Are you a fan of Murder, She Wrote? Do you want to participate in a blogathon that is fun and creative? If you answered yes to these questions, then come join my blogathon, Cabot Cove-thon! The event starts on September 27th, so you still have time to sign up. Plus, there are plenty of topics to choose from! To learn more about Cabot Cove-thon, click on the link below.
Celebrating 40 Years of ‘Murder, She Wrote’ with the Blogathon; Cabot Cove-thon!
Imagine: You’ve been introduced to an actor while watching a popular television show. Impressed by their performance, you go to IMDB and look through their filmography. There, you discover this actor starred on a now defunct soap opera. You know soap operas aren’t as accessible as traditional tv shows due to the frequent release of episodes. So, you do the next best thing: go to the internet to learn more about the character the actor portrayed on the soap opera. But this proves to be trickier than you expected. Whichever website you go to, there is barely any information available. In fact, there’s so little information, it seems like this character doesn’t exist. You know this character does exist, as the character’s name and list of their episodes is featured on the actor’s IMDB filmography. So, why is it near impossible to learn more about the character in question?
Between 1956 and 2010, As the World Turns followed several families. One of those families was the Walsh family, a collection of some of the wealthier characters on the show. As the title of this article suggests, a character named Bianca eventually joined the Walsh family. But as this article’s introduction suggests, finding information about Bianca was near impossible. On websites like Soap Central and As The World Turns Wiki, Bianca’s name is listed, but she doesn’t have her own page. In an article about Lucinda Walsh from the website, Soap Hub, the only time Bianca is mentioned is when the article states Lucinda took Bianca in. Unfortunately, the article doesn’t explain why Bianca was taken in by Lucinda. Through extensive, thorough research, I was able to learn more about Bianca by discovering many archived episodes of As the World Turns on Youtube! From these episodes, I will try to solve these four interconnected mysteries:
As the World Turns is primarily set in the Illinois town of Oakdale. But there were times when the story took place in locations beyond the borders of the show’s fictional town. One of these locations was a Central American country called Montega. Some of the show’s characters were from Montega, including Bianca. Her story begins in Montega, with her parents working as servants for a man named Antonio Reyes. Growing up, Bianca grew close to Antonio’s wife, Sierra. She was allowed to play with Sierra’s dolls and even turned to Sierra when her kitten was hurt. As years went on, a war broke out. Since Antonio and Sierra fought in the early days of the war, they were seen by fellow Montegans, including Bianca, as heroes. With the war raging on, Bianca lost her family, even her brother, Pedro, who fought in the war alongside Sierra. Antonio’s reputation and Bianca’s loss of family created the perfect storm for Bianca to become sponsored by Antonio and join him in the United States in the spring of 1988.
In the previous paragraph, I stated that Bianca came to the United States in the spring of 1988. Wikipedia claims Karina Arroyave, the actress who originally portrayed Bianca, made her debut on As the World Turns in late 1988. However, on Karina’s IMDB filmography, Bianca made her first appearance in 1989. According to As the World Turns’ archived episodes from 1988, Bianca is not featured. In fact, one of the show’s major stories focuses on Lien Hughes’ introduction, as she debuted on As the World Turns on February 2nd, 1988. Based on the available episodes, Bianca’s earliest known appearance took place on July 17th, 1989, the day after Karina’s 20th birthday. However, the first known reference of Bianca happened on May 26th, 1989. In this episode, Lucinda, the matriarch of the Walsh family, learns from Antonio her daughter, Lily, has traveled to Montega to look for her missing sister, Sierra. Antonio starts saying “Bianca had no right to–”, then followed that up with “According to Bianca, Lily said she didn’t have much more to live for. She would sacrifice her own life to find Sierra”. Before making her first known appearance on July 17th, Bianca was referenced again on the July 13th, 1989 episode. In this episode, two employees of a business firm named Emily and Paul talk about a charity ball that will take place that night. Emily asks Paul “Is Bianca looking forward to it?”, with Paul responding “I guess so”. Because Antonio is out of town, Paul wasn’t able to ask his permission to take Bianca to the event, which makes Paul concerned. With the way Bianca is referenced in these aforementioned episodes and even how characters interact with Bianca at the charity ball in the July 17th episode, Bianca’s introduction, as well as her existence, has already been acknowledged. This leads me to believe Bianca’s earliest days in Oakdale either took place off-screen or happened in an unarchived episode.
As I previously stated in this article, Antonio sponsored Bianca, which led her to come to the United States. At the start of her story in the show’s 1989 season, Bianca resided in Antonio’s penthouse apartment. While there, she receives her education from a tutor. Antonio also gives her clothes and a roof over her head. But the longer Bianca stays at Antonio’s apartment, the more she discovers things aren’t as they seem. Antonio repeatedly reminds Bianca not to share the origins of a wedding ring he claims is Sierra’s. When Bianca questions the legitimacy of the ring, Antonio tells her “I know you have doubts about that ring, about whether Sierra is alive. But you have to keep those doubts to yourself. If you were to share them with Craig and Lucinda now, it would be very bad. It would destroy their faith in me and worse yet, their belief that Sierra is alive.” Eventually, Antonio hires multiple security guards and even forbids Bianca from seeing Paul, who became one of her first friends. Antonio justifies these measures by telling Bianca that it’s “for your own protection”. Confused by these protective measures, Bianca asks “I thought we were safe in America”, to which Antonio replies, “It’s not only in Montega that people live in fear”. After a bodyguard named Walters was found dead at Antonio’s apartment building and believing a criminal named James was contacting Antonio, Bianca ran away to the Earl Mitchell Center, where Bianca then resided.
While staying at the Earl Mitchell Center, Bianca appears to be thriving. She’s making friends, such as a young man who is referred to as “Hey You”, and enjoying herself at the Center’s Halloween party. However, a dark storm cloud looms just around the corner. After learning Paul killed James in self- defense, Bianca is questioned by police about Antonio’s connection to James. Even though James never entered Antonio’s apartment, Bianca recalls seeing James’ picture in the pocket of one of Antonio’s security guards. Meanwhile, Antonio claims Bianca’s brother, Pedro, may still be alive. Even though she’s now residing at the Earl Mitchell Center, Bianca still relies on Antonio for any information from Montega, with her claiming, “You’re my only source, Senor Tonio”. Despite Antonio continuously reassuring Bianca Pedro may be living, Lucinda and Craig come to the Center to tell Bianca Pedro actually passed away. This news is later reconfirmed by Sierra when Bianca and Antonio go to Montega to learn of Pedro’s fate.
After sharing the sad news of Pedro’s death with Bianca, Lucinda is troubled by Bianca’s situation. Desperate to help Bianca out, Lucinda decides to adopt her. When Lucinda and her lawyer, Ambrose, propose the idea to Bianca, Bianca at first believes Lucinda wants to adopt her to work in the kitchen at the Walsh house. Lucinda clarifies how she wants to adopt Bianca as her daughter. Initially, Bianca tells Lucinda, “Senora, thank you, I’m so grateful. But I-I’m not worthy to be your daughter. My-My mother was a servant to-to people like you”. But after thinking the decision over, enough convincing from Lucinda, and discovering Antonio was giving her false hope about Pedro, Bianca eventually accepts Lucinda’s adoption offer. By the end of the 1989 season, Bianca is caught in a whirlwind. She not only testifies in Paul’s trial, she also moves into the Walsh house. Bianca then experiences her first Christmas and New Year’s in Oakdale.
Even though Bianca is now a member of the Walsh family and living in the Walsh house, she is still friends with the residents of the Earl Mitchell Center. In fact, Bianca is dating “Hey You” by the end of the 1989 season. At a New Year’s party, “Hey You” suddenly runs away. This decision was caused by “Hey You” spotting a man named Brock, who “Hey You” believes murdered his family in September of 1988. Toward the beginning of the 1990 season, a major story revolves around “Hey You” (who ends up being identified as Bruce Dreyfuss) and Brock’s murder case. Because of her relationship with “Hey You”/Bruce, Bianca testifies in court. While volunteering at the Earl Mitchell Center, Bianca learns from a counselor named Frannie “Hey You”/Bruce is going back to his hometown in South Bend, Indiana. When Bianca wonders how difficult it would be for “Hey You”/Bruce to return home after everyone there knows about his past, Frannie reminds Bianca, “sometimes the only way that you can go on with your life is to face up to the things that are hardest for you”. In one of their final on-screen moments together, Bianca reminds “Hey You”/Bruce how he’s been kind to her and how she believes in him.
Despite her heartbreak toward the beginning of the 1990 season, things are looking up for Bianca. She hosted her first party at the Walsh house and found a friend in Lien Hughes. Bianca has also started applying for classes at Oakdale High School. Before taking the school’s placement exam, Bianca reconnects with a fellow new student named Courtney. The two met the night before at a restaurant called “The Cellar”. For the remainder of Bianca’s time on the show, she and Courtney are friends. However, their differences slowly but surely cause them to grow apart over time. In the May 1st, 1990 episode, Bianca and Courtney go to “The Cellar” on a school night. Bianca doesn’t think they should stay long not only because it’s a school night, but also because Lucinda doesn’t know where Bianca is. Courtney tells Bianca she worries too much and reminds her she aced her placement exam. In this same episode, Courtney and Bianca talk about Paul, who happens to be at “The Cellar”. When Courtney comments how Paul doesn’t act like he has money, Bianca asks her, “Oh yeah, well what is someone with money supposed to act like”? Courtney responds by telling her friend, “if you got it, flaunt it”.
Among the archived episodes of As the World Turns, Bianca’s age is never explicitly stated. But based on Bianca and Courtney going prom dress shopping in the May 17th, 1990 episode and based on a tutor named Mrs. McClausky commenting how Courtney and Bianca will be freshman at Oakdale University next fall, it is assumed Bianca is either 17 or 18 years old. Between her high school graduation and her acceptance into Oakdale University, Bianca works as a waitress alongside Courtney at Oakdale’s Yacht Club. During her time working at the Yacht Club, Bianca learns of Courtney’s other priority besides money: Andy, a student at Oakdale University. Courtney becomes so obsessed with Andy, she even plans on taking a photography class at college, with photography conveniently being Andy’s special interest. But Courtney isn’t the only young lady with a special man in her life. Starting in the August 31st, 1990 episode, Bianca goes on dates with a young man named Zach. The only known information about Zach is that, according the Bianca, Zach is a gentleman. Beyond school, falling in love with Zach, and developing a newfound social life, Bianca finds a new passion: singing. By the end of the 1990 season, Bianca is performing in her choir’s Christmas concert, as revealed in the December 18th, 1990 episode.
Consistent threads in Bianca’s story in the 1990 season are Bianca adjusting to her new life in America and Bianca reminiscing about her past life in Montega. While at the Yacht Club in the June 20th, 1990 episode, Paul reflects on how, in the previous season, Antonio wouldn’t let Bianca out of his sight. Paul’s statement also references how Bianca used to appear nervous and even afraid of Antonio whenever near him, as noted by multiple characters. At Lily’s surprise birthday party in the August 21st, 1990 episode, Courtney expresses her envy for Andy and his supportive family, as Courtney’s parents passed away when she and her brother, Sean, were younger. This envy prompts Bianca to tell Courtney, “I think you’re very lucky to have Sean, Courtney. I-I really miss my brother”. Sadly, Courtney’s priority for money overshadows her self-awareness as Courtney tells Bianca, “Well sorry, but, um, you’re lucky. Here, look at this place you live”. After Bianca’s date with Zach in the aforementioned August 31st, 1990 episode, Lucinda confesses she wishes she knew Bianca sooner, as she feels she missed out on watching Bianca grow up and spending time with her. Bianca reassures Lucinda by telling her, “I mean, you know, this time that-that I’ve been here, that I’ve spent with you has been very special to me and I feel as if I’ve lived with you, like, for an eternity”. Lucinda says to Bianca “but I want the heartache to be behind you” and vows to help make Bianca’s dreams come true. Bianca then replies “My-My dreams have already come true”.
It seems like the longer Bianca stayed on As the World Turns, the less involved she became in the show’s stories. The first time Bianca is referenced in the 1991 season is when, in the March 25th, 1991 episode, Lucinda says she’s on her way home to see Bianca. Because the March 25th, 1991 episode is partially archived, it’s unknown what Bianca’s role in the story was. This is also the case for the March 27th, 1991 episode, an episode IMDB claims Karina starred on. This claim is supported by Karina’s name appearing in the episode’s credits. According to the available episodes from this season, Bianca’s first appearance in 1991 was in the April 3rd, 1991 episode, when Bianca shares with Lucinda how she found out Antonio died. During a heart-to-heart conversation, Lucinda and Bianca talk about how Antonio was a complicated man. One moment, he was supporting Montega during their tumultuous years and the next, he was guilty of several crimes. But Bianca and Lucinda can agree on one thing. While consoling her daughter, Lucinda says to Bianca, “Best thing about Tonio, the greatest thing he ever did was to be good to you when you first came to this country.”
During her job at the Yacht Club, Bianca learns from Lily and Holden that three of Lucinda’s employees, Kirk, Evan, and Connor, staged a takeover of Walsh Enterprises, kicking Lucinda out of her own company. Disgusted by these employees’ behavior, especially from Kirk (who helped Bianca get her waitress job), Bianca quits working at the Yacht Club and goes to work at the clothing store, Fashions, instead. After the June 28th, 1991 episode, Bianca and Courtney grow further apart. This is also the last time Bianca is present on the show until November 1991, when she attends Lily and Holden’s wedding as a bridesmaid. But this time, Bianca is portrayed by a different actress named Christine Langer. The events surrounding Holden and Lily’s wedding reveal Bianca became friends with a woman named Tess. Because of the huge gap in time between late June to early November of 1991, it’s unknown how Bianca became friends with Tess or even when Christine made her debut on As the World Turns. With these November episodes being the only available evidence Bianca was re-cast, it is likely Christine’s debut took place sometime during the second half of 1991. It’s also known that Bianca did not appear in 1991’s Christmas episode. Not only was her name not listed in the credits, no explanation was provided for her lack of appearance.
IMDB claims Bianca appeared in four episodes from 1992: on January 21st, February 21st, October 2nd, and December 24th. But based on the available archived episodes from Youtube, Bianca only appears in two of these episodes. It should also be noted that Karina reprised her role as Bianca in the 1992 season. In the February 21st, 1992 episode, Bianca shares with Lucinda an incident that took place at an event the night before, where Andy punched Courtney’s date, Evan, in the face. Later, at Oakdale University, Bianca crosses paths with Courtney. While Courtney and Bianca are still friendly to each other, this scene reveals Bianca is now friends with two women named Simone and Meredith. Another important note is how Bianca is now being acknowledged in As the World Turns’ credits as Bianca Marquez Walsh, when her name was listed as Bianca Marquez until this point.
The October 2nd, 1992 episode is the first and only time Bianca expressed any interest in leaving Oakdale since becoming a member of the Walsh family. During the 1992 season, Bianca became friends with Inez, a pregnant Montegan woman who’d like to have her baby in Montega. Bianca wants to return to Montega to help Inez with the arrival of her child. But this return doesn’t happen due to Lucinda disapproving of the idea. Not only does Lucinda remind Bianca of the upcoming school term, Lucinda tells her daughter “I need you, you got to be my stalwart with Lily when she gets back from Zurich”. Though Lucinda’s reasoning seems selfish, it was actually a blessing in disguise for Bianca. This is because Bob and Dr. Stewart, the doctors who traveled to Montega with Inez, were kidnapped by Antonio, who had been alive until that point. The reason Antonio kidnapped Dr. Stweart and Bob is because he needed appendicitis surgery, which he received. Antonio later tried to kidnap Sabrina, a woman he developed a past romantic relationship with. This plan is thwarted by a resident of Oakdale named Duncan who tripped Antonio, causing him to hit his head. Antonio ended up dying due to his head injury.
1993 was the final year As the World Turns’ head writer, Douglas Marland, wrote for the show. This is due to Douglas passing away earlier that year. At the end of the May 5th, 1993 episode, a commemorative montage highlighted some of the most memorable moments during Douglas’ time writing for As the World Turns. But throughout this montage, Bianca is nowhere to be found. In fact, she only appeared in four episodes in 1993. When it comes to Bianca’s story, the only new development is that she is now a junior at Oakdale University. But for the most part, Bianca is simply responding to other character’s stories. Whether sharing her thoughts on Lucinda and John possibly getting back together (despite John and Lucinda recently getting divorced) or being happy for Lily in her new relationship with a man named Damien, Bianca is not as involved in the show’s stories like toward the beginning of her time on the show. Even when a new character named Royce joins the Walsh family, Bianca still has little to do in Oakdale. Sure, she receives a Christmas ornament from Royce in the 1993 Christmas episode. Bianca also attends a New Year’s party with Lucinda, where she asks Lucinda about Royce’s search for his twin brother. For Karina Arroyave’s last year portraying Bianca, however, this departure was pretty underwhelming.
Though Karina’s last year portraying Bianca was 1993, 1994 was the final year Bianca appeared on As the World Turns. Like in 1991, Bianca was portrayed by Christine Langer. But similar to the 1993 season, Bianca was given little to do within the show’s stories. Once again, the only update about Bianca is how she’s still in school. She does learn from Craig that the phone system in Montega is “temporarily permanently out of order”. However, there is no explanation provided for Bianca leaving Oakdale. As the curtain closed on Bianca Marquez Walsh’s story, this tale ended on a whimper.
When trying to solve the mystery of why Bianca left Oakdale, there are two ways of looking at this mystery: from a story-telling perspective and from a production perspective. Based on the story-telling perspective, Bianca has made her wishes known all along. Before learning of Pedro’s fate at the Earl Mitchell Center, Bianca tells Lucinda and Craig she wants to go back to Montega after the war. She says “Thank you, but I-I want to go back. And I want to be a part of the rebuilding, just like Sierra was”. As I mentioned earlier in this article, Bianca wanted to return to Montega to help her friend, Inez. However, from a production perspective, Bianca Marquez Walsh was too wholesome for As the World Turns. Soap operas are not known for being “family oriented” content. These types of programs are also designed to keep their audience invested in the stories for as long as realistically possible. When there’s a character on the show that doesn’t feed into a story’s intrigue, it is difficult for that character to get or remain involved in any of the featured stories. This not only does a disservice to the character in question, it also does a disservice to the actor or actress portraying that character.
From the archived episodes of As the World Turns, Bianca Marquez Walsh appeared in an estimated total of sixty-eight episodes over the course of five years. Without these episodes, this mystery would not be partially solved. This article would not exist at all. But the more episodes I watched and the more I learned about Bianca, my article took on a different purpose besides solving the mystery of who Bianca Marquez Walsh is. Through this article, a purpose to preserve Bianca’s story and prevent it from becoming lost to time was born. The story of Bianca Marquez Walsh is an important one. A reason is for its recognition of international adoption as well as the adoption of teenagers during a time when those subjects weren’t widely discussed as they are today. Another reason is for the lessons to be learned from Bianca’s story. At the very beginning of Bianca’s journey, she had been through so much in a short amount of time. Once she got to Oakdale, there were people who let her down, such as Antonio Reyes. But the way she responded to all of this was out of peace and hope. Instead of living in fear of Antonio, Bianca chose family, as she stood up for Lucinda when she needed her daughter the most. Instead of remaining sad over what she had lost, Bianca focused on what she had gained, as she grew to become a student at Oakdale University. And instead of being angry at what Montega had gone through, Bianca chose peace, as she desired to make her country a better place than how it was given to her. In the book, Wonder, the protagonist, Auggie, stated “Everyone in the world should get a standing ovation at least once in their life because we all overcometh the world”. From the way I see it, Bianca Marquez Walsh did, indeed, overcometh the world, even as it turned.
Sources:
https://www.soapcentral.com/as-the-world-turns/ftrees/walsh.php
https://cbsastheworldturns.fandom.com/wiki/Lucinda_Walsh
https://en.wikipedia.org/wiki/Karina_Arroyave
https://en.wikipedia.org/wiki/As_the_World_Turns
https://www.imdb.com/name/nm0037410/?ref_=ttfc_fc_cl_t193
Youtube channels archiving As the World Turns episodes:
Oakdalian
AsTheWorldStillTurns
dodger2829
SchfiftyThreeRetroTV 3
Chuck Snitchler
RetroMike VHS
One of the best parts about participating in blogathons is being introduced to movies that may be new to you. This is my experience with the 1989 film, In Country! For Taking Up Room’s Norman Jewison Blogathon, I wanted to choose a movie that was more underrated. While searching through Norman’s IMDB filmography, I came across the aforementioned ‘80s title. The synopsis reminded me of My Girl 2, where Vada is attempting to learn more about her mother. What sets In Country apart from the 1994 sequel is how the 1989 movie explores the aftermath of the Vietnam War by having the protagonist search for answers about her father. In 2024, I have reviewed four other films from the 1980s, so far. Similar to titles like Amadeus and Hallmark Hall of Fame’s Pack of Lies, In Country incorporates historical elements into the story. But will the 1989 movie be a pleasant surprise like Amadeus or a disappointment like Pack of Lies? Keep reading my review to find out!
Things I liked about the film:
The acting: In any story, especially one that features a young protagonist, the main character’s likability can determine if the story is worth investing time in. I can only speak for myself, but I liked Samantha “Sam” Hughes’ personality! Though naïve at times, Sam was like a bright ray of sunshine, caring about the people in her life and trying to make her world a better place. What made Sam a likeable character was how genuine her emotions were. After finding a box of her father’s belongings in her mother’s room, Sam leaves a voice message on the phone explaining to her mother how upset she is by her mother’s silence about her father. When she hangs up the phone, the sad look in her eyes and the slight frown perfectly show how hurt Sam feels about her mother’s choices. This is just one example of Emily Lloyd bringing that genuineness to life, allowing her performance to be memorable!
Prior to watching and reviewing In Country, I had seen some of Bruce Willis’ films. His portrayal of Emmett Smith is different from some of his other roles, as he had to rely on emotion instead of action to carry his character through the story. A thunderstorm is causing chaos outside Emmett’s home one evening. Because of his time serving in the Vietnam War, he flinches whenever thunder strikes due to the flashbacks he is experiencing. At the same time, Emmett carries irritation in his voice because he wants the storm to stop and he wants to avoid Sam’s questions. Similar to what I said about Emily Lloyd’s performance, Bruce’s performance felt genuine. Beneath the tough exterior Emmett consistently displayed, he was a man who was trying to live a civilian life as best as he knew how.
Honesty about war and its impact on veterans: Like I just mentioned in this review, Emmett experiences flashbacks one stormy evening due to his time serving in the Vietnam War. These flashbacks not only cause Emmett to flinch every time thunder strikes, they also cause him to go outside, climb up a tree, and yell for someone to show their face. Throughout this scene, Sam asks Emmett questions about what is happening. Unfortunately for Sam, these questions are left unanswered. When Emmett goes outside, Sam calls for Emmett to come back in the house. As Emmett’s mind and heart are beyond the borders of his Kentucky home, Sam feels powerless, unsure of how to help Emmett. The scene I just wrote about is one example of the film’s honesty when discussing war and its impact on veterans. The candid way these subjects were talked about in the movie shows how the movie’s creative team understood the subjects’ significance.
The mise-en-scène: I’ve explained before that mise-en-scène is how a scene is presented in a movie. Mise-en-scène was utilized in several scenes’ favor in In Country. Toward the beginning of the film, a group of U.S. soldiers are wading through the swamps of Vietnam. This moment is presented as a long shot with the view appearing as if the camera is hiding behind the swamp’s foliage. How this scene is showcased to the audience emphasizes the soldiers’ need to stay unseen. Sam, Emmett, and Mamaw travel to Washington D.C. to visit the Vietnam Veterans Memorial. While walking past the monument, a close-up shot captured Mamaw as the names on the monument were gliding past her face. The visuals symbolized how the Vietnam veterans have touched the lives of not just their loved ones, but those in their communities as well.
What I didn’t like about the film:
Sam’s attraction for Tom: While trying to learn more about her father, Sam turns to a veteran named Tom. At the Vietnam veterans’ dance, Sam invites Tom to share a slow-dance with her, where they get a little too close for comfort. After the dance, Sam spends the night at Tom’s house and has sex with him. Up until the slow-dance at the veterans’ dance, Sam never expressed any romantic interest in Tom. Plus, she just graduated from high school and Tom appears old enough to be her father. Not only was this part of the story random, its inclusion in the film was unnecessary, especially since it has no impact on the plot.
The “slice of life” parts of the story: As I’ve been saying in this review, Sam wants to learn more about her father who served and died in the Vietnam War. This part of the story, as well as the parts exploring the veterans’ perspective, was interesting. But those parts made up half the movie. The other half revolved around subplots that were more “slice of life”. When the story turned to the “slice of life” events, I found myself wishing the movie would go back to Sam learning more about her father or Emmett interacting with the other veterans. In fact, I think the movie should have primarily focused on those aforementioned parts of the story.
On-the-nose songs: The inclusion of songs in a movie can make or break a given scene. Sometimes, a song can be so on-the-nose, it doesn’t leave the intended emotional impact. This happened on more than one occasion in In Country. The opening lines of the Bruce Springsteen song, “I’m On Fire” are “Hey, little girl, is your daddy home? Did he go away and leave you all alone?”. This song can be heard on two occasions after Sam decides to learn more about her father, pointing out what the audience already knows. Earlier in this review, I brought up how Sam invites Tom to share a slow-dance with her, where they get a little too close for comfort. The song they dance to is Hank Williams Jr.’s “Ain’t Misbehavin’”, which narrates what’s happening on screen and foreshadows what’s about to come. That song paired with the events that unfold created a scene that left me uncomfortable.
My overall impression:
When I watch a movie, I sometimes imagine how the story would turn out if it was presented in a different way. One recent example is how Hallmark Hall of Fame’s Brush with Fate would have, in my opinion, benefitted by being presented as a multi-part mini-series. I feel similarly about 1989’s In Country. For the most part, the creative team behind the movie appeared to have their hearts in the right place. The honesty about war and its impact on veterans was included in the story in such a candid way, it showed the movie’s creative team understanding the significance of the subjects woven into the script. But this aforementioned honesty, as well as Sam’s search for answers about her father, should have been the film’s primary focus. Therefore, I wish this story had been a road-trip movie, where Sam, Emmett, and Mamaw go to visit the Vietnam Veterans Memorial in Washington D.C., with Sam learning about her father and important life lessons along the way.
Overall score: 6.1 out of 10
Have you seen 1989’s In Country? What’s your favorite film from 1989? Tell me in the comment section!
Have fun at the movies!
Sally Silverscreen
Have you signed up for my Murder, She Wrote themed blogathon, Cabot Cove-thon? If not, there’s still time to join the event! There’s also plenty of topics left to write about! Click on the link below if you want to learn more about Cabot Cove-thon.
Celebrating 40 Years of ‘Murder, She Wrote’ with the Blogathon; Cabot Cove-thon!
For last year’s Broadway Bound Blogathon, I reviewed the
Hallmark Hall of Fame presentation, A Tale of Two Cities. This is an adaptation
from 1980 I liked so much, it was one of the best movies I saw in 2023! While
reflecting on that film, I realized it’s been a whole year since I reviewed a
Hallmark Hall of Fame production. To make up for lost time, I chose to write
about the 1987 Hallmark Hall of Fame film, Pack of Lies! Two years
before this movie aired on television, Pack of Lies premiered on
Broadway, making the Hallmark Hall of Fame movie a good choice for the
blogathon. Pack of Lies is also a Hallmark Hall of Fame film from the ‘80s
I haven’t seen before. One of my aspirations is to see as many Hallmark Hall of
Fame movies as realistically possible. Out of the titles I have seen, I’ve
noticed the mystery genre is rarely represented throughout the Hallmark Hall of
Fame collection. That fact is another reason why I chose to review Pack of
Lies!
Things I liked about the film:
The acting: Ellen Burstyn and Teri Garr portray Barbara
Jackson and Helen Schaefer in Pack of Lies. The friendship of these two
characters highlights how different they are from one another. Helen has a very
outgoing and bubbly personality, a talkative woman who’s willing to solve
problems. Meanwhile, Barbara is more reserved, dressing more modestly and
avoiding conflict whenever possible. Part of why the differences between these
characters were achieved was through the acting abilities of both Ellen and
Teri! They presented the uniqueness of their characters through various emotions
and expressions. When creating a movie where actors portray friends, the believability
of their performances can make or break that illusion. The aforementioned illusion
was certainly created and maintained throughout Pack of Lies!
In stories where a character has some degree of authority,
their personality is usually serious. This can be a challenge for an actor or
actress, as there are few opportunities to utilize a variety of expressions and
emotions. That didn’t stop Alan Bates from portraying Stewart and making that
performance memorable! When Mr. and Mrs. Jackson first meet Stewart, he leaves
a trusting first impression. During this meeting, Alan incorporates eye movements,
vocal inflections, and variations of mouth movements to create an interaction
that appeared realistic. Because of the realistic nature of Stewart’s meeting,
the scene itself contains a sense of realism. This realism is consistently
carried in the movie through the acting performances!
A mystery within a mystery: The meeting between Stewart and
the Jacksons I previously referenced in this review is about how Stewart is
looking for a man named Laurence. The main mystery in Pack of Lies is
discovering who Laurence is and why Stewart is interested in finding him. At
the same time, the legitimacy of Stewart and his mission serve as a second
mystery. Because of the vagueness Stewart provides to the Jackson family, it
leaves both the Jackson family and the audience wondering who Stweart really is
and why he wants to confront Laurence so much. This second mystery provides an
added layer of intrigue to the overall story!
Providing books as gifts: While visiting their friends, Helen
and Peter Schaefer, Barbara and Bob Jackson receive books as gifts from Peter.
Barbara loves art so much, she and Helen take art classes regularly. Meanwhile,
Bob is an employee in the aircraft industry. In the meeting between the Jackson
family and Stewart, Stewart points out a model plane Bob built. From Peter, Barbara
receives a book of drawings from the Clark Institute in Massachusetts. Peter gives
Bob a book about the first flights across the Atlantic. These books were
thoughtful presents Peter took the time and effort to find. Looking back on the
Hallmark films I’ve seen, including those from Hallmark Hall of Fame,
characters receiving books as gifts are rarely shown. Therefore, I appreciate
this creative choice from Pack of Lies’s creative team to fill a
creative void that is, more often than not, overlooked.
What I didn’t like about the film:
Telling instead of showing: In an ideal movie, it’s
important to show and tell what’s happening on screen. But because film is a
visual medium, showing should be emphasized. Unfortunately, in Pack of Lies,
telling was preferred over showing. Throughout the movie, Stewart tells Mr. and
Mrs. Jackson that a man named Laurence Powell is a man of interest. The reason for
this interest is his possible connections to Russian communists. Dialogue is
the only way the truth about Laurence and Stewart’s reason for recruiting the
Jackson family is revealed. The subject of espionage in entertainment media isn’t
always action-packed and adrenaline-fueled. If a creative team knows their
story will have low energy, they should maintain a sense of suspense and
intrigue by showing what’s going on.
Little lapse in time: At the beginning of the movie, Stewart
assures the Jackson family he’ll only observe Laurence for a day or two. As the
story progresses, Stewart’s mission ends up lasting longer than the proposed
one to two days. Like I just said in this review, Pack of Lies
emphasized telling instead of showing. The little lapse in time throughout the
movie is another example of this flaw. Christmas decorations in the Jackson
house are the only indication a significant period of time took place. Prior to
that part of the story, the film looks like events happened within a week.
Things that don’t make sense: As I’ve been saying in this
review, Stewart’s mission is to observe Laurence over a period of time. The more
information revealed by Stewart, the more the Jacksons and the audience learn
Stewart knew more about Laurence than he originally let on. I know the subject
of espionage can be varied and complicated when included in entertainment
media. However, with everything I just said, why didn’t Stewart just arrest
Laurence instead of observing him over multiple days? Why did Stewart need to
get the Jackson family involved in the first place? This is one example where Pack
of Lies doesn’t make sense.
My overall impression:
Hallmark Hall of Fame movies, like any creative endeavor, are
not created equally. As I shared in this review’s introduction, I liked A
Tale of Two Cities so much, it was one of the best movies I saw last year.
Sadly, I can’t say the same about Pack of Lies. The 1987 presentation
was a two hour slow and tedious build-up to a resolution that was underwhelming
and anticlimactic. The cause of these flaws was the emphasis on telling instead
of showing. This is not the first time a Hallmark Hall of Fame movie from the ‘80s
let me down, as I also found 1985’s The Corsican Brothers disappointing.
After watching Pack of Lies, I learned the movie was based on a true
story. Now knowing this, I think the story would have benefitted more had it
become a documentary instead. As I wrap up my review of Pack of Lies, I
reflect on a Hallmark commercial I have seen. In this commercial, a man, whose
first language is not English, is looking for the perfect card for his wife,
who will soon arrive in the United States. When he goes to a Hallmark store,
the man is assisted by an employee named Rose, who helps him find exactly what
he is looking for. Another man who occasionally appears throughout the
commercial reveals the events in the commercial are based on a true story.
Honestly, the story behind that Hallmark commercial is a more fascinating movie
idea than what was presented in this Hallmark Hall of Fame film.
Overall score: 5 out of 10
Have you seen Pack of Lies? Which Broadway show do
you wish received a Hallmark Hall of Fame movie? Tell me in the comment
section!
Have fun on Broadway!
Sally SilverscreenYou probably saw the title of this review, read the film’s synopsis on IMDB, and wonder, “What does this made-for-TV movie from the ‘80s have to do with the subject of neighbors”? What if I asked you to think about the subject of neighbors from Mr. Rogers’ perspective? On the television show, Mister Rogers’ Neighborhood, the opening theme song was “Won’t You Be My Neighbor?” The show’s overarching theme of neighbors is more about community and a sense of belonging to it. With this perspective in mind, the 1988 made-for-TV production, Dance ‘Til Dawn, fits this definition of neighbors. The story revolves around students and their families belonging to the community of Hoover High School. Most of the movie focuses on Hoover High School’s Senior Prom, showing different points of view throughout the event. Whenever I participate in a blogathon, I try to approach a given topic from a more unique perspective. With Dance ‘Til Dawn reviewed for The Neighbors Blogathon, hosted by Rebecca from Taking Up Room and Quiggy from The Midnite Drive-In, my entry will definitely show a different side to the subject of neighbors!
Things I liked about the film:
The cast’s adaptability: One of the selling points of Dance ‘Til Dawn is the gathering of actors and actresses from television shows that were popular around the movie’s premiere. While television stars are used to working alongside a large group of talent, they grow accustomed to working with their cast from their respective show. They even become familiar with the character they portray, especially if a television show develops a long lifespan. In Dance ‘Til Dawn, the cast was not only given new material to work with, they also had to portray characters that were different from those they were used to. Alan Thicke and Tracey Gold represent everything I’ve been saying. Both actors starred as father and daughter on the sitcom, Growing Pains. Alan Thicke graced television screens as a kind yet fair soul who tried to set a good example for his children. Meanwhile, Tracey’s character, Carol, had a friendly personality (from what I remember), a good candidate for her high school’s welcoming committee. Though Tracey and Alan starred in the same film, they shared very few scenes together. Alan portrayed Dan’s father, Jack, an extroverted, over-confident man who wants his son to be just like him. Tracey portrayed Angela, a young lady who was more introverted and had little confidence to stand up for her dreams. Through Alan’s and Tracey’s performance, as well as the performances from the rest of the cast, every actor and actress sold the illusion of how this talent was always meant to work together. They also sold the idea these characters were always meant to co-exist.
The costume design: A school’s prom provides an excuse for students to dress up in fancy attire and partake in glamour. This is no different for the characters in Dance ‘Til Dawn. The film’s costume designer was Taryn De Chellis and Gingiss FormalWear provided the movie’s prom attire. In collaboration with Patricia Wolfe (the movie’s costume supervisor) and Steve Hicke (the movie’s costumer), the Hoover High School prom attendants looked photogenic in their formal outfits. This was achieved by providing the cast with formalwear that complimented their natural features. Out of the actors portraying high school students, Christina Applegate was the only blonde actress. Wearing an off-the-shoulder gown in a shade that appears to be metallic cherry red, Christina’s blonde hair presents a nice contrast with the bold hue of her character’s prom dress. Though Tracey Gold and Alyssa Milano are brunettes, Tracey’s hair looks a shade lighter than Alyssa’s hair. Similar to Christina receiving a dress in a darker shade, Tracey wore a stunning black, sparkly, sleeveless gown. Meanwhile, Alyssa was given a strapless white dress, paired with white satin pump heels and a pink hair bow.
Different ways of celebrating Prom: In films about Prom, so much focus is given to the party itself that one of two things happen; either prom alternatives are not presented or prom alternatives are frowned upon. But that was not the case in Dance ‘Til Dawn. While Hoover High School’s Prom party was highlighted throughout the story, not every student chooses to celebrate Prom this way. Angela’s original plan was to host a sleepover with her friend, Margaret, spending all night watching movies. No one criticizes or questions Margaret and Angela for wanting to commemorate Prom in this fashion. In fact, the film’s script celebrates the uniqueness of prom festivities. The idea of Prom being what you make it is rarely found in stories about this event, so I appreciate Dance ‘Til Dawn’s creative team making this one of the movie’s themes!
What I didn’t like about the film:
Some cliched stories: Throughout Dance ‘Til Dawn, creative ideas were expressed, from the aforementioned uniqueness of prom festivities to several pieces of dialogue. However, there were some stories within the movie that were cliched. One example is Angela and Kevin’s story. Angela is asked to Prom by Kevin, who wants to date her for the wrong reasons. Before arriving at the prom party, Angela transforms from an introverted “geek” to a beautiful young lady worthy of being prom royalty. Attending an event under false pretenses, as well as a My Fair Lady-esque makeover, have become so common in stories about teenagers, they are cliches at this point. Personally, I wish Angela and/or Kevin’s story had taken a different route. A more unique story option would be having Angela asking an Italian exchange student to Prom, developing a friendship and a shared interest in Italian art.
The underutilization of Tempestt Bledsoe: As I mentioned earlier in this review, Angela originally plans to host a sleepover with her friend, Margaret. Portrayed by Tempestt Bledsoe, Margaret was a character with her own style and not afraid to speak her mind. But compared to the other characters, Margaret appeared in only a handful of scenes. In fact, Margaret wasn’t given much to do in this story. Not only was Margaret an underutilized character, Tempestt’s acting talents were underutilized as well. Like I said about Angela and Kevin’s story, I wish Margaret’s story had been a bit more creative. An example would be Angela daring Margaret to go to Prom, with Margaret having a better time than she expected.
Some things that don’t make sense: There were a few times in Dance ‘Til Dawn where things don’t make sense. A good example takes place in Shelley and Dan’s story. Because Shelley lacks a date for Prom, she spends most of the evening trying to avoid people from Hoover High School to prevent embarrassment. While in the drive-thru of a fast-food restaurant, Shelley recognizes the voice on the other end of the drive-thru menu; a student whose locker is next to Shelley’s. What didn’t make sense to me was how Shelley and Dan did not realize how close they were to the menu’s microphone, meaning the student on the other end would recognize Shelley’s voice. Maybe the screenwriters forgot how drive-thru menus worked?
My overall impression:
Throughout this review, I’ve been using Dance ‘Til Dawn to elaborate on Mister Rogers’ perspective on neighbors. Learning more about the production after watching the movie, I realized some of the cast members would be considered neighbors, as their shows aired on the same network. With stars from other networks joining the aforementioned cast members, the group as a whole provides a blend of talents, personalities, and perspectives. The film’s behind-the-camera team also adds to this blend of people. When they came together, they created a made-for-TV film that, in my opinion, was just ok. The movie didn’t go above and beyond enough to be considered good or great. But at the same time, it wasn’t offensive enough to be bad or even disappointing. The on-camera talent worked together to sell the illusion that they were always meant to act together and their characters were always meant to co-exist. The behind-the-camera team, such as the costume department, collaborated to make the movie look photogenic and feel cohesive. Looking back on Dance ‘Til Dawn, I wonder why there was never a film about the Disneyland attraction, Videopolis. In fact, the prom party in the 1988 film made me think about that place in Disneyland. Now that I completed this review, I guess I have a new mystery to solve!
Overall score: 6 out of 10
Have you seen Dance ‘Til Dawn? Are there any stars you wish had appeared in the movie? Please let me know in the comment section!
Have fun at the movies!
Sally Silverscreen
This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.
Introducing my new series, Comparing with the Critics!
I was intrigued to review Amadeus for a number of reasons. One of those reasons was the song, “Rock Me Amadeus” by Falco. For years, I thought the song was created to promote the movie, given the coincidence of two pieces of Amadeus related media debuting in the ‘80s. With the song released in 1985, a month before Amadeus won Best Picture at the 57th Academy Awards, I’d like to believe I was kind of right. In At The Movies’ ‘Best of 1984’ episode, both Gene Siskel and Roger Ebert liked the glamourous, musical biopic. Roger made the film his “personal choice for the best film of 1984”. Like Network and Harry & Son, I had never seen Amadeus, so I approached the movie with little to no expectations. Though I heard good things about the picture since its premiere in 1984. As I write this review after watching the movie, I can definitely see why Amadeus was, at least, nominated for an Oscar.
When I reviewed RKO 281 last July, I complimented Liev Schreiber’s portrayal of Orson Welles. In that review, I said Liev brought humanity back to Orson’s name, finding the heart of the “genius” and putting some genuine emotion behind it. This is the same way I felt while witnessing Tom Hulce’s portrayal of the titular man. Reading about an iconic figure like Amadeus can make one wonder what his personality was like. Similar to Orson Welles, Amadeus can be thought of as more than just a man with a gift. Through good times and bad times, Tom shows the film’s audience how Amadeus was, simply, human. As his father comes to visit him in Vienna, Amadeus expresses pure joy when he sees his father at the top of the stairs. Amadeus’ smile alone showcases the happiness within his heart. One evening, when Amadeus is composing an opera, he slowly slips into exhaustion. His eyelids rise and fall, he sways out of rhythm, and his face looks as white as the lace on his shirt. Roger claimed Tom’s portrayal of Amadeus was “one of the year’s most engaging performances”. Tom’s performance serves as an example where Roger, the Academy, and I were on the same page.
F. Murray Abraham’s portrayal of Antonio Salieri reminded me of Gloria Swanson’s portrayal of Norma Desmond in Sunset Boulevard. What I mean by this is the character in question’s search for fame is so strong, it forces the character to become increasingly obsessive, even making questionable choices. Throughout Amadeus, Antonio reflects on his life and how it was impacted by the success of Amadeus. At the beginning of his story, wistfulness can sometimes be heard in Antonio’s voice as he shares his dream of making music for God. As his reflected encounters with Amadeus continue, the tone in Antonio’s voice evolves into bitterness, hinting at the frustration he bottled up over the years. This frustration can also be seen if one looks closely at Antonio’s facial expressions. Before a scene from the movie was shared in the ‘Best of 1984’ episode, Roger called F. Murray’s portrayal “a brilliant performance”. The Academy certainly agreed with Roger, as F. Murray won the Best Actor Oscar instead of Tom at 1985’s Academy Awards. Personally, I liked both F. Murray’s and Tom’s performance for various reasons. Through their portrayals, Tom and F. Murray displayed how fame can negatively impact the human soul.
As I mentioned in this review’s introduction, Roger chose Amadeus as his “personal choice for the best film of 1984”. One reason why is how “this movie doesn’t contain one bit of the pretentious, solemnity that we usually associate with movie biographies of classical musicians”. To add to Roger’s comment, I’d like to point out how the film serves as an immersive, detail-oriented character study of how the music industry can be both rewarding and cruel. When Antonio shares his life story with a visiting priest, he emphasizes how he was the only member of his family who was interested in music. This organic talent and rise to prominence provide an opposite view of how Amadeus claimed his fame. Scenes and dialogue illustrate how Amadeus was raised to be a star, with his father providing both the music education and connections for a comfortable future. While discussing a new opera with the Emperor, Amadeus successfully argues why his opera should be performed. He states how he worked many hours on the project and how the opera’s lack of politics will prevent the audience from being alienated. The examples I provided in this paragraph show how, sometimes, talent isn’t enough when it comes to the music industry. It also highlights the effort that goes into making music, let alone one song.
While sharing his thoughts on Amadeus, Roger stated how the film was “a cheerful, rambunctious, irreverent film”. I disagree with his statement to an extent. There are cheerful moments within the movie. However, I wouldn’t claim the movie itself is “cheerful”. The overall story contains darker, sadder moments as well, especially toward the end of Amadeus’ life. One part of the story revolves around someone masquerading as a deceased loved one Amadeus knows. Due to his grief and unresolved issues, Amadeus truly believes the masquerading imposter is the loved one brought back from the dead. This imposter is so cruel to use Amadeus’ pain for their own personal gain. Another statement of Roger’s I disagree with is about how the movie views Amadeus himself. Roger claims how the film “doesn’t so much concern with the actual details of Mozart’s life as with its own feelings about his genius, his personality”. The movie allows the characters, including Amadeus, to be flawed. But there were a few instances where the story seemed one sided. After a successful opera performance, Antonio’s student is upset because she learned Amadeus was engaged to a woman named Constanze. This leads Antonio to believe Amadeus and the student had a relationship. However, the story never clarifies if Antonio’s belief was true. In fact, Antonio stated he didn’t know how his student and Amadeus met or how long they knew each other. To me, this goes against what a cinematic biography should do; introducing an audience to a historical figure through an unopinionated lens.
Before moving on to the next featured film in At The Movies’ ‘Best of 1984’ episode, Once Upon A Time in America, Gene tells Roger “what I love about the film is that it celebrates creativity and that is a subject that most Hollywood movies are simply not concerned with”. As I was about to disagree with Gene by bringing up RKO 281, I remembered that a) RKO 281 was an HBO made-for-TV movie and b) RKO 281 was released in 1999, a decade after Amadeus. But this review is not debating how much creativity is incorporated into Hollywood’s films, especially during the mid-80s. This article is simply an exploration of whether I agree or disagree with Roger and Gene’s thoughts on Amadeus. Earlier in this review, I mentioned how the film was an immersive, detail-oriented character study of how the music industry can be both rewarding and cruel. The movie’s immersion and focus on detail can be seen in the production’s costume and set design. These elements make the entire picture look and feel historically accurate. While Amadeus is a beautiful looking film, it also contains substance. The script provides thought-provoking material, exploring themes like how success can affect someone both positively and negatively. The glamourous and not-so-glamourous sides of the music industry are shown through the stories of both Amadeus and Antonio. Like I previously brought up in this review, Amadeus successfully argued why his opera should be performed. With everything I said, it makes me wonder how much Falco argued in favor of his song, “Rock Me Amadeus”?
This review was brought to you by
Sally Silverscreen
This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.
Introducing my new series, Comparing with the Critics!
Toward the end of At The Movies’ ‘Stinkers of 1984’ episode, Gene Siskel and Roger Ebert share a collection of films they felt were some of the worst movies of 1984. One of the films Roger brought up was Harry & Son. In a brief segment about the movie, Roger refers to the picture as a “sincere, but misguided dream”. Roger also calls Harry & Son “a painfully contrived tear-jerker”. Gene responds before the segment ends that “he and Burt Reynolds are two of the worst in ‘84”, likely referring to Paul Newman. I honestly hadn’t heard of this film until I watched this episode of At The Movies. Therefore, I approached the title with little to no expectations. But now that I have seen Harry & Son, I think calling the picture one of the worst of 1984 is, actually, a bit harsh.
While briefly talking about Harry & Son, Roger brings up Robby Benson. But instead of simply referring to Robby by his name, Roger says “Robby “gee Dad, want a diet pop” Benson”, even saying it in a mocking tone. By addressing Robby’s name in this way, Roger gives the impression Robby’s character, Howard “Howie” Keach, is just a stereotypical surfer jock. As I got to know this character while watching Harry & Son, I discovered this assumption was far from the truth. Throughout the story, Howie always has his heart in the right place. More often than not, he brings a burst of positivity, choosing to look at the glass half full. In a scene where Howie and his father, Harry, are on their porch, Harry orders his son to find a job, a bitter tone in his voice due to his frustrations over his declining health. In a positive, yet matter-of-fact way, Howie informs his dad how he already has a job washing cars. Another scene shows Howie coming home, excited to see his dad arrive so early from work. A big smile is spread across his face and his eyes shine bright with joy. But as he learns his dad has just lost his job, Howie’s face changes to display confusion and fear. This change in persona is seamless, never missing an emotional beat. Moments like this one were made possible by Robby’s acting abilities, showcasing a wide range of emotions and expressions. In my opinion, I think Robby should have, at least, been nominated for his performance in Harry & Son.
As I just mentioned in the previous paragraph, Harry is frustrated over his declining health. After an incident at a construction site, Harry is forced to be honest about his poor eyesight. One scene has Harry talking with one of his co-workers about his health issues, raising concerns over how these issues will affect his employment. In the 21st century, specifically the 2020s, there has been a risen awareness for men to address their medical issues. So, for Harry to talk to a peer about his health in a movie from the ‘80s is kind of ahead of its time. Later in the story, Howie learns his friend doesn’t have health insurance. When he takes his friend to the hospital, Howie is frustrated by the rejection his friend faces due to the hospital’s policies. The importance of health insurance is another medical topic that has gained attention in the 21st century, including the 2020s. Similar to what I said about Harry’s honesty about his health, I appreciate these brief, yet necessary moments to bring up these serious health subjects, especially in a time when they weren’t found in common societal conversations yet.
In the introduction of my review, I quoted Roger Ebert’s statements about Harry & Son, with Roger saying the film was a “sincere, but misguided dream” and “a painfully contrived tear-jerker”. I will agree with Roger about the movie being sincere. There were some sweet moments that were written, acted, and directed with a strong amount of sincerity. One example is when Howie goes to a high-end clothing store to purchase a suit jacket. When I first saw that scene, I honestly thought Howie had bought the jacket for himself, showing his dad how he can afford nicer attire. So, imagine my shock when Howie gave the jacket to his dad as a birthday present.
Where Roger and I disagree is how the movie is a “misguided dream” and a “painfully contrived tear-jerker”. I will admit Harry & Son has its flaws, such as scenes ending too quickly and emphasizing showing without telling. But I wouldn’t go so far as to say the movie is “misguided” or “painfully contrived”. With scenes ending too quickly, it felt like the characters were expected to say more. When Nina (Harry’s daughter and Howie’s sister) is talking with a client at a hair salon, I thought Nina was going to respond to the client’s story about their estranged father. But the moment is quickly forgotten as the story moves on. As Howie is reconnecting with Katie, an ex-girlfriend, their conversation is one of the most cryptic pieces of dialogue I’ve ever heard in a movie. While I could see these characters still cared for one another, by observing their expressions and displayed emotions, it took me a few minutes to figure out what Katie and Howie were saying to each other. This is just one example of showing without telling.
Gene added his thought on Harry & Son, stating “he and Burt Reynolds are two of the worst in ‘84”, as he possibly referred to Paul Newman. Since I haven’t seen many of Paul’s or Burt’s films, I can’t agree or disagree with Gene’s statement. But what I can do is share my overall thoughts on Harry & Son. This is an ok, slice of life story, which, in my opinion, would have worked better as a stage play. My reason is how the cast is smaller and the story seems more condensed. While I liked the acting performances in this film, Robby Benson ended up being the star of the show. If anyone has an interest in watching Harry & Son, I’d recommend the film for Robby’s performance alone. With the flaws I already mentioned, I also felt like there was too much happening in a short amount of time. However, the story itself was easier to understand. Harry & Son will not become one of the best movies I’ve seen this year, so far. But compared to some of the films I’ve, so far, seen, there are far worse titles than Harry & Son.
This review was brought to you by
Sally Silverscreen
In the history books of cinema, 1984 is considered one of
the strongest years at the theater. This statement is based on the belief that an
abundance of quality films were released in 1984, with some of these titles
even earning the distinction of being a “classic”. A few of these movies
include, but are not limited to The Karate Kid, Indiana Jones and the
Temple of Doom, and the highest grossing film of the year, Ghostbusters.
Though 1984 may have been a strong year in cinema, it definitely was not a
perfect year. In December of 1984, movie audiences were introduced to the
infamous “so bad it’s good” picture, Breakin’ 2: Electric Boogaloo. Sylvester
Stallone and Dolly Parton’s feature film, Rhinestone, failed to sparkle.
The movie was so bad, Sylvester earned a Golden Raspberry Award for Worst
Actor. For this edition of Comparing with the Critics, my choice for Best and
Worst of 1984 share one thing in common: each film features a name in the
title. The similarity between these movies is not a coincidence, as I’m
reviewing them for the upcoming event, It’s In The Name of The Title blogathon.
In this event, I’ve selected Harry & Son as the Worst of 1984 and
the Oscar winning movie, Amadeus, as the Best of 1984.
When I signed up for the It’s In The Name of The Title Blogathon, one of the movies I chose to review was Harry & Son starring Robby Benson. When I think of Robby, I think of how he voiced Beast in the 1991 animated film, Beauty and the Beast. Remembering how Angela Lansbury also starred in that film, I always thought it was a missed opportunity for Murder, She Wrote to not promote the 1991 movie, especially since the show was still a popular program at the time. This led me to realize Angela and Robby have another thing in common; they both starred in a project released in 1984. In Angela’s case, that program was Murder, She Wrote! In honor of the show’s 40th anniversary, I’m hosting Cabot Cove-thon! Because Murder, She Wrote is a multifaceted program, there are many ideas for blogathon participants to choose from. Here is a list of possible subjects:
If you’re interested in joining Cabot Cove-thon and found an idea you’re interested in writing about, please read the official rules before signing up for the event.
— Sally from 18 Cinema Lane — Editorial about Why Universal Orlando Resort Should Host Murder, She Wrote Weekend, Review of Murder, She Wrote: Dying to Retire by Jessica Fletcher and Donald Bain
— Kristen from Hoofers and Honeys — Review of The Harvey Girls (1946)
— Rebecca from Taking Up Room — Review of Death on the Nile (1978)
18 Cinema Lane 