Tag: Western

Take 3: The White Buffalo Review

On By 18cinemalane7 Comments

Though it’s only February, it seems like 2023 has become the year where movies that sound “bonkers” end up getting reviewed on 18 Cinema Lane. First, it was the Lifetime movie, Sea Change. Most recently, it was Jesse James Meets Frankenstein’s Daughter. Now, for Classic Movie Muse’s Kim Novak Blogathon, it’s The White Buffalo. If it wasn’t for this event, I would have never heard of this film, as I happened to stumble upon it on Kim’s IMDB filmography. Based on the title, synopsis, and poster, The White Buffalo seemed like it would be “bonkers”. But as Sea Change and Jesse James Meets Frankenstein’s Daughter have taught me, just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. So, I was curious to see if The White Buffalo met my expectations. I’ve also mentioned in the past how westerns aren’t often reviewed on 18 Cinema Lane. So writing about The White Buffalo for the Kim Novak Blogathon has given me an excuse to check out more western films!

The White Buffalo poster created by Dino De Laurentiis Company and United Artists

Things I liked about the film:

Kim Novak and Charles Bronson’s on-screen chemistry: In The White Buffalo, Kim portrays Poker Jenny, a widow from the town of Cheyenne. When Bill, portrayed by Charles Bronson, arrives in town, he pays Jenny a visit. Though these characters spent only a brief period of time together, I felt Kim and Charles had strong on-screen chemistry! There was camaraderie between Jenny and Bill, a shared history only they knew. Confident personalities complimented one another, highlighting how well they get along. Because of their strong acting performances, both Kim and Charles successfully sold this relationship! I wish their characters shared more screen time together.

Using the buffalo sparingly: The White Buffalo has gained legend status in the world within this movie. This is because of the terror it inflicts on people who have crossed its path. The buffalo itself is only shown in a handful of scenes, while the majority of the film shows the characters either talking about the buffalo or searching for its existence. That creative decision was a good way of building tension and suspense for the audience. Limited presentation of the buffalo highlights how this creature is a threat who can show up unexpectedly. It is also a film-making technique from the horror genre, where the unseen can be scarier than what is seen. This reminds me of films such as Jaws.

Building atmosphere: In any film, the atmosphere can compliment the world the characters and story exist in. It can also elevate the movie’s intended tone. In the opening scene of The White Buffalo, a snowy landscape is presented at night-time. Slow camera movements travel over the landscape, building up to the audience’s first look of the White Buffalo. Suspenseful music is heard on top of the footage, providing a reason for the viewer to be scared of the titular creature. When the buffalo finally appears on screen, it’s an explosive moment where adrenaline and terror collide. The opening scene of this movie lays down the foundation for what this story is about!

The Kim Novak Blogathon: A 90th Birthday Celebration banner created by Ari from The Classic Movie Muse

What I didn’t like about the film:

Limited sense of urgency: Throughout the film, Bill and Crazy Horse, portrayed by Will Sampson, are seeking the White Buffalo in order to destroy it. This quest serves as the main conflict in The White Buffalo. While there was a sense of urgency in the story, it wasn’t consistently featured in the movie. Along with the film’s main conflict, sub-conflicts share the run-time, such as Bill’s encounter with a criminal from his past. Because of this creative decision, those sub-conflicts took away from the urgency toward finding the White Buffalo.

The under-utilization of Kim Novak: In past blogathons, I have reviewed a movie because of a certain actor’s involvement, only to see that actor’s talents under-utilized. This was the case when watching The White Buffalo, as Kim Novak is one of the reasons why I sought out this film. As I mentioned earlier in this review, Jenny and Bill spent only a brief period of time together. During this hour and thirty seven minute movie, Kim appeared in about three to four scenes. She did a good job with the acting material she was given. However, I was disappointed by her limited on-screen appearances.

The run-time: When talking about Kim’s few appearances in The White Buffalo, I said the movie was an hour and thirty seven minutes. With the story itself being straight-forward, the run-time doesn’t need to be very long. This could have been achieved had the sub-conflicts been eliminated from the script. The run-time could have also been shortened if some scenes were cut down. One example is when Bill meets Charlie for the first time, a scene that lasts about fifteen minutes.

Snowy mountain image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-background-of-snow-track-and-mountains_968656.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

In the introduction of this review, I said just because a movie sounds “bonkers”, doesn’t mean it will be “bonkers”. That is what happened when I saw The White Buffalo. At best, the movie is ok. The atmosphere was well-built and the acting was strong. The film even does a better job at combining the western and horror genres than Jesse James Meets Frankenstein’s Daughter! But the film isn’t without its flaws. The story contains a limited sense of urgency and the movie is a bit drawn out. I was also disappointed by the under-utilization of Kim’s talents. However, watching The White Buffalo did give me an opportunity to seek out more projects from Will Sampson’s filmography, as I am familiar with his performance in One Flew Over the Cuckoo’s Nest. Like I said in this review’s introduction, I was also given an excuse to watch more western movies. Therefore, I’m grateful I was able to expand my cinematic horizons!

Overall score: 6-6.1 out of 10

Have you seen The White Buffalo? Are there any westerns you’ve checked out that also feature the horror genre? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Jesse James Meets Frankenstein’s Daughter Review

On By 18cinemalane11 Comments

My quest to find my “so bad it’s good” movie has, at this point, turned into a saga. During my time participating in the So Bad It’s Good Blogathon from Taking Up Room, I have selected a film I thought would earn the coveted title, only to have that film fall short of my expectations. But I haven’t given up, as I still believe my “so bad it’s good” film is out there somewhere. When I reviewed Sea Change, I said the movie sounded so “bonkers”, I had to check it out for myself. I had a similar experience when I discovered the 1966 film, Jesse James Meets Frankenstein’s Daughter. Based on that title alone, the movie sounded “bonkers”, a well-known criminal from the “wild, wild west” crossing paths with someone from the story of Frankenstein. I hadn’t seen a film where the western and horror genres combined, so I curious to see how this story would turn out. I was also curious to see if Jesse James Meets Frankenstein’s Daughter would finally be my “so bad it’s good” movie.

Jesse James Meets Frankenstein’s Daughter poster created by Circle Productions, Embassy Pictures, and Embassy Home Entertainment

Things I liked about the film:

Maria’s house: Within this movie’s dialogue, Maria explains how her house formerly belonged to a missionary. Though the space is more reflective of Maria’s taste in design, I was impressed with the set! Despite only three rooms being shown on screen, my favorite room was the sitting room! The walls and massive fireplace were covered in a light-colored sandstone. A large medallion with carved images sits over the fireplace, boasting a darker metal hue. Red armchairs and curtains nicely complimented the sandstone. These details added elements of elegance and European flair to the desert!

The inclusion of science: In stories from the western genre, science isn’t often found in the script. In fact, the only times I’ve seen science included in western stories are during school lessons or whenever a medical situation takes place. Maria is a scientist from Austria, who just so happens to be related to the same Frankenstein from Mary Shelley’s novel. She is driven to make her experiment work, using an artificial brain that was passed down through her family. Despite the film’s science being poorly written, I appreciate this story adopting a more unique identity. I also appreciate the creativity this movie’s creative team attempted.

The Fifth So Bad It’s Good Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Poorly written science: As I previously stated in this review, the science in Jesse James Meets Frankenstein’s Daughter is poorly written. It honestly made the characters sound like they didn’t know what they were talking about. While performing one of her experiments, Maria explains to her brother why they moved to the United States. She says there are more “electrical storms” in the United States than there are in Austria. What Maria failed to remember is how thunderstorms can take place anywhere, as clouds can congregate to create the effects of a typical storm, such as lightening. This made Maria’s trip seem kind of pointless.

A misleading title: I mentioned in this review’s introduction how the title of Jesse James Meets Frankenstein’s Daughter sparked my curiosity, as it made the movie sound “bonkers”. Personally, I thought the film would feature Jesse James in his younger years interacting with the daughter of Frankenstein’s monster. However, the title turned out to be a lie. Maria is Victor Frankenstein’s granddaughter. When Jesse meets Maria, forty minutes into the movie, nothing happens after their initial meeting. They don’t fall in love or form some sort of alliance. If given an honest title, this film would be called “Jesse James Meets Juanita”.

Delayed reactions: Though not a common flaw, there were a few times where actors presented delayed reactions. When Juanita’s family first meets Jesse and his friend, Hank, both men are running from the law. Hank has a very noticeable injury, which is getting worse by the minute. But it takes Juanita about five to ten seconds to acknowledge Hank’s injury. I’m not faulting the actors, as they tried their best with the material given. I will fault the screenwriting, as there could have been a stronger sense of urgency written into the script.

Lack of horror: In this review’s introduction, I said I was curious to see a movie combine the western and horror genres. But when I watched the film, the western genre was emphasized. To me, it felt like the movie’s creative team wanted to take their western story seriously, instead of finding a balance between the horror and western genres. When the horror elements were utilized, it seemed like they were used to tell a rehashed version of Mary Shelley’s story. Even though I appreciate the creativity attempted, I wish the delivery was stronger.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

For five years, I have been searching for my “so bad it’s good” movie. Throughout this search, I have found films that were either ok or disappointing. With Jesse James Meets Frankenstein’s Daughter, there were a few times I found myself giggling. But I wouldn’t say this movie is “so bad it’s good”. To be honest, this film was built on a gimmick. Though that could work with the right creative talent, Jesse James Meets Frankenstein’s Daughter didn’t have a strong delivery. It felt like the movie’s creative team wanted to take their project seriously. This made the film feel more like a generic western. The inclusion of the horror genre added some creativity to the movie. Unfortunately, the horror elements were not utilized well. With this review for the So Bad It’s Good Blogathon, it feels like I took a step in the right direction! Hopefully, those steps will lead me to my “so bad it’s good” movie!

Overall score: 4.9-5 out of 10

Have you seen or heard of Jesse James Meets Frankenstein’s Daughter? Would you like to see more westerns combine other genres? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The Top 10 Worst Movies I Saw in 2022

On By 18cinemalane3 Comments

My worst movies list of 2022 is different from that of the previous year. This time, I’ll be talking about more films that were “so bad they were bad”, as only three of these movies were disappointments. The Dishonorable Mentions portion of the list has also returned! Though I did see more good movies than bad, I couldn’t avoid coming across a “stinker” every now and then. I like to think I’ll, one day, see less than ten films for my annual worst list. But someday has not come this year, as the title of this article suggests. As I’ve stated in past lists, I did not write my list to be mean-spirited or negative. It’s just a way to express my own, honest opinion. Since some of these films have been reviewed on my blog, I will provide links to those reviews.

Dishonorable Mentions

Signed, Sealed, Delivered: The Vows We Have Made, A Place for Annie, Swim Instructor Nightmare, Nikki & Nora: Sister Sleuths, The Corsican Brothers (1985), and Donnie Brasco (I only watched forty minutes of the film before turning it off)

<a href=”http://<a href=’https://www.freepik.com/vectors/new-year’>New year vector created by freepik – http://www.freepik.com</a>&quot; data-type=”URL” data-id=”<a href=’https://www.freepik.com/vectors/new-year’>New year vector created by freepik – http://www.freepik.com2022 Changing numbers image created by Freepik at freepik.com

10. The New Adventures of Heidi

In 2022, I was hoping to finally find my coveted “so bad, it’s good” movie. Sadly, The New Adventures of Heidi was not it. As I said in my review, this film is “spectacularly average”. The more I think about the 1978 made-for-tv movie, the less justifiable reasons I can think of for the project’s existence. Yes, The New Adventures of Heidi was intended as a “modern” re-telling of Johanna Spyri’s story. But the movie didn’t feel unique enough, despite all the changes. Every year I’ve participated in the So Bad It’s Good Blogathon, there has been a pattern between movies that turned out ok and movies that were just disappointing. Hopefully, in 2023, I can break this pattern.

Take 3: The New Adventures of Heidi Review

9. Love in Wolf Creek

When I first read the synopsis for Love in Wolf Creek, I was excited at the idea of a “cozier” story filled with adventure and excitement. The 2022 television film seemed better on paper than in practice. For a movie titled Love in Wolf Creek, there was very little romance in the story. The writing was weaker than I hoped, filled with scenarios that were too unrealistic for my liking. This project was too ambitious for INSP, the network who created the film. It was so disappointing, I didn’t bother watching its sequel, Christmas in Wolf Creek.

8. Harvey (1950)

I think the 1972 Hallmark Hall of Fame adaptation of Harvey is better than its 1950 predecessor. While I’m aware how controversial my opinion is, the 1972 film had more success executing its intended points. A mistake the 1950 movie makes is trying to be a comedy and a drama. This decision led the comedy to not only be underutilized, but also showcased medical negligence in a way that didn’t sit well with me. “Magical realism” was lacking in the 1950 film. This took away any opportunity for the story to be charming and whimsical. When I reviewed Harvey back in January, it was the most disappointing movie I saw in 2022. Now, eleven months later, the 1950 picture still holds that title.

Take 3: Harvey (1950) Review

7. Journey

The 1995 Hallmark Hall of Fame presentation made the same mistake Durango did: not giving the audience a reason to care about the characters and their story. In the case of Journey, the creative team failed to provide explanations for the characters’ choices. At the beginning of the film, the protagonist’s mother, Min, abandons her family, claiming she hates her parents. But the script never explains why she made this decision. Even when there are cut-away scenes featuring Min, she isn’t doing anything significant. How am I expected to care about Min’s choice affecting her family when I don’t even know why she left in the first place?

6. My Mom Made Me Do It

According to a synopsis I read for this 2022 Lifetime film, the protagonist, Jade, turns to stealing in order to help her mom pay the bills. Both the title and synopsis turned out to be a lie because 1) Jade’s decisions were made on her own and 2) Jade never steals anything. What she does instead is crash wealthy people’s parties and photographs their belongings. Other issues contained in this movie are weak lead performances and characters who make one dumb choice after another. I will admit there was at least one effective plot twist. But I wish it had taken place in a better film.

Harvey (1950) poster created by Universal Pictures

5. The Sundowners (1960)

For a little while, I thought The Sundowners was going to be the worst movie I saw this year. Even though I was proven wrong, the 1960 film has still remained in my top five. Like I said in my review, one of the worst things you can do as a film-maker is waste your audience’s time. The story felt longer than necessary, which made the movie two hours and thirteen minutes not well spent. One of my biggest issues with The Sundowners was its “bait and switch” ending. While I won’t go into detail about the ending, as I don’t want to spoil the film, I will say it was cruel for both the characters and the audience.

Take 3: The Sundowners (1960) Review

4. The North Avenue Irregulars

This movie attempts to answer the question; “Wouldn’t it be funny if a group of women came together to solve a mystery”? By the time The North Avenue Irregulars was released in 1979, that question made the film dated on arrival, as there were several television programs from the ‘70s featuring at least one female character solving mysteries or fighting crime. The movie’s creative team told too many types of stories, yet failed at all of them. One minute, the film felt like a precursor to the Mitford series, revolving around a preacher trying to live his best life. The next minute, the film turns into a gangster heist picture, paired with car chases that were longer than necessary. Honestly, I wish this movie was a Scooby Doo-esque story about the film’s fictional band, Strawberry Shortcake. Maybe then the movie would seem more timeless.

3. Lake Effects

For the first time in 18 Cinema Lane history, all the movies in my worst list’s top three are Hallmark productions. Accepting the bronze is the 2012 film, Lake Effects. This movie has so many Hallmark movie clichés, you could create a bingo game around them. You could also create a bingo game around the many storylines found in this script. Lake Effects is a production that relies on style over substance. While Smith Mountain Lake, Virginia was captured well on film, there’s only so much the movie’s creative team could do with the weak script at their disposal. In my review from August, I stated how the movie seemed forgotten over the years. Its poor quality makes it not worth remembering.

Take 3: Lake Effects Review

2. A Boyfriend for Christmas

In 2019 and 2020, a Hallmark Christmas movie ended up in the top three of my annual worst movies list. History is kind of repeating itself with A Boyfriend for Christmas in second place. Like Lake Effects, the 2004 film contained a weak script. But in A Boyfriend for Christmas, I only liked two minor parts of the story. The lack of Christmas magic made my movie viewing experience unenjoyable. It was one of those stories that became worse the longer I watched it. I know this movie is one of the most beloved titles in Hallmark’s cinematic library. Honestly, though, I found it over-rated.

Take 3: A Boyfriend for Christmas Review

1. Francesca Quinn, PI

Remember when I said one of the worst things a film-maker can do is waste their audience’s time? Well, another worst thing a film-maker can do is disrespect their audience’s intelligence. As I watched Francesca Quinn, PI, I was given the impression the film’s creative team didn’t want me to solve the mystery alongside the protagonist. That’s because Francesca explained things that didn’t need explaining. Despite Francesca being a professional private investigator, she constantly made decisions an amateur detective would likely make. Her lack of personality didn’t help either. According to IMDB, Francesca Quinn, PI could replace the Mystery 101 series. The reason is “the main characters’ relationship and the crime at the end of Deadly History are the same as the main characters’ relationship and crime in Francesca Quinn, PI”. If this is the case, the Mystery 101 fans, including myself, deserve so much better.

A Boyfriend for Christmas poster created by Hallmark Entertainment,  MAT IV,  Alpine Medien Productions, Larry Levinson Productions, Gaiam Entertainment, and Hallmark Channel 

Have fun in 2023.

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s O Pioneers! Review

On By 18cinemalane2 Comments

When I participated in the Legends of Western Cinema Week last year, I reviewed the Hallmark Hall of Fame film, Durango. Unfortunately, the movie was weaker than I hoped. While thinking about what to write about for 2022’s event, I remembered how I had never seen O Pioneers! Therefore, I thought the Legends of Western Cinema Week was the perfect time to finally see the film! In the 1990s, Hallmark Hall of Fame had a history of adapting stories from the western genre. After the premiere of Sarah, Plain and Tall, the story’s sequels were released; Skylark in 1993 and Sarah, Plain and Tall: Winter’s End in 1999. Outside of this trilogy, Hallmark Hall of Fame created O Pioneers! (in 1992), Rose Hill (in 1997), and Durango (in 1999). While looking back on this history, one has to wonder if this was done in an effort to capitalize on Sarah, Plain and Tall’s success? Whatever the reason, these films provide more than one perspective of westerns. Now, with that introduction out of the way, let’s review O Pioneers!

O Pioneers! poster created by Craig Anderson Productions, Hallmark Hall of Fame Productions, Lorimar Television, and Prairie Films

Things I liked about the film:

The acting: I’ve seen a small handful of Heather Graham’s projects from her filmography. Based on what I’ve seen, she seems to receive one of two types of roles: a “damsel in distress” or the “ditzy” girl next door. But in O Pioneers!, Heather’s role was different. Portraying Alexandra Bergson in her younger years, she not only displayed a motherly persona, she also showcased a quieter strength. After trying to find more fertile farm land, Alexandra comes up with a plan to purchase the surrounding farm land near her family’s home. When she discusses this plan with her brothers, Alexandra explains it in a sure, yet calm way. Even when her brothers doubted her enthusiasm, she consistently maintained her composure, never letting uncertainty get in her way. Through her performance, Heather does a good job at foreshadowing who her character would become!

The majority of O Pioneers! revolves around Alexandra after her family’s farm is established and successful. Because this part of the story takes place fifteen years later, Alexandra is portrayed by Jessica Lange. Throughout the film, Alexandra experiences a variety of situations. This allowed Jessica to utilize different facial expressions, body languages, and emotions. As she reads a letter from her brother, Emil, a warm smile lights up Alexandra’s face. She appears to be sitting in a comfortable position, a friendly demeanor plain to see. Two scenes later, as Alexandra is sharing bad news with Emil, a sullen look is seen on her face. Her tone of voice is serious, as she’s trying to break this news as honestly, but gently as possible. The strength of Jessica’s acting abilities helped her performance appear believable!

One of the most important people in Alexandra’s life is Emil. Portrayed by Reed Diamond, Emil had a personality that was pleasant. Reed adapts to each situation in Emil’s life as well, similar to Jessica’s performance. In the aforementioned scene where Emil receives bad news, a concerned look is shown on his face. He also listens intently to what Alexandra had to say. Emil’s bottom lip quivers, as shock quickly morphs into sadness. The scene ends with Alexandra consoling her brother as he crumbles into tears.

Historical accuracy: O Pioneers! takes place between the late 1880s and early 1900s. Keeping this in mind, it’s important to note how the production looked and felt like the viewer was transported back to that time! In one scene, a man named Frank is walking around the interior of his house. On the wall in the kitchen, a telephone can be seen. The style of this phone is similar to those featured in programs like When Calls the Heart. Another timely piece of technology was the kerosene lamp hanging from the ceiling. This lamp was found in the dining room of Alexandra’s house. Three more kerosene lamps are located in Alexandra’s posh sitting room. Even though these props are smaller components of the movie, it shows how detail oriented this film’s creative team was!

Reed Diamond and Anne Heche’s on-screen chemistry: Anne Heche portrays Marie, a friend of Emil’s since childhood. Most of Emil and Marie’s interactions take place after they grew up, when they are able to live their own lives. During these encounters, I found their on-screen chemistry very sweet! Marie carried herself with a sense of whimsy, almost like she’s a “child at heart”. Meanwhile, Emil is more headstrong, choosing to ground himself in reality. Instead of clashing, these differences worked in Anne and Reed’s favor. The opposites attracting created a balance between their characters. During Marie and Emil’s interactions, they seemed to share an understanding with each other. Their shared history provided that layer of understanding, as well as Anne’s and Reed’s performance.

Legends of Western Cinema Week banner created by Heidi from Along the Brandywine, Olivia from Meanwhile, in Rivendell, and Hamlette from Hamlette’s Soliloquy.

What I didn’t like about the film:

An episodic story: The story of O Pioneers! revolves around Alexandra’s attempts at creating a successful farm with the land she inherited. But instead of those attempts providing an overarching conflict, the movie is filled with smaller conflicts that are resolved in a shorter amount of time. Ivar is a man Alexandra and her family have known for many years. He claims to have powers from God, which causes him to receive some negative attention. At one point, Ivar is threatened of being sent to an asylum. But in the very next scene, Alexandra simply talks to her brothers about what she’ll do if something happens. After that, the issue is unceremoniously resolved.

Too many characters: O Pioneers! is based on a book I haven’t read yet. Despite this, I could clearly see how large of a cast this production contained. Stories with a larger number of characters can be hit or miss. In the case of O Pioneers!, it didn’t work. Because of how many characters were in this story, some of them didn’t receive the amount of attention I feel they deserved. One of these characters was Amedee, a friend of Emil. A European baseball player, Amedee was such a charismatic character I wanted to learn more about. But with all the other characters trying to compete for attention, he only appeared in two scenes.

Some loose ends: Despite the movie having an hour and thirty-seven-minute run-time, there didn’t seem to be enough time to tie up some loose ends in the story. A good example is when one of the characters gets in trouble with the law. Alexandra visits this character in jail and claims she will help them. However, this issue is never resolved. That’s because this conflict takes place within the last eighteen minutes of the movie. It made me wonder why the creative team would include this part of the script when there was no intention to find a resolution to that conflict?

I know this is a screenshot of Wilma’s house from the Walker, Texas Ranger episode ‘The Lynching’. But Alexandra’s house in O Pioneers! reminded me of Wilma’s house, especially that wrap-around porch! Screenshot taken by me, Sally Silverscreen.

My overall impression:

There are some movies where the style is executed better than its substance. O Pioneers! is one of those films. As I said in my review, the project looked and felt like the story’s respective time period. The acting as a whole was good as well. But when it comes to the script, it could have been stronger. A major flaw is the movie’s run-time, which was an hour and thirty-seven minutes. This was not enough time to address the story points and characters within the narrative. Personally, I think O Pioneers! should have been adapted into a multi-part mini-series or a television show. With more time, the creative team would have been able to explore more stories and give some underrated characters more attention. Having an episodic narrative for a mini-series or television show would also make sense, as each story would be more condensed than a film’s plot. Like I mentioned in my review, I haven’t read this movie’s source material. Therefore, I don’t know if it’s better or worse than the 1992 Hallmark Hall of Fame production.

Overall score: 6 out of 10

Have you seen or read O Pioneers!? Is there a book-to-film adaptation you like? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Sundowners (1960) Review

On By 18cinemalane13 Comments

Here at 18 Cinema Lane, I try to go out of my way to watch, and review, as many film recommendations as possible. In fact, I have a board on Pinterest dedicated to these recommendations. Two years ago, when I reviewed Marriage on the Rocks, Maddy, from Maddy Loves Her Classic Films, suggested I check out the 1960 picture, The Sundowners. Shortly after Debbie, from Moon in Gemini, invited me to her Foreign Western Blogathon, I finally found an opportunity to write about the movie! The Sundowners fits two of the four blogathon categories: ‘directed by foreign directors’ and ‘shot in a foreign country’. According to IMDB, the film’s director, Fred Zinnemann, is from Austria-Hungary. The movie was also filmed in Australia, where the story takes place. Foreign westerns are not a new concept on 18 Cinema Lane. Neither are Australian films. Within the four years of my movie blogging journey, I reviewed Another Man, Another Chance, Interrupted Melody, and Hallmark Hall of Fame’s Durango. If you’re interested, I’ll provide the links to these reviews toward the beginning of this article.

Take 3: Another Man, Another Chance Review

Take 3: Interrupted Melody Review

Take 3: Hallmark Hall of Fame’s Durango Review

The Sundowners (1960) poster created by Warner Bros.

Things I liked about the film:

The cinematography: Like I said in the introduction, The Sundowners was filmed in Australia. The movie’s creative team took advantage of the country’s natural surroundings through cinematography! One long shot showcased Australia’s farmlands. What made this shot beautiful were the rays of sunlight showering over the green landscape, offering a light only nature could provide. The cinematography also did a good job putting things into perspective. During a forest fire, Ida is driving her family’s wagon away from the forest. While this maneuver is taking place, the camera is situated inside the back of the wagon. It looks out toward the road, giving the audience the illusion they are riding in the wagon with Ida.

Higher stakes: When I reviewed Hallmark Hall of Fame’s Durango last year, I talked about low stakes being one of the film’s biggest flaws. In The Sundowners, higher stakes were featured in a few scenes! A notable example is the forest fire I previously mentioned. While the Carmody family is herding sheep, a nearby forest fire breaks out. This leads all the characters to be in danger. The scene chronicled the entire process of the fire, starting from the detection of smoke and ending in the fire’s aftermath. Cut-away shots of scared wildlife are spliced into the story, emphasizing the other lives in harm’s way. Dramatic music can be heard in the background, elevating the sense of urgency. With all these elements combined, this scene was the perfect example of the higher stakes I expect from a western film!

The historical accuracy: With any “period film”, the historical accuracy can make or break that production. In the case of The Sundowners, the story takes place in the 1920s. From the looks of it, the 1960 project appears historical accurate! The forms of transportation are one indicator. While the Carmody family is working on the sheep farm, the employees sometimes rode in antique trucks with open beds. At least one motorcycle is featured in the story, revealing exposed gears and a model very different from the motorcycles of today. A covered wagon is the preferred vehicle of the Carmody family, with Paddy and Sean riding horses on a few occasions. This aspect of the film’s historical accuracy reminded me of a production like The Grapes of Wrath.

The Foreign Western Blogathon banner created by Debbie from Moon in Gemini

What I didn’t like about the film:

A “slice of life” story: Westerns, like any genre, contain a wide range of narratives. If given the choice, I’d rather watch a western with, at least, one conflict instead of a story that’s more “slice of life”. Unfortunately, the majority of The Sundowners is a “slice of life” story. The script primarily focuses on the daily operations of sheep farming. At first, this topic was interesting. But as the film carried on, the elements of sheep farming became repetitive. Had this movie contained one or two major conflicts, I might have found this story more intriguing.

Lack of Irish accents: According to Wikipedia, the Carmody family is Irish, a fact Sean tells Rupert early in the film. Michael Anderson Jr., Robert Mitchum, and Deborah Kerr must have missed that detail in the script, as none of them could successfully carry an Irish accent. Throughout The Sundowners, Deborah sounded like she was speaking in a British accent. Meanwhile, Robert and Michael sounded Australian. I don’t think Robert, Deborah, and Michael are bad actors. In fact, pulling off any accent can be a difficult skill to master. However, their lack of Irish accents was, for me, jarring.

The run-time: The Sundowners contains a straight-forward story about a family searching for employment in order to afford a place of their own. With that said, I found it unnecessary for the film’s run-time to be two hours and thirteen minutes. Some scenes felt drawn out in an attempt to satisfy this run-time, the shearing contest Paddy enters being one example. That scene lasts about five minutes, even though it could have only featured the most exciting parts of the contest. If scenes like that one had been cut shorter, the movie could have had a run-time of about an hour and thirty minutes.

A “bait and switch” ending: In my review of 1961’s The Pit and the Pendulum, I incorporated spoilers to explain my thoughts on a specific portion of the movie. Similarly, I will be including spoilers in this part of my review. If you haven’t seen The Sundowners, please skip this part and continue reading where it states “My overall impression”.

As I stated earlier in this review, The Sundowners contains a straight-forward story. I also stated how the movie is two hours and thirteen minutes. Within that run-time, the Carmody family receives the funds to afford a farm that was featured toward the beginning of the film. All seems to be going well until the last ten minutes in the story. While in a drunken state, Paddy makes several I-O-Us, losing the family’s finances in the process. In an attempt to earn back some of those funds, the family enters their race-horse, Sundowner, in an upcoming horse race. Not only does Sundowner and Sean win the race, Paddy also wins a bet. Even though they have enough money to make a down payment on the aforementioned farm, Ida changes her mind, saying Paddy can keep the race horse instead. This statement contradicts Ida’s goal throughout the movie; getting a place to put down roots. Moments later, an announcement declares Sundowner is disqualified from the race due to a pass interference. This means the Carmody family lost all the money they just won. The movie ends exactly how it begins; with the family on the road looking for employment and a place to stay. If I had known the story would end this way, I wouldn’t have become invested in the Carmody family’s ordeal.

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When it comes to film-making, one of the worst things you can do is waste the audience’s time. The way I feel about The Sundowners is similar to how I felt about The Birds; like I truly wasted two hours and thirteen minutes. I understand circumstances in western films aren’t always fair. Heck, life itself is sometimes unfair. But what is also not fair is giving your characters and audience hope for two hours, then taking that hope away in the film’s last ten minutes. With the way The Sundowners turned out for me, it almost seemed like history repeated itself. As I mentioned in this review, I wrote about Hallmark Hall of Fame’s Durango last year. That 1999 presentation was a foreign western I didn’t like. Both Durango and The Sundowners have one thing in common. Even though there were things about each film I liked, they contained a weak script. A script is the foundation of any cinematic production. If it isn’t strong, there’s only so much you can do to remedy the issue. Before I end this review, I want to make it clear that I have nothing against foreign westerns or Australian cinema. I’m confident there are stellar Australian and foreign western pictures I haven’t seen yet. Unfortunately, The Sundowners isn’t one of them.

Overall score: 4.7 out of 10

Have you watched any foreign westerns? If so, which ones would you recommend? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Let Him Go Review + 380, 385, and 390 Follower Thank You

On By 18cinemalane3 Comments

During my recent mini hiatus, I was thinking about what movie to choose for the long-awaited Blog Follower Dedication Review. While I do have several movies on my DVR, I wanted to choose one that was different from those I have recently reviewed. So, when I saw the 2020 title, Let Him Go, I knew it was the right choice. Like I have stated in the past, the western genre is one that isn’t often covered on my blog. In fact, the last western film I wrote about was the 1999 Hallmark Hall of Fame production, Durango. With this current review, it’ll provide more content related to this specific genre. What makes Let Him Go unique from the other westerns I’ve talked about is how the story takes places later in the 20th century, as the story is set in the early ‘60s. Since I haven’t seen many “modern” westerns, I was curious to see how this type of story would be presented in a different lens. So, without further ado, let’s get this Blog Follower Dedication Review started!

Let Him Go poster created by
The Mazur Kaplan Company, Focus Features, and Universal Pictures

Things I liked about the film:

The acting: While the cast of Let Him Go was strong, there were two actors who gave stand-out performances. The first one came from Lesley Manville. Portraying the Weboy family matriarch, Blanche, her character reminded me of the mob bosses from gangster movies of yesteryear. Lesley carried her character with her own distinct style and personality, which is reminiscent of the aforementioned mob bosses I brought up.  Blanche’s attitude escalates over the course of the movie, becoming viler and more brutal. Even though I wasn’t a fan of Blanche, Lesley’s performance stole the show! The second performance was Booboo Stewart’s! His character, Peter, was my favorite in this film. Booboo’s portrayal consistently appeared genuine, which showed the strength of his acting abilities and the screenwriting. Peter’s presence also brought a sense of peace that was rarely found in this story. I, honestly, wish he was given more appearances in the movie.

The scenery: This movie takes place in Montana and North Dakota. But it was actually filmed in Alberta, Canada. No matter where Let Him Go was filmed, the scenery was beautiful to look at! At the beginning of George and Margaret’s road trip, large mountains dominated the background. That piece of earth was so majestic, I would guess photos and videos do not do those mountains justice. Surrounding these mountains were clear blue skies and grassy hills. All the natural elements came together to create a landscape that brought a sense of peace. I just wish more scenes had taken place outdoors.

The topics discussed: Like I mentioned in the introduction, Let Him Go is set in the early ‘60s. What should also be noted is how two of the film’s overarching topics are child abuse and domestic violence. Even though these subjects are met with a sense of urgency and seriousness today, it was interesting to see how they were viewed over fifty years ago. The attitude surrounding these topics, in the film, carried an “it’s none of my business” energy. This brought a sense of historical realism to the overall story. In Let Him Go, Peter says he was sent to an “Indian school” when he was younger, referring to the residential schools where Native American children were forced to attend. When it comes to entertainment media, these types of educational institutions are not often brought up. So, even though this particular subject was briefly brought up, it was an interesting to see the movie’s creative team include that topic at all.

Sheriff badge image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/brown-cowboy-label-set_1543252.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

A misleading trailer: Before watching Let Him Go, I saw its respective trailer, in an effort to determine if the film was worth seeing. In that trailer, the movie came across as an intense thriller. But when I actually saw the film, it was mostly a drama with thrilling elements. This reminds me of when I saw the 2015 movie, Forsaken. Because of the talent involved and the story’s western genre label, I expected more action in that movie. Instead, the script emphasized the drama in the protagonist’s life. Similarly, most of the action in Let Him Go took place during the climax. The story also revolved around the drama among the Blackledge family. With all that said, I found this film’s trailer misleading.

An unclear time period: As I’ve already said, the story is set in the early ‘60s. In fact, the majority of the film takes place in 1963. However, everything looked and felt like it came straight from the ‘50s. From the Blackledge’s kitchen to the cars in their Montana town, the set design and costumes appeared authentic for that period in time. Toward the beginning of the movie, I wasn’t sure if the story was set in the ‘50s or if the Blackledge family just liked a vintage style. When I saw a headstone bearing the death date of 1961, the time placement of the story became clear to me. The 1960s has a very distinct aesthetic, so I was disappointed it was absent from this film.

The Weboy brothers’ lack of distinctiveness: When the Weboy family is first introduced, the audience meets Blanche and her sons. Before this happens, one of the sons, Donnie, marries the Blackledge’s daughter-in-law, Lorna. Because of that event, Donnie is a memorable character. But his brothers appeared and acted very similar to one another. It got to the point where I had difficulty telling these characters apart. Not only is the screenwriting to blame for this, but I think there shouldn’t have been that many members of the Weboy family.

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

It feels good writing posts after taking some time away from my blog! I honestly did not mean for the hiatus to last two weeks. But I was working on some projects that weren’t blog related. Since I came back at the beginning of December, I can’t wait to check out some seasonal flicks! Now, back to this Blog Follower Dedication Review. Personally, I thought it was just ok. While I am glad I checked out another western, it wasn’t the product advertised. Plus, the film didn’t look or feel like the ‘60s. Despite these major flaws, there are aspects of the movie I did like. The topics discussed in the story provided historical realism, allowing the audience to glimpse how they were viewed back then. I also thought the acting was strong. As I wrap up this review, I want to take the time to thank all of my blog’s followers. Looking back on these three years, I still can’t believe how far I’ve come as a blogger.

Overall score: 6.5 out of 10

Have you seen any westerns lately? If so, would it be worth recommending? Let me know in the comment section!

Have fun in the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Durango Review

On By 18cinemalane9 Comments

Last year was the first time I participated in Legends of Western Cinema Week! For that event, I reviewed some episodes of Walker, Texas Ranger and the movie, Forsaken. This year, I decided to review the 1999 Hallmark Hall of Fame film, Durango! One day, Hallmark Drama was airing several older titles from the Hallmark Hall of Fame collection, with Durango being one of them. Since I try to watch as many Hallmark Hall of Fame movies as realistically possible, I made sure to record this film on my DVR. This is not only my first time watching it, but this particular title was only sold on VHS. Hallmark has a history of selling some of their Hallmark Hall of Fame films for home entertainment. As I said in my review of the 1987 movie, Foxfire, some of them have been sold on DVD for $20 apiece. But there were some titles that were only given a VHS release. I don’t know what the original price of these VHS tapes were. But if the DVDs were $20, it makes me assume the VHS tapes might have been sold for a similar price. Would Durango be worth the price if it was re-sold on DVD? Keep reading my review if you want to find that answer out!

I really like the poster design for Durango, as it is reminiscent of posters from older western films. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

Patrick Bergin’s performance: In Durango, Patrick Bergin portrayed Fergus Mullaney, the father of the protagonist’s girlfriend, Annie. Out of the whole cast, Patrick is the one that, for me, stole the show! Whenever his character came on screen, he delivered his performance with a strong sense of emotion. Toward the beginning of the movie, Fergus is giving a threat to the movie’s protagonist. During this scene, he truly came across as intimidating. The look in Fergus’ eyes was fiery, revealing the anger within him. His tone of voice was loud and stern, indicating he is not someone to be messed with. I wish Patrick had more appearances in this movie, so he could have had more opportunities to show off his acting talents!

The scenery: Within my review of Chasing Leprechauns, I discussed how the film looked drab. This was because that film’s creative team didn’t take advantage of Ireland’s natural landscape. That was not the case for Durango, as the majority of the movie took place outdoors and there was a lot of greenery to be found! When the Mullaney family was taking a ride through the countryside, the rolling hills of Ireland were showcased in front of a clear blue sky. On the path, a small stone bridge was seen over a river. This river was surrounded by grassy, green fields. That type of landscape was consistently shown throughout the movie. However, it featured Ireland’s natural beauty, which could encourage someone to visit the country!

The music: In films like those from Hallmark Hall of Fame, orchestral tunes are commonly heard in the background. While that is the case for Durango, the music worked with what was happening on screen. During the protagonist’s journey, grand, sweeping orchestral music could be heard as cattle were traveling through the vast fields of Ireland. Because the scenery is so captivating, having this type of music playing makes sense, as the music represents the viewers’ awe for such a beautiful place. When Annie’s brothers were fighting in public, Mark, the film’s protagonist, tells Fergus what is going on. Even though orchestral music can still be heard, the music is reflective of one’s fear when facing an intimidating man like Fergus. Just like any component of a film, music can make or break a production. The music in Durango definitely worked!

Legends of Western Cinema Week banner created by Heidi from Along the Brandywine and Hamlette from Hamlette’s Soliloquy.

What I didn’t like the film:

Low stakes: A common staple in the western genre is including high stakes in the story. In the movie I reviewed last year, Forsaken, the future of the town was at stake. The fear of the unknown could be felt among the characters, with their dialogue and interactions elaborating this point. The major conflict in Durango was the transportation of cattle from one town to another in an effort to receive a fair price for them. But the stakes associated with this conflict were low, causing me not to feel like any of the characters or their cattle were in danger. This is because, nine times of ten, the characters’ plans work out perfectly. Come to think of it, these plans worked out too perfectly by the standards of the western genre. When a higher stake is introduced in the story, it doesn’t appear until the film’s last nineteen minutes. This stake feels like it was included simply for the script to shoehorn a subtle David and Goliath reference. What is frustrating about that creative decision is the movie’s creative team had the entire project to give us the aforementioned reference. Heck, Durango itself should have been a David and Goliath story.

Fergus Mullaney’s desire to protect his daughter: In a story where a young woman falls in love, it’s common for her father to be concerned for her well-being. This is no different for Durango, as Fergus Mullaney only wants to protect his youngest daughter, Annie. The way he went about protecting her is the issue, as it came across as possessive and bit over the top. Whenever Annie’s boyfriend, Mark, is expressing his love for her or seen interacting with her, Fergus becomes angry. It gets to the point where he threatens to physically harm Mark. If Durango were a comedy and Annie were a teenage girl going on her first date, maybe Fergus’ behavior would be justifiable. But because both Annie and Mark are adults and because this movie is more dramatic in tone, Fergus’ behavior felt out of place.

Matt Keeslar’s performance: I’m not really familiar with Matt Keeslar’s filmography. However, I wasn’t impressed with his portrayal of the protagonist, Mark Doran. He wasn’t as strong of a performer as other actors from Hallmark Hall of Fame productions. For most of the movie, Matt carried a “resting face”, making his face appear static. I could tell he was trying with the material he was given, as there were times where he expressed genuine emotion. But these emotions were, in my opinion, not delivered consistently. With everything I just said and the fact that Matt and Nancy St. Alban, the actress who portrayed Annie, didn’t have strong on-screen chemistry, I was not invested in Matt’s performance.

Irish heart image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/label”>Label vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

In my introduction, I mentioned how Durango was only sold on VHS. After watching the film, I now have an understanding of why this could be the case. Durango is one of the few Hallmark Hall of Fame movies I would consider a dud. With a weak lead performance and many low stakes, I found it difficult to stay invested in the characters and overall story. I also think the way Fergus tried to protect his daughter, Annie, felt out of place in this particular film. According to IMDB, Durango is “the first western set in Ireland”, so the fact this movie was not good is disappointing. On paper, an Irish western is an interesting idea that could have worked with a strong creative team. Unfortunately, Durango had a weak execution. I’m glad Hallmark Drama chose to air this movie, as I can honestly say it is not worth purchasing a copy. Personally, I think Irish cinema, the western genre, and Hallmark Hall of Fame deserve better.

Overall score: 4.7 out of 10

Have you seen Durango? Are there any Hallmark Hall of Fame movies you’d like to see re-released on DVD? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Another Man, Another Chance Review

On By 18cinemalane5 Comments

When it comes to blog events taking place on or around Valentine’s Day, romantic stories or favorite couples are usually the chosen topic. But for Pure Entertainment Preservation Society’s Unhappy Valentines Blogathon, there was an interesting twist placed on their event. For this blogathon, the theme was love stories that were “unhappily ever after”. After reading the requirements, I knew exactly which film I wanted to write about! For about a year, I have had the 1977 movie Another Man, Another Chance on my DVR. In this film, a man and woman who have each lost their spouses fall in love with one another. For some people, Valentine’s Day may not be a happy time. This can be the case for a variety of reasons. Whenever I’ve reviewed a Valentine’s Day themed film in honor of this holiday, the tone of those stories were lighthearted. So, it was nice to be given the opportunity to select a change of pace!

Because the poster for Another Man, Another Chance was featured on my television, I decided to take a screenshot of it with my phone. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: This isn’t the first western of James Caan’s I’ve seen. Prior to reviewing Another Man, Another Chance, I have seen JL Family Ranch and JL Family Ranch: The Wedding Gift (with the latter film receiving a review on this blog). In those films, James’ character was more reserved, his character, Tap, learning from his mistakes and defending his family. With his character in Another Man, Another Chance, David, he appeared surer of himself. However, he wasn’t afraid to express emotions. When he was looking for his wife, David expresses genuine concern throughout his search. As he discovers his wife has died, his eyes tear up as he physically turns away from the sight of his wife’s dead body. Within the movie, the relationship of Francis and Jeanne stole the show! Portrayed by Francis Huster and Geneviève Bujold, both actors had good on-screen chemistry, giving the impression their characters truly loved each other. Geneviève brought a gentleness to her role that is sometimes seen in female protagonists in westerns. This presented a contrast to the harsh environment Jeanne experienced in France and the United States. Francis had a way with words and thought outside the box. When Francis invites Jeanne to come to the United States with him, she reminds him how he barely knows her. Without skipping a beat, Francis tells her how he barely knows America. In order to earn extra money for his family, Francis tries to apply for a part time job at a newspaper by offering to be the Gazette’s photographer. These two examples show the intelligence and wisdom Francis was able to bring to his character!

Showcasing photography: It was interesting to see what the art and business of photography was like in the 1800s! Not only did the equipment look different, but the techniques were different as well. When a customer visits the studio, Jeanne makes him sit in a special chair. This chair features a vertical metal bar with a smaller, curved metal piece at the top. It helped customers sit up straight and keep their head in place as they had their picture taken. While in France, Francis says he can only take pictures for a certain amount of time and on certain days due to needing sunlight. His solution to this problem is moving to the United States and settling in the West, where he feels there will be more natural light.

An immigrant’s perspective: When it comes to stories in the western genre, most of them revolve around characters that were either born or raised in the United States. By devoting a large piece of the story to Francis and Jeanne, the audience is able to see a perspective that is rarely explored in this area of cinema. It also allowed the audience to witness these characters’ contributions to their environment. As I mentioned in this review, Francis tries to apply for a part time job at a newspaper by offering to be the Gazette’s photographer. In the 1800s, photographs were not included in newspapers. However, the editor in chief of the Gazette solved this dilemma by agreeing to create stencils of Francis’ photos and adding them to the paper. If it weren’t for Francis’ talent and profession, the Gazette would never have been ahead of their time!

The Unhappy Valentines Blogathon banner created by the Brannan sisters from Pure Entertainment Preservation Society.

What I didn’t like about the film:

Limited time spent with Jeanne and David’s relationship: One of the biggest plot points (and one of the reasons why I watched this film) is Jeanne and David learning to fall in love again. However, they don’t officially meet until an hour and twenty-eight minutes into the movie. Most of the film revolves around David’s and Jeanne’s life prior to their relationship. I know that context and build-up are important to any story. But for Another Man, Another Chance, there was too much build-up to Jeanne and David’s romance.

The run-time: Another Man, Another Chance is a two hour and sixteen-minute film. Personally, I think this run-time was unnecessary. Several scenes lasted longer than they needed to because of the creative team’s desire to satisfy this length in time. One example is when Francis and Jeanne open their photography studio. The scene itself is somewhere between two to five minutes. Because there are no major conflicts or significant moments happening, that scene could have reduced to either a few seconds or a minute. The film’s run-time might have been an hour and twenty or thirty minutes if scenes like that one had been shorter.

Too many unanswered questions: In the story of Another Man, Another Chance, there is a lot going on within the overall plot. This resulted in many questions remaining unanswered. At the beginning of the film, a wealthy woman named Alice is interested in opening a boarding school in France. She shares how she is unable to have children of her own and mentions her sympathy toward the French people. Later in the movie, Alice ends up starting a partial boarding school in her neighborhood. What caused her to change her mind about that boarding school in France? Where did her sympathy for the French people go? These questions were ignored throughout the story.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Every so often, I come across a film that, intentionally or not, made a significant contribution to the world of film. In the case of Another Man, Another Chance, this was done by telling a type of story that isn’t often seen in westerns. The creativity found in this movie is something I can appreciate. It should also be noted how this is one of the few bilingual westerns. But, to me, the overall project could have been much stronger. Another Man, Another Chance did not need to be over two hours. While watching the film, I noticed several scenes that could have easily been cut shorter. It also doesn’t help that Jeanne and David’s relationship was not featured in the story as much as the synopsis advertised. Even though this blogathon highlights romance gone wrong, I feel there are better stories of this nature to watch on Valentine’s Day. My personal choice is the PixL film, Same Time Next Week. Similar to Another Man, Another Chance, the protagonists learn to fall in love again. But in the 2017 film, the overall story is a lot stronger.

Overall score: 6.1 out of 10

Have you watched a western on Valentine’s Day? If so, which one was it? Tell me in the comment section!

Have fun on Valentine’s Day!

Sally Silverscreen

Take 3: The Sea of Grass Review

On By 18cinemalane7 Comments

When I participated in last year’s Spencer Tracy & Katharine Hepburn Blogathon, I reviewed It’s a Mad, Mad, Mad, Mad, World and One Christmas. The first movie was not my cup of tea, but I found the second movie to be just ok. This time around, I decided to write about one movie starring both Spencer and Katharine. As I’ve mentioned before, I don’t watch films from the Western genre often. This is the reason why I chose to review The Sea of Grass. Looking back on the movies I’ve seen from Spencer and Katharine’s filmographies, this is the first time I’ve seen one of their titles where both actors were the leads. Spencer and Katharine are talented actors individually, so it was interesting to see them acting alongside one another!

The Sea of Grass poster created by Metro-Goldwyn-Mayer and Loew’s Inc.

Things I liked about the film:

The acting: In The Sea of Grass, Katharine Hepburn portrays Lutie Cameron, a St. Louis native who moves to the country in order to marry Colonel Jim Brewton. Toward the beginning of the film, Lutie comes across as naïve, as she is a romantic at heart. As she stays in the country, Lutie gains a sense of maturity and grows as a person. Throughout her character’s journey, Katharine was able to show this transition in her acting performance by adopting a variety of emotions. The “sea of grass” this film is named after is Colonel Jim Brewton’s favorite spot. While talking about it with Lutie, Jim describes the fields like a convincing salesman. His face contains a look of longing; reflecting on the past, present, and future of his prized field of grass. The way he talks about it shows how much he cares for this patch of earth. The facial expressions and tone of voice Spencer adopts persuade the audience of this location’s importance. Spencer’s expressions and vocal inflections also reveal the cracks in Jim’s foundation as the story continues. Brice Chamberlain, a local lawyer, is portrayed by Melvyn Douglas. Whenever his character interacted with Lutie, Melvyn was able to, talent-wise, go toe-to-toe with Katharine. He delivered thought-out remarks with a serious calm that one might expect from a respected lawyer. A professional composure was also present in Melvyn’s performance. Because his on-screen personality was different from Katharine’s, it created an interesting dynamic.

The scenery: The majority of The Sea of Grass takes place in the country. Because of this, the natural landscape of this environment is shown in several scenes! When characters travel through the desert, huge mountainous rocks illustrate just how small humans are compared to the large scope of nature. Long and medium shots are used to emphasis this idea. Even the “sea of grass” is featured in a few scenes, its beauty captured well on screen! Sweeping shots showed the vast size of this field. As the wind blew, the movements of the grass looked like the rippling of water. All of these components came together to create a calming space!

Katharine’s wardrobe: Throughout the movie, Katharine showcased an impressive wardrobe that complimented her well! This is because all of her outfits were simple, but elegant. When Lutie and Jim are sharing their first dinner after their wedding, she wears a white long-sleeved dress with a small set of flowers in the front of the dress’s top. Later in the movie, Katharine wears a black-and-white, over-the shoulder dress. This outfit was paired nicely with a dainty black choker and ponytail hair-do. What’s also worth pointing out is how Katharine’s wardrobe in The Sea of Grass appeared historically accurate with the film’s time period.

The Third Spencer Tracy & Katharine Hepburn Blogathon created by Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood.

What I didn’t like about the film:

More emphasis on telling: At the beginning of the movie, several people in Salt Fork inform Lutie about how awful of a person Jim is. He is, apparently, such a bad person, some compare him to a tyrant. While the audience can hear Jim say harmful things, they never get to see him do harmful actions. This creative decision gives the viewers only part of a bigger picture when it comes to Jim Brewton. Whenever the subject of people using the “sea of grass” is brought up, Jim is very specific about how the land should be used. If someone objects to these ideas, Jim tells others what he’s going to do instead of carrying out the deed.

No major conflict: Since the film is called The Sea of Grass, you’d think most of the story would revolve around the “sea of grass” itself. Instead, the film prioritizes the personal events of the characters. Stories that are character driven can work. But when you have an interesting conflict like how to utilize a field of grass, the character’s stories don’t seem as interesting. While the triumphs and tragedies of Lutie and company are highlighted, the “sea of grass” is relegated to a subplot.

Times moves too fast: In a movie where time progresses, there is usually some indicator that a jump in time has occurred. This is done through on-screen text or a voice-over. The Sea of Grass, unfortunately, doesn’t utilize any techniques to inform their audience that time has moved forward, causing changes to appear abruptly. A perfect example are the lives of Sara Beth and Brock. In one scene, Sara Beth is shown as a little girl, while Brock is a toddler. The very next scene shows Sara Beth and Brock as older children, appearing to be ten and eight.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

When I chose to review The Sea of Grass, I wanted to expand my Western genre horizons. This decision taught me that Western tragedies do exist. Despite seeing a handful of Westerns, the movie was quite different from other films I’ve seen in this genre. Even though I knew that this movie was about a rocky relationship, it was sadder than I expected. The Sea of Grass is a fine film with strong components, like the acting and scenery. However, it does have its flaws that shouldn’t be ignored. While the “sea of grass” is shown on screen, it isn’t as significant as the title would suggest. In fact, this location feels more like a glorified backdrop. I will say that Katharine Hepburn and Spencer Tracy do work well together as actors. As the years go by, I would like to see more of their films where they both star as the leads.

Overall score: 7.3 out of 10

Do you like watching Western films? Are there any Westerns you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: JL Family Ranch: The Wedding Gift Review

On By 18cinemalane6 Comments

It’s been four months since I last reviewed a Hallmark Movies & Mysteries film. To fix this, I chose to write about the newest sequel, JL Family Ranch: The Wedding Gift! I saw the first movie when it premiered four years ago, which I thought was just ok. Therefore, I was not asking Hallmark to grant this title a second chapter. Despite not being a fan of JL Family Ranch, I wanted to watch the sequel with an open mind. Providing Hallmark Movies & Mysteries related content was also my intent. Earlier this month, in a Word on the Street story, I talked about JL Family Ranch: The Wedding Gift’s trailer. In that article, I said the trailer made the movie feel like it took a tonal shift from the first movie. But unless I watched the movie for myself, I wouldn’t know how this shift would affect my movie-viewing experience.

JL Family Ranch: The Wedding Gift poster created by Crown Media Family Networks and Hallmark Movies & Mysteries.

Things I liked about the film:

The acting: Most of the cast members from JL Family Ranch appeared in the sequel. This worked in the cast’s favor, as they knew what to expect from each other, talent-wise! Teri Polo had good on-screen chemistry with her co-stars, especially those that appeared in the first movie. She also gave her character, Rebecca Landsburg, a stoic persona. This creative choice allowed the audience to see how having so much on her plate really affected her. When James Caan’s character, Tap Peterson, appeared in the film, a sense of defeat could be seen and felt. This was caused by events that take place within Tap’s subplot. In a scene where he goes to the bank to ask for a large sum of money, facial expressions and body language effectively show what is going on in Tap’s mind. New faces in this cast also found their way to shine! Judson Mills is one example, portraying a new character named Caleb Peterson. Though he was only in select scenes, his performance still left a memorable impression on me. One scene showed Caleb on his phone, talking about an important matter. As the scene plays out, Caleb goes from looking concerned to being on the verge of tears.

The scenery: The scenery in JL Family Ranch: The Wedding Gift effectively reflected the characters’ rural lifestyle, presenting a stylized version of a ranch family. Sweeping establishing shots captured the green pastures surrounding the family’s bed and breakfast. Picturesque fields were shown in scenes where characters ride their horses. When Rebecca and her fiancé, Henry, are having a private picnic, they are sitting next to a river. The clear blue of the water paired with the surrounding grass nicely. These locations promoted the ideas of the calm and tranquility a rural setting can offer!

Tap Peterson’s house: There have been some gorgeous houses to grace the backgrounds of Hallmark’s productions. Tap Peterson’s house in JL Family Ranch: The Wedding Gift is one of them! Its white exterior boasts a traditional colonial style, complete with a manicured front yard. The interior design within the house displayed a well-to-do setting fit for the prominent rancher Tap is. In one room, the rich wood on the walls complimented a cream armchair with a red pattern. Another room contained white walls showcasing blue and green glass plates. Each design choice was elegant and classy, creating a timeless look in each room presented on screen!

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Poor audio: While I haven’t seen Follow Me to Daisy Hills or Falling for Look Lodge, I have heard there are audio problems within these movies. It seems like poor audio has become commonplace in Hallmark’s productions lately, as JL Family Ranch: The Wedding Gift contained the same flaw. All of the characters sounded muffled whenever they spoke, especially when scenes took place outdoors. Because of this, it was difficult at times to understand what was being said. I’m not sure if music or microphone related issues are what caused the movie’s audio to be poor. What I am sure about is this problem was consistent throughout the film.

Too many cliches: I know Hallmark loves their cliches like Santa loves milk and cookies. But JL Family Ranch: The Wedding Gift incorporated too many cliches that have been featured in many other Hallmark films. Four of these cliches were discussed in my list of the top ten worst cliches from Hallmark movies: the “we’re not together” cliché, the “it’s not what you think” cliché, the “protagonist’s ex showing up unannounced” cliché, and the “planning a wedding in an unrealistic time period” cliché. JL Family Ranch: The Wedding Gift also showcased cliches that I’ve never talked about on my blog before, such as the “save the (insert establishment here)” cliché and the “owner of a bed & breakfast trying to impress a travel critic/writer” cliché. If Hallmark knew they were going to use any of these clichés in this movie, they should have put a new twist on them. One idea is to have the travel critic/writer be one of the character’s exes. This way, it creates a compelling conflict of interest dynamic.

Convenient resolutions: On multiple occasions, situations in JL Family Ranch: The Wedding Gift were resolved too conveniently. One example can be found toward the beginning of the film. After a surprise wedding proposal, two travel writers that had come to the bed and breakfast a day early decide to leave sooner than expected. When John tells them there will be an engagement brunch that same morning and when the writers discover all the food of the brunch are “farm to table”, the writers’ impression of the bed and breakfast quickly begins to change. The circumstances that caused these writers to change their perspective were placed at a convenient time in the story.  But because of how everything in that situation happened so quickly, it made the resolution seem like it was met too conveniently.

First wedding dance image created by Teksomolika at freepik.com. <a href=’https://www.freepik.com/free-photo/newlyweds-dancing-at-their-wedding_983404.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding image created by Teksomolika – Freepik.com</a>. Image found at freepik.com.

My overall impression:

In 2018, I named Marrying Mr. Darcy the tenth worst movie I saw that year. My reason was how the film could have been better than its predecessor, but ended up being a disappointment. JL Family Ranch: The Wedding Gift made me feel the same way. The 2020 sequel was a disappointingly average film that never reached its full potential. Instead of receiving an exciting new chapter, the story was drowned in clichés and convenient resolutions. It also didn’t help that the project’s audio was poor. While there are things about this movie I liked, such as the talented cast and Tap Peterson’s house, the script itself didn’t hold up its end of the bargain. When it comes to movies, a story is what makes or breaks that project. In the case of JL Family Ranch: The Wedding Gift, the narrative didn’t do it a lot of favors. As a matter of fact, the movie itself is proof why its predecessor did not need a second part.

Overall score: 5.6 out of 10

Did you watch JL Family Ranch: The Wedding Gift? If so, what are your thoughts on it? Tell me in the comment section below!

Have fun at the movies!

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