Take 3: The Christmas Choir Review

November’s theme for Genre Grandeur is “Movies about Music or Musicians”. As I was looking for a potential title to review, I remembered how this is the time of year when I write about Christmas movies. This then led me to recall my list of the top five Hallmark films based on a true story, where I brought up the 2008 movie, The Christmas Choir. Since I expressed interest in revisiting the film, I selected it for this month’s Genre Grandeur! In that aforementioned list, I stated my surprise over how The Christmas Choir isn’t a Hallmark Hall of Fame production. That’s because the story of a choir forming in a homeless shelter seems like perfect material for the Hallmark Hall of Fame collection. Though when it comes to Hallmark Hall of Fame presentations, I have wondered what the criteria is for a story or script to be chosen. While that topic would make a great editorial or list article, that will have to wait for another day. For now, let’s begin this review for 2008’s The Christmas Choir!

The Christmas Choir poster created by Muse Entertainment Enterprises, Towers Pictures, and Hallmark Channel

Things I liked about the film:

The cast’s on-screen chemistry: In my list of the top five Hallmark films based on a true story, I mentioned how the quality of the acting talents in The Christmas Choir allowed the characters to come across as realistic and endearing. To further articulate my point, the on-screen chemistry among the cast helped create interactions that felt believable. One of my favorite examples is when Juan (portrayed by Luis Oliva) sang for the first time. A rule for staying in the choir is to come to practices and performances sober. Hector (portrayed by Roc Lafortune) is not happy about this rule, angrily throwing the sheet music and storming toward the door in a huff. The other members, like Bob and Fred, and even the choir’s director, Peter, plead with Hector to stay. Worry, concern, and even disappointment are reflected on the men’s faces and in their voices. When Juan begins to sing, however, the look of surprise on everyone’s faces appears genuine. This is because, at the homeless shelter, Juan had a reputation for remaining silent. As Juan finds a nearby can and turns it into a makeshift drum, that surprise turns into joy, lifting the men’s spirits and boosting choir morale. Juan’s voice ended up becoming the glue that held The Christmas Choir together!

Incorporating Christmas’ religious elements: I said in my list of the top five Hallmark films based on a true story how it’s been years since I saw The Christmas Choir. Because of that, I had forgotten about Christmas’ religious elements woven into the film. Most of the songs performed by The Christmas Choir are religious. In fact, the only secular Christmas song the choir sings is ‘Deck the Halls’. Sister Agatha will occasionally quote the Bible and bring up Biblical examples when the situation calls for it. Even one of the movie’s overarching themes is serving as Jesus would have. Personally, I liked The Christmas Choir’s incorporation of Christmas’ religious elements because they’re not often found in Hallmark’s Christmas movies. This creative decision also allows The Christmas Choir to form its own unique identity!

The messages and themes: As I just mentioned in this review, one of the overarching themes in The Christmas Choir is serving as Jesus would have. Other themes and messages sprinkled throughout the story perfectly fit the Christmas season as well. When Peter gives a monetary donation to the homeless shelter, Sister Agatha tells him that while money is appreciated, what the homeless shelter really needs is for people to give their time. Sister Agatha’s words inspire Peter to utilize his time (and talents) to form The Christmas Choir. The conversation between Peter and Sister Agatha alone is such a perfect example of how money doesn’t always solve a problem, especially when it comes to being charitable. This overarching theme actually encourages the film’s audience to think outside the box in the season of giving.

Three Wise Men themed wish list paper image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Too many conflicts: Within my review’s introduction, I brought up how The Christmas Choir is about a choir forming in a homeless shelter. While this is the movie’s main conflict, other conflicts like Peter’s issues with his father and The Christmas Choir competing for a permit are included in the script. As I watched the film, however, it felt like the creative team behind The Christmas Choir tried to squeeze as many conflicts as they could in an hour and thirty-minute timeframe. This choice made the movie overwhelming and the runtime feel longer. Though the 2008 movie is based on a true story, I’m not sure which parts of the script are based on fact or creative liberty. Therefore, the script should have focused on one main conflict with at least two subplots.

Sister Agatha’s inconsistent personality: When Sister Agatha was introduced in The Christmas Choir, she had a friendly personality with a bit of spunkiness. As I mentioned earlier in this review, Sister Agatha occasionally quotes the Bible and brings up Biblical examples when the situation calls for it. But as the story progressed, she became pessimistic and discouraging toward Peter and The Christmas Choir. Sister Agatha eventually returns to her spunky, friendly personality by the end of the film. However, the inconsistency of her personality is a flaw I couldn’t unsee. Rhea Perlman, who portrayed Sister Agatha, did a good job with the acting material provided. This mistake, though, lies with the screenwriter.

Things that don’t make sense: Sometimes, there were things in The Christmas Choir that didn’t make sense. One example happened at Peter’s office building. While at work, Peter’s colleague, Rita, tells Peter there are a group of homeless men singing in the office building’s lobby. Those “homeless men” were The Christmas Choir. Several scenes prior to this impromptu performance, however, Rita saw The Christmas Choir singing on television while at work in the aforementioned office building. Wouldn’t she have recognized The Christmas Choir when they spontaneously showed up in the office building’s lobby?

String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

My overall impression:

By revisiting The Christmas Choir, I was reminded of the film’s aspects I had forgotten about, like the inclusion of Christmas’ religious elements. This is one aspect of the movie I liked, as religious elements associated with Christmas are not often found in Hallmark’s seasonal presentations. I was also made aware of the flaws I overlooked. This is not a bad movie, but it wasn’t as strong of a picture as I initially believed. The abundance of conflicts in The Christmas Choir’s script made the film overwhelming and the runtime feel longer than an hour and thirty-minutes. There were not only some things in the story that didn’t make sense, Sister Agatha’s personality was also inconsistently written. But as I said in my list of the top five Hallmark films based on a true story, the 2008 picture is one of Hallmark’s more unique Christmas titles. This is due to the movie not following a formula or containing a certain set of Christmas movie tropes and cliches. What works in The Christmas Choir’s favor as well is the on-screen chemistry among the cast and the messages and themes stitched throughout the story. If you’re looking for a Christmas film from Hallmark that stands out within their festive collection, I’d recommend checking out The Christmas Choir.

Overall score: 7 out of 10

Have you seen The Christmas Choir? Are there any “older” Hallmark Christmas movies you’d love to see reviewed on 18 Cinema Lane? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Attention Eurovision Televoters, Princ Needs Your Help!

Picture of Princ found in the video, ‘🇷🇸 PRINC – MILA (INTERVIEW) @ Madrid PrePartyES 2025 // Serbia Eurovision 2025′ by the Youtube channel, eurovoxx. Serbian Flag image created by ibrandify at Freepik Image by ibrandify on Freepik

Last August, I wrote an editorial explaining why Stefan “Princ” Zdravković should appear on the television show, Miss Scarlet and The Duke. In that editorial, I referenced Auggie’s precept from R.J. Palacio’s book, Wonder, where Auggie states, “Everyone deserves a standing ovation because we all overcometh the world”. But I also said in order for a “standing ovation” to take place, the person in question has to want it. Throughout this Eurovision season, Princ has put the time, talent, effort, and energy into striving toward that “standing ovation”. After being chosen to represent Serbia in the song contest, Princ released a music video of the re-vamped version of his song, “Mila”. Within two weeks, that video received 1.1 million views, affording Princ a place in the top 20 of Eurovision’s Top 20 Most Watched videos of March 2025. Since then, Princ’s music video has received 1.8 million views in a month. On Eurovision’s Youtube channel, you’ll find Princ’s French cover of “Mila” and his cover of Måns Zelmerlöw’s song, “Heroes”, with both videos receiving positive reception. Princ has also received positive reception for his Eurovision pre-party performances at Eurovision In Concert, London Eurovision Party, and Madrid PrePartyES. He was even given a desirable running order spot in Eurovision’s second semi-final, competing toward the end of the semi-final at number 15. However, these achievements do not guarantee a coveted place in the Grand Final. This is where you come in. If you’re planning on or thinking about participating in televoting during Eurovision’s second semi-final, please consider giving Princ as many televotes as possible. You would not only help Princ take one step closer to receiving his “standing ovation”, you would also help Princ take one step closer to making his childhood vision come true, as he said in an interview, “I actually visualized myself winning Eurovision as a kid”. I truly believe Princ is a stronger representative than some people give him credit for. So, please consider giving Princ (number 15) televotes on May 15th!

Here’s a list of videos and articles to check out if you want to support Princ:

From the Youtube channel of Eurovision Song Contest:

— How the winner is decided – Eurovision Song Contest 2025 | #Eurovision2025

— Princ – Heroes (Måns Zelmerlöw Cover) | Serbia 🇷🇸 | #EurovisionALBM

— Princ – Mila (French Version) | Serbia 🇷🇸 | #EurovisionALBM

— Princ – Mila | Serbia 🇷🇸 | Official Music Video | #Eurovision2025

— Meet Princ (Short)

— Eurovision Top 20 Most Watched: March 2025 | #Eurovision2025

From the Youtube channel of wiwbloggs:

— 🇷🇸 Princ “Mila” (Serbia 2025) – LIVE @ London Eurovision Party 2025

— 🇷🇸 Princ “Mila” INTERVIEW | London Eurovision Party 2025

— 🇷🇸 Princ – “Mila” (Serbia 2025) – LIVE @ Eurovision In Concert 2025

From the Youtube channel of eurovoxx:

— 🇷🇸 PRINC – MILA (INTERVIEW) @ Madrid PrePartyES 2025 // Serbia Eurovision 2025

— 🇷🇸 PRINC – MILA (INTERVIEW) // London Eurovision Party 2025 // Serbia Eurovision 2025

Articles:

eurovision.tv/story/song-fit-princ

Word on the Street: Movie Theaters in Spain Hosting Eurovision’s Grand Final Again

I wrote a Word on the Street story three days ago about movie theaters in the United Kingdom broadcasting Eurovision’s Grand Final for a third year. Last February, I wrote another Word on the Street story about Eurovision’s Grand Final being presented in Spanish cinemas. Like the United Kingdom, Spain will continue their cinematic tradition! Eurovoix News reports Cine Yelmo, a “cinema company” from Spain, “will be airing the Grand Final of the contest live in their 42 cinemas across the country”. Those interested in attending the event can “buy tickets through a pre-sale on the company’s website”. Also like the United Kingdom, Spain is taking advantage of their participation in the Eurovision Song Contest. Because they are one of the “big five” countries, they are automatic qualifiers of the contest’s Grand Final. Spain is hosting PrePartyES, from April 17th to April 19th.

Movie process chart created by Vectorpocket at freepik.com <a href=’https://www.freepik.com/free-vector/vector-set-of-isometric-illustrations-making-movies-and-watching-a-movie-in-the-cinema_1215936.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Vectorpocket – Freepik.com</a> Image found at freepik.com

What are your thoughts on this piece of news? Are there any Eurovision participating countries you wished screened the Grand Final at their theaters? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Article referenced in this post: https://eurovoix.com/2025/04/09/spain-eurovision-2025-final-cinemas/

Word on the Street: Eurovision’s Grand Final Returning to U.K. Cinemas

Last April, I wrote a Word on the Street story about multiple cinemas in the United Kingdom (U.K.) broadcasting Eurovision’s Grand Final. This year, the tradition continues! In an article from Eurovoix News, it’s reported that “CinemaLive who are distributing the contest in cinemas, will for a third year in a row enable fans of the contest to watch the Eurovision Song Contest on the big screen in the United Kingdom”. John Travers, who helped bring the experience to fruition in 2024, said, “There’s simply no better way to enjoy the biggest night in music than in a cinema, surrounded by fellow fans”. The U.K. is, once again, capitalizing on their involvement in the Eurovision Song Contest. They are one of the “big five” countries, so they automatically qualify for the contest’s Grand Final. United Kingdom will also host London Eurovision Party on April 13th.

Coming soon movie image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What are your thoughts on this piece of news? Which Eurovision participating country do you wish screened the Grand Final at their theaters? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Article referenced in this post: https://eurovoix.com/2025/04/03/united-kingdom-cinemas-eurovision-2025/

Take 3: Curious Caterer: Forbidden Fruit Review

When I reviewed Curious Caterer: Foiled Plans back in April, that movie became the best Hallmark mystery of 2024. Now six months later, Curious Caterer: Foiled Plans is still the best Hallmark mystery movie of the year! When I learned Curious Caterer: Forbidden Fruit was on the horizon, I was so excited for the film’s release. Part of my excitement was due to how much I liked Curious Caterer: Foiled Plans. The Curious Caterer series is one of the strongest series Hallmark has ever created. The strength of Nikki Deloach’s and Andrew W. Walker’s performances, as well as their on-screen chemistry, is one reason why Curious Caterer has been an enjoyable collection of films. It also helps how the movies have been well written. Can Curious Caterer: Forbidden Fruit be just as good as Curious Caterer: Foiled Plans? Keep reading my review to find out!

Curious Caterer: Forbidden Fruit poster created by Timeless Pictures and Hallmark Movies & Mysteries

Things I liked about the film:

The acting: As I said in my review of Ainsley McGregor Mysteries: A Case for the Winemaker, the strength of the cast can add to the story’s intrigue. Even though the acting has been consistently successful in the Curious Caterer series, this is impressive when you consider the series has utilized a rotating secondary cast! I have always liked Jaycie Dotin’s portrayal of Marla Maguire. I not only liked her performance in Curious Caterer: Forbidden Fruit, I also think she and Luke Camilleri had really nice on-chemistry! When Marla meets Jax backstage before the concert, he shares a memento from his late sister. His entire demeanor is sad, yet he appears appreciative when Marla asks about the memento. Marla’s tone of voice indicates she’s trying to be understanding of Jax’s situation. Later in the film, when Jaycie and Luke appear together in another scene, Jax and Marla are all smiles. They both look comfortable in each other’s company and seem to enjoy spending time with one another. I hope Luke and Jaycie star together in another Hallmark production!

Another strength of the Curious Caterer series is the strong on-chemistry of Nikki Deloach and Andrew W. Walker. Their portrayals of Goldy and Tom were, once again, one of the best parts of the movie! Now that these characters have an established, romantic relationship, they received more opportunities to spend time together in Curious Caterer: Forbidden Fruit. While observing Goldy’s mystery board, Tom asks why Selena would kiss her former band member, Derek. Goldy then proceeds to kiss Tom. After the kiss, Tom asks her if the kiss was meant to be evidence. Goldy happily replies she just wanted a reason to kiss him. Tom and Goldy’s interaction in this scene was not only sweet, it also felt genuine. Andew and Nikki’s acting abilities made their characters’ interactions enjoyable to watch!

A behind-the-scenes look at the music industry: The mystery in Curious Caterer: Forbidden Fruit revolves around the death of a band member during a live performance. Because the band and those surrounding them are consistently involved in the story, the movie’s creative team gave the audience a peek behind the music industry’s curtain. During a discussion between Tom and the band’s manager, Nicola, Tom learns each band member was insured in order to keep investors happy. This was new information to me, as I had never heard of musicians being insured before. Prior to the concert, Goldy and Marla were preparing to make their catered food. They were told by the band’s electrician, Sam, they could only use one electrical socket due to the older age of the venue and the other plugged-in electrical equipment. When people attend a concert or a live performance, they are so focused on what is happening on stage, details like a venue’s age or electrical power grids may not cross their minds. Curious Caterer: Forbidden Fruit showed what goes into planning and delivering a musical event.

Incorporating serious, real-world topics: Hallmark productions, whether it’s a Hallmark Hall of Fame movie or a Christmas film, sometimes include serious, real-world topics into their scripts. What can make or break a script is how these serious, real-world topics are incorporated into the story. The way these kinds of topics were included in Curious Caterer: Forbidden Fruit was more subtle, yet there was enough information for the audience to understand what was happening. As Goldy is serving drinks to the band members before the concert, she reassures Derek (a recovering alcoholic) there are no alcoholic ingredients in his drink. Because Derek’s drink and Jax’s drink appear similar, Goldy stops Derek from consuming Jax’s drink, which contains rum. This mistake causes Derek to accuse Jax of trying to break his sobriety. The scene I just described felt like a realistic interaction, with the subject of addiction naturally woven into the dialogue. This was made possible by the quality of the acting performances as well as the screenwriting.

Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Miscast characters: Curious Caterer: Forbidden Fruit begins twenty years ago, with the band, The Faithfuls, celebrating the success of their single, “Love Me Always”. This opening scene implies the band members are in their early twenties, especially since they all share a bottle of champagne. Several scenes later, when Marla and Goldy explain to Olive who The Faithfuls are, Goldy and Marla claim they were high-schoolers twenty years ago. When the band members are reintroduced in the story, they appear to be the same age as Marla and Goldy. This creative flaw is not the fault of Garrett Black, Luke Camilleri, and Tammy Gillis, as they all did a good job with the provided acting material. However, I do fault the casting director for not recruiting actors who appeared older than Goldy and Marla.

Goldy’s limited involvement in the case: Throughout the Curious Caterer series, Goldy has worked alongside Tom to solve a given case. But in Curious Caterer: Forbidden Fruit, Goldy’s involvement in the case is limited. She still created a mystery board (which she and Marla called “Rhythm and Clues”) and helped Tom solve the mystery. Compared to the other films in the Curious Caterer series, Tom did the majority of the sleuthing. Goldy did not question potential suspects or gather clues as much as she has before. She and Tom seemed to be on separate pages when it came to catching the culprit.

Lack of food footage: In my reviews of other Curious Caterer films, I have either praised the creative team for their use of close-ups of appetizers or criticized the creative team for their lack of close-ups of food. Curious Caterer: Forbidden Fruit adopted the latter flaw, as there were barely any shots of Goldy’s catered food at the concert. In the greenroom, there were a few close-up shots of the band members’ drinks. A quick shot of vegan drumsticks was featured in a fan’s video. But other than these, the audience isn’t given a clear idea of what else Goldy served at the event. To me, this was a missed opportunity, especially since I was curious why Marla and Goldy needed to use an air fryer.

Music and stage image created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/music-sign_1179519.htm’>Designed by Topntp26</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

With Curious Caterer: Forbidden Fruit being the fifth movie in the series, this collection of films has found its rhythm (no pun intended) and understood what works for the overall story. Components like the acting, humor, and prioritizing the mystery have been consistently strong. There were even times when a Curious Caterer movie improved upon the flaws of the preceding chapter. I liked Curious Caterer: Forbidden Fruit! The peek behind the music industry’s curtain gave this film a unique identity. Serious, real-world topics, such as addiction, were thoughtfully incorporated into the script. Even though I thought the fifth movie in the Curious Caterer series was good, I still think Curious Caterer: Foiled Plans was slightly stronger. Goldy’s involvement in Curious Caterer: Forbidden Fruit’s case was limited, making it seem like she and Tom were on separate pages when it came to solving the mystery. I also believe the band members should have appeared older than Goldy and Marla. As of the publication of this review, Hallmark has not made any official announcements for movies premiering in 2025. But if there are more Curious Caterer films in the works, I would like to see a seasonal picture, such as a Christmas or Halloween themed Curious Caterer production!

Overall score: 7.6-7.7 out of 10

Have you seen Curious Caterer: Forbidden Fruit? Would you like to see more Curious Caterer films in 2025? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Sally Watches… Touched by an Angel (30th Anniversary Edition)!

2024 has hosted several anniversaries, from the 30th anniversary of the Disney animated film, The Lion King, to the 50th anniversary of Little House on the Prairie. But there is one anniversary that can’t be overlooked: the 30th anniversary of Touched by an Angel! With the show premiering on September 21st, 1994, I figured it would be appropriate to review some episodes this month in honor of the occasion. Since I reviewed three individual episodes of Touched by an Angel in the past, I will be writing about three episodes at once this time. Similar to past reviews of television episodes, I’m going to discuss what I liked about the episode, what I didn’t like about the episode, the story itself, the other factors from the episode, and my overall thoughts. Now, let’s talk about the three selected episodes: “The Southbound Bus”, “Psalm 151”, and “Mother’s Day”!

Touched by an Angel season one DVD poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: The Southbound Bus

Season 1, Episode 1

Premiere Date: September 21st, 1994

What I liked about this episode:

Touched by An Angel has incorporated serious, real-world topics into their stories; providing the show with dramatic, even sad, moments. But there are times when Touched by An Angel can become light-hearted. One perfect example is when David meets Tess for the first time. Tess arrives at David’s house as his new nanny. Because of hardships he experienced prior to the events of “The Southbound Bus”, David is skeptical of Tess and her new role. Tess, on the other hand, is ready to deal with David’s skepticism. Her no-nonsense attitude and motherly persona make it clear who’s in charge. She even calls David “dinosaur boy”, due to the dinosaur print on David’s shorts. The scene I described was genuinely hilarious because of how well written and acted it was. It also provided a balance between the episode’s light-hearted and serious tones!

What I didn’t like about this episode:

When she visits a rest stop known as Hewitt, Monica meets Ruth Ann and Christine. Later in the episode, a run-in with a local police officer forces Ruth Ann to confess to Christine how she’s attempting to flee the FBI due to her association with a criminal. During Ruth Ann’s attempt to flee, Monica pleads with Ruth Ann to confront her past. Monica’s pleading is fruitless, as not only Ruth Ann hitchhikes out of Hewitt, her part of the story is left unresolved. I know there’s only so much story you can tell in an hour-long episode. But if the show’s creative team knew Ruth Ann’s story wasn’t going to receive a resolution, why address it in the first place?

The story itself:

As I mentioned earlier in this review, Touched by An Angel has included dramatic, even sad, moments in their stories due to the show’s subject matter. However, as I’ve also mentioned, there are times when the show can become light-hearted. These tones were balanced very well in “The Southbound Bus” as viewers are introduced to Monica, Tess, and their roles as “case workers”! The story jumps right into the action as Monica not only receives an upgrade from “search and rescue”, she also receives her first assignment in her new role. This creative choice grabs viewers’ attention as Monica meets Tess at the bus stop. Touched by An Angel sometimes incorporates plot twists and surprises in their stories which can catch viewers off-guard. There is one plot twist in “The Southbound Bus” that I found really effective!

The other factors from this episode:

  • For this part of my review, I will spoil “The Southbound Bus”. If you have not seen this episode and are planning on watching it, please skip to the next point in this section.

When Monica confronts Christine on the loss of her daughter, Monica admits an angel was with Christine’s daughter, Katie, when she died. She also confesses how an angel is with Katie in Heaven. Monica’s statement confused me because I remembered how, prior to this episode, she was on “search and rescue”. Yet, when talking with her friend from “search and rescue”, Adam, Monica didn’t know the history of David’s family. Was Adam with Katie or was it perhaps Andrew, with this detail revealed in a later episode?

  • During her assignment to help David, Monica reconnects with a friend from “search and rescue” named Adam. Through their conversation, Monica receives key information about David’s mother and sister. From what I remember of Touched by An Angel, Adam doesn’t join the show’s main cast. This makes me believe Adam was the precursor of Andrew (who would make his debut in season two).
  • At the beginning of “The Southbound Bus”, Tess reminds Monica how she hasn’t appeared in human form for more than a few moments. This fact causes Tess to warn Monica not to eat everything in sight. Tess’s guidelines for the human world make me wonder what other rules angels have to follow? Were these rules expressed in other episodes?

My overall thoughts:

The Southbound Bus” is the very first episode of Touched by An Angel. It’s also the very first time viewers meet Monica, Tess, and the world they interact with. I’d say this was a strong start for not only Touched by An Angel’s first season, but also for the series as a whole! The overall quality of the production sets up what viewers can expect from this show. “The Southbound Bus” addresses serious subjects like grief and neglect. But the way this story was written allowed moments of humor and even hope, providing a balance between serious and light-hearted tones. The dialogue is thought provoking as well, such as when Monica marvels at how humans have the courage to wake up and start a new day. I said in the past how “Perfect Little Angel” would be a good starting point when introducing someone to Touched by An Angel. Another good choice would be “The Southbound Bus”, as that is where it all began!

Rating: A solid 4 out of 5

Colorful dinosaur image created by Rawpixel.com at freepik.com. <a href=’https://www.freepik.com/free-photo/various-animal-toy-figures-in-a-colorful-background_3011200.htm’>Designed by Rawpixel.com</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Rawpixel.com – Freepik.com</a>. Image found at freepik.com.
Touched by an Angel season five poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: Psalm 151

Season 5, Episode 9

Premiere Date: November 15th, 1998

What I liked about this episode:

If I could choose one phrase to describe “Psalm 151”, it would be “genuine sincerity”. The reason is how genuine sincerity was the glue that kept this story together! The interactions between the characters felt sincere, giving the impression they truly wanted to respect Petey’s wishes. Cornelia/Celine and Petey’s friendship came across as genuine due to the performances of Mika Boorem and Joseph Cross, as well as the screenwriting. Even Céline Dion’s inclusion in this story felt sincere as she tells Petey and Cornelia/Celine to always focus on the light. This genuine sincerity left me invested in the story and caring about the characters!

What I didn’t like about this episode:

Psalm 151”is a music-centric episode because music is one of the story’s main themes. As I mentioned in my review of the episode, “Perfect Little Angel”, Della Reese is a real-life singer. With that said, I think not incorporating Della’s singing talents in “Psalm 151” was a missed opportunity. Like I stated while talking about “The Southbound Bus”, there’s only so much story you can tell in an hour-long episode. This means there’s only so much time to include the singing talents of Céline Dion and Wynonna Judd. I still wish some amount of time had been given to Della so she could sing at least one song.

The story itself:

For Monica’s 100th case, the creative team behind “Psalm 151” could have turned this story into a “remember when” episode; where Monica, Tess, and Andrew reflect on flashbacks that occurred in previous episodes. Instead, Monica received a new case containing its own unique conflicts and resolutions. Even though the story of “Psalm 151” was different from preceding episodes, it shared a major similarity with “The Southbound Bus”: the story revolved around a mother and son dealing with a challenging situation. This similarity allowed Monica’s story to come full circle. When a television show chooses to create a musical episode, it can sometimes be met with skepticism due to the concern of the musical episode feeling out of character. But in the case of “Psalm 151”, a musical episode felt like an appropriate choice for Monica’s milestone, especially since Touched by An Angel is known for being a heart-warming, uplifting program.

The other factors from this episode:

  • Monica celebrates her 100th case by throwing a party. Tess explains to Andrew how Monica wanted coffee-flavored treats at her celebration. When Monica travels to Hewitt in “The Southbound Bus”, she tells Christine and Ruth Ann how coffee was a treat for her, as she consumed coffee so infrequently while on “search and rescue”. This creative detail was a nice throwback to Monica’s very first case!
  • Petey’s friend, Cornelia/Celine, calls herself “Celine” because she adores Céline Dion. In fact, one of Petey’s wishes is for Cornelia/Celine to meet her favorite singer. Céline Dion’s appearance in this episode serves an interesting coincidence. “Psalm 151” premiered in 1998, ten years after Céline won Eurovision. Reviewing this episode now also serves a coincidence, as Switzerland (the country Céline represented) won this year’s Eurovision and Céline performed during this year’s Olympic opening ceremony.
  • While reflecting on the coincidences in “Psalm 151”, I realized there is one coincidence related to Wynonna Judd. 2024 marks the 30th anniversary of when Wynonna performed during the Super Bowl half time show. This is also a coincidence, as 1994 is when Touched by An Angel made its television debut.

My overall thoughts:

According to IMDB, “Psalm 151” is a top-rated episode with a score of 9.5 out of 10. Looking back on this episode, I can see why so many people like “Psalm 151”! Touched by An Angel pulled out every stop they could think of for Monica’s 100th case! The screenwriters created a script that allowed Monica’s story to come full circle. This same script also gave viewers characters, interactions, and resolutions that felt genuinely sincere; inviting viewers to care about the characters and stay invested in their story! Musical television episodes can sometimes receive a bad rap due to those episodes feeling out of place among their respective shows. For “Psalm 151”, its musical nature made the episode feel like a joyous celebration. Yet the serious subjects of chronic illness and grief were never overlooked or sugarcoated. If I came up with a list of the top ten best Touched by An Angel episodes, “Psalm 151” would find a place on that list!

Rating: A strong 4.5 out of 5

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Touched by an Angel season six poster created by CBS Productions, Caroline Productions, and MoonWater Productions

Episode Name: Mother’s Day

Season 6, Episode 25

Premiere Date: May 14th, 2000

What I liked about this episode:

Wynonna Judd is, in my opinion, talented, yet underrated. Even though she guest-starred in “Psalm 151” and “Mother’s Day”, Wynonna’s strongest performance was found in “Mother’s Day”! The emotional intensity Wynonna brought to this episode made Audrey’s grief feel realistic. In a scene where Cornelia/Celine is confronting Audrey about her alcohol addiction, Audrey’s bitter tone, sharp look in her eyes, and anger show how she is not yet ready to handle the truth. Meanwhile, Cornelia/Celine is terrified of Audrey, even becoming sad and tearful by Audrey’s hurtfulness. Wynonna Judd should have, at least, been nominated for an award for her portrayal of Audrey in this episode!

What I didn’t like about this episode:

In order to help Audrey cope with Petey’s death, Monica is sent to “The Middle”; giving her the ability to enter Audrey’s dreams. The way these dreams were presented felt out of character for Touched by An Angel. The background and even certain objects were coated in bright, fluorescent colors. Monica would look at Audrey with a blank stare and speak to her in a cryptic manner. Even Petey’s iguana, Fluffy, talks to Audrey. The dreams Monica enters would be described as “trippy”, a word typically not used for a show known for being heart-warming and wholesome.

The story Itself:

Mother’s Day” is the follow-up to “Psalm 151”, picking up the story after Petey passed away. The death of Petey causes Audrey to turn further into her grief as well as give up music. While the story has its touching moments and a resolution is found, it undermines the message of “Psalm 151”; how music can help people heal and bring them closer together. Cornelia/Celine understandably misses Petey. Yet her grief is glossed over due to the story primarily focusing on Audrey’s struggles. The story of “Psalm 151” dealt with serious topics such as chronic illness and grief. Yet the genuine sincerity I mentioned earlier in this review is one of the reasons why that episode felt heart-warming, even hopeful. Because Audrey is consumed by grief in the majority of “Mother’s Day”, the story felt depressing.

The other factors from this episode:

  • Jean Stapleton portrays Emma, an angel who poses as a housekeeper. Reflecting on Jean’s role on All in the Family made me realize how her appearance in this episode was an interesting coincidence. In All in the Family’s two-part episode, “Edith’s Crisis of Faith”, Edith struggles with grief and her faith after her friend is murdered around Christmastime. Touched by An Angel’s episode, “Mother’s Day”, shows Audrey struggling with grief and her faith after the loss of Petey.
  • Without spoiling this episode, I recognize why it is called “Mother’s Day”. Yet, in my opinion, this is a story that could have taken place any time of year presenting a similar outcome. When a television show episode is holiday themed, messages connected to that holiday serve as threads throughout the story. With all that said, it makes me wonder why, out of all the holidays on the calendar, was Mother’s Day selected for this episode? Why not Christmas or Petey’s birthday?
  • When I talked about “Psalm 151”, I mentioned how 2024 (the year I’m reviewing the episode) marks the 30th anniversary of when Wynonna performed during the Super Bowl half time show. It should also be noted that Naomi Judd also performed in 1994’s Super Bowl half time show, where she and Wynonna sang “Love Can Build a Bridge”. The reason why I’m bringing this fact up is because Naomi appears in “Mother’s Day”.

My overall thoughts:

When it comes to “Mother’s Day”, I’m honestly torn. Earlier in my review, I pointed out how “Psalm 151” is a top-rated episode on IMDB. Therefore, it makes sense for a popular episode to receive a follow-up. On the other hand, “Mother’s Day” isn’t as strong as “Psalm 151”. The message of music helping people heal and bringing them closer together is undermined as Audrey is consumed by grief for the majority of the episode. Even though there are touching moments in this story, as well as a resolution, the overall presentation didn’t feel as heartwarming or hopeful as “Psalm 151” or even “The Southbound Bus”. However, Wynonna’s portrayal of Audrey was a highlight of this episode, as her emotional intensity showed a more realistic depiction of grief. I also thought Mika Boorem gave a solid acting performance, showing how Cornelia/Celine tried to provide the thread that kept her world together. “Mother’s Day” is not a bad episode. But its weaker production kind of makes me wish a different episode had received a follow-up instead.

Rating: A 3.5 out of 5

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Have fun on television!

Sally Silverscreen

Sunset Over Hope Valley: Let the Show Go On

In this episode of When Calls the Heart, the plans of Hope Valley’s choir fall through. They don’t go to Salt Lake City as originally expected. To help Tom as well as other choirs, a new idea is put in place where everyone benefits. This isn’t the first time things didn’t work out in Hope Valley. But I’m willing to guess the show itself has experienced hiccups along the way. Making a television show is a huge creative endeavor. When working on a large project involving multiple people, there’s always a chance things could go wrong. Most fans don’t think about these possibilities, as they just see the final product. From the perspective of a long-time Heartie, though, the solution in this episode of When Calls the Heart made me reflect on other likely behind-the-scenes conflicts and how they were resolved. Because as the saying goes, “the show must go on”.

Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season eleven poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 11

Episode: 8

Name: Brother’s Keeper

Major stories:

Nathan contacted the police in New York in an attempt to track down Mr. Sweeney. The New York police were able to arrest Mr. Sweeney and retrieve the $65 from Hope Valley’s choir. Unfortunately, Mr. Sweeney gambled the $300 collected from Benson Hills’ and Jamison’s choir. In an emergency choir meeting, Tom comes clean with all this news. Helping Tom save face, Nathan and Elizabeth quickly come up with the idea of hosting their own music festival to raise money for the aforementioned choirs. However, they allow Tom to take full credit for their idea. Maisie is not happy when Rosemary shares all this information with her. She believes Tom should be arrested, but Nathan reassures Maisie that the money will be raised. The festival itself is not the only way Hope Valley raises money. Several stalls selling food and valuable items are sparkled throughout the town. The Voices of the Valley festival is a success, with over $200 raised. But during the financial count, the choir discovers they are just under $300. When Lucas learns this, he takes money from his cultural fund and donates it to the festival. Before leaving Hope Valley, Tom makes the sad realization he’ll soon have to find a new job.

Just in time for the Voices of the Valley festival, Jacob Canfield arrives in Hope Valley. He still expects an apology from Joseph, but Joseph has no idea what he should apologize for. This angers Jacob and makes him consider leaving Hope Valley. While Minnie tries to coax Jacob to stay in town, Jacob reveals he hasn’t attended church or sang in over ten years. When Minnie shares this information with Joseph, he feels bad that whatever he did caused his brother to pull away from God. As he tries to figure out what he did wrong, Joseph turns to Henry for advice. Henry says that no matter what Joseph did, Jacob was hurt and Joseph should apology for hurting his brother. Later in the episode, Joseph does apologize to Jacob. When Joseph finally learns why Jacob is upset, he discovers that Jacob felt abandoned after he married Minnie. Though Jacob got the apology he wanted, he is still upset because he doesn’t believe the apology will change anything. Joseph disagrees, as he believes there is still hope for his and Jacob’s relationship. Right before Hope Valley’s choir performs “Amazing Grace”, Jacob becomes the missing tenor the choir was looking for. Both Canfield brothers later confess how much they’ve missed each other.

As promised, Nathan allows Clayton Pike to stay in Hope Valley during his prison transfer so Rosemary could interview Clayton. But when given the opportunity to interview Clayton, Rosemary, as well as Bill, find no luck. This is because Clayton refuses to reveal the identity of who really shot Lucas. Even when Lucas has a one-on-one conversation with Clayton, Clayton still remains silent. The next day, Clayton shares that the man responsible for Lucas getting hurt is so powerful, even the Mounties can’t intervene. Later, at the Queen of Hearts Hotel, Henry confronts Lucas about his decision to, possibly, accept Montague’s hotel bid. Henry addresses how Montague doesn’t have a good reputation with the people of Hope Valley due to decisions he made in the previous season. Lucas confesses how the Benson Hills Oil Company recently closed, causing hundreds of employees to lose their jobs. When Henry brings up Jeanette’s hotel bid, saying it looked legitimate, Lucas shuts out that possibility, simply asking Henry to trust him on that choice.

Money plant image created by Dooder at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/infographic”>Infographic vector created by Dooder – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/watering-the-coin-plant_1076121.htm’>Designed by Freepik</a>. Image found at freepik.com.

Minor stories:

Similar to season eleven’s seventh episode, “Facing the Music”, there are no minor stories in this episode.

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Some thoughts to consider:

In the previous episode, Tom went on a date with Faith at The Café. Toward the end of this episode, at the Voices of the Valley party at the Queens of Hearts Hotel, Tom gets asked by Faith to dance before Elizabeth asks Nathan to dance. I like the idea of Tom and Faith sharing a romantic relationship, especially since Max Lloyd-Jones and Andrea Brooks had nice on-screen chemistry. But if these characters are going to share a relationship, one of two things have to happen; either Tom needs to make more frequent appearances on the show or Faith needs to live closer to Tom.

Similar to last week’s episode, this episode of When Calls the Heart was stronger than other episodes this season! The featured stories were intriguing and weren’t as drawn out as season eleven’s previous episodes, so far. With only four episodes left, it makes me wonder how some of these stories will be resolved?

In my re-cap for this season’s second episode, I mentioned how curious I was to see how Henry’s story turned out in season eleven. This thought came after witnessing Henry adopting a happier and calmer personality, as well as developing a genuine interest in Hope Valley’s agriculture and foliage. Now that Henry starting working for Lucas, he has become Hope Valley’s Voice of Reason. In my opinion, this is a pleasant new direction for Henry’s story! It gives him a sense of purpose while acknowledging how far Henry has come.

Sunset image created by Photoangel at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Photoangel – Freepik.com</a>.<a href=’https://www.freepik.com/free-photo/red-sunset-clouds-over-trees_1254327.htm’>Designed by Freepik</a>. Image found at freepik.com.

What are your thoughts on this episode? Do you like Henry becoming Hope Valley’s Voice of Reason? Let me know in the comment section!

Have fun in Hope Valley!

Sally Silverscreen

Sunset Over Hope Valley: Waiting for Tom Thornton

Last September, I wrote a list sharing which ten characters
I’d love to see return to When Calls the Heart. My number one choice was
Tom Thornton, as his last appearance was all the way back in season five. So,
when I discovered Tom was returning to the show, my interest in the rest of
season eleven piqued! When Tom told Elizabeth and Jack Jr. what he did for a living,
he said he “sold happiness”. I would like to point out how Tom has been doing
that all along. Though I can only speak for myself, Tom has always made me
happy whenever he appeared on the show. Despite his more recent appearances
being brief, these moments were special and cherished. Looking back on Tom’s
story, I’m starting to realize how his and Henry’s story share several similarities.
Both characters had a troubled past, made a conscious effort to change, and now
have brighter futures!

Just a reminder: If you did not see this episode of When Calls the Heart, there will be spoilers within this re-cap.

When Calls the Heart season eleven poster created by Hallmark Media, Crown Media Family Networks and Hallmark Channel

Season: 11

Episode: 7

Name: Facing the Music


Major stories:

Tom Thornton has returned to Hope Valley in honor of Jack’s
birthday. After visiting his brother’s grave, Tom reconnects with familiar faces,
like Faith and Elizabeth, and meets new ones, such as Allie, Angela, and
Nathan. Tom’s career has taken a new path, this time selling sheet music for a
man named Mr. Sweeney. When the members of Hope Valley’s choir discover Tom is
looking for acts for an upcoming music festival, they become interested in
participating in the event. Tom informs them how only one spot remains in the
festival, so they would have to audition. The choir agrees to audition over the
phone, with the audition itself being a success. Because the choir received the
aforementioned last spot in the festival, Tom tells them they have to pay the $65
entry fee. Even though the choir agrees to chip in five dollars each, Elizabeth
and even Nathan are concerned by how quickly things are happening. When Nathan
and Elizabeth confront Tom about the entry fee, Tom reassures them how the
entire endeavor is legitimate. However, a phone call from Mr. Sweeney at the
Mercantile indicates how things are not going according to plan. Toward the end
of the episode, Elizabeth discovers Tom checked out of the Queen of Hearts
hotel and is on his way to Union City. She and Nathan find Tom waiting at the
train station. Tom confesses Mr. Sweeney not only stole the $65 dollars from
Hope Valley’s choir, but has stolen money from the festival’s other
participants. Tom turns to Elizabeth and Nathan for help with this situation.


Rosemary and Bill bring their lead on Luca’s case to Nathan.
Nathan would like to look into Clayton Pike’s connection to Union City
Holdings, but states how the Mounted Police are working on other cases.
Rosemary still cannot speak to Clayton himself, but feels the next best thing
would be to speak to his mother, Hazel. With Hazel living in Union City, Nathan
agrees to help Rosemary organize an interview. He also informs Bill and
Rosemary how Clayton is transferring prisons soon, so he’ll try to get an
interview for Rosemary. The original plan was for Rosemary to travel to Union
City for her interview with Hazel. But plans change when Hazel ends up visiting
Rosemary in Hope Valley. During the interview, Hazel claims she and Clayton
were at a political event around the time Lucas was shot. She even shares how
Clayton was taking care of her after she had injured her hip. Hazel received
money for surgery a week before Lucas became injured. She says a friend of
Clayton’s gave her the money, sharing how Clayton and the friend met at church.
While Hazel was at the hospital, Montague paid her visit and gave her flowers.


Lucas is having difficulty finding investors for the hotel.
Though Montague’s and Jeanette’s offer are still on the table, Lucas would
rather not work with them. Out of desperation, Lucas asks Lee to help find
investors. Though Lee agrees to help, he even has no luck finding a solution. As
a last resort, Mr. Mitchell, who now works for Lucas, suggests using an
emergency fund to start the hotel. Henry, who has recently started working for
Lucas, believes this is a bad idea. His belief is based on how the money in the
emergency fund came from the people of places like Hope Valley. Henry tells
Lucas to step away from the hotel if no other options are available. But toward
the end of the episode, Lucas ends up calling Montague.

Since Tom Thornton came back to When Calls the Heart, I figured adding this picture of Tom and Jack to my re-cap made sense. Image created by Crown Media Family Networks and Hallmark Channel.

Minor stories:

Because so much emphasis was placed on the major stories,
there are no minor stories in this episode.

Birthday party set-up image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/food”>Food photo created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

Some thoughts to consider:

·       Last month, Net (from It’s a Wonderful Movie)
shared an announcement about two new Signed, Sealed, Delivered movies.
One of these movies, currently titled “Signed, Sealed, Delivered: To the Moon
and Back”, revolves around the POstables going on a road trip to find a rock
star. You’re probably wondering what this Signed, Sealed, Delivered
movie has to do with this episode of When Calls the Heart. During his
time in Hope Valley, Tom briefly sang a song at the Queen of Hearts hotel. I’m
not sure if Max Lloyd-Jones sang in that scene or if the singing belonged to a
voice double. But if Max sang himself and if Signed, Sealed, Delivered’s
creative team wanted to utilize more talent from Hallmark’s community, I hope
Max stars in “Signed, Sealed, Delivered: To the Moon and Back” as the
aforementioned rock star!


·       I’m disappointed the music festival ended up
becoming a scam. With When Calls the Heart receiving a twelfth season, Hope
Valley’s choir traveling to Salt Lake City could have served as a two-part
season premiere. If When Calls the Heart’s creative team was interested
in creating movies again, the music festival may have been the plot of the
film. According to the trailer for the next episode, it looks like Hope Valley
will host their own music festival. With all this said, it feels like the show’s
writers forced the original music festival to fall through just to keep the
story in Hope Valley.


·       This episode is, so far, the best one from season
eleven! It was great to see Tom come back to the show. But it was also great to
see the script less drawn out than other episodes this season. There was more intrigue
from each featured story, which kept me invested in what was happening on
screen. I’m definitely looking forward to seeing how the story plays out in
next week’s episode!

Sunset image created by Photoangel at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Photoangel – Freepik.com</a>.<a href=’https://www.freepik.com/free-photo/red-sunset-clouds-over-trees_1254327.htm’>Designed by Freepik</a>. Image found at freepik.com.

What are your thoughts on this episode? Are you excited to
see Tom Thornton return to Hope Valley? Let me know in the comment section!


Have fun in Hope Valley!

Sally Silverscreen

Comparing with the Critics – Best of 1984 – Amadeus

This review is from my series, Comparing with the Critics. If you’d like to learn more about the series, click on the link below.

Introducing my new series, Comparing with the Critics!

I was intrigued to review Amadeus for a number of reasons. One of those reasons was the song, “Rock Me Amadeus” by Falco. For years, I thought the song was created to promote the movie, given the coincidence of two pieces of Amadeus related media debuting in the ‘80s. With the song released in 1985, a month before Amadeus won Best Picture at the 57th Academy Awards, I’d like to believe I was kind of right. In At The Movies’ ‘Best of 1984’ episode, both Gene Siskel and Roger Ebert liked the glamourous, musical biopic. Roger made the film his “personal choice for the best film of 1984”. Like Network and Harry & Son, I had never seen Amadeus, so I approached the movie with little to no expectations. Though I heard good things about the picture since its premiere in 1984. As I write this review after watching the movie, I can definitely see why Amadeus was, at least, nominated for an Oscar.

Amadeus poster created by The Saul Zaentz Company, AMLF, and Orion Pictures

When I reviewed RKO 281 last July, I complimented Liev Schreiber’s portrayal of Orson Welles. In that review, I said Liev brought humanity back to Orson’s name, finding the heart of the “genius” and putting some genuine emotion behind it. This is the same way I felt while witnessing Tom Hulce’s portrayal of the titular man. Reading about an iconic figure like Amadeus can make one wonder what his personality was like. Similar to Orson Welles, Amadeus can be thought of as more than just a man with a gift. Through good times and bad times, Tom shows the film’s audience how Amadeus was, simply, human. As his father comes to visit him in Vienna, Amadeus expresses pure joy when he sees his father at the top of the stairs. Amadeus’ smile alone showcases the happiness within his heart. One evening, when Amadeus is composing an opera, he slowly slips into exhaustion. His eyelids rise and fall, he sways out of rhythm, and his face looks as white as the lace on his shirt. Roger claimed Tom’s portrayal of Amadeus was “one of the year’s most engaging performances”. Tom’s performance serves as an example where Roger, the Academy, and I were on the same page.

F. Murray Abraham’s portrayal of Antonio Salieri reminded me of Gloria Swanson’s portrayal of Norma Desmond in Sunset Boulevard. What I mean by this is the character in question’s search for fame is so strong, it forces the character to become increasingly obsessive, even making questionable choices. Throughout Amadeus, Antonio reflects on his life and how it was impacted by the success of Amadeus. At the beginning of his story, wistfulness can sometimes be heard in Antonio’s voice as he shares his dream of making music for God. As his reflected encounters with Amadeus continue, the tone in Antonio’s voice evolves into bitterness, hinting at the frustration he bottled up over the years. This frustration can also be seen if one looks closely at Antonio’s facial expressions. Before a scene from the movie was shared in the ‘Best of 1984’ episode, Roger called F. Murray’s portrayal “a brilliant performance”. The Academy certainly agreed with Roger, as F. Murray won the Best Actor Oscar instead of Tom at 1985’s Academy Awards. Personally, I liked both F. Murray’s and Tom’s performance for various reasons. Through their portrayals, Tom and F. Murray displayed how fame can negatively impact the human soul.

It’s In The Name Of The Title Blogathon banner created by Gill from Realweegiemidget Reviews and Rebecca from Taking Up Room

As I mentioned in this review’s introduction, Roger chose Amadeus as his “personal choice for the best film of 1984”. One reason why is how “this movie doesn’t contain one bit of the pretentious, solemnity that we usually associate with movie biographies of classical musicians”. To add to Roger’s comment, I’d like to point out how the film serves as an immersive, detail-oriented character study of how the music industry can be both rewarding and cruel. When Antonio shares his life story with a visiting priest, he emphasizes how he was the only member of his family who was interested in music. This organic talent and rise to prominence provide an opposite view of how Amadeus claimed his fame. Scenes and dialogue illustrate how Amadeus was raised to be a star, with his father providing both the music education and connections for a comfortable future. While discussing a new opera with the Emperor, Amadeus successfully argues why his opera should be performed. He states how he worked many hours on the project and how the opera’s lack of politics will prevent the audience from being alienated. The examples I provided in this paragraph show how, sometimes, talent isn’t enough when it comes to the music industry. It also highlights the effort that goes into making music, let alone one song.

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While sharing his thoughts on Amadeus, Roger stated how the film was “a cheerful, rambunctious, irreverent film”.  I disagree with his statement to an extent. There are cheerful moments within the movie. However, I wouldn’t claim the movie itself is “cheerful”. The overall story contains darker, sadder moments as well, especially toward the end of Amadeus’ life. One part of the story revolves around someone masquerading as a deceased loved one Amadeus knows. Due to his grief and unresolved issues, Amadeus truly believes the masquerading imposter is the loved one brought back from the dead. This imposter is so cruel to use Amadeus’ pain for their own personal gain. Another statement of Roger’s I disagree with is about how the movie views Amadeus himself. Roger claims how the film “doesn’t so much concern with the actual details of Mozart’s life as with its own feelings about his genius, his personality”. The movie allows the characters, including Amadeus, to be flawed. But there were a few instances where the story seemed one sided. After a successful opera performance, Antonio’s student is upset because she learned Amadeus was engaged to a woman named Constanze. This leads Antonio to believe Amadeus and the student had a relationship. However, the story never clarifies if Antonio’s belief was true. In fact, Antonio stated he didn’t know how his student and Amadeus met or how long they knew each other. To me, this goes against what a cinematic biography should do; introducing an audience to a historical figure through an unopinionated lens.

Comparing with the Critics banner created by me, Sally Silverscreen. TV show title cards created by WTTW National Productions, WTTW, Public Broadcasting Service (PBS), Lifetime Television, Tribune Entertainment, Buena Vista Television, and Disney-ABC Domestic Television

Before moving on to the next featured film in At The Movies’ ‘Best of 1984’ episode, Once Upon A Time in America, Gene tells Roger “what I love about the film is that it celebrates creativity and that is a subject that most Hollywood movies are simply not concerned with”. As I was about to disagree with Gene by bringing up RKO 281, I remembered that a) RKO 281 was an HBO made-for-TV movie and b) RKO 281 was released in 1999, a decade after Amadeus. But this review is not debating how much creativity is incorporated into Hollywood’s films, especially during the mid-80s. This article is simply an exploration of whether I agree or disagree with Roger and Gene’s thoughts on Amadeus. Earlier in this review, I mentioned how the film was an immersive, detail-oriented character study of how the music industry can be both rewarding and cruel. The movie’s immersion and focus on detail can be seen in the production’s costume and set design. These elements make the entire picture look and feel historically accurate. While Amadeus is a beautiful looking film, it also contains substance. The script provides thought-provoking material, exploring themes like how success can affect someone both positively and negatively. The glamourous and not-so-glamourous sides of the music industry are shown through the stories of both Amadeus and Antonio. Like I previously brought up in this review, Amadeus successfully argued why his opera should be performed. With everything I said, it makes me wonder how much Falco argued in favor of his song, “Rock Me Amadeus”?

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Word on the Street: Movie Theaters in the U.K. Broadcast Eurovision’s Grand Final

Two months ago, I wrote a Word on the Street story about how a movie theater chain in Spain will present Eurovision’s Grand Final in their cinemas. In that article, I said I hoped fellow Eurovision participating countries are inspired to provide experiences like the aforementioned Spanish theaters to their Eurovision fans. According to Eurovoix News, I kind of got what I wanted! Originally reported on April 6th, the second-year event will be broadcast “in over 100 cinemas across the United Kingdom”. An official statement from John Travers, from CinemaLive, said, “We want audiences to enjoy themselves, come along in groups, get your fancy dress on, and come together to enjoy this incredible occasion on the big screen!” Similar to Spain, the United Kingdom (U.K.) is capitalizing on their involvement in the song contest. Labeled as one of the “big five” countries, the U.K. is an automatic qualifier for Eurovision’s Grand Final. It is also one year since the U.K. delegation co-hosted Eurovision in 2023.

Theater seats image created by weatherbox at freeimages.com. “FreeImages.com/weatherbox.”

What are your thoughts on this piece of news? Which Eurovision participating country do you wish screened the Grand Final at their theaters? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Article referenced in this post: https://eurovoix.com/2024/04/06/united-kingdom-eurovision-cinemas-2024/