaptation was filmed, Hallmark was already well versed in their formula. Because the adaptation’s creative team tried so hard to fit At Home in Mitford into Hallmark’s brand of film-making, the story was watered down. If Hallmark were serious about faithfully adapting At Home in Mitford, they should have adapted it into a television show, as that is how the book read to me. I also think Jan Karon herself should have been one of the movie’s screen-writers.

6. Saint Maybe and At Home in Mitford share some similarities, such as how both books are written by women. Are there any other similarities you can think of?

Like I said in answer number three, At Home in Mitford is mostly a “slice of life” story. While there are mysteries within the text, the mysteries themselves feel lower in stakes. In the book, Father Tim finds some stolen jewels in an urn. Even though these jewels were connected to an international crime, Jan finds a way to connect this crime directly to Mitford. Father Tim wonders if his antique shop owner friend, Andrew Gregory, may have imported the jewels by hiding them in antique furniture. However, the culprit was a man named George Gaynor, a criminal on-the-run who found solace in Father Tim’s religious wisdom. Though George was arrested for his crime, he received the opportunity to become baptized. Father Tim even kept in touch with George after he left Mitford.

Saint Maybe is also a “slice of life” story featuring several mysteries. Similar to At Home in Mitford, the stakes of these mysteries were lower. Back in my review of Saint Maybe’s film adaptation, I mentioned how Ian discovered the identity of Agatha and Thomas’ father. Because this information was discovered long after Ian agreed to help raise Agatha and Thomas, there wasn’t a strong sense of urgency to do anything about the situation. He doesn’t even tell his family what he found. In fact, after speaking with Agatha and Thomas’ maternal grandmother, the movie version of Ian says to himself, “Thank goodness I didn’t find this information sooner”.

7. Should Hallmark adapt Jan Karon‘s other work? If so, why?

If At Home in Mitford’s film adaptation had received better reception from the viewers, then I’d be curious to see Hallmark adapt the other books in the Mitford series. Because that didn’t happen, Hallmark would have difficulty adapting Jan Karon’s other work, as most of her books are Mitford related. But since Hallmark created a few animated films in the past, I could honestly see them adapting Miss Fannie’s Hat or Jeremy: The Tale of An Honest Bunny. Similar to properties like Hoops and Yo-yo, Hallmark could create merchandise related to these stories as well. I’ve never read Miss Fannie’s Hat or Jeremy: The Tale of An Honest Bunny. But as long as Jan herself is involved with the project, I’d be fine with Hallmark adapting these books.

8. Is there anything about At Home in Mitford you liked or didn’t like?

I’ve heard complaints from Mitford fans about how different Dooley is in the film compared to the book.  While I do agree about Dooley being very different in the movie, I actually liked the movie version of his character. Dooley was sometimes the comic-relief in the story. His grandfather, Russell, even called him “a prankster”. My favorite scene was when Dooley removed the ‘Dog Found’ posters almost immediately after Father Tim posted them. Throughout the film, Father Tim actively sought out Barnabas’ former pet parent. He spreads the word about the dog’s current whereabouts by posting ‘Dog Found’ posters throughout Mitford. Since Dooley doesn’t want to see Barnabas go away, he removes these posters behind Father Tim’s back. This scene was hilarious because of its believability.

Compared to the book, At Home in Mitford’s film adaptation felt formulaic. Like I said in answer number five, the movie’s creative team tried so hard to fit At Home in Mitford into Hallmark’s brand of film-making. Instead, the story followed the same beats and tropes/cliches as other Hallmark titles. The film included an adaptation exclusive character named Jack Emery. Throughout the story, he embodied the “business person is a jerk and/or out of touch” cliché, with his sole purpose being the worse datable candidate compared to Father Tim. At Home in Mitford’s film adaptation was released in 2017, two years after All of My Heart. The 2015 movie was one of the network’s most notable films to challenge the aforementioned cliché. Therefore, it made At Home in Mitford kind of seem outdated by comparison.

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9. Did you develop any thoughts and/or questions while watching this film?

Similar to Saint Maybe, religion/faith was downplayed in At Home in Mitford’s film adaptation. Both Father Tim and Cynthia mentioned they were Episcopalian. In answer number four, I talked about how Cynthia volunteers to restore the church’s paintings. Even though several scenes took place inside the church, we don’t see any characters worshipping within its walls. The tail end of Father Tim’s sermon was shown as well. The book showed how religion/faith played a role in Father Tim’s everyday life. He quoted a Scripture passage to fit almost any situation, even using Scripture to discipline Barnabas. Father Tim also turned toward everyday life to find inspiration for his sermons. Because Hallmark gave us Signed, Sealed, Delivered and has incorporated faith into When Calls the Heart, I’m surprised the network chose to tone down the religion/faith in the At Home in Mitford movie. But, once again, it feels like a missed opportunity.

10. Would At Home in Mitford encourage viewers to read either its source material or any other book?

Because of how many differences are found in the adaptation, I think it might encourage some viewers to check the book out. I can only speak for myself, but this is what inspired me to read the first book in the Mitford series. When I started reading At Home in Mitford, I could immediately tell how different each story was. I said in answer number five that the book read more like a television show. This is because the story was abundant with characters and storylines, as well as storylines being drawn-out. If viewers find themselves watching more tv series than movies, then the book might be for them.

11. After watching this movie, is there anything you can take away from your movie viewing experience?

Because the stories in At Home in Mitford revolve around the citizens of a small town, I can see why Hallmark would want to adapt Jan Karon’s series. At the time of the film adaptation’s release, small towns were an exhausted backdrop in Hallmark’s productions, with most of their characters being former or current small-town residents. But it seems like the network was so eager to potentially start a new series, that they lost sight of who this project was intended for. Excluding Jan Karon from the creative process doesn’t help Hallmark’s case. Their inability to adapt pre-existing material, At Home in Mitford in this case, shows how creatively dependent they’ve become on the rom-com genre. In my honest opinion, this movie was made a decade or two too late. Since Hallmark spent so much time showing how every small town was special, Mitford wasn’t given the opportunity to stand out. This movie should have been released either as a Hallmark Hall of Fame production prior to 2010 or on Hallmark Channel between 2001 to 2007.

Have fun at the movies!

Sally Silverscreen