Take 3: Sunnyside Review + 100 Follower Thank You

Well, I did it. I finally received 100 followers! When I started 18 Cinema Lane last February, I never thought I would achieve this many followers in such a short amount of time! So, I’d like to say thank you to every single person who has chosen to follow my blog. If it weren’t for you, I never would have reached this milestone so soon. You’re probably thinking that it would be nearly impossible to find a movie that was released 100 years ago, in 1919. But, surprisingly, I ended up finding a movie on Turner Classic Movies’ (TCM’s) schedule. It’s a movie titled Sunnyside, which was directed, written, produced, composed by and starred Charlie Chaplin. In my Wild Oranges review, I mentioned that the only other silent film I’d seen was The Kid. By reviewing Sunnyside, it means that this is not only the third silent film I’ve seen, it’s also the second Charlie Chaplin picture that I’ve seen. When I recorded this movie on my DVR, I was shocked to discover that the film itself was less than an hour long. But, since Sunnyside is considered a short film, I realized that this run-time actually made sense. So, let the sunshine come pouring into your heart, as we’re about to begin this review of Sunnyside!

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Not only did I surprise myself by finding a movie that was released 100 years ago, but I also found a poster of the movie (which appeared on my TV). Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

  • The comedy: Out of the two films of Charlie Chaplin’s that I’ve seen, it seems like Charlie’s cinematic work is known for being humorous. Because Sunnyside is a silent film, the creative team behind this movie had to rely on physical comedy, such as silly behaviors and actions, to make the audience laugh. This style of comedy was executed well in the film! While this form of comedy was more simplistic, I felt like it was effective! One such example is when Charlie’s character brings a cow into his house and milks it on the spot just so he can put milk in his beverage. The incorporation of humor helped make Sunnyside an interesting film!

 

  • The music: As I’ve mentioned in the introduction, Charlie Chaplin composed the music in Sunnyside. It felt like Charlie put a good amount of thought into the type of music that was incorporated into the film. Throughout the movie, I noticed that the overarching music matched the mood of whatever scene it was featured in. Whenever the scene was humorous, light-hearted music could be heard. If the scene had a more serious tone, dramatic music was placed over the on-screen events. This aspect of the movie provided a sense of understanding to what was happening in the story!

 

  • The use of title cards: In my review of Wild Oranges, I talked about the importance of title cards within the film. Just like that movie, Sunnyside also used title cards to their full advantage. These title cards were, sometimes, placed at the beginning of each scene. This helped introduce locations and characters to the audience. Title cards were also used to provide dialogue between some of the characters. It assisted the audience in helping them figure out what was going on within the narrative.
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Happy sun image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

  • Some scenes lasting longer than others: Throughout Sunnyside, I noticed that some of the scenes lasted longer than others. One example is the opening scene, when Charlie’s character wakes up in the morning. For scenes like this, I felt that they were as long as they were just to satisfy the film’s run-time. In my opinion, these specific scenes could have been cut to a shorter length.

 

  • A simplistic story: The main plot of Sunnyside was more on the simpler side. Because of this, it caused the first half of the movie to appear as a series of vignettes. The story didn’t seem to have a cohesive narrative until the character called “City Chap” showed up in the film. It made the film like it was an experiment of how to make a movie.

 

  • A drowned out piano: In Sunnyside, there was one scene where Charlie’s character is playing the piano. However, when he did play the piano, the instrument’s sound was drowned out by the overarching music featured in that scene. I understand that the cinematic technology of 1919 was vastly different than what it is today. But I think the sound of the piano should have been omitted from this film. That way, the only sound that the audience should focus on is the music that helps highlight the mood of that scene.
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String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundvector created by Freepik</a>. Image found at freepik.com.

My overall impression:

As I’ve said in my Wild Oranges review, I don’t often watch movies in the silent film genre. However, because Sunnyside was the only film from 1919 that I was able to find, I decided to give the movie the chance. I’m glad I did, as this ended up being a good film! Because this was a short film and because, for the most part, I was able to understand what was going on in the narrative, I didn’t have a need to provide my own commentary to the film. It is interesting to see how movies have evolved over these 100 years. Seeing what’s changed and what’s remained the same in cinema is fascinating. This makes me appreciate the earlier projects of film, including Sunnyside.

 

Overall score: 7.6 out of 10

 

Do you watch silent films? Have you seen any of Charlie Chaplin’s movies? Let me know in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Wild Oranges Review + 95 Follower Thank You

18 Cinema Lane received 95 followers last week! To all of my followers, thank you for helping me achieve this milestone! Your interest in this blog means a lot to me. Because I now have 95 followers, I can review a film that was released 95 years ago (in 1924). One day, when I was scrolling through Turner Classic Movies’ (TCM’s) schedule, I discovered a film called Wild Oranges. Before choosing this movie for this post, I had never heard of this title. In fact, the only silent film I’ve seen prior to the aforementioned movie was The Kid, starring Charlie Chaplin. So, I thought this would be a good opportunity to expand my cinematic horizons. According to the pre-movie commentary, Wild Oranges was one of the first movies to be filmed on-location as well as having a smaller cast. These facts interested me into seeing how they would work within the overall context of the film. Before I begin this review, I would just like to share that I actually ate oranges while watching Wild Oranges (I thought it would appropriately fit the occasion).

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Wild Oranges poster created by Goldwyn Pictures. Image found at https://en.wikipedia.org/wiki/File:Wild_Oranges_(film_poster).jpg

Things I liked about the film:

  • The acting: Because Wild Oranges is a silent movie, the actors have to rely on body language, facial expressions, and actions/behaviors to portray what their characters are saying and feeling. All of the actors in this cast accomplished their goal of doing just that! The acting performances in this movie played an essential role in telling this story, helping to fill in the blanks when words were not available. These performances were also well-rounded, adding to the intrigue and investment of the film. Looking back, I believe the most memorable performance in this movie came from Charles A. Post as the film’s antagonist, Iscah Nicholas! Despite the unheard dialogue, Charles effectively conveyed the nasty and disturbing nature that his character contained. This performance truly added a sense of suspense and dread whenever he appeared on-screen.

 

  • The scenery: As I mentioned in the introduction, Wild Oranges was one of the first movies to be filmed on-location. According to TCM’s pre-movie commentary, this movie was filmed in Georgia and Florida. Filming on-location was the right decision, as it gave a sense of realism to the movie. The natural elements of the scenery, from the forests to the dilapidated home of the Stope family, added a haunting feel to the overall atmosphere. Even the beauty of the beachfront was captured very well within the lighter moments of the film. This element made Wild Oranges a wonderful sight to see!

 

  • The use of title cards: While the body language, facial expressions, and actions/behaviors of the actors helped carry the story, there were times when title cards were necessary. In Wild Oranges, title cards were used to not only highlight the dialogue between the characters, but also to transition between scenes. These title cards provided some depth to the narrative, as it explained things that the acting performances couldn’t. Having the title cards be presented on illustrations of oranges trees was very creative. It also fit with the continuity of the film.
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Forest in Georgia image created by Roger Kirby at freeimages.com. “FreeImages.com/Roger Kirby.”

What I didn’t like about the film:

  • A limited amount of title cards: While I liked the use the title cards in Wild Oranges, I thought that the amount of them was fewer than I’d expected. Some scenes were accompanied with very few title cards to support the dialogue or other details within the narrative. This left me guessing as to what was going on in the film. It also debunked my personal stereotypical view of title cards in silent films, where title cards are used to explain everything. Wild Oranges definitely could have benefited from the use of more title cards.

 

  • The run-time: At an hour and twenty-eight minutes, I felt that Wild Oranges was a little too long. Sometimes, there were scenes that went on longer than they should have. Two examples of this are a fight sequence between the antagonist and protagonist as well as a boating scene. If these scenes were a little bit shorter, it would have had a big impact on the overall run-time. In my opinion, this movie should have been, at least, an hour.

 

  • An unclear connection between Nicholas and the Stope family: While watching this movie, I was really confused about the connection between Nicholas and the Stope family. Sure, Nicholas was in love with Millie. However, Nicholas was allowed on the Stope family property without any issues. Even though Millie revealed more about Nicholas’ character to John Woolfolk, it didn’t explain what his connection was to her family. The only thing I was able to do was guess this connection as I continued watching the film.
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Oranges in tree image created by Jose Luis Navarro at freeimages.com. “FreeImages.com/Jose Luis Navarro.”

My overall impression:

The silent film genre is one that I don’t watch often. The two reasons for this are 1.) Silent films are not as easily available as other genres and 2.) The on-screen events might be confusing to decipher without dialogue. Despite these concerns, I ended up having an enjoyable experience watching Wild Oranges! Part of this has to do with the fact that I was able to provide my own personal commentary to the film. Besides this, the movie itself stands on its own, thanks to the merits found in the film. The various creative pieces came together to tell a cohesive story. The historic choices that were made, such as filming on-location, ended up working in this film’s favor. It gave the project a special uniqueness that helped make the film so memorable. If you haven’t seen silent films before and would like to give them a chance, I think Wild Oranges is a good introduction to the genre!

 

Overall score: 7.6 out of 10

 

Have you seen any silent films? Would you want to give silent films a chance? Put your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen