Hi, I'm Sally Silverscreen!
As long as I can remember, I have loved movies and the movie-going experience. Talking about movies, something dear to my heart, brings me so much joy. I am a fan of Hallmark and do enjoy watching their movies from time to time. When Calls the Heart is one of my favorite television shows and I am proud to call myself a Heartie! I look forward to sharing my thoughts about movies, When Calls the Heart, and Chesapeake Shores with you. To everyone who visits this blog, I hope you have a great experience when you come to 18 Cinema Lane!
-- Sally Silverscreen
Profile picture created by K from K at the Movies
When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shoreswas renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.
Tone down the relationship drama
As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shorescontained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.
2. A wedding for Jess and David
Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.
3. Get rid of the love triangle
It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.
4. A subplot for Carrie and Caitlyn
Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.
5. More episodes
Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.
6. The fruition of Trace’s recording studio
Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.
7. For Bree and Simon’s paths to cross again
When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.
8. More appearances for Nell
Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue together in the O’Brien family together. Without her, things just wouldn’t be the same.
9. A Chesapeake Shores Movie
I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.
10. Megan becoming a successful businesswoman
You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.
Last week, I made an announcement about the upcoming updates on 18 Cinema Lane. In that post, I said I’d be creating three social media accounts for the blog. Well, I’m ready to introduce the first of these three! 18 Cinema Lane now has an official Pinterest account! There, you can find boards that represent several major categories from this site. Also, I’ve added a board for movie recommendations. If you request a film to me, I’ll try to add it to that board. You can visit this Pinterest account when you click on the ‘P’ icon in the “Follow Me At” section on the right-hand side of the blog.
I will admit that before I signed up for the Suave Swordsman: Basil Rathbone Blogathon, I wasn’t familiar with Basil as an actor. However, I didn’t let this stop me from participating! While looking through his filmography, I discovered Basil had a role in the 1986 film, The Great Mouse Detective. Because I hadn’t seen this movie before and because I knew I’d likely be one of the few people to discuss an animated film, I selected The Great Mouse Detective as my submission! If you’ve visited my blog before, you’d see that mysteries have a consistent presence on the site. I have set aside time to talk about the films from Hallmark Movies & Mysteries. Some episodes of Murder, She Wrote has been reviewed. I even participated in the Murder, She Wrote Cookalong! Despite the abundance of mystery related content on 18 Cinema Lane, The Great Mouse Detective is only the second animated mystery movie to be featured on my blog. However, at least this review will bring something new to the table!
Things I liked about the film:
The animation: Animated films from Disney’s library usually contain quality visuals and art styles. The Great Mouse Detectivecontinues this pattern of animation excellence! Throughout the film, the backgrounds were presented in softer frames with lighter colors, while close-up images were given sharper lines and brighter colors. One example is when Basil, Olivia, and Dr. David are exploring a toy store. The contrasts within the animation made it easier to focus on the characters and their involvement in the story. This art design reminded me of films such as The Aristocats, 101 Dalmatians, and Lady and the Tramp. Similar to what I said in my From Up on Poppy Hill review, all of the characters were expressive! Their facial expressions and body language were fluid when reacting to different scenarios. A perfect example is when Olivia and Dr. David meet Basil. The Great Mouse Detective’s claim to fame is how it was the first project from Disney to feature computer-generated animation. This creative choice is seen in the climax, when Basil and Ratigan fight in the Big Ben Tower. While it might not seem like a big deal now, this scene was ahead of its time in the mid to late ‘80s. The scene itself has aged well, while also containing gravitas and depth. It reminded me of the bells from The Hunchback of Notre Dame.
The use of shadows: The Great Mouse Detective has a primarily darker tone. To emphasize this aspect of the story, shadows were used in various scenes. Toward the beginning of the film, Hiram Flaversham, Olivia’s father, and Fidget, Ratigan’s henchman, are fighting at Hiram’s toy store. In this scene, shadows of the fight are projected over Olivia’s hiding place. Because Hiram and Fidget are not shown on screen, their shadows helped bring an element of suspense and mystery. The shadows also left me wondering what would happen next.
The humor: Despite the film’s darker tone, there were some light-hearted moments that prevented the movie from being too dark. Some of these moments even contained humor. One scene involved Basil ruining a group of pillows in an attempt to solve a mystery. What made this scene funny was the reaction of Basil’s maid over the mess. Another funny moment was when Ratigan called his cat “honey bunny”. What I like about these hilarious scenes is how well written they were. It also helps that there weren’t too many of them, as it would have made the overall picture seem too silly.
What I didn’t like about the film:
The musical numbers: A large number of Disney’s animated films are musicals, with their musical numbers feeling like they belong in that production. Because musicals have become a staple in Disney’s animated filmography, it allows their audience to know what to expect. But The Great Mouse Detective was not a musical movie, especially compared to pictures like Oliver & Company or any of the Disney Renaissance films. The Great Mouse Detective also had a primarily darker tone, with some light-hearted moments. These aspects made the musical numbers seem out of place. The two most notable musical scenes were “Let Me Be Good to You” and “The World’s Greatest Criminal Mind”, which had entertainment value. While “Let Me Be Good to You” had some reason for its existence, “The World’s Greatest Criminal Mind” was randomly placed in the film. It was a light-hearted and upbeat song that came right after a darker scene, featuring Basil explaining the wrong-doings of Professor Ratigan. “The World’s Greatest Criminal Mind” was a combination of “Gaston” from Beauty and the Beast and “Mine, Mine, Mine” from Pocahontas. However, what makes “Gaston” and “Mine, Mine, Mine” work is how they fit within their respective productions.
The oversharing of the mystery: When I talked about The Mystery Cruise in my list of the Top 10 Worst Hallmark Movies of All Time, I shared how I didn’t like the film’s mystery being revealed after the mystery was introduced. The Great Mouse Detectivemakes a similar mistake with their mystery narrative. Within the first half of the movie, the details of Hiram Flaversham’skidnapping are shown in a series of scenes that share a timeline with the events surrounding Basil. These scenes show the whodunit, howtheydunit, and whytheydunit of the mystery. Because these pieces of information are revealed early in the movie, the audience knows more than the characters in the story. This prevents them from solving or experiencing the mystery alongside the characters.
The subplot of the Queen’s Diamond Jubilee: One of the subplots in The Great Mouse Detective revolved around the Queen’s Diamond Jubilee. This wasn’t a bad idea, but it was very under-utilized. In fact, I forgot this event was taking place within the story until the film’s climax arrived. Because the premise of this movie was basic and straight-forward, this subplot felt like it was there for the sake of being there. If the Queen’s Diamond Jubilee had been removed from the film, it wouldn’t make a huge difference.
My overall impression:
Two years ago, I reviewed Oliver & Company. In that review, I said the movie was the pioneer for what a Disney animated film could and should be at the time of its release. The Great Mouse Detective gave me a similar feeling. Within this film, there were elements that laid the foundation for animated Disney films that came after it. The climax at the Big Ben Tower is one example, with the scenes utilizing computers to bring them to life. Also, in my Oliver & Company review, I said the movie was fine and that there wereanimated Disney films that are stronger than it. The Great Mouse Detective made me feel this way as well. While watching this film, there were scenes that reminded me of scenes from other Disney projects that were executed better. Some scenes in The Great Mouse Detective felt rushed, making me wonder if Disney was trying to meet a deadline or wanted to take advantage of a busy box office year. Even with everything I just said, this film is worth bringing up in the conversation of animated films. It may get overshadowed, but I think it serves as an important part of animation history.
Overall score: 7 out of 10
Have you seen The Great Mouse Detective? What are some of your favorite mystery films? Tell me in the comment section!
Yesterday, on June 9th, Orion Pictures/MGM Studios released an official trailer of the upcoming film, Bill & Ted Face The Music! The studio also released an official poster for the movie! I haven’t seen any of the films in the Bill & Ted series, but I really like what I’ve seen and heard about this third film so far. The poster itself adopts elements that were found in film posters from the past; artistic visuals that come together to create a singular image conveying mystery and intrigue. As for the trailer, I found it hilarious, as it had the kind of random humor that I resonate towards. This marketing campaign makes me want to watch the previous two Bill & Ted films! As of June 2020, the film has an August 21st premiere date. Bill & Ted is not the only Hollywood IP that has received sequel related news. Two weeks ago, Chris Murphy from Vulture reports how Sonic the Hedgehog will get a sequel! According to the article, “Paramount Pictures and Sega Sammy have begun development on a sequel to Sonic the Hedgehog”, which means the project is in the pre-production stage. The producers who have signed on to the film are Neal H. Moritz, Toby Ascher, Toru Nakahara, Hajime Satomi, Haruki Satomi, and Tim Miller. The first film’s director, Jeff Fowler, and screenwriters, Pat Casey and Josh Miller, are coming back for the second movie. While I haven’t seen Sonic the Hedgehog, I think this is great news for Sonic fans and for people who support studios that put their customers first. Even Chris, from Vulture, says “listening to feedback can be incredibly fruitful for everyone involved”. Hopefully, the sequel can be just as successful as its predecessor.
Months after Coronavirus forced businesses all over the world to pause their operations, steps are now being taken to reach a state of normalcy. In an article from The Hollywood Reporter, Etan Vlessing discusses how “the Quebec provincial government and health officials have given the green light for film and TV production to resume on June 8 amid the coronavirus pandemic”. Before this decision was made, Manitoba had resumed film and television production in their province of Canada. Toward the end of May, Vancouver Island said “the industry can resume shooting by June”. Robert Buffam, from CTV News, writes about the precautionary steps film and television teams will take to work as safely as possible. Ric Nesh, a television show producer, shares “We may reduce, revise, rewrite scenes without the larger crowds. No we may, we will revise scenes.” In the United States, film studios and movie theaters are making attempts to go back to work. A Hollywood Reporter article from June 8th states “anxious theater owners — and Hollywood studios — are being given the go ahead to flip on the lights later this week by California Gov. Gavin Newsom’s office and the Department of Public Health.” June 12th is the selected date when California’s cinemas may start their operations again. Similar to the film and television industry in Canada, safety precautions will be put in place. One example is adopting a 25% capacity limit “or no more than 100 people per auditorium”.
I know this piece of news relates to television. But because it’s about Hallmark going out of their comfort zone, the story became an exception. Earlier last month, Emre Kaya from The Cinema Spot reported how Hallmark Channel is creating a new television show! The article shares that this is the network’s “first high-budget drama series”, which “is a science fiction soap drama series set on a space colony.” Emre’s post doesn’t reveal much information about the project. As of June 2020, Hallmark has not made an official statement about the show. When I first read this story, I was excited at the idea of Hallmark creating a project that is very different from their norm. On several occasions at 18 Cinema Lane, I have talked about how Hallmark should take creative risks and think outside the box. It looks like they’re starting to pay attention to these ideas. Maybe this show could be the beginning of a new era where creativity and originality reign.
Hello everyone! I just wanted to let all my readers, followers, and visitors know about the updates that are happening on this blog. Within the big picture, these changes may seem small. But they are steps toward the growth of 18 Cinema Lane. The most recent change has been this site’s domain name. I purchased my blog’s domain, which means that the official address is 18cinemalane.com! This name change won’t affect the blog’s content; as you’ll receive the reviews, movie news stories, editorials, and other content I’ve been writing since the beginning. Throughout this month, I will also be creating three social media accounts for 18 Cinema Lane! Make sure to look out for those in the following weeks!
When I published my Hallmark Hall of Fame Reading Challenge last March, one of the literary works I listed was Cyrano de Bergerac by Edmond Rostand. While I’ve never read the play, I was interested in seeing how Hallmark Hall of Fame would adapt this particular story. Sadly, I couldn’t find this specific version on DVD, VHS, or digital, as a lot of the collection’s movies from the ‘50s to about the early ‘80s appear to be lost. When I discovered Vincent Perez starred in the 1990 adaptation of Cyrano de Bergerac, I thought seeing this version would be the next best thing. It was also a perfect choice for The Third Broadway Bound Blogathon, as it was listed under the “Movies Made From Broadway Shows” section in the veryfirst announcement for the event.This blogathon also happens to takeplace days before Vincent’s birthday, sothis became another reason to review Cyrano de Bergerac! I was able to obtain a copy of this film, but I had to purchase two DVDs and a Blu-Ray just to find one that worked with my home entertainment system. Read my review to find out if this film wasworth the search!
Things I liked about the film:
The acting: Since I chose this film because of Vincent’s involvement, I’ll talk about his performance first. One aspect that stood out to me was how his voice was always soft-spoken. This fit his character, Christian de Neuvillette, well because he wasn’t as confident with his words, like Cyrano. I also noticed how sincere Vincent’s performance came across. No matter what situation Christian is in, he always has his heart in the right place. The goodness of this character showed through in Vincent’s portrayal, which helped Christian be as likable as possible! Since I just mentioned Cyrano, I will now talk about Gérard Depardieu’s performance. The word I’d use to describe his portrayal of the titular character is expressive. Every feeling Cyrano was experiencing felt genuine, emotions appearing in his facial expressions, body language, and poetry. Toward the beginning of the film, Cyrano performs at a local theater and participates in a dual shortly after. Gérard was able to adapt to every situation given to his character. Besides Vincent and Gérard, the cast is filled with talented actors and actresses. Anne Brochet is one of those cast members, bringing a gentle nature to her character, Roxane. Through emotionality, Anne brings her character to life in a way that feels believable. One example is when Christian and Cyrano visit her at her balcony.
The historical accuracy: As I’ve said before on this blog, the quality of a film’s historical accuracy can show how much a creative team cares about their project. The historical accuracy of Cyrano de Bergerac is proof of this statement! The world in this movie felt immersive, presenting the locations with a sense of realism. The set designs reflected the financial situation/social status of the characters, with the local bakery and Roxane’s room being perfect examples. While the bakery featured a simpler interior design, Roxane’s room appeared elegant. Costumes looked appropriate for that specific time period, with the color palette for the cast’s wardrobe ranging from lighter shades of beige and blue to darker tones of gray and black. Tools and utensils from yesteryear were used by the characters, such as Cyrano and Christian applying a wax seal on letters to Roxane. This movie shows that no detail was ignored.
The humor: One of the strongest elements of this film was the humor! Not only was it well-written, but the humor itself seemed to fit that world. The funny moments within Cyrano de Bergerac were also given good executions by the actors. My favorite scene is when Christian continuously interrupts Cyrano’s story by making references to Cyrano’s nose. During this exchange, Christian would sometimes only say “nose” to get a reaction from Cyrano. While Christian appears unfazed by Cyrano’s reactions, Cyrano becomes more irritated as the scene continues. This scene made me repeatedly laugh, as I found it hilarious!
What I didn’t like about the film:
The under-utilization of Vincent Perez: Vincent Perez is one of the reasons why I sought out the 1990 adaptation of Cyrano de Bergerac, as I’ve enjoyed his acting performances so far. Before watching this movie, I knew his involvement in the project was a break-out role and likely the biggest role he received at that time. However, because Vincent is billed as the main supporting actor, I was disappointed to found out he was in the film for a limited amount of time. The majority of the story revolves around Cyrano, which means that Vincent was only given a reduced amount of material to work with. There were even large intervals when Vincent was not featured on screen. Usually, main supporting actors receive about half the screen-time the film’s protagonist does. In the case of Cyrano de Bergerac, however, the antagonist, Comte Antoine de Guiche, is given more prominence in the production than Vincent’s character.
The war storyline: Prior to seeing Cyrano de Bergerac, I had a general knowledge of what the story was about. The movie is even classified as a “comedy-drama”, with the assumption that the romantic aspects of the story would fall under the “drama” part. While the comedy and romance within Cyrano de Bergerac dominated the first half of the film, a storyline involving a war took over the film’s second half. The build-up toward the event and the reasoning behind it felt too “inside baseball”. It also caused the entire story to pull a “bait and switch” with its overall tone. Based on the knowledge I had about this film and even based on the DVD cover, I expected the light-hearted tone within the first half to have a consistent presence throughout the film. Even though there were romantic and light-hearted moments within the second half, some of them didn’t feel like they fit in the context of the war.
The poetic monologues: I’m aware that Cyrano is known for being “a man of many words”. I also know the original play was written only in verse. The poems themselves weren’t the issue, as the poetic monologues within this film were performed and written well. However, some of them lasted too long. Toward the end of the movie, Cyrano recited one of his signature monologues. Because it was long in time length, the monologue made the scene drawn out. I realize that the reason for the long monologues was to satisfy the film’s run-time. Personally, I think, at least, a few of the them should have been a bit shorter in length.
My overall impression:
I’ve heard that the 1990 adaptation of Cyrano de Bergeracis “the definitive film version of the Edmond Rostand play from 1897.” This is the only film version of the story I have seen. As I also said in the introduction, I have never read the play. So, I can only judge this film simply as a film. Cyrano de Bergerac is a good, solid movie! I found myself invested as the story was unfolding and I can definitely see how this could be presented on Broadway. The poetic dialogue was an interesting choice that helped this project achieve a unique identity. However, there were aspects that prevented the production from being better than it was. Some of the poetic monologues were too long, causing scenes to feel drawn out. Despite flaws like that one, I’m glad I was given an opportunity to see this film! If you do choose to watch this version of Cyrano de Bergerac, keep in mind it is a rarer title to find on physical media. While this movie did receive a Blu-Ray release, prices can get expensive.
Overall score: 7.6 out of 10
Do you enjoy movies based on Broadway shows? Are there any literary adaptations that you like? Tell me in the comment section!
Well, the day has finally come. 18 Cinema Lane just received 200 followers! Before I continue this post, I’d like to take a moment to thank everyone who helped my blog reach this milestone! I still can’t believe that, within these two years, I’ve made it this far as a blogger. For this review, I thought it would be a good idea to select a film that was requested by one of my readers. Last year, Ospreyshire, from the blog Iridium Eye Reviews, recommended the Studio Ghibli film, From Up on Poppy Hill. I chose this film to write about because I haven’t reviewed an animated movie since February. This is actually the second Studio Ghibli production I’ve discussed on 18 Cinema Lane. Last January, I reviewed Howl’s Moving Castle for the 90 Years of Jean Simmons Blogathon. While I enjoyed the movie, I found it to be weaker than the previous Studio Ghibli projects I’ve seen. Now that From Up on Poppy Hill is the fifth film from the studio I have watched, it’s time to determine how this movie holds up to other films from Studio Ghibli!
Things I liked about the film:
The animation: Over the years, Studio Ghibli has gained a reputation with their signature animation style. The 2-D presentation of each story has stood apart from the 3-D computerized technique most film studios adopted in the 21st century. One of the hallmarks of a Studio Ghibli film is the colorful palettes that are used in each production. From Up on Poppy Hill boasts bright colors throughout the story, creating spaces that appear inviting. The scenes were bright enough to be visually appealing, but not too much to the point of over-saturation. Even when a scene used darker colors, there was still a pop of color included. One example is on a rainy day, when the protagonist, Umi, is carrying a red umbrella. The movements of the characters, vehicles, and boats were smooth, which made them easy to visually follow. Characters were also expressive when it came to dealing with a variety of situations. Similar to Howl’s Moving Castle, From Up on Poppy Hill looked like priceless art!
The humor: An element I’ve noticed within Studio Ghibli’s films is their use of humor. Though From Up on Poppy Hill is a more contemporary story from other Studio Ghibli productions, the humor still fit within the world of that particular film. In one scene, one of the members of the Archeology Club tells another club member that they need to find a way to show how cool their club can be. The fellow club member simply replies with “we can’t”. Toward the beginning of the film, Shun, one of the main characters, falls into a pool of water after performing a stunt while attempting to encourage his classmates to save a local clubhouse. When Umi tries to help Shun out of the pool, their fellow classmates cheer them on as soon as she touches his hand. A great aspect of this movie’s humor is how there was enough to maintain the film’s lighted-hearted tone. At the same time, it didn’t diminish the dramatic moments that momentarily appeared in the story.
The music: While watching this film, the musical selections in From Up on Poppy Hill stood out to me. This is because they fit the tone of their given scene so perfectly! Throughout the story, Umi rises signal flags in order to help her father return home. During these scenes, dramatic piano music would play in the background. For more lighted-hearted scenes, up-beat music could be heard. One example is the movie’s very first scene, which shows Umi preparing for a typical day. Because this film took place in the early to mid-‘60s, the music sounded like it came directly from that time period. When Umi and Shun are in a hurry to reach an important destination, the instrumental tune sounded like it belonged in a program like Hawaii Five-O. All of the music in From Up on Poppy Hill effectively brought a sense of emotion to every moment within the story!
What I didn’t like about the film:
Lack of backstory for the Latin Society’s clubhouse: One of the overarching themes of From Up on Poppy Hill is honoring the past. This is one of the arguments Shun provides in his efforts to save the Latin Society’s clubhouse. There are times when this theme was incorporated into the story well. But, when it comes to the clubhouse, the history of the facility is never revealed. The only thing closest to a backstory that is given was when one of the club members says the previous residents were as messy as the current club members. This creative choice makes the club’s arguments appear weaker than necessary.
Minimal character development for some of the characters: In any film, character development is an important component. This can help the audience connect with a movie’s characters and get invested in their journey. From Up on Poppy Hill gives the majority of character development to Umi and Shun. Parental figures in Umi and Shun’s life, such as Umi’s grandmother, receive some character development. The rest of the characters receive minimal character development, making it difficult to truly get to know them. One example is Sora, Umi’s sister. While watching this film, I became familiar with her as the story progressed. However, when it comes to learning more about Sora, there was more to be desired.
Drawn out scenes: There were a few scenes in From Up on Poppy Hill that were drawn out longer than they needed to be. A perfect example is when Shun’s father is sharing information about his son’s past. I liked learning more about Shun’s backstory. But it was paired with moments of silent pauses that were a little too long. Had these pauses been shorter, this scene might have helped the film shave off some of the run-time.
My overall impression:
When I saw From Up on Poppy Hill, there were mentions of the Summer Olympics in Tokyo. The 1964 Olympics was included in the discussion, not the now postponed 2020 Olympics like I originally thought. The fact this event would be mentioned at all was very interesting. The Olympics are steeped in history, spanning many decades and involving many international parties. As I mentioned in my review, one of the overarching themes of this movie is honoring the past. In the story, history is presented in many forms. Some are embodied as large-scale events, like the Olympics. Others are formed in the relationships we share. From Up on Poppy Hill intelligently and creatively shows its audience how important history is in our lives and our world. As a movie blogger, I recognize how history has made or broken the world of film. But this entry from Studio Ghibli’s collection handles the idea of history with relatability and respect. People from any part of the world can understand the messages presented and maybe take away a small piece of the story and apply it to their own lives. From Up on Poppy Hill is one of the studio’s stronger projects that I am grateful to have seen. A huge thanks goes to Ospreyshire for bringing this film to my attention.
Overall score: 8.3 out of 10
Have you seen Studio Ghibli’s films? Which movie would you like to see me review next? Share your thoughts in the comment section!
I know it has been awhile since I reviewed a Hallmark Channel movie. The last one I wrote about was the 2011 picture, Honeymoon for One, which was my submission for the Out to Sea Blogathon back in March. Since I just watched Nature of Love, I decided to discuss one of Hallmark’s more recent releases. A reason why I’ve watched less new Hallmark Channel movies this year is how most of them reuse the same plot ideas. What set Nature of Love apart is the inclusion of glamping, or “glamourous camping”. This is Hallmark history in the making, as this specific concept has never been featured in a Hallmark film until now. Anytime the network introduces a new idea like this into one of their stories, I’m always curious to see how it will be executed within the movie. As someone who supports Hallmark taking creative risks, I appreciate when they choose to leave their comfort zone.
Things I liked about the film:
The acting: Emilie Ullerup is an actress with strong acting abilities! I’ve seen her performances on Chesapeake Shores and in most of her Hallmark movies. What I liked about Emilie’s portrayal of Katie is how expressive it was. One of her best scenes in Nature of Love was when she went on the rope course/zip-lane. The emotions Emilie adopted for her character made the performance appear believable. One of my favorite Hallmark films is Midnight Masquerade. Christopher Russell’s endearing performance is one of the reasons why I love that film. Christopher’s portrayal of Will in Nature of Love was not only endearing, but also charming! I liked how the character of Will was used to instill wisdom to Katie and the audience. It brought a “wise beyond their years” element to Christopher’s character that is not often incorporated in Hallmark productions. A stand-out performance in Nature of Love came from Donna Benedicto! I enjoyed watching her portrayal of Penny, Katie’s new friend from camp. She was expressive and, at times, hilarious. One example is when Penny is telling Katie to reveal the real reason why she’s at the camp.
The scenery: Whenever Hallmark creates a film that revolves around travel, the creative team behind that project usually does a good job at capturing the natural beauty of that location. For Nature of Love, the landscape consisted of forestry, mountains, and lakes. Filmed in British Columbia, these locations were photogenic and appealing to the eye! In two scenes, Will and Katie watch the sun rising over a mountain. The bright colors of orange, purple, and yellow complimented the mountain’s light gray. Two other scenes boasted a field of lavender. The flowers’ shade of purple dominated the screen, with the appearance and abundance of the plants highlighting those scenes. While watching this film, I could tell this film’s creative team loved this location, as they provided multiple opportunities to show this location off! I enjoyed seeing these spaces as much as the creative team liked sharing them!
The glamping experience: As I said in the introduction, I was excited to see glamping featured in a Hallmark movie! Even though the idea of camping has appeared in Hallmark projects before, this is the first time this particular form of camping has been incorporated in Hallmark’s films. Nature of Love successfully promotes the idea of glamping by providing a balance between the “glamour” and “rustic”. The activities shown in this film included canoeing, horse riding, and making s’mores, things that would typically be associated with the camping experience. Representing the glamourous side were gourmet meals, up-scale tents, and resort style amenities. If the purpose of this movie was to entice viewers to desire a glamping vacation, I think it accomplished that mission.
What I didn’t like about the film:
The CGI animals: Hallmark is not known for incorporating CGI into their films. But there have been rare occasions where CGI was found. In Nature of Love, a few CGI animals are included in the movie. While the CGI itself looked fine, it was obvious the animals were added to the scenes in post-production. Fortunately, there was more stock footage of real animals than animals created with CGI.
Weak conflicts: Nature of Love had three conflicts within the script. One of them revolved around the expansion of the glamping resort. This conflict turned into a “save the establishment” story. The other two conflicts were interconnected. They were about Katie going out of her comfort zone and dealing with an ethical dilemma related to journalism. I found all three conflicts to be on the weaker side because they’ve been seen before in other Hallmark films. The creative team behind this movie played it safe with their story.
Things that didn’t make sense: At several moments, there was dialogue spoken by the characters that didn’t make sense within the story. When Katie is talking with her boss, Sabrina, about her article, Sabrina tells her she should write about Will. Katie’s boss acts as if she has no idea who he is. This doesn’t make sense because Sabrina gave Katie the assignment to go to the glamping resort. Because of this, you’d think she would have done research about the resort and the people who work there.
My overall impression:
When Hallmark incorporates a new idea into one of their movies, it shows how the network can expand their creative horizons. If the new idea involves travel, it can inspire viewers to take a similar trip like the characters in the story. In the case of Nature of Love, this movie effectively promoted the idea of glamping. With the help of beautiful scenery and a balance between “glamour” and camping, this concept was positively presented to the viewers. But movies are not just meant to promote ideas, they are also created to tell stories. The story of Nature of Love could have stronger. The conflicts were rehashed from previous Hallmark entries and some of the dialogue didn’t make sense in the story. This movie is a fine, harmless production from the network. But when you look beyond the glamping promotion, you will see that Nature of Love is more typical than it appears.
Overall score: 7 out of 10
Have you seen Nature of Love? Which vacation destination would you like to see in a Hallmark movie? Let me know in the comment section!
Within the blogging community, it’s impossible not to bring up the Coronavirus at one point or another. Some plans were forced to change and anticipated events were either cancelled or rescheduled. A situation like this can make it easy to lose sight of what’s really important. I can only speak for myself, but in times like these, I try to think about things that I’m thankful for. Originally, I was going to host this blogathon in 2021. But, due to the global pandemic, I thought this year would be a better time to host it. Hallmark is one area of film I cover on 18 Cinema Lane. Over the years, I’ve noticed the network’s diminishing recognition toward Thanksgiving. It’s not just a Hallmark related issue, as I’ve seen this happen in stores and other retail establishments. So, because of that, I chose to dedicate this year’s blogathon to Thanksgiving! It will take place from November 19th to November 22nd. If you want to participate, you can sign up in one of the following categories:
Write about a movie or television show episode that either revolves around Thanksgiving or features, at least, one scene taking place on Thanksgiving
Talk about something movie related you’re thankful for (can be about people, places, props, memorabilia, etc.)
Write about a movie or television show episode that has premiered in November (any genre and year is acceptable)
Talk about someone who has a birthday in November (can be about an actor/actress, director, producer, screenwriter, costume designer, etc. If you have a family member or friend with a November birthday, you are allowed to talk about them in your post.)
The Official Blogathon Rules
Please be respectful toward other bloggers and the subject you are writing about.
If you plan on publishing your post(s) earlier or later than the allotted time-frame (November 19th to the 22nd), please let me know in advance.
New posts are required.
Because this subject is so broad, no duplicates are allowed
Each participant is allowed to publish a maximum of three entries.
All entries must be original work and creativity is encouraged.
If you’re interested in participating, please share your idea(s) in the comment section below.
Pick one of the four banners and spread the word about A Blogathon to be Thankful For!
Gill from Realweegiemidget Reviews — (Review) Planes, Trains, and Automobiles
Neil from Neil “The Musical Man” Powell — (Review) The Gold Rush
Ruth from Silver Screenings — (Review) The Thanksgiving Visitor
Rebecca from Taking Up Room — (Review) Episode of ‘Christy’ titled “Sweetest Gift”
Tiffany from Pure Entertainment Preservation Society — (Review) The Plymouth Adventure
Tiffany from Pure Entertainment Preservation Society — Thankful for The Breen Code
Sally from 18 Cinema Lane — (Editorial) ‘Phantom of the Megaplex’ at 20: A Reflection on the Movie-Going Experience
J-Dub from Dubsism — (Editorial) “Sports Analogies Hidden in Classic Movies: Why I’m Thankful For The Comedy of Jonathan Winters.”
In recent days, the news about the release of the infamous “Snyder Cut” of Justice League has taken over the internet. Multiple Youtube videos have covered this story and the discussion of its arrival has been rampant on social media. It has even gone so far as to make Paul Feig consider releasing a new cut of his version of Ghostbusters. But among the articles, videos, perspectives, and comments, there is a cut of one movie that was left out of the conversation: the Tim Pope cut of The Crow: City of Angels. As you’re reading this, you’re probably wondering “What is the Tim Pope cut?” “Didn’t this film already receive a director’s cut?” In this editorial, I’ll answer those questions. I will also be sharing a list of reasons why now is the perfect time to release the Tim Pope cut of The Crow: City of Angels. This isn’t the first time I’ve brought this subject up. In my Sunshine Blogger Award post from this April, I said that one of my greatest wishes for cinema was for the full version of The Crow: City of Angels to be released. However, I honestly never thought I’d write an editorial about this subject. Since many people are not talking about the Tim Pope cut, I decided to do so. Besides, when life gives you lemons, it’s better to write a blog post about it while everyone else is making lemonade.
What is the Tim Pope cut?
Before I talk about the reasons why the Tim Pope cut should be released, I need to explain what the cut itself is. The Tim Pope cut is the 160-minute version of The Crow: City of Angels that was purposefully intended to be different from the first film. Unfortunately, this version never saw the light of day because the movie was heavily affected by “studio intervention”. In a video titled “Exploring The Crow City of Angels,” Cecil, the creator and narrator of the video, explains how the studio’s decisions prevented the film’s creative team from telling the story they wanted. It got so bad that the movie’s director and writer, Tim Pope and David S. Goyer, disowned their project because of the changes. While the film did receive a director’s cut, “it’s mostly just extended scenes,” according to Cecil. The original version of this movie is not officially called “the Tim Pope cut.” I personally gave it that name to make it sound more official.
Reason #1: The “Snyder Cut” Opens the Doors for a Winning Cycle
In an article from The Hollywood Reporter, Borys Kit reported that “a growing movement of fans, rallied around the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned – even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con – for Snyder’s version to be released.” The reason why people wanted to see Zack Snyder’s version of Justice League is because the director had to leave the project due to a personal situation involving his family. This caused a different director, Joss Whedon, to step in and change Zack’s intended vision. Because of how vocal and passionate these supporters were, HBO Max is finally granting their wish. Borys says, in their article, the streaming service “will debut the project in 2021.” They also state that “whether it will be released as an almost four-hour director’s cut or split into six “chapters” has yet to be decided.”
Since the “Snyder Cut” is going to see the light of day, it opens the door for other films that have been creatively damaged, like Justice League, to receive the proper treatment they deserve. It also sets a precedent for a cinematic cycle where everyone wins. I provide an image of this cycle to give a visual for what I will be discussing. The following bullet-points show each part of the cycle and why its important.
Movie’s Creative Team – Given creative freedom, allowed to make the films they want, has option to incorporate fan feedback and source material if IP is used
Fans/Audience Members – Greater chance they’ll spend money on movie ticket if creative team and studio respected and listened to them
Studio – Will see good financial results on projects where creative team was given creative freedom and fans/audience members are respected
Reason #2: The Person Responsible for The Crow: City of Angels’ Destruction is No Longer in Control of This Film
In the aforementioned video, “Exploring The Crow City of Angels”, Cecil discussed how the film was a victim of “studio intervention.” They mention on several occasions how Tim, David, and even The Crow’s creator, James O’Barr, had always planned on creating a new story for the sequel. This decision was made to show respect toward the predecessor and its devoted fans. After the film had already been finished, “studio intervention” took over. Harvey Weinstein, who was a producer at Miramax at the time, “demanded the film be edited to be more like the first movie,” as Cecil says in the video. This choice single-handedly stopped the creative team of The Crow: City of Angels from making the film they wanted.
In 2005, Harvey left Miramax in order to create The Weinstein Company. This means that he gave up control of the studio. At the time, Disney had ownership over Miramax. It was the result of an acquisition that took place in 1993. Over the years, the studio has changed hands among various companies. On April 3rd, Jill Goldsmith, from Deadline, reported that ViacomCBS “closed on the acquisition of a 49% stake in Miramax.” This allows Paramount, which is owned by ViacomCBS, “an exclusive, long-term distribution agreement for Miramax’s film library and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on Miramax IP.” What this means is Paramount/ViacomCBS is now in control over the potential restoration and release of the Tim Pope cut.
Reason #3: Paramount has Respected a Pre-Existing Fanbase Before
When Paramount chose to acquire Miramax, they purchased projects related to The Crow. With those projects comes a pre-existing fanbase. However, this is not the first time the studio dealt with a project where a pre-existing fanbase was a part of the equation. Last year, fans of Sonic the Hedgehog were not pleased with the way their favorite character looked in a trailer for a movie based on the famous blue protagonist. After backlash over Sonic’s design, Jeff Fowler, the director of Sonic the Hedgehog, announced plans to change Sonic’s look. In an article from SlashFilm, Ben Pearson shares the director’s tweet, which says “Thank you for the support. And the criticism. The message is loud and clear… you aren’t happy with the design & you want changes. It’s going to happen. Everyone at Paramount & Sega are fully committed to making this character the BEST he can be…”. This choice caused the film to be delayed until February of 2020.
When Sonic’s re-design was revealed, fans and potential audience members praised Paramount and the creative team behind the film. Two of those people were Kneon and Geeky Sparkles from Clownfish TV. In a video called “Sonic the Hedgehog is FIXED! Sonic Looks GREAT!”, Kneon and Geeky marvel over Sonic’s drastic change. They also approve of Paramount’s decision to put customers first. Geeky asks, “Look, if it looks really bad and the fans say it looks really bad, you want people to come to your movie, right?” She quickly answers that question by stating “So, um, you’re going to need to, uh, do things that make the fans happy.” Kneon says, “The Sonic fandom is very, very vocal. Ok, they’re a very passionate, vocal fanbase”. He and Geeky express interest in seeing the film due to Paramount’s efforts to make a better product. Because Paramount and Sonic the Hedgehog’s creative team took the time to show the Sonic fans respect, the film went on to, so far, become the second highest grossing movie of 2020! While a part of its ranking at the box office was affected by the Coronavirus, acquiring a domestic receipt of over $300 million is something Paramount should be proud of.
Reason #4: Fans of The Crow are a Dedicated Group of People
The Crow has a pre-existing fanbase that spans more than a decade. Whether drawn to the comic or a fan of any film, fans who love The Crow are dedicated, vocal, and passionate about their favorite IP. They will find an opportunity to talk about the story and have even pushed The Crow into cult classic status. One of these fans is Lee from the Youtube channel Drumdums. In his video, titled “The Crow: Legacy of a Cult Classic,” Lee says “I have been obsessed with this movie, really, since I saw it, in the theater, opening night, uh, in May of 1994.” He shares his personal experiences with the film, as well as praising the project. He even created a live commentary video dedicated to the movie. Another fan is Pale Writer from the blog Pale Writer. Last Halloween, Pale Writer published a review titled “Rain and Revenge: The Crow (1994).” They say in their article, “I first watched The Crow with my older brother when I was in my mid teens, and I’ve loved it ever since. I was an emo teenager with a love of the gothic, and my brother knew that.” Throughout the article, Pale Writer explores many different components related to the film. Because of how well-written and passionate the review was, it encouraged me to watch The Crow for the first time this year.
Within any fanbase, people have their own perspectives and opinions. The Crow’s fanbase is no different. There are people who are vocal about their love for The Crow: City of Angels. Take, for instance, the video, “1. City of Angels – The Crow City of Angels.” Looking through the comment section will show how fans care about this film. One commentator says “I loved City of Angels.” Another person shares “This is the only sequel I liked.” When talking about a piece of lost media, Jorge from the Youtube channel blameitonjorge, says, “It was something that a lot of people wanted to see.” This mindset is similar to the “Snyder Cut’s” journey. Fans wanted to see Zack’s vision come to life, so their desire drove that campaign. I’ve seen comments from fans of The Crow saying how they wish they could see the original version of the sequel. Even Cecil from GoodBadFlicks expresses an interest in finding it.
Reason #5: Studios Can’t Make a lot of New, Live-Action Projects RightNow
2020 has become the year of Coronavirus. Many practices have been put in place to stop the virus’ spread. One of these practices has been “social-distancing.” This has resulted in many businesses temporarily closing their doors, including those from the entertainment industry. Kate Aurthur and Adam B. Vary, from Variety, reported how Hollywood is planning on returning to work. They say that one of the plans is obtaining “medical-grade cleaning equipment and PPE.” This, along with other new procedures and practices “will balloon the hard costs of production.”
A studio like Paramount needs to make money. At the same time, they also want to move forward as safely as possible. While ViacomCBS has generated revenue from their streaming service, CBS All Access, their incoming funds are more limited than normal. The Tim Pope cut could give the studio content to release. There is an audience for it, so fans are willing to pay for this version of the film. Paramount could either place the movie on the streaming service or release it on physical media. No matter how this film could be released, it would give Paramount something to create.
Reason #6: People Need More Entertainment Options
As I already mentioned, the Coronavirus has forced people to “social-distance” and “self-quarantine.” Streaming services, cable, and the internet have provided instant entertainment for consumers as they are required to stay home. Because new content is not as common as usual these days, The Crow: City of Angels could become a newer entertainment option. I also mentioned that Paramount could either release this movie on the streaming service, CBS All Access, in a digital format, like Xfinity on demand, or on physical media. Earlier in this editorial, I said that HBO Max was planning on releasing the “Snyder Cut” of Justice League in 2021. If Paramount wants to release the Tim Pope cut of The Crow: City of Angels next year, it gives fans something to look forward to during this stressful time.
The road to the “Snyder Cut” was met with perseverance, determination, and ambition. While this journey lasted for a few years, the fans’ efforts proved worthwhile. This situation shows how studios, cinematic creative teams, and fans can work together to form a situation where everyone benefits. It also shows that the sky’s the limit for other films that have gone through a similar situation to Justice League. If Paramount doesn’t release the Tim Pope cut of The Crow: City of Angels, it makes the studio look hypocritical. If they could go the extra mile for the Sonic fans, it would only be fair for them to go the extra mile for The Crow fans as well. This is why we need to let Paramount hear our voices. If you are a fan of The Crow, someone who approves of studios putting customers first, support consumer advocacy, want to see creative teams receive creative freedom, someone who loves movies, or want to help set a “wrong thing right” (yes, Sarah’s quote was intentional), then please consider joining the movement to encourage Paramount to release the Tim Pope cut. I created an official image with the hashtag that you are welcome to use. The most important point is to spread the word, so please let others know about this cut. All I ask is to please be respectful while sharing this message.
Have fun at the movies!
Paul Feig Thinks Ghostbusters 2016 is Next Snyder Cut from Odin’s Movie Blog (this video contains some language)
City of Angels – The Crow City of Angels from Jared
Exploring The Crow City of Angels from GoodBadFlicks
The Crow: Legacy of a Cult Classic and The Crow LIVE Commentary | “Can’t Rain All The Time” from Drumdums
Lost Media Case Files Vol 1. | blameitonjorge (this video contains some language and sensitive material)
Sonic the Hedgehog is FIXED! Sonic Looks Great! from Clownfish TV (this video contains some language)