Tag: movie reviews

Take 3: The Princess and the Pirate Review + 435 Follower Thank You

On By 18cinemalaneLeave a comment

Originally, I was going to review The Princess and the Pirate for The Metzinger Sisters’ MGM Blogathon. This is because my DVD copy of the film features the MGM logo on the cover and the film was released in 1944. However, The Metzinger Sisters informed me that the movie was not an MGM picture. Even Wikipedia claimed it was an RKO Radio Pictures production. Confused by this, I chose to review The Princess and the Pirate as my next Blog Follower Dedication Review instead. Bob Hope is a comedian I have heard of over the years. But, up until this point, I had never seen any of his films. Meanwhile, pirate themed movies are no stranger to 18 Cinema Lane. As of late June 2022, I have reviewed Captain Sabertooth and the Treasure of Lama Rama and China Seas. While I found China Seas to be just ok, I was disappointed by Captain Sabertooth and the Treasure of Lama Rama. What do I think of The Princess and the Pirate? Get ready to set sail as we start this review!

Here is a picture of my DVD copy of The Princess and the Pirate. Screenshot taken by me, Sally Silverscreen.

Things I liked about the film:

The acting: As I said in the introduction, Bob Hope is a comedian I have heard of before. But because I had never seen his movies, I didn’t know what to expect. While watching The Princess and the Pirate, I found Bob’s portrayal of Sylvester pleasant to watch! His expressions, emotions, and body language were fluid, allowing Bob to adapt to any on-screen situation. Bob’s impersonations were also a memorable component to his performance. Among the silliness and humor, Bob also showed a romantic side. In a scene where Sylvester and Margaret are sailing in a boat, he learns more about Margaret’s identity. During their conversation, Sylvester’s demeanor is softer, lowering his guard. This sweetness in Bob’s character was nice to see, as it showed how multi-layered Sylvester was!

Virginia Mayo portrayed Princess Margaret. As I watched this movie, her performance reminded me of Elizabeth Swann from the Pirates of the Caribbean trilogy. This is because she wasn’t afraid to stand her ground and help save the day. Margaret encouraging Sylvester to be brave during an on-deck battle is one example. What made Margaret different from Elizabeth is how, like Bob, Virginia showed a romantic side. Her performance of ‘Kiss Me in the Moonlight’ showcases this well. Even though the singing was performed by Louanne Hogan, Margaret’s facial expressions and body movements embodied the feminine songstress that appeared in musicals of the time of the movie’s release. Virginia’s portrayal prevented her character from becoming one dimensional!

One aspect of The Princess and the Pirate I liked was how the film made fun of status quos in the world of pirate films. The character of Featherhead is one example of this. Portrayed by Walter Brennan, this pirate is seen by his peers as being “dumb”. However, Featherhead’s interactions with Sylvester goes against that aforementioned claim. Walter’s performance was consistent and went toe-to-toe with Bob’s talents. While Featherhead is a more comedic character, he was more than being the film’s “comic relief”. Walter’s talents allowed his character to be memorable. Featherhead also helped progress the plot forward.

The humor: At the beginning of the movie, on-screen text explains who a pirate named The Hook is and what his mission will be. During this collection of text, Bob Hope breaks the fourth wall by explaining how he’s not portraying the character of The Hook. I found this part of the movie hilarious because of its unexpected nature! At one point in the story, Sylvester swims in a bathing pool with a character named La Roche. During this scene, Sylvester is hiding a secret he doesn’t want La Roche to discover. So, while in the pool, Sylvester quickly pops in and out of the water so La Roche doesn’t see him. Because of the scene’s consistency and because of the scene’s length, it was, in my opinion, funny!

The costume design: In the pirate films I’ve seen, costume design seems to have been a top priority. The combination of historical accuracy and design detail have created costumes that were exquisite and aesthetically pleasing. Throughout The Princess and the Pirate, I loved Virginia’s wardrobe! Each dress boasted a pastel palette, from a coral and teal gown Margaret wore on the Mary Ann to a pink and purple dress she was seen wearing toward the end of the film. This pastel palette also complimented Virginia’s hair color and skin tone. While at La Roche’s house, Sylvester wore a fancy suit. The suit jacket’s primary colors were white and fuchsia, a costume piece boasting a bright, fun palette. Embroidered flowers covered the jacket, which added beauty to the piece. Like the other pirate films I’ve watched, it looks like the costume design in The Princess and the Pirate was a top priority as well!

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The island of Casarouge: In The Princess and the Pirate, Sylvester and Margaret go to the island of Casarouge, which is inhabited by pirates. Personally, this location didn’t sit well with me. Throughout Margaret and Sylvester’s time on Casarouge, the pirates’ actions and behavior are unsavory. Acts like murder, thief, and even drunkenness are on full display. I know not every fictional pirate is as friendly as Captain Jack Sparrow. I’m also aware The Princess and the Pirate was released during the Breen Code era, a time where the inhabitants’ choices would not be celebrated or glorified on film. In fact, while on Casarouge, Sylvester questions everything taking place around him. But The Princess and the Pirate has a, mostly, light-hearted tone, with some situations being played up for laughs. Because of these factors, the actions and behaviors of Casarouge should have been toned down.

The Hook’s buried treasure: When The Hook is first introduced in The Princess and the Pirate, he and his crew were seen burying a chest full of treasure. Throughout the film, a subplot involved searching for a treasure map. Without spoiling the movie, I will say the aforementioned treasure was never physically brought up again in the story. More emphasis was placed on finding the map than reclaiming the treasure chest. This made me wonder why the film’s creative team would include this in their story if they had no intention to follow through on it?

A confusing time period: While watching The Princess and the Pirate, the costume and set designs felt reminiscent of the Pirates of the Caribbean trilogy. This led me to believe the story was taking place in the 1700s. Yet Bob Hope’s dialog mentioned things that came to be after the presented time period. When crossing paths with The Hook, Sylvester claims the pirate’s hook would make a great beer can opener. However, I know beer cans did not exist until the 18th century had concluded. I’m not sure if these references were the result of Bob Hope’s comedy or the screenwriters wanting the dialog to be more reflective of the time of the movie’s release. No matter the reason, I found it confusing.

Paper Boats in the Sea image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/background-of-paper-boats-with-hand-drawn-waves_1189898.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

The Princess and the Pirate is a movie I’ve been meaning to review. Ever since I acquired my DVD copy of the film, I have been trying to find the perfect opportunity to write about it. Thanks to you, my followers, that time has come! Thank you for taking the time to read what I have to say and for paying 18 Cinema Lane a visit! Your interest in my blog means a lot to me. Now, on to my overall impression of The Princess and the Pirate. There are pirate stories that are stronger than this one. But, for it was, I enjoyed the 1944 movie! While I won’t give anything away, I want to mention there is a “bait and switch” ending. But because The Princess and the Pirate made fun of status quos in pirate films, this type of ending worked. What also worked was the acting and the humor. Since this was my first time watching any of Bob Hope’s films, I found this to be a good introduction to his filmography. In the future, I’d like to check out more of his movies.

Overall score: 7.6 out of 10

Have you seen any of Bob Hope’s movies? If so, which ones would you recommend? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Dr. Phibes Rises Again Review + 420, 425, and 430 Follower Thank You

On By 18cinemalaneLeave a comment

While looking for a movie to review for my next Blog Follower Dedication Review, I realized it’s been a month since I wrote about a “spooky” title. It’s also been two months since I reviewed a sequel. Because of those factors, I choose to review the 1972 movie, Dr. Phibes Rises Again! Last year, I saw the predecessor, The Abominable Dr. Phibes, after one of my readers recommended it to me. In my opinion, the film was just fine, as I found the horror in the horror-comedy classification heavily emphasized. The fact The Abominable Dr. Phibes received a sequel was surprising to me. That’s because I had no idea the 1971 title received a second chapter until I recently stumbled across it. What other surprises are in store? Let’s take a trip through this review of Dr. Phibes Rises Again in order to find out!

Dr. Phibes Rises Again poster created by
American International Pictures and Anglo-EMI Film Distributors Ltd./MGM-EMI

Things I liked about the film:

A mystery-adventure: In my review of The Abominable Dr. Phibes, I stated how the story was more of a horror-mystery due to the limited incorporation of comedy. Like its predecessor, the sequel also features a mystery. But this time, an adventure story is included in the script, as the characters travel to Egypt. The change in scenery allowed something new to be brought to the overall story. It also added an exciting component, with the audience receiving an opportunity to witness new sights and join the ride with the characters. A new setting made the film’s twists and turns interesting, as Dr. Phibes came up with different ways to attempt to reach his goal. A distinct identity was given to Dr. Phibes Rises Again because of these creative decisions!

Toned down character demises: One of The Abominable Dr. Phibes’ flaws was how over-the-top demises of characters were, as they came across more gross than scary. These demises also overshadowed Vincent Price’s performance, which led to his talents being underutilized. While Dr. Phibes continued to go after anyone who stood in his way in Dr. Phibes Rises Again, the execution of his plan was toned down. Not only were there less demises, but there was also less on-screen gore compared to the first film. Vincent’s acting abilities received more emphasis because of this creative decision. That creative decision also allowed me, as a viewer, to focus on Vincent’s body language, facial expressions, and vocal inflections. Vincent’s role in Dr. Phibes Rises Again felt more like lead actor material compared to The Abominable Dr. Phibes.

Robert Quarry’s portrayal of Darius Biederbeck: When I talked about Queen of the Damned in my article, Twentieth Century vs. Queen of the Damned at the Against the Crowd Blogathon, I said the movie presented Lestat as a more likable protagonist. Stuart Townsend’s portrayal of Lestat helps make this statement accurate, as his consistent suave, confidence added to Lestat’s likability. Robert Quarry’s portrayal of Darius Biederbeck in Dr. Phibes Rises Again reminded me of Stuart Townsend’s portrayal of Lestat. This is because Darius’ suave, confidence was similar to Lestat’s. Darius was a goal-driven man, believing in himself and his mission. Even when those around him had their doubts, his confidence was unwavering, presented consistently by Robert. What also helped was how strong Robert’s acting abilities were, giving him an opportunity to present a stand-out performance. These aspects of Robert’s portrayal of Darius made it enjoyable for me to watch!

Egyptian hieroglyphic image created by wirestock at freepik.com. Luxor photo created by wirestock – www.freepik.com

What I didn’t like about the film:

A somewhat rehashed story: Dr. Phibes’ story in The Abominable Dr. Phibes revolved around trying to find a solution for his deceased wife, Victoria. This quest for a solution drove Dr. Phibes to go after those he felt wronged him and his wife. In Dr. Phibes Rises Again, Dr. Phibe travels to Egypt. But his mission is similar to the first film: find a solution for Victoria. I won’t claim this story is a carbon copy of The Abominable Dr. Phibes. However, I wish it had less similarities to the predecessor.

Confusing parts of the story: A confusing part of Dr. Phibes Rises Again is the return of Vulnavia. Dr. Phibes’ assistant, Vulnavia, was one of the key characters in The Abominable Dr. Phibes. Without spoiling the first movie, I will say something happens that prevents Vulnavia from appearing in the sequel. Yet, she does appear in Dr. Phibes Rises Again, with no clear explanation provided. This is just one example of confusing parts of the story that should have received more context.

An unresolved mystery: While in Egypt, Dr. Phibes discovers a sarcophagus. When he opens the sarcophagus, it appears a mummy had been removed. Dr. Phibes even questions what happened to the aforementioned mummy. But after this scene took place, the mystery is never resolved. In fact, it was never brought up after Dr. Phibes’ initial discovery. This made me wonder why the film’s creative team would include that mystery in their script if they had no intentions to solve it on screen?

Scary movie screening image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-photo/small-skeleton-with-popcorn-and-tv_1323292.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Freepik</a>. Image found at freepik.com.

My overall impression:

Before I share my overall impression of Dr. Phibes Rises Again, I’d like to thank all my followers! I appreciate your support of 18 Cinema Lane! Now, on to my thoughts on Dr. Phibes Rises Again. On the one hand, the sequel tries to go in a different direction from the first movie. It even fixes some of the predecessor’s flaws. On the other hand, though, Dr. Phibes’ story was similar to his story in The Abominable Dr. Phibes. It also doesn’t help how parts of the story were confusing and a mystery was unresolved. Therefore, I will say this: as a movie, Dr. Phibes Rises Again is fine. As a sequel, it is slightly better than the first film.

Overall score: 7.2 out of 10

Have you seen The Abominable Dr. Phibes or its sequel? Are there any sequels you think are better than their predecessor? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Point of Origin Review

On By 18cinemalane1 Comment

When the subject of “disaster films” is brought up, one will usually think of films revolving around over-exaggerated, fictionalized disasters. Whether it’s Sharknado or The Day After Tomorrow, these types of titles have become the faces of the “disaster film” category. But what if a movie depicts a real-life disaster that could be experienced by anyone? This is the case of my Disaster Blog-a-Thon entry, Point of Origin. Last month, I searched on Wikipedia for a title to review for May’s Genre Grandeur. During that search, I stumbled across the aforementioned 2002 HBO production. After reading the film was a “fact-based drama about an arson investigator searching for the perpetrator of a string of deadly fires in 1980s California”, I knew it was the perfect choice for J-Dub and Pale Writer’s event! Before I start this review, I would like to point out how this marks two firsts for 18 Cinema Lane. Not only is this my first time participating in the Disaster Blog-a-Thon, this is also the first HBO film reviewed on my blog!

Point of Origin poster created by HBO Films and New Redemption Pictures

Things I liked about the film:

The mystery: For the most part, the mystery in Point of Origin allowed the audience to experience it alongside the characters. What also helps is how the mystery started right at the beginning of the film. This immediately hooked the audience into the story, while also giving them a shared journey with the key players on screen. There was room for viewers to speculate what would happen in the story. That gave them the opportunity to interact with the film’s mystery. Three separate components played a role in the overarching narrative. While I won’t give anything away, it was interesting to see these components come together.

The special effects: When John was investigating a crime scene, he would attempt to figure out how the fire started. Toward the beginning of the film, this thought process was visualized through special effects. As John is recounting the information, the actual fire is played out in reverse on screen. This is very different from other mystery movies, as flashbacks might be utilized to speculate the cause of a crime. When it came to the fires themselves, it appeared as if they actually took place in a given scene. It may have been possible for the movie’s creative team to insert footage of fires through editing or CGI, as Point of Origin was released in 2002. However, practical effects were an interesting choice. This creative decision reminded me of productions like The Crow.

Showcasing the dangers of fire: While investigating a local fire, John and his co-worker, Keith, examine a young boy who died on the crime scene. Despite only the victim’s face being shown, it is blackened due to smoke and flame exposure. Later in the film, John visits a surviving burn victim in the hospital. The victim’s face and part of his hand are covered in burns. He even claims that it hurts to open his eyes. Due to the nature of Point of Origin, the story is heavier in tone. However, the incorporation of the dangers of fire never felt like they were there for “shock value” or as a tactic to scare the audience. If anything, it was shown just enough to get the point across.

The Second Disaster Blog-A-Thon banner created by J-Dub from Dubsism and Pale Writer from Pale Writer

What I didn’t like about the film:

Bai Ling’s limited presence: Bai Ling was cast as John’s wife, Wanda Orr, in the 2002 HBO film. Her involvement in Point of Origin is one of the reasons why I sought out this movie, as she is the top billed actress. When I watched the film, however, I discovered Bai appeared in only a handful of scenes. Compared to some of Bai’s other projects, her talents were under-utilized in Point of Origin. It also seems like the main supporting actress, Illeana Douglas, received more screen-time than Bai. Bai did a good job with the acting material she was given. But this situation is very reminiscent of Katharine Hepburn’s involvement in 1994’s One Christmas, where Katharine appeared in about five scenes despite being that film’s top billed actor.

A confusing time period: As I mentioned in the introduction, Point of Origin takes place in the 1980s. Elements from that decade were incorporated into the film, such as vehicles and a typewriter used by John at various moments in the story. Meanwhile, Bai’s wardrobe looked like it came straight from the early 2000s. There was also a scene where a store patron tells another patron not to smoke in the store. This attitude was more prevalent in the 2000s, as smoking in public places was more accepted in the 1980s. The inconsistency with the film’s historical accuracy was so confusing, it was, on a few occasions, distracting.

An unidentified red-haired man: Throughout the movie, a red-haired man made multiple appearances. I won’t spoil the movie for anyone who hasn’t seen it. But I will say when everything was said and done, I don’t feel like I received a satisfying explanation of who that character is. Yes, I can assume the red-haired man’s identity. However, when it comes to that character, the movie was building up to something without providing a pay-off.

Magnifying glass and fingerprint image created by Alvaro_Cabrera at freepik.com. <a href=’https://www.freepik.com/free-vector/loupe-over-a-fingerprint_853908.htm’>Designed by alvaro_cabrera</a>. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Alvaro_cabrera – Freepik.com</a>. Image found at freepik.com.

My overall impression:

For the Disaster Blog-a-Thon, I chose to talk about a film that revolved around a real-life disaster. This is because, in my opinion, these types of titles aren’t talked about as much within the realm of “disaster films”. When it comes to Point of Origin specifically, it was a fine, competently made, intriguing movie. But the 2002 HBO project made me feel similarly to Red Corner. This is ironic, as Bai Ling was cast as the lead actress in both films. What I mean by my aforementioned statement is I held higher expectations for each film, only to be somewhat let down by them. As I’ve said before on 18 Cinema Lane, the historical accuracy works when the creative team places emphasis on the details. In Point of Origin, however, it seems like the film’s creative team forgot, at times, their project took place in the 1980s. This is because some aspects of the film reflected the time of the film’s release; the early 2000s. I haven’t seen a lot of HBO films, so I can’t make any comparisons with Point of Origin. But I will say, based on other made-for-TV mystery productions, this one felt closer to the middle of the road.

Overall score: 7.2 out of 10

Have you seen Point of Origin? Are there any HBO films you’d like to see reviewed on 18 Cinema Lane? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Sundowners (1960) Review

On By 18cinemalane17 Comments

Here at 18 Cinema Lane, I try to go out of my way to watch, and review, as many film recommendations as possible. In fact, I have a board on Pinterest dedicated to these recommendations. Two years ago, when I reviewed Marriage on the Rocks, Maddy, from Maddy Loves Her Classic Films, suggested I check out the 1960 picture, The Sundowners. Shortly after Debbie, from Moon in Gemini, invited me to her Foreign Western Blogathon, I finally found an opportunity to write about the movie! The Sundowners fits two of the four blogathon categories: ‘directed by foreign directors’ and ‘shot in a foreign country’. According to IMDB, the film’s director, Fred Zinnemann, is from Austria-Hungary. The movie was also filmed in Australia, where the story takes place. Foreign westerns are not a new concept on 18 Cinema Lane. Neither are Australian films. Within the four years of my movie blogging journey, I reviewed Another Man, Another Chance, Interrupted Melody, and Hallmark Hall of Fame’s Durango. If you’re interested, I’ll provide the links to these reviews toward the beginning of this article.

Take 3: Another Man, Another Chance Review

Take 3: Interrupted Melody Review

Take 3: Hallmark Hall of Fame’s Durango Review

The Sundowners (1960) poster created by Warner Bros.

Things I liked about the film:

The cinematography: Like I said in the introduction, The Sundowners was filmed in Australia. The movie’s creative team took advantage of the country’s natural surroundings through cinematography! One long shot showcased Australia’s farmlands. What made this shot beautiful were the rays of sunlight showering over the green landscape, offering a light only nature could provide. The cinematography also did a good job putting things into perspective. During a forest fire, Ida is driving her family’s wagon away from the forest. While this maneuver is taking place, the camera is situated inside the back of the wagon. It looks out toward the road, giving the audience the illusion they are riding in the wagon with Ida.

Higher stakes: When I reviewed Hallmark Hall of Fame’s Durango last year, I talked about low stakes being one of the film’s biggest flaws. In The Sundowners, higher stakes were featured in a few scenes! A notable example is the forest fire I previously mentioned. While the Carmody family is herding sheep, a nearby forest fire breaks out. This leads all the characters to be in danger. The scene chronicled the entire process of the fire, starting from the detection of smoke and ending in the fire’s aftermath. Cut-away shots of scared wildlife are spliced into the story, emphasizing the other lives in harm’s way. Dramatic music can be heard in the background, elevating the sense of urgency. With all these elements combined, this scene was the perfect example of the higher stakes I expect from a western film!

The historical accuracy: With any “period film”, the historical accuracy can make or break that production. In the case of The Sundowners, the story takes place in the 1920s. From the looks of it, the 1960 project appears historical accurate! The forms of transportation are one indicator. While the Carmody family is working on the sheep farm, the employees sometimes rode in antique trucks with open beds. At least one motorcycle is featured in the story, revealing exposed gears and a model very different from the motorcycles of today. A covered wagon is the preferred vehicle of the Carmody family, with Paddy and Sean riding horses on a few occasions. This aspect of the film’s historical accuracy reminded me of a production like The Grapes of Wrath.

The Foreign Western Blogathon banner created by Debbie from Moon in Gemini

What I didn’t like about the film:

A “slice of life” story: Westerns, like any genre, contain a wide range of narratives. If given the choice, I’d rather watch a western with, at least, one conflict instead of a story that’s more “slice of life”. Unfortunately, the majority of The Sundowners is a “slice of life” story. The script primarily focuses on the daily operations of sheep farming. At first, this topic was interesting. But as the film carried on, the elements of sheep farming became repetitive. Had this movie contained one or two major conflicts, I might have found this story more intriguing.

Lack of Irish accents: According to Wikipedia, the Carmody family is Irish, a fact Sean tells Rupert early in the film. Michael Anderson Jr., Robert Mitchum, and Deborah Kerr must have missed that detail in the script, as none of them could successfully carry an Irish accent. Throughout The Sundowners, Deborah sounded like she was speaking in a British accent. Meanwhile, Robert and Michael sounded Australian. I don’t think Robert, Deborah, and Michael are bad actors. In fact, pulling off any accent can be a difficult skill to master. However, their lack of Irish accents was, for me, jarring.

The run-time: The Sundowners contains a straight-forward story about a family searching for employment in order to afford a place of their own. With that said, I found it unnecessary for the film’s run-time to be two hours and thirteen minutes. Some scenes felt drawn out in an attempt to satisfy this run-time, the shearing contest Paddy enters being one example. That scene lasts about five minutes, even though it could have only featured the most exciting parts of the contest. If scenes like that one had been cut shorter, the movie could have had a run-time of about an hour and thirty minutes.

A “bait and switch” ending: In my review of 1961’s The Pit and the Pendulum, I incorporated spoilers to explain my thoughts on a specific portion of the movie. Similarly, I will be including spoilers in this part of my review. If you haven’t seen The Sundowners, please skip this part and continue reading where it states “My overall impression”.

As I stated earlier in this review, The Sundowners contains a straight-forward story. I also stated how the movie is two hours and thirteen minutes. Within that run-time, the Carmody family receives the funds to afford a farm that was featured toward the beginning of the film. All seems to be going well until the last ten minutes in the story. While in a drunken state, Paddy makes several I-O-Us, losing the family’s finances in the process. In an attempt to earn back some of those funds, the family enters their race-horse, Sundowner, in an upcoming horse race. Not only does Sundowner and Sean win the race, Paddy also wins a bet. Even though they have enough money to make a down payment on the aforementioned farm, Ida changes her mind, saying Paddy can keep the race horse instead. This statement contradicts Ida’s goal throughout the movie; getting a place to put down roots. Moments later, an announcement declares Sundowner is disqualified from the race due to a pass interference. This means the Carmody family lost all the money they just won. The movie ends exactly how it begins; with the family on the road looking for employment and a place to stay. If I had known the story would end this way, I wouldn’t have become invested in the Carmody family’s ordeal.

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When it comes to film-making, one of the worst things you can do is waste the audience’s time. The way I feel about The Sundowners is similar to how I felt about The Birds; like I truly wasted two hours and thirteen minutes. I understand circumstances in western films aren’t always fair. Heck, life itself is sometimes unfair. But what is also not fair is giving your characters and audience hope for two hours, then taking that hope away in the film’s last ten minutes. With the way The Sundowners turned out for me, it almost seemed like history repeated itself. As I mentioned in this review, I wrote about Hallmark Hall of Fame’s Durango last year. That 1999 presentation was a foreign western I didn’t like. Both Durango and The Sundowners have one thing in common. Even though there were things about each film I liked, they contained a weak script. A script is the foundation of any cinematic production. If it isn’t strong, there’s only so much you can do to remedy the issue. Before I end this review, I want to make it clear that I have nothing against foreign westerns or Australian cinema. I’m confident there are stellar Australian and foreign western pictures I haven’t seen yet. Unfortunately, The Sundowners isn’t one of them.

Overall score: 4.7 out of 10

Have you watched any foreign westerns? If so, which ones would you recommend? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Pit and the Pendulum (1961) Review

On By 18cinemalane15 Comments

For The Corman-Verse Blogathon, I was originally going to review the 1996 film Kyoko/Because of You. The only way I could watch the movie is if I purchased a DVD copy. Unfortunately, the copy I bought would not arrive in time for the blogathon. Even though I do plan to review Kyoko/Because of You in the near future, I needed to select a back-up film to write about for the event. While scrolling through Roger Corman’s filmography, I discovered he directed the 1961 adaptation, The Pit and the Pendulum. Since no other participant had selected the film, I chose to review this movie instead. Vincent Price is no stranger to 18 Cinema Lane. As of the publication of this review, The Pit and the Pendulum is the ninth movie of Vincent’s I’ve seen. The majority of his films have been enjoyable to varying degrees. So, where does the 1961 title lie? You won’t know that answer unless you read this review!

The Pit and the Pendulum (1961) poster created by Alta Vista Productions and
American International Pictures

Things I liked about the film:

The acting: As I said in the introduction, The Pit and the Pendulum is the ninth movie of Vincent’s I’ve seen. Among most of these films, Vincent’s acting talents have been on full display, allowing the audience to witness just how versatile of an actor he is. In the 1961 adaptation, Vincent portrays Nicholas Medina. Throughout the story, Nicholas is overcome not only by the loss of his wife, but also by trauma he experienced as a child. When Francis Barnard, the film’s protagonist, questions the cause of his sister’s death, Nicholas’ eyes appear both concerned and wounded. This is because he wants to protect Francis from the truth and himself from the grief. During Francis’ stay in the Medina Castle, Nicholas shows Francis Elizabeth’s (his wife and Francis’ sister) room. While reminiscing over his time with Elizabeth, Nicholas is suddenly overcome with sorrow. With a quivering lip and tear-filled eyes, he bursts out crying, longing for his dearly beloved.

 Like I previously mentioned, Francis Barnard is the film’s protagonist. Portrayed by John Kerr, this character was a good representative of the audience. What I mean by this is he and the audience were in the same boat, figuring things out as they go along. That element of the story gave viewers an opportunity to connect with the character. What also worked in John’s favor is how consistent his performance was. Throughout The Pit and the Pendulum, Francis was suspicious of the Medina Castle and the people who lived there. His face was set in a serious expression; mouth displaying a tight, straight line and eyes in a scowling manner.

Nicholas’ sister, Catherine, is one of the people Francis meets. Catherine, portrayed by Luana Anders, reminded me of Snow White from the 1937 animated classic, Snow White and the Seven Dwarfs. This is because she showcased a gentle concern toward the characters around her. But unlike the cartoon princess, Catherine contributed more to the story, instead of being a more passive participant. When she and her brother are first confronted by Francis about Elizabeth’s death, Catherine shows worry on her face. However, the reason for her facial expression was different from Nicholas’, as she wonders how she will reveal the truth to Francis. Later in the film, Catherine explains Nicholas’ past trauma to Francis, in an effort to show him her brother is being honest. This time, her expressions show more understanding, appearing calmer and sure of herself.

The set design: The Pit and the Pendulum takes place inside the Medina Castle, during the year 1547. While I’m not a historian when it comes to this particular era, I will say the set design appeared historically accurate! Each room of the castle was spacious, presented in long to medium shots to showcase their size and scope. Though the walls were a mix of white and caramel marble, they were covered with exquisite artwork. In Francis’ room, there was a wall-sized piece of tapestry. Elizabeth’s room boasted her portrait, which captured her in blue and purple hues. The rooms in Medina Castle also included elaborate pieces of furniture. A gold canopy bed in Elizabeth’s room displayed small, detailed carvings on the footboard.

The mystery: When I talked about John Kerr’s performance, I said his character, Francis, was in the same boat as the audience. That’s because this is the type of mystery story where the audience figures things out alongside the protagonist. Out of the mystery movies I’ve seen in my life, I find these types of stories to be some of the more engaging ones in the genre. They give viewers the illusion they are experiencing a journey with the main character. The mystery in The Pit and the Pendulum started right away and was carried until the movie’s end. As the story moved forward, the reveal of certain secrets was evenly paced throughout the script. This allowed the film’s momentum to remain consistent and keep the story intriguing!

The flash-back scenes: In a few moments of the movie, flash-back scenes were used to explain things that happened in Nicholas’ past. One example is when Nicholas himself is telling Francis how Elizabeth passed away. Those flash-back scenes were narrated by Vincent Price and were coated in a single-color hue. For instance, in the days of Nicholas and Elizabeth’s happier times, the scenes were displayed in either green or blue. The way the flash-backs were presented made them feel distinct from the “current” events. They also brought Nicholas past to life.

The Corman-Verse Blogathon banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

The prolonged appearance of The Pit and The Pendulum: I’ve gone on record to say a movie’s title, sometimes, serves as a promise to the audience. There is a pit and pendulum in this film. But they appeared in the movie’s last eleven minutes. It’s been years since I’ve read anything by Edgar Allan Poe, so I’m not sure which parts of the story are straight from the source material. However, I kind of wish the pit and pendulum would have appeared in the movie sooner.

A somewhat confusing climax: For this part of the review, I will be bringing up spoilers. While I typically try to leave spoilers out of my reviews, I feel I can’t fully explain my points without including them. If you haven’t seen 1961’s The Pit and the Pendulum, please skip this part and continue reading where it states “The underutilization of Maximillian”.

In The Pit and the Pendulum, Francis, and the audience, learn Elizabeth died of shock. But throughout the film, Nicholas is convinced he killed his wife. To prove Nicholas didn’t kill Elizabeth, Francis and Doctor Leon open Elizabeth’s grave, revealing a skeleton. But toward the end of the movie, Nicholas discovers Elizabeth had been alive that whole time. Even though he is overcome by shock, Nicholas pulls out of it, believing he is his father, Sebastian. Looking back on the film, I wonder if Nicholas assumed his father’s identity because the grief and trauma made him take a psychological turn for the worse? Or did Nicholas know about Elizabeth and Leon’s affair that entire time, using the “shock” as the perfect opportunity for revenge? Also, where did Leon and Elizabeth find a skeleton for their plan?

The underutilization of Maximillian: In a handful of moments, a servant named Maximillian appeared in the movie. At one point, I honestly thought he would play a bigger role in the mystery. Unfortunately, Maximillian was underutilized throughout the story. It felt like this character was included in the movie just for the sake of it.

Castle photo created by Photoangel at freepik.com. <a href=’https://www.freepik.com/free-photo/old-castle-in-the-mountians_1286237.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree image created by Photoangel – Freepik.com</a>. Image found at freepik.com.

My overall impression:

When it comes to movie blogging, things don’t always go according to plan. That was the case when I chose to review The Pit and the Pendulum. Looking back on the film, I realize this change of plans ended up being a good thing. For starters, I had the opportunity to review one of Vincent’s films on his birthday, which happens to be today. The film in question was also a pleasant surprise because of how good it was! The Pit and the Pendulum is an engaging and intriguing mystery from start to finish. This is one of the more effective horror movies, similar to titles like 1962’s Cape Fear. Vincent Price is one of those actors I’ve come to appreciate the more of his films I watch. After watching The Song of Bernadette, I thought it would be so cool to hear Vincent read some of Edgar Allan Poe’s work. Because of his involvement in The Pit and the Pendulum, my wish kind of came true. I also discovered, in 1970, Vincent was the narrator of An Evening of Edgar Allan Poe. Since I enjoyed the 1961 adaptation so much, I’ll have to seek that production out!

Overall score: 8.1-8.2 out of 10

Have you seen any adaptation of The Pit and the Pendulum? Did you read Edgar Allan Poe’s literary work? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: The Disappearance of Flight 412 Review

On By 18cinemalane8 Comments

Aviation is one of the broadest topics when it comes to the world of cinema. However, I was determined to find a movie to review for Taking Up Room’s Aviation In Film Blogathon. While visiting the Youtube channel, Cult Cinema Classics, I came across a film titled The Disappearance of Flight 412. As this title suggests, there is a plane within the story. But the story itself is what led me to ultimately select the movie for this review! The idea of the military possibly crossing paths with a UFO is fascinating, especially in film. I also don’t receive many opportunities to review tv movies from the 1970s. So, fasten your seatbelts and get ready for takeoff, as we’re about to start this review of The Disappearance of Flight 412!

The Disappearance of Flight 412 poster created by Cine Films Inc., Cinemobile Productions, and NBC

Things I liked about the film:

The use of time-stamps and a voice-over: Throughout the movie, a male voice-over can be heard explaining what was happening on screen. His tone is serious, which complemented the film’s tone. The inclusion of this technique reminded me of The Twilight Zone, where the narrator is presenting the film as a case study. Another technique used in this film was time-stamps. These showed how much time had passed since the mystery started. The time-stamps also shared locations, informing the audience when a scene transition took place. This technique added to the film’s intended delivery; a classified file the audience is given exclusive access to.

A different side of the military: When one thinks of the military’s presence in a film, movies involving war/combat typically come to mind. However, there are films that depict the military in less combative environments. The Disappearance of Flight 412 is one of those films, as members of the Air Force are performing daily operations or testing a plane. The 1974 tv movie also focuses on the leadership within the military. As the story revolves around the military’s approach to unexplained phenomena, various military leaders handle the situation in a way they feel is best. With all that said, The Disappearance of Flight 412 presents a different side of the military, allowing the film to have its own unique identity!

The mystery’s start time: I’ve stated before how I prefer mysteries start sooner rather than later. This is so the audience can get, and stay, invested in the mystery. In The Disappearance of Flight 412, the mystery started six minutes into the movie. Because of this, it allowed the audience to get hooked into the story. It also allowed the story to get straight to the point sooner.

Military plane image created by Brgfx at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by brgfx – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A misleading title: This movie is titled The Disappearance of Flight 412. But throughout the story, the audience follows the members of the titular flight. Therefore, they know exactly where this plane ended up. There were two fighter jets, named Tango 1 and Tango 2, that did disappear. However, the title does not acknowledge those jets. With that said, I found this movie’s title misleading.

Few opportunities to know the characters: According to both IMDB and the title of the Youtube video, The Disappearance of Flight 412 is classified as a mystery. But because the story primarily revolves around this mystery, there aren’t many opportunities to get to know the characters. Sure, the audience learns a little bit of information about them, such as some of their military history. However, this information isn’t enough to truly get to know the characters. If anything, the audience simply becomes familiar with them.

The prolonged mention of UFOs: At the beginning of the movie, the aforementioned voice-over provides explanations and details about possible UFO sightings. This sets the stage for what’s to come in the story. After this introduction, though, the subject of UFOs isn’t brought up until about thirty-seven minutes into the movie. If that introduction hadn’t been included in the film, the first mention of UFOs would have been an unexpected surprise for the audience. But because of the introduction’s inclusion and because the introduction felt more like a news reel, it, in a way, presented false expectations of more serious UFO discussion.

Detective work image created by Photoroyalty at freepik.com. <a href=’https://www.freepik.com/free-vector/investigation-background-design_1041877.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Photoroyalty – Freepik.com</a>. Image found at freepik.com.

My overall impression:

There are movies where the subject itself is more interesting than the film. Some examples are Over the Edge and The Last Full Measure. In my opinion, The Disappearance of Flight 412 fits in this category. As I mentioned in my review, the story primarily revolves around the mystery of the disappearing fighter jets. Since the movie also covers the subject of the military dealing with unexplained phenomena, I think this topic would serve as an interesting documentary. That way, more time could be given to the subject, while also exploring the debates and perspectives surrounding it. At the end of the movie, a series of text states how the film’s characters and events are fictional. Maybe if The Disappearance of Flight 412 had been based on a real-life story, the project would be more memorable than it was.

Overall score: 6.2 out of 10

Have you seen The Disappearance of Flight 412? Are there any films involving aviation you like? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Children of a Lesser God Review

On By 18cinemalane6 Comments

May’s theme for Genre Grandeur is ‘Best Picture Nominated Movies that didn’t win’. As the Oscars have been around for more than fifty years, there were plenty of titles for me to choose from. But I knew the main-stream, bigger name films were going to get selected by other participants of Genre Grandeur. So, I decided to choose a movie that was not only off the beaten path, but also less talked about than other films. This is one of the reasons why I’m reviewing Children of a Lesser God. Eric Binford, from Diary of A Movie Maniac, is another reason why I chose to write about the 1986 project. While talking about non-preachy movies containing messages, I brought up the Hallmark Hall of Fame production, Sweet Nothing in My Ear. After Eric mentioned how he loves Marlee Matlin, I realized I have never reviewed any project from Marlee’s filmography. I have seen Sweet Nothing in My Ear, as well as a handful of Switched at Birth episodes. But I’ve never discussed the ABC Family show on 18 Cinema Lane and I didn’t review the 2008 Hallmark Hall of Fame film. It should also be noted how the last time I wrote about an ’80s movie was last September.

Children of a Lesser God poster created by Paramount Pictures

Things I liked about the film:

The acting: Since Marlee Matlin is one of the reasons why I chose to review Children of a Lesser God, I will talk about her performance first. While portraying Sarah, Marlee’s facial expressions and body language were expressive. They were also as fluid as her sign language. During an assembly, Sarah witnesses a performance from James’ students. At first, she appears content, not seeing any issue with the performance. But as the performance goes on, Sarah’s face progressively changes, appearing angry for reasons not yet revealed. In fact, Sarah becomes so upset by this performance, she ends up breaking a mirror. The strength of Marlee’s acting abilities not only allowed her to stand on her own, talent-wise, but also go toe-to-toe with William Hurt!

In Children of a Lesser God, William Hurt portrays James. The first thing I noticed about his acting performance was how he was able to balance the light-hearted and serious moments of the story! Toward the beginning of the film, James is explaining to his students why they should learn to speak. To demonstrate a likely scenario, James does a hand-stand, in an attempt to make his point. Later in the film, James learns more about Sarah. She explains how, in high school, her male peers would desire an intimate relationship with her, yet refuse to take the time to get to know her. During this conversation, James becomes frustrated over things he can’t change, such as Sarah’s past. Similar to what I said about Marlee’s performance, William was also expressive in his role. The expressive nature of his performance is what helped him maintain a consistent portrayal!

Several scenes show James interacting with the students in his speech class. These scenes are meant to serve as the more light-hearted moments of the film. One of the students in this class is Lydia. Portrayed by Allison Gompf, Lydia was not afraid to try new things. In fact, she was one of the first students to try speaking. What helped Allison and her character be memorable was her on-screen personality. It was so bubbly and up-beat, you can’t help but smile every time she appears on screen!

The on-screen chemistry: As I just mentioned, both Marlee and William gave solid performances individually. However, they also performed well together! The strength and expressiveness of their acting abilities worked in their favor and complimented one another. These aspects of their combined performance allowed them to showcase a relationship that felt realistic. One of my favorite scenes in Children of a Lesser God takes place when James wants to listen to one of his records. But shortly after he puts on a Bach record, he is overcome with guilt. James turns off the record, telling Sarah he can’t enjoy the music because she can’t hear it. A few moments later, Sarah puts the record back on, as she knows how much James enjoys the music. Through the acting, as well as the screenwriting, this scene is a great example of the sacrifices and compromises that can take place within a romantic relationship.

 An introduction to deaf culture: Whenever I talk about a movie highlighting a specific culture/community, I try to remind my readers that the film in question is not the “end all, be all” when it comes to discussing that culture/community. This is the case when talking about Children of a Lesser God. The students in James’ speech class are their own individuals, displaying distinct styles and expressing unique perspectives. These students, including Sarah, have their reasons why they either want or don’t want to speak. At one point in the film, James’ students perform in their school’s assembly. Throughout this performance, they sing, dance, and sign while on stage. The joy expressed by these characters can be seen and felt. This scene shows one can experience joy when they’ve found a place to belong.

Sign language alphabet image created by Freepik at freepik.com. Hand sign vector created by freepik – www.freepik.com

What I didn’t like about the film:

A confusing title: With a title like Children of a Lesser God, I’m going to safely assume “children” is referencing deaf people, with the title itself emphasizing how deaf people are just as important to society as hearing people. But in the movie, Sarah is the only deaf character the story revolves around. Yes, there are deaf characters featured throughout the film. However, these characters are shown as well-adjusted individuals who aren’t prejudiced or mistreated. As I mentioned before, Sarah recounts a situation that happened to her in high school. Sarah’s mother, portrayed by Piper Laurie, shares traumatic events Sarah experienced in her life. But all of these events happened prior to the film. With all this said, the title, Children of a Lesser God, seems confusing.

A limited presence of James’ students: As I said earlier in this review, the moments where James interacts with his students were meant to be the more light-hearted moments of the film. But throughout the movie, the presence of the students themselves were limited. I really liked the camaraderie between these characters, as it made their connection seem believable. Because of the student’s limited presence, it left few opportunities to get to know them. Sure, we learn about them through their experiences in James’ speech class. But compared to James and Sarah, I felt like I, as an audience member, only became familiar with James’ students. I kind of wish they had received their own subplot.

No appearances from Ruth: When Sarah’s mom is talking to James about Sarah’s past, she mentions her other daughter, Ruth. She also mentions how, in high school, Ruth’s male peers were more interested in Sarah. Despite Ruth getting brought up in the story, Sarah’s sister never appears in the film. Personally, I think this was a missed opportunity. It would have been interesting to hear the perspective of a sibling of someone with a disability. I also wanted to know how Ruth felt about what Sarah went through in high school. In the movie’s opening credits, I learned Children of a Lesser God was based on a Broadway play. I haven’t seen this play, so I don’t know if Ruth is a character that is meant to be in the story. But, like I said, it still feels like a missed opportunity.

Orange cat image created by Freestockcenter at freepik.com. <a href=’https://www.freepik.com/free-photo/ginger-cat_883376.htm’>Designed by Freestockcenter</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold image created by Freestockcenter – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Children of a Lesser God is a character-driven movie. With these types of films, you need a cast that is so strong, it gives the audience a reason to stay invested in the overall story. That is exactly what this 1986 production achieved! Even though Children of a Lesser God primarily revolves around Sarah and James, the supporting cast was great to watch. Presenting an introduction to the deaf culture also helps. Though I liked this movie, there were some aspects of this project that could have been stronger. I wish James’ students had received their own subplot and Ruth had appeared in the story. But as I said in this review, Children of a Lesser God is based on a Broadway play. Therefore, I don’t know what was in the original source material. As I close this review, I’d like to say I can’t speak for whether Children of a Lesser God should have received the Best Picture award. That’s because I haven’t seen Platoon or the other films nominated in 1987.

Overall score: 7.7-7.8 out of 10

Have you seen Children of a Lesser God? Which movie do you think should have won Best Picture in 1987? Please let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Song of Bernadette Review

On By 18cinemalane15 Comments

Shock and sadness. That’s how I felt when I discovered the passing of Patricia, from Caftan Woman, on Twitter. Upon hearing the announcement of the Caftan Woman Blogathon, I wanted to participate as a way to pay my respects to a fellow blogger. Over the years, Patricia has recommended several films for future reviews. So, it was only fitting for me to choose one of her suggestions for the event. Since the blogathon is commemorating a loss, I felt The Song of Bernadette was the most appropriate choice out of the recommendations on my Pinterest board. This also compliments other religious/faith-based films I’ve reviewed in the past, such as Ben-Hur and The Carpenter’s Miracle. With all that said, let’s start this review of The Song of Bernadette.

The Song of Bernadette poster created by 20th Century Fox

Things I liked about the film:

The acting: One of my favorite movies is Portrait of Jennie. Jennifer Jones’ consistent and captivating performance is one of the reasons why I love that film so much. In The Song of Bernadette, Jennifer’s portrayal of the titular character reminded me of her portrayal of Jennie. This is because she has a talent for pulling off an innocent demeanor without coming across as childish or immature. Throughout the film, Bernadette claims she is dumb. Yet, when asked what a sinner is, she tells the local reverend a sinner “is someone who loves sin”. The reverend even comments how Bernadette chose to say “loves sin” instead of “commits sin”. Personality wise, Jennifer brought a gentleness to her character. When speaking with one of Lourdes’ members of police, the policeman gets details of Bernadette’s story wrong. In a polite manner, Bernadette corrects him, pointing out the policeman’s errors in a soft-spoken voice. This innocence and gentleness allowed Bernadette to be taken seriously by the audience.

On 18 Cinema Lane, I have reviewed several of Vincent Price’s films. In most of these movies, Vincent portrays a character that can exude a sense of fear for the audience. But in The Song of Bernadette, his role of Vital Dutour was very different from his other roles. One reason is how Vincent is a part of an ensemble instead of a main focus in the story. Another reason is how Vital’s actions and choices were not chosen to cause fear. Despite all of this, Vincent carries his character with elegance and arrogance. In an effort to get to the bottom of Bernadette’s “visions”, Vital questions her story in his office. He speaks to Bernadette with a stern voice and presents a no-nonsense attitude. By interacting with her in this way, Vital is attempting in enforce his authority, thinking he will get his way. But because of Bernadette’s strength in her faith and her innocent demeanor, she is able to stand up to Vital. With that, both Jennifer Jones and Vincent Price are able to, acting-wise, go toe-to-toe with each other!

The set design: The Song of Bernadette takes place in the French countryside of 1858. But according to IMDB, the movie was filmed in California. Despite this, the set didn’t look like a set. Instead, it looked like a small French town from the 1850s! The architecture of Lourdes’ buildings was simple. Materials such as stone cover these structures. A traditional roof shingle design is displayed on top of these buildings. Like any well-researched production, the attention to detail was not overlooked! Vital’s office boasts two impressive things: a large desk and fireplace. The desk is a big piece of furniture that is coated in darker wood. Small, gold detailing can be found on the side of the desk. The fireplace is a massive marble structure, with etched detailing just below the mantle. Attention to detail and thorough research made this on-screen world an immersive environment!

Correlations with Biblical stories: When I reviewed the 1959 film, Ben-Hur, I talked about how certain Biblical events were incorporated into the overall story. With The Song of Bernadette, I could pick out moments that felt like unintentional correlations with some stories from the Bible. Toward the beginning of the film, Bernadette’s father is hired to dispose dirty rags from hospital patients. Shortly after being hired, Bernadette’s father can be seen pulling the wagon filled with dirty rags up a hill. This scene reminded me of the Crucifixion story, when Jesus is carrying the cross. The scene can also serve as a reminder how everyone has their own cross to bear, literally or figuratively. After Bernadette sees her first “vison”, Bernadette’s neighbors offer Bernadette’s family extra food they had acquired. The neighbors’ multiplying of food is reminiscent of the story where Jesus multiplied two fish and five loaves. Because this scene takes place after the first “vision”, I saw it as a miracle similar to the aforementioned Biblical story.

Using little to no dialogue: In two scenes, the movie’s creative team did a great job using little to no dialogue! One of them was the aforementioned scene where Bernadette’s father climbed up the hill. Orchestral music replaces any dialogue, which captures the emotions of Bernadette’s father. A long shot showcases the journey, elaborating how small Bernadette’s father is compared to the hill. This scene visually explained how difficult his life is. Another scene that used no dialogue is when Bernadette experiences her first “vision”. Not only is orchestral and choir music incorporated, the creative team uses a spotlight to accentuate Jennifer’s facial expressions. At one point in this scene, wind blew unexpectedly, signaling something was about to happen. Both scenes were able to say so much while saying so little!

The Caftan Woman Blogathon banner created by Lady Eve from Lady Eve’s Reel Life and Jacqueline from Another Old Movie Blog

What I didn’t like about the film:

The under-utilization of Antoine and his mother: In The Song of Bernadette, the titular character appears to be friends with a man named Antoine. Antoine also appears to be close with his mother. These two characters were only shown in a handful of scenes. Even when they were included in the story, their significance in the overall plot was weaker. The under-utilization of Antoine and his mother was disappointing, as I felt they could have offered more to the story. But since this movie was based on a book I haven’t read, I’m not sure if the limited presence of these characters is close to the source material.

A few ignored details: Toward the beginning of the movie, a friend of Bernadette’s explains to their teacher how Bernadette has asthma. This diagnosis is brought up on a few occasions by Bernadette’s family throughout the movie. But, for the most part, this detail was ignored and had little significance in the story. There were times when Vital Dutour was seen wiping his nose with a handkerchief. At one point in the story, he claims it’s “influenza”. However, it isn’t clearly explained what he’s medically dealing with. As I already said, The Song of Bernadette is based on a book I haven’t read. But if the creative team knew they weren’t going to utilize these details, it makes me wonder why they would include them in the movie?

Rose illustration image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Incorporating faith into film can be a tricky task. On the one hand, you don’t want to run the risk of alienating those who aren’t religious. At the same time, you want to acknowledge the beliefs of those who choose to include religion in their lives. The Song of Bernadette finds a way to achieve “the best of both worlds”! Bernadette’s story is shown as a procession, a good exploration of how religious phenomena can affect a small town. The film doesn’t seem to take sides when it comes to the actual topic. Yes, some people make fun of Bernadette because of her “visions”. But there’s no antagonist or villain in the movie. Lourdes’ mayor and his friends don’t believe Bernadette. However, none of the men are religious, approaching the situation from a legal and literal perspective. Even the town’s reverend isn’t quick to assume the “visions” are religious. Out of all the movies I’ve seen this year, so far, I’d say The Song of Bernadette is the strongest one! If you are interested in checking this film out, I think Easter would be an appropriate time to see it. Personally, I wish I had seen it sooner, especially since I can no longer thank Patricia for the recommendation.

Overall score: 8.2-8.3 out of 10

Rest in Peace Patricia

Sally Silverscreen

The Travel Gone Wrong Blogathon is Ready to Set Sail!

On By 18cinemalane19 Comments

All aboard the blogathon train! Spring is a time when vacations are either in the planning stage or just beginning. This is one of the inspirations for my Travel Gone Wrong Blogathon! As was mentioned in the official announcement post, plans can either go hilariously or horrifyingly wrong. So, for this year’s event, entries are classified accordingly. All the participant’s posts will be found on this one communal post, in order to locate them easier. With that said, grab your suitcase and fasten your seatbelts! We’re off on a blogathon adventure!

Created by Sally Silverscreen at Adobe Creative Cloud Express

Sally from 18 Cinema Lane — Travel Lessons I Learned from Movies and TV

Hilariously Wrong

Gill from Realweegiemidget Reviews — FILMS… Our Ladies (2019)

Ruth from Silver Screenings — How to Have a Miserable Vacation

Rebecca from Taking Up Room — The Hardys Take Manhattan

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 131: “Planes, Trains, and Automobiles”

Hamlette from Hamlette’s Soliloquy — “French Kiss” (1995)

Classic Movie Muse from The Classic Movie Muse — 5 Reasons Why You Should Watch The Great Race (1965)

Horrifyingly Wrong

Debbie from Moon In Gemini — The Travel Gone Wrong Blogathon: Train to Busan (2016)

geelw from “DESTROY ALL FANBOYS”! — The Passenger, Or: Boarding? Pass!, The Gift Or: “Where’s Waldo?” Or: “Really Dead Letter Office”

J-Dub from Dubsism — Sports Analogies Hidden In Classic Movies – Volume 130: “Airport”

Eric from Diary of A Movie Maniac — THE LOST WEEKEND (1945)

Evaschon98 from Classics and Craziness — movie review: flightplan (2005).

Take 3: Death on the Nile (2022) Review + 415 Follower Thank You

On By 18cinemalaneLeave a comment

When I reviewed Curious Caterer: Dying for Chocolate for my last Blog Follower Dedication Review, I figured by writing about a mystery film, I would be giving the readers what they wanted. Well, for my 415 Blog Follower Dedication Review, I decided to give my readers yet another mystery, as both reviews for Curious Caterer: Dying for Chocolate and Cut, Color, Murder have been quite successful. This time, though, the movie in question is a more current mystery production from the big screen. Recently, my family rented the 2022 adaptation, Death on the Nile. This is the follow-up title to the 2017 adaptation, Murder on the Orient Express. On 18 Cinema Lane, I have gone on record to state I was not a fan of Murder on the Orient Express’ ending. I would say why, but then I’d have to spoil that movie for my readers. With that said, I watched the 2022 film with an open mind, hoping the ending would be better. But was that enough to be stronger than the 2017 title? Join me as I review Death on the Nile!

Death on the Nile (2022) poster created by Kinberg Genre, Mark Gordon Pictures, Scott Free Productions, TSG Entertainment, and 20th Century Studios

Things I liked about the film:

The acting: Sometimes, in ensemble films, there is at least one performance that steals the show. In the case of Death on the Nile, I can’t say that happened, as everyone’s performance was equally strong. So instead, I’m going to talk about how all of the actors and actresses appeared at ease in their roles. Every interaction among the characters seemed natural. Despite the talent being on different journeys in their career, there was a shared chemistry to be found. Gal Gadot did not star in Murder on the Orient Express alongside Kenneth Branagh. However, when they interacted together, it felt like their characters, Linnet and Hercule, had known each other longer than their total screen time. Even actors and actresses whose characters developed their own relationships created a believable on-screen connection. Bouc is a close friend of Hercule’s, but wasn’t brought up or featured in Murder on the Orient Express. Rosalie is a character who made her debut in Death on the Nile. Despite never meeting prior to this film, Rosalie and Bouc formed a romantic relationship that felt genuine. Their bright smiles and warm embraces present the impression they were always meant to be together. It’s interactions like Bouc and Rosalie’s that allowed the overall acting performances to be enjoyable to watch!

An atmospheric setting: The majority of Death on the Nile takes place in Egypt, specifically on the Nile River. Despite a cruise ship being the primary setting for the story, the characters make an excursion to an ancient Egyptian tomb. I’m not sure if Death on the Nile was filmed on-location, on a set, or if everything was green-screened. No matter where the movie was filmed, this particular location was very atmospheric! The structure was covered in a warm sandstone, reflecting the nearby natural landscape. The interior walls were covered in hieroglyphics, only seen through torch light or a flashlight. Before the characters entered the tombs, a long, overhead shot showcased their entry. Even though a structure like this one would likely never be done justice through filmography, it emphasized the scope of a location of that scale!

The Egyptian tombs were not the only atmospheric location in this film. When it comes to the S.S. Karnak, the creative team knew what style they wanted to execute. Boy, did they stick the landing! This ship was posh, bearing the word “elegant” like a badge of honor. The floor was a dark wood, which nicely contrasted the white shiplap walls. Polished glass windows surrounded a grand sitting area, separating patrons into an isolated, beautiful world. Even this aforementioned sitting area was a sight to behold! A detailed oriental rug hosted an island to a set of plush armchairs and a sofa. An elegant bar overlooked both the seating arrangements and the windowed walls, which showcased a perfect view of the river. When I first saw this ship on screen, it looked, to me, like a miniature version of the Titanic.

The use of black and white imagery: Within the mystery genre, black and white imagery has been, in my experience, used rarely in more recently released titles. Even in Death on the Nile, this kind of imagery had a limited incorporation in the movie. But the use of black and white imagery is what stood out to me. This film’s very first scene is captured in black and white. However, it took place during World War I, with the rest of the story taking place in 1937. The distinction of past and present through imagery was clever and visually interesting. This creative tactic was used again later in the story. But this time, color was included to force the audience to focus on that scene’s particular aspects. Like I said about the previous scene, it was an interesting and clever way to use black and white imagery!

Magnifying fingerprints image created by Balintseby at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/glass”>Glass vector created by Balintseby – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/fingerprint-investigation_789253.htm’>Designed by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

The mystery’s delayed start time: One of my least favorite aspects of the mystery genre is when the mystery starts at a later time in the story. This is because I prefer mysteries to be more interactive and get to the heart of the matter sooner. Unfortunately, Death on the Nile did not ask me what I wanted, as the mystery in this movie started at the halfway point. That means the audience was given half a movie to attempt to solve the mystery alongside Hercule. To me, this felt reminiscent of episodes of Murder, She Wrote, where the first half of the story is devoted to the mystery’s build-up. This creative decision caused a much slower start to the movie, as well as a delay in suspense.

A mystery overshadowed by relationship drama: Drama among the characters can work in a mystery’s favor, as it provides possible motives and suspects. Various types of relationships can also create tension within the overall story. But in Death on the Nile, the relationship drama ended up overshadowing the mystery. In fact, it dominated the film’s first half. While characters fell in and out of love, or simply reflected on love, one of my family members asked, “Isn’t someone supposed to get murdered in this story”? I could easily sense this family member’s impatience, as I too felt my good will toward the movie slipping away with each of the characters’ romantic embrace. I have never read any of Agatha Christie’s books, so I’m not sure if these relationships are straight from the source material. However, this part of the story was over-emphasized.

A past detail that doesn’t lead anywhere: Death on the Nile starts with showing Hercule during World War I. In that time, it is revealed he developed romantic feelings for a woman named Katherine. For the rest of the movie, though, this part of the story was never revisited. If Katherine was brought up, Hercule only talked about her in passing. Hercule’s past relationship and his time during World War I getting ignored was confusing to me. Why include these details if there was no plan to follow through on them? It felt like they were added to the story simply for the sake of being there.

Egyptian hieroglyphic image created by wirestock at freepik.com. Luxor photo created by wirestock – www.freepik.com

My overall impression:

Before I share my overall impression of Death on the Nile, I would like to thank my followers for helping make this review a reality! In four years, my blog has achieved far more success than I ever imagined. All of that is thanks to you. Now, back to sharing my overall impression. While the ending/resolution in Death on the Nile was stronger than Murder on the Orient Express’ was, the overall execution was weaker than the 2017 adaptation. The 2022 film contained a similar flaw to Knives Out: the drama among the characters overshadowed the mystery. Having the mystery start at the movie’s halfway point didn’t help Death on the Nile’s case either. Like Murder on the Orient Express, though, the cast was strong in Death on the Nile. In fact, it was difficult for me to choose a favorite performance. The locations in the 2022 production were atmospheric as well. At the publication of this review, I’m not sure if Kenneth Branagh has plans to adapt more of Agatha Christie’s books. It depends, at this point, if the potential is there.

Overall score: 6.1 out of 10

Have you seen any adaptations of Agatha Christie’s work? Have you read any of Agatha’s books? Don’t hesitate to comment in the comment section below!

Have fun at the movies!

Sally Silverscreen