Take 3: The Whales of August Review (A Month Without the Code — #3)

After one week of not posting any reviews for the A Month Without the Code and Summer Under the Stars Blogathons, I am back to talk about another Non-Code film! For the Summer Under the Stars Blogathon, I signed up by requesting Ann Sothern as one of the stars I would discuss. Like Melvyn Douglas, I was not familiar with who Ann Sothern was as an actress. Also, I had never heard of The Whales of August, the film I have chosen for this review, until about a month ago. So, I familiarized myself with who Ann was, as an actress, as well as the basic synopsis of the film. When I read about Ann on Turner Classic Movies’ (TCM’s) website, I learned that she had her own show called “The Ann Sothern Show”. When I think of actors or actresses that were given their own television show, I think of those who are known for their comedic talents, such as Dick Van Dyke and Carol Burnett. Since this is the first time I had ever seen Ann Sothern act, I’m not sure if her acting talents are more comedic or dramatic. I was curious to see if her television experience would help her performance in The Whales of August. The only way to answer this question is by reading my review!

The Whales of August poster
The Whales of August poster created by Nelson Entertainment and Alive Films. Image found at en.wikipedia.org/wiki/File:Whales_of_august_ver2.jpg

Things I liked about the film:

The acting: Even though she appeared in the film for only a limited amount of time, Ann Sothern gave a magnificent performance! Any time she appeared on-screen, she seemed to light up the room. Ann had great on-screen chemistry with all of her co-stars, helping to create an interesting dynamic and relationship between the characters. I was so happy whenever Tisha arrived at Sarah and Libby’s house, as she provided wise words and light-hearted moments. Vincent Price’s performance caught me off-guard because of how good it was! Before watching The Whales of August, I had never seen Vincent act on-screen. I was not only pleasantly surprised by how he was able to portray his character with a sense of charm and likability, but also by how well he was able to pull off a Russian accent! Despite the fact that this was a smaller cast, the acting was top-notch!

 

The cinematography: The Whales of August is one of the most well-shot films I’ve ever seen! There were some interesting ways in which scenes and images were captured. In the first few minutes of the film, Libby, Sarah, and Tisha are seen watching whales from the shore when they are younger. During this segment, the scenes are presented with a light brownish tint. This showed the audience that this part of the story took place in the early 1900s. With the incorporation of color to the film shortly after these scenes, it signifies that the story is now taking place in the present day. This kind of cinematography is not seen often in movies, so it was fascinating to see this transition between the time periods!

 

The messages and themes: Similar to films like I Never Sang for My Father, the messages and themes in The Whales of August are just as relevant today as they were in the mid to late ‘80s. While visiting Sarah and Libby’s house, Tisha reveals that she had her driver’s license suspended due to a fender bender. This aspect of the story represents a situation that some senior citizens face: the idea of voluntarily giving up driving privileges. Libby and Sarah’s discussions of mortality show the different mind-sets that elderly individuals may have. These messages and themes are included in the script as naturally as possible. It made the characters’ discussions and situations seem realistic.

Summer Under the Stars banner
Summer Under the Stars Blogathon banner created by Kristen from Journeys in Classic Film and Samantha from Musings of a Classic Film Addict. Image found at https://journeysinclassicfilm.com/2019/07/08/the-2019-tcm-summer-under-the-stars-blogathon/.

What I didn’t like about the film:

A weak plot: When I read the synopsis for The Whales of August, I was led to believe that the story would be an exploration of the sisters’ relationship. In the film, however, the plot revolved around the days in the lives of Libby and Sarah. This made the story feel more like a “slice of life” tale than I had expected. There was no intrigue, which made it difficult for me to stay fully invested in what was happening on-screen. No subplots were found either. This made it difficult for any other story to carry the weight of the weak plot. A character-driven story shouldn’t be used as an excuse to not provide interesting elements to the narrative.

 

A misleading title: With a title like The Whales of August, featuring at least one whale in the film is expected. Whales were definitely mentioned by some of the characters. But no whales were physically seen. Because this movie is based on a play, I’m not sure if the whales’ absence was intended by the film’s creative team. By not showing any whales in the film, it kind of defeats the purpose of the title. I understand that there’s only so much room within a particular film’s budget. However, I do think there should have been at least one stock image of a whale in the movie.

 

Missed opportunities: In this narrative, there were a few story-telling opportunities that I thought were missed. During the film, Sarah was talking about selling her hand-crafted stuffed animals at a local fair. This is something that I was hoping to see because I wanted to witness how these characters interacted outside of the environment of Libby and Sarah’s home. Unfortunately, this fair was never featured in the movie or brought up again. Because the whole movie takes place inside and around this house, it limits which stories are told in this specific narrative. It also denies some characters the opportunity to serve the plot in a significant way.

A Month Without the Code banner
A Month Without the Code Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/31/announcing-amonthwithoutthecode65/.

My overall impression:

The one word I would use to describe The Whales of August is mundane. The story itself is not as intriguing or thought-provoking as I had hoped. Despite what the title says, there are no whales in this film. The movie as a whole isn’t the most memorable. However, there are a few aspects of the film that I liked. As I said in my review, the acting was top-notch! The scenery is absolutely breath-taking! It makes me want to visit Maine’s Cliff Island someday. While watching this film, I only found one factor that would have prevented this film from being approved by the Breen Code. That factor was the use of language, especially when it came to swearing. Because the majority of this language was spoken by only one character, Joshua Brackett, these words could easily be omitted from the script.

 

Overall score: 6 out of 10

 

How have you liked my blogathon reviews so far? Which one has been your favorite? Please tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Aurora Teagarden Mysteries: An Inheritance to Die For Review

Welcome back to another Aurora Teagarden review! As I said in my last review, I stated that I was excited for the next movie. Why, you ask? Well that’s because I was looking forward to seeing how a murder mystery party was incorporated into the Aurora Teagarden series! Parties like this are not featured in films on Hallmark Movies & Mysteries. So, this particular creative decision intrigued me about this film. When I watched the trailer for Aurora Teagarden Mysteries: An Inheritance to Die For, I noticed that Preston Vanderslice appeared in two clips. Preston is becoming one of my favorite actors in the Hallmark community. He is one of the few actors who can successfully pull off a portrayal of both a likable and unlikable character. He also won the title of Best Supporting Actor from a Hallmark Channel Movie in this year’s Gold Sally Awards! Whenever Preston appears in a Hallmark production, I know, as a Hallmark fan, that he’s going to put everything he has, talent wise, into that performance!

Aurora Teagarden 11 poster
Aurora Teagarden Mysteries: An Inheritance to Die For poster created by Hallmark Movies & Mysteries and Crown Media Family Networks. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=307&ShowType=&ShowTitle=Aurora+Teagarden+Mysteries+An+Inheritance+to+Die+For.

Things I liked about the film:

The acting: Just like in the previous Aurora Teagarden movie, the acting was one of the best aspects! As always, Marilu Henner gave a great performance as Aida Teagarden! What helps is that she has consistently portrayed this character throughout the series. This not only helped Marilu become familiar with the role, but also include her talents to bring this character to life! As I said in my introduction, I was excited to see Preston Vanderslice appear in this film. His performance did not disappoint, as this helped me stay invested in his character from start to finish! His character, Cade, is a very multi-layered individual. This is something that is not always seen in mystery films on Hallmark Movies & Mysteries. Despite this, Preston shined as this role was the perfect fit for his talents!

 

The incorporation of the Real Murders Club: In the Aurora Teagarden series, the Real Murders Club plays a minor role in the overall narrative. In both Aurora Teagarden Mysteries: An Inheritance to Die For and Aurora Teagarden Mysteries: A Game of Cat and Mouse, this group actually worked together in an attempt to solve the mystery! Even though Aurora ended up solving the mystery by herself, as usual, the Real Murders Club was able to help the plot move forward. Seeing almost every individual provide their insight into the film’s main plot was interesting to witness. It kind of makes me wish that Hallmark Movies & Mysteries would create a television show based on the Real Murders Club from this series.

 

Arthur and Lynn’s subplot: Similar to the Real Murders Club, the characters of Arthur and Lynn are, usually, given minor roles within each film. While their subplot in Aurora Teagarden Mysteries: An Inheritance to Die For wasn’t spectacular, it gave Arthur and Lynn an opportunity to play larger roles in the story. Instead of just telling Aurora that she couldn’t help them solve the mystery, they are shown using their detective skills to carry out their jobs and provide their pieces of the puzzle to the overall conflict. Whenever there’s a character or characters that work for the police, but are not a love interest, their side of the story is usually not explored. In Aurora Teagarden Mysteries: An Inheritance to Die For, however, Arthur and Lynn were not only given more screen-time, but they were also given more of a story than they normally receive.

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Vintage detective desk photo created by Olivier Bourgeois at freeimages.com. Photo by <a href=”/photographer/ornicar69-54520″>Olivier Bourgeois</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt; Image found at freeimages.com.

What I didn’t like about the film:

The murder mystery party: Now, I know what you’re thinking, “But Sally, I thought you were looking forward to this part of the film. How could not like it”? It’s not the murder mystery party itself that I didn’t like. The length of time it was given was what I had an issue with. In the trailer for Aurora Teagarden Mysteries: An Inheritance to Die For, it seemed like a large portion of the movie would take place at a murder mystery party. In reality, this part of the story only lasted for about five minutes. Also, this party barely played a role in the overall plot. This is not only an example of false advertising, but it makes me feel like it shouldn’t have been included in the film.

 

The pace: In the last Aurora Teagarden review, one of the flaws that I pointed out was the film’s slow pace. Aurora Teagarden Mysteries: An Inheritance to Die For also made this same mistake when it comes to the pace of the film. Because it was slow, it made the overall project feel longer than its intended two hour run time. What didn’t help was some of the scenes being drawn out in order to satisfy this run-time. This made ideas take a while to be expressed. I found myself enjoying this movie less than other mysteries on the network. It shows that a film’s pace can truly make or break a production.

 

An imbalance between comedy and drama: I said in my review of Aurora Teagarden Mysteries: A Game of Cat and Mouse that the overall tone of the movie was more serious than in previous films. The tone of Aurora Teagarden Mysteries: An Inheritance to Die For was also serious, with very few comedic moments. I also said in the aforementioned review that comedy is used to give the audience a break from the darkness associated with the film’s murder. But, if a mystery movie doesn’t give its viewers some distance between the grimness of the situation, it might make the experience of watching the film more depressing. This Aurora Teagarden movie didn’t provide their audience with that distance, which means that the primary focus of the story was on the darker and serious subjects.

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Victoria house photo created by Nathan Benney at freeimages.com.Photo by <a href=”/photographer/nbunney-47645″>Nathan Bunney</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

My overall impression:

Compared to the last film and as a film in general, I found Aurora Teagarden Mysteries: An Inheritance to Die For to be just ok. Looking back on this movie, I’m still disappointed about how little time was given to the murder mystery party that was promised in the marketing. Besides that, this movie has some of the same flaws that the previous Aurora Teagarden film did. But, it’s important to point out the positives within this movie. One example is the acting, especially from Preston Vanderslice! For the most part, this series has been one of the strongest on Hallmark Movies & Mysteries. With one more film set to premiere during Aurora Teagarden Month, I hope this upcoming film is better than these first two Aurora Teagarden films combined. From what I’ve seen in the trailer, it looks like a murder mystery play will be involved. But, after the murder mystery party in Aurora Teagarden Mysteries: An Inheritance to Die For, I’m not getting my hopes up.

 

Overall score: 6.1 out of 10

 

What are your thoughts on Aurora Teagarden Month so far? Are you looking forward to the next movie? Let me know in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Only One Month Left to Sign Up for the Siskel and Ebert Blogathon + Award Announcement!

Siskel and Ebert Profile banner
Created by me, Sally Silverscreen, on Adobe Spark.

Greetings to all of my readers and followers! I just want to remind everyone that there’s only one month left to sign up for my blogathon, “Siskel and Ebert at the Blogathon”! If you’re interested, please request a topic as soon as possible. To check out the original blogathon announcement, click on the banner that’s located in the upper right-hand corner of the screen. I also want to share that I have just received The Baroness Orczy Blogging Award from the blog, Silver Screenings! I’m going to be honest, I had never heard of this particular author until I won this award. So, I went to Goodreads and learned more about her. Based on the presented information, she sounds like a fascinating individual! I’ll definitely have to check out one of her books sometime. Thank you to everyone at Silver Screenings for selecting me for this award. Having my written work compared to someone like Baroness Orczy is truly an honor!

Baroness Orczy Award
The Baroness Orczy Blogging Award logo created by Silver Screenings. Image found at https://silverscreenings.org/2019/08/09/a-few-bloggers-who-remind-us-of-famous-writers/.

Have fun at the movies!

Sally Silverscreen

Take 3: I Never Sang for My Father Review (A Month Without the Code — #2)

So, I was, originally, not going to participate in the Summer Under the Stars Blogathon. This is because I already signed up for three other blogathons that are scheduled for August. But, when I discovered that there would be prizes involved, I was in it to win it! Since I’m also a participant in Pure Entertainment Preservation Society’s A Month Without the Code Blogathon, I will be incorporating the films I review for the Summer Under the Stars blogathon into my roster for the aforementioned blogathon. That way, I can help the Brannan sisters promote their message and try my best to win Kristen and Samantha’s blogathon! When I was looking through Turner Classic Movies’ (TCM’s) roster of films, I came across the movie, I Never Sang for My Father. It’s one that I had heard of, but had never seen. Before seeing this film, I was not familiar with who Melvyn Douglas was as an actor. So, I did some research on TCM’s website. The first thing I noticed was that he was a Broadway actor prior to appearing in films. This made me wonder if any of his on-stage talents were carried over to the screen. Keep reading my review of 1970’s I Never Sang for My Father in order to find out!

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I was going to use this film’s poster from Wikipedia, but I decided to take a screenshot of this poster instead. Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

The acting: As I’ve said in the introduction, I was not familiar with Melvyn Douglas before watching I Never Sang for My Father. This means that this is the first time I have ever seen him act. Despite this, I was very impressed with his performance in this film! His portrayal of Tom Garrison contained so much depth and emotion, that it was captivating to watch. He definitely stole the show in this movie! The other actors and actresses in I Never Sang for My Father brought a sense of realism to their performance, just like Melvyn did. One of them is Estelle Parsons, who portrays Gene’s sister, Alice. Whether it was the look in her eyes or the inflection of her voice, she always expressed her character’s concern and care with believability. Even though she wasn’t on screen for very long, she made a memorable impression with her performance!

 

Dynamics between the characters: Because every actor portrayed their characters with such realism, the interactions and dynamics between the characters were interesting to watch. Every time these characters communicated or spent time with each other, I always wondered what was about to happen next. That’s because it reflected how conversations, sometimes, work in real life. When it comes to interacting with someone, we can’t always predict how things will turn out. This was captured well in the film through the dynamics of the characters!

 

The messages and themes: Within this film, there were several messages and themes that are just as relevant today as they were in the early ‘70s. One of them was the care and well-being of elderly relatives. After their mother dies, Gene and Alice try to decide how to take care of their father. Several options are discussed, such as a live-in nurse and a nursing home. The way these ideas were expressed came across very realistically, like the situations themselves had come directly from real life. This made the interactions between the characters that much more interesting.

Summer Under the Stars banner
Summer Under the Stars Blogathon banner created by Kristen from Journeys in Classic Film and Samantha from Musings of a Classic Film Addict. Image found at https://journeysinclassicfilm.com/2019/07/08/the-2019-tcm-summer-under-the-stars-blogathon/.

What I didn’t like about the film:

The run-time: I Never Sang for My Father has a run-time of one hour and thirty-two minutes. But the movie itself felt like it was two plus hours. This is because some scenes were drawn out longer than they needed to be. One example is when Tom Garrison reads a letter to his children. It seems like scenes like this one were as long as they were for the sake of satisfying the run-time. But it was already at a reasonable length of one hour and thirty-two minutes. Another aspect of the film that seemed to satisfy the run-time was unnecessary subplots. The part of the story about Gene’s affair really didn’t seem to lead anywhere. It made me think that the narrative would have improved if that part had been omitted.

 

Telling, but not showing: In almost any cinematic story, an effective way to persuade an audience is by verbally and visually presenting an idea. In I Never Sang for My Father, there were many cases where ideas about Tom Garrison were verbally expressed. However, there was no visual evidence to support these claims. When Gene stated that he was physically abused by his father, the behaviors and actions of Tom Garrison that were shown on-screen didn’t show him being physically abusive toward anyone. If anything, the things that were said about Tom sounded like hearsay that couldn’t always be taken seriously.

 

An over-exaggerated relationship: A significant part of this story is about the strained relationship between Tom and Gene Garrison. The film’s synopsis makes their relationship seem worse than it really is. Sure, it isn’t pleasant. But it didn’t seem like anything out of the ordinary. Throughout the film, Tom comes across as a lonely senior citizen who just wants someone to talk to. Meanwhile, Gene is presented as, simply, annoyed by how often his father speaks. I feel this is the result of the screen-writing. Both Gene and Melvyn did the best they could with the material they were given. But, for characters and their relationships, they have to be well acted and written.

A Month Without the Code banner
A Month Without the Code Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/31/announcing-amonthwithoutthecode65/.

My overall impression:

Like I said in the introduction, I Never Sang for My Father is a movie that I’d heard of, but had never seen. I thought that the story would be deep and thought-provoking. But, now that I have seen the movie, I, honestly, think it’s just ok. The story itself was more straight forward than I had expected. I also thought that the plot was weaker than it could have been. However, one of the better parts of the film was, definitely, the acting! Melvyn Douglas’ performance was a highlight, bringing his character to life in such a captivating way. I’m glad that I gave I Never Sang for My Father a chance, as I was able to introduce myself to new actors and films! With several changes, this movie could have been approved by the Breen Code. These changes would be the following:

 

  • At the beginning of the movie, there is a couple that can be seen kissing passionately. Either the man or woman in the relationship would need to turn their head in order to block the kiss or the kiss itself would have to be cut shorter when it comes to length of time.

 

  • There are several instances when foul or suggestive language is used by the characters. One constant example is whenever someone swears. These words would need to be rewritten, with the screen-writer choosing words that are more appropriate.

 

  • As I mentioned in my review, there is a subplot about Gene having an affair. This part of the story would either get omitted or would be rewritten to make this relationship come across in a more subtle way. Any references to sex would be removed or rewritten to be as subtle in presentation as possible.

 

Overall score: 6 out of 10

 

Have you been keeping up with Turner Classic Movies’ “Summer Under the Stars” marathon? Which day of the marathon are you excited for? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Aurora Teagarden Mysteries: A Game of Cat and Mouse Review

So, it’s been five months since I last reviewed a mystery film from Hallmark Movies & Mysteries (yes, you read that right). And I was surprised to discover, recently, that my review of Aurora Teagarden Mysteries: The Disappearing Game is one of my more popular reviews. Currently, it has four likes and 390 views! Because of these two factors, I decided to review all three films that will premiere during the first ever Aurora Teagarden Month! This is one of my favorite series on Hallmark Movies & Mysteries, so I wouldn’t pass on an opportunity to talk about these movies! The first one to air was Aurora Teagarden Mysteries: A Game of Cat and Mouse. Not only was I excited to revisit these characters, but also to see some newer faces return. What are we waiting for? Let’s begin this review of Aurora Teagarden Mysteries: A Game of Cat and Mouse

Aurora Teagarden 10 poster
Aurora Teagarden Mysteries: A Game of Cat and Mouse poster created by Hallmark Movies & Mysteries and Crown Media Family Networks. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=307&ShowType=&ShowTitle=Aurora+Teagarden+Mysteries+A+Game+of+Cat+and+Mouse.

Things I liked about the film:

The acting: The acting performances in the Aurora Teagarden series are, always, a highlight. Aurora Teagarden Mysteries: A Game of Cat and Mouse is no exception, as the entire cast did a great job with their on-screen performances! Once again, Candace Cameron Bure shines in the lead role! She helped carry the film with a likable personality and charm. I also liked seeing Niall Matter again as Nick Miller. Even though this character hasn’t appeared in the series for very long, he has already become a favorite! Supporting actors and actresses also did a wonderful job, whether they were series regulars or newcomers! Since the very beginning of the series, Ellie Harvie has portrayed Lillian Tibbett, Aurora’s co-worker at the library. She only makes limited on-screen appearances, but her performances make up for that. With enough believability, Ellie has been able to bring her character to life and give the audience the impression that Lillian is not Aurora’s biggest fan. The Aurora Teagarden series would not be the same without her.

 

The mystery: In almost every mystery film on Hallmark Movies & Mysteries, the main mystery revolves around a murder. Aurora Teagarden Mysteries: A Game of Cat and Mouse was about a different kind of mystery; where thefts, vandalism, and danger were the key ingredients. While there was a murder associated with the story, it was not the primary focus. Enough suspects and clues allowed the audience to stay invested in the story. Incorporating Aurora’s occupation with the mystery itself was not only clever, but also showed how well-written this movie was!

 

The surprises: I’m not going to spoil anything for those of you who haven’t seen this movie yet. But I will say that there were a few surprises that were well executed. One of them was so effective, that it made me jump in my seat! As I’ve said, this movie was well-written when it came to the film’s mystery. I also felt this way about the surprises in this movie. This was a good way to try to help the audience stay focused on what was happening on-screen.

City Library Isometric Illustration
Interior view of library image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A slower pace: Most of the mystery films on Hallmark Movies & Mysteries have a faster pace. This is to maintain the suspense and intrigue that the mystery provides. In Aurora Teagarden Mysteries: A Game of Cat and Mouse, though, the overall pace was on the slower side. While the story itself were intriguing, the slower pace made the film feel like it was a little bit drawn out. This also made the movie seem like the suspense was very limited.

 

Rehashed material: There are two ongoing narratives in the Aurora Teagarden series: people disapproving of the Real Murders Club and the police not wanting Aurora to help them solve the case. I understand that things like this help a series maintain its continuity. But when this is the tenth movie in a four-year-old movie series, those narratives start to become stale. In every film, Aurora ends up solving the mystery without the help of the police. As for the Real Murders Club, the mayor of Aurora’s town became a member of the group a few movies ago. Hopefully, these narratives can be dropped or changed within the next two films.

 

Lack of comedy: Even though the films on Hallmark Movies & Mysteries are known for having a more serious tone than the movies on Hallmark Channel, comedy is, more often than not, incorporated into their projects. The reason for this is to give the audience some distance between the darkness of the film’s murder. The overall tone of Aurora Teagarden Mysteries: A Game of Cat and Mouse was serious, which left very little room for comedy. Sure, there were a few moments that made me chuckle. But the humor that is usually found in this series was sorely missed.

Private detective office interior cartoon vector
Interior image of detective’s office created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As a film, Aurora Teagarden Mysteries: A Game of Cat and Mouse was decent. But, as the first movie in Aurora Teagarden Month, this was a good start! There are very few times when this series disappoints. This film definitely did not do that, as interesting creative choices were made and the story itself was thoroughly thought out. I’ve been a fan of this series since the very beginning, so I’m glad that it finally got its own month! Because I enjoyed this entry in the Aurora Teagarden story, I am looking forward to the next two installments! Based on the commercial, it looks like the eleventh movie will feature a murder mystery party. From what I remember, there hasn’t been a party like this featured in any of Hallmark Movies & Mysteries’ mystery films. It looks like August is shaping up to be a very fascinating time of year!

 

Overall score: 7.3 out of 10

 

What are your thoughts on the start of Aurora Teagarden Month? Are you looking forward to the next two films? Tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Nosferatu Review (A Month Without the Code — #1)

Like last month, I will be participating in Pure Entertainment Preservation Society’s A Month Without the Code Blogathon! Unlike the Clean Movie Month Blogathon, the purpose of this month’s blogathon is to watch and talk about films that were released outside of the Breen Code era. That way, elements of the Breen Code can be applied to these films through discussion and analysis. For the very first review, I have chosen Nosferatu! It’s a film that I had definitely heard of, but had never seen. So far, I’ve had a good track record when it comes to the silent film genre. The Kid, Wild Oranges, and Sunnyside are films that I have seen and enjoyed. Also, I thought it would be interesting to apply the Breen Code to a film that was released before the Breen Code existed. It’s time to start this unfrightening and not-so-spooky review of 1922’s Nosferatu!

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Like the poster for Les Enfants Terribles, I’ve seen other posters for Nosferatu. This one, however, is the one I like the most! Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

The acting: As I’ve said in my review of Wild Oranges, actors and actresses in silent films have to rely on body language, facial expressions, and actions/behaviors. The cast in Nosferatu used these acting elements to their full advantage, as if the “silent” part of silent films was never considered as a disadvantage. Both Gustav von Wangenheim and Greta Schroder, the actors who portrayed the characters of Hutter and Ellen, were very expressive! Their acting abilities helped the audience figure out what their characters were thinking and feeling. The two actors that stole the show, though, were Max Schreck and Alexander Granach! Even though their characters, Count Orlok/Nosferatu and Knock, are only on-screen for a limited time, they made the most of their on-screen presence. Both of these actors use their facial expressions to make their characters appear as creepy as possible. Because their acting abilities were that good, it made the portrayal of their characters appear believable!

 

The music: Similar to films like Sunnyside, the music in Nosferatu represented the tone of the overall film. This movie is classified as a horror movie, so the music during frightening scenes was tense and suspenseful. For less scary moments, the music was calmer and gentler. While Hutter visits an inn on his trip to Count Orlok’s castle, the music is light-hearted. This shows what Hutter is feeling, which is excitement toward his journey. When he shares his destination with the innkeeper, every patron in the inn becomes scared. At this moment, the music quickly changes to sound more mysterious and eerie. The fact that the music was always on-point with what was happening on-screen helped make the movie-viewing experience that much more engaging!

 

The on-screen chemistry: Even though their relationship wasn’t featured on-screen for very long, I liked seeing the on-screen chemistry between Gustav von Wangenheim and Greta Schroder! Anytime Hutter and Ellen interacted with each other, it was apparent that these characters truly cared about one another. As I already said, Gustav and Greta’s performances were very expressive. This not only helped make their portrayals endearing, but also help the audience stay invested in Hutter and Ellen’s relationship. This part of the story was a good way to balance out the scariness of Count Orlok/Nosferatu’s character. It was just one way of providing enough light-hearted moments to not frighten the audience too much.

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Happy vampire image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/several-vampires-ready-for-halloween_1317599.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/party”>Party vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Nosferatu’s limited presence: Before I watched this film, I had assumed that Count Orlok/Nosferatu would have a significantly large presence on-screen. Unfortunately, he was only featured in a handful of scenes. I also thought that most of the plot would revolve around Count Orlok/Nosferatu, especially since the movie is titled Nosferatu. However, the plot was about the fear associated with this character. While Count Orlok/Nosferatu was not an afterthought, it felt like the movie was about everything but him. This character ended up serving the plot very sparingly.

 

Not so subtle dialogue: Because Nosferatu is a “silent film”, the film’s dialogue is featured on title cards and shots that look like the audience is reading a page from a book. But this dialogue didn’t want to hide the fact that there was a vampire in the movie. Toward the beginning of the film, Knock, Hutter’s boss, tells him that in order to sell a house to Count Orlok, it would require a little bit of blood. When Count Orlok sees a picture of Hutter’s wife, Ellen, he says that she has a nice-looking neck. These are just two examples of how this dialogue was not so subtle about who Count Orlok really was. This happened so frequently, that I felt annoyed by it.

 

Contradicting logic: In, at least, two instances, there were times when logic in Nosferatu was contradicted. One example is when Count Orlok tells Hutter that he only sleeps during the day, which causes people to think that he doesn’t exist. But, when he boards a ship on his way to Wisborg, Count Orlok/Nosferatu walks around the ship’s deck in broad daylight. In a shot that was sharing the film’s plot, it was revealed that the people of Wisborg were afraid to leave their homes because they were unaware of who was affected by the “plague”. When they accused Knock of infecting the town with the “plague”, these same townspeople were chasing Knock throughout the town and a neighboring field. Moments like these made the story seem like it wasn’t as strong as it could have been.

A Month Without the Code banner
A Month Without the Code Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/31/announcing-amonthwithoutthecode65/.

My overall impression:

After watching Nosferatu, I can see that this year’s A Month Without the Code is off to a good start! I have been lucky when it comes to the silent film genre, as I enjoyed every film I’ve seen and/or reviewed so far! Nosferatu has such a rich story, making for an interesting and engaging movie. The stories of how this project was made and restored are also fascinating. It makes me thankful that someone went out of their way to preserve this piece of cinema and save it from obscurity. If this film was created during the Breen Code era, it would be very different. For one thing, it would not be a silent film, as movies released between 1934 to 1954 had audio where cast members could be heard. From the perspective of content, there are a few things that would need to change. These things are the following:

 

  • The references to blood would need to be reduced. Since one of the characters in Nosferatu is a vampire, talking about blood makes sense. But, because mentions of bodily functions are looked down on, blood would have to be talked about at a minimum.

 

  • There are two shots in this movie that could be seen as disturbing: one shows a Venus Fly Trap eating a fly and one shows a spider eating its prey. These scenes would have to be removed.

 

  • On two separate occasions, a dead body is shown on-screen. These images would have to be removed and the on-screen deaths would need to be implied either through dialogue or clever visuals.

 

 

Overall score: 7.5 out of 10

 

 

Have you seen Nosferatu? What is your favorite movie featuring vampires? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: All About Eve Review (Clean Movie Month — #5)

Well, this is it. The final review for Clean Movie Month. As I look back on my entries for this particular blogathon, I notice that most of these movies were decent, according to my opinion. Only Madeleine was just ok. Again, this is based on my opinion. This observation was very interesting, something that I hadn’t expected. As All About Eve is the last movie I’m reviewing for Clean Movie Month, I wanted to see if I liked this movie any more or less than the other movies I’ve previously talked about. This specific film was released in 1950, within the final years of the Breen Code era. Several days ago, I had reviewed two other films from this same year: Madeleine and Les Enfants Terribles. Among these two films, Madeleine was the one that seemed to follow the Breen Code more closely. Les Enfants Terribles, on the other hand, only partially incorporated the Breen Code. Would All About Eve follow the footsteps of the crime drama from the United Kingdom or be influenced by the character-driven French film? Hold your applause and get right for the curtain call, as we’re about to review 1950’s All About Eve!

All About Eve poster
All About Eve poster created by 20th Century Fox. Image found at https://www.foxmovies.com/movies/all-about-eve.

Things I liked about the film:

The acting: As I mentioned in my review of Hush…Hush, Sweet Charlotte, Bette Davis excels that portraying characters that are unsettling and over-the-top. Her portrayal of Margo Channing, however, is very different from her performances in Hush…Hush, Sweet Charlotte and What Ever Happened to Baby Jane?. This is because the character is more grounded and subtle in presentation and personality. Despite this, Bette successfully brought versatility to her role! Watching Anne Baxter’s portrayal of Eve Harrington was entertaining! She was able to capture that sense of awe and wonder that most people would display when entering the theater world. As her character grew, she allowed her performance to evolve. The other cast members had good on-screen chemistry, keeping their interactions interesting and engaging. They effectively brought their characters to life and gave great performances!

 

The voice-overs: At various points in the film, voice-overs could be heard from some of the characters. They were narrating how Eve came into their lives and how she impacted their relationships. Eve, however, never gets to narrate her own story. But, through these voice-overs and interactions, the audience gets to see her develop as an individual. This type of story-telling is very reminiscent of Citizen Kane. The difference between this film and All About Eve is that in All About Eve, the audience has the chance to connect with each of the characters. The characters who are narrating the story are still given a chance to tell their stories. Their narrations also provide a sense of depth to the overall plot.

 

The behind-the-scenes look at the theater world: All About Eve is about a group of people who work in the theater industry. While this film showed the “glitzy” and “glamourous” side of things, it also showed the not-so-glamourous side. Seeing both of these perspectives was not only refreshing, but also insightful! I also liked how these characters were portrayed in a realistic and relatable way. When it comes to cinematic stories about the theater or movie industry, the characters are, sometimes, portrayed as being something greater than what they really are. All About Eve, instead, shows the characters dealing with situations and issues that other people could experience. Margo wanting to help Eve enter the theater world is a good example of this.

All About Eve photo card
All About Eve lobby card created by 20th Century Fox. Image found at http://www.tcm.com/tcmdb/title/67044/All-About-Eve/#tcmarcp-373822.

What I didn’t like about the film:

Drawn-out scenes: There were some scenes in All About Eve that felt more drawn-out. One example is the scene where Margo is hosting a dinner party. It introduced characters that only appear on-screen for minutes at a time, but furthered certain story-lines forward. While this part of the movie provided character development, I think it lasted a little too long. Had this scene been cut in half, the narrative would have gotten straight to the point. This would also shorten the film’s run-time.

 

A predictable plot twist: All About Eve contains a plot twist that changes the overall perception of one of the characters. I won’t share what this plot twist is, in case you haven’t seen this movie. But, when I learned more about this particular character, I knew that something wasn’t right. When the plot twist happened, I was not surprised. Because of how predictable this plot twist was, it took away the mystery and surprise that could have been incorporated into the story. What I got instead was a story element that I was aware of all along.

 

A misleading title: As this movie is titled All About Eve, it gives the impression that the film focuses on the character of Eve Harrington. While this is true to a certain extent, the movie is also about Bette Davis’ character, Margo Channing. When looking at the cast of characters, Margo is the one who is leading this story. Even on the movie’s poster, Margo is the only character that is featured in the image. It makes the title appear misleading, as if the creative team behind this film is not holding up their end of the bargain. If the film were given an honest title, it would be called “Mostly About Margo” or “Sometimes About Eve”.

Clean Movie Month banner
Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/01/cleanmoviemonth85-is-here/.

My overall impression:

All About Eve will close this year’s Clean Movie Month as being a decent film. There were elements to this movie that I thought were interesting. The insightful look into the world of theater is just one example. However, certain aspects prevented the film from being a better project. As I already mentioned, the predictable plot twist is one of the reasons. It was nice to see a different side to Bette Davis’ acting abilities, as I’ve previously only seen her portray characters that are unsettling and over-the-top. It shows just how talented Bette Davis is. Even though All About Eve was approved by the Breen Code, I was surprised by some of the language that was featured in the script. During the aforementioned dinner party, Margo tells an ill guest that they’ll “burp” if they take a particular solution. This reminded me of something that Tiffany and Rebekah said in their Breening Thursday review of “The Trouble with Angels”. According to this article, references to bodily functions were looked down on. Because All About Eve was released in the Breen Code era, this mention of “burping” shouldn’t have been featured in the film. Another thing that I noticed was how one character got slapped in the face, which wasn’t done in self-defense. In the films that I reviewed during Clean Movie Month, the violence was either frowned upon or done in self-defense. Like I said about the “burping”, this action should not have been featured.

 

Overall score: 7 out of 10

 

What are your thoughts on Clean Movie Month? Would you like to see me participate in next year’s blogathon? Please tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Desolation Canyon Review + 120 Follower Thank You

Two weeks ago, 18 Cinema Lane received 120 followers! I had wanted to publish this post much sooner. But due to other blog posts that I felt had to be posted before the end of the month and technical difficulties related to the weather, this blog follower dedication review had to be put on hold. Fortunately, I now set aside some time to publish this important post! For my 120 follower dedication review, I chose a movie that was released in July of 2006. Originally, I was going to talk about Monster House. However, when I discovered that there were two Hallmark movies that were released in the aforementioned month and year, I decided to choose one of those films instead. Desolation Canyon is the movie that I ended up picking. Since I haven’t reviewed a Western film since Allegheny Uprising back in March, I wanted to see how Hallmark approached this particular genre. Films of this nature are rarely seen on Hallmark Channel or Hallmark Movies & Mysteries. In fact, when it comes to stand-alone films, the last Western that either network created was JL Family Ranch from 2016. Despite this, I know that Hallmark has what it takes to tell stories from this genre, especially after watching programs like When Calls the Heart. Now, let’s see if Hallmark pulled off a good movie in this review of Desolation Canyon!

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I apologize if this poster doesn’t have the best quality image. I decided to take a picture of it on my phone. Screenshot taken by me, Sally Silverscreen.
Things I liked about the film:

The acting: I was really impressed with the acting in Desolation Canyon! Before watching this movie, the only Hallmark film of Patrick Duffy’s that I saw was The Christmas Cure. In that movie, his character was more light-hearted, in order to fit the tone of that film. In Desolation Canyon, Patrick’s portrayal of Tomas had that same light-heartedness. But this time, his character was also tough and rugged, which was a good fit for the genre. Patrick was able to successfully bring both of these elements to his character, helping him to be a likable protagonist. Stacy Keach also did a good job at portraying the character of Samuel. Even though he has a tougher persona than Tomas, Samuel still was an honorable individual. Stacy was able to incorporate these aspects of the character through the believability of his performance. The rest of the cast brought the best of their acting abilities to their roles, keeping me investing in their on-screen stories!

 

The script: Desolation Canyon’s script was such a pleasant surprise by how well written it was! Anytime the three protagonists spoke to each other, their dialogue was witty and clever. In fact, all of the dialogue in this film sounded like real-life conversations. It’s also important to point out that the character development was well done. There was one character in particular who not only grew as an individual, but also pulled off a very effective plot twist. I’m not going to say which character it was, in case you haven’t seen this movie. But I thought this part of the film shows how good this movie’s script was!

 

The movie’s created world: Hallmark doesn’t create period films often. But, when they do, the network puts all they have into their projects. Everything in Desolation Canyon looked and felt like the time period this story took place in. Even the natural scenery felt like it fit within that cinematic world! The care for detail showed, as even smaller props added a sense of authenticity to the narrative. It tells me, as an audience member, that the creative team behind this film made the best effort possible to bring this world to life on-screen!

horse saddle - soft focus with film filter
Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Under-utilized characters: Even though this movie had well-crafted characters, some of them were under-utilized. One example was Alejandra, who was the wife of Samuel. Since she was given an interesting backstory, I had assumed that she would serve a significant purpose within the overall narrative. Unfortunately, Alejandra didn’t really do anything besides keep Olivia, Samuel’s daughter-in-law, company. This disappointed me because Alejandra was both a well-written and well-acted character. It just seemed like all of the potential this character had was wasted.

 

A weak plot for the bandits: In Desolation Canyon, the group of bandits play a key role in the story. Their subplot, however, wasn’t as strong as their on-screen presence. For most of the movie, the bandits were primarily seen on their journey. The only things they talked about were the journey itself or about an injured member of the group. It wasn’t until about the last thirty minutes when the bandits receive any semblance of a plot. While the father-son relationship between Johnny and Abe was an interesting element, it felt like it had little connection to the bandits’ subplot. If anything, the aforementioned element should have been its own plot.

 

The inclusion of the bounty hunters: The story of Desolation Canyon featured two bounty hunters who, like the protagonists, were searching for the bandits. While these characters were interesting, they didn’t really add anything to the overall story. Throughout the film, these bounty hunters follow the protagonists in an attempt to seek revenge toward the bandits. But anytime they showed up, it seemed like they were there for the sake of plot convenience. If this part of the story was eliminated from the film, it wouldn’t have made a difference.

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Small, western town image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Desolation Canyon is a much different Hallmark movie than what the network provides today. It doesn’t feature the usual tropes and clichés that are found in the romantic comedies that dominate Hallmark Channel. Instead, this Western is filled with interesting character development, action, suspense, and a story with stakes. Desolation Canyon was released in 2006, only five years after Hallmark Channel premiered. This was a time when movies had more creative freedom and thought outside the box. While I wish that Hallmark would go back to this kind of story-telling, I’m glad to have been given the opportunity to revisit the films of the network’s past. Desolation Canyon is a film that I found entertaining! There are things about the story that could have better. On the other hand, this movie had creative choices that I liked seeing. It amazes me how my followers continue to be supportive of 18 Cinema Lane! With that, I will end this review by thanking each and every one of my 120 followers!

 

Overall score: 7.4 out of 10

 

Do you like watching Hallmark movies? What genre would you like to see the network incorporate into their stories? Please tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Christmas Camp Review

This movie review was written before July 14th

For the Christmas in July Blogathon from Drew’s Movie Reviews, I knew that I wanted to review a Hallmark Christmas movie. However, I was originally going to talk about Hallmark Hall of Fame’s A Heavenly Christmas. Because I forgot to record that movie and because I have a lot of movies stored on my DVR, I chose to review Christmas Camp instead. This is the latest Christmas movie from Hallmark Movies & Mysteries. Having a new Christmas film air in July is not a new concept, as this has been done on both of Hallmark’s channels in the past. What makes this film sound interesting is the idea of a Christmas-themed camp. This idea has never been featured in a Hallmark movie before, so I wanted to see how it would be executed in the story. Did this movie make me a “happy camper”? Take a sleigh ride through this review of Christmas Camp to find out!

Christmas Camp poster
Christmas Camp poster created by Hallmark Movies & Mysteries and Crown Media Family Networks. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=307&ShowType=&ShowTitle=Christmas+Camp.

Things I liked about the film:

The acting: I was not familiar with Lily Anne Harrison’s acting abilities before watching Christmas Camp. In fact, this was the first Hallmark movie that Lily had ever starred in. Despite this, she did a good job with the acting material she was given! Because of her performance, her character, Haley, came across as a very pleasant individual. Another character that was a pleasant person was Jeff. Bobby Campo also did a good job at bringing this character to life, providing the charm and likability that made his performance enjoyable. The rest of the cast was talented! They complimented one another’s acting abilities and shined on their own merits!

 

The cinematography: For some of the scenes involving natural landscapes, the cinematography was really good! Anytime a snowy forest was featured in the movie, it looked beautiful on-screen. What stood out to me was a shot of a sunset behind a snowy forest. This was captured very well on film! There was other good cinematography inside the Christmas Camp. In one instance, a close-up of a gorgeous Christmas tree was shown before a scene began. This was a great way to showcase some of the facility’s Christmas decorations!

Christmas in July Blogathon 2019 banner
Christmas in July Blogathon 2019 created Drew from Drew’s Movie Reviews. Image found at https://drewreviewmovies.wordpress.com/2019/06/18/announcing-the-christmas-in-july-blogathon-2019/.

What I didn’t like about the film:

A pointless plot: The premise of this movie is a businesswoman being sent to Christmas Camp in order to find inspiration for an upcoming business project. But within the first ten minutes of the film, Haley’s boss gives the coveted business project to another employee. This made me wonder why she would entertain the idea of giving Haley the project if she already gave it to someone else? During her time at Christmas Camp, Haley discovers her idea for the aforementioned business project. This idea was found at the local community center, not at the Christmas Camp. It made me ask why she was forced to go to the Camp when she was able to find inspiration elsewhere?

 

A hypocritical message: The overarching message of Christmas Camp was to uphold Christmas traditions. However, this message ended up coming across as hypocritical. Earlier in the film, Haley shares that her Christmas tradition is taking a family vacation to the Caribbean and watching Christmas movies in the hotel room. Her boss thinks that she needs an “attitude adjustment” because her traditions aren’t “traditional”. Throughout the film, Haley is guilted into changing her Christmas traditions to align more with those of the Camp. Another guest of the Camp shared that one of his Christmas traditions was opening presents on Christmas Eve, due to his father being a professional basketball coach. Shortly after sharing this, the guest’s wife is critical about this particular tradition. Everyone has their own unique and special way of celebrating Christmas. So, for this story to look down on that is very frustrating.

 

Christmas Camp as an afterthought: The idea of a Christmas-themed camp is something that has never been shown in a Hallmark movie before. Because of this, I was curious to see how this concept would be incorporated into the story. Unfortunately, the Camp itself was treated as an afterthought. The activities associated with Christmas Camp seemed so interesting. Yet, most of these activities were barely shown in the film. One example is when the campers are required to pick out a Christmas tree and decorate it. However, the only person the audience sees doing this activity is Haley. Also, for a place called Christmas Camp, Haley’s bedroom was poorly decorated. It barely featured any Christmas decorations, which made the room look less than festive.

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Cute Christmas image created by freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Backgroundvector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

After watching this movie, I’m starting to understand why Hallmark Movies & Mysteries aired Christmas Camp in July and not during their “Miracles of Christmas” line-up. This film had so much potential to do something different from other Christmas movies on the network. There was also potential to share a message that would have been relatable. Unfortunately, all of this potential was not taken advantage of by Christmas Camp’s creative team. Instead, I ended up getting the worst Hallmark movie I’ve seen this year, so far. I’m hoping that during Hallmark Movies & Mysteries’ “Miracles of Christmas” line-up and Hallmark Channel’s “Countdown to Christmas” line-up, movies as disappointing as Christmas Camp will be a rarity.

 

Before I end this review, I would like to add a name to the invitation list for Drew’s Christmas Party. The actress that I would like to see get invited to Drew’s Christmas party is Karina Arroyave. I’ve seen several of her acting work in various television shows and movies, including two Hallmark Hall of Fame films (Blind Spot from 1993 and Missing Pieces from 2000). I think she’s a very talented actress. But, at the same time, she is also very underrated. By suggesting Karina’s name for Drew’s invitation list, I’m hoping that she can, sooner or later, receive the recognition she deserves!

 

Overall score: 5.1 out of 10

 

Have you seen Christmas Camp? Do like watching Christmas movies in July? Leave your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Les Enfants Terribles Review (Clean Movie Month — #4)

Several months ago, I recorded the French film, Les Enfants Terribles, on my DVR. Since I don’t watch many foreign films, I wanted to see this film as a way to expand my cinematic horizons. When I found out that this particular movie was released during the Breen Code era, in 1950, I was curious to see if any traces of the Breen Code could be found in the film. So, that is why I chose Les Enfants Terribles for one of my Clean Movie Month reviews! If you read my review of Madeleine, you would know that Les Enfants Terribles is not the first foreign film I reviewed for this blogathon. In fact, I was quite surprised that Madeleine was approved by the Breen Code. An interesting coincidence is both Madeleine and Les Enfants Terribles were released in the same year. So, it’ll be interesting to see how this French film from 1950 compares to the British film, also from 1950!

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I’ve seen other posters for this movie, but I like this one the best! Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: The acting in Les Enfants Terribles was one of the finer points of the movie! The two main characters, Paul and Elisabeth, were very interesting to watch because of the lead stars’ acting performances! Nicole Stephane brought the character of Elisabeth to life with a sense of fierceness and strength. These two elements helped her carry the film. She was also able to stand on her own merits when it came to acting among the other actors and actresses! Edouard Dermit portrayed Elisabeth’s brother, Paul. The well-roundedness of his acting talents was very clear to see in this film. Paul goes through a lot in Les Enfants Terribles. In every scene, Edouard brought his A game and even made his character seem like he was a real person. Over the course of this story, Edouard not only incorporates a sense of realism to his character, but also pulls off an acting performance that was mesmerizing to watch!

 

The music: At certain points in the film, orchestral music could be heard. This type of music would normally come into the movie anytime a new location was introduced. I thought this was an interesting choice because it fit the film’s overall tone. The orchestral music was grand yet sinister, highlighting Paul and Elisabeth’s journey through wealth and growing up. In one scene, Elisabeth’s husband, Michael, sings a song while playing the piano. Not only did the piano music sound good, but the song was also sung well. The music’s role in Les Enfants Terribles brought a special significance to the project!

 

The dynamics of the characters: Les Enfants Terribles puts more focus on the characters than the story itself. Despite this, it was fascinating to see how the characters interacted with one another. Throughout the film, lives are transformed and relationships are built among Paul, Elisabeth, and the people around them. What makes this part of the movie work is the screen-writing as well as the acting. These two elements provide the perfect combination for making the characters as interesting as they were.

Clean Movie Month banner
Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2019/07/01/cleanmoviemonth85-is-here/.

What I didn’t like about the film:

Lack of explanation for Paul and Elisabeth’s “game”: During the movie, Paul and Elisabeth play a game that only the two of them know about. However, no explanation to what this game is or how it’s played was ever given in the story. While watching the film, I tried to figure out more about the game. But, without an explanation, it was very difficult to understand the importance of it. I also noticed that this game was featured in the story when it was convenient for the plot. This is because the game itself was mentioned on very few occasions.

 

A misleading premise: According to Turner Classic Movies’ (TCM’s) website, Les Enfants Terribles is about “a brother and sister close themselves off from the world by playing an increasingly intense series of mind games with the people who dare enter their lair”. As I’ve already mentioned, Paul and Elisabeth’s “game” wasn’t well explained or featured in the movie for very long. The sibling relationship of Paul and Elisabeth seemed very toxic, from calling each other names to treating each other horribly. If anything, this movie was about two things: siblings who grow apart and a young woman who slowly becomes obsessed with power and control. Since the movie was different than its synopsis, I found TCM’s description to be misleading.

 

An unclear time-line: Les Enfants Terribles takes place over the course of several years. But, to me, this movie felt like all the events happened within a year. This was because there were no clear explanations about when certain situations were taking place. Time-cards and any mentions of the year were not found in this movie. Even the narrator didn’t talk about how much time had passed. The film’s time-line became very confusing, leaving me wondering how many years were included in the story. Because of the unclear time-line, the characters appeared as if they were frozen in time.

3 paris
Illustration of Paris, France created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/travel”>Travel vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

I ended up liking Les Enfants Terribles more than I thought I would! It was an interesting film that had a few surprises in store. The movie itself is a character study/character driven story, showing how they evolve as time goes on. The acting was really good and the characters were well developed, helping this narrative become engaging. As I was watching Les Enfants Terribles, I could see some of the Breen Code’s influence. One example was anytime the doctor came to examine Paul. Either the examination itself was not shown on-screen or the doctor would only be shown listening to Paul’s heartbeat. However, when it came to this film, the Breen Code could have been enforced more. There were several times where characters were swearing, either at each other or just for the sake of it. This shocked me because not only was Les Enfants Terribles released in 1950, but it was also released during the Breen Code era. I was surprised that this movie got away with having this much language in the early ‘50s. Was this particular film the beginning of the end for the Breen Code? That’s definitely a question for another day.

 

Overall score: 7 out of 10

 

Have you ever watched a French film? Which foreign film have you always wanted to see? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen