As the Tokyo Olympic Games are under way, I’d like to thank everyone who participated in my ‘Olympic Dreams Blogathon’! Once again, my annual blogathon was a success, with a variety of content shared during the event! I really enjoyed reading each article, as a multitude of Olympic-related subjects were covered. I am going to host my yearly blogathon in 2022! However, I haven’t chosen a theme yet. Stay tuned!
Now that I’ve seen 1984’s The Karate Kid, it’s time for me to review its respective sequel; The Karate Kid Part II! Long before I even thought about starting a movie blog, I had only seen a snippet of this film. Like I said before, I am willing to give a chance to movies I haven’t watched in their entirety. Because of that and because the majority of The Karate Kid Part II takes place in Japan, which has hosted the Olympics four times, my blogathon became a good excuse for checking this sequel out! Sequels, like any type of film, can be hit or miss. There are times when the next chapter can allow the overall story to “go the distance”; expanding the narrative and bringing something new to the table. Meanwhile, there are sequels that waste their potential by trying to recapture the magic of the previous installment. At the end of the day, it all comes down to the creative team and their intention for creating another film. If you want to know what type of sequel The Karate Kid Part II is, you’ll just have to keep reading this review!
Things I liked about the film:
More focus on Mr. Miyagi: The first film was about Daniel’s personal journey; hence the film being titled The Karate Kid. While the majority of the movie revolved around the protagonist, we get to learn about Mr. Miyagi through his interactions with Daniel. But only parts of Mr. Miyagi’s backstory are revealed in these interactions. The Karate Kid Part II places more emphasis on Mr. Miyagi’s story. As I mentioned in the introduction, the sequel takes place in Japan, where Mr. Miyagi is originally from. However, the audience also witnesses people from Mr. Miyagi’s past interacting with him. The reason for the sequel primarily taking place in Japan is because Mr. Miyagi receives a letter from his former love interest, Yukie, about his father’s ill-health. By crossing paths with Yukie again, Mr. Miyagi is given the opportunity to reflect on past life choices. He also has to deal with the ramifications those choices had created. This new direction in the overall story shows that even though Mr. Miyagi is a good teacher with plenty of wisdom to share, he is still a human who, like Daniel, is constantly learning.
Interactions among the characters: In my review for The Karate Kid, I talked about how the interactions among the characters were one of the strongest parts of that film. The sequel has the same strength as its predecessor, which provides consistency to the overall story! Having Ralph Macchio and Noriyuki “Pat” Morita reprise their roles helps maintain this consistency, as both actors are now familiar with each other’s talents. One of the strongest scenes in the movie is when Daniel and Mr. Miyagi are watching the sunset on the beach. In this moment, we not only learn more about Daniel, but we get to see him support his mentor and friend. The Karate Kid Part II shows Daniel having grown up since the events of the first film. Even though Daniel is still a teenager with a teenage perspective, he is more willing to put others before himself, as well as open his mind to new opportunities and experiences. Right as Mr. Miyagi boards his plane, Daniel joins him in the plane terminal. The reason why he wants to join Mr. Miyagi on this trip is because he wants to be there for his friend and mentor, especially since that friend and mentor has been there for Daniel. Not only does Daniel purchase a book about the specific place in Japan where Mr. Miyagi is from, but Daniel also uses some of the money from his savings account to pay for his ticket. Like I said in my review for the first movie, interactions like Mr. Miyagi and Daniel’s were made possible by the quality of the acting performances and the screenwriting!
The scenery: Although most of The Karate Kid Part II takes place in Japan, the movie was actually filmed in Oahu, Hawaii. Despite this change in location, the scenery was simply beautiful! Because Okinawa is presented in the film as a seaside town, there are several shots of the water that are featured. As I previously mentioned, Mr. Miyagi and Daniel are watching the sunset on the beach. Parts of this scene are shown through long shots, capturing the sun’s soft orange glow against the gray of the sky and water. In my review of the first installment, I talked about how one scene transitioned from a medium to a long shot, in an effort to showcase a part of the Grand Canyon. A scene where Daniel is practicing a breathing technique on a dock uses a similar transition. However, instead of starting with a medium shot, it begins with a close-up of Daniel. It then evolves into a long shot of the ocean, with clear blue water surrounding the dock and green palm trees found in the background.
What I didn’t like about the film:
A limited presence of Kumiko and Daniel’s relationship: Before watching The Karate Kid Part II, I was interested in seeing how Kumiko and Daniel’s relationship differed from his relationship with Ali. Even though I liked seeing Ali and Daniel together, I can see why their relationship didn’t survive past the first film. Daniel and Kumiko were a nice couple. It also helps that Ralph and Tamlyn Tomita had really good on-screen chemistry. But Daniel and Kumiko’s relationship was shown less than Ali and Daniel’s relationship. Because of this, it caused their relationship to feel rushed. In one scene, when Daniel is getting into Kumiko’s car, Peter Cetera’s “Glory of Love” is playing on the radio. This is not only the film’s official song, but the song’s official music video heavily emphasizes Kumiko and Daniel’s relationship. Anyone who has heard “Glory of Love” would agree that it is better suited as a “wedding song”. Having this piece of music surround a teenage couple that has known each other for about less than three months feels a bit misleading. Also, The Karate Kid is a trilogy, followed by the television show, Cobra Kai. If the third movie and/or TV show is anything like the beginning of the second film, “this could all end in tears” (Bartok’s (from 1997’s Anastasia) words, not mine).
Karate fight sequences being used sparingly: One of the flaws of the first movie was how the karate fight sequences had a limited presence in the overall story. In The Karate Kid Part II, there are even less karate fight sequences. With a movie called The Karate Kid, you expect a certain amount of karate to be featured in the film. While both movies are not action oriented, fight sequences can add excitement to the overall story. Fighting was primarily avoided in The Karate Kid Part II, as both Mr. Miyagi and Daniel try to find other ways to resolve their issues. This was one of the central themes of the narrative: exploring other problem-solving avenues before using fighting as a last resort. However, karate is the heart of this series. When you choose to show only a handful of fight sequences, you have little exciting material to work with.
No satisfying resolutions for parts of the story: In The Karate Kid Part II, there were a few parts of the story that were not consistently told within the overall film. Because of this, I feel their resolutions were not satisfying. While taking a trip through town, Kumiko reveals to Daniel that she dreams of becoming a dancer. However, the type of dancing she’s interested in is not taught in Okinawa. Toward the end of the film, Kumiko tells Daniel that she plans on going to the United States in order to pursue her dream. But this resolution feels kind of random. There is no lead up to the resolution itself. Daniel also doesn’t provide any advice to Kumiko in regards to her personal dilemma. For this part of the story, the journey from Point A to Point B was missing.
My overall impression:
The Karate Kid Part II is a fine film. But I don’t think the script was as tight as it was the first time around. I like how the story focused on Mr. Miyagi, as it offered new story-telling opportunities. But, to a degree, it came at the expense of Kumiko and Daniel’s relationship, as it was shown for a limited amount of time. If Peter Cetera’s “Glory of Love” had revolved around Mr. Miyagi and Yukie’s relationship, it would have made more sense. Not only is The Karate Kid Part II primarily Mr. Miyagi’s story, but he and Yukie have history together. While the theme of using fighting as a last resort is important, it prevented the movie from featuring more karate fight sequences than the previous film. As I’ve stated before on my blog, a movie’s title partially serves as a promise to the audience. With The Karate Kid Part II, I can’t say this promise was completely broken. This is because, according to Mr. Miyagi, karate should be used in self-defense only, emphasizing how karate consists of more than just fight sequences. But when a movie features any form of marital art, people, more often than not, come for the cool-looking and exciting fight sequences. I appreciate how this film wasn’t just a carbon copy of its predecessor. It shows the creative team put legitimate thought and care into their project. If you enjoyed the first film, I’d say give its second chapter a chance. Even though there are stronger sequels out there, The Karate Kid Part II is certainly not one of the worst.
Overall score: 7.3 out of 10
Have you seen The Karate Kid Part II? Are there any sequels you are a fan of? Please tell me in the comment section!
The Summer Olympics is just around the corner! Because of this, I decided to choose an Olympic theme for my annual blogathon! In this post, every participant and their article will be featured in a collective list. This set up is similar to my previous blogathons. What is different this year is how there are no separate categories. Each entry represents a different aspect of the Olympics; from the location of a past or present Games to the sport featured in a chosen program.
My third blogathon, the Olympic Dreams Blogathon, is just around the corner! If you are interested in participating, you still have time to sign up. The event begins on July 19th, so there is a week left to join. Click on the link above the banner to learn more about the Olympic Dreams Blogathon!
Back in January, I announced my 3rd annual blogathon; the Olympic Dreams Blogathon! This event will take place from July 19th to the 23rd. That means if you’re interested in signing up, you still have three months left! In this post, I will provide the link to the original post where the participant list is featured. You can leave your entry ideas in the comment section of either post.
The Olympics are an event that many people around the world look forward to. However, the 2020 Summer Games were postponed due to the on-going Coronavirus. As of late January 2021, the Summer Olympics are still taking place. In honor of that, I am hosting an Olympic themed blogathon! Because the Olympics are such a broad topic, I am encouraging you to be creative! Movies, tv shows, books, music, art, etc. involving the following will be eligible for the blogathon:
Winter or Summer Games
Sports that have been a part of or are still in the Olympics
Olympic athletes past and present
Countries and/or cities where Olympic games have taken place
Performers and/or performances from an Olympic opening or closing ceremony
Years when an Olympic game has taken place
Advertising promotions related to the Olympics
The Official Blogathon Rules
Please be respectful when writing your entries and toward other participants.
If you plan on publishing your post(s) earlier or later than the allotted time-frame (July 19th to the 23rd), please let me know in advance.
Only new posts are allowed for this blogathon.
As I mentioned, the Olympics are a broad topic. Therefore, I am not allowing duplicate entries for the Olympic Dreams Blogathon.
A maximum of three entries are allowed for each participant.
All entries must be original work.
If you’re interested in participating, please share your idea(s) in the comment section below.
Pick one of the five banners and let others know about the Olympic Dreams Blogathon!
The List of Participants
Sally of 18 Cinema Lane — Movie reviews of The Karate Kid and Karate Kid Part II(1984 and 1986)
Gill of Realweegiemidget Reviews — Movie review of Those Glory GloryDays (1983)
J-Dub of Dubsism — Movie review of Personal Best (1982)
Ruth of Silver Screenings — Movie review of Golden Boy (1939)
The Very Special Blog of The Very Special Blog — The Cutting Edge (1992)
Le of Crítica Retrô — Laff-a-Lympics(1977/1978)
Movierob of MovieRob — 16 Days of Glory (1986), Blades of Glory (2007), Eddie the Eagle (2016), Prefontaine (1997), Visions of Eight (1973)
Well, the day has finally come. 18 Cinema Lane just received 200 followers! Before I continue this post, I’d like to take a moment to thank everyone who helped my blog reach this milestone! I still can’t believe that, within these two years, I’ve made it this far as a blogger. For this review, I thought it would be a good idea to select a film that was requested by one of my readers. Last year, Ospreyshire, from the blog Iridium Eye Reviews, recommended the Studio Ghibli film, From Up on Poppy Hill. I chose this film to write about because I haven’t reviewed an animated movie since February. This is actually the second Studio Ghibli production I’ve discussed on 18 Cinema Lane. Last January, I reviewed Howl’s Moving Castle for the 90 Years of Jean Simmons Blogathon. While I enjoyed the movie, I found it to be weaker than the previous Studio Ghibli projects I’ve seen. Now that From Up on Poppy Hill is the fifth film from the studio I have watched, it’s time to determine how this movie holds up to other films from Studio Ghibli!
Things I liked about the film:
The animation: Over the years, Studio Ghibli has gained a reputation with their signature animation style. The 2-D presentation of each story has stood apart from the 3-D computerized technique most film studios adopted in the 21st century. One of the hallmarks of a Studio Ghibli film is the colorful palettes that are used in each production. From Up on Poppy Hill boasts bright colors throughout the story, creating spaces that appear inviting. The scenes were bright enough to be visually appealing, but not too much to the point of over-saturation. Even when a scene used darker colors, there was still a pop of color included. One example is on a rainy day, when the protagonist, Umi, is carrying a red umbrella. The movements of the characters, vehicles, and boats were smooth, which made them easy to visually follow. Characters were also expressive when it came to dealing with a variety of situations. Similar to Howl’s Moving Castle, From Up on Poppy Hill looked like priceless art!
The humor: An element I’ve noticed within Studio Ghibli’s films is their use of humor. Though From Up on Poppy Hill is a more contemporary story from other Studio Ghibli productions, the humor still fit within the world of that particular film. In one scene, one of the members of the Archeology Club tells another club member that they need to find a way to show how cool their club can be. The fellow club member simply replies with “we can’t”. Toward the beginning of the film, Shun, one of the main characters, falls into a pool of water after performing a stunt while attempting to encourage his classmates to save a local clubhouse. When Umi tries to help Shun out of the pool, their fellow classmates cheer them on as soon as she touches his hand. A great aspect of this movie’s humor is how there was enough to maintain the film’s lighted-hearted tone. At the same time, it didn’t diminish the dramatic moments that momentarily appeared in the story.
The music: While watching this film, the musical selections in From Up on Poppy Hill stood out to me. This is because they fit the tone of their given scene so perfectly! Throughout the story, Umi rises signal flags in order to help her father return home. During these scenes, dramatic piano music would play in the background. For more lighted-hearted scenes, up-beat music could be heard. One example is the movie’s very first scene, which shows Umi preparing for a typical day. Because this film took place in the early to mid-‘60s, the music sounded like it came directly from that time period. When Umi and Shun are in a hurry to reach an important destination, the instrumental tune sounded like it belonged in a program like Hawaii Five-O. All of the music in From Up on Poppy Hill effectively brought a sense of emotion to every moment within the story!
What I didn’t like about the film:
Lack of backstory for the Latin Society’s clubhouse: One of the overarching themes of From Up on Poppy Hill is honoring the past. This is one of the arguments Shun provides in his efforts to save the Latin Society’s clubhouse. There are times when this theme was incorporated into the story well. But, when it comes to the clubhouse, the history of the facility is never revealed. The only thing closest to a backstory that is given was when one of the club members says the previous residents were as messy as the current club members. This creative choice makes the club’s arguments appear weaker than necessary.
Minimal character development for some of the characters: In any film, character development is an important component. This can help the audience connect with a movie’s characters and get invested in their journey. From Up on Poppy Hill gives the majority of character development to Umi and Shun. Parental figures in Umi and Shun’s life, such as Umi’s grandmother, receive some character development. The rest of the characters receive minimal character development, making it difficult to truly get to know them. One example is Sora, Umi’s sister. While watching this film, I became familiar with her as the story progressed. However, when it comes to learning more about Sora, there was more to be desired.
Drawn out scenes: There were a few scenes in From Up on Poppy Hill that were drawn out longer than they needed to be. A perfect example is when Shun’s father is sharing information about his son’s past. I liked learning more about Shun’s backstory. But it was paired with moments of silent pauses that were a little too long. Had these pauses been shorter, this scene might have helped the film shave off some of the run-time.
My overall impression:
When I saw From Up on Poppy Hill, there were mentions of the Summer Olympics in Tokyo. The 1964 Olympics was included in the discussion, not the now postponed 2020 Olympics like I originally thought. The fact this event would be mentioned at all was very interesting. The Olympics are steeped in history, spanning many decades and involving many international parties. As I mentioned in my review, one of the overarching themes of this movie is honoring the past. In the story, history is presented in many forms. Some are embodied as large-scale events, like the Olympics. Others are formed in the relationships we share. From Up on Poppy Hill intelligently and creatively shows its audience how important history is in our lives and our world. As a movie blogger, I recognize how history has made or broken the world of film. But this entry from Studio Ghibli’s collection handles the idea of history with relatability and respect. People from any part of the world can understand the messages presented and maybe take away a small piece of the story and apply it to their own lives. From Up on Poppy Hill is one of the studio’s stronger projects that I am grateful to have seen. A huge thanks goes to Ospreyshire for bringing this film to my attention.
Overall score: 8.3 out of 10
Have you seen Studio Ghibli’s films? Which movie would you like to see me review next? Share your thoughts in the comment section!