Tag: adaptation

The Top Ten Best Stand-Alone Films

On By 18cinemalaneLeave a comment

On this day in 2000, The Road to El Dorado made its official debut. While the movie didn’t meet or exceed DreamWorks’ expectations, it certainly found an audience, which stuck with the film for all these years. I once heard The Road to El Dorado was intended to be the first story in a trilogy. But fate decided it worked better as a stand-alone picture. This caused me to think about the other stand-alone movies I’ve come to love. So, in honor of The Road to El Dorado’s 25th anniversary, I have compiled a list of what I believe are the top ten best stand-alone films! For my list, the criteria for a stand-alone film is not only a title that didn’t receive a sequel, but also isn’t affiliated with a series/franchise. If I covered a film on 18 Cinema Lane, I will provide a link to that article or review in this list. Each title will be presented in order of release year and each choice is based on my opinion.

The Road to El Dorado poster created by Dreamworks Pictures, DreamWorks Animation, and DreamWorks Distribution

1. Singin in the Rain (1952)

    I start my list with a classic I was introduced to because of my blog. Now that I have finally seen Singin in the Rain, I have an understanding and appreciation for why the movie is so beloved. Gene Kelly’s iconic musical number, “Singin in the Rain”, should provide enough explanation for why you should check the film out! The number itself feels immersive, as it takes place within the story’s context. Gene adds uniqueness to the number by jumping and splashing in puddles. “Singin in the Rain” successfully represents the spirit of the film, while also delivering the message of seeing the good in a not-so-good situation. That number is just one reason why Singin in the Rain is a solid musical!

    Watching ‘Singin in the Rain’ for the First Time

    2. Ben-Hur (1959)

    If you’re going to watch any classics, you have to see 1959’s Ben-Hur! Though the three-hour run-time can seem intimidating, that time flew by for me, as I was so engrossed in the story. The emotional intensity of Charlton Heston’s, Stephen Boyd’s, and Haya Harareet’s performance complimented the scope of the overall film. Ben-Hur contains other likable qualities as well, from the magnificent sets/scenery to the interesting cinematography. How Christianity/faith was incorporated into the story sets the 1959 production apart from other “sword and sandal” pictures. Those who celebrate Easter may find Ben-Hur an appropriate seasonal title.

    Take 3: Ben-Hur (1959) Review + 60 Follower Thank You

    3. To Kill a Mockingbird (1963)

    While the book, To Kill a Mockingbird, received a sequel, the film adaptation did not. The 1963 movie presents one of the few times where, in my opinion, the film was better than its source material. Getting straight to the point a lot sooner was a main focus for the creative team. The film’s visual nature worked in the favor of certain elements from the book. Showing suspenseful moments from the source material makes those moments seem real, as well as intensifies uncertainty. Leaving out scenes that feel like padding helps the movie maintain a steadier pace.

    Take 3: To Kill a Mockingbird Review

    4. The Boy Who Could Fly (1986)

    When I first saw The Boy Who Could Fly, it subverted my expectations. That’s because the 1986 picture aged surprisingly well! Through Milly and Eric’s friendship, the script shows how people with Autism can create and maintain meaningful relationships. Helping someone with Autism based on their personal preferences and accommodations may have seemed ahead of its time back in the mid to late ‘80s. Timeless messages and themes make up one of the reasons why I love the 1986 film. Showing compassion for others, dealing with grief, and understanding people’s differences take center stage.

    Take 3: The Boy Who Could Fly Review (PB & J Double Feature Part 2)

    5. The Bodyguard (1992)

    In 2022, I wrote an editorial explaining why The Bodyguard held up thirty years later. Because I love the 1992 film, finding explanations wasn’t difficult. “The kitchen scene” is, in my opinion, the best scene from any action movie. One reason why is how the kitchen’s smaller space is seen by the actors as a challenge instead of a hindrance. What also worked in The Bodyguard’s favor was Whitney Houston’s portrayal of Rachel Marron. Throughout the story, Whitney realistically showcases emotions and expressions. This helped Rachel become a multi-layered character.

    I Will Always Love You: ‘The Bodyguard’ at 30

    The Boy Who Could Fly poster created by Lorimar Motion Pictures and 20th Century Fox. Image found at https://www.imdb.com/title/tt0090768/?ref_=nv_sr_srsg_0.

    6. Swept from the Sea (1998)

    Swept from the Sea was one of the earliest hidden gems I discovered in 2019. It’s a movie that’s so great, I just had to include it on this list. There are so many things to like about Swept from the Sea. From Vincent Perez’s captivating performance to the beautiful scenery, the film’s components came together to create an endearing and emotional presentation! The 1998 film is a character-driven story, relying on on-screen chemistry in order to work. Because of Vincent Perez’s and Rachel Weisz’s differing acting styles, the on-screen chemistry between Yanko and Amy was very sweet and genuine.

    Take 3: Swept from the Sea Review (A Month Without the Code — #8)

    7. Phantom of the Megaplex (2000)

    This is another movie I just had to include on my list. But this time, it’s because Phantom of the Megaplex is also celebrating its 25th anniversary this year! The Disney Channel picture showed that the movie-going experience can be fun. As I explained in my editorial celebrating the film’s 20th anniversary, the made-for-TV movie also serves as a time capsule of how the cinema operated in the beginning of the millennium. Phantom of the Megaplex even shows how movies can influence our lives. Though I’m not sure if that aspect of the story was intentional, it makes the 2000 title, somewhat, thought-provoking.

    ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience

    8. I Am David (2004)

    I Am David was the biggest pleasant surprise of 2024. It became the year’s best movie in March and stayed number one until the very end! What set I Am David apart was the film’s genuine emotion and sincerity. This was seen and felt through every aspect of the production. The 2004 movie emphasized visual depth. Achieved by exploring light and darkness, as well as showcasing Europe’s natural landscape, the creative team used the visual nature of film to their project’s advantage. Two effective plot twists are another reason why I liked I Am David. Their delivery in the story was well-written.

    Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

    9. From Up on Poppy Hill (2011)

    This 2011 presentation is one of Studio Ghibli’s stronger projects. A reason is one of the overarching themes; honoring the past. The film intelligently and creatively shows its audience how important history is in our lives and our world. Whether referencing the 1964 Olympics or focusing on the characters’ relationships, the theme of honoring the past acts as an umbrella sheltering Poppy Hill and its surrounding areas. Studio Ghibli’s signature colorful palette is consistently on display in the 2011 film. The strong understanding for how and when to use color makes scenes look like priceless pieces of art! Personally, I think movies like From Up on Poppy Hill present an argument why 2-D animation still has its time and place.

    Take 3: From Up on Poppy Hill Review + 200 Follower Thank You

    10. The Wild Robot (2024)

      I think it’s fitting to close this list with a DreamWorks movie, as a DreamWorks movie is the reason why I created this list in the first place. Though this was a recent watch for me, The Wild Robot is, so far, the best film I’ve seen this year! The animation itself is absolutely gorgeous! Sometimes, scenes look like paintings and other times, they look like priceless photographs. I was not expecting the story to contain as much emotional depth as it did. An abundance of good messages and themes add a sense of timelessness to the production. Though it’s unknown right now if The Wild Robot will gain an audience like The Road to El Dorado has, I can confidently say it was a really good movie!

      Phantom of the Megaplex poster created by the Walt Disney Company and Disney Channel. © Disney•Pixar. All rights reserved. Disney XD© Disney Enterprises, Inc.

      Have fun at the movies!

      Sally Silverscreen

      Take 3: The Phantom of the Opera (1925) Review (Silent Pioneers Double Feature Part 2)

      On By 18cinemalane5 Comments

      In my review of 1920’s The Garage, I admitted silent films are rarely covered on 18 Cinema Lane. Acknowledging the one hundredth anniversary of a movie is even rarer. This is a reason why I selected 1925’s The Phantom of the Opera for the Silent Pioneers Blogathon! But reviewing this film also presents a full circle moment for me. Before 2025, I had seen pieces of The Phantom of the Opera from 1925. That’s because those pieces are featured at the beginning of Phantom of the Megaplex (which happens to be celebrating its 25th anniversary this year). As a fan of that movie, I felt I owed it to myself to finally check out the film that paved the way for countless cinematic projects. Though this is my first time seeing 1925’s The Phantom of the Opera in its entirety, I am familiar with its story. This is due to seeing parts of 2004’s adaptation of The Phantom of the Opera. So, without further delay, let’s start this review!

      The Phantom of the Opera (1925) poster created by Universal Pictures

      Things I liked about the film:

      Color coded film: Silent films have a reputation for appearing in black and white. But in The Phantom of the Opera, only the Phantom’s lair is presented in this hue. This is because the Paris Opera House is color coded based on where a scene takes place. Outdoor scenes appear in blue. Scenes taking place backstage, and even a ballet performance, are presented in pink. The only scenes fully in color are those during the Bal Masque de l’Opera. Color coding the movie’s scenery gives each part of the story its own distinct significance. It definitely gives The Phantom of the Opera a unique identity!

      The acting: When you think of 1925’s The Phantom of the Opera, you think of Lon Chaney. Though he spent the movie with his face covered by make-up or a mask, Lon utilized the use of his eyes and body language to give the Phantom emotion. During the Bal Masque de l’Opera, the Phantom discovers someone betrayed his trust. His eyes not only appear very wide, they even look pained. The Phantom falls back in his seat, emphasizing how shocked he is by the betrayal. Even though Lon stole the show, there are other performances I liked in The Phantom of the Opera! Mary Philbin portrays Christine Daae. Through a variety of acting techniques, Mary shows the audience what her character is thinking and feeling. A perfect example is when Christine meets the Phantom for the first time. Shocked by his appearance, she leans back against the wall, trying to move as far from him as possible. Christine’s eyes are wide and her jaw drops in horror, illustrating how unsettled she is by the Phantom.

      The on-screen chemistry: As I just said in this review, Mary Philbin portrays Christine Daae. Throughout The Phantom of the Opera, Christine shares romantic feelings with Raoul, portrayed by Norman Kerry. When these characters shared moments together, their interactions were romantically tender. The love between Christine and Raoul feels like it radiates off the screen. Mary and Norman’s on-screen chemistry was very sweet, making their characters’ scenes together feel genuine. Their performances, as well as the screenwriting, made Raoul and Christine’s relationship one of the best parts of The Phantom of the Opera! I wish Mary and Norman shared more scenes together.

      The Silent Pioneers Blogathon banner created by Maddy from Classic Film And TV Corner

      What I didn’t like about the film:

      Underutilized characters: There were a few underutilized characters in The Phantom of the Opera. Two of them are the new owners of the Opera House. At the beginning of the movie, the ownership of the Opera House changed hands. Not only are the new owners informed of the Phantom’s existence, they are presented with evidence he actually exists. Yet, these owners don’t do anything to remove the Phantom from the Opera House or protect their business from the Phantom. A major reason for this is how the characters were underutilized, making limited appearances throughout the story.

      Little sense of urgency: Like I said in my review, the new owners of the Opera House don’t do anything to remove the Phantom from the Opera House or protect their business from the Phantom. Any time the Phantom makes threats to ruin the show or even when Christine disappeared, there was little sense of urgency to prevent the Phantom’s chaotic plans. The day after Christine went missing, there was a newspaper article written about her disappearance. But no search party was organized to look for her. Even Raoul’s suspicions don’t appear raised when he receives a mysterious note from Christine. When Christine returns at the Bal Masque de l’Opera, no one notices except for Raoul. With all this said, the Phantom doesn’t seem as big of a concern to the Opera House’s community as he should be.

      Unanswered questions: For this part of my review, I will spoil The Phantom of the Opera. If you haven’t seen this film and are planning on watching it, skip ahead to the part of my review titled ‘My overall impression’.

      The 1925 version of The Phantom of the Opera attempts to give the Phantom a backstory. But this attempt leaves the audience with more questions than answers. On a notecard addressing the Phantom’s history, it states he is a “master of Black Art”. This statement is never given an explanation, especially since the Phantom isn’t shown adopting magic or supernatural powers. The notecard also states the Phantom was “exiled to Devil’s Island for criminal insane” and that he “escaped”. No explanation is provided why he was taken to the island in the first place. Did the Phantom actually commit a crime or was he falsely accused, with taking over the Opera House and causing chaos his form of revenge? These are two examples of unanswered questions in The Phantom of the Opera.

      String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

      My overall impression:

      1925’s The Phantom of the Opera is considered a classic, not just from the Silent Film Era, but within film history. So, imagine my shock when I discovered the movie was never included on any of American Film Institute’s 100 movies lists. When this film was first released, it brought something new to cinema’s table. The Phantom of the Opera paved the way when it came to the power of make-up. The 1925 picture also showed the world the expansive nature of storytelling through a cinematic lens. This is why, in my opinion, the story of the Phantom and his opera house is better suited for film than the stage. Lon Chaney is one of the most celebrated actors of all time. His role as the titular character proves why that statement holds true. Lon’s ability to transform into the Phantom makes his performance captivating. Beyond the make-up, he effectively uses his eyes and body language to bring emotion to his character. Though the film has its flaws, The Phantom of the Opera still holds up, even a hundred years later. Color coding for each area of the Opera House gave the production a unique identity, as well as distinct significance to these spaces. In a world where silent films are not as common as they once were, I’m thankful for the restoration efforts made for The Phantom of the Opera.

      Overall score: 7.5-7.6 out of 10

      Have you seen 1925’s The Phantom of the Opera? Which story do you wish had been adapted into a silent film? Let me know in the comment section below!

      Have fun at the opera!

      Sally Silverscreen

      Take 3: Tarzan in Manhattan Review

      On By 18cinemalane9 Comments

      During my search for my “so bad, it’s good” movie, I’ve learned to find two things: a film that is built on a gimmick and a film that is unintentionally funny. Though these things have helped me get one step closer to finding my “so bad, it’s good” movie, a film has yet to earn that coveted title. For the annual So Bad It’s Good Blogathon, I had several selected movies to choose from. But, in the end, I picked the 1989 film, Tarzan in Manhattan! That title alone gives away the project’s gimmick; an iconic character existing in a more contemporary setting. Based on the movie’s synopsis, there seems to be elements that could be unintentionally funny, such as Jane becoming more street-smart when she’s usually known for being book-smart. But what made me ultimately select Tarzan in Manhattan for the So Bad It’s Good Blogathon were the reviews on IMDB. According to what I read, it seemed like the movie’s creative team didn’t take their project seriously because they acknowledged the film’s gimmick. With all of that said, let’s see if this movie could become my “so bad, it’s good” film!

      Tarzan in Manhattan poster created by American First Run Studios and CBS

      Things I liked about the film:

      The acting: When I reviewed The Chalk Garden earlier this month, I said I was invested in the story because of the acting performances’ quality. I also said each acting performance was good for different reasons. In Tarzan in Manhattan, the cast made a strong effort to make their performances as entertaining as possible. In my opinion, these efforts worked, as their performances kept me invested in the story! Joe Lara used emotion well while portraying the titular character. A great example comes from the first ten minutes of the movie. Tarzan experiences a tragedy, as he discovers someone close to him passed away. Upon making this discovery, Tarzan is understandably upset. His eyes are brimming with tears and his mouth presents a frown. Quickly realizing what possibly happened, Tarzan’s sadness turns into anger within seconds. He then grits his teeth and the rest of his facial features become tense.

      Kim Crosby portrays Jane in Tarzan in Manhattan. In my review’s introduction, I pointed out how Jane became more street-smart. Because of this creative decision, Kim adopts a down-to-earth, laid-back personality she consistently carried throughout the movie. When Jane meets Tarzan, she’s unfazed by the situation. Her whole persona presented the idea she, as a cab driver, has seen it all. Portraying Jane’s father, Archimedes, is Tony Curtis. Similar to Kim’s performance, Tony’s on-screen no-nonsense attitude was consistent. What also worked in Tony’s favor was how believable his on-screen interactions were. Anytime Archimedes and Jane shared a conversation, it felt like a realistic discussion between father and daughter. The strength of Kim’s and Tony’s acting talents helped make that possible!

      Respect toward the source material: While I haven’t read the book Tarzan in Manhattan is based on, I have seen another adaptation of the Tarzan story. Based on that experience, it appears the creative team of the 1989 film made efforts to respect the source material their project is based on. Remember when I said in this review’s introduction how Jane became more street-smart when she’s usually known for being book-smart? It is true she is street-smart in Tarzan in Manhattan. However, the book-smart aspect of her character actually worked in harmony with the street-smarts. Around the time she and Tarzan first meet, Jane shares how she has a Bachelor’s degree in Computer Science from NYU. Her book-smarts, along with problem-solving skills, help Tarzan find an important clue in figuring out Cheetah’s whereabouts. Throughout his New York City trip, Tarzan carries a bag of expensive jewelry as a form of currency. It is revealed the collection of jewelry belonged to Tarzan’s parents, the Lord and Lady of Greystone, before they passed away.

      How humor was incorporated: I mentioned in my review’s introduction how Tarzan in Manhattan’s IMDB reviews were the reason I chose the film for the So Bad It’s Good Blogathon. Based on those reviews, it seemed the movie’s creative team didn’t take their project seriously because they acknowledged the film’s gimmick. As I watched the 1989 picture, I could detect a sense of self-awareness. From the dialogue to the “Easter Eggs”, it felt like the movie’s creative team recognized how much of a gimmick their project was built on. During the plane ride to New York City, Tarzan is reading a book about surviving in New York on five dollars a day. This “Easter Egg” calls out how expensive the Big Apple can be. After somersaulting his way into a locked room, Tarzan leaves that same room by escaping through an open window. This situation causes Archimedes to ask Jane why Tarzan can’t leave through the door like other people. The aforementioned self-awareness in Tarzan in Manhattan made comedic moments genuinely hilarious!

      The Seventh So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

      What I didn’t like about the film:

      Things that don’t make sense: There were some parts of Tarzan in Manhattan that didn’t make sense. One example takes place toward the beginning of the film. Within the first five minutes of the story, Tarzan is shown living a secluded life from civilization, how Tarzan is usually portrayed in other adaptations. Then, all of a sudden, a man named Joseph shows up to give Tarzan and Cheetah a pair of books. Based on their interaction, it seems like Joseph and Tarzan’s friendship has lasted even before the events of the movie. If Tarzan lives close enough to civilization where walking to Joseph’s store is possible, why does he still live isolated in the jungle?

      Inconsistent sense of urgency: A reason why Tarzan travels to New York City is to rescue Cheetah. This part of the film’s synopsis would warrant a sense of urgency throughout the story. But Tarzan, along with Jane and Archimedes, don’t figure out what likely happened to Cheetah until more than twenty minutes into an hour and thirty-four-minute film. While there is a sense of urgency in Tarzan in Manhattan, it appears at certain moments in the movie. These creative choices made the story’s sense of urgency inconsistent.

      Part of the story that doesn’t lead anywhere: On more than one occasion, the audience is reminded how Tarzan is the son of the Lord and Lady of Greystone. Jane even purchases a book featuring his family’s portrait. I appreciate the creative team’s efforts to respect the source material their project is based on. However, the part of the film about Tarzan’s family history didn’t lead anywhere. The story’s main conflict had nothing to do with the Greystone estate. Tarzan’s family weren’t even featured in a subplot. I wish that part of Tarzan in Manhattan had a stronger connection to the overall story.

      New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      When I started this review, I said I learned to find two things when looking for my “so bad, it’s good” movie; a film that is built on a gimmick and a film that is unintentionally funny. Tarzan in Manhattan is definitely built a gimmick, with enough self-awareness in the movie to acknowledge this. But what the film isn’t is unintentionally funny. The way the story’s humor was written and delivered gave the audience a reason to laugh with the creative team, not at them. Humorous moments felt like they were intended to be comedic. This is one of the reasons why Tarzan in Manhattan was as entertaining as it was! Though there were flaws in the 1989 picture, there were aspects of the project I liked. A few examples are the acting performances and the on-screen chemistry between Joe Lara and Kim Crosby. Even though moments with high-stakes and a sense of urgency are sprinkled throughout the story, Tarzan in Manhattan is, for the most part, silly and goofy fun. Out of all the movies I reviewed for the So Bad It’s Good Blogathon, I’d say Tarzan in Manhattan is the best one. So, when it comes to finding my “so bad, it’s good” movie, I ended up taking a detour this time.

      Overall score: 7 out of 10

      Have you seen Tarzan in Manhattan? Which adaptation of the Tarzan story is your favorite? Please tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      It’s Time for the 7th Annual Gold Sally Awards!

      On By 18cinemalaneLeave a comment

      Here at 18 Cinema Lane, I maintain several annual traditions to give my readers something to look forward to. One of those traditions is the Gold Sally Awards, which commemorates my blog’s anniversary! The award categories are created by me and based on topics I’ve brought up on my blog. With two new awards in 2025, I’ll explain the significance of those categories. Like in 2024, I will discuss why I chose each recipient. Now, let the 7th Annual Gold Sally Awards begin!

      7th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

      The Kay’s Costume Party Dress Award

      (Best Outfit from a Movie)

      Helen’s Christmastime Outfit from Hallmark Hall of Fame’s Pack of Lies

      When I thought about the various categories of the Gold Sally Awards, I realized there was no category recognizing the wardrobe department of the movie industry. To fix that, I created the Kay’s Costume Party Dress Award! The name of this award references the dress Kay (Joan Collins’ character) wore at a costume party in the 1983 tv movie, Making of a Male Model. I loved this dress so much, it was featured in 2021’s Movie Blogger’s Christmas Wish-List! From the films I saw in 2024, there were several outfits I really liked. The one that was the most memorable, however, came from the Hallmark Hall of Fame presentation, Pack of Lies! The outfit in question was featured in my Movie Blogger’s Christmas Wish-List from last year; the black and blue ensemble Helen (portrayed by Teri Garr) wore during Christmastime. This timeless outfit was worn in only one scene. That fact is why Helen’s outfit earned the inaugural Kay’s Costume Party Dress Award!

      The Edward Boult Award

      (Missed Opportunity in Cinema)

      Not making Signed, Sealed, Delivered: A Tale of Three Letters a Christmas movie

      Last June, I speculated how Signed, Sealed, Delivered: A Tale of Three Letters could be a Christmas film. In my editorial about my speculation, I explained how the movie’s title could be a reference to either the Nativity story or A Christmas Carol. I also wondered if Signed, Sealed, Delivered: A Tale of Three Letters and “Signed, Sealed, Delivered: To the Moon and Back” could be a two-part adaptation of A Christmas Carol, with the rock star character intended to be a Marley-like character. The official marketing for Signed, Sealed, Delivered: A Tale of Three Letters proved my speculation wrong. But the more I think about how this movie could have been a Christmas picture, the more I wish it had been a Christmas production. As of early February, 2025, the Signed, Sealed, Delivered series has received only one Christmas movie. Plus, my aforementioned editorial provided ideas for a potential Christmas script. With Hallmark Mystery’s ‘Miracles of Christmas’ viewership numbers lower in 2024 than 2023, maybe the network will consider creating another Signed, Sealed, Delivered Christmas film.

      The They Deserve an Award Award

      (An Actor or Actress Who Deserves Recognition)

      Luke Goss (for his performance in Hallmark’s Frankenstein) and Badja Djola (for his performance in Christmas on Division Street)

      There were several good acting performances I saw in 2024. So, it was difficult to choose just one recipient for this year’s Gold Sally Awards. Both Luke Goss’ and Badja Djola’s performance was so impressive! In Hallmark’s Frankenstein, Luke’s use of emotion allowed The Creature to speak without actually speaking. An example I used in my review of the 2004 television film was when The Creature bursts into tears while seeking refuge in a barn. Luke’s acting skills made his character as complicated as he was in Mary Shelley’s source material. Badja made his character, Scorpio, so memorable, despite having limited appearances in Christmas on Division Street. With a consistently commanding presence, Scorpio was a character I looked forward to seeing on screen. That’s because Badja used his acting talents to give Scorpio captivating interactions with other characters. The scene where Scorpio shares some of his backstory with Cleveland is the example I used in my Christmas on Division Street review.

      The Cowboy Award

      (Character Who Makes an Unnecessary, Drastic Change)

      Sorsha from Willow

      You’re probably wondering why I gave Sorsha the Cowboy Award, even though I grew to like her as a character. While I found her transformation from villain to hero necessary, it was drastic. In my Comparing with the Critics review of Willow, I shared how Sorsha’s aforementioned evolution was too abrupt. The transformation gave Sorsha some character development, but it left some questions unanswered. For this flaw, blame lies in the screenwriting.

      Sally’s MVP Award

      (Character Who Left a Memorable, Showstopping Impression)

      Madmartigan from Willow

      When I watch a movie, there is, sometimes, a character who leaves such a memorable impression on me, they end up stealing the show. I have called these types of characters “MVP”. To acknowledge the “MVPs” of 18 Cinema Lane, I created the new Sally’s MVP Award! One of these “MVPs” was Madmartigan from Willow. In my Comparing with the Critics review of the 1988 film, I talked about how Madmartigan was the story’s comic relief. His personality and comedic timing captivated my attention and kept me invested in his story. What helped Madmartigan become the “MVP” of Willow was the screenwriting and Val’s performance.

      The “She Won’t Give Me My Chocolate” Award

      (Best Quote from a Movie)

      “Christmas is already a poem. It doesn’t need my help” – Henry Wadsworth Longfellow, I Heard the Bells (2022)

      In the 2022 movie, I Heard the Bells, Fanny (portrayed by Rachel Day Hughes) encourages her husband, Henry, to create a Christmas themed poem. Henry (portrayed by Stephen Atherholt) told his wife, “Christmas is already a poem. It doesn’t need my help”. When Henry said this, I started to think about what his quote meant. Poems require planning and putting the right pieces together, in order for that poem to have good flow and writing structure. Christmas festivities require a certain amount of planning, whether it’s a local church’s Nativity play or a family’s Christmas party. Using these two examples, finding the right pieces is important, such as who will portray the Three Wise Men or what will be the entrée of Christmas dinner. Poems can also tell stories. One classic example is ‘‘Twas the Night Before Christmas’. Christmastime is filled with stories, from the Nativity story to A Christmas Carol. Henry’s aforementioned quote made me see Christmas in a completely different way! Plus, a quote from a Christmas movie has never won the “She Won’t Give Me My Chocolate” Award before.

      The Honorable and Dishonorable Mention Award

      (Best and Worst Movie from the Honorable and Dishonorable Mention Category)

      Best – Interstellar

      Worst — The Reluctant Debutante

      For last year’s Gold Sally Awards, there was only the Dishonorable Mention Award. That’s because I didn’t see enough movies to include an honorable mention category. With the honorable mention category returning in 2024, the Honorable Mention Award is also coming back! Science fiction stories about space exploration will typically emphasize the thrills and wonder of the galaxy. This can make it easy for a movie’s audience to get caught up in how adventurous and exciting outer space can seem. In Interstellar, a major focus is space travel’s effect on human beings. So, themes of family, sacrifice, and the price of scientific achievement are woven into the script. That, along with quality acting performances and impressive special effects, is why I liked Interstellar!

      Out of all the movies that ended up in the dishonorable mention category, I had the highest expectations for The Reluctant Debutante. This is because I not only reviewed the film for The John Saxon Blogathon, there was some well-known talent involved with the project. Unfortunately, the 1958 movie fell short of those expectations. The Reluctant Debutante was a premise driven story that felt longer than one hour and thirty-four minutes, due to the jokes being drawn-out. It also didn’t help how some story ideas were overlooked. When I reviewed the 1958 film, I shared how movies from the 1950s are covered so infrequently on 18 Cinema Lane. So, it’s disappointing when a production from the ‘50s is weaker than expected.

      The Hallmark Hall of Fame Award

      (Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

      Hallmark’s Frankenstein

      There are different kinds of stories in the Hallmark Hall of Fame collection. One kind of story is adaptations of pre-existing literature. Sometimes, “classic” literature became Hallmark Hall of Fame presentations, like The Secret Garden and A Tale of Two Cities. When these adaptations are good, they can be an immersive experience. This is how I would describe Hallmark’s Frankenstein! Due to the combination of screenwriting, acting performances, set design, and costume design, the movie made me feel like I was transported to another time and place. I also appreciate how close to the source material the 2004 television film is. Looking back on Hallmark’s Frankenstein and the Hallmark Hall of Fame collection, I’m actually surprised Mary Shelley’s novel wasn’t adapted into a Hallmark Hall of Fame project. Everything I said is why I chose Hallmark’s Frankenstein for the Hallmark Hall of Fame Award!

      The “Based on a Book I Haven’t Read Yet” Award

      (Movie Based on Source Material I Have Not Yet Read)

      I Am David

      Movies that won the “Based on a Book I Haven’t Read Yet” Award were first placed on a best films of the year list. I Am David is continuing that tradition! The 2004 film earned the top spot on my best movies list of 2024. This is the second time a number one movie of the year received the “Based on a Book I Haven’t Read Yet” Award! After I reviewed I Am David, I learned the movie was based on a book. I’m not sure how affective the story’s plot twists will be, as I already know what they are because I saw the film. However, I’d still be interested in reading I Am David someday!

      The Standing Ovation Award

      (Character Most Deserving of Receiving Their Full Potential)

      Scorpio from Christmas on Division Street

      When the Gold Sally Awards presented the Standing Ovation Award, the recipients were characters who should have received their “standing ovation”, but were denied that for various reasons. Scorpio (from Christmas on Division Street) actively worked toward getting where he wanted to go. As I said during the They Deserve an Award Award, Scorpio had limited appearances in the 1991 made-for-TV movie. Despite that, the audience learned enough about him to know what he had gone through. During this limited period of time, Scorpio attempts to overcome his obstacles. While I won’t spoil Christmas on Division Street, I will say those attempts earned Scorpio the Standing Ovation Award!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: The Chalk Garden Review + 505 Follower Thank You

      On By 18cinemalane2 Comments

      For last year’s We Are Family Blogathon, my original plan was to write about both the Diagnosis Murder episode, “Guardian Angel” and 1964’s The Chalk Garden. But as I explained in my review of hoops&yoyo’s Haunted Halloween, my plan to discuss the movie fell through. Despite this setback, I had always wanted to feature The Chalk Garden on my blog. Recently, I received a second chance to review the film! So for the first Blog Follower Dedication Review of 2025, I thought the 1964 production was the perfect title for this occasion! The Chalk Garden was recommended by Maddy (from Maddy Loves Her Classic Films) when I reviewed Marriage on the Rocks five years ago. In total, I have written about seven of Deborah Kerr’s films, with her best picture being The King and I. How will this eighth movie compare to those seven? Keep reading to find out!

      The Chalk Garden poster created by Quota Rentals Limited, Ross Hunter Productions, and Universal Pictures

      Things I liked about the film:

      The acting: The Chalk Garden is a character-driven story where part of the script serves as a character study. For these types of movies, it’s important to recruit a cast whose talents are strong enough to help make the characters interesting. While watching the 1964 film, I was invested in the story from beginning to end. One reason why is the quality of the acting performances! This is a movie where it’s difficult to choose a favorite performance, as each one was good for different reasons. Hayley Mills’ portrayal of Laurel incorporates a variety of emotions and animated expressions. These aspects of her performance showcase just how complex Laurel is. Meanwhile, Deborah Kerr’s character, Miss Madrigal, was a no-nonsense woman who subtly expressed emotion. Through her acting talents, Deborah found a way to present her character as nurturing and a promoter of “tough love”. As for John Mills’ portrayal of Maitland, his character’s consistently welcoming persona put the other characters at ease. Maitland’s laid-back personality and calm way of approaching situations reminded me of Mr. Rogers from Mister Rogers’ Neighborhood.

      Mrs. St. Maugham’s residence: The story of The Chalk Garden takes place at Mrs. St. Maugham’s house. Since Mrs. St. Maugham was a woman with a financially comfortable life, her house perfectly reflected this. The sunroom was introduced in the movie’s first five minutes. Wrap-around windows looked out to a view of a large grassy hill. Plants filled the inside of the sunroom. In the center of the area, four white metal chairs were set around a smaller table. The furniture looked like it came straight out of an old-fashioned ice-cream parlor. On Mrs. St. Maugham’s property was her backyard shed. Though this space was not frequently shown in The Chalk Garden, I really liked its interior design! Underneath a window was a white wicker desk housing some potted plants. A wicker table was surrounded by wicker chairs of varying sizes. The white stone walls and differently shaped windows helped make the backyard shed a quaint and classy space! These finer details successfully captured Mrs. St. Maugham’s sophisticated taste!

      The dialogue: Toward the beginning of The Chalk Garden, Miss Madrigal arrives at Mrs. St. Maugham’s house to be interviewed for the available governess job. When Maitland greets her at the door, he asks Miss Madrigal if she’s worked as a governess before. She cleverly replies with a question of her own, asking “do you usually interview applicants in the doorway”? This was the funniest moment in The Chalk Garden because of how well-written and delivered this exchange was! After Miss Madrigal accepts the governess job, she moves in to Mrs. St. Maugham’s house. While Miss Madrigal unpacks her belongings, Laurel explains how she doesn’t like to be told “good morning”. Her reasoning is “what is a good morning to someone else is rarely a good morning to me”. When people tell each other “good morning”, they are typically saying that in the hopes the other person has a good morning. But unless we consider things from the other person’s point of view (yes, that To Kill a Mockingbird reference was intentional), we don’t know if that person has, indeed, had a good morning. So, I found Laurel’s quote to be thought-provoking. The examples of dialogue I provided display the quality screenwriting within The Chalk Garden! How memorable the dialogue was is a result of that quality!

      Good sailing day image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/summer-landscape-with-a-houselight-and-a-boat_866882.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by Freepik</a>. Image found at freepik.com.

      What I didn’t like about the film:

      A quickly resolved conflict: Throughout The Chalk Garden, Mrs. St. Maugham is at odds with her daughter, Olivia. Their relationship is so strained, Mrs. St. Maugham wants to obtain sole custody of her granddaughter, Laurel. This conflict lasts the entire movie. While I will not spoil The Chalk Garden, I will say the conflict was resolved within the film’s last ten minutes. The way it was resolved was too abrupt. As a result of this abrupt resolution, Laurel’s change in attitude and behavior happened too quickly. The reason for these flaws is how the second half of the story focuses on unearthing secrets.

      Unanswered questions: There were times in The Chalk Garden when characters would make a claim, only for that claim to not be met with confirmation or denial. One example shows Laurel telling Miss Madrigal about the aftermath of when she was attacked in the park. Laurel says even though the police never got involved, it was an “open and shut case”. Before this conversation, however, Maitland warns Miss Madrigal how Laurel has a penchant for lying and fabricating the truth. Did the incident in the park actually take place or was Laurel bending the truth to get a reaction? This is one of the claims in The Chalk Garden that should have been clarified.

      An unresolved metaphor: Along with being Laurel’s governess, Miss Madrigal is the resident gardener. This is because Mrs. St. Maugham lacks a “green thumb”. Miss Madrigal uses Mrs. St. Maugham’s garden as a metaphor for Laurel, even referring to it as “a chalk garden”. In order for the metaphor to work, the garden’s growth should have paralleled Laurel’s personal journey. Unfortunately, the garden itself makes infrequent appearances in the film. It also doesn’t help how Mrs. St. Maugham never puts Miss Madrigal’s words into practice, making the metaphor seem unresolved.

      Paint palette image created by Freepik at freepik.com <a href=’https://www.freepik.com/free-vector/hand-drawn-artsy-tools_836777.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/hand”>Hand vector created by Freepik</a> Image found at freepik.com

      My overall impression:

      Before I share my overall impression on The Chalk Garden, I want to take the time to thank the followers of 18 Cinema Lane. The support my blog receives still amazes me, even seven years after 18 Cinema Lane began! While I appreciate 18 Cinema Lane’s followers, I also appreciate when my blog’s readers provide film recommendations. This is why I try to write about these recommendations whenever possible. As I mentioned in this review’s introduction, The Chalk Garden was suggested by Maddy (from Maddy Loves Her Classic Films). I’m thankful to have not only been recommended the movie, but to also have finally checked it out! The 1964 production is part character study, part mystery. Because of the strength of the acting performances and screenwriting, this story worked! Liked I said in my review, I was invested in the story from beginning to end. The characters were interesting and the mysterious elements were intriguing. Though I wish some questions had been answered and a major conflict hadn’t been resolved so quickly, The Chalk Garden did more things right when it came to film-making. I can, honestly, say I would recommend this movie for those looking for a good cinematic story!

      Overall score: 7.8 out of 10

      Have you seen The Chalk Garden? What is the best movie you’ve been recommended? Let me know in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      The Top Ten Best Movies I Saw in 2024

      On By 18cinemalane4 Comments

      For me, 2024 was a better year for movies. That’s because I saw more movies I liked, compared to 2023! Another difference from 2023 is how, on 2024’s list, more movies are theatrical pictures. However, there are still some made-for-TV productions that found a spot on my list. With more likable movies comes the return of the honorable mentions section! In that part of my list, most of the films are television projects. Since I reviewed almost all the movies on this year’s list, I will provide links to those reviews in this post. So, with 2025 on the horizon, let’s begin my list of the top ten best movies I saw in 2024!

      Honorable Mentions

      Legend of the Lost Locket, My Baby Is Missing, My Mother’s Split Personalities, Christmas on Division Street, and Interstellar

      Image by starline on Freepik

      10. I Heard the Bells

      I Heard the Bells achieved so much in a short amount of time. The 2022 movie was chosen for my 500 Blog Follower Dedication Review. Then, I Heard the Bells became my 400th published movie review, as I recently revealed in my list of the ten movie trends I don’t understand. Now, the film is the only Christmas picture to earn a place on 2024’s best movies of the year list! When I wrote about I Heard the Bells, I compared it to It’s a Wonderful Life. Both titles are not only about more than just the Christmas holiday, they also cared about their overall presentation. I Heard the Bells was a visually immersive movie because of the attention to detail placed on historical accuracy. The strength of the acting performances allowed the story to be engaging. While it’s too early to say right now, I think I Heard the Bells could be a Christmas classic!

      Take 3: I Heard the Bells Review + 500 Follower Thank You

      9. Easter Parade

      If I could choose one word to describe Easter Parade, it would be “colorful”. With the movie’s creative team taking advantage of Technicolor, costumes and décor boasted vibrant hues that complimented the story’s spring season! The musical numbers provide another strength in Easter Parade. From Fred’s festive and creative solo, “Drum Crazy”, to Ann’s energetic and fast-paced solo, “Shakin’ the Blues Away”, the movie’s musical numbers were enjoyable because of their choreography and delivery. The reason the 1948 film is placed lower on my list is due to the premise-driven story and the limited inclusion of Easter. However, Easter Parade’s positives outweigh the negatives!

      Take 3: Easter Parade Review

      8. For Me and My Gal

      In my review of For Me and My Gal, I mentioned how Breen Code era movie musicals contain simpler stories. These simpler stories will typically feature lower stakes. But in For Me and My Gal, the story of Harry and Jo included stakes that were higher. The story wasn’t afraid to show Jo and Harry making difficult decisions when it came to their dreams. Along their journey, the duo even deals with regret and heartbreak. The way World War I was incorporated into For Me and My Gal gave the script a sense of realism. Creative decisions like that one gave the 1942 picture emotional depth!

      Take 3: For Me and My Gal Review

      7. Willow

      When I started my Comparing with the Critics series, I knew there were some movies I would disagree with the critics on. What I didn’t know was how much I would like Willow. Now that I’ve seen the 1988 film, I can understand why some people have given it the coveted title of “classic”. Likable elements, such as humor and unique perspectives on familiar story ideas, provide arguments for the aforementioned claim. The simplistic and straight-forward nature of the story made it easier to follow what was happening on screen. For me, Madmartigan stole the show! Movies like Willow make me thankful for my Comparing with the Critics series.

      Comparing with the Critics – Worst of 1988 – Willow

      6. Curious Caterer: Forbidden Fruit

      2024 saw the premiere of two Curious Caterer films; Curious Caterer: Foiled Plans and Curious Caterer: Forbidden Fruit. Though I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit, Curious Caterer: Forbidden Fruit was still a good movie. The fifth chapter in the series consistently carried the strong components of the Curious Caterer story, like the acting, humor, and prioritizing the mystery. A peek behind the music industry’s curtain and the incorporation of serious, real-world topics helped make the identity of Curious Caterer: Forbidden Fruit unique. As of the publication of this list, Hallmark has not provided any 2025 dates to the Curious Caterer series. If there are going to be more Curious Caterer films, I hope at least one of them is a seasonal picture.

      Take 3: Curious Caterer: Forbidden Fruit Review

      Hallmark’s Frankenstein poster created by Hallmark Entertainment, Hallmark Channel, Silverstar Ltd., Larry Levinson Productions, and RTL

      5. Hallmark’s Frankenstein (2004)

      Back in March, I called Hallmark’s adaptation of Frankenstein a “hidden gem”. This claim was based on my observation of how a good movie was not only forgotten by time, but also overshadowed by other titles released in 2004. What makes this version of Frankenstein a good movie, in my opinion, is how respectful it was toward Mary Shelley’s novel. One great example is Luke Goss’ portrayal of The Creature, as the way emotion was utilized throughout Luke’s performance highlighted how complicated The Creature is. Hallmark’s adaptation of Frankenstein is another movie where the visual presentation created an immersive experience. Combining set design, costume design, and attention to historical accuracy, the movie made me feel like I was transported to another time and place.

      Take 3: Hallmark’s Frankenstein (2004) Review (Double Feature: 2004 Edition Part 2)

      4. The Boys in the Boat

      If you’re going to create a sports movie involving a team sport, it’s important to make the camaraderie among the team believable. An on-screen team with believable camaraderie helps the audience stay invested in the story, as well as the team’s journey. Because the acting performances were strong in The Boys in the Boat, the camaraderie within the team dynamic felt genuine. The 2023 film also makes rowing look exciting! This was accomplished through cinematography, editing, and music selection. The Boys in the Boat is a “based on a true story” film that, in my opinion, is worth the time! This is yet another production where historical accuracy was a top priority.

      3. Amadeus

      Out of all the movies I reviewed for my Comparing with the Critics series, Amadeus is, so far, the only movie I agreed with the critics on. While the biopic is a glamourous spectacle, it also contains substance. Thought-provoking material can be found in the script, such as how fame can negatively impact the human soul. The story is an immersive, detail-oriented character study that explores the good and bad sides of the music industry. The creative team’s focus on detail made Amadeus look and feel historically accurate, as can be seen in the costume and set design. F. Murray Abraham and Tom Hulce each gave a strong performance. I can, honestly, say the 1984 movie is one of the best biopics I’ve ever seen!

      Comparing with the Critics – Best of 1984 – Amadeus

      2. Curious Caterer: Foiled Plans

      Remember when I said I liked Curious Caterer: Foiled Plans more than Curious Caterer: Forbidden Fruit? One reason why I said this is Goldy’s consistent involvement in Curious Caterer: Foiled Plans’ case. Other reasons why I liked the fourth chapter in the series are the creativity of the mystery, the quality of the acting performances, and how humor was written into the story. Looking back on Hallmark’s mystery films I saw in 2024, this Curious Caterer movie is pretty unique. That’s because, as I mentioned in my review, it’s a locked room mystery revolving around a costume party. In 2023’s best movies of the year list, I claimed Curious Caterer: Grilling Season was the best film in the series. I certainly changed my mind after I saw Curious Caterer: Foiled Plans!

      Take 3: Curious Caterer: Foiled Plans Review

      1. I Am David

      It’s amazing how I Am David became 2024’s best movie in March and clung on to the number one spot all these months later! This impressive film allowed the story of David and his journey to be told with genuine emotion and sincerity. This was achieved through every aspect of the production, like the acting performances and the screenwriting. Exploring light and darkness, as well as showcasing Europe’s natural landscape, gave the production visual depth. Timeless, universal messages were also woven into the script. As I said in my review, I wish more people knew about this movie. Hopefully, my review or maybe this list can encourage someone to check out I Am David!

      Take 3: I Am David Review (Double Feature: 2004 Edition Part 1)

      I Am David poster created by Walden Media, Film and General Productions, Lionsgate Films, Artisan Entertainment, and David Productions Ltd.

      Have fun in 2025!

      Sally Silverscreen

      Take 3: A Little Women’s Christmas Review

      On By 18cinemalane3 Comments

      When I reviewed Ainsley McGregor Mysteries: A Case for the Winemaker two months ago, I knew that article would receive views. But I had no idea how popular it would become. As of mid-December, 2024, my review of Ainsley McGregor Mysteries: A Case for the Winemaker garnered over a thousand views! To capitalize on my readers’ interest in Great American Family films, I chose to write about one of the network’s Christmas pictures. From the “word of mouth” I’ve been hearing about 2024’s various made-for-TV Christmas movies, A Little Women’s Christmas has gathered the most praise. So, I wanted to see for myself if the film was worth the hype. Based on the few movies from Great American Family I’ve seen, their pictures have been either ok or decent. The only exception has been The Abigail Mysteries, which was one of the worst films I saw last year. Where does A Little Women’s Christmas fall among this spectrum? Read my review to find out!

      A Little Women’s Christmas poster created by Great American Family, True Brand Entertainment, Third Coast Film, Rebel Rocket Entertainment, and Empress of Soul Productions

      Things I liked about the film:

      The camaraderie between the March sisters: If a film’s creative team wants to tell a story involving a group of siblings, there needs to be strong camaraderie between those characters. The strength of the camaraderie depends on the strength of the acting performances. This is exactly what happened among the March sisters in A Little Women’s Christmas! When Jillian Murray, Jen Lilley, Julia Reilly, and Laura Osnes came together, the relationship between their characters felt believable. Whether the moment was heart-warming or heart-breaking, the March sisters had each other’s support and worked together when it mattered the most. These actresses allowed each character’s personality to shine through. Nurturing Meg, bubbly Amy, ambitious Jo, and kind Beth complimented one another, bringing out the best in each sister. With the combination of Jillian’s, Jen’s, Julia’s, and Laura’s acting abilities, the creative team behind A Little Women’s Christmas understood the assignment and recognized what makes Louisa’s source material so special!

      The on-screen chemistry: Over the course of A Little Women’s Christmas, Jo gets to know a fellow writer from her publishing firm. This fellow writer is Fritz, portrayed by Trevor Donovan. During their interactions, Fritz is not only observant, but also has a drier sense of humor. As I mentioned earlier in this review, Jo is ambitious. However, she also tells things like it is. The combination of Fritz and Jo’s personalities created nice on-screen chemistry between Trevor and Jillian! The more time Jo and Fritz spent together, the more I felt they got along well with each other. The March sisters’ parents, Margaret and Robert, only appeared in one scene, through a video sent to the family. Despite this very brief appearance, I could sense the on-screen chemistry between Candace Kirkpatrick and James Arnold Taylor! In that one scene, the marriage between these characters felt believable. I, honestly, wish Robert and Margaret shared more scenes together!

      The Little Women related Easter Eggs: IMDB claims A Little Women’s Christmas is “a contemporary retelling of Louisa May Alcott’s 1868 classic”. With this in mind, the movie’s creative team found clever ways to place Easter Eggs throughout their production! The town the March family is from is named Alcott Grove. Observant viewers and fans of the novel will point out how the town shares the last name of Little Women’s author. While Jo and Fritz pay a visit to The Mercantile Café, Jo introduces Fritz to Louisa May, the owner of the eatery. Louisa May of Alcott Grove happens to share the name of Louisa May Alcott. It was fun finding these Easter Eggs throughout the movie! The creative team’s respect for Louisa’s story was symbolized in the Easter Eggs.

      Christmas book image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-psd/christmas-mockup-with-open-book_1482296.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/mockup”>Mockup psd created by Freepik</a>.  Image found at freepik.com.

      What I didn’t like about the film:

      The underutilization of DJ Bob: Throughout the movie, a man named DJ Bob makes Christmas related announcements from his studio at W.A.G. Radio. While exploring the town of Alcott Grove, Jo explains to Fritz how DJ Bob has become a beloved member of the community since he came to town in his red convertible one day. But other than what I just mentioned, DJ Bob has a very minimal role in the story. Personally, I think this was a missed opportunity, as DJ Bob could have been the glue that kept this script together. Besides being a radio host, DJ Bob could have been the character other characters turn to for advice. He also could have become “Mr. Fix It”, where he helps people solve their problems.

      The “it’s not what you think” cliché: Before he leaves for Alcott Grove, Fritz is instructed by Jo’s editor-in-chief, Susanna, to mentor Jo as she works on a new novel. Even though Susanna encourages Fritz to be honest with Jo about the reason for his trip, he’s concerned about pressuring Jo to the point of ruining her creative spark. As soon as this conflict was set up in A Little Women’s Christmas, it was a matter of waiting for the inevitable to happen. The conflict expectedly led to the “it’s not what you think” cliché, causing Jo to assume the worst about Fritz. While I recognize the need for a conflict in Jo’s story, that conflict paired with the aforementioned cliché made this part of the movie more predictable. It also doesn’t help how Jo developed romantic feelings for Fritz within a matter of days, becoming upset because she gave her heart to a man she barely knew.

      A confusing ending: For this part of my review, I will spoil A Little Women’s Christmas. If you haven’t seen this movie and are planning on watching it, please skip ahead to the part of my review titled “My overall impression”.

      In A Little Women’s Christmas, Jo aspires to write her first young adult novel. But during her return to Alcott Grove, she’s constantly searching for inspiration. Using Fritz’s advice, Jo eventually chooses to base her story on her relationship with her sisters, reflecting on their lives together. One of the last scenes in the movie shows Jo writing the first chapter of her novel, which she titles Little Women. With a title like A Little Women’s Christmas, along with the Little Women related Easter Eggs, I assumed the film’s creative team acknowledged Louisa May Alcott’s story existed in the world of Alcott Grove. But with Jo naming her book, Little Women, I was left confused, wondering if the world of A Little Women’s Christmas was meant to be an alternate universe where Louisa and her story never existed?

      Art tools image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/flar-art-tools-pack_835368.htm’>Designed by Freepik</a>.  <a href=”https://www.freepik.com/free-photos-vectors/paint”>Paint vector created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      Out of Great American Family’s movies I’ve seen, most of their productions have been ok or decent. A Little Women’s Christmas falls in the latter category. The 2024 picture was fine, wholesome, and pleasant. It was nice to see the creative team behind A Little Women’s Christmas show respect for the source material. From the camaraderie between the March sisters to the Little Women related Easter Eggs, fans of Louisa May Alcott’s story will find enjoyment in this film! Though there were aspects of the movie I liked, A Little Women’s Christmas did have its flaws. The inclusion of the “it’s not what you think” cliché contributed to part of the story being predictable. I also found the film’s ending confusing. But as I said before, this Great American Family production was fine as well as pleasant. If you’re interested in watching Christmas offerings from this network, I would recommend A Little Women’s Christmas!

      Overall score: 7-7.1 out of 10

      Have you seen A Little Women’s Christmas? Are there any Great American Family films you’d like me to check out? Tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Curious Caterer: Forbidden Fruit Review

      On By 18cinemalane1 Comment

      When I reviewed Curious Caterer: Foiled Plans back in April, that movie became the best Hallmark mystery of 2024. Now six months later, Curious Caterer: Foiled Plans is still the best Hallmark mystery movie of the year! When I learned Curious Caterer: Forbidden Fruit was on the horizon, I was so excited for the film’s release. Part of my excitement was due to how much I liked Curious Caterer: Foiled Plans. The Curious Caterer series is one of the strongest series Hallmark has ever created. The strength of Nikki Deloach’s and Andrew W. Walker’s performances, as well as their on-screen chemistry, is one reason why Curious Caterer has been an enjoyable collection of films. It also helps how the movies have been well written. Can Curious Caterer: Forbidden Fruit be just as good as Curious Caterer: Foiled Plans? Keep reading my review to find out!

      Curious Caterer: Forbidden Fruit poster created by Timeless Pictures and Hallmark Movies & Mysteries

      Things I liked about the film:

      The acting: As I said in my review of Ainsley McGregor Mysteries: A Case for the Winemaker, the strength of the cast can add to the story’s intrigue. Even though the acting has been consistently successful in the Curious Caterer series, this is impressive when you consider the series has utilized a rotating secondary cast! I have always liked Jaycie Dotin’s portrayal of Marla Maguire. I not only liked her performance in Curious Caterer: Forbidden Fruit, I also think she and Luke Camilleri had really nice on-chemistry! When Marla meets Jax backstage before the concert, he shares a memento from his late sister. His entire demeanor is sad, yet he appears appreciative when Marla asks about the memento. Marla’s tone of voice indicates she’s trying to be understanding of Jax’s situation. Later in the film, when Jaycie and Luke appear together in another scene, Jax and Marla are all smiles. They both look comfortable in each other’s company and seem to enjoy spending time with one another. I hope Luke and Jaycie star together in another Hallmark production!

      Another strength of the Curious Caterer series is the strong on-chemistry of Nikki Deloach and Andrew W. Walker. Their portrayals of Goldy and Tom were, once again, one of the best parts of the movie! Now that these characters have an established, romantic relationship, they received more opportunities to spend time together in Curious Caterer: Forbidden Fruit. While observing Goldy’s mystery board, Tom asks why Selena would kiss her former band member, Derek. Goldy then proceeds to kiss Tom. After the kiss, Tom asks her if the kiss was meant to be evidence. Goldy happily replies she just wanted a reason to kiss him. Tom and Goldy’s interaction in this scene was not only sweet, it also felt genuine. Andew and Nikki’s acting abilities made their characters’ interactions enjoyable to watch!

      A behind-the-scenes look at the music industry: The mystery in Curious Caterer: Forbidden Fruit revolves around the death of a band member during a live performance. Because the band and those surrounding them are consistently involved in the story, the movie’s creative team gave the audience a peek behind the music industry’s curtain. During a discussion between Tom and the band’s manager, Nicola, Tom learns each band member was insured in order to keep investors happy. This was new information to me, as I had never heard of musicians being insured before. Prior to the concert, Goldy and Marla were preparing to make their catered food. They were told by the band’s electrician, Sam, they could only use one electrical socket due to the older age of the venue and the other plugged-in electrical equipment. When people attend a concert or a live performance, they are so focused on what is happening on stage, details like a venue’s age or electrical power grids may not cross their minds. Curious Caterer: Forbidden Fruit showed what goes into planning and delivering a musical event.

      Incorporating serious, real-world topics: Hallmark productions, whether it’s a Hallmark Hall of Fame movie or a Christmas film, sometimes include serious, real-world topics into their scripts. What can make or break a script is how these serious, real-world topics are incorporated into the story. The way these kinds of topics were included in Curious Caterer: Forbidden Fruit was more subtle, yet there was enough information for the audience to understand what was happening. As Goldy is serving drinks to the band members before the concert, she reassures Derek (a recovering alcoholic) there are no alcoholic ingredients in his drink. Because Derek’s drink and Jax’s drink appear similar, Goldy stops Derek from consuming Jax’s drink, which contains rum. This mistake causes Derek to accuse Jax of trying to break his sobriety. The scene I just described felt like a realistic interaction, with the subject of addiction naturally woven into the dialogue. This was made possible by the quality of the acting performances as well as the screenwriting.

      Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

      What I didn’t like about the film:

      Miscast characters: Curious Caterer: Forbidden Fruit begins twenty years ago, with the band, The Faithfuls, celebrating the success of their single, “Love Me Always”. This opening scene implies the band members are in their early twenties, especially since they all share a bottle of champagne. Several scenes later, when Marla and Goldy explain to Olive who The Faithfuls are, Goldy and Marla claim they were high-schoolers twenty years ago. When the band members are reintroduced in the story, they appear to be the same age as Marla and Goldy. This creative flaw is not the fault of Garrett Black, Luke Camilleri, and Tammy Gillis, as they all did a good job with the provided acting material. However, I do fault the casting director for not recruiting actors who appeared older than Goldy and Marla.

      Goldy’s limited involvement in the case: Throughout the Curious Caterer series, Goldy has worked alongside Tom to solve a given case. But in Curious Caterer: Forbidden Fruit, Goldy’s involvement in the case is limited. She still created a mystery board (which she and Marla called “Rhythm and Clues”) and helped Tom solve the mystery. Compared to the other films in the Curious Caterer series, Tom did the majority of the sleuthing. Goldy did not question potential suspects or gather clues as much as she has before. She and Tom seemed to be on separate pages when it came to catching the culprit.

      Lack of food footage: In my reviews of other Curious Caterer films, I have either praised the creative team for their use of close-ups of appetizers or criticized the creative team for their lack of close-ups of food. Curious Caterer: Forbidden Fruit adopted the latter flaw, as there were barely any shots of Goldy’s catered food at the concert. In the greenroom, there were a few close-up shots of the band members’ drinks. A quick shot of vegan drumsticks was featured in a fan’s video. But other than these, the audience isn’t given a clear idea of what else Goldy served at the event. To me, this was a missed opportunity, especially since I was curious why Marla and Goldy needed to use an air fryer.

      Music and stage image created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/music-sign_1179519.htm’>Designed by Topntp26</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

      My overall impression:

      With Curious Caterer: Forbidden Fruit being the fifth movie in the series, this collection of films has found its rhythm (no pun intended) and understood what works for the overall story. Components like the acting, humor, and prioritizing the mystery have been consistently strong. There were even times when a Curious Caterer movie improved upon the flaws of the preceding chapter. I liked Curious Caterer: Forbidden Fruit! The peek behind the music industry’s curtain gave this film a unique identity. Serious, real-world topics, such as addiction, were thoughtfully incorporated into the script. Even though I thought the fifth movie in the Curious Caterer series was good, I still think Curious Caterer: Foiled Plans was slightly stronger. Goldy’s involvement in Curious Caterer: Forbidden Fruit’s case was limited, making it seem like she and Tom were on separate pages when it came to solving the mystery. I also believe the band members should have appeared older than Goldy and Marla. As of the publication of this review, Hallmark has not made any official announcements for movies premiering in 2025. But if there are more Curious Caterer films in the works, I would like to see a seasonal picture, such as a Christmas or Halloween themed Curious Caterer production!

      Overall score: 7.6-7.7 out of 10

      Have you seen Curious Caterer: Forbidden Fruit? Would you like to see more Curious Caterer films in 2025? Please tell me in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Take 3: Ainsley McGregor Mysteries: A Case for the Winemaker Review

      On By 18cinemalane10 Comments

      Last year, I claimed in my year-end list The Abigail Mysteries was one of the top three worst movies I saw. For me, this was a shame because, at the time, I had never talked about or reviewed a Great American Family movie. To make up for that, I chose to write about the network’s newest mystery production, Ainsley McGregor Mysteries: A Case for the Winemaker. When Candace Cameron Bure starred in Hallmark’s films, I really enjoyed the Aurora Teagarden series. In fact, that series was one of the strongest series from Hallmark Mystery! So, after discovering Candace would be starring in a new mystery movie, I was intrigued about the project. However, this optimism was cautious due to how weak The Abigail Mysteries was. Did Ainsley McGregor Mysteries: A Case for the Winemaker learn from the mistakes of the 2023 film? The only way to solve this mystery is to read my review!

      Ainsley McGregor Mysteries: A Case for the Winemaker poster created by Candy Rock Entertainment, Liquid Arts Media, Syrup Studios, and Great American Family

      Things I liked about the film:

      The acting: In a mystery film, the strength of the cast can add to the story’s intrigue. The facial expressions of the suspects can make the audience wonder if a particular suspect has something to hide, while the reactions of the protagonists will leave the audience wondering how they will save the day. Even though Candace was portraying a different character, her portrayal of Ainsley McGregor never missed a beat! Ainsley’s interactions with residents of Sweet River, Texas, came across as natural. Candace’s experience starring in the Aurora Teagarden series worked in her favor, as Aurora crossed paths with a variety of characters. It may be tempting to compare Ainsley to Aurora because of Candace’s performances. How Candace differentiated Ainsley from Aurora was adopting a more conservative approach to solving the mystery. In the Aurora Teagarden series, Aurora was eager to get involved with a case, even going so far as to bend a few rules. Because Ainsley is a former criminologist (which would give her a legitimate reason to work on any case), she tries to stay out of the police’s way and leaves some of the mystery solving to them.

      As I just mentioned, the facial expressions of the suspects can make the audience wonder if a particular suspect has something to hide. The performances of the actors and actresses portraying suspects in Ainsley McGregor Mysteries: A Case for the Winemaker proves this point. One of these performances that was a stand-out was Leanne Lapp’s portrayal of Rachel Dean! Rachel is the wife of the murder victim, giving her a reason to be seen as suspicious. During her questioning, Rachel is distraught over the accusations against her. Her eyes look both sad and confused, even overflowing with tears. This sadness can also be heard in her voice, as her tone reflects what’s in her heart. With Leanne’s strong performance, I wish Rachel appeared more in this movie.

      The on-screen chemistry: When I discussed the acting performances in Ainsley McGregor Mysteries: A Case for the Winemaker, I talked about how I liked Candace’s portrayal of the titular character. Another reason why I liked this portrayal is how Candace and Aaron Ashmore displayed good on-screen chemistry! I remember when Aaron starred on Warehouse 13 as Steve Jinks. Since Steve didn’t have a love interest on that show, I didn’t know what to expect from Aaron’s portrayal of Jake, a character who develops a relationship with Ainsley. However, I ended up liking his performance in this film! What helped Candace and Aaron was how their characters already knew each other prior to the story’s events. This avoided that awkward introductory stage most protagonists experience at the start of a mystery series. Throughout the story, Ainsley and Jake consistently interact with one another. Their warm, friendly demeanors felt naturally genuine, successfully selling the idea these two characters could fall in love. The chemistry between Jake and Ainsley made Sweet River, Texas, a little bit brighter!

      Ainsley’s dog, George: The protagonist of a mystery series will typically have at least one friend. This friend may serve as the story’s comic relief and sometimes receive their own subplot. But in Ainsley McGregor Mysteries: A Case for the Winemaker, Ainsley’s friend brought something different to the table. At various moments in the story, Ainsley talks to her dog named George. These moments are more light-hearted, giving viewers a break from the heaviness of the murder mystery. George sometimes joins Ainsley at Bless Your Arts, the marketplace Ainsley created. His presence brings joy and smiles to those who work alongside Ainsley. A mystery series’ protagonist having a pet is not a new concept. But in Ainsley McGregor Mysteries: A Case for the Winemaker, George plays a larger role in the story, giving this film a more unique identity! It also helps that George is adorable!

      Vineyard on a sunny day image created by Jcstudio at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/green”>Green photo created by jcstudio – http://www.freepik.com</a>. Image found at freepik.com.

      What I didn’t like about the film:

      A slow, drawn-out story: A made for TV mystery movie will usually feature at least one subplot along with the story’s main plot. This subplot adds intrigue to the overall script while sometimes giving viewers a break from the mystery. The main plot in Ainsley McGregor Mysteries: A Case for the Winemaker was the story’s only plot. It also doesn’t help how Ainsley wasn’t consistently involved in solving the case. These creative decisions led to a movie that felt slower and was drawn-out.

      Constant reminders of story’s Texas setting: One story-telling technique that is sometimes incorporated into film-making is “show, don’t tell”. This technique can work in a movie’s favor because film is a visual medium. However, relying on showing can cause repetition. This is what happened in Ainsley McGregor Mysteries: A Case for the Winemaker. I mentioned earlier in this review how the movie takes place in Sweet River, Texas. Even though I knew this fact after reading the film’s synopsis, I was constantly reminded of this fact as I watched the movie. Several scenes featured at least one Texas flag in the background. A cactus was placed on the counter at Sweet River’s police department. Jake and Ainsley even go on a date to a Tex Mex restaurant. It’s important to establish the story’s setting. But this can be done in one or two scenes toward the beginning of the movie, not throughout the program.

      Ainsley’s limited involvement in the story’s case: While discussing Candace’s portrayal of Ainsley McGregor, I brought up how Ainsley adopts a more conservative approach to solving mysteries due to being a former criminologist. This creative decision allowed Candace to differentiate Ainsley from Aurora Teagarden. It also takes away the fun of watching the protagonist solve the mystery and save the day. In the first half of the movie, Ainsley was hesitant to get involved in the case. Her choice was about allowing Sweet River’s police to do their jobs. It isn’t until approximately the story’s half-way point that Ainsley is finally encouraged (by members of her book club) to investigate the mystery. Ainsley’s hesitation is another reason why Ainsley McGregor Mysteries: A Case for the Winemaker had a slower, drawn-out story.

      Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

      My overall impression:

      When talking about The Abigail Mysteries in my list of the worst films I saw in 2023, I said Great American Family’s efforts needed to be better than The Abigail Mysteries if they were serious about creating more mystery projects. After watching Ainsley McGregor Mysteries: A Case for the Winemaker, it looks like the network took my advice! Though the movie has its flaws, the 2024 production improved upon what didn’t work for the 2023 film. One of these improvements was the on-screen chemistry between Candace Cameron Bure and Aaron Ashmore. Another good decision was prioritizing the mystery and keeping that as the main plot. It would be easy to claim Ainsley McGregor Mysteries is trying to become the next Aurora Teagarden series. This claim could be made because Ainsley’s book club turns into an investigation club and the story takes place in a small town. Personally, I believe Great American Family’s movie and Hallmark’s series just happen to share similar ideas. Unlike a lot of Hallmark’s newer mystery movies, Ainsley McGregor Mysteries: A Case for the Winemaker will receive a sequel! During this movie’s broadcast, a commercial announced Ainsley McGregor Mysteries: A Case for the Yarnmaker is coming in 2025. Based on that commercial, it looks like this series has the potential to tell many more stories!

      Overall score: 6.1-6.2 out of 10

      Have you seen Ainsley McGregor Mysteries: A Case for the Winemaker? Are you excited for the upcoming sequel? Let me know in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Word on the Street: Movie Adaptation for Susanna Clarke’s ‘Piranesi’ on the Horizon

      On By 18cinemalaneLeave a comment

      Whenever I review a movie that’s based on a book or pre-existing piece of literature, I usually find myself stating how the film is based on a book I haven’t read. This has led me to create the “Based on a Book I Haven’t Read Yet” award for my annual Gold Sally Awards. But for this piece of movie news, an upcoming adaptation is based on a book I’ve actually read! Reported two months ago by Bill Desowitz from IndieWire, Susanna Clarke’s novel, Piranesi, will be brought to life by animation studio, Laika. Travis Knight, the CEO and president of Laika, will direct the movie. Though not much else is known about the Piranesi adaptation, Susanna herself gave her approval, stating, “I’ve been inspired by so many animated movies; and Laika has produced such extraordinary work – movies like ‘Coraline’ and ‘Kubo and the Two Strings,’ full of beauty and wonder and weirdness. I’m thrilled that ‘Piranesi’ has found a home with them and I can’t wait to see what they do.” Meanwhile, Travis expressed his enthusiasm over the project, saying how Susanna is “one of my all-time favorite authors” and how “I can scarcely imagine a more joyful experience than wandering through the worlds Susanna dreamed into being”.

      Piranesi book cover image found on Goodreads

      Like I said earlier in this article, I have read Piranesi. In fact, I read this book recently as one of my selections for this year’s Eurovisionathon readathon. When I first discovered the news about Piranesi’s adaptation, I wondered how this story would translate to the screen. This is because the story is written in a logical way, encouraging the reader to actively pay attention to what they’re reading. My interest piqued upon learning Laika would be creating the adaptation! I reviewed Kubo and the Two Strings back in 2019. The film was not only one of the top three best movies I saw that year, it was the first time an animated picture had earned a spot on my year-end best of list! The fact the same director and studio behind Kubo and the Two Strings will be working on the Piranesi adaptation makes me excited! It gives me a chance to check out more of Laika’s work, as well as showcases the creativity of a studio that, in my opinion, is underrated.

      What are your thoughts on this piece of movie news? Are you looking forward to seeing Piranesi adapted as a movie? Let me know in the comment section!

      Have fun at the movies!

      Sally Silverscreen

      Referenced article: https://www.indiewire.com/news/breaking-news/laika-announces-new-stop-motion-piranesi-susanna-clarke-1235017992/