Take 3: The Picture of Dorian Gray (1945) Review

Whenever I think of Dorian Gray as a character, Stuart Townsend’s portrayal in The League of Extraordinary Gentlemen comes to mind. While I’ve never seen that film, I did watch a video review of it years ago. However, I know that, sometimes, no singular portrayal of a given character is the “end all, be all” when it comes to story-telling. This is one of the reasons why I chose to review the 1945 adaptation of The Picture of Dorian Gray. The other reason is Peter Lawford’s involvement in the project. Once again, I am participating in the Peter Lawford Blogathon, hosted by Kristen from Hoofers and Honeys of the Classic Movie Era/KN Winiarski Writes. Last year, I wrote about 1960’s Ocean’s Eleven. At the time, I was not familiar with Peter’s filmography. Now that I have seen at least one of his movies, I had a starting point for which film to choose next! Before Dorian’s portrait transforms on us, let’s get this review started!

The Picture of Dorian Gray (1945) poster created by Metro-Goldwyn-Mayer and Loew’s Inc.

Things I liked about the film:

The acting: I haven’t seen many of Peter Lawford’s films. But based on 1960’s Ocean’s Eleven and 1945’s The Picture of Dorian Gray, it seems like he can be found in movies with larger ensembles. When it comes to the 1945 title, I was disappointed by this, as I was hoping to see more of his performance. Nevertheless, Peter did do a good job with the material he was given! Portraying David Stone, a man interested in courting Gladys Hallward, he resembled the youth Dorian himself desperately sought after. Despite appearing in a handful of scenes, David’s concern of Gladys felt genuine. You can hear it in the inflection of Peter’s voice and the expressions on his face. In a way, these things made David seem like a “voice of reason”.

During the film’s opening credits, I was surprised to discover Angela Lansbury also starred in The Picture of Dorian Gray. But similar to Peter Lawford, she also appeared in a handful of scenes. Despite this, I enjoyed seeing her portrayal of Sibyl Vane! Within this film, she sang a song called “The Little Yellow Bird”. It was nice to hear a musical performance from Angela, as I feel her singing abilities are underrated. When it came to her acting performance, Angela carried her character with a youthfulness I haven’t noticed in her other roles I’ve seen. Her expressions were more subtle, but worked for her character. Another actor who had subtle expressions was Hurd Hatfield. I’m not familiar with his acting work. But based on his portrayal of the titular character, he carried himself with a sense of professionalism. Hurd did, however, have very expressive eyes. At one point during the story, Dorian makes a mistake. When he realizes what he did, his eyes grow wide with alarm. Meanwhile, Hurd still shows a composure that he partly gave to Dorian, which maintains consistency.

The lessons and morals: Since this film premiered in 1945, that means it had to follow the Breen Code guidelines. The Picture of Dorian Gray certainly obeys those guidelines, but it also serves up some good lessons and morals. Toward the beginning of the story, Lord Henry tells Dorian how lucky he is to be young and attractive. He also tells Dorian to not squander his youth. These pieces of conversation can be used as lessons to appreciate the things you have and to not take anything for granted. Certain events in Dorian’s life highlight these lessons well. Another idea that is addressed in this script is actions speaking louder than words. This can be seen throughout Dorian’s relationship with Sibyl. While I won’t spoil what happens, I will say something comes up that relates to the aforementioned idea.

The cinematography: A surprising element in The Picture of Dorian Gray was the cinematography. This is because of how creative and well filmed it was! My favorite use of cinematography was when Sibyl visits Dorian’s house. As Dorian is playing the piano, Sibyl enters his study. But before she walks through the doorway, you can only see Sibyl’s shadow. Even when she does appear in the doorway, Sibyl’s face isn’t shown until she reaches Dorian’s piano. That was a good way to building anticipation for Sibyl’s appearance. A filming technique that appeared in several moments of the film was framing a scene as if the camera was following a character or hiding from them. A great example is when Dorian was placing a letter in his fireplace. The camera is positioned inside the fireplace while he is burning the letter. It provides the illusion of the audience watching from the outside looking in.

The 2nd Annual Peter Lawford Blogathon banner created by Kristen from Hoofers and Honeys of the Classic Movie Era/KN Winiarski Writes

What I didn’t like about the film:

Limited use of Technicolor: In the movie’s opening credits, it was mentioned that Technicolor was used in the movie. This made me excited to see how Technicolor would be utilized in the story. While I wasn’t expecting as much Technicolor as in The Wizard of Oz, I was hoping it would be consistently featured throughout the film. Unfortunately, that is not the case for The Picture of Dorian Gray. The Technicolor was applied to Dorian’s painting. But it was only used three times during the whole movie. I think if Dorian’s painting had been consistently presented in Technicolor, it would have highlighted the importance of the painting within the story.

The painting is kind of an afterthought: For those who don’t know, a MacGuffin can be an object that progresses a story forward. In the case of The Picture of Dorian Gray, Dorian’s painting is that story’s MacGuffin. However, its presence wasn’t as significant as I expected. In the script, the state of Dorian’s relationships is given more focus than the painting. In fact, the painting is sometimes not shown on-screen. This made the painting itself kind of seem like an afterthought.

Dorian’s confusing choices: There were times when Dorian made choices that left me confused. One of these choices took place during his relationship with Sibyl. Throughout that relationship, Dorian appears to truly love her. He even seriously considers marrying Sibyl. But, out of the blue, Dorian changes his mind. Even the build-up toward that moment was confusing, making it difficult to interpret what happened. I realize all of that connects with the lessons I mentioned earlier. However, Dorian’s sudden change in attitude and choices was, to me, confusing.

Paint palette image created by Freepik at freepik.com <a href=’https://www.freepik.com/free-vector/hand-drawn-artsy-tools_836777.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/hand”>Hand vector created by Freepik</a> Image found at freepik.com

My overall impression:

There are movies that have fallen short of my expectations. Not all of these films have been bad. However, I was left desiring more from them. The Picture of Dorian Gray has now become one of those movies. Before watching this adaptation, I was familiar with the premise of this story. But that premise led me to believe the film would be more profound and thought-provoking than it was. The script did provide good lessons and morals. But I’m not left contemplating any deeper meaning on any particular theme. I was also disappointed by Peter Lawford’s limited appearance in the movie. Peter’s involvement in the project is one of the reasons why I chose to review it in the first place. Even though I liked his portrayal of David, I was expecting to see him receive a larger spotlight than in Ocean’s Eleven. If the Peter Lawford Blogathon returns for a third year, I’ll try to find a film where Peter was a leading actor.

Overall score: 7.2 out of 10

Have you seen any adaptation of The Picture of Dorian Gray? Would you like for me to read the book? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Durango Review

Last year was the first time I participated in Legends of Western Cinema Week! For that event, I reviewed some episodes of Walker, Texas Ranger and the movie, Forsaken. This year, I decided to review the 1999 Hallmark Hall of Fame film, Durango! One day, Hallmark Drama was airing several older titles from the Hallmark Hall of Fame collection, with Durango being one of them. Since I try to watch as many Hallmark Hall of Fame movies as realistically possible, I made sure to record this film on my DVR. This is not only my first time watching it, but this particular title was only sold on VHS. Hallmark has a history of selling some of their Hallmark Hall of Fame films for home entertainment. As I said in my review of the 1987 movie, Foxfire, some of them have been sold on DVD for $20 apiece. But there were some titles that were only given a VHS release. I don’t know what the original price of these VHS tapes were. But if the DVDs were $20, it makes me assume the VHS tapes might have been sold for a similar price. Would Durango be worth the price if it was re-sold on DVD? Keep reading my review if you want to find that answer out!

I really like the poster design for Durango, as it is reminiscent of posters from older western films. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

Patrick Bergin’s performance: In Durango, Patrick Bergin portrayed Fergus Mullaney, the father of the protagonist’s girlfriend, Annie. Out of the whole cast, Patrick is the one that, for me, stole the show! Whenever his character came on screen, he delivered his performance with a strong sense of emotion. Toward the beginning of the movie, Fergus is giving a threat to the movie’s protagonist. During this scene, he truly came across as intimidating. The look in Fergus’ eyes was fiery, revealing the anger within him. His tone of voice was loud and stern, indicating he is not someone to be messed with. I wish Patrick had more appearances in this movie, so he could have had more opportunities to show off his acting talents!

The scenery: Within my review of Chasing Leprechauns, I discussed how the film looked drab. This was because that film’s creative team didn’t take advantage of Ireland’s natural landscape. That was not the case for Durango, as the majority of the movie took place outdoors and there was a lot of greenery to be found! When the Mullaney family was taking a ride through the countryside, the rolling hills of Ireland were showcased in front of a clear blue sky. On the path, a small stone bridge was seen over a river. This river was surrounded by grassy, green fields. That type of landscape was consistently shown throughout the movie. However, it featured Ireland’s natural beauty, which could encourage someone to visit the country!

The music: In films like those from Hallmark Hall of Fame, orchestral tunes are commonly heard in the background. While that is the case for Durango, the music worked with what was happening on screen. During the protagonist’s journey, grand, sweeping orchestral music could be heard as cattle were traveling through the vast fields of Ireland. Because the scenery is so captivating, having this type of music playing makes sense, as the music represents the viewers’ awe for such a beautiful place. When Annie’s brothers were fighting in public, Mark, the film’s protagonist, tells Fergus what is going on. Even though orchestral music can still be heard, the music is reflective of one’s fear when facing an intimidating man like Fergus. Just like any component of a film, music can make or break a production. The music in Durango definitely worked!

Legends of Western Cinema Week banner created by Heidi from Along the Brandywine and Hamlette from Hamlette’s Soliloquy.

What I didn’t like the film:

Low stakes: A common staple in the western genre is including high stakes in the story. In the movie I reviewed last year, Forsaken, the future of the town was at stake. The fear of the unknown could be felt among the characters, with their dialogue and interactions elaborating this point. The major conflict in Durango was the transportation of cattle from one town to another in an effort to receive a fair price for them. But the stakes associated with this conflict were low, causing me not to feel like any of the characters or their cattle were in danger. This is because, nine times of ten, the characters’ plans work out perfectly. Come to think of it, these plans worked out too perfectly by the standards of the western genre. When a higher stake is introduced in the story, it doesn’t appear until the film’s last nineteen minutes. This stake feels like it was included simply for the script to shoehorn a subtle David and Goliath reference. What is frustrating about that creative decision is the movie’s creative team had the entire project to give us the aforementioned reference. Heck, Durango itself should have been a David and Goliath story.

Fergus Mullaney’s desire to protect his daughter: In a story where a young woman falls in love, it’s common for her father to be concerned for her well-being. This is no different for Durango, as Fergus Mullaney only wants to protect his youngest daughter, Annie. The way he went about protecting her is the issue, as it came across as possessive and bit over the top. Whenever Annie’s boyfriend, Mark, is expressing his love for her or seen interacting with her, Fergus becomes angry. It gets to the point where he threatens to physically harm Mark. If Durango were a comedy and Annie were a teenage girl going on her first date, maybe Fergus’ behavior would be justifiable. But because both Annie and Mark are adults and because this movie is more dramatic in tone, Fergus’ behavior felt out of place.

Matt Keeslar’s performance: I’m not really familiar with Matt Keeslar’s filmography. However, I wasn’t impressed with his portrayal of the protagonist, Mark Doran. He wasn’t as strong of a performer as other actors from Hallmark Hall of Fame productions. For most of the movie, Matt carried a “resting face”, making his face appear static. I could tell he was trying with the material he was given, as there were times where he expressed genuine emotion. But these emotions were, in my opinion, not delivered consistently. With everything I just said and the fact that Matt and Nancy St. Alban, the actress who portrayed Annie, didn’t have strong on-screen chemistry, I was not invested in Matt’s performance.

Irish heart image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/label”>Label vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

In my introduction, I mentioned how Durango was only sold on VHS. After watching the film, I now have an understanding of why this could be the case. Durango is one of the few Hallmark Hall of Fame movies I would consider a dud. With a weak lead performance and many low stakes, I found it difficult to stay invested in the characters and overall story. I also think the way Fergus tried to protect his daughter, Annie, felt out of place in this particular film. According to IMDB, Durango is “the first western set in Ireland”, so the fact this movie was not good is disappointing. On paper, an Irish western is an interesting idea that could have worked with a strong creative team. Unfortunately, Durango had a weak execution. I’m glad Hallmark Drama chose to air this movie, as I can honestly say it is not worth purchasing a copy. Personally, I think Irish cinema, the western genre, and Hallmark Hall of Fame deserve better.

Overall score: 4.7 out of 10

Have you seen Durango? Are there any Hallmark Hall of Fame movies you’d like to see re-released on DVD? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Rigoletto Review + 350 and 355 Follower Thank You

For my American Girl Instagram account, Dolly Parkington’s Dollhouse, I recently talked about the 1993 movie, Rigoletto. Because of this, I decided to review the film for my next blog follower dedication review! While I heard good things about this particular title, I have never seen it until this year. The one constant statement was how Rigoletto was “Phantom of the Opera for kids”. As someone who has seen the 2004 adaptation of the musical, I was curious to see how it could be adapted into a family friendly version. If you have taken notice, I have recently relied on older movies for my blog’s content. Come to think of it, I only reviewed one new release in 2021 so far. That’s because I enjoy discovering films that are new to me, as well as finding hidden gems in the world of cinema. This also correlates with my blog’s mission of giving underrated titles a “standing ovation”. Now, let’s raise the curtain on this review of Rigoletto!

Rigoletto poster created by Feature Films for Families

Things I liked about the film:

The acting: Even though I liked the acting performances from the film’s younger cast members, it’s the movie’s older cast members that stole the show for me! One noteworthy performance was John Huntington’s! Portraying Ribaldi’s butler, Hans, John was able to serve as the story’s comic relief while, at times, being intimidating. When Bonnie’s mother visits Ribaldi’s house in an effort to address an impending eviction notice, Hans gives her a set of instructions. The tone in his voice and the look in his eyes is so intense and direct, even the audience may feel intimidated by his demeanor. But, as I mentioned before, Hans can also be a source of comic relief. In one scene, Hans makes a comment about music. This comment causes Ribaldi to throw a book at Hans. Even though the moment itself was hilarious, I was caught off guard because it was so sudden. While we’re on the subject of Ribaldi, let’s talk about Joseph Paur’s performance! His portrayal of Ribaldi reminded me a lot of the Beast from Beauty and the Beast. In scenes that were more suspenseful in tone, Ribaldi’s persona was aggressive and powerful, with his presence appearing intimidating at times. For more gentler moments in the film, such as when Ribaldi was giving advice to a boy named Porter, his personality was kinder. This allowed Ribaldi to become an approachable character as the story went on. Despite appearing in the film for a short amount of time, I liked Tracey Williams’ portrayal of Gabriella. Not only did she have a pleasant on-screen personality, but she also had good on-screen chemistry with Joseph Paur! Honestly, I wish she had appeared in more scenes.

The music: Because this movie is loosely based on the opera of the same name, there are musical elements within the story. Even though the musical elements were limited, I really liked the music! A memorable song is ‘The Curse’. Performed by Joseph Paur, this was an operatic piece that was powerful and emotional in tone and musical scope. It reminded me of the Trans-Siberian Orchestra songs ‘The Moment’ and ‘This Is Who You Are’. Toward the end of the movie, Ivey Lloyd, the actress who portrayed Bonnie, performed a song titled ‘The Melody Within’. While Ivey’s voice in the movie sounded fine and delicate, the song itself complimented her talents! Not only was it pleasant to listen to, but it also contained a good message. Musical numbers like ‘The Curse’ and ‘The Melody Within’ gave weight to the film.

Wisdom within the script: As I watched Rigoletto, there were several moments where wisdom could be heard within the script. This was such a pleasant surprise, as I was not expecting to hear that. When Bonnie’s mother tries to talk to Ribaldi about her eviction notice, Ribaldi explains how she has a home while he has a house. During this explanation, it is clear that Ribaldi had enough self-awareness to know what really mattered the most. After interacting with a rude peer, Bonnie reminds her friends how pointless it is to match unkindness with unkindness. While this piece of wisdom was simple, it served as a reminder for how to treat others. What also helped was how these pieces are woven into the script through dialogue. It prevented the wisdom from coming across as mini lectures or heavy-handed.

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundvector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The “disappearing disabilities” subplot: In the town of Castle Gate, there are several citizens who have a disability. These disabilities could be seen or heard; from a young boy who stuttered to a woman who relied on a wheelchair in order to move from place to place. But as the film progressed, their disabilities were magically reversed. Without spoiling the movie, I understand why this subplot was in the story, as it did serve an important message. On the other hand, it kind of contradicts another important message, one about inner beauty. According to IMDB, Rigoletto “is a branch off of the story line of “Beauty and the Beast”, a story where you would find this kind of message. However, it feels like the movie’s creative team wanted to have their cake and eat it too.

Little to no context: Rigoletto is the second movie I’ve recently reviewed where there was little to no context in certain areas of the story. Toward the beginning of the film, it was stated that Ribaldi’s face became disfigured due to an “accident”. But the audience never learns about the accident itself, as well as Ribaldi’s life before he came to Castle Gate. Ribaldi reveals a magical mirror that he claims was given to him by “Snow White”. However, it is never explained if the mirror actually contains magic or is magical in a figurative sense. Similar to what I said in my review of The Girl Who Spelled Freedom, context would have been beneficial in understanding Ribaldi as a character.

Under-utilizing musical potential: While I liked the songs in Rigoletto, I wish it had been a musical, similar to productions like Beauty and the Beast or The Sound of Music. Throughout the film, I can think of only four scenes that featured characters singing. Even though the story should be the first priority of any movie, Rigoletto relied on the script’s drama more than the film’s musical components. I’m also disappointed by the missed opportunity for at least one duet. Maybe Ribaldi and Bonnie could have sang a song about friendship. Perhaps Gabriella and Ribaldi could have shared a romantic, but wholesome melody. This idea might have become a reality had the movie been a musical instead of a drama with musical elements.

Masks of comedy and tragedy images created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As I said in my introduction, Rigoletto has been compared to Phantom of the Opera. However, it felt more like a live-action adaptation of Beauty and the Beast. Because I like the 1991 version of the aforementioned story, I didn’t mind this subversion of expectations. In fact, I found Rigoletto to be an interesting re-telling! The emphasis on music within the world of Castle Gate helped the film obtain its own identity. Having the story take place during the Great Depression and relying less on fantastical elements also helps the film’s case. The movie did have its strengths, but it also had its flaws too. I honestly wish Rigoletto had been a musical like Beauty and the Beast, so its full potential could have been reached. If you do like films with musical elements or are a fan of “modern” fairy tale re-tellings , I would definitely recommend this movie! As this review reaches the final curtain, I want to thank all my followers for helping 18 Cinema Lane make it this far! Like I’ve said before, this blog would not be the same without you!

Overall score: 7.8 out of 10

Have you seen Rigoletto? Are there any musical movies you enjoy watching? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Three Musketeers (1948) Review

Last year, I participated in the Classic Literature On Film Blogathon. Since I was reading To Kill a Mockingbird at the time, I chose to review the book’s film adaptation. For this year’s event, I selected the 1948 version of The Three Musketeers! Because I’m using my TBR Tin to choose which book to read next, I wasn’t able to read the source material before I saw the movie, as I’m currently reading The Shadowy Horses by Susanna Kearsley. I was recommended this film by Patricia from Caftan Woman. As I try to see as many film suggestions as I can, this became one reason why I selected The Three Musketeers for this blogathon. I have seen the 1993 adaptation of the story. But I can’t give an honest opinion on that film, as I haven’t seen the movie in years. What will my thoughts be on the 1948 adaptation of The Three Musketeers? Keep reading to find out!

The Three Musketeers (1948) poster created by Metro-Goldwyn-Mayer and Loew’s, Inc.

Things I liked about the film:

The acting: Because The Three Musketeers contained an ensemble cast, it’s difficult to choose a favorite performance. However, I will still mention a few of them. For me, Gene Kelly is always going to be known for his performances in musicals. Seeing him work with different acting material was very interesting, as it forced him to utilize his expressions and emotions more. Out of Gene’s films I’ve seen so far, his portrayal of D’Artagnan has become one of my favorites! This performance was so well-rounded, D’Artagnan came across as a mutli-layered character. As Gene had a variety of expressions at his disposal, he was able to adapt to any situation D’Artagnan faced. I am not familiar with Van Heflin as an actor. But I was impressed with his portrayal of fellower Musketeer, Athos! Van’s best scene was when Athos drunkenly tells a story of an aristocrat who was betrayed by a woman from the country he fell in love with. Even though Athos is disoriented by the alcohol, you can tell there is deep emotion in his voice and eyes. Another performance that also became a favorite came from Lana Turner, who portrayed Countess de Winter! Her standout scene was when her character was in prison. The Countess appears disheveled as she begs for her life to end. What made this scene so memorable was the amount of emotion Lana put into her role. She presented a character that was so desperate, she’d be willing to do anything to get out of it.

The costumes: When it comes to scene-stealers, the costumes in The Three Musketeers definitely stole the show! I liked how colorful they were, as bright hues were used on various pieces of apparel. It not only made the characters stand out, but it also helped when telling characters apart from one another. The amount of detail on these costumes was also exquisite! In one scene, the Duke of Buckingham wore a purple shawl. Gold embroidery complimented the shawl’s shade of purple and prevented the piece from becoming plain. At a dinner party, Queen Anne wore a white gown. This gown also contained gold details, which were found on the skirt and bodice. Small jewels near the top of the dress completed Queen Anne’s elegant look!

The set design: If you’re going to create a period film, you have to pay attention to the finer details that go into each set. These details will reflect the effort, research, and care that went into how these sets look. The sets in The Three Musketeers show how much the film’s creative team cared about the presentation of their final product! What I love about the sets in this movie are the fine details that can be found. Carved images are shown in the Duke of Buckingham’s study, covering the fireplace and doorframe in these wooden pictures. They can also be found in other rooms and on other materials, such as on a tin-plated cabinet in a General’s office. My favorite design detail can be found in Queen Anne’s sitting room. As Queen Anne and the Duke of Buckingham are standing near the fireplace, Queen Anne turns a knob found near the top of the fireplace. This action reveals a secret compartment that hides a box of diamonds.

The fight choreography: Any action movie is just as good as its fight choreography. The performative presentation of the fights in The Three Musketeers helped make these fights so memorable! Because of Gene Kelly’s dancing skills, he was able to incorporate leaps into his fight sequences. Watching D’Artagnan leap from place to place gave him a natural superpower that he was able to use to his advantage! Humor can also be found during these fight sequences, which prevented them from being too dark or serious. D’Artagnan’s first duel was against the head of the French police. During this duel, hilarity ensued, from D’Artagnan splashing water in his opponent’s face to pushing his opponent in a pond. This inclusion of humor in the fight choreography allowed the creative team to present these fights in creative and interesting ways!

The 2021 Classic Literature On Film Blogathon banner created by Paul from Silver Screen Classics.

What I didn’t like about the film:

D’Artagnan’s romantic relationships: After rescuing Constance from a home invasion, D’Artagnan falls in love with her. He not only tells Constance he loves her, but they also share a romantic kiss. While I liked Constance and D’Artagnan’s relationship, I felt it was developed too quickly. Later in the film, Constance is kidnapped. In order to save her, D’Artagnan pretends to fall in love with Countess de Winter. However, after his initial meeting with the Countess, D’Artagnan tells Athos how much he loves her. If D’Artagnan was romantically interested in Constance, why would he even bother having feelings for the Countess? That part of the story was confusing.

A weaker villain: There are two villains in The Three Musketeers; Countess de Winter and Richelieu. But one of them definitely outshined the other. Countess de Winter was the stronger villain. She is a criminal by legal context and the audience can witness her committing several crimes. Richelieu, on the other hand, is not presented in the same way. The audience does see him commit a crime of theft, but it is never explained how this was done. Richelieu was also friends with the King of France, a character that was not written or portrayed as a villain. This made me puzzled as to what Richelieu’s true intentions were, whether he was a villain or simply a man who follows his own rules.

The Musketeers spending little time together: When you think of The Three Musketeers, you think of these heroes fighting alongside each other and saving the day together. As I watched this film, I noticed how they spent more time apart. I was disappointed to discover this because that team dynamic the Musketeers are known for had a limited presence. While this separation did allow the audience to get to know these characters individually, we didn’t really get to see this group of friends grow over time. Though there was a lot of content in this movie, I wish more time was given to show the Musketeers together.

Castle photo created by Photoangel at freepik.com. <a href=’https://www.freepik.com/free-photo/old-castle-in-the-mountians_1286237.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree image created by Photoangel – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Anchors Aweigh was the best movie I saw in 2020. This was a pleasant surprise, as I never expected one of Gene Kelly’s films to receive this honor. Even though it’s only April, the 1948 adaptation of The Three Musketeers has now become the best movie I’ve seen so far! There is so much effort that was put into this project, which is reflective in many parts. The costumes and set designs were impressive because of the detail that was incorporated into them. Many good acting performances can be found, making it difficult to choose the best one. These actors not only did a good job individually, but they also worked well together as a group! Similar to what I said in my Oliver! review, I might read The Three Musketeers because of how much I enjoyed its film adaptation! For now, my top priority is reading the books that are currently on my TBR shelf.

Overall score: 8 out of 10

Have you read or seen The Three Musketeers? What adaptations of classic literature do you like? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

The Valentine’s Day Period Drama Blog Party Tag 2021

When Heidi, from Along the Brandywine, started her Valentine’s Day Period Drama Blog Party, she also published an official tag! As I’ve already posted my entry for the event, a review of the Hallmark Hall of Fame picture, The Love Letter, I thought it’d be nice to answer the tag questions. As I said in that review, period dramas are not regularly covered on 18 Cinema Lane. However, I did try to answer each question as best as I could. If you’ve visited my blog before, you’d know this isn’t my first blogathon tag. Last year, when I joined the Legends of Western Cinema Week, I published my answers relating to the western genre. This time around, I’m answering questions about this blogathon’s theme: period dramas!

The Valentine’s Day Period Drama Blog Party banner created by Heidi from Along the Brandywine.
  1. Your current three (or up to five!) favorite period dramas?
  • Swept from the Sea
  • The Enchanted Cottage
  • Ben-Hur (the 1959 version)
  • Nicholas Nickleby (the 2002 version)
  • To Kill a Mockingbird

2. What would you recommend to someone who’s never seen a period drama as a starter?

Definitely Swept from the Sea! It was the best movie I saw in 2019 and I wish more people knew about it. Here’s the link to my review:

Take 3: Swept from the Sea Review (A Month Without the Code — #8)

3. A favorite couple that wouldn’t be included in answer #1 (cause I’m figuring those are already top favorites ;)) and/or a favorite secondary character romance? 

I really like both couples from Anchors Aweigh! Even though the movie is a musical, there are romantic elements that work well in the overall story. Without giving much away, it shows how subverting expectations can be a good thing.

4. What do you consider foundational qualities for a healthy romance?

Consent and communication. Two years ago, I wrote an editorial about how Lestat and Akasha’s relationship in Queen of the Damned was not healthy. Their lack or consent and communication serve as two reasons why. I’ll leave a link to the article if you want to read it:

Toxic Valentine: Why Lestat and Akasha’s relationship is very problematic in Queen of the Damned (2002)

5. Worst villain/antagonist?

I’d say Nicholas’ uncle, Ralph, from Nicholas Nickleby. Like my answer for question number three, I won’t give the story away. But I will say that Ralph is one of the reasons why Nicholas and his family experience hardship in that movie.

6. A favorite proposal scene?

I’m not sure if this would count, but I liked Nicholas and Madeline’s conversation, from Nicholas Nickleby, where they reflect on their pasts. It has a good message of strength that came across as genuine. Nicholas and Madeline also look like they truly care about one another.

Heart image created by Dashu83 at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundimage created by Dashu83 – Freepik.com</a>. <a href=’https://www.freepik.com/free-photo/happy-valentines-day-and-heart-card-with-happy-valentines-day-and-heart_1747001.htm’>Designed by Freepik</a>. Image found at freepik.com.

7. Favorite period drama characters based on a real life couple?

I haven’t seen this movie in years, but I’ll choose The Young Victoria. From what I remember, I liked Queen Victoria and Prince Albert’s relationship. Similar to Nicholas and Madeline’s relationship in Nicholas Nickleby,Victoria and Albert looked like they truly loved each other. In a film about royals in the 19th century, I found that part of the story refreshing!

8. Any classic b/w period dramas you like? and 9. Most mature romance in a period drama? (mature as in age and/or characters who are consciously and wisely ripened by life experience, etc.)

For this answer, I combined questions eight and nine. This is because I think The Enchanted Cottage fits both of them. Not only is this movie presented in black and white, but there is maturity within the protagonists’ relationship. Because Robert Young’s character, Oliver Bradford, is a World War II veteran, there are discussions of trauma and self-worth. Inner beauty and self-perception are also explored between Oliver and Laura, portrayed by Dorothy McGuire.

10. Most excruciatingly long, slow burn romance in a period drama?

The first one that comes to mind is Elizabeth and Jack’s relationship from When Calls the Heart. For five seasons, fans were waiting for these two characters to get married. While they eventually tied the knot, Jack was sent away on a Mountie mission, only for him to die at the end of the fifth season. This means that the fans barely got to see Elizabeth and Jack as a married couple.

11. A story that has multiple film adaptations where you love more than one of them?

After thinking about a double feature I wrote, I’ll pick The Secret Garden. Out of the three adaptations I’ve seen, I like the 1987 Hallmark Hall of Fame presentation and the 1993 film. If you’re interested, I’ve posted the links to the aforementioned double feature and its conclusion.

My Bonus Double Feature Has Arrived!

The Conclusion to My Bonus Double Feature

12. A book you think needs to be made into a film (or a new adaptation)?

Last year, in my Movie Blogger’s Christmas Wish-List, I talked about how I’d like to see To Stand On My Own: The Polio Epidemic Diary of Noreen Robertson and Zlata’s Diary receive film adaptations. Instead of repeating myself, I’m sharing the link to that list, so you can read why I feel this way.

A Movie Blogger’s Christmas Wish-List 2020

Because this tag is about period dramas, I thought this photo would be fitting. Screenshot taken by me, Sally Silverscreen.

What are your thoughts on this tag? Do you like watching period dramas? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Love Letter Review

I’m not going to lie; I love a good blog party! So, when I discovered Heidi, from Along the Brandywine, was hosting the Valentine’s Day Period Drama Blog Party, I couldn’t wait to sign up! Period dramas are not regularly covered on 18 Cinema Lane. While I do have a re-cap series for When Calls the Heart, I choose what films to watch based on how interesting their stories sound. There have been period dramas I loved, such as Swept from the Sea. But, for this blogathon, I wanted to review a film I hadn’t seen before. For about a year, I’ve had the Hallmark Hall of Fame movie, The Love Letter, on my DVR. Because parts of the movie take place in the 19th century, I felt it fit Heidi’s time period requirement of the 1600’s to World War II. I try to watch as many Hallmark Hall of Fame titles as I realistically can. Prior to reviewing The Love Letter, the only Hallmark Hall of Fame movie from 1998 I’ve seen is Grace & Glorie, which was one of the best movies I saw last year! While not all movies from this collection are created equally, I do watch these movies with an open mind.

Since an image of The Love Letter‘s poster was featured on my television, I took a screenshot of it with my phone. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: Because The Love Letter heavily relies on the performances of its lead actor and actress, this part of the review will focus on Campbell Scott’s and Jennifer Jason Leigh’s portrayal of Scott Corrigan and Elizabeth Whitcomb. With Campbell’s performance, there was always a sense of focus in his character. This focus could be seen in Scott’s eyes. When he was inspecting the desk at the antique store or restoring that same desk, Scott’s focus showed how much he cared. This was a consistent part of the character and helped whenever he wrote to Elizabeth. In historical fiction/period films, it would be easy for the screenwriter to give their lead female character one distinct type of personality. Elizabeth Whitcomb, on the other hand, held a balance of two that brought something unique to the character. She had a youthful radiance about her, being a “romantic dreamer” at heart. However, Elizabeth carried herself with a graceful maturity that prevented her from becoming childish or immature. Jennifer brought both aspects to Elizabeth equally and beautifully, allowing her character to be multi-dimensional.

The historical accuracy: I am not an expert on the 1860s and its historical significance. But based on what I do know about this particular period in time, Elizabeth’s part of the story looked and felt historically accurate! The Whitcomb family home was furnished with pieces that appeared antique, from the couch in the sitting room to the desk Elizabeth and Scott share. Dark wood held these structures together, with green cushions and intricate carvings finishing the couch and desk. The costumes were very detailed and also reflective of the 1860s. Embroidery on Elizabeth’s jacket and the overall design of her lacy parasol serve as two examples. Even the dialogue spoken by the characters sounded like it came directly from an era gone by. Pieces of the story like the ones I mentioned tell me, as an audience member, the creative team behind this film cared about the presentation of this part of their project!

A fantastical element: Most of the stories from the Hallmark Hall of Fame collection are grounded in reality, which means that fantastical elements are rarely found in these scripts. With The Love Letter, the story revolves around two people from different time periods who communicate to each other through letter writing. The idea of time manipulation is a concept that would likely be found in either a fantasy or science fiction film. While stories like Somewhere in Time and Portrait of Jennie have been dramas paired with this specific concept, I don’t recall Hallmark Hall of Fame creating their own film like that before or after 1998. Because The Love Letter’s creative team chose to include a fantastical element into their overall project, it gave the movie an opportunity to stand out from other titles. This was a creative risk that worked in the film’s favor!

The Valentine’s Day Period Drama Blog Party banner created by Heidi from Along the Brandywine.

What I didn’t like about the film:

Scott being engaged: A trope that has appeared in several Hallmark films is the male or female protagonist being engaged at the beginning of the story, only to fall in love with someone else by the end of that story. This trope has found its way into The Love Letter. For most of the movie, Scott is engaged to a woman named Debra. As he finds himself falling in love with Elizabeth, he strings Debra along and keeps the letter writing a secret. Scott does tell Debra the truth about his feelings, but this doesn’t happen until the movie is almost over. Personally, I think this trope is pointless, as the audience is spending time with a relationship that will end up leading nowhere. Scott should have remained single so the script could give its undivided attention to his and Elizabeth’s exchanges.

A rushed explanation: When fantastical or science fiction elements are included in a script, it helps to provide clear explanations to the audience so they can understand what is happening on screen. In The Love Letter, Scott’s mother tells Scott that an imbalance in the time-space continuum is the reason why he and Elizabeth are able to write to one another. However, this explanation was rushed, with Scott’s mother briefly bringing it up on only two occasions throughout the whole movie. She gives Scott stamps from the 1860s and had a special kind of writing ink made for him. Scott’s mother even found a post office that has existed since the Civil War era. These objects and the post office felt more like they conveniently benefited the plot instead of serving as ‘macguffins’ to move the story forward. As I already mentioned, this kind of story is rarely found in the Hallmark Hall of Fame collection. Despite this, a little more time should have been devoted to providing a clearer explanation.

Lack of physical interactions between Scott and Elizabeth: Because Scott and Elizabeth are from different time periods, it is not possible for them to physically interact with one another. Even though this is the nature of the story, it prevented the audience from seeing the on-screen chemistry between Campbell Scott and Jennifer Jason Leigh. One of the staples of a romance film is the on-screen chemistry between the lead actor and actress. Since that element was missing from The Love Letter, I was only invested in Scott and Elizabeth’s relationship to a certain extent. While their words were romantic, verbal communication only plays a part among any given couple.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

As I said in my review, most Hallmark Hall of Fame stories are grounded in reality. These stories are also on the simple side, with messages and themes that audience members can relate to. Even though The Love Letter has a fantastical element that is rarely found in films from this collection, it has a simpler story that works! Romance through words and thoughts is what carries the overall story, with important advice woven into the script. Forming a relationship with someone you truly love and never giving up on yourself are nice sentiments that can make audience members feel good about what they are watching. The movie also has the ingredients of a good Hallmark Hall of Fame title, like the level of detail when it comes to the film’s historical accuracy. It is true the movie has its flaws. However, the execution of a creative risk like this makes up for The Love Letter’s weaknesses. Films such as this one make me wish Hallmark would be more creative with their stories and think outside the box more. With the ball in their court, I don’t know what their next creative step will be.

Overall score: 8 out of 10

Have you seen The Love Letter? What Hallmark Hall of Fame movies would you like to see me review? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Sea of Grass Review

When I participated in last year’s Spencer Tracy & Katharine Hepburn Blogathon, I reviewed It’s a Mad, Mad, Mad, Mad, World and One Christmas. The first movie was not my cup of tea, but I found the second movie to be just ok. This time around, I decided to write about one movie starring both Spencer and Katharine. As I’ve mentioned before, I don’t watch films from the Western genre often. This is the reason why I chose to review The Sea of Grass. Looking back on the movies I’ve seen from Spencer and Katharine’s filmographies, this is the first time I’ve seen one of their titles where both actors were the leads. Spencer and Katharine are talented actors individually, so it was interesting to see them acting alongside one another!

The Sea of Grass poster created by Metro-Goldwyn-Mayer and Loew’s Inc.

Things I liked about the film:

The acting: In The Sea of Grass, Katharine Hepburn portrays Lutie Cameron, a St. Louis native who moves to the country in order to marry Colonel Jim Brewton. Toward the beginning of the film, Lutie comes across as naïve, as she is a romantic at heart. As she stays in the country, Lutie gains a sense of maturity and grows as a person. Throughout her character’s journey, Katharine was able to show this transition in her acting performance by adopting a variety of emotions. The “sea of grass” this film is named after is Colonel Jim Brewton’s favorite spot. While talking about it with Lutie, Jim describes the fields like a convincing salesman. His face contains a look of longing; reflecting on the past, present, and future of his prized field of grass. The way he talks about it shows how much he cares for this patch of earth. The facial expressions and tone of voice Spencer adopts persuade the audience of this location’s importance. Spencer’s expressions and vocal inflections also reveal the cracks in Jim’s foundation as the story continues. Brice Chamberlain, a local lawyer, is portrayed by Melvyn Douglas. Whenever his character interacted with Lutie, Melvyn was able to, talent-wise, go toe-to-toe with Katharine. He delivered thought-out remarks with a serious calm that one might expect from a respected lawyer. A professional composure was also present in Melvyn’s performance. Because his on-screen personality was different from Katharine’s, it created an interesting dynamic.

The scenery: The majority of The Sea of Grass takes place in the country. Because of this, the natural landscape of this environment is shown in several scenes! When characters travel through the desert, huge mountainous rocks illustrate just how small humans are compared to the large scope of nature. Long and medium shots are used to emphasis this idea. Even the “sea of grass” is featured in a few scenes, its beauty captured well on screen! Sweeping shots showed the vast size of this field. As the wind blew, the movements of the grass looked like the rippling of water. All of these components came together to create a calming space!

Katharine’s wardrobe: Throughout the movie, Katharine showcased an impressive wardrobe that complimented her well! This is because all of her outfits were simple, but elegant. When Lutie and Jim are sharing their first dinner after their wedding, she wears a white long-sleeved dress with a small set of flowers in the front of the dress’s top. Later in the movie, Katharine wears a black-and-white, over-the shoulder dress. This outfit was paired nicely with a dainty black choker and ponytail hair-do. What’s also worth pointing out is how Katharine’s wardrobe in The Sea of Grass appeared historically accurate with the film’s time period.

The Third Spencer Tracy & Katharine Hepburn Blogathon created by Crystal from In the Good Old Days of Classic Hollywood and Michaela from Love Letters to Old Hollywood.

What I didn’t like about the film:

More emphasis on telling: At the beginning of the movie, several people in Salt Fork inform Lutie about how awful of a person Jim is. He is, apparently, such a bad person, some compare him to a tyrant. While the audience can hear Jim say harmful things, they never get to see him do harmful actions. This creative decision gives the viewers only part of a bigger picture when it comes to Jim Brewton. Whenever the subject of people using the “sea of grass” is brought up, Jim is very specific about how the land should be used. If someone objects to these ideas, Jim tells others what he’s going to do instead of carrying out the deed.

No major conflict: Since the film is called The Sea of Grass, you’d think most of the story would revolve around the “sea of grass” itself. Instead, the film prioritizes the personal events of the characters. Stories that are character driven can work. But when you have an interesting conflict like how to utilize a field of grass, the character’s stories don’t seem as interesting. While the triumphs and tragedies of Lutie and company are highlighted, the “sea of grass” is relegated to a subplot.

Times moves too fast: In a movie where time progresses, there is usually some indicator that a jump in time has occurred. This is done through on-screen text or a voice-over. The Sea of Grass, unfortunately, doesn’t utilize any techniques to inform their audience that time has moved forward, causing changes to appear abruptly. A perfect example are the lives of Sara Beth and Brock. In one scene, Sara Beth is shown as a little girl, while Brock is a toddler. The very next scene shows Sara Beth and Brock as older children, appearing to be ten and eight.

Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

When I chose to review The Sea of Grass, I wanted to expand my Western genre horizons. This decision taught me that Western tragedies do exist. Despite seeing a handful of Westerns, the movie was quite different from other films I’ve seen in this genre. Even though I knew that this movie was about a rocky relationship, it was sadder than I expected. The Sea of Grass is a fine film with strong components, like the acting and scenery. However, it does have its flaws that shouldn’t be ignored. While the “sea of grass” is shown on screen, it isn’t as significant as the title would suggest. In fact, this location feels more like a glorified backdrop. I will say that Katharine Hepburn and Spencer Tracy do work well together as actors. As the years go by, I would like to see more of their films where they both star as the leads.

Overall score: 7.3 out of 10

Do you like watching Western films? Are there any Westerns you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Little Lord Fauntleroy (1936) Review (Clean Movie Month #3)

When I signed up for Pure Entertainment Preservation Society’s Code Classics Blogathon in June, I hadn’t publicly submitted the film I wanted to review. That’s because I planned on reading the source material before watching the movie. Originally, I was going to read Black Beauty and then see the 1946 adaptation of this story. Unfortunately, I wasn’t able to set aside time to read the book. Also, the 1946 version of Black Beauty was unavailable for rent. I then decided to watch a version of The Count of Monte Cristo that was released during the Breen Code Era. However, the only adaptations that were available for rent were the 2002 and the 1975 version. Then I remembered how I’ve always wanted to read Little Lord Fauntleroy by Frances Hodgson Burnett. I was happy to discover I was able to rent the 1936 adaptation! In my life, I have read A Little Princess and The Secret Garden. Having enjoyed both books, I was interested in hearing a similar story from a male perspective. How different would Ceddie be from Sara and Mary? Would his story contain any similarities with the two aforementioned novels? While I haven’t read Little Lord Fauntleroy yet, I wasn’t going to miss out on seeing this story come to life on screen!

Little Lord Fauntleroy poster created by Selznick International Pictures, United Artists, and Walt Disney Studios Motion Pictures. ©Disney•Pixar. All rights reserved. Image found at en.wikipedia.org/wiki/File:Little-Lord-Fauntleroy-Poster.jpg

Things I liked about the film:

The acting: I’ve said before on 18 Cinema Lane that performances from young actors and actresses can be hit or miss. However, Freddie Bartholomew’s portrayal of Ceddie was a hit! The way this character carried himself was mature for his age without being too precocious. At the same time, Ceddie had the type of kind-heartedness you’d expect from a young character. The mannerisms and facial expressions Freddie adopted reminded me of Sara from A Little Princess, making me believe that Ceddie and Sara probably would have been good friends! Even though her presence in the film was limited, Dolores Costello Barrymore gave a memorable performance as Ceddie’s mom, Dearest! Her emotions gave the audience a glimpse of how her heart is always in the right place when it comes to looking out for her son. In one scene, Dearest is telling Ceddie that he’ll have to stay with his grandfather. This moment showcases how she continually shields her child from the animosity between her and the grandfather. Also, this scene highlights her ability to put Ceddie’s needs before her own, telling him she’ll place a candle in the window so the light will always guide his path.

The music: While watching Little Lord Fauntleroy, I noticed how the background music always fit the tone of its respective scene. One great example is when Ceddie receives a bicycle for his birthday. A tune from a music box could be heard, indicating how this is a happy occasion. Whenever Ceddie’s grandfather is mentioned, the audience can hear orchestral music. The music itself sounded regal, highlighting how important this character is. Somber music was found in sadder scenes, like when Mr. Hobbs and Dick are missing their friend, Ceddie. This consistent detail shows how the film’s creative team cared about what their audience saw and heard.

The messages and themes: The famous works of Frances Hodgson Burnett are known for having good messages and themes that audiences of all ages can appreciate. Little Lord Fauntleroy is no different. Throughout the movie, Ceddie always put others before himself. When his grandfather’s lawyer asked him how he’d use his newfound wealth, Ceddie tells him that he would purchase gifts for his friends, as a way to improve their lives. At a party, when one of his grandfather’s friends offers Ceddie a puppy, Ceddie turns the offer down by saying that he doesn’t want to hurt the feelings of his new K-9 friend, Duke. These examples display the messages of selflessness and staying true to yourself in any circumstance. Prejudice is an overarching theme that is found in this story. Ceddie’s grandfather does not like Americans, which created animosity between him and Dearest. The more time the grandfather spends with Ceddie, his negative beliefs begin to change. The grandfather’s part of the story shows how prejudice can hurt people, especially families.

Code Classics Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/06/06/announcing-the-code-classics-blogathon/

What I didn’t like about the film:

A thirty-minute set up: Setting up a story is a crucial component to any film. However, when the set-up process takes too long, it may be difficult to get invested in the story. In Little Lord Fauntleroy, it took thirty minutes to set up the plot. While this part of the narrative was meant to showcase character development and motives for future events, I don’t think it needed to last this long. Because of this creative choice, it took a while for Ceddie and Dearest to get to England.

Giving Ceddie almost nothing to do: Before watching Little Lord Fauntleroy, I had expected Ceddie to learn the ropes of being an Earl from his grandfather. Sadly, that’s not what happened. I understand that Ceddie is a child. But despite this, he wasn’t given much to do as an Earl-in-training. Sure, Ceddie helped his grandfather write a letter to a struggling farmer. However, it made me wonder why Ceddie was given this Earl title so young if he couldn’t utilize it.

The conflict between Dearest and the Earl of Dorincourt: As I mentioned earlier in this review, Ceddie’s grandfather does not like Americans. Because Dearest is American, there is tension between her and the grandfather. While the conflict itself explored the subject of prejudice, I feel it was resolved too quickly. There is only so much story that can be told in an hour and forty-two minutes. But the way Dearest and the Earl of Dorincourt dealt with their conflict felt rushed, as years of animosity was taken care of after one event.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

My overall impression:

I have not read Little Lord Fauntleroy, as I mentioned in my introduction. Therefore, I don’t know what aspects of the book were translated to the screen. Despite this, I liked the 1936 adaptation of this story! It was a good and sweet picture that contained timeless messages and themes. The character of Ceddie reminded me a lot of Sara from A Little Princess. This didn’t surprise me, as both books were written by the same author. Yes, the movie did have flaws. However, I enjoyed the story and thought this was a well-made production. Because of how much I liked this film, it makes me want to read the book! Out of the three Breen Code Era films I’ve reviewed so far, Little Lord Fauntleroy is the most Code compliant! I didn’t find any offensive material in this project, which makes it a perfect movie for family viewing!

Overall score: 7.9 out of 10

Are you enjoying Clean Movie Month? What is your favorite literary adaptation from the Breen Code Era? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Wife of Monte Cristo Review (Clean Movie Month #2)

Last November, in my Movie Blogger’s Christmas Wish-List, I talked about how I wanted to see The Wife of Monte Cristo. My plan was to review the film for Pure Entertainment Preservation Society’s Clean Movie Month, as the movie was released in 1946. Based on the title of this post, it means my Christmas wish came true! Several months ago, I purchased a DVD copy of this film. I waited until July to watch it, so I could contribute to Clean Movie Month. Now that this blogathon has finally arrived, I can write about The Wife of Monte Cristo! In my aforementioned post, I shared how the movie’s story made me want to see it, as it seemed to focus on Monte and Haydée’s relationship, as well as allowing Haydée to become a more prominent character. Monte Cristo and Haydée are one of my favorite couples from pop culture. Unfortunately, their relationship is barely addressed in any film adaptation of The Count of Monte Cristo. These film adaptations also give Haydée a small amount or no amount of screen time. The Wife of Monte Cristo allows these two voids to be filled.

Here is a picture of the DVD I purchased for this review. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: All of the acting performances in The Wife of Monte Cristo shared one common factor: they made every cast member appear natural in their role! Because of this and the believability that came from these performances, each interaction felt like it was taken directly from real-life. Haydée has a greater appearance in this film than Edmund/Count of Monte Cristo, so I’d like to mention Lenore Aubert’s portrayal of Haydée. Her on-screen personality was pleasant, making Haydée a character worth rooting for. Through body language and facial expressions, Lenore showed how Haydée can be intelligent, resourceful, and just a good person overall! I also liked watching John Loder’s performance! In The Wife of Monte Cristo, he portrayed De Villefort, the head of Paris’ police force. What impressed me was how he could adopt two different personas for the same character. Whenever he was socializing or interacting with Haydée, De Villefort was charismatic and had a certain amount of charm to him. But when he is with comrades, planning on catching “The Avenger”, De Villefort is cunning and sinister.

The historical accuracy: The Wife of Monte Cristo takes place in Paris of 1832. The story’s time period and the location within this time period can be seen in every aspect of the film. Characters’ wardrobes are a good example of this. Male characters wore solid colors, with wealthier men in society sporting some embellishment on their outfit. In one scene, De Villefort wore a dark jacket that featured white embroidery. The female characters, Haydée and Lucille, wore elegant dresses that boasted a simple pattern. During a meeting with one of De Villefort’s comrades, Haydée wore a black dress with consistent sparkly detailing. This outfit was eye-catching, but not over-the-top. Another indicator of this historical accuracy were the choices in the set design. In De Villefort’s office space, chandeliers with candles can be seen. Because light bulbs did not exist in 1832, this design choice fits the story’s time period.

The on-screen chemistry: As I already mentioned, Haydée has a greater presence in the film than Edmund/Count of Monte Cristo. This causes Haydée and Edmund to spend a limited amount of time together on screen. In the scenes where they are together, Lenore Aubert and Martin Kosleck displayed strong on-screen chemistry! The on-screen chemistry between Lenore and Martin allowed the audience to see how much Haydée and Edmond truly loved and cared about each other. Even when they were apart, the love between these two characters could still be felt. In one scene, Edmund visits the daughter of a supporter of “The Avenger”. During their conversation, Edmund explains how Haydée saved his life and helped him see the good in humanity after he escaped from prison. What Edmund tells this character is very telling of the love he feels for his wife.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

What I didn’t like about the film:

The audio: In my review of The Boy Who Could Fly, I mentioned how the audio of the actors was on the quieter side. I noticed the same flaw when watching The Wife of Monte Cristo. The actors were so quiet, I had difficulty understanding what they were saying. I needed to turn up my television’s volume just to hear them. I’m not sure if this was an issue with the movie itself or with the audio on my entertainment system.

A somewhat misleading title: I said in the introduction that Haydée’s prominence in the story is what caused me to see the film. While she did have an important role in the overall narrative, she wasn’t the central focus. The majority of The Wife of Monte Cristo revolved around “The Avenger” and the villains’ attempts to foil his plans. Because of the title, I was led to believe the film would be a sequel to The Count of Monte Cristo, but from Haydée’s perspective. However, it was simply a sequel to The Count of Monte Cristo.

Edmond and Haydée’s limited interactions: Earlier in this review, I briefly mentioned how Edmond and Haydée spend a limited amount of time together on screen. This disappointed me, as I was hoping to witness the continual growth of their relationship. I was also hoping to see more adorable moments between them, especially since their relationship is barely shown in any film version of The Count of Monte Cristo. While I appreciate the times I did get to see these characters together, there was more to be desired in this department.

Illustration of Paris, France created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/travel”>Travel vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Seeing and reviewing this movie is a Christmas wish come true! As someone who is a fan of Monte Cristo and Haydée’s relationship, I am thankful to have discovered this film! It was enjoyable and interesting, as it gives Haydée an opportunity to save the day. Through clever problem solving, teamwork, and wits, we see Haydée making a difference in her world and lending a hand when possible. Despite the film being titled The Wife of Monte Cristo, she is not the star of the film. She does serve an important role though, as she receives a bigger part in this story than she has in other versions of The Count of Monte Cristo. As a film released in the Breen Code Era, it is, for the most part, Breen Code friendly. However, there were two aspects of this movie that I was surprised to see in a Breen Code film. In some scenes, both Haydée and Lucille wear dresses with low necklines. While this style of dress was likely common in the 1830s, its presence would not be frequent in a Breen Code film. There is one scene where the deceased body of one of De Villefort’s comrades is briefly shown on screen. In Breen Code films, a death would usually be implied, not seen.

Overall score: 7.5 out of 10

What are your thoughts on my Clean Movie Month reviews so far? Are you looking forward to my next review? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Cyrano de Bergerac (1990) Review

When I published my Hallmark Hall of Fame Reading Challenge last March, one of the literary works I listed was Cyrano de Bergerac by Edmond Rostand. While I’ve never read the play, I was interested in seeing how Hallmark Hall of Fame would adapt this particular story. Sadly, I couldn’t find this specific version on DVD, VHS, or digital, as a lot of the collection’s movies from the ‘50s to about the early ‘80s appear to be lost. When I discovered Vincent Perez starred in the 1990 adaptation of Cyrano de Bergerac, I thought seeing this version would be the next best thing. It was also a perfect choice for The Third Broadway Bound Blogathon, as it was listed under the “Movies Made From Broadway Shows” section in the very first announcement for the event. This blogathon also happens to take place days before Vincent’s birthday, so this became another reason to review Cyrano de Bergerac! I was able to obtain a copy of this film, but I had to purchase two DVDs and a Blu-Ray just to find one that worked with my home entertainment system. Read my review to find out if this film was worth the search!

After weeks of searching, I finally found a DVD copy of Cyrano de Bergerac I could watch! Screenshot taken by me, Sally Silverscren.

Things I liked about the film:

The acting: Since I chose this film because of Vincent’s involvement, I’ll talk about his performance first. One aspect that stood out to me was how his voice was always soft-spoken. This fit his character, Christian de Neuvillette, well because he wasn’t as confident with his words, like Cyrano. I also noticed how sincere Vincent’s performance came across. No matter what situation Christian is in, he always has his heart in the right place. The goodness of this character showed through in Vincent’s portrayal, which helped Christian be as likable as possible! Since I just mentioned Cyrano, I will now talk about Gérard Depardieu’s performance. The word I’d use to describe his portrayal of the titular character is expressive. Every feeling Cyrano was experiencing felt genuine, emotions appearing in his facial expressions, body language, and poetry. Toward the beginning of the film, Cyrano performs at a local theater and participates in a dual shortly after. Gérard was able to adapt to every situation given to his character. Besides Vincent and Gérard, the cast is filled with talented actors and actresses. Anne Brochet is one of those cast members, bringing a gentle nature to her character, Roxane. Through emotionality, Anne brings her character to life in a way that feels believable. One example is when Christian and Cyrano visit her at her balcony.

The historical accuracy: As I’ve said before on this blog, the quality of a film’s historical accuracy can show how much a creative team cares about their project. The historical accuracy of Cyrano de Bergerac is proof of this statement! The world in this movie felt immersive, presenting the locations with a sense of realism. The set designs reflected the financial situation/social status of the characters, with the local bakery and Roxane’s room being perfect examples. While the bakery featured a simpler interior design, Roxane’s room appeared elegant. Costumes looked appropriate for that specific time period, with the color palette for the cast’s wardrobe ranging from lighter shades of beige and blue to darker tones of gray and black. Tools and utensils from yesteryear were used by the characters, such as Cyrano and Christian applying a wax seal on letters to Roxane. This movie shows that no detail was ignored.

The humor: One of the strongest elements of this film was the humor! Not only was it well-written, but the humor itself seemed to fit that world. The funny moments within Cyrano de Bergerac were also given good executions by the actors. My favorite scene is when Christian continuously interrupts Cyrano’s story by making references to Cyrano’s nose. During this exchange, Christian would sometimes only say “nose” to get a reaction from Cyrano. While Christian appears unfazed by Cyrano’s reactions, Cyrano becomes more irritated as the scene continues. This scene made me repeatedly laugh, as I found it hilarious!

The Third Broadway Bound Blogathon banner created by Rebecca from Taking Up Room. Image found at https://takinguproom.wordpress.com/2020/03/20/announcing-the-third-broadway-bound-blogathon/.

What I didn’t like about the film:

The under-utilization of Vincent Perez: Vincent Perez is one of the reasons why I sought out the 1990 adaptation of Cyrano de Bergerac, as I’ve enjoyed his acting performances so far. Before watching this movie, I knew his involvement in the project was a break-out role and likely the biggest role he received at that time. However, because Vincent is billed as the main supporting actor, I was disappointed to found out he was in the film for a limited amount of time. The majority of the story revolves around Cyrano, which means that Vincent was only given a reduced amount of material to work with. There were even large intervals when Vincent was not featured on screen. Usually, main supporting actors receive about half the screen-time the film’s protagonist does. In the case of Cyrano de Bergerac, however, the antagonist, Comte Antoine de Guiche, is given more prominence in the production than Vincent’s character.

The war storyline: Prior to seeing Cyrano de Bergerac, I had a general knowledge of what the story was about. The movie is even classified as a “comedy-drama”, with the assumption that the romantic aspects of the story would fall under the “drama” part. While the comedy and romance within Cyrano de Bergerac dominated the first half of the film, a storyline involving a war took over the film’s second half. The build-up toward the event and the reasoning behind it felt too “inside baseball”. It also caused the entire story to pull a “bait and switch” with its overall tone. Based on the knowledge I had about this film and even based on the DVD cover, I expected the light-hearted tone within the first half to have a consistent presence throughout the film. Even though there were romantic and light-hearted moments within the second half, some of them didn’t feel like they fit in the context of the war.

The poetic monologues: I’m aware that Cyrano is known for being “a man of many words”. I also know the original play was written only in verse. The poems themselves weren’t the issue, as the poetic monologues within this film were performed and written well. However, some of them lasted too long. Toward the end of the movie, Cyrano recited one of his signature monologues. Because it was long in time length, the monologue made the scene drawn out. I realize that the reason for the long monologues was to satisfy the film’s run-time. Personally, I think, at least, a few of the them should have been a bit shorter in length.

Birthday cake image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/chocolate-birthday-cakes-collection_765437.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/birthday”>Birthday vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

I’ve heard that the 1990 adaptation of Cyrano de Bergeracis “the definitive film version of the Edmond Rostand play from 1897.” This is the only film version of the story I have seen. As I also said in the introduction, I have never read the play. So, I can only judge this film simply as a film. Cyrano de Bergerac is a good, solid movie! I found myself invested as the story was unfolding and I can definitely see how this could be presented on Broadway. The poetic dialogue was an interesting choice that helped this project achieve a unique identity. However, there were aspects that prevented the production from being better than it was. Some of the poetic monologues were too long, causing scenes to feel drawn out. Despite flaws like that one, I’m glad I was given an opportunity to see this film! If you do choose to watch this version of Cyrano de Bergerac, keep in mind it is a rarer title to find on physical media. While this movie did receive a Blu-Ray release, prices can get expensive.

Overall score: 7.6 out of 10

Do you enjoy movies based on Broadway shows? Are there any literary adaptations that you like? Tell me in the comment section!

Have fun on Broadway!

Sally Silverscreen