Take 3: The Man in the Iron Mask (1939) Review

For the 2021 Swashbucklathon, I decided to review a movie that one of my readers recommended to me. It just so happens that one of my recent reccomendations, given to me by Patricia from Caftan Woman, was the 1939 version of The Man in the Iron Mask! Years ago, I had seen the 1998 adaptation of this specific title. However, I only have vague recollections of it, so I can’t give an honest opinion on that film. The aforementioned recommendation came after I had reviewed the 1948 version of The Three Musketeers. If you had read this article, you would know how much I enjoyed that film. But how does The Man in the Iron Mask compare to The Three Musketeers? Keep reading to find out!

The Man in the Iron Mask (1939) poster created by United Artists and Edward Small Productions.

Things I liked about the film:

The acting: I am not familiar with Louis Hayward as an actor. Despite this, I really enjoyed his dual performance as both King Louis XIV and Philippe of Gascony! Whenever Louis Hayward portrayed King Louis, he had a crazed look in his eyes, especially when King Louis was near something or someone he wanted. This can be seen when he meets Princess Maria Theresa for the first time. King Louis displayed a short temper as well. Meanwhile, Philippe had a gentler persona. He even got along with the people around him. When Philippe was apologizing to Maria about his inability to see her earlier in the day, the way he talked to her, as well as his body language, showed how he truly cared about her. Toward the beginning of the film, Philippe is sharing a meal with the Musketeers. He had a jovial disposition during this part of the scene, appearing to be enjoying the company. The Man in the Iron Mask is the first film of Joan Bennett’s I am reviewing. While I don’t have any other performance of Joan’s to compare to her portrayal of Princess Maria Theresa, I did like her performance in the 1939 film! What made it memorable was how well-rounded it was. Whenever Maria interacted with King Louis, she was headstrong, not afraid to stand up to him. But when she is with Philippe, she has a pleasant, more kind-hearted personality. Even though the Musketeers were on screen for a limited amount of time, I enjoyed seeing their camaraderie amongst them! It helps that the actors portraying the Musketeers had good on-screen chemistry!

The costume design: Back in April, I reviewed the 1948 adaptation of The Three Musketeers. A strength that movie and The Man in the Iron Mask share is the costume design! Exquisite is the word I would use to describe the costumes shown. One beautiful example is a coat Fouquet wore to a wedding. The black coat was adorned with black sparkly cuffs and edges. It was also covered with gold embroidery. Maria had an impressive wardrobe! One of my favorite outfits is a silk gown she wore when Philippe apologized to her. The gown itself complimented Joan’s dark hair. What adds to the look are the sparkling accessories! Diamond star hairpins could be found in Joan’s hair and a jeweled necklace was around her neck. A little bit of sparkle definitely helped elevate this outfit!

The set design: Another area of this film where the word, exquisite, could apply is the set design! In King Louis’ palace, the walls were covered with detailed wallpaper. Intricate wood carvings covered the chair in his office, showing off the affluence in his life. Carvings could also be seen in other palace spaces, such as over a fireplace in a sitting room. Fine details came in all shapes and sizes, as well as in various materials. In Maria’s room, two angel shaped lamps were located above a desk. These lamps looked like they were made of metal. The little things within these sets showcased the elegance this cinematic world had to offer!

The 2021 Swashbucklathon banner created by Paul from Silver Screen Classics.

What I didn’t like about the film:

Unclear details: There were a few details within the overall story that weren’t made clear. At the beginning of the movie, the Musketeers were named enemies of the King. They were also taken in as prisoners. But I didn’t hear why they were declared enemies. In fact, I don’t remember this reason ever being spoken. Had details like this been clarified, certain parts of the story would be less confusing.

A limited amount of action scenes: After watching the 1948 adaptation of The Three Musketeers, I expected to see exceptional fight choreography in the 1939 film. While I did get to see some interesting fight sequences, there was less action in The Man in the Iron Mask than in The Three Musketeers. Looking back on the movie, I can think of only a handful of action scenes in this particular story. What this film emphasized was drama and romance. While having drama and romance can work in a film, this direction in The Man in the Iron Mask was much different than I had anticipated.

A somewhat misleading title: As I said in the introduction, I have seen the 1998 adaptation of The Man in the Iron Mask. From what I remember, the audience knew early on there was a literal man in an iron mask. Even though this titular character was in the 1939 film, the mask itself didn’t come in until an hour into the movie. I understand that moment needed build-up. However, I think that part of the story should have taken place much sooner.

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

So far, the best film I’ve seen this year is the 1948 adaptation of The Three Musketeers. There was so much within that film I liked. When watching The Man in the Iron Mask, I wondered if this movie could compare to the 1948 film. While there were things about the project I did enjoy, I still like The Three Musketeers more. The 1939 picture was a likeable one. However, some flaws ended up holding this film back. One of them was how action was used sparingly. Other flaws, such as a somewhat misleading title and some unclear details, brought its score down. But I would recommend this film, especially if you’re looking for a title for Clean Movie Month. The Man in the Iron Mask makes me want to revisit the 1998 version in the future. For now, I need to focus on publishing my next blog follower dedication review!

Overall score: 7.4-7.5 out of 10

Have you seen any versions of The Man in the Iron Mask? If so, which one is your favorite? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Born Free Review + 340 and 345 Follower Thank You

Earlier this month, 18 Cinema Lane received 340 and 345 followers! Before I continue, I’d just like to say thank you to each and every person who has chosen to follow my blog. I appreciate you taking the time to read my articles and listen to what I have to say. Speaking of articles, let’s back to the review! For April’s Genre Grandeur, the theme is “travel films”. Because this topic is so broad, it took me a while to figure out which film I would write about. Then I remembered I had the 1966 movie, Born Free, on my DVR. While Joy and George Adamson, the story’s protagonists, do travel within the movie, it is not the central component of the story. I also have participated in Thoughts From The Music(al) Man’s Star/Genre Of The Month Blogathon, with my review of China Seas being my first contribution. April doesn’t have a theme, so I thought Born Free would be the perfect choice for the blogathon! Prior to writing this review, I had heard of, but not seen, the 1966 picture. This is because I was familiar with the movie’s theme when it was featured on the soundtrack for the film, Madagascar. Now, the moment you’ve been waiting for; the start of this review!

Because I recorded this movie on my DVR, I took a screenshot of the movie’s poster from my phone. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

How the animals were showcased: While I liked the acting in Born Free, it’s the animals that steal the show! Animals were showcased in a natural way, allowing them to be shown in situations that are more realistic. None of the animals were given voice-overs, giving the audience a chance to witness their authentic expressions. A great example is when Elsa, the lion Joy and George take care of, interacts with a male lion. Throughout the scene, Elsa and the male lion take turns roaring. They also can be seen fighting over food. The way these lions were presented made it look like they were having a conversation. The human characters’ conversations about these animals also gave them a humanistic quality. After Joy and George leave Elsa alone with the aforementioned lion, Joy compares the experience to waiting for a daughter to come home from a date. The cinematography and script gave the animals just as much importance as the human characters!

The scenery: The majority of Born Free takes place outdoors, as the African landscapes serve as the principal scenery for the story. Toward the beginning of the movie, Joy is painting in her front yard. A clear blue sky enveloped a large space of plains. This specific location appeared peaceful as long shots were used to capture it on film. Another impressive location was the beach that Elsa, Joy, and George visit. Once again, a blue sky is visible, soaring over the blue of the ocean and bright beige of the sand. The beach was very photogenic, with long and medium shots helping to showcase that location!

The music: I liked the use of music in Born Free! The pieces of instrumental tunes provided the tone for each scene it was included in. When a suspenseful and tense moment took place, the sound of beating drums could be heard. This sound elaborated on the seriousness of what was happening in that particular scene. One example is when, toward the end of the film, Elsa is fighting with another female lion. For more light-hearted, joyful moments, the movie’s theme played in the background. Some scenes that featured this piece of music revolved around Elsa and her sisters as lion cubs.

Mother lion and her baby cubs image created by wirestock at freepik.com. Animals photo created by wirestock – www.freepik.com

What I didn’t like about the film:

An inconsistent narrative: When a close friend named John suggests Elsa should be placed in a zoo, Joy is completely against the idea. This decision has even resulted in a heated argument between Joy and George. Joy’s decision for wanting Elsa to remain wild is understandable. However, earlier in the film, she doesn’t object to sending Elsa’s two sisters to a zoo. Joy also takes in a baby elephant that Elsa happened to be chasing one day. This specific narrative was inconsistent, which prevented me from getting fully invested in Joy’s side of the story.

The run-time: According to IMDB, Born Free is an hour and thirty-five minutes. But because the story is a simpler one, I don’t think this movie needed that run-time. While watching the film, I noticed how some scenes contained montages. For example, when Joy, George, and Elsa go to the beach, a montage lasting several minutes featured these characters playing on the beach and in the ocean. I feel these montages were placed in the film to satisfy its run-time. Had these montages been shortened, the movie could have had a run-time of an hour or less.

Unnecessary voice-overs: Throughout the film, Joy provides voice-overs to explain what is happening in the story. These voice-overs were beneficial in understanding Elsa’s journey. But there were some scenes where Joy’s voice-overs were not necessary. At the beginning of a scene where Joy, George, and Elsa are at a camp, Joy explains how, one night, she heard the roar of a lion who was eating the livestock of a nearby African village. If the voice-over had not been included in this scene, the on-screen event could have spoken for itself. Having the voice-over only reminded the audience of what they already knew.

Colorful travel suitcase image created by Pikisuperstar at freepik.com. <a href=’https://www.freepik.com/free-vector/beautiful-illustration-of-travel_2686674.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/watercolor”>Watercolor vector created by Pikisuperstar – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When you think of “travel films”, a movie where the protagonist takes an extravagant and adventurous trip will likely come to mind. However, traveling can mean different things for various people. In the case of Born Free, Joy and George Adamson travel from England to Africa. Throughout the film, they also travel to town and several African villages. As I mentioned in the introduction, Born Free does not focus on the travels of Joy and George. Instead, it prioritizes the relationship these characters share with Elsa. While I liked the natural portrayals of the animals, these depictions are more suited for an older audience. This is also a simpler story, calling for a shorter run-time than the one it received. Not only were some of Joy’s voice-overs unnecessary, but her stance on keeping Elsa out of a zoo was inconsistent. Despite these flaws, I thought Born Free was a fine film! If you are interested in the subject of animals, I feel this is the movie for you!

Overall score: 7.1-7.2 out of 10

Have you seen any “travel films” lately? Do you have any films to recommend for the next blog follower dedication review? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The World of Suzie Wong Review

Sunset Blvd. is a “classic” that a majority of film fans have seen at least once in their lives. It is so iconic that the Brannan sisters, from Pure Entertainment Preservation Society, have decided to dedicate a blogathon to it! Because I’ve already seen Sunset Blvd., I choose a film that was new to me. As it is a brand-new year, I wanted the first movie of 2021 to be a fresh step forward. After looking through William Holden’s filmography, I selected the 1960 picture, The World of Suzie Wong! Whenever I think of William, I always think of Joe Gillis from Sunset Blvd. But, as a movie fan, I know that William, acting wise, is more than this iconic role. Therefore, I am grateful to be given this opportunity to explore more of his film work!

The World of Suzie Wong poster created by World Enterprises, Inc.
Worldfilm, Ltd, Paramount British Pictures, Ltd, and Paramount Pictures.

Things I liked about the film:

The acting: Since I’ve only seen Sunset Blvd. and Stalag 17, there’s only so much I can say about William Holden’s acting abilities. What I will say is how William’s performance in The World of Suzie Wong was consistent! From what I remember, William’s characters in Stalag 17 and Sunset Blvd. were serious and had their guard up due to being suspicious of those around them. In The World of Suzie Wong, his character was similar to those from the two previously mentioned movies. However, a major difference was how those characteristics were softened a bit. This was because William’s character, Robert, had a love interest, which is different from his characters in Stalag 17 and Sunset Blvd. I am not familiar with Nancy Kwan as an actress. Despite this, I really liked seeing her performance in this film! It reminded me of the portrayals from actresses in the “Golden Age” of film, where leading ladies not only worked well with other cast members, but were able to, talent wise, stand on their own. While starring as Suzie, Nancy was able to pull off a performance that was captivating, emotional, and memorable! Another performance I enjoyed seeing was Jacqueline Chan’s! As Gwennie Lee, she was able to use her on-screen personality to her advantage. The other female characters in The World of Suzie Wong carried themselves with a sense of sophistication, making themselves seem more mature than they really were. With Gwennie, her personality was joyful, carrying a youthful heart wherever she went. This creative decision helped Jacqueline stand out among the cast!

An educated and aware protagonist: In a story where a protagonist travels to a different country or new place, it can be easy for the screenwriter(s) to create a character that romanticizes a location to the point of being arrogant or clueless about that specific place. With Robert from The World of Suzie Wong, that was certainly not the case! While in Hong Kong, Robert tries to educate himself about his surroundings. When trying to find a hotel, he speaks Chinese to a police officer. Even though he didn’t memorize the question, it shows Robert was willing to go out of his way to learn the language of his temporary home. Robert also seems aware of the people and the customs of Hong Kong. When talking to a business associate, Ben, Robert senses that Ben is attempting to pursue a romantic relationship with Suzie for the wrong reasons. He stands up to Ben and reminds him how Suzie is a person with feelings. Everything I just mentioned effectively drives home a point Suzie made about “a boy cloud with a good heart”.

The use of color: A film’s color palette can help make a scene visually appealing as well as present creative ways to showcase various hues. With that said, I found the use of color in The World of Suzie Wong to be very interesting! At the bar next to Robert’s hotel, all of the female characters wore bright colors. This nicely contrasted the location of the bar itself, a place that didn’t feature a lot of color within the interior design. Color was also used in other ways throughout the movie. One example was the O’Neill family’s home, where a set of red seat cushions provide the only splash of color in their primarily white dining room. Another example is present when Robert tries to find Suzie in the city. Though this scene is brief, the colorful neon lights within this space nicely stand out against the city’s darkness.

Traditional Chinese dragon image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The concept of “keeping face”: Throughout the film, Suzie and her friends talk about “keeping face”. One night, Gwennie asks Robert if he will enter the bar with her. She tells Robert that if she were to enter the bar by herself, she wouldn’t be able to “keep face”. Later in the film, after Suzie is physically injured by a drunken sailor, she tells Robert to say that he hurt her so she can “keep face”. Because there were no explanations for what “keeping face” was or why it was important, this concept ended up confusing me.

The run-time: The World of Suzie Wong is a little over two hours long. Personally, I don’t think this specific story needed its run-time. In fact, the film could have easily been set at an hour and thirty minutes. This might be achieved by shortening some of the movie’s longer scenes. One of them is when Suzie journeys to an undisclosed location for reasons unknown to Robert. In an attempt to find answers, Robert follows Suzie all the way to this undisclosed location in a scene that lasts about two minutes. When there are multiple scenes that are longer than necessary, they add up to a run-time that doesn’t feel justified.

An inconsistent relationship: While William Holden and Nancy Kwan had good on-screen chemistry, the on-screen relationship of their characters was inconsistent. Throughout the film, Robert and Suzie’s relationship was “on again/off again”. It also doesn’t help that Robert and Suzie don’t officially become a couple until about forty minutes into the movie. I understand that relationships take time to develop and that they contain good and bad moments. However, when a story includes a couple trying to pursue a romantic relationship, the relationship itself needs to be consistent enough for the audience to stay invested in.

The Sunset Blvd. Blogathon banner created by the Brannan sisters from Pure Entertainment Preservation Society.

My overall impression:

The World of Suzie Wong is a film that gets hurt by its run-time. This two-hour story could have been an hour and thirty minutes, with longer scenes cut shorter to move the story along faster. This also would help Robert and Suzie’s relationship officially start a lot sooner. Without spoiling the movie for anyone who hasn’t seen it yet, I will say The World of Suzie Wong is much sadder than I expected. I am aware of everyone experiencing different situations in their lives. However, the sadness in this movie made the story feel like there was a gray cloud hanging over the characters’ heads. There are aspects of this film that I appreciate. One of them is the protagonists sharing an interracial relationship in a time when that idea wasn’t commonly shown in cinema. I also appreciate some of the film’s artistic merit, such as the acting performances and the use of color within various scenes. In the end, though, I found The World of Suzie Wong to be a just ok start to 2021.

Overall score: 6.4 out of 10

Have you seen The World of Suzie Wong? Has a movie ever enticed you to travel to its featured location? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Royal Wedding Review (Ginger Rogers and Fred Astaire Double Feature Part 2)

As I said in my review of Teenage Rebel, I haven’t seen many films from Fred Astaire’s filmography. In fact, the only two movies of Fred’s I’ve seen so far are The Sky’s the Limit and Funny Face. When I joined Crystal and Michaela’s blogathon, I knew which Fred Astaire picture I wanted to write about. Last month, I was recommended the 1951 film, Royal Wedding, by Heidi from Along the Brandywine. She suggested this film because of its use of split screens. Since I don’t have many Fred Astaire titles on my movie recommendation board on Pinterest, this was my first choice for this double feature! It is interesting that Royal Wedding is the last movie I’m reviewing in 2020. Musicals from the Breen Code era are usually seen as happy, up-beat productions. This is a contrast to the type of year 2020 ended up becoming.

Royal Wedding poster created by Metro-Goldwyn-Mayer.

Things I liked about the film:

The acting: A similarity I’ve noticed among Fred Astaire’s roles in The Sky’s the Limit, Funny Face, and Royal Wedding is how confident he comes across in each film! Speaking specifically about Royal Wedding, his character, Tom Bowen, had the showmanship you’d expect from a stage performer. Even though he was performing a duet in the movie’s opening number, “Ev’ry Night At Seven”, he had a stage presence that demanded the audience’s attention. This is because he had complete control over his part of the performance as well as experience leading other musicals. Fred also appeared comfortable as one of the leads in this film. Jane Powell’s on-screen personality in Royal Wedding was very sweet! Her character, Ellen Bowen, was also flirty without overdoing it. What worked in Jane’s favor was how she was able to keep up with Fred in their musical duets as well as hold her own in her solos. It definitely showed how strong of a performer she is! Because I’m not familiar with Sarah Churchill as an actress, I wasn’t sure how a Fred Astaire and Sarah Churchill on-screen pairing would work when I first saw them together. But as the film went on, I realized they had better on-screen chemistry than I expected! As an individual performer, Sarah gave her character, Anne, a sophisticated independence that never made her seem snobby or self-centered. In one scene, as she’s recalling to Tom how she came to be a dancer, Anne is so sure of herself when she talks about it. In scenes like this, you can tell that Anne has a healthy amount of self-confidence, partly because of Sarah’s captivating performance!

The musical numbers: When I watch musicals from the Breen Code era, I can’t help but notice the creativity that comes from some of the musical numbers! One example is Fred’s solo, “Sunday Jumps”. On paper, the idea of Fred dancing with a hatrack and exercise equipment might sound silly to some audience members. But because of the choreography and Fred’s dancing talents, that idea becomes a thoroughly entertaining one! Another solo of Fred’s, “You’re All the World to Me”, also showcases creativity well. In this musical number, Tom Bowen can be seen literally dancing on the walls and ceiling, as to visually represent what his heart is feeling for Anne. The number itself is also ahead of its time, as this particular idea wasn’t common in films from this era. I loved how a bright color palette was used in “I Left My Hat in Haiti”! It provided the musical number with an energy and personality that nicely contrasted the toned-down atmosphere of London. The musical number also did a good job at utilizing its ensemble.

The dialogue: Because of the Breen Code, screenwriters had to think and write cleverly when it came to expressing ideas that wouldn’t be allowed on film. That mentality can certainly be found in Royal Wedding’s script! After their performance, “Ev’ry Night At Seven”, Ellen complains about the theater’s lack of air conditioning due to the theater manager wanting to save money. Frustrated by that decision, Tom tells his sister how the theater manager will need a fan for one specific place. Subtle references like this one respect the audience’s intelligence and gave the screenwriters a chance to think outside the box when it comes to language. There were also memorable quotes within the script. During Anne and Tom’s conversation, Anne told him that dancing made her happy. She also said that she wanted to dance when she was happy.

The Third Fred Astaire and Ginger Rogers Blogathon banner created by Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood.

What I didn’t like about the film:

No major conflicts: In Anchors Aweigh, Clarence “Brooklyn” Doolittle and Joseph “Joe” Brady help their new friend, Susan, get an audition with a well-known composer at a movie studio. This served as the main conflict for the film. With Royal Wedding, there was no main conflict to be found. Instead, the story focuses on the two relationships between Ellen and John and Tom and Anne. Even when sub-conflicts were introduced in the movie, they are resolved rather quickly. Having one overarching conflict would have added some intrigue to this story.

Too many boyfriends: At the beginning of the movie, Ellen is shown having multiple boyfriends. This was to highlight the point of Ellen having difficulty ending these relationships. When Ellen’s boyfriends are interacting with one another, I had trouble keeping track of who was who. I understand this creative decision was made on purpose, to emphasize the aforementioned point. But this gave the audience unnecessary confusion.

The titular royal wedding as an afterthought: When a film is titled Royal Wedding, most audience members would expect the wedding itself to play a significant role within the plot. Because the story focuses on the relationships of Tom and Anne and Ellen and John, the royal wedding is treated as an afterthought. Sure, the characters casually bring it up from time to time. But there is little to no excitement in London just days before such a historic event. When a pre-wedding parade is passing by Tom and Ellen’s hotel suite, the scene places more emphasis on John and Ellen’s conversation, preventing the parade from being shown on-screen. The day of the wedding appears in the last twenty minutes of the film, but even that part of the story is overshadowed by the previously mentioned relationships.

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Royal Wedding is the type of movie where the acting performances and musical numbers make up for the weaker story. While the plot isn’t bad, it could have benefited from having a major conflict. If the creative team behind this movie wanted their story to be more interesting, it would have contained a mistaken identity. Ellen Bowen would switch places with the princess and fall in love with the prince, while the princess is mistaken for Ellen and eventually forms a romantic relationship with Tom. With this conflict, the wedding itself would have a greater presence in the whole story. It would also create a series of hilarious hijinks. Personally, I’d recommend Anchors Aweigh over Royal Wedding. The former has a stronger story and, in my opinion, is a more enjoyable film overall.

Overall score: 6.2 out of 10

What are your thoughts on Royal Wedding? Which movie is your favorite out of the ones I’ve reviewed this year? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Teenage Rebel Review (Ginger Rogers and Fred Astaire Double Feature Part 1)

I haven’t seen many films from Ginger Rogers’ and Fred Astaire’s filmography. Despite this, I joined the third Fred Astaire and Ginger Rogers Blogathon, in the hopes of expanding my cinematic horizons! Because I figured other participants would cover Ginger’s musicals, I chose one of her movies that wasn’t a part of the musical genre. As the title says, I’ll be reviewing Teenage Rebel! The aftermath of a divorce/custody battle is rarely explored in film. This is what made me take notice of this particular title. What I also thought was interesting was how this story discussed the subject of divorce during a time when the concept was not as talked about as it is today. While I have reviewed the 1939 movie, In Name Only, that film revolved around the divorce itself and what led up to it. Now, let us begin part one of my Ginger Rogers and Fred Astaire Double Feature!

Teenage Rebel poster created by 20th Century Fox.

Things I liked about the film:

The acting: Ginger Rogers is an actress from what would be considered the “Golden Era” of Hollywood. This particular period in time is often depicted with a sense of glamour. Because of this, Ginger carried herself in Teenage Rebel with that same sense of glamour I just brought up. Not only that, her emotionality really shined through in her role as Nancy Fallon! Some of her best scenes featured her interacting with Dorothy/Dodie. Both actresses go toe-to-toe with each other, acting-wise, and make their characters feel believable and genuine. Out of context, Dorothy/Dodie could be written off as a spoiled brat. But Betty Lou Keim’s performance, plus the aftermath of the divorce, makes the audience feel bad for Dorothy/Dodie. While Betty’s portrayal is consistent, she is given enough flexibility to add emotion. This highlights the idea that Dorothy/Dodie is simply human, with thoughts and feelings that need to be expressed. Warren Berlinger portrays Dick, one of the Fallon’s next-door neighbors. What I liked about his performance is how animated it is. This animation livened Warren’s portrayal without coming across as over-the-top. Instead, it gave him a wide range of emotions to work with. His conversation with his family about his long distance girlfriend is a perfect example of this.

The use of symbolism: One night, as a literal storm is brewing in the neighborhood, Nancy finds Dorothy/Dodie sitting outside by herself. The wind outside is strong and doesn’t have any plans to calm down. During their conversation, the sound of cracking lightening can be heard in the background. When Dorothy/Dodie and Nancy return to the house, rain starts to fall. These elements represented the personal turmoil taking place between mother and daughter.

The messages and themes: In films where younger characters are the center of the story, there is always a place for meaningful messages and themes. This is certainly the case for Teenage Rebel. One of the notable themes of this movie is having compassion for others. No matter how closed-off Dorothy/Dodie was, Nancy never gave up on her daughter. Even though Nancy does express feelings of frustration and stress, she always tried her best to make Dorothy/Dodie feel welcome and loved. Even Dick and his sister, Jane, show compassion for Dorothy/Dodie. They invite her to teenage functions like dances and a local car race. Because of the time they spend with her, Dorothy/Dodie allows herself to open her heart to others. The reason why Dorothy/Dodie distances herself from people is because she has lost her trust in them due to the divorce. As the story progresses, Dorothy/Dodie changes her life around. In one scene, Nancy gives her daughter a lecture about how she needs to stop living in isolation.  That speech and the overall message of opening your heart comes across in this story as genuine.

The Third Fred Astaire and Ginger Rogers Blogathon banner created by Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood.

What I didn’t like about the film:

A very misleading title: This film is called Teenage Rebel. Paired with the quotes on the movie’s quote, the film is advertised as a cautionary tale about teenagers going “over the edge”. However, none of the teens in this story rebel or misbehave. Even when there is a car race, the event itself appears to be well organized and legal. While Dorothy/Dodie has a bad attitude and runs away from home, she does these things to 1.) put on a brave face to protect her true feelings and 2.) find some alone time to get away from the tension between her and her mother. The title and marketing built this movie up to be something it wasn’t.

The character of Larry: Larry Fallon, portrayed by Rusty Swope, is Nancy and Jay’s son. He had some funny lines in this movie, such as when he said “a man” after Dorothy/Dodie asks him what he wants to be when he grows up. However, after a while, Larry kind of overstays his welcome. I don’t fault Rusty for this, as there was only so much he could do for an actor of his age. This specific flaw is the result of the screenwriting. Larry doesn’t have much to do in the overall story. In fact, he has little to no significance within the main plot. Prior to watching Teenage Rebel, I was expecting to see an interesting dynamic between half-siblings who didn’t grow up together. But, in reality, Dorothy/Dodie and Larry only interacted once. Either Rusty needed more material to work with or the character should have been written out of the movie completely.

An abrupt transformation: When Dorothy/Dodie is introduced in the film, she carries herself with a chip on her shoulder. It gets to the point where she and her mother have an emotionally fueled, tension filled conversation. As I mentioned earlier, Dorothy/Dodie’s attitude was caused by an ugly divorce with an even uglier custody battle. After the aforementioned conversation between Dorothy/Dodie and Nancy, Dorothy/Dodie runs away, where Dick finds her and takes her to a local soda shop. When she returns home, she acts nice toward her mother, like their previous conversation never happened. Similar to what I said about Larry, this flaw was the result of the screenwriting. This change in character should have been a consistent progression throughout the film as a whole.

Breaking heart image created by Kjpargeter at freepik.com. <a href=’https://www.freepik.com/free-vector/broken-heart-valentine-background_1041991.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Kjpargeter – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Teenage Rebel is an ok film. However, its dishonest title and poster doesn’t help its case. In a time when teen centered films were on the rise, the studio wanted to capitalize on that. While a significant part of this story focused on a teenage perspective, it was marketed as something different than what it honestly was. Instead of selling the movie as a meaningful drama exploring the aftermath of divorce, they decided to make the film sound like it was about misbehaving youngsters, despite never being found in the story. Even though it seems like the creative team had their hearts in the right place, I was not a fan of how the story was more “slice of life” than I had wanted. I don’t find these types of stories intriguing, but I appreciate Teenage Rebel’s incorporation of its messages and themes. If you want to watch a teen movie with similar ideas, I’d recommend The Boy Who Could Fly. Not only does it emphasize showing compassion to others, but it’s a much stronger film.

Overall score: 6.3 out of 10

Have you seen Ginger Rogers’ movies? Which film about divorce would you recommend? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Twentieth Century Review

Originally, I was going to write a double feature for The Sixth Annual Barrymore Trilogy Blogathon by reviewing Twentieth Century and Young at Heart. However, due to technical difficulties on my end, I was only able to find the time to publish one review. Because I’ve written about five of Frank Sinatra’s movies this year, I chose to take a break by selecting Twentieth Century. Back in January, I watched and reviewed In Name Only for The Carole Lombard Memorial Blogathon. At the time, it was my first time seeing any film from Carole’s filmography. Despite this, I ended up liking the film! As I have mentioned before, I try to feature movies on my blog that were recommended by visitors and followers of 18 Cinema Lane. Twentieth Century was suggested by Patricia from Caftan Woman and Vincent from Carole & Co.

Twentieth Century poster created by Columbia Pictures.

Things I liked about the film:

The acting: In my review of In Name Only, I praised Carole’s portrayal of Julie Eden, as her on-screen personality was down-to-earth and her overall performance contained the right amount of emotion. Carole portrays Lily in Twentieth Century, a character who is very different from Julie in In Name Only. This is because Lily experiences frustration on several occasions. One example is when Lily is forced to stay late at rehearsal because Oscar wants her to scream. Lily’s emotions spill over, causing her to yell and burst into tears because of her pent-up frustration. These emotions were able to be felt through the screen because of how good Carole Lombard’s talents were in this film! Speaking of Oscar, I liked watching John Barrymore’s performance in Twentieth Century! It showed a transition from a theater director who seemed to have his heart in the right place to a man who let power and influence get to his head. After Lily’s first performance on stage, Oscar visits her in her dressing room. The way he speaks to her indicates he is putting all his attention on her. But when you look and listen closely, there are hints of his possessive mentality. A good example is when Oscar tells Lily she was a diamond who needed some polishing.

The set design: While watching Twentieth Century, there was some impressive set design I noticed! Toward the beginning of the film, Oscar’s office was shown. Dark wood walls surrounded the space, with a medium shot signifying the room’s high ceiling. Eye-catching details helped give the space a unique identity, such as the inclusion of a suit of armor and stained-glass windows. Details in other scenes stood out, stealing the show whenever they appeared on screen. Lily’s bed is just one example, a massive piece of furniture that was shaped like a boat. It’s white woodwork and bedding is paired beautifully with dark wood carvings on the bed. On the train, there are sketches of animals located near the ceiling of the sitting room area. The style of the sketches looked like they came from a storybook from Medieval times.

Carole’s wardrobe:  I really liked seeing Carole’s wardrobe in Twentieth Century! However, there were two outfits that were the most memorable! On the night of Lily’s first performance, she wears an off the shoulder sparkly white dress. Despite the film being presented in black-and-white, the sparkly nature of the dress shown through beautifully! The second outfit was a silk pair of pajamas, complete with fine detailing on the shirt. The pajamas complimented Carole very well, highlighting her true beauty!

Masks of comedy and tragedy images created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The mystery: In Twentieth Century, there was an on-going mystery revolving around the appearance of religious stickers on the train. The mystery itself felt randomly placed in the overall story, offering no strong significance within the plot. Had the religious stickers served as a reminder to not lose personal beliefs and values in the quest for fame and fortune, that would have added a meaningful moral to the movie. Sadly, it was a small piece just to keep the plot moving forward. When the guilty party is finally revealed, it seems like the script is providing them with excuses for their destruction of public and personal property. This can be heard through the characters’ dialogue; from the train security saying the guilty party has a “sickness” to describing the guilty party as “a little crazy, but harmless”.

An awful group of characters: I understand characters from any movie are not going to be everyone’s “cup of tea”. However, there is a fine line between personal preference and the characters themselves being awful. Twentieth Century is a perfect example of this, featuring a host of characters that are unlikeable to varying degrees. Oscar treats everyone around him horribly. He “fires” his friends on multiple occasions and he is abusive toward Lily, even after their relationship ends. Despite this, Oscar’s friends still try to help him fix his relationship with Lily, even going so far as to blame her for Oscar’s failures. Meanwhile, Lily turns into a diva after she becomes a movie star. It got to the point where I found myself not caring about the characters’ outcomes because their ugly personalities made me lost investment in them.

Lily and Oscar’s abusive relationship: I briefly mentioned in my previous point that Oscar is abusive toward Lily, even after their relationship ends. In the beginning, when Lily was starting out as an actress, Oscar gives the impression of having her best interests in mind. An example of this is when, after Lily expresses her frustrations over staying late at rehearsal, Oscar reminds her of her dream and how he’ll help her reach that dream. As Lily’s career grows, so does Oscar’s jealousy and obsession. He not only controls Lily’s life, but he also physically harms her, poking her with a pin just to get her to scream on stage. Oscar even goes so far as to threaten suicide if Lily does not stay with him. Even though Lily ends the relationship, Oscar is still obsessed with her. One of his worst actions in Twentieth Century is faking his own death just to trick Lily into signing his contract.

The Sixth Annual Barrymore Trilogy Blogathon banner created by Crystal from In the Good Old Days of Classic Hollywood.

My overall impression:

Back in January, when I reviewed Marriage on the Rocks, I said the film made me feel uncomfortable because of the movie’s one-sided view on marriage and divorce. Watching Twentieth Century made me appalled for several reasons. The abusive nature of Lily and Oscar’s relationship is just one example, especially since it exists throughout the whole film. It also doesn’t help that Oscar doesn’t face any accountability for his actions and behavior.  Another issue is the characters themselves, as all of them are horrible to certain degrees. Despite being poorly treated by Oscar, Oscar’s friends still support him. They even encourage Oscar to get back together with Lily. According to IMDB and Wikipedia, Twentieth Century is labeled as a “romantic comedy”. I will admit there were a handful of moments I found funny. But the aforementioned relationship, random mystery, terrible characters, and the story being ninety one minutes of those same characters complaining about their personal issues overshadows all of the movie’s strengths.

Overall score: 4.4 out of 10

Have you seen any of Carole Lombard’s or John Barrymore’s films? If so, which one do you like the most? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Angel on My Shoulder Review

Last November, I participated in Pure Entertainment Preservation Society’s Second Annual Claude Rains Blogathon. My contribution was a review of the 1963 movie, Twilight of Honor, which I thought was ok. I also recognize the film was released outside of the Breen Code era. This year, I will write about the 1946 film, Angel on My Shoulder. I chose to review this title for two reasons. The first is my curiosity in seeing how a film from the Breen Code era would address topics such as the afterlife and the devil. The second is how the story’s basic concept reminded me of the animated film,  All Dogs Go To Heaven. As I mentioned in my Twilight of Honor review, I have seen some of Claude Rains’ films. Since Angel on My Shoulder is the sixth movie of his I have watched, I knew what to expect from him as an actor!

Angel on My Shoulder poster created by Premier Productions and United Artists.

Things I liked about the film:

The acting: Because Claude Rains is one of the reasons why I chose to review this movie, I’ll talk about his performance first. His role as Nick, the devil, was very different from his other roles I’ve seen. In Angel on My Shoulder, Claude carried himself with a kind of confidence that one would expect from a villainous character. Nick was an arrogant person. However, Claude made this component work by keeping his performance consistent. Another consistent performance came from Paul Muni! Throughout the movie, Eddie was on the edge of his seat, unsure of who to trust. This was an interesting quality for Paul to add to his character, as gangsters in movies sometimes deal with untrust-worthy people. Eddie also tells things as they are, another piece of his personality that Paul pulls off! Anne Baxter did a good job portraying Barbara Foster! In her performance, she utilized emotion, especially through her eyes, to make her character believable. When Eddie, as Judge Frederick Parker, interacts with Barbara for the first time, it is clear she is very uncomfortable with the way her fiancée is behaving. She pushes him away and attempts to walk away from the situation, showing her displeasure the entire time.

The depiction of Hell: Like I said in the introduction, I was curious to see how a Breen Code film would approach the subject of Hell and the devil. The way Hell is depicted in Angel on My Shoulder evokes fear into audience members who support good winning over evil. The underworld is a dark environment that only uses fire as its source of light. Shadows were cast over the characters, with light only being shown over the characters’ eyes. In entertainment media that features the devil, he will sometimes appear as an other-worldly creature. In Angel on My Shoulder, Nick, the name the devil goes by, appears as a human. This shows the reality of how someone can turn to the dark side.

The dialogue: Since Angel on My Shoulder was released during the Breen Code era, any talk of Hell or the devil needed to meet Breen Code standards. Within the story, the word “hell” is never spoken. Nick is not called “the devil”, but Mephistopheles instead. The script does feature subtle references to who Nick is that respects the intelligence of the audience. One scene shows Eddie and Nick riding in a plane. When Eddie notices how Nick appears uncomfortable, he asks Nick if he is ok. Nick tells Eddie that he likes being near the ground more than in the sky.

The Third Annual Claude Rains Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society.

What I didn’t like about the film:

A limited use of music: Music in film can help set a tone for a particular scene. One example is when suspenseful music is played during a scene that is more intense. Without music, the scene would be missing an emotional component. Angel on My Shoulder is an hour and forty-minute film. In that amount of time, about seven scenes feature music. To me, this seems disproportionate to the movie’s run-time. It also forbids certain moments in the film from having a more emotional impact.

A mostly static character: In a story like Angel on My Shoulder, it’s common for the audience to witness the protagonist grow as an individual over the course of the movie. While we do see Eddie change his ways, the transformation doesn’t happen until sometime between an hour and eleven to twenty-three minutes into the film. Beforehand, Eddie remains the same as he did before he died. He even refuses to act more like Judge Frederick Parker, even though acting more like Frederick would have helped avoid suspicion from those around him. Breen Code era movies typically feature a core lesson or message for the audience to take away. Even though Angel on My Shoulder does have a good message, it takes quite some time to get there.

A meandering story: Angel on My Shoulder is about a recently deceased gangster who works with Nick, the devil, to satisfy a favor. As I mentioned in the introduction, this concept reminded me of All Dogs Go To Heaven. But where Angel on My Shoulder failed is not having a sense of urgency. Because of this decision, the majority of the movie is spent showing Eddie reliving his life as Judge Frederick Parker. Any course of action for Nick and Eddie’s plan doesn’t appear in the story until an hour and eleven minutes into the movie. For me, I was waiting for something interesting to happen instead of actually watching something interesting happen.

Angelic statue image created by Marcelo Gerpe at freeimages.com. “FreeImages.com/Marcelo Gerpe.”

My overall impression:

 Angel on My Shoulder is a painfully average film. Because the movie placed more emphasis on showing Eddie reliving his life as someone else, it took almost the entire story just to get to the intended point. I liked seeing how this film addressed subjects such as the afterlife, Hell, and the devil in the time of the Breen Code era. But it should have been included in a stronger script. There were aspects of this movie I did like. The acting was enjoyable to watch and the script was intelligently written. But when I find myself checking the time on multiple occasions in order to see when this film would end, my unenjoyment of the overall project overshadows its strengths. If you’d like to watch a movie with a similar concept to Angel on My Shoulder, I would recommend All Dogs Go To Heaven. In my opinion, that movie did a better job executing almost the same idea.

Overall score: 5.5 out of 10

Have you seen Claude Rains’ films? If so, which one is your favorite? Comment below in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Funny Face Review (Fred Astaire and Gene Kelly Blogathon Part 2)

For the second part of my Fred Astaire and Gene Kelly double feature, I’ve chosen to review the 1957 film, Funny Face! Last September, when 18 Cinema Lane received 135 followers, I reviewed my first Fred Astaire movie. That was The Sky’s the Limit, which I thought was just ok. Speaking of firsts, reviewing Funny Face is a first for 18 Cinema Lane, as it is the first musical film starring Aubrey Hepburn I’ve seen! Even though I have seen Breakfast at Tiffany’s and The Nun’s Story, those films would be classified as dramas. Since this was my first time seeing Audrey perform in a different genre, I was curious to see if she would be able to hold her own. When I read the synopsis for Funny Face, it sounded similar to another musical starring Audrey: My Fair Lady. Because I haven’t seen that movie, I can’t make a comparison between it and Funny Face.

Funny Face poster created by Paramount Pictures.

Things I liked about the film:

The acting: The one word I’d use to describe the cast in Funny Face is comfortable. I chose this word because every actor and actress appeared comfortable in their role! This presented the characters as if they were real-life people dealing with real-life situations. Watching Audrey’s performance in this movie reminded me of her performance in The Nun’s Story for this reason: her character grows over the course of the movie. In Funny Face, Jo opens her heart and mind to a new chapter in her life that she never thought she’d embark on. She steps out of her comfort to not only follow her dream of meeting her favorite philosopher, but she also creates new dreams for herself. Audrey’s ability to adapt to any scenario helped her make Jo’s journey seem believable! As I mentioned in the introduction, I saw The Sky’s the Limit last September. Personally, I liked Fred’s character in Funny Face more than his character in the 1943 film. This is because Dick Avery had a better personality. He came across as easy-going and approachable, someone who you would want to tour Paris with. This made Dick Avery worth rooting for! Kay Thompson stood out to me as Maggie Prescott! While her character was no-nonsense and straight-forward in what she wanted, she was never cold-hearted or mean for the sake of it. This is different from other characters of this specific type. What’s also different is how Maggie was allowed to be silly, as could be seen when she and Dick are attempting to find Jo at the home of Jo’s favorite philosopher. This gave Kay an opportunity to apply her acting abilities to various situations!

The use of color: I love how color was used in Funny Face! Whenever scenes had a primarily plain color palette, like white or beige, objects or pieces of clothing were added to bring a pop of color to the space. The opening scene is such a great example! Each door of Quality magazine’s office was painted a bright shade of various colors, providing visual appeal to a mostly white lobby and hallway. Maggie’s office adopted a beige hue for about 85% of that location. However, certain pieces of fabric and even an assistant’s green coat add bold colors to a place that would have remained dull without them. This decision to use color was very detail oriented and showed how the film’s creative team really paid attention to how their project would be presented!

The musical numbers: Funny Face’s musical numbers were not only entertaining to watch, they also incorporated creative ideas that made them memorable. The very first musical number, “Think Pink!”, showed a montage of the different ways the color pink could be worn. Through the use of colorful visuals, it helped illustrate the point Maggie was trying to stress to her assistants as well as the audience. “Bonjour, Paris!” showed Maggie, Dick, and Jo simultaneously in a split screen shot. I have never seen a musical use a split screen before, so this detail is the one I remember the most! Each performer in these musical numbers looked like they truly enjoyed what they were doing! “Basal Metabolism” showed Audrey Hepburn having fun performing her dance trio. She appeared in her element and joy radiated from her routine. This definitely added to the overall enjoyment of Funny Face’s musical numbers!

Illustration of Paris, France created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/travel”>Travel vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

No major conflict: While watching Funny Face, I noticed something was missing from this movie. That would be a major conflict, which I think would have made the story a little more interesting. Smaller conflicts, like finding a new face for Quality magazine, kept the film moving forward. But, because a major conflict was absent, it made situations feel like they worked out too easily in the characters’ favor. One idea could have shown Dick struggling to decide if he should continue to be a fashion photographer or become a stage performer. If this would have been a conflict in the story, it would have presented a mystery as to which career path Dick will choose.

A prolonged transformation: Like I said in the introduction, I haven’t seen My Fair Lady. Therefore, I can’t compare the two movies. What I will say about Funny Face is how Jo’s transformation doesn’t happen until the film’s halfway point. In the first half of the story, Jo’s perspective starts to change, allowing her to expand her intellectual horizons. But the physical transformation, from bookworm to fashion model, happens a lot later than most movies of this nature. When a character makes a dramatic change to their appearance, that moment may be the audience’s most anticipated moment. If they are forced to wait too long, they may start to lose interest.

An attraction that happened too quickly: In my review of The Crow: City of Angels, I pointed out how, to me, Ashe and Sarah’s attraction for one another was a flaw of that movie because it came about so quickly. The attraction between Jo and Dick in Funny Face makes the same error, as it also happens too quickly. Minutes after meeting for the first time, Jo and Dick share a kiss. Shortly after this encounter, Jo sings “How Long Has This Been Going On?”, a song about falling in love. If this song had been sung later in the film, after she had spent more time with Dick, the song itself would have been more impactful. Even though it is somewhat predictable for Jo and Dick to form a relationship, it should have taken its time to come to fruition.

With Glamour & Panache: A Fred Astaire & Gene Kelly Musicals Blogathon banner created by Heidi from Along the Brandywine.

My overall impression:

Funny Face is a film I had heard of for years, but had never seen. Whenever I heard about classic films or even movies starring Aubrey Hepburn, this film has, more often than not, been brought up. Now that I have seen Funny Face, I have developed an understanding for why this is the case. This is not just a good musical or a good Audrey Hepburn title. It is a good movie in general! Creative ideas within this project help it stand out. Some examples include using a split screen and incorporating objects with color into scenes with plain color palettes. Musical numbers were well-choreographed, featuring performers that appeared to enjoy the material they were given. Every actor and actress seemed comfortable in their roles, giving their characters a life of their own. While Funny Face does have its strengths, it has its weaknesses as well. Just one example is how Jo’s transformation happens much later in the film. Despite having seen only two of Fred Astaire’s movies, I’d pick Funny Face over The Sky’s the Limit. I would even choose Funny Face over Take Me Out to the Ball Game!

Overall score: 7.8 out of 10

Have you seen Funny Face? Which Fred Astaire musical is your favorite? Please share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Take Me Out to the Ball Game (Fred Astaire and Gene Kelly Blogathon Part 1)

Because Heidi’s new blogathon celebrates two classic film stars, Fred Astaire and Gene Kelly, I decided to write a double feature in their honor. I’m starting with one of Gene Kelly’s movies first, as my movie selection had a shorter run-time. On 18 Cinema Lane’s Pinterest account, there is a recommendation board where people who visit the blog can make a suggestion for future reviews. That board hosts some Gene Kelly titles, so I had plenty of options to choose from. In the end, I picked the 1949 film, Take Me Out to the Ball Game, which was recommended by Kristen from KN Winiarski Writes! The idea of a musical surrounding an athletic sport was a fascinating concept. It also gave me an excuse to finally watch one of Esther Williams’ films, as I had not seen one up until this point. 2020 has become the year of Frank Sinatra films on this blog, as Take Me Out to the Ball Game is now the fifth film from Frank’s filmography I’ve reviewed. An interesting coincidence I just noticed is how most of these movies have had a musical element included.

Take Me Out to the Ball Game poster created by Metro-Goldwyn-Mayer.

Things I liked about the film:

The acting: As I said in the introduction, I reviewed Anchors Aweigh back in September. In that review, I said that Frank Sinatra and Gene Kelly were one of the best on-screen duos I’ve ever seen because of how different their characters were from each other. Because of Frank and Gene’s experience working together, it allowed them to be familiar with the other performer and know what to expect from them in Take Me Out to the Ball Game! Like Anchors Aweigh, their characters in the 1949 film, Dennis and Eddie, were opposites of one another. This time, however, it was for different reasons. While Eddie was interested in the night life of his world, Dennis has a quieter soul that seems to notice the finer details within his surroundings. While I wrote a list article about the travels of Esther Williams, this was my first time watching one of her films. Even though Esther spent more time on land than in the water, she appeared at ease in her role as K.C. Higgins! When people tried to stand in her way, K.C. always stood her ground. At the same time, she tried to instill fairness into the situation. One great example is when she insists on a curfew penalty for every member of the Chicago Wolves. On the surface, it seems like K.C. is being unfair toward the team. In reality, she is looking out for their best interests by making sure they get a good night’s sleep so the team can perform better on in their baseball games.

The set design: Because a significant amount of time in Take Me Out to the Ball Game takes place in Florida, the sets surrounding the characters are going to reflect the Sunshine State. This is done through a variety of design choices. What made me like these sets so much was how appealing they were! When Dennis and Eddie arrive in Florida for Spring Training, the audience is introduced to the stadium, located right on the beach. With fair weather in the scene and the sandy shore taking center stage, the beach looked inviting! At night, when K.C. is interacting with both Dennis and Eddie near the pool area, lights illuminated this location to show off its exterior design. The white balcony of K.C.’s hotel room complimented the dark sky shown in the background. Light colored outdoor furniture consistently carried the color scheme this set was striving for! In an outdoor sitting area occupied by K.C. and Eddie, tan wicker chairs were paired well with green plants placed in various spots. This design choice showcased a good color combination!

The majority of the musical numbers: For the most part, I liked seeing the musical numbers in Take Me Out to the Ball Game! They were well choreographed and each performer looked like they truly enjoyed what they were doing. Like I said earlier, Frank and Gene’s experience working together helped them become familiar with the acting/performance style of the other actor. This certainly worked in their favor when it came to the musical numbers! In the opening number, “Take Me Out to the Ball Game”, both actors wonderfully pull off a tap-dance duet! Even though tap was out of Frank’s creative comfort zone, he was able to hold his own throughout the routine. Like I also said in this review, Esther spends more time on land than water. However, she was given one scene where she swam and sang the song from the movie’s opening number. Because of Esther’s experience with musicals, she was able play her own unique role in the film’s musical department that allowed her to stand out. Esther also appeared comfortable with the performance material given.

With Glamour & Panache: A Fred Astaire & Gene Kelly Musicals Blogathon banner created by Heidi from Along the Brandywine.

What I didn’t like about the film:

Two songs that didn’t age well: In Take Me Out to the Ball Game, there are two songs that have aged poorly. The first song, “Yes, Indeedy”, is performed by Frank and Gene when their characters are telling the Chicago Wolves about the females they met during their traveling talent tour. The lyrics reveal how one woman committed suicide and another female was 11 years old. Because the song itself is faster paced and upbeat, it almost sounds like Dennis and Eddie make light of the woman’s passing. Even though they say they didn’t interact with the 11-year-old for long, it makes me wonder why this child would have anything to do with Dennis and Eddie in the first place? The second song, “It’s Fate Baby, It’s Fate”, is performed by Frank Sinatra and Betty Garrett. The purpose of this song is for Betty’s character, Shirley, to share her feelings for Dennis. How she does it is very forceful, with the musical number showing Shirley blocking Dennis’ path, chasing him through the stadium, and picking him up against his will. Because of her aggression in the situation and her lack of accepting rejection, it feels like a unhealthy relationship in the works.

The character of Shirley: While Betty Garrett did a good job with the acting material she was given, I was not a fan of her character. Personally, I found Shirley to be a selfish individual who didn’t seem to care about the feelings of others. As I just mentioned, Shirley is very forceful when it comes to expressing her feelings for Dennis. If her musical number, “It’s Fate Baby, It’s Fate”, wasn’t bad enough, she wants to treat Dennis like she’s his mother. The way she talks to him in a scene where she blocks Dennis’ path with her horse and buggy shows Shirley talking to Dennis like she has more authority than him. More often than not, Dennis expresses how he doesn’t like Shirley in a romantic sense. He goes out of his way to avoid her and shows displeasure when she’s nearby. However, everyone surrounding him overlooks Shirley’s actions and encourages Dennis to spend more time with her.

An unclear time period: According to Wikipedia, Take Me Out to the Ball Game takes place in 1908. Certain aspects of the movie reflect this, with the various modes of transportation being one example. But there were some outfit choices that appeared to belong in a different decade. Whenever the Chicago Wolves are spending time in the hotel, all the team members wear team sweaters featuring their team logo. This style of sweater looked like it came from somewhere between the ‘30s and ‘50s. Like previously said, Esther has a swimming scene in this film. Her swimsuit resembles the style she wore in her “aqua musicals” of the ‘40s and ‘50s. These costume choices prevented me from getting fully immersed in the movie’s world.

Baseball game image created by Macrovector at freepik.com. <a href=’https://www.freepik.com/free-vector/baseball-game-illustration_2871359.htm’>Designed by Macrovector</a>. <a href=”https://www.freepik.com/free-photos-vectors/man”>Man vector created by Macrovector – Freepik.com</a>. Image found at freepik.com.

My overall impression:  

Even though Take Me Out to the Ball Game is the second Frank Sinatra and Gene Kelly collaboration I’ve seen, I’d still prefer Anchors Aweigh over the aforementioned film. While Take Me Out to the Ball Game is a fine movie, I feel the 1945 film was a stronger picture overall. However, I’m not going to dismiss the movie completely. One of the strengths of the 1949 project is the acting performances! Musical experience from Frank, Esther, and Gene definitely worked in this movie’s favor, with each actor appearing comfortable in their roles! I also enjoyed most of the musical numbers! They were certainly entertaining and fun to watch! Even though I didn’t mention it in my review, I feel the film’s conflict was underutilized. Within the last thirty minutes, Eddie tries to juggle baseball and performing in a café. Eventually, he learns that he can’t have everything he wants. Story wise, I think the film’s main conflict should have been Eddie’s struggle to fit his love of performing and baseball into his life. I actually found this part of the story more interesting than the Chicago Wolves dealing with a new team owner.

Overall score: 7.2 out of 10

Have you seen Take Me Out to the Ball Game? Which Frank Sinatra and Gene Kelly collaboration is your favorite? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: House of Wax (1953) Review

For KN Winiarski’s 1st Annual Spooky Classic Movie Blogathon, I chose to write about a film that was recommended to me by one of my fellow bloggers. As the title states, I will be reviewing the 1953 film, House of Wax, which was suggested by Patricia from Caftan Woman. This is a movie I’ve heard of, but had never seen. Since the film was released between 1920 and 1960 (one of the blogathon’s requirements), it gave me a good excuse to check it out! Even though I have seen and reviewed three of Vincent Price’s movies, only one of them was released during the Breen Code era. Because House of Wax premiered in the early ‘50s, it allowed me to view more of his films from that time period. Based on the synopsis, House of Wax is considered a “revenge film”. It made me curious to see how this type of story would work within the Breen Code era. I was also interested in comparing House of Wax to a project like The Crow, which I reviewed back in May.

House of Wax poster created by Warner Bros.

The acting: House of Wax is the fourth film of Vincent Price’s I’ve seen. While I enjoyed his acting performances in The Whales of August, House of the Long Shadows, and Shock, I really liked his performance in the 1953 film! When his character, Henry, is talking about his wax figures, the passion he has for his craft can be seen on his face and in his eyes. Vincent makes the audience feel bad for Henry when these figures and the museum burn to the ground. As time moves forward, Henry evolves into a man of sophistication. Through the power of his acting talents, Vincent makes this transition feel believable. Prior to watching House of Wax, I was not familiar with Phyllis Kirk as an actress. However, I really liked her portrayal of Sue Allen! The emotional intensity Phyllis brought to her role is what made her performance stand out! When she is chased through the city by a murderous criminal, the audience can see and feel the fear Sue is experiencing. This helped raise the intensity of that scene. After she reaches the safety of a neighbor’s house, she immediately bursts into tears. Sue’s emotions show just how emotionally exhausted she is from constantly looking over her shoulder.

The wax figures: Because this film is called House of Wax, a showcase of various wax figures is to be expected. What was unexpected for me was the overall quality of these wax figures! All of them were so well-crafted, they looked like real-life individuals. In fact, there were times when I was waiting for at least one of them to start moving on their own. Throughout the film, facts about the people these figures were representing and the artistic process were shared within the dialogue. One example is when Henry is explaining how he created his Marie Antoinette figure. He tells a potential investor that Marie’s eyes are glass and were inserted through a hallow part of the head before it was attached to the neck. I found this part of the story fascinating! I also wish there was a documentary about this particular art form.

The historical accuracy: House of Wax takes place during the early 1900s, with the time period influencing every aspect of the film. What works in this movie’s favor is how the visuals looked and felt like the time period the film’s creative team was striving for! As Henry’s wax museum is burning, a fire truck appears to put the fire out. A noteworthy point is the model of the truck resembled one from the early 1900s. Another way the time period was reflected was through the set design! The exterior of the House of Wax museum looked like a movie palace from decades past, commanding the attention of passers-by. The beige and red marble alcove leading to the museum reminded me of an outdoor market, with the museum itself selling a form of entertainment to potential customers. These design choices made the overall film feel immersive!

Scared audience image created by Katemangostar at freepik.com. <a href=’https://www.freepik.com/free-photo/terrified-friends-watching-horror-movie-in-cinema_1027311.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/people”>People image created by Katemangostar – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The 3D effects: One of House of Wax’s claims to fame is featuring one of the earliest forms of 3D in cinematic history. Any poster of the film and the movie’s opening credits boast this detail enthusiastically. However, the 3D in this movie stayed in 1953. In the scene where Henry opens his House of Wax museum, a spokesperson uses paddle-balls to get patrons’ attention. During his routine, the spokesperson breaks the fourth wall and tells a man in the audience that he is trying to hit his popcorn bag with one of the paddle-balls. When the paddle-ball moved toward the audience, the moment itself looked like it was filmed in 2D. The 3D in House of Wax comes across as an outdated gimmick that felt awkward and out of place.

A protagonist I can’t root for: More often than not, “revenge films” feature a protagonist who represents the opposite of the horrors committed against them. Eric Draven from The Crow is a perfect example. While he kills the villains who have wronged him and his fiancé, Shelly, Eric is fighting fire with fire when his city’s justice system is ineffective. He also chooses to keep his moral compass intact by helping those who are innocent. I won’t spoil House of Wax for those who haven’t seen it yet. But all I’ll say is that as time goes on, Henry throws away his moral compass and takes his mission too far. Because of this, I couldn’t bring myself to root for this character.

Scares that aren’t consistent: There are several moments in House of Wax that are truly unsettling to watch. Seeing Henry’s wax figures burning is just one of them. However, I expected the film to be much scarier than it was. The most terrifying moments happened toward the beginning and end of the movie. Everything in-between felt like a juggling act of darker and lighter moments. Right after Henry’s wax museum burns down, a happy dance party is shown. This feels like a major tonal shift from the ominous tone that was set up in the film’s opening scene.

1st Annual Spooky Classic Movie Blogathon banner created by Kristen from KN Winiarski Writes.

My overall impression:

As a movie, House of Wax is good! It is a horror title that relies more on tone and atmosphere. But as a “revenge story”, I feel a film like The Crow does a better job at expressing that type of narrative. One major difference is how the character of Henry is not worth rooting for, as he abandons his moral compass within the course of the film. I found this to be a surprising choice for a Breen Code era film. While it doesn’t overpower the movie, the 3D aspect of the project did not work. It was obvious that 2D filmed moments were waiting for the 3D effect to kick in. Sadly, the 3D failed to show up. I would say House of Wax is an interesting choice for Halloween viewing, as it utilizes wax figures to provide elements of horror. It eliminates the use of blood/gore and has the ability to put the audience on edge.  

Overall score: 7.5 out of 10

Have you seen House of Wax? Which film of Vincent Price’s is your favorite? Share your thoughts in the comment section!

Have fun at the movies!

Sally Silverscreen