We Need to Talk About the Toxic Relationship of Top Dollar and Myca from ‘The Crow’

Two years ago, I wrote an editorial on why I felt Lestat and Akasha’s relationship from Queen of the Damned was very problematic. When I published that editorial, I had no idea how popular it would become. As of late October 2021, my editorial has garnered 1,301 views and counting! So, that success is a reason for this new editorial. I’ve read many articles and seen many videos about The Crow. But no one has talked about how toxic Top Dollar and Myca’s relationship is. In fact, I’d go so far as to say their relationship is worse than Lestat and Akasha’s. Like my previous editorial, I will present five key reasons why Top Dollar and Myca’s relationship is unhealthy. But before I start my explanations, let me bring up some disclaimers:

  1. In this editorial, I will be addressing the subjects of inappropriate sibling relationships, violence, drug use, and crime. That is because the movie itself addresses these subjects. If you are sensitive to any of the aforementioned subjects, take this disclaimer as a fair warning.
  2. This editorial was not written to be mean-spirited or negative. Its intent is to showcase my honest opinion about this topic.
  3. This editorial was not written to disrespect any persons who worked on The Crow. This includes Michael Wincott and Bai Ling, who portrayed Top Dollar and Myca.
  4. Like most of my editorials, this article is going to be long in length. If you are interested in reading this post, please allow yourself enough time to consume the content.
  5. Unless I say otherwise, the screenshots in this editorial are screenshots I took with my cellphone.
Image of Top Dollar and Myca found on IMDB

An Inappropriate Sibling Relationship

A typical sibling relationship is meant to teach empathy, show how to get along with others, and help maintain a family unit. But with Top Dollar and Myca’s relationship, nothing about it is typical. In fact, it is downright inappropriate. In The Crow, it is revealed these characters are half-siblings. But instead of treating each other like siblings, they interact with each other like a romantic couple. In the very first scene Top Dollar and Myca appear in, it is heavily implied they engage in intercourse. Their physical interactions also appear more sensual in nature. The existence of Top Dollar and Myca’s relationship is illegal, especially in Michigan, the state The Crow takes place in. According to Michigan Legislature, they would be guilty of Criminal Sexual Conduct in the First Degree. This is because Top Dollar and Myca meet these two circumstances: “The actor is a member of the same household as the victim” and “The actor is related to the victim by blood or affinity to the fourth degree”. When the true nature of their relationship is revealed, Top Dollar says Myca is “my father’s daughter, that’s right”. This means both Top Dollar and Myca were fully aware of their involvement in an inappropriate sibling relationship.

Top Dollar and Myca kissing photo found from Top Dollar/Myca (The Crow 1994) – Love song

While Top Dollar and Myca are aware of their relationship’s nature, they go out of their way to keep their relationship private. Any time Top Dollar and Myca engage in displays of affection, it is done when few people or no one is around. In the first scene these characters appear in, there is another woman in the room. However, this woman is dead. In their next scene, Top Dollar and Myca partake in consuming drugs or creating mystical concoctions. When T-Bird and Grange arrive at Club Trash’s lair, Top Dollar and Myca are careful when displaying their affection for one another. Myca sits beside Top Dollar, with his arm draped across her lap. But when T-Bird and Grange leave, Top Dollar places his hand on Myca’s thigh, a gesture that is typically known for being sensual. It should also be noted how this gesture was performed under the table. Out of all the characters in The Crow, only two of them know about Top Dollar and Myca’s relationship. These characters are Grange and Gideon.  It’s safe to assume Grange was already aware of Top Dollar and Myca’s relationship prior to the film’s events. But Gideon finds out about this relationship when he visits Top Dollar at Club Trash’s lair.

Because it can be difficult to see, I put a yellow line next to Top Dollar’s arm. This shows how his arm is draped across Myca’s lap when T-Bird and Grange are around.
This time, I put a circle around Top Dollar’s hand, showing how it is now on Myca’s thigh. You can also see how Myca is holding back Top Dollar’s hair, a gesture I will talk about later in this editorial.
In this picture, it is clear to see how Top Dollar and Myca appear “professional” to keep up appearances.

One of my criticisms of The Crow is how some parts of the story don’t receive context. Top Dollar and Myca’s story is one of them. But based on what was said and not said by these characters, it is assumed their relationship is the result of an absent/dysfunctional family unit. In Top Dollar and Myca’s first scene, Top Dollar reveals the origin of a snow globe. This snow globe, displaying a miniature grave yard, was a birthday gift from their father when Top Dollar turned five. He tells Myca “Dad gave me this. Fifth birthday. He said ‘Childhood is over the moment you know you’re gonna die’.” Top Dollar brings up their father on two other occasions: when he tells Gideon Myca is his father’s daughter and when he tells Eric “Ya know, my daddy always used to say ‘Every man has a devil, and you can’t rest till you find him’.” Meanwile, Myca never brings their father up. In fact, when Top Dollar is talking about the snow globe, she doesn’t express any emotion toward her parent. According to David J. Schow, one of The Crow’s screenwriters, Top Dollar and Myca’s “father was in Vietnam”. In the book, The Crow: The story behind the film, “Top Dollar’s motivation would be to punish the world for Myca’s tragic life”. Taking all of this into account, it seems like Top Dollar and Myca’s father had no qualms about exposing his children to dark and harmful things, especially at a young age.

For this picture, an arrow points out the tear near Top Dollar’s eye, emphasizing how emotional the snow globe is making him.
Meanwhile, as Top Dollar is sharing the snow globe’s origin, Myca expresses no emotion.

They Enable Each Other

If you knew someone who was causing harm to themselves or other people, would you intervene and help them turn toward better choices? Most people would say “yes” if asked this question. But, in The Crow, Top Dollar and Myca do the complete opposite. During their introduction in the movie, Myca asks if the woman in the room is dead. Top Dollar responds by saying, “I think we broke her”, heavily implying they had something to do with the woman’s death. Myca then proceeds to remove the woman’s eyes, with Top Dollar silently watching her perform this act. Top Dollar was fully aware of how much damage he and Myca made in one evening. Despite this, he never tried to stop Myca from obtaining the eyes or question her reason for committing the act. In fact, Top Dollar never intervened during the process. While Myca’s desire to snatch someone’s eyes is explained, Top Dollar continues to enable Myca.

As you can see in this picture, Top Dollar expresses no concern for Myca’s harmful behavior.

In the next scene Top Dollar and Myca appear in, they engage in activities only they would leisurely choose to do. While Myca uses the aforementioned eyes to create a concoction involving smoke, Top Dollar is consuming drugs. During Myca’s “activity of leisure”, Top Dollar silently watches the entire time. He only gets involved when Myca creates smoke, as he ends up breathing it in. While this scene is taking place, Top Dollar’s plate of drugs are located right next to Myca’s goblet. Myca is fully aware of their presence, yet chooses to do nothing about it. What she does do is ignore Top Dollar’s drug use. When Grange and T-Bird arrive at Club Trash’s lair, Myca can be seen turning her body away from Top Dollar, facing her guests. Before Top Dollar consumes the drugs for the second time in this scene, Myca gets up from the table she is laying on and walks away from the situation. Even though she does return to sit beside Top Dollar, she ends up holding his hair back as he consumes the drugs for the third and final time in this scene.

An arrow pointing to Myca’s goblet and a circle around Top Dollar’s plate of drugs highlight how close they are to each other.
Before T-Bird and Grange show up, Myca is facing Top Dollar.
After T-Bird and Grange arrive, Myca turns away from Top Dollar and faces her guests.
The arrow is pointing to Myca’s shoulder, as she is rolling off the table and moving away from Top Dollar.

The previous scene I talked about isn’t the only time Myca turns a blind eye to Top Dollar’s harmful choices. When Gideon pays a visit to Club Trash’s lair, the intent of his visit is to call Top Dollar out for his lack of involvement. This is in relation to Gideon’s Pawn Shop being burned down in an earlier scene. It is in this current scene where Top Dollar reveals he and Myca are half-siblings. After this secret is revealed, Myca places her foot on Gideon’s chest as Top Dollar points his sword at Gideon, both actions attempting to intimidate their guest. Shortly after Gideon tells Top Dollar and Myca “I ain’t twisted like you two fucks”, Top Dollar proceeds to stab Gideon with his sword. Before Top Dollar receives a gun from Grange, Myca can be seen turning her head away from the situation. She turns her head back after Top Dollar kills Gideon.

This picture illustrates how Myca is enabling Top Dollar’s behavior by helping him intimidate Gideon.
This is the same picture/scene as above, but from a different angle.
This is a photo of Myca as she is turning her head away from Top Dollar’s crime, before he shoots Gideon.
This photo shows Top Dollar and Myca after he shoots Gideon, with Myca turning her head back.

When I first watched The Crow, I was really confused by Top Dollar and Myca’s decision to enable each other. Judging by their body language, their love for one another seems obvious. So, seeing them enable the other to hurt themselves or other people told a conflicting story. After talking with some fans of this film, I came up with three likely reasons why Top Dollar and Myca choose to enable one another. The first reason relates to the possible upbringing I talked about in my first point. Because Top Dollar and Myca were likely exposed to dark and harmful things for so long and often, these things have become their “normal”. The second reason is the precedent Top Dollar places on his environment. Since he is the leader of his villainous group, he is the one who sets that precedent, which is a “I don’t care because it’s none of my business” attitude/mindset. With that said, why should Myca be expected to care about Top Dollar’s drug use or violence when he doesn’t seem to care how or where she acquires eyeballs? The third and final reason is how the final product benefits them. As I already mentioned, Top Dollar only gets involved in Myca’s “activity of leisure” after she makes the smoke. This allows him to enjoy the fruits of her labor without worrying about how the smoke is created. In a meeting at Club Trash’s lair, Myca says “I like the pretty lights”, referencing the fires taking place throughout Detroit. This statement alone shows that Myca doesn’t seem to care how those fires came to fruition, but instead how these “pretty lights” make her feel.

This picture from The Crow: The Movie clearly shows Top Dollar and Myca looking disinterested in each other’s concerns and needs.

No Meaningful Conversations

As I said in my editorial, ‘Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)’, words are needed to build/strengthen a bond. In The Crow, the audience can hear Top Dollar and Myca talking to each other instead of at each other. But when one truly listens to what these characters are saying, it is evident how Top Dollar and Myca are not having meaningful conversations with one another. There are two scenes showing them carrying on a conversation. In the first scene, Myca sees Top Dollar becoming emotional over a snow globe. She acknowledges this by telling him “You are thinking about the past”. However, after Top Dollar tells her the story behind the snow globe, she changes the subject to the dead woman in the room. While Myca does give Top Dollar physical affection by hugging him and kissing him on the head, she doesn’t use words to get to the root of the unidentified problem. No questions about why this snow globe causes Top Dollar to get so emotional are asked. Similar personal moments or comforting sentiments are not shared either. Because of Myca’s decision to not verbally help Top Dollar through his emotions, those feelings and personal turmoil are bottled up and unaddressed instead of being resolved.

A picture of Top Dollar and Myca hugging before she learns the origins of the snow globe.
Instead of verbally comforting Top Dollar, Myca kisses his head.

In the second scene, Top Dollar wishes he were hungrier. He reveals this to Myca after she tells him “You are very restless”. But instead of trying to help Top Dollar find a solution to his problem, Myca says “Be careful what you ask for”. Hunger is a basic need, with eating being an important part of human life. The fact Myca is ignoring this basic need, especially after Top Dollar addressed it to her is concerning. In this same scene, Myca tells Top Dollar “There are energies aligning against you”. His response to her concern is “Seeing is believing, isn’t it?”. Like Myca’s response to Top Dollar’s hunger, Top Dollar’s reaction is also concerning. He doesn’t question what these “energies” are or try to verbally put Myca’s worries at ease. These examples in this point highlight what I talked about earlier: the precedent in Top Dollar and Myca’s environment carrying a “I don’t care because it’s none of my business” attitude/mindset.

In this picture, Top Dollar clearly look like he doesn’t care about Myca’s concerns.

They Treat Others Horribly

Similar to Akasha from Queen of the Damned, Top Dollar and Myca treat other people horribly. This horrible treatment is experienced by most of the members of their community as well. Like I mentioned earlier, Top Dollar intimidates and kills Gideon, with Myca helping Top Dollar intimidate their guest. I also mentioned the dead woman whose eyes were removed by Myca. However, these are just two examples of their hurtful ways toward others. Whenever something bad happens to someone with a lower social ranking, Top Dollar does not show any amount of sympathy for them. Instead, he treats their misfortune as a joke. When T-Bird visits Club Trash’s lair, he informs Top Dollar of Tin Tin’s death. Top Dollar says he’ll provide a moment of silence for Tin Tin, but uses that time to consume more drugs. Later in the movie, at a meeting in Club Trash’s lair, Top Dollar tells the attendees how T-Bird will not come to their gathering. He says T-Bird has “a kind of a slight case of death” as if passing away is simply an inconvenience. This causes some of the meeting attendees to chuckle, like Top Dollar told a funny joke.

This photo highlights how annoyed Top Dollar looks by T-Bird’s death.

It should also be noted how complete strangers are not safe from Top Dollar and Myca’s harmful choices. As the story progresses, Eric Draven learns his and Shelly’s murders were caused by Top Dollar, as he ordered some of his members to remove Eric and Shelly from their apartment. When Eric crashes the meeting at Club Trash’s lair, Top Dollar orders the meeting’s attendees to kill Eric. While these attendees shoot Eric, Myca stands beside Top Dollar and watches the violence upfold. After the meeting ends earlier than expected, Top Dollar and Myca kidnap Sarah. They do this in an attempt to lure Eric and The Crow toward them, planning to kill both of them in the process. Based on the examples I provided, it is obvious that Top Dollar is the one who causes most of this harm, with Myca as his bystander.

As Top Dollar orders the meeting’s attendees to shoot Eric, Myca simply watches the violence unfold.
This is the same picture/scene as above, but from a closer angle.

No Sense of Shame

The most blatant aspect of Top Dollar and Myca’s part of the story is how they have no sense of shame for what they say and do. This is because they are never given a reason to feel a sense of shame. In Top Dollar and Myca’s environment, there are no “voices of reason” to hold them accountable for their actions and choices. Even when someone, like Gideon, tries to become a “voice of reason”, they end up facing consequences instead of Top Dollar and Myca. Two reasons are likely why “voices of reason” don’t exist in Top Dollar and Myca’s world. Like I’ve been saying in this editorial, the precedent in this environment carries a “I don’t care because it’s none of my business” attitude/mindset. Since Top Dollar and Myca don’t express any concern for others, the people in their environment have no incentive to care what Top Dollar and Myca do. Fear can also be a contributing factor. Top Dollar and Myca have the two highest social ranks in their environment. So, this fact can be a motivator to keep others in line. Out of all the people who work for Top Dollar and Myca, Skank is the only one who openly expresses this fear. After being forced to attend the meeting at Club Trash’s lair, Skank cowers in his seat when Top Dollar calls him out. Skank’s demeanor clearly displays unease, like he is afraid of upsetting Top Dollar. In a community where people are too afraid to speak up, it is no wonder Top Dollar and Myca’s behavior is allowed to run rampant.

This picture illustrates how Skank is cowering in his seat.
This other picture shows the fear in Skank’s face, emphasizing how uncomfortable he is near Top Dollar.

The one person who should have been a “voice of reason” is Grange. As Top Dollar and Myca’s bodyguard and the closest person to them, his job is to look out for their best interests. What he does instead is enable Top Dollar and Myca, as well as encourage them, to carry on their harmful ways. When T-Bird goes to Club Trash, he tells Grange he’d like to meet with Top Dollar. Grange says that won’t be possible because Top Dollar is in a meeting. The next scene reveals Grange’s lie, as Top Dollar is in a bedroom with Myca and a dead woman. This scene shows how Grange is enabling Top Dollar and Myca’s inappropriate sibling relationship while also turning a blind eye to it. When Top Dollar stabs Gideon during his visit to Club Trash’s lair, Grange gives Top Dollar the gun that would ultimately kill Gideon. He also tells Top Dollar and Myca he’ll get someone to remove the dead body. Later in the movie, when Myca discovers a connection between Eric and The Crow, Grange says “So kill the crow, then destroy the man”. He tells Top Dollar and Myca this as a way to enable them to hurt Eric and The Crow. Grange’s reaction to Top Dollar and Myca’s other harmful decisions, like kidnapping Sarah and enabling one another, is either silently playing along or ignoring the problem altogether. With all things considered, Grange shows how he isn’t doing his job well.

When Grange visits Top Dollar and Myca in Club Trash’s lair, he never points out their “activities of leisure” or calls them out for hurting themselves or others.

After I published my editorial about Lestat and Akasha’s relationship, I naively thought I would never come across or even talk about a relationship worse than theirs. But when I watched The Crow for the first time, Top Dollar and Myca proved that idea wrong. I can say with all honesty their relationship is one of the worst I’ve ever seen in cinema. It is so toxic, red flags pop up every time they appear on screen. At first glance, it seems like Top Dollar and Myca love each other. But when one looks beyond the surface, it is plain to see how weak their relationship is. They don’t have a strong sense of care for one another. When something important is addressed, whether it’s a concern, need, or feelings, Top Dollar and Myca ignore them. They also allow each other to hurt themselves or other people with no attempts at intervention. With the way they care so little about the other, it makes me wonder why Top Dollar and Myca are even together at all? But because their backstory would probably be as dark and harmful as the choices they make, maybe it’s better to leave that question unanswered.

Have fun at the movies!

Sally Silverscreen

References:

The Crow 1994

The Crow: The story behind the film by Bridget Baiss

http://www.legislature.mi.gov/(S(nwj0dk1ejwrt2atsnhskh4od))/mileg.aspx?page=GetObject&objectname=mcl-750-520B

Sally Watches…Homicide: Life on the Street

Recently, I purchased The Crow: The Movie, a book that explores the production of the 1994 film. While reading that book, I learned that Bai Ling, who portrayed Myca in the movie, guest-starred on an episode of Homicide: Life on the Street. The Crow: The Movie also revealed that Jon Polito, who portrayed Gideon, was a regular on the aforementioned television show. As of November 2020, I haven’t seen much from either actor’s filmography. Until a few days ago, I didn’t even know this show existed. Fortunately, I was able to find Bai and Jon’s episode online, which is one of the reasons why I’m reviewing it. Like my other television episode reviews, I will write about what I liked about the episode, what I didn’t like about the episode, the story itself, the other factors from the episode, and my overall thoughts. But similar to my episode review of Touched by an Angel, I won’t be sharing my thoughts on Homicide: Life on the Street as a series, as I’m only focusing on one episode.

Screenshot of Homicide: Life on the Street‘s title card taken by me, Sally Silverscreen.

Episode Name: And The Rockets Dead Glare

Season 1, Episode 7

Premiere Date: March 17th, 1993

What I liked about this episode:

As I mentioned in the introduction, I have not seen much from Bai’s or Jon’s filmography. In fact, the only projects of Bai’s I’ve seen is The Crow and the Lost episode, “Stranger in a Strange Land”. Her roles on those programs, Myca and Achara, are presented as mysterious individuals who convey a sense of mysticism. This is portrayed through the characters’ actions and choices. Because Bai’s character on Homicide: Life on the Street, Teri Chow, is not mysterious in the same way as Myca or Achara, this forces her to rely on emotion instead of actions. “And The Rockets Dead Glare” shows Bai effectively using emotion when interacting with Jon Polito’s character, Steve Crosetti, and Meldrick Lewis, Steve’s detective partner. In the beginning of the episode, Teri tearfully reveals the identity of the murder victim and the likely cause of his death. Bai’s performance not only shows how murder can affect those surrounding the victim, but the battles some people may face as well. I also found her to be the stand-out actor in this episode!

What I didn’t like about this episode:

Just like The Crow, Jon and Bai share only one scene on their episode of Homicide: Life on the Street. However, a major difference is the aforementioned scene was Bai’s only scene in the entire fifty-four-minute episode. Teri is referenced by Steve and Meldrick long after her initial introduction. But aside from that first scene, she doesn’t make any further appearances. While Bai receives more lines in “And The Rockets Dead Glare” than she did in her and Jon’s scene from The Crow, her character is not as significant in the overall story as I hoped and expected. It also doesn’t help that the mystery in this specific storyline is overshadowed by Steve and Meldrick’s sightseeing adventure in Washington D.C. Because of this, the mystery remained unsolved. For almost an hour, a guilty party was not revealed, no clues were found, and there were no suspects being questioned.

The story itself:

When I first read the synopsis for “And The Rockets Dead Glare”, I felt there was too much going on in the episode’s overall story. After watching the episode, I still stand by that belief. “And The Rockets Dead Glare” features four storylines; Steve and Meldrick’s murder mystery/Washington D.C. trip, another murder mystery involving drugs, a court case featuring two of the series regulars (Beau Felton and Kay Howard), and a member of Baltimore’s police unit, Frank Pembleton, receiving a promotion. With four plots competing for screen-time, all of them ended up underwhelming. Even the one story I was the most invested in, Steve and Meldrick’s murder mystery, was not fully engaging because of the story’s misfocus. The plot that received the most attention, Beau and Kay’s court case, revolved around events from the show’s previous episode. Because of this and because “And The Rockets Dead Glare” is the only episode of Homicide: Life on the Street I’ve seen, I found the story to be uninteresting. Had this storyline been the main focus of a two-part episode, it might have worked better from a story-telling perspective. Every plot in “And The Rockets Dead Glare” lacked a sense of urgency. It seemed like the characters spent more time having casual conversations with one another than actually doing their jobs. This screenwriting decision takes away the suspense and intrigue that is usually found on mystery/crime shows.

The other factors from this episode:

  • Pieces of media from the past can be viewed one of two ways: as products of their time or standing the test of time. Parts of “And The Rockets Dead Glare” were reflections of the ‘90s that felt exclusive to that time period, with no room to expand beyond the decade. While waiting in the hallway at the court house, Beau asks Kay if she’d like to watch Oprah, referring to Oprah’s day-time talk show. Because that show has been off the air for almost a decade, as of November 2020, it doesn’t hold the same amount of relevance it did when “And The Rockets Dead Glare” first premiered. Another example is a conversation Steve has with a government official that has aged poorly, where Steve compliments the official for his use of English.
  • I really liked Homicide: Life on the Street’s introduction! All of the shots were filmed in black-and-white, with hints of red appearing on the screen. This reminded me of The Crow, where the film’s color palette shared similar hues throughout the story. In the introduction, mysterious music could be heard in the background. This sets a tone that indicates a suspenseful outcome of what will unfold.
  • As I said in the introduction, I had never heard of Homicide: Life on the Street before reading The Crow: The Movie. Therefore, I did not see “And The Rockets Dead Glare” when it originally aired. When I watched this episode for this review, I noticed how all of the on-screen text was backwards. I doubt this happened in March of 1993 when the episode first premiered on television. However, I’m wondering if the person who uploaded this episode online made this decision for copyright related reasons?

My overall thoughts:

Now that I have seen Homicide: Life on the Street, I understand why it isn’t well remembered. The episode I watched, “And The Rockets Dead Glare”, was one of the most mundane programs I’ve ever seen. While it had a strong start and promising potential, the stories themselves were not as interesting as they could have been. Despite having seen only one episode of this show, it felt like Homicide: Life on the Street was desperately trying to ride the coat-tails of a show like Law and Order without fully grasping what made a program like that work. Going against Homicide: Life on the Street’s favor is featuring four main storylines in the overall episode instead of one mystery case. The focus on characters having casual-style conversations with each other negatively impacted key areas of these plots. As stated in this review is how Steve and Meldrick’s trip to Washington D.C. overshadowed the murder mystery they were required to solve. If you are a fan of The Crow and are interested in seeing “And The Rockets Dead Glare”, I’d recommend watching the scenes involving Steve and Meldrick’s murder mystery for Bai’s and Jon’s performance alone. Everything else can be skipped, as it’ll just lead you to disappointment.

Rating: A very low 3 out of 5

This is a screenshot I took of my copy of The Crow: The Movie. Screenshot taken by me, Sally Silverscreen.
This is a screenshot I took from The Crow: The Movie‘s page about Bai Ling. Screenshot taken by me, Sally Silverscreen.
This is a screenshot I took from The Crow: The Movie‘s page about Jon Polito. Screenshot taken by me, Sally Silverscreen.

Have you watched The Crow? If so, what TV show episode featuring a star of this movie would you like to see me review? Please let me know in the comment section!

Have fun on television!

Sally Silverscreen

18 Cinema Lane’s take on The Hallotober Tag

My review of The Sea of Grass became the 450th post I have ever published! As I’ve always done, I was going to acknowledge this latest accomplishment in some way. Observant followers and visitors of my blog would notice I haven’t produced as much Halloween content as I did last year. To fix this, I have chosen to participate in the Hallotober Tag! Created by Ofaglasgowgirl, I first discovered this tag when I saw it on Irina’s blog, I drink and watch anime. Finding the Hallotober tag was pleasant timing, as I haven’t posted a tag in a month. Before I officially begin, I must list the rules of the tag, which are:

  • Thank the person who tagged you and link to their post

Thank you Irina! If you want to check out their thoughts on anime, here’s a link to their blog: https://drunkenanimeblog.com/

  • Put the rules at the beginning or after introduction
  • Answer the 13 questions
  • Tag 13 people to do the tag 

Here are the 13 people I’m tagging:

— Lady Kelleth from Lady Kelleth

— IMA from The Cinema Post

— Nisha from The Local Ticket

— Sarah from Room For A Review

— Diane from In Dianes Kitchen

— Lucy from Fun With Orzo

— Kingsley from Divine-Royalty

— Myles from Enticing Desserts

— Eggsandwich04 from KS Blogs

— Simran from The Preserver of Life

— Pale Writer from Pale Writer

— Dbmoviesblog from dbmoviesblog

— J-Dub from Dubsism

If you haven’t been tagged, you can also participate!

  • Delete Question 13, add a new number one question of your own 

  • You are free to use the tag image somewhere in the post 

  1. Which location from a movie or tv show would you choose as your preferred Halloween spot?

Since I love Phantom of the Megaplex, I’d want to spend my Halloween at the Megaplex theater from that film. Exploring the cinema would be so much fun!

2. What’s your favorite thing about October?

Definitely Halloween! As the days and months go on, it feels like the entire month of October is a build-up to the holiday! This makes Halloween the grand finale!

3. Are you a big celebrator of Halloween?

Absolutely! I’ve loved Halloween my whole life, so it’s a holiday that means a lot to me. Therefore, I try to celebrate anyway I can.

4. What’s your favorite horror movie?

  • While I don’t watch a lot of horror movies, I will list some Halloween-esque movies I have enjoyed watching:
  • The Crow
  • Queen of the Damned
  • Phantom of the Megaplex
  • Bedlam
  • Return to Oz
  • Escape to Witch Mountain and Return from Witch Mountain
  • Strangers on a Train
  • The Bad Seed (the 2019 or the 1956 version)
  • Cry Wolf
  • Any mystery series from Hallmark Movies & Mysteries
  • The Perry Mason movie series
  • House of the Long Shadows
  • Hush…Hush, Sweet Charlotte
  • Vampyr
  • The Case of the Whitechapel Vampire
  • Nosferatu
  • Gaslight

5. Would you rather a cozy night in watching horrors or a big night out in a costume?

I have never attended a Halloween party before, so I would choose a big night out in a costume.

6. Which has been your most favorite costume to date?

Out of all the Halloween costumes I can remember, one of my favorites is when I dressed up as Bellatrix from the Harry Potter series. I actually wore that costume twice; for Halloween and for a midnight screening of Harry Potter and the Deathly Hallows Part 2!

Cute Halloween border created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/halloween-background-with-fun-style_1310632.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

7. Bobbing for apples or pin the hat on the witch?

Since pinning the hat on the witch seems like the more sanitary option, I’ll pick the second activity.

8. How do you celebrate Halloween?

Usually, I just stay home and watch a movie. However, I have handed out candy to trick-or-treaters before.

9. What’s your least favorite horror?

I am not a fan of slasher horror films. This is because I find the use of blood in horror stories to be more gory than scary.

10. Do you have a favorite trick or treating memory?

One year, my neighbor transformed their front porch into a haunted house! I enjoyed seeing all the creative ways that space was used, especially since it was a location I had become so familiar with outside of the Halloween season. Since those neighbors moved away several years ago, Halloween in my neighborhood just hasn’t been the same.

11. What’s your favorite thing about Halloween?

Speaking of creativity, I love the creativity when it comes to the story-telling aspect of the holiday. A great example can be found in a recent episode of Food Network’s Halloween Baking Championship. When the bakers enter the haunted house’s nursery, they are required to create a 3-D doll cake. As each baker presents their edible creation, they come up with their own unique back-story to go with their cake.

12. Scary costume or Silly costume?

I’ll take it one step further and pick a creative costume.

13. What’s your favorite Halloween candy?

I haven’t received this in my treat-or-treating career, but I love Sky Bars! Each of the filling flavors is delicious and pairs nicely with chocolate!

Spiderweb image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/pattern”>Pattern vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What are your thoughts on Halloween? Would you like to participate in this tag? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Why Now is the Perfect Time to Release the Tim Pope Cut of ‘The Crow: City of Angels’

In recent days, the news about the release of the infamous “Snyder Cut” of Justice League has taken over the internet. Multiple Youtube videos have covered this story and the discussion of its arrival has been rampant on social media. It has even gone so far as to make Paul Feig consider releasing a new cut of his version of Ghostbusters. But among the articles, videos, perspectives, and comments, there is a cut of one movie that was left out of the conversation: the Tim Pope cut of The Crow: City of Angels. As you’re reading this, you’re probably wondering “What is the Tim Pope cut?” “Didn’t this film already receive a director’s cut?” In this editorial, I’ll answer those questions. I will also be sharing a list of reasons why now is the perfect time to release the Tim Pope cut of The Crow: City of Angels. This isn’t the first time I’ve brought this subject up. In my Sunshine Blogger Award post from this April, I said that one of my greatest wishes for cinema was for the full version of The Crow: City of Angels to be released. However, I honestly never thought I’d write an editorial about this subject. Since many people are not talking about the Tim Pope cut, I decided to do so. Besides, when life gives you lemons, it’s better to write a blog post about it while everyone else is making lemonade.

The Crow: City of Angels poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:The_Crow_2.jpg.

What is the Tim Pope cut?

Before I talk about the reasons why the Tim Pope cut should be released, I need to explain what the cut itself is. The Tim Pope cut is the 160-minute version of The Crow: City of Angels that was purposefully intended to be different from the first film. Unfortunately, this version never saw the light of day because the movie was heavily affected by “studio intervention”. In a video titled “Exploring The Crow City of Angels,” Cecil, the creator and narrator of the video, explains how the studio’s decisions prevented the film’s creative team from telling the story they wanted. It got so bad that the movie’s director and writer, Tim Pope and David S. Goyer, disowned their project because of the changes. While the film did receive a director’s cut, “it’s mostly just extended scenes,” according to Cecil. The original version of this movie is not officially called “the Tim Pope cut.” Supporters, including myself, gave it this name to make it sound more official.

Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

Reason #1: The “Snyder Cut” Opens the Doors for a Winning Cycle

In an article from The Hollywood Reporter, Borys Kit reported that “a growing movement of fans, rallied around the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned – even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con – for Snyder’s version to be released.” The reason why people wanted to see Zack Snyder’s version of Justice League is because the director had to leave the project due to a personal situation involving his family. This caused a different director, Joss Whedon, to step in and change Zack’s intended vision. Because of how vocal and passionate these supporters were, HBO Max is finally granting their wish. Borys says, in their article, the streaming service “will debut the project in 2021.” They also state that “whether it will be released as an almost four-hour director’s cut or split into six “chapters” has yet to be decided.”

Since the “Snyder Cut” is going to see the light of day, it opens the door for other films that have been creatively damaged, like Justice League, to receive the proper treatment they deserve. It also sets a precedent for a cinematic cycle where everyone wins. I provide an image of this cycle to give a visual for what I will be discussing. The following bullet-points show each part of the cycle and why its important.

  • Movie’s Creative Team – Given creative freedom, allowed to make the films they want, has option to incorporate fan feedback and source material if IP is used
  • Fans/Audience Members – Greater chance they’ll spend money on movie ticket if creative team and studio respected and listened to them
  • Studio – Will see good financial results on projects where creative team was given creative freedom and fans/audience members are respected
Screenshot taken by me, Sally Silverscreen

Reason #2: The Person Responsible for The Crow: City of Angels’ Destruction is No Longer in Control of This Film

In the aforementioned video, “Exploring The Crow City of Angels”, Cecil discussed how the film was a victim of “studio intervention.” They mention on several occasions how Tim, David, and even The Crow’s creator, James O’Barr, had always planned on creating a new story for the sequel. This decision was made to show respect toward the predecessor and its devoted fans. After the film had already been finished, “studio intervention” took over. Harvey Weinstein, who was a producer at Miramax at the time, “demanded the film be edited to be more like the first movie,” as Cecil says in the video. This choice single-handedly stopped the creative team of The Crow: City of Angels from making the film they wanted.

In 2005, Harvey left Miramax in order to create The Weinstein Company. This means that he gave up control of the studio. At the time, Disney had ownership over Miramax. It was the result of an acquisition that took place in 1993. Over the years, the studio has changed hands among various companies. On April 3rd, Jill Goldsmith, from Deadline, reported that ViacomCBS “closed on the acquisition of a 49% stake in Miramax.” This allows Paramount, which is owned by ViacomCBS, “an exclusive, long-term distribution agreement for Miramax’s film library and an exclusive, long-term first-look agreement allowing Paramount Pictures to develop, produce, finance and distribute new film and television projects based on Miramax IP.” What this means is Paramount/ViacomCBS is now in control over the potential restoration and release of the Tim Pope cut.

Money image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/bills-and-coins-in-isometric-design_1065328.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Freepik</a>. Image found at freepik.com.

Reason #3: Paramount has Respected a Pre-Existing Fanbase Before

When Paramount chose to acquire Miramax, they purchased projects related to The Crow. With those projects comes a pre-existing fanbase. However, this is not the first time the studio dealt with a project where a pre-existing fanbase was a part of the equation. Last year, fans of Sonic the Hedgehog were not pleased with the way their favorite character looked in a trailer for a movie based on the famous blue protagonist. After backlash over Sonic’s design, Jeff Fowler, the director of Sonic the Hedgehog, announced plans to change Sonic’s look. In an article from SlashFilm, Ben Pearson shares the director’s tweet, which says “Thank you for the support. And the criticism. The message is loud and clear… you aren’t happy with the design & you want changes. It’s going to happen. Everyone at Paramount & Sega are fully committed to making this character the BEST he can be…”. This choice caused the film to be delayed until February of 2020.

When Sonic’s re-design was revealed, fans and potential audience members praised Paramount and the creative team behind the film. Two of those people were Kneon and Geeky Sparkles from Clownfish TV. In a video called “Sonic the Hedgehog is FIXED! Sonic Looks GREAT!”, Kneon and Geeky marvel over Sonic’s drastic change. They also approve of Paramount’s decision to put customers first. Geeky asks, “Look, if it looks really bad and the fans say it looks really bad, you want people to come to your movie, right?” She quickly answers that question by stating “So, um, you’re going to need to, uh, do things that make the fans happy.” Kneon says, “The Sonic fandom is very, very vocal. Ok, they’re a very passionate, vocal fanbase”. He and Geeky express interest in seeing the film due to Paramount’s efforts to make a better product. Because Paramount and Sonic the Hedgehog’s creative team took the time to show the Sonic fans respect, the film went on to, so far, become the second highest grossing movie of 2020! While a part of its ranking at the box office was affected by the Coronavirus, acquiring a domestic receipt of over $300 million is something Paramount should be proud of.

In this chart of 2020’s highest grossing films, Sonic the Hedgehog is currently in the top three. Screenshot taken by me, Sally Silverscreen.

Reason #4: Fans of The Crow are a Dedicated Group of People

The Crow has a pre-existing fanbase that spans more than a decade. Whether drawn to the comic or a fan of any film, fans who love The Crow are dedicated, vocal, and passionate about their favorite IP. They will find an opportunity to talk about the story and have even pushed The Crow into cult classic status. One of these fans is Lee from the Youtube channel Drumdums. In his video, titled “The Crow: Legacy of a Cult Classic,” Lee says “I have been obsessed with this movie, really, since I saw it, in the theater, opening night, uh, in May of 1994.” He shares his personal experiences with the film, as well as praising the project. He even created a live commentary video dedicated to the movie. Another fan is Pale Writer from the blog Pale Writer. Last Halloween, Pale Writer published a review titled “Rain and Revenge: The Crow (1994).” They say in their article, “I first watched The Crow with my older brother when I was in my mid teens, and I’ve loved it ever since. I was an emo teenager with a love of the gothic, and my brother knew that.” Throughout the article, Pale Writer explores many different components related to the film. Because of how well-written and passionate the review was, it encouraged me to watch The Crow for the first time this year.

Within any fanbase, people have their own perspectives and opinions. The Crow’s fanbase is no different. There are people who are vocal about their love for The Crow: City of Angels. Take, for instance, the video, “1. City of Angels – The Crow City of Angels.” Looking through the comment section will show how fans care about this film. One commentator says “I loved City of Angels.” Another person shares “This is the only sequel I liked.” When talking about a piece of lost media, Jorge from the Youtube channel blameitonjorge, says, “It was something that a lot of people wanted to see.” This mindset is similar to the “Snyder Cut’s” journey. Fans wanted to see Zack’s vision come to life, so their desire drove that campaign. I’ve seen comments from fans of The Crow saying how they wish they could see the original version of the sequel. Even Cecil from GoodBadFlicks expresses an interest in finding it.

The Crow poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:Crow_ver2.jpg

Reason #5: Studios Can’t Make a lot of New, Live-Action Projects Right Now

2020 has become the year of Coronavirus. Many practices have been put in place to stop the virus’ spread. One of these practices has been “social-distancing.” This has resulted in many businesses temporarily closing their doors, including those from the entertainment industry. Kate Aurthur and Adam B. Vary, from Variety, reported how Hollywood is planning on returning to work. They say that one of the plans is obtaining “medical-grade cleaning equipment and PPE.” This, along with other new procedures and practices “will balloon the hard costs of production.”

A studio like Paramount needs to make money. At the same time, they also want to move forward as safely as possible. While ViacomCBS has generated revenue from their streaming service, CBS All Access, their incoming funds are more limited than normal. The Tim Pope cut could give the studio content to release. There is an audience for it, so fans are willing to pay for this version of the film. Paramount could either place the movie on the streaming service or release it on physical media. No matter how this film could be released, it would give Paramount something to create.

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Reason #6: People Need More Entertainment Options

As I already mentioned, the Coronavirus has forced people to “social-distance” and “self-quarantine.” Streaming services, cable, and the internet have provided instant entertainment for consumers as they are required to stay home. Because new content is not as common as usual these days, The Crow: City of Angels could become a newer entertainment option. I also mentioned that Paramount could either release this movie on the streaming service, CBS All Access, in a digital format, like Xfinity on demand, or on physical media. Earlier in this editorial, I said that HBO Max was planning on releasing the “Snyder Cut” of Justice League in 2021. If Paramount wants to release the Tim Pope cut of The Crow: City of Angels next year, it gives fans something to look forward to during this stressful time.

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The road to the “Snyder Cut” was met with perseverance, determination, and ambition. While this journey lasted for a few years, the fans’ efforts proved worthwhile. This situation shows how studios, cinematic creative teams, and fans can work together to form a situation where everyone benefits. It also shows that the sky’s the limit for other films that have gone through a similar situation to Justice League. If Paramount doesn’t release the Tim Pope cut of The Crow: City of Angels, it makes the studio look hypocritical. If they could go the extra mile for the Sonic fans, it would only be fair for them to go the extra mile for The Crow fans as well. This is why we need to let Paramount hear our voices. If you are a fan of The Crow, someone who approves of studios putting customers first, support consumer advocacy, want to see creative teams receive creative freedom, someone who loves movies, or want to help set a “wrong thing right” (yes, Sarah’s quote was intentional), then please consider joining the movement to encourage Paramount to release the Tim Pope cut. I created an official image with the hashtag that you are welcome to use. The most important point is to spread the word, so please let others know about this cut. All I ask is to please be respectful while sharing this message.

The image I created with the hashtag, #ReleasetheTimPopeCut. Screenshot taken by me, Sally Silverscreen.

Have fun at the movies!

Sally Silverscreen

Sources:

Videos:

Paul Feig Thinks Ghostbusters 2016 is Next Snyder Cut from Odin’s Movie Blog (this video contains some language)

  1. City of Angels – The Crow City of Angels from Jared

Exploring The Crow City of Angels from GoodBadFlicks

The Crow: Legacy of a Cult Classic and The Crow LIVE Commentary | “Can’t Rain All The Time” from Drumdums

Lost Media Case Files Vol 1. | blameitonjorge (this video contains some language and sensitive material)

Sonic the Hedgehog is FIXED! Sonic Looks Great! from Clownfish TV (this video contains some language)

Articles:

https://www.hollywoodreporter.com/heat-vision/justice-league-snyder-cut-plans-revealed-it-will-be-an-new-thing-1295102

https://en.wikipedia.org/wiki/Miramax

https://www.slashfilm.com/sonic-the-hedgehog-redesign/

Extras on $et: Inside Hollywood’s Pricey Plans to Restart Production

Take 3: The Crow Review

Because this review is for the “Love Goes On” Blogathon, I decided to write an open letter to The Crow. I know this isn’t my usual style of writing reviews and I know I don’t usually post articles on a Saturday, but I thought of trying something new for this post. So, without further ado, let me start this letter to The Crow.

The Crow poster
The Crow poster created by Dimension Films and Miramax Films. Image found at en.wikipedia.org/wiki/File:Crow_ver2.jpg

An Open Letter to The Crow,

If you would have asked me years ago what The Crow was, I would have answered you back with this question; “You mean that animated show with the cavepeople”? Back then, all I knew was a cave boy named Cro ruling my television screen, wooly mammoths being saved from eternal freezing, and every episode receiving a ‘happily ever after’. While I knew you, this other Crow, existed, I didn’t know a lot about you. From a distance, you looked like you based your existence on seeking attention, shocking people, and causing controversary. I know it’s not right to judge a book by its cover, but I let myself judge a movie by its outward appearance. This is not something I’m proud of. However, I won’t be the first or last person to do this for a film. As time went on, I learned more about your truths and secrets that were hidden from me before. From Brandon’s untimely passing to the source material itself, this is information that came to me long after you had made your temporary, but successful, stay at the box office. During this 20+ year time period, I had heard people singing your praises. They said things like how you were their favorite movie to how you’ve earned your status as a “cult classic”. It wasn’t until I read the reviews about you from Pale Writer (from the blog, Pale Writer) and Terence (from the blog, A Shroud of Thoughts) that I finally decided to give you a chance. Originally, I had planned on watching you around Halloween. Because your story takes place around this holiday, I thought it would be an appropriate choice. Since you perfectly fit the criteria for the “Love Goes On” Blogathon, I chose to watch you sooner than I expected.

The Love Goes On Blogathon banner
The Love Goes On Blogathon banner created by Steve from Movie Movie Blog Blog II. Image found at https://moviemovieblogblogii.wordpress.com/2020/03/19/announcing-the-love-goes-on-blogathon/.

To show you how much I like you, I’ll talk about the things I liked about you as a film. I have to say the acting was one of the strongest parts of this project! A lot of people have said good things about Brandon’s performance. After seeing The Crow, I can wholeheartedly agree with them! Besides being able to pull off the action sequences, Brandon brought the emotional intensity required for a role like this. His performance was consistent and never faltered. To me, some of the film’s best moments were shared between Eric and Sarah. These moments almost made me cry as they felt so real, containing emotional depth and expressing the relatable ideas of grief and losing a loved one. Speaking of Sarah, I thought Rochelle Davis did a good job providing a balance between adorable innocence and cynical realism. In movies that deal with serious, real world issues, such as death, crime, and loss, it can be easy for a younger actor or actress to be told or directed to act so adorably innocent, that the performance comes off as too sicky sweet. These kinds of performances may be found in programs such as “after school specials” or a Hallmark commercial. The great thing about Rochelle’s portrayal of Sarah is how it felt authentic and genuine, like a young person in that particular environment would react. I was also impressed with Michael Wincott’s portrayal of Top Dollar! Michael not only brought a cool and nonchalant persona to his character, but he also showed how manipulative Top Dollar can be. One moment, he’s tearing up over a snow-globe his father gave him. Several moments later, he’s ignoring the warnings of his henchmen by belittling or killing them. Through Michael’s performance and the screen-writing, Top Dollar was presented as a chameleon with a sinister under-tone.

crow-1376188-640x480
Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

Before watching you, I had done research as to what you were about and other aspects of your existence. But, when I watched you, I was surprised by the story’s presentation. It was presented as a mystery, with the pieces falling in place as the film went on. The details of the crime were incorporated in very subtle ways. One example is the portrait of Eric’s band hanging on a wall in Top Dollar’s club. This showed and told a connection between the victim and the perpetrator. As someone who enjoys mystery movies, this creative decision made me feel like my intelligence was respected. A concern I had before watching you was the setting being so dark, I wouldn’t be able to see what was happening on screen. I knew the darker setting was meant to match your tone. But my concerns come after watching The Dark Knight, where most of the action sequences took place at night and used very little lighting. I want to thank you for including an appropriate amount of light in your scenes! There was enough to see what was on screen, but also complement the overall tone and atmosphere. One really good example is after Eric had infiltrated Top Dollar’s lair. While looking for the last surviving gang member, the room is mostly dark except for a flashing light. The light itself helped me see the events unfolding, while the systematic pattern of the light’s inclusion added tension to that scene.

20200502_201520[1]
Here is a screenshot of the Cro title card, the show I referenced in this review’s introduction. Screenshot taken by me, Sally Silverscreen.
Just because I like you, doesn’t mean I think you’re perfect. Throughout the story, questions emerged that I wish were answered or elaborated upon. How did Eric and Shelly come to know Sarah? Why was Top Dollar continually mentioning his father? How did Eric’s band-mates deal with the loss of Eric and Shelly? I understand there’s only so much story you can tell in 102 minutes. However, I felt myself wanting to know more when it came to these questions. When I was researching you, I learned the story took place in Detroit. Seeing Michigan/Detroit related “Easter Eggs” was something I was looking forward to. But, in this story, there were barely any references to this specific location. Sure, one of Funboy’s gang members mentioned “the Motor City”. However, this story could have taken place in any state’s major city and it honestly wouldn’t make a difference. I’ve also heard good things about Eric and Shelly’s relationship, from being labeled as “adorable” to being named the perfect definition of “relationship goals”. I think Eric and Shelly’s relationship is nice, but I didn’t really develop an emotional attachment with it. The majority of this relationship was shown through a series of short flashbacks. Because of this, I wasn’t able to witness Brandon and Sofia’s (the actress who portrayed Shelly) on-screen chemistry. The culmination of these two factors prevented me from becoming emotionally invested in their relationship.

173549-OW976O-997
Cute Halloween border created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/halloween-background-with-fun-style_1310632.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

So, now you’ve reached the end of this letter. I think you already know that I like you. When I look beyond your surface, the one that appears violent and darker in atmosphere, I realize you have something important to say. You used the themes of grief and loss during quieter, less action-packed moments. This gave me a break from the intensity of the action sequences. Even though I like you, I haven’t fallen head over heels for you or chosen you as one of my new favorite films. You have flaws that held you back from reaching more of your full potential. But, don’t beat yourself up over this, because every film can’t be a 10 out of 10. Now that I’ve given you a chance, I’ve developed a greater appreciation and understanding of you. I also get why so many people like you so much. You are one of those films that has the power to stick with people long after they’ve seen you. Maybe that’s what makes you so special.

 

Sincerely,

Sally Silverscreen

 

P.S. I’ll give you a score of 7.8 out of 10.

 

Here are the links to Pale Writer’s and Terence’s reviews if you want to check them out:

Rain and Revenge: The Crow (1994)

https://mercurie.blogspot.com/2019/10/the-crow-1994-putting-wrong-things-right.html