There are two reasons why I chose Network for my first review of Comparing with the Critics. The first reason is how the movie is an appropriate title for The 6th Golden Boy Blogathon: A William Holden Celebration, hosted by Virginie and Emily from The Wonderful World of Cinema and The Flapper Dame. Network appearing on Gene Siskel’s and Roger Ebert’s list of the top five films from 1976 is the second reason. When I looked through William Holden’s IMDB filmography in preparation for the blogathon, I remembered how Ebert and Siskel liked Network. In fact, it was one of the few films they agreed on. I was aware of Network prior to the Comparing with the Critics series because I had heard it was adapted into a stage play. Toward the beginning of the ‘Best Films of 1976’ episode, Siskel proclaimed how “1976 was a pretty lousy year for movies”. I can’t speak on the cinematic year of 1976 as a whole. But based on my thoughts on Network, this movie would fit Siskel’s argument about the state of 1976 when it comes to film.
Networkposter created by Metro-Goldwyn-Mayer (MGM) and United Artists
When it’s his turn to talk about Network, Siskel says “I think she’s gonna win an Oscar for this picture”, referring to Faye Dunaway’s performance in the film. Siskel got his wish when Faye did win the Best Actress award at the 49th Academy Awards. While I can’t compare her portrayal of Diana Christensen to the other performances that were nominated that year, I can comment on how interesting some of Faye’s interactions were with William Holden’s character, Max Schumacher. While having dinner one evening, Diana asks Max a series of questions, in order to learn more about her co-worker. The more personal the questions become, the more reserved Max appears. This reserved demeanor is consistently carried by William throughout the movie, using emotion more subtly. When Max does become more emotional, it happens at certain moments, such as when he’s recalling a story about his first broadcasting job. Meanwhile, Diana expresses her emotions more openly. She’s more honest when it comes to her perspective, believing no subject is off limits. The pairing of Max and Diana, portrayed by William and Faye, represents the “old school” and “new school” mentality of the world of broadcast television. It also represents “old” and “new” Hollywood.
Some of Hallmark’s movies have pulled back the curtain on certain industries. One great example, Cooking with Love, shows a behind-the-scenes look at how to create a television show. As you’re reading this editorial, you’re probably wondering what a film such as Cooking with Love has to do with Network. Similar to the 2018 aforementioned production, the 1976 film explores the behind-the-scenes operations of network television. Network shows the various steps that are needed to make network television run as smoothly as possible. The movie also addresses how television programs are brought to the screen. During a typical work day, Diana was presented with a set of tv pilots. Hearing the premise of these pilots makes her realize how similar they all sound. This revelation inspires Diana to create a program that is drastically different. While talking about Network, Siskel shares how “I also like movies that deal with what’s really going on in the world”. Because the movie, more often than not, grounds itself in reality, the realistic presentation of network television’s behind-the-scenes are insightful and even educational for the audience.
As I just wrote about in this editorial, Network explores the behind-the-scenes operations of network television. While I liked this aspect of the movie, there were times when I felt the movie’s creative team expected their audience to know what they were talking about. The mention of “shares” is just one example. The term “shares” was thrown around like confetti on New Year’s Eve. Diana even dreams about creating a show that will earn a certain number of shares. Trying to figure out what this part of network television was, I was confused if the characters were referencing the Stock Market or a program’s viewership. According to Wikipedia, Network is considered a “satirical drama”. I could tell when moments were intended to be satire. But, in my opinion, effective satire is when a story’s creative team knows when to play it straight and when to acknowledge the joke. Network’s creative team played it a little too straight, taking their production too seriously. All of this led to a movie that was pretentious.
In this review’s introduction, I mentioned how Network was one of the few films Ebert and Siskel agreed on. They both stated how comedic Network was. While Ebert called the film “funny”, Siskel said “I laughed a lot at Network”. Comedy, like cinema, is subjective. With that said, the only time I giggled during the film was when Max Schumacher suggests hiring a psychic to report the weather. The story overall was not only dry, it took itself too seriously, as I already mentioned in this review. Network’s first half was a drawn-out search for a resolution to the story’s conflict. The movie’s second half turned into a contest to figure out which character could yell the loudest and angriest. To me, this was a recipe for a headache and not a hilarious two hours. Then again, I don’t find characters yelling and screaming at each other funny.
Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television
Network was one of the films featured in the ‘Best Films of 1976’ episode of Opening Soon…at a Theater Near You. As stated in this review’s introduction, the movie appeared on Gene Siskel’s and Roger Ebert’s list of the top five films of 1976. If I made a guest appearance on the show, Network would not be on my top five or even top ten films list of that year. In fact, I’d consider the movie as one of the “Dogs of the Year”. Network, for me, was an endurance test that almost made me fall asleep. Taking itself too seriously by expecting too much from the audience and telling a dry, boring story didn’t help Network’s case. Though comedy is subjective, I didn’t find the film very funny. However, there were aspects of the film I liked, such as the acting and the peek behind network television’s curtain. But, like network television itself, there are many parts needed to make a movie work. As I wrap up this review for Comparing with the Critics, I’d like to respond to the film’s overarching quote; I’m bored as heck, and I wish Network used its indoor voice.
When the curtains rose and the golden gates of Hollywood opened for him, Buster Keaton likely had one goal: to make people laugh. After conquering Vaudeville and starring in over a hundred film and television credits, Buster not only made people laugh, he left behind a legacy of humor, joy, and timeless entertainment! So, you probably saw the title of this article and wondered, “What does The Twilight Zone have to do with Buster Keaton”? One of Buster’s many film and television credits was an episode of The Twilight Zone. This is a show I am familiar with, having seen several episodes prior to The 10th Annual Buster Keaton Blogathon (hosted by Lea from Silent-Ology). However, on paper, The Twilight Zone and Buster Keaton seem like a random combination. Buster’s forte was comedy, while The Twilight Zone incorporates elements of science-fiction and horror. But is this episode, “Once Upon a Time”, an example of “opposites attract”? Let’s step into another dimension to find that answer through this review!
As I stated in this review’s introduction, Buster’s forte was comedy. His specific acting forte was physical, “slapstick” performances. The creative team behind this episode paid attention to Buster’s comedic work, as Buster was given plenty of opportunities to showcase his comedy skills! One scene shows Buster’s character, Woodrow Mulligan, trying to hide from a police officer. At first, he walks behind Rollo, a character Woodrow meets in the “future”. When both men turn a corner, Rollo moves behind Woodrow, allowing Woodrow to walk in front of him. As they pass a rack of suit pants, Woodrow not only grabs a pair, Rollo picks Woodrow up so he can put the pants on. No beats were missed during this scene. The writing and delivery of this performance was simple, yet effective when it comes to the comedy!
What I didn’t like about this episode:
The run-time for “Once Upon a Time” is twenty-five minutes. Even though the script told a story that could be wrapped up in a short amount of time, there were parts of the episode that were drawn out. Chase scenes serve one example of moments lasting longer than necessary. When Woodrow first travels to 1962, the Time Helmet becomes misplaced. He spends several minutes trying to get the Helmet back, with the Helmet itself getting destroyed in the chase. Another drawn out scene is when Rollo argues with a man who owns a repair shop. While this argument takes place, Woodrow marvels at the “modern” inventions surrounding him. He also discovers a clothing store near the repair shop. In this part of the story, I found Woodrow’s observations hilarious. But I didn’t find the argument interesting.
Throughout this review, you’ve read references to a Time Helmet and Woodrow traveling to the “future”. That’s because “Once Upon a Time” is a story revolving around time travel! When the episode begins in 1890, Woodrow is disgruntled about the world around him. One of his major issues is how noisy his world is. However, this part of the story is presented as a silent film. After he seeks a quieter time period to travel to, he discovers the “future” (1962) is much noisier than he expected. Through this visual and auditory juxtaposition, the creative team behind this episode addressed how sounds can constitute our lives. If you know anything about The Twilight Zone, not everything is what it seems. Each episode shares a lesson or message with its audience, with the story leading up to that message or lesson. Without spoiling “Once Upon a Time”, the way the events play out provide a lesson that members of the audience can relate to.
The other factors from this episode:
For this part of my review, I will be spoiling “Once Upon a Time”. If you have not seen this episode and are interested in watching it, skip ahead to the second point in this section.
When the Time Helmet is first introduced in the story, Woodrow overhears how the Helmet can allow someone to travel in time for only thirty minutes. This is the conflict Woodrow experiences after he travels to 1962. Because Rollo finds 1890 an appealing time period, he is taken back to 1890 through the Time Helmet when Woodrow is on his way home. Toward the end of the episode, a title card states the story is now taking place one week later. Rollo is still in 1890, adjusting poorly to his new surroundings. If the Time Helmet can allow someone to explore different time periods for only thirty minutes, how has Rollo been able to stay in 1890 for a week?
Like I have mentioned in this review, the parts of the episode taking place in 1890 are presented as a silent film, complete with title cards and an overarching tune. Viewers familiar with Buster Keaton’s filmography will know he is one of the most celebrated actors from the silent film era. This creative choice in presentation was such a nice nod to Buster’s career! It also gave this episode its own distinct identity!
During Woodrow’s time in 1962, Rollo admits he is not only a scientist, he is also an expert on 1890. Yet, Rollo and Woodrow take the Time Helmet to a repair shop to get it fixed. Why didn’t Rollo fix the Helmet himself, especially since he seemed capable of knowing how to repair it? Had Rollo repaired the Helmet himself, there wouldn’t be the need for his argument with the man from the repair shop.
I said in this review’s introduction how I have seen several episodes of The Twilight Zone before. But this was the first time I saw “Once Upon a Time”. What surprised me was how light-hearted the story was compared to other episodes I’ve watched. The Twilight Zone is a show known for dabbling in the strange and even the sad. The best parts of “Once Upon a Time” were Buster’s comedic performances! Every comedy scene was written and delivered well, effectively making me laugh! What didn’t work in this episode were the drawn-out scenes. Even though the story was short, some scenes were just too long. When I reviewed television show episodes, I have stated if that episode would serve as a good introduction to its respective show. In my opinion, “Once Upon a Time” is a good place to start for those who either have never seen The Twilight Zone or who are just getting into the show. The story is strange, but not in an unsettling way. It even contains a happy ending. But if you want to know what that happy ending is, you’ll have to enter The Twilight Zone!
Imagine: you’re re-watching your favorite season of a popular tv show. As you’re watching, one of your favorite characters appears on the screen. But upon this re-watch, you notice something different about this character. It’s a small detail that never crossed your mind before. Because the character in question is your favorite, you’re familiar with their story. This leads you to realize the aforementioned small detail doesn’t make sense with what you know about your favorite character. There are no clarifications included in the season you’re watching. You search the internet for answers, but walk away empty handed. You know this detail was given to your favorite character for a reason. And yet you don’t know what it is.
This is Sally Solves a Mystery, my new series where I will explore television-related topics. Through these editorials, my goal is to solve mysteries that may have been overlooked. I can’t promise I’ll always find the answers by the end of an editorial. But if my writing raises awareness on a given topic, that will be a step in the right direction! To start this series, I will cover a mystery I haven’t seen or heard fans of Lost bring up. Ana Lucia Cortez is a character who was officially introduced in the second season of Lost. Throughout her time on the show, she consistently wears a ring on her wedding ring finger. Yet she admits she isn’t married, and there’s no evidence she was ever engaged. Lost is a television program that is known for piling mysteries onto its plate. However, the mystery of Ana Lucia’s ring has been buried by the show’s other unsolved mysteries. With the help of quotes, screenshots, and examples from Lost, I will address the mystery surrounding this small detail, bringing up theories and questions along the way!
Lost title card image created by Bad Robot, Touchstone Television, and ABC Signature. ‘Ana Lucia’s Ring: A Lost Mystery’ image created by Sally Silverscreen
The Ring in Question
Before getting into any questions or theories related to this mystery, we need to discuss the ring itself. Ana’s ring is a thick, silver band that she consistently wears on her wedding ring finger. Despite its placement, the ring does not appear to be a typical engagement ring, as it doesn’t bear any stones. Upon closer inspection, though, the ring seems to boast different designs in different scenes. In the episode, “Two for the Road”, Ana’s ring is visible as she is cleaning a small cut on her head. The ring looks like it has a flat, clear surface, with an etched butterfly design on the side. In “The Other 48 Days”, as some of the dead Tailie passengers are being buried, Ana’s ring continues to present an etched design. But this time, it looks as if it could be a flower or gun’s revolver. The ring showcases a simpler design in “Collision”, while Ana is holding Sayid hostage in the jungle. This design is a curved line, almost looking like the letter V in cursive. Going back to the episode, “Two for the Road”, Ana’s ring can, once again, be seen as she is preparing fruit for Ben/Henry. In this scene, the ring bears a more complicated design, featuring an oval surrounded by deep grooves. Two deep lines are visible on the ring’s side, giving the impression raised triangles are included in the overall design. With this said, could the ring bearing different designs simply be a production error or could these differences be intentional?
Screenshot of Ana’s ring taken by Sally Silverscreen. Image from “Two for the Road”
Screenshot of Ana’s ring taken by Sally Silverscreen. Image from “The Other 48 Days”
Screenshot of Ana’s ring taken by Sally Silverscreen. Image from “Collision”
Screenshot of Ana’s ring taken by Sally Silverscreen. Image from “Two for the Road”
Theory #1: A Flipped Image
Creating a television show is not only a business, it’s a complicated equation involving many different avenues and possibilities. Because television is a visual medium, various film-making techniques need to be considered. One of these techniques is Reverse Motion, where, according to Beverly Boy Productions, “action of the film is shown backwards in a reverse motion scene”. This means a filmed image will be flipped and presented in the opposite direction. Reverse Motion is what led me to believe Ana’s ring was originally filmed on her right hand, with the images flipped to appear the ring was on Ana’s left hand. However, evidence reveals this theory is debunked. The Director of Photography for Lost, Larry Fong, admitted Reverse Motion was utilized on the show. But this technique was specifically used whenever characters were driving in Australia. In the book, Lost: Messages From The Island, Larry talks about filming Australian scenes in Hawaii, saying “That’s not such a big deal on the set but we couldn’t get any cars that had steering wheels on the wrong side for certain scenes so we shot everything and reversed the film”. When discussing filming the show’s pilot episode, specifically the scene where Kate, portrayed by Evangeline Lilly, drives a truck in Australia, Larry says “We had to put jewelry on the other side of her; for the guy who had a fake arm we had to put the fake arm on the other arm. Everybody was so confused but all I did on the video monitor, was flip a switch and it reverses it. It wasn’t that hard and it is funny how the simplest solutions come out”.
While Reverse Motion presented the illusion of characters driving in Australia, this illusion can be broken if an actor or actress has a visible facial marking, tattoo, or birthmark. Michelle Rodriguez, the actress who portrays Ana, broke this illusion in the episode “Two for the Road”. Michelle has what I will call a “freckle”, for the sake of this editorial. This “freckle” can consistently be seen on the left side of Michelle’s face. But in “Two for the Road”, as Ana is driving Christian Shephard to an Australian bar, the “freckle” is on the right side of Michelle’s face. The use of close-ups prevented Ana’s ring from being visible in that scene. Because of the “freckle” and because of Larry admitting to using Reverse Motion, this proves Ana’s ring was always meant to be on her wedding ring finger. Question is, why?
This screenshot serves as just one example of how Michelle’s “freckle” can be consistently seen on the left side of her face. Screenshot taken by Sally Silverscreen.
In this screenshot, Ana is in Australia, parked outside a bar. Because of Reverse Motion, Michelle’s “freckle” is on the right side of her face. Screenshot taken by Sally Silverscreen.
Theory #2: A Peek into the Past
One of the trademarks of Lost is the use of flashbacks. These flashbacks have explored the backstories of the main characters from the island. On a few occasions, an accessory has opened the door to a specific character’s backstory. Two examples are Jack’s tattoo in the episode, “Stranger in a Strange Land”, and Mr. Eko’s cross necklace in “The 23rd Psalm”. These facts lead me to believe Ana’s ring may have been intended to explore a part of her past. Unclarified quotes said by Ana herself fuel this theory as well. In the episode, “The Whole Truth”, Ana tells Sayid:
“People don’t like me. I tried to get them to most of my life. I guess I just gave up a while back. I mean, I am what I am.”
This quote leaves me with several questions. Who are these “people”, and why don’t they like Ana? What exactly caused her to give up? What does she mean when she says “I am what I am”? While in the Hatch with Ben/Henry in the episode, “Two for the Road”, Ana tells him:
“I’ve been around a lot of killers in my life. You know what surprises me the most about them? How much they love to talk”.
Upon first hearing Ana’s quote, one would assume she’s referring to the criminals she’s arrested in her police career. But notice how she says “I’ve been around a lot of killers”, not “I’ve arrested a lot of killers”. Could any of these “killers” be the reason why Ana knows so much information about the Army knife she and Goodwin encounter in the episode, “The Other 48 Days”? In that episode, Ana wonders how the Army knife in Goodwin’s possession got on the island. While she and Goodwin are examining the knife, Ana is able to correctly identify the knife’s connection to the U.S. Military. She is also able to locate the knife’s tank stamp, as well as estimate how old the knife is. One might automatically assume Ana came across one of these knives while being a police officer in Los Angeles. But if this were the case, why wouldn’t she have mentioned this during her assessment of the knife?
With Ana’s unclarified quotes, knowledge about the Army knife, and police career, I’m speculating Ana’s ring may have revealed she did some undercover police work she might be ashamed of. This would explain why she’s “been around a lot of killers” and why she feels people don’t like her. Her knowledge about the Army knife might be explained if this theory were true. If she did undercover police work, she would have effectively used her experiences to successfully trick characters like Sawyer into giving her what she wants.
This screenshot presents the Army knife Ana knew several important facts about, including where the knife’s tank stamp is located. Screenshot taken by Sally Silverscreen.
Theory #3: A Connection Between Ana and Sawyer
Sawyer is one of Lost’s main characters, consistently appearing in all six seasons of the show. One of his “quirks” is making pop cultural references, especially those from the Western genre. In season two, Sawyer made some pop cultural references to Ana. In fact, out of the six pop cultural references made to Ana throughout the second season, Sawyer gave her four of them. In the episode, “…And Found”, Sawyer asked Ana if she was married, which she responded by saying “No”. It needs to be noted that Sawyer is the only character to ever question Ana’s relationship status. What should also be noted is Sawyer is the first main character Ana crosses paths with before arriving on the island, crashing into Christian’s car door in “Two for the Road”.
As I previously stated, Sawyer makes pop cultural references, including those from the Western genre. Some of these references have related to programs such as Howdy Doody, Mister Ed, and Little House on the Prairie. But what if one of those references was meant to come from The Lone Ranger? In the 1981 movie, The Legend of The Lone Ranger, Tonto explains the importance of silver bullets to The Lone Ranger. During this explanation, Tonto says;
“Silver is pure. It’s been a symbol of justice and purity since The Year of the Sun”.
Now, you’re probably wondering, “What does The Lone Ranger have to do with Ana”? The answer lies in her ring. As already mentioned in this editorial, Ana is a police officer. Throughout her time on Lost’s second season, she has tried to seek out justice to varying degrees, such as when, in “The Other 48 Days”, Ana digs a pit and places Nathan in it, believing he kidnapped the children in their Tailie group. Plus, Ana’s ring just so happens to be silver. Could Sawyer have planned on calling Ana “Lone Ranger” or “Silver Bullet”? If “Lone Ranger” was Sawyer’s nickname for Ana, her statements about being alone in the episode, “Collision”, would make sense.
In the episode, “The Long Con”, a series of flashbacks reveal Sawyer sold fake jewelry in an attempt to pull off a con. During one of these flashbacks, he tries to sell chain necklaces to unsuspecting customers. But what if he sold rings at one point? If this were the case, perhaps someone gave Ana her silver ring, purchased from Sawyer. But if Ana knew the ring was fake, why would she keep it, let alone continue to wear it? And if Sawyer did sell that ring, why didn’t he notice it or comment on it? Maybe the ring was purchased from Sawyer as part of an undercover investigation, with Ana keeping the ring as a memento. Perhaps Sawyer didn’t mention the ring because he didn’t realize Ana may have played a role in the investigation.
In a screenshot from “The Long Con”, Sawyer creates prices for fake chain necklaces. Could he have sold rings at one point? Screenshot taken by Sally Silverscreen.
Ana and the Number Three
4 8 15 16 23 42. This set of numbers has become a staple on Lost. The show’s creative team has incorporated these numbers into the story, from Hurley’s winning lottery ticket to some of the characters’ plane seats. During my investigation, there is one number that kept frequently popping up; the number three. Not one of the aforementioned numbers, the number three has been associated with Ana throughout her time on the show. In fact, I’ve compiled a list of all the times the number three has appeared in Ana’s story.
“Exodus Part 1”
During Jack and Ana’s first interaction together, Jack asks Ana three questions: who Ana is, what her name is, and why she’s drinking Tequila and Tonics at ten to noon
Ana’s ring can be clearly seen three times
Ana’s full name is Ana Lucia Cortez, three names. Ana’s first name not only contains three letters, her first and middle name contains a total of three As
Ana’s first appearance on Lost was in the first season’s twenty third episode
Ana’s seat on Oceanic Flight 815 is 42F. The letter F is comprised of three lines
“Orientation”
Ana’s ring can be clearly seen three times
When Ana enters the pit, three guys from the main camp are stuck there: Sawyer, Michael, and Jin
Ana appears in three scenes total
Ana’s first appearance in season two is the third episode
“Orientation” and “Everybody Hates Hugo”
Ana hurts Sawyer three times: she punches Sawyer in the pit (“Orientation”), she throws a rock at his head (“Everybody Hates Hugo”), and Ana punched Sawyer again after he refused to put down a rock (“Everybody Hates Hugo”)
“Everybody Hates Hugo”
Ana tells Sawyer he has three seconds to drop the rock in his hand
Ana touches the DHARMA shelter door three times; two knocks, one scratch. This action was shown on screen three times
“…And Found”
When splitting into groups to find food, Ana caught fish with Bernard and Jin, a group of three
Ana asks Jin three questions: “You want to help us out over here”?, “You want to eat”?, “Does it look like I speak Korean”?
“Abandoned”
Ana tells Michael “The Others” first took three tail section passengers. This detail was also brought up in “The Other 48 Days”
“The Other 48 Days”
Ana is told three tail end passengers are missing
Ana asks Goodwin three questions as they’re walking up to higher ground: “Why do you think they’re doing this”?, “Don’t you ever wonder why they attack us”?, “Why do you think they take some of us and not the others”?
When answering Ana’s third aforementioned question, Goodwin explains the three qualities that caused the first three Tailie passengers to be kidnapped: athletic, tough, and poses a threat to “The Others”
While investigating the Army knife, Ana brings up three facts about the knife; its U.S. Military connection, its tank stamp location, and its likely age
“Collision”
On Ana’s police badge, the number three is in the six number digits
On the door of Ana’s mom’s office, the number 315 can be seen
While Ana and Mike are riding in the police car, Mike asks Ana three questions; “So that shrink give you any good drugs”?, “D’ya miss me”?, “You want me to go kick his ass for you”?
Ana said on the police dispatch she and Mike were three blocks away for the domestic disturbance call
On Ana and Mike’s domestic disturbance call, they encounter a family of three; a man, woman, and baby
While keeping an eye on Sayid, Ana pops the magazine into her gun three times
When Ana crosses paths with Jason in a parking lot, she told him three things; “Hey”, “Jason”, “I was pregnant”. The third statement consists of three words.
When Ana is holding Sayid hostage in the jungle, she tells Libby “I’m already alone”. During her conversation with Sayid, Ana tells him “I feel dead”. These statements contain three words
“What Kate Did”
Ana asks Jack three questions; “Where’s the tonic”?, “You sure you want to waste that on me”?, “You gonna try to convince me that everyone here doesn’t hate me”?
“The 23rd Psalm”
Ana makes only one appearance in this episode, where the number twenty-three is in the title
“Fire + Water”
Ana’s ring can be clearly seen three times
When Sawyer and Kate spot Ana and Jack leaving the jungle, Sawyer tells Kate “That’s the third time I’ve seen them walking out of the jungle”
“One of Them”
Ana speaks to Sayid three times: “Where’s Jack”?, “There. See”?, “What”?
“The Whole Truth”
Locke tells Ana the man in the Hatch (Ben/Henry) has been down in the Hatch for three days
Ana, Sayid, and Charlie (a group of three) go on a trip to locate Ben’s/Henry’s hot air balloon
“Lockdown”
Ana made three appearances in this episode
During their search for Ben’s/Henry’s hot air balloon, Sayid tells Ana they’ve been searching for the balloon for three hours
“Dave”
When Ana and Sayid are interrogating Ben/Henry, Sayid tells Ben/Henry he has three seconds to answer his question
“S.O.S.”
“Ana spoke to Locke three times; “Hey”, “I pressed your button”, “Where’d you go”? Ana’s question contains three words.
This episode name contains three letters and three periods
“Two for the Road”
Ana was told by her mom Jason’s body was found a little after three in the morning
In Ana’s Australian hotel room, her clock reads 3:51
While Jack is cleaning his medical tools in the Hatch, Ana speaks to him three times; “Hey”!, “You’re back”, “So, The Others. They didn’t show up”?
When Michael is sharing information about The Others, Ana asks him three questions; “What about everyone else they took”?, “Cindy”?, “Did you see any other kids”?
“Dave”, “S.O.S.”, and “Two for the Road”
Ana sits on the Hatch’s couch a total of three times; once in “Dave”, once in “S.O.S.”, and once in “Two for the Road”
As this very long and detailed list shows, Ana is often associated with the number three. In fact, this association doesn’t feel like a coincidence. In the special feature segment, “Mysteries, Theories, and Conspiracies” from the Lost season two DVD, Michelle Rodriguez said the following:
“You know, numbers are interesting. Alchemy could have something to do with it too. I think they use a lot of alchemy in this show too. They hint at it. They hint, you know, stars and signs and masonry. A lot of that symbolism is in there”.
If there truly is symbolism behind Ana’s ring and her connection to the number three, could the ring itself and the number three be linked in some way?
The number three is circled in this screenshot of Ana’s police badge is emphasize its existence. Screenshot taken by Sally Silverscreen.
The number three is circled in this screenshot of Ana’s mom’s office door to emphasize the number’s existence. Screenshot taken by Sally Silverscreen.
Each character in this screenshot is given a number to emphasize how they make up a group of three. Screenshot taken by Sally Silverscreen.
Different Versions of Ana
Time is an element experimented on in Lost. Not only were flashbacks used to explore characters’ backstories, “flashforwards” predicted how some characters’ futures would turn out and “flashsideways” broke different time barriers. Despite Ana only consistently appearing in the show’s second season, she did appear in an episode from seasons five and six. Based on where the ring is placed on her hand, it seems like there are different versions of Ana. In the episode, “Exodus Part 1”, and throughout the second season, the ring is on Ana’s wedding ring finger. But in the season five episode, “The Lie”, when Ana stops Hurley on the side of the road, she’s not wearing the ring at all. Ana also acknowledges the fact she’s deceased, telling Hurley “What if I were real” and “Oh yeah, Libby says hi”. The season six episode, “What They Died For”, shows the ring back on Ana’s left hand. But this time, it’s on her middle finger. The scene she appears in is part of an alternate universe, showing the characters as if the pilot episode’s plane crash had never happened. These versions of the same character make me wonder if the ring’s purpose evolved from its original intent, showing the differentiation between each version? The fact there seems to be three different versions of Ana highlights the possible connection between the ring and the number three I mentioned in the previous statement.
This is a screenshot from “Exodus Part 1”. Ana’s ring is circled to emphasize its presence. Screenshot taken by Sally Silverscreen.
Throughout season two, Ana consistently wore the ring on her wedding ring finger. This screenshot from “…And Found” serves as one example. Screenshot taken by Sally Silverscreen.
This screenshot from “The Lie” shows Ana not wearing the ring at all. Screenshot taken by Sally Silverscreen.
In this screenshot from “What They Died For”, Ana’s ring is now on her middle finger. The number three is also featured on her police badge. Screenshot taken by Sally Silverscreen.
Lost is one of the most ambitious shows of our time. In fact, some people might argue the show was too ambitious. The mysteries surrounding the island are what intrigued viewers to watch Lost. But limited answers left the audience frustrated and confused. Because the mystery of Ana Lucia’s ring has been overlooked, there hasn’t been a demand for an explanation. Before the publication of this editorial, there was no speculation around the ring itself. With everything said in this article, my current speculation is how Ana’s ring was originally intended to serve as a peek into a part of Ana’s past. In this part, Ana did some undercover police work involving stolen or fake jewelry, with Sawyer a part of the equation. Something happened during the investigation, causing Ana to feel ashamed of the experience. Since Ana died toward the end of the second season, the ring’s purpose evolved to showing the differentiation between different versions of Ana. However, as of this editorial’s publication, this mystery is currently unsolved.
To read the full description of Reverse Motion, you can visit Beverly Boy Productions’ website at this link:
It feels like every two years, I talk about an episode of Touched by an Angel. First, I reviewed “The Sky Is Falling” in 2019. Then, in 2021, I wrote about the two-part episode, “The Spirit of Liberty Moon”. Now, for The 9th Annual Favourite TV Show Episode Blogathon, I’m going to cover another Touched by an Angel episode! This time, I’ll be talking about 1998’s “Perfect Little Angel”. Based on its synopsis on IMDB, the episode’s story doesn’t seem like it revolves around heavier topics, like “The Sky Is Falling” and “The Spirit of Liberty Moon”. However, the inclusion of a pageant in “Perfect Little Angel” is what intrigued me to want to watch this episode. When a pageant is featured in a scripted movie or television show, it is typically depicted in one of two lights; negatively or as a joke. With Touched by an Angel having something important to say every now and then, I was curious to see what themes and messages would arise from this story. So, let’s get into my review of “Perfect Little Angel” to see if it will win the crown!
In the introduction of this review, I mentioned how pageants in scripted movies or shows are typically depicted in one of two lights; negatively or as a joke. But in “Perfect Little Angel”, the Miss Colorado State Pageant felt like it was taken seriously within the story! The staging of the pageant itself looked very high budget, appearing as if the event was produced by a professional organization. Every actress portraying a contestant was styled beautifully, mirroring the image of real life contestants of the late ‘90s. Even the way the actresses moved across the stage or performed their talent gave the audience the impression they cared about their outcome in the competition. As I’ll mention more in the segment about the episode’s story, the episode was about more than just the pageant, which actually works in the favor of the Miss Colorado State Pageant!
What I didn’t like about this episode:
I know Tess is a head-strong, motherly figure among the angels on the show. But toward the beginning of “Perfect Little Angel”, she came across as pushy. When she first meets Tracy, Tess insists she seek out guidance from a local women’s shelter. She evens looks down on Tracy’s desire to enter the Miss Colorado State Pageant, in an attempt to steer Tracy toward the shelter. After meeting Tracy for the first time, Tess talks with Monica about Tracy’s decision to join the pageant. Tess says Tracy is making things harder for herself. What she said about Tracy kind of sounded like victim-blaming. Fortunately, as the story progresses, Tess becomes more supportive toward Tracy’s ambitions.
Remember when I said the story of “Perfect Little Angel” was about more than just the pageant? Well, that’s because the script prioritized Tracy’s journey to the pageant. At the beginning of the episode, Tracy is down on her luck. Her self-esteem and personal morale are so low, she’s desperate to find an immediate solution. Through her pageant preparations, Tracy learns about honesty, perfection, and having the courage to reach her potential. Because the script focuses on Tracy’s story and the messages and themes that grew from it, the show’s creative team avoided several cliches and tropes associated with on-screen pageants or competitions. As Tracy’s story progresses, there are some surprises, even though I did suspect a few twists and turns along the way. These surprises added depth to the story, giving Tracy opportunities to apply the episode’s lessons to her life.
The other factors from this episode:
At the beginning of the episode, Tracy tells her co-worker, Don, how she has been accepted into a design school in Rhode Island. Because of this acceptance, Tracy claims she needs $20,000 as soon as possible. I’m honestly surprised Don didn’t suggest Tracy seek out scholarships or financial assistance. In fact, that was my first thought when Tracy mentioned the design school acceptance. From what I know about pageants, some pageant organizations offer scholarships or educational opportunities for their finalists. So, I’m also surprised this detail wasn’t included during the Miss Colorado State Pageant.
As Tracy is preparing for the Miss Colorado State Pageant, Tess, Monica, Raphael, and Andrew are given roles in order to help Tracy. Andrew is tasked with finding Tracy’s talent, while Tess assists Tracy with walking on stage and on-stage posture. I know Andrew needed something to do in this episode, even though his true role on this mission is revealed later in the story. But not having Tess find Tracy’s talent, especially since Della Reese is a real-life singer, is, in my opinion, an unusual creative choice. This is because, on some occasions, the show’s creative team has incorporated Della’s musical talents into the show.
When attempting to apply for the pageant, Tracy is told she will need an official sponsor. When the angels agree to help Tracy, they become her official sponsors by giving her the title, “Unauthorized Property #579”. Because the property itself is still under development, it has the potential to house any business, venue, or living space. The angels use this piece of land to represent Tracy herself, how she has so much potential that hasn’t been reached yet. I thought this was a wonderful analogy that emphasized one of the episode’s key themes. It made me think about the idea of reaching potential in a different way!
Since “Perfect Little Angel” was released in the same season as “The Spirit of Liberty Moon”, I’ll post my photo of the season four DVD cover in this review. Screenshot taken by me, Sally Silverscreen.
My overall thoughts:
Touched by an Angel is a show I’ve talked about so infrequently on 18 Cinema Lane. As I’ve said in the introduction, it feels like I write about an episode every two years. Despite this infrequency, I have lucked out, reviewing two episodes I actually liked. For a third time, I have come across another good episode of Touched by an Angel! The primary focus on Tracy’s story allowed the episode’s messages and themes to organically grow within the script. The story had an intriguing progression, providing surprises every so often. Even the pageant itself felt like it was taken seriously, which is much different from how pageants are typically portrayed in scripted movies and tv shows. If I were introducing someone to Touched by an Angel, “Perfect Little Angel” is an episode that would serve as a good starting point. It isn’t as emotionally heavy as episodes like “The Spirit of Liberty Moon”. But it does contain the strengths I’ve come to expect from this show!
Well, another blogathon has come and gone. While the turn-out this time was smaller, it was still a nice event. I was not only introduced to a made-for-tv film, I was also inspired for a future editorial! I even finally got around to writing about Hallmark Hall of Fame’s The Flamingo Rising! To everyone who participated, thank you for joining my World Television Day Blogathon. There will be another blogathon taking place in 2023. But the theme and dates are still pending. In the upcoming months, I will also be introducing a new series. As it’s been said in the Signed, Sealed, Delivered series, however, you have to “trust the timing”…
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The day you’ve been waiting for is finally here; the World Television Day Blogathon! Since the dawn of television, this particular medium has become a staple in popular culture. Through this lens, history has been recorded and memories have been made, giving people a way to look back on the past. Television’s broad landscape has provided something for everyone, from cozy mystery shows to beloved musical competitions. In this blogathon, various television related topics will be showcased. Each entry highlights different decades, made-for-tv movies, and shows, illustrating the importance of World Television Day!
Created by Sally Silverscreen at Adobe Creative Cloud Express
Do you like TV? Do you like talking about television? Then you’ll love The World Television Day Blogathon! If you’re interested in joining this fun, exciting event, you still have a month to sign up. All the information about the blogathon can be found at this link:
Ever since she found out she was pregnant again, Sarah has been unsure how to feel. On the one hand, she wants to be excited about this new life chapter. But, she’s also afraid of losing the baby again. In an effort to give her sister-in-law some heartfelt advice, Abby tells Sarah “When in doubt, choose joy”. In my re-cap posts, I always try to incorporate some direct aspect of the show into the introduction. This could be one of the character’s quotes, a specific theme, or an event that occurred in the story. As soon as Abby told Sarah the aforementioned quote, I knew it was going to be the title of my re-cap post. Not just because I like her quote, it could also be said about a favorite television show. Why do people choose a given show as their favorite? Why do viewers keep coming back to a specific story? It’s likely that show gives them joy.
Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 6
Name: Straighten Up and Fly Right
Bree and Luke’s story: Bree and Luke haven’t spoken to each other in a week, due to their last interaction at the Seaside Festival. While she misses Luke, Bree worries he has already moved on. But when she tells her dad how she feels, Mick suggests she should go to The Bridge and talk to Luke. Later, at The Bridge, Bree visits Luke and gives him a house-warming present, as he is moving into The Bridge temporarily. During this interaction, Bree apologizes for not believing Luke about the fortune cards. She also explains how she has, historically, been anxious about being in a serious relationship. Not only does Luke forgive Bree, they both agree to trust one another and let go of their insecurities. After receiving a tour of Luke’s new apartment, Bree receives a text from an actress named Miranda. Miranda wants to adapt her book into a movie, the same book that was based on the O’Brien family. Before she makes any decisions, Bree asks her family for their blessing. The family unanimously agree to the adaptation, discussing which actors and actresses should portray them as well.
Mick’s story: Mick continues to attend NA meetings. While things seem to be going well, he hasn’t found a sponsor yet. Meanwhile, Mick is planning a trip to Red Rock with Megan. But when Megan falls ill, the trip is postponed. Mick asks Luke if he’d like to be his sponsor. Luke turns down the offer, as he feels that would be a conflict of interest, since he and Mick are friends. At the most recent NA meeting, Mick confesses to encountering temptation, sharing how he found some leftover painkillers in Connor’s bathroom, during a visit to his son’s apartment. But in a one-on-one conversation with the leader of the NA meetings, Mick reveals he actually took one of his son’s painkillers. The meeting leader tells Mick he is already working on the first step; admitting you have a problem. The leader also agrees to be Mick’s sponsor.
David and Jess’ story: In an effort to take her mind off of David and his issues, Jess plans to purchase a vineyard. While practicing her business pitch with Abby, Jess reveals how she has done plenty of research and taken some business classes. Impressed by her sister’s efforts, Abby tells Jess she will share her idea with a business associate she knows. Later in the episode, Abby shares with Jess how the business associate loves Jess’ idea. This gives Jess the confidence to follow through on her plan. Meanwhile, David receives a phone call from his dad. Mr. Peck claims he is innocent and someone within his company framed him. David is unsure whether his dad is telling the truth. However, he and the FBI agent from the season premiere agree to wire tap his cell phone. The next time Mr. Peck calls, David confesses how his phone is tapped. Mr. Peck tells his son he is planning to come back to the States, in an effort to prove his innocence.
Margaret and Connor’s story: Margaret finally receives the results of her Bar Exam, which reveal she passed the Bar. Connor and Margaret are thrilled with these results. After posting them on social media, Margaret receives an offer from a large, well-known law firm in Washington D.C. Margaret was not planning on working at a large firm, especially since she enjoys working with Connor. But Connor feels she should, at least, see what their offer is, as he doesn’t want to hold Margaret back. Several days later, Margaret pays Connor a visit at his apartment. She tells him she met with the D.C. law firm, sharing how they wanted her to join their partner program and retreat in Belize. However, Margaret turned down this offer, stating how she wants to continue working with Connor as an official partner. Connor likes Margaret’s proposal and agrees to this business arrangement.
Sarah and Kevin’s story: Sarah accepts an invitation to the spa, as Bree has a gift certificate that is about to expire. Besides Sarah and Bree, Jess and Abby also attend the spa trip. At the spa, one of the employees offers all four women some complimentary wine. This puts Sarah between a rock and a hard place. Because she is pregnant, Sarah wants to refuse the alcoholic beverage. But since she never shared this news with anyone other than Kevin, she’s unsure what exactly to say. Fortunately, Abby saves the day by asking for a fruit smoothie for her and Sarah. In a private conversation, Abby reveals she knew about Sarah’s pregnancy, but only because she correctly guessed this information during her conversation with Kevin in the previous episode. She reassures Sarah she hasn’t shared this news with anyone. Toward the end of the episode, both Kevin and Sarah share their pregnancy with Bree and Jess.
While at the spa, Abby receives a phone call from the school nurse. The phone call is about Caitlyn, as she’s been spending more time in the nurse’s office lately. But when questioned about this by Jess, Caitlyn says these trips are nothing serious, that it’s just “whatever”. This explanation is so vague, Caitlyn’s “whatever” could be anything. So, I’m curious to see what’s going on in this part of the story.
After reading this episode’s synopsis on Hallmark Media’s website, I had assumed Jess bought a vineyard in a spontaneous, leap-of-faith. So, I was pleasantly surprised to discover she put a lot of thought, time, and research into her decision. Jess has impressed me this season. In the previous episode, she was the “voice of reason”, giving Bree realistic dating advice. Now, she’s expanding her business ventures in a way that is practical and has potential for long-time success. Jess and her possible vineyard could lend themselves to a spin-off show!
During the scenes involving Mr. Peck and his son, Mr. Peck is talking on the phone in a phone booth. The phone booth itself looks like the red booths typically associated with London, England. However, the nearby tents, wardrobe of the background characters, and limited amount of lighting indicate an outdoor market in the evening. I know Mr. Peck’s specific whereabouts are supposed to be kept a secret. But I kind of wish the show’s creative team had told the audience where Mr. Peck was.
In this episode, when Bree and Jess are discussing a fortune from an arcade machine, Jess wonders if the fortune is “a real, real fortune”. Jess’ quote in correlation with this episode’s story presented an excellent message. There are so many “fortunes” within the O’Brien family. Connor was able to recover from his heart attack. Megan received her dream job. Even Abby found love again after her heartbreak with Trace. In the short run, these things may feel like a little victory. But in the long run, it can affect the overall happiness and success of a given character. It’s nice to see when our favorite characters reach their goals and achieve their dreams. After investing in their journey, it can seem like the wait was worth it. When Chesapeake Shores’ six year run ends, the O’Brien family’s story will be set in stone. But until then, let’s re-cap this week’s episode!
Just a reminder: If you did not see this episode of Chesapeake Shores, there will be spoilers within this re-cap.
Chesapeake Shoresseason six poster created by Hallmark Media and Hallmark Channel
Season: 6
Episode: 5
Name: L-O-V-E
Bree and Luke’s story: While cleaning out The Bridge’s attic, Luke finds a fortune telling arcade machine called Mr. Mystic. He loans the machine to the arcade booth of Chesapeake Shores’ Seaside Festival. In order to test if the machine works, Luke and Bree put a nickel in the machine. They both receive a fortune that states; “Your true love is right before your eyes”. Luke doesn’t think much of this coincidence. But Bree thinks it was intentional. She discusses this possibility with Jess, with Jess suggesting she should bring up her thoughts to Luke on their upcoming date. During this date, which is dinner at a local restaurant, Bree asks Luke if he intentionally gave himself and her the same fortune. Luke confesses that he did put the fortune cards in the machine, but didn’t read the cards ahead of time. Bree feels Luke may be keeping the truth from her. Luke confirms multiple times the card placements were not intentional. He becomes so uncomfortable by Bree’s constant prying, he leaves their date early. The next day, at the Seaside Festival, Bree discovers Kevin and Sarah received the same fortune she and Luke did. Realizing he was indeed telling the truth, Bree apologizes to Luke. She claims she has trust issues. Luke also claims to have trust issues, though his issues relate to those who don’t trust him.
Abby and Evan’s story: Abby and Evan attend the Seaside Festival. Evan becomes excited when he discovers the Mr. Mystic arcade machine. After Abby puts a nickel into the machine, their shared fortune states, “Your true love is right before your eyes”. At first, Evan and Abby think it’s a silly fortune. But as the episode goes on, they contemplate what the fortune could mean. Evan talks to Mandrake about what happened. Mandrake, however, answers his questions with questions. Meanwhile, Abby turns to Kevin for advice. Unfortunately, she feels his help was unsatisfying. Later in the episode, Evan and Abby go on a date. Prior to the date, Evan rented the entire restaurant and hired a string quartet. During the date, though, Abby and Evan reveal some truths about each other. Abby shares she’s been hesitant to start another relationship because she hasn’t been on her own in quite some time. Evan confesses he’s been on his own, more often than not. Therefore, starting a new relationship is fascinating to Evan. They agree to be just two adults spending time together. Abby and Evan also agree to go on less formal dates.
Mick and Megan’s story: Megan has begun her new job in Los Angeles. She seems to be enjoying this new chapter in her life, settling in just fine. Meanwhile, in Chesapeake Shores, Mick is working through his addiction. He recently began attending NA (Narcotics Anonymous) meetings. But he’s hesitant to admit he’s an addict. Mick and Megan are continuing their relationship by calling each other several times a day. One of these phone conversations is overheard by Carter. Out of everything he heard, Carter picks out Mick’s addiction. At first, Megan doesn’t have a problem talking about Mick’s recovery journey. As her conversation with Carter goes on, however, she becomes aware of his criticism toward Mick. Upset by this harsh criticism, Megan ends the conversation. In Chesapeake Shores, while fixing the bathroom sink, Mick finds a bottle of painkillers. Throughout the episode, he struggles with temptation. In a series of coincidences, including a Mr. Mystic fortune that reads, “Your true love is right before your eyes”, Mick is prevented from relapsing. Toward the end of the episode, he admits he’s an addict at an NA meeting.
Connor and Margaret’s story: Connor is looking forward to meeting Margaret’s family. Margaret, however, is nervous. This is because she doesn’t know if her father will like Connor. The next day, Connor and Margaret go to the Keller family home for an early evening dinner. Things seem to be going well, as Connor and the Keller family appear to get along. Then Connor decides to tell one of his “lawyer jokes”, even though Margaret warned him not to. After Connor shares one of these jokes, there’s an awkward silent. A few seconds later, the Keller family genuinely laughs at the aforementioned joke. That evening, Margaret reveals to Connor how her family adored him.
While it was interesting to see how some of Chesapeake Shores’ couples interpreted the same fortune, I wish the fortunes had been a bit more personalized. For instance, Mick and Megan’s shared fortune could have read “The journey is tough. But you are tougher”. This would have correlated with Mick’s recovery as well as Megan’s desire to maintain a long-distance relationship. At first, Luke, Bree, Abby, and Evan receiving the same fortune seemed like a coincidence. But when Mick got the same one, the idea became repetitive.
Based on what the Mr. Mystic arcade machine looks like, I’m guessing it was built between the 1910s and 1920s. If this is true, how would Mick and Luke order replacement fortune cards? Sure, the cards themselves didn’t look that old. But, when it comes to arcades in the 21st century, fortune telling machines don’t seem to be in high demand. Because of everything I said, I wonder if this machine will make an appearance on When Calls the Heart?
On Hallmark’s television shows, it’s nice to see a familiar face every now and then. In this episode, Karen Holness made an appearance as Margaret’s mom. This was such a pleasant surprise, as I haven’t seen Karen in a Hallmark production in quite some time. It also makes me wonder who else could appear this season?
What are your thoughts on this episode? Are there any predictions you have for the rest of the season? Let me know in the comment section!
Have fun in Chesapeake Shores!
Sally Silverscreen
Created by Sally Silverscreen at Adobe Creative Cloud Express
Do you like TV? Do you like talking about TV? Then consider joining my upcoming blogathon, The World Television Day Blogathon! Details at the link below:
When I published my review of Murder, She Wrote: The Queen’s Jewels for August’s Buzzwordathon, I announced I would be hosting a new blogathon this November. I also said more details were to follow. Well, the time has come to reveal more information about the event! As I mentioned in the aforementionedreview, the theme is ‘World Television Day’. Because this particular holiday takes place on November 21st, my blogathon will happenbetweenNovember 19th and November 22nd. Television is such a broad topic, so here is a list of ideas if you are interested in participating:
Television Shows (favorite or least favorite, specific episodes, talent involved, etc.)
TV Movies and Mini-Series
Films based on or inspired a show (Downton Abbey: A New Era, Jimmy Neutron: Boy Genius, etc.)
Books based on or inspired a TV show (Murder,She Wrote, etc.)
Songs used in TV productions
Sports Events (Super Bowl, Olympics, etc.)
Televised Contests (pageants, Eurovision, etc.)
Historical Events (Challenger Disaster, etc.)
Podcasts or Youtube videos about TV shows
History of Television
Lost/Found Media related to TV (Sesame Street’s infamous Wicked Witch episode, etc.)
Public Service Announcements (PSA) or Public Information Films (PIF)
Commercials, Trailers, or TV Spots
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Once you’ve selected an idea, take a moment to read the official rules:
Please be respectful toward other participants and the subject(s) you’re writing about (especially if you choose to write about historical events on television).
Please let me know in advance if you plan on publishing your post(s) earlier or later than the allotted time-frame (November 19th to 22nd).
Only new posts will be eligible for the event.
Because of how broad the subject of television is, I will not be allowing duplicate entries.
There is a three-entry limit for each participant.
All entries must be original work.
Subjects from any genre, year, or country are allowed.
If you’re interested in participating, please share your idea(s) in the comment section below.
Pick one of the four banners and spread the word about the World Television Day Blogathon!
Created by Sally Silverscreen at Adobe Creative Cloud Express
World Television Day Participants
Sally from 18 Cinema Lane — The Flamingo Rising: Book vs. Movie, Top 10 or 15 Characters Who Didn’t Reach Their Full Potential
Rebecca from Taking Up Room — List of Top 10 Gilmore Girls episodes
Andrew from The Stop Button — Review of Jericho Mile (1979 made-for-tv movie)
oldbooksandmovies from Old Books and Movies — Ten Favorite Songs Preformed Live on TV During the Golden Age (1948-1959), Raymond Burr’s two appearances on the Jack Benny Show
Created by Sally Silverscreen at Adobe Creative Cloud Express
Created by Sally Silverscreen at Adobe Creative Cloud Express
18 Cinema Lane 