Take 3: A Godwink Christmas: Miracle of Love Review

As I stated in my USS Christmas review, I will be making a greater effort this year to review more Christmas movies. For my second Christmas film of 2022, I will be writing about the 2021 title, A Godwink Christmas: Miracle of Love! In my list of the top five Hallmark films based on a true story, I mentioned the 2019 movie, A Godwink Christmas: Meant for Love. While talking about that film, I said the sequel was stronger than the first movie. This is because the 2019 title did a better job at explaining and showcasing what a “Godwink” is. Since publishing that list, I have seen the third and fourth films in the Godwink series. The 2020 movie, A Godwink Christmas: Second Chance, First Love, was, in my opinion, fine. However, it was reminiscent of the first movie, where the “Godwinks” feel more like plot conveniences. What are my thoughts on the fourth film? Keep reading to find out!

A Godwink Christmas: Miracle of Love poster created by Crown Media Productions and Hallmark Movies & Mysteries

Things I liked about the film:

Character interactions: Like I said in my Words on Bathroom Walls review, interactions between characters are only as good as the actors and actresses portraying those characters. In A Godwink Christmas: Miracle of Love, I enjoyed watching these character interactions, as they were pleasant! One reason why was how believable the camaraderie felt! A Godwink Christmas: Miracle of Love revolves around Joy and Eric’s experiences volunteering during the Christmas season. During their time together, they work alongside two other volunteers, Adam and Sadie. Anytime these four actors (Katherine Barrell, Alberto Frezza, Josh Ssettuba, and Faith Wright) interacted with each other on-screen, I always got the impression their characters truly got along with one another and enjoyed each other’s company. This was accomplished partly with the help of the actors’ and actresses’ acting talents!

The inclusion of Advent: Advent is an important part of the Christmas season that, almost always, gets overlooked in Christmas cinema. So, imagine my shock when I see Advent included in A Godwink Christmas: Miracle of Love! Advent was the name of the non-profit Eric and Joy volunteered for. However, the candle lighting and messages associated with Advent were incorporated into the script, correlating with what is happening in the story. The non-profit’s volunteer leader, Angelo, lights each candle at select moments in the film, explaining the significance of every one. Honesty is a message associated with the Advent candles, which connects to a dilemma Joy is facing in her personal life.

The incorporation of a conflict: It’s been several years since I’ve seen A Godwink Christmas: Meant for Love. From what I remember, the story contained a conflict the characters were working to resolve. As I said earlier in this review, Joy and Eric volunteer during the Christmas season in A Godwink Christmas: Miracle of Love. The volunteers’ goal is to help a family who lost their house due to a fire. Because the characters work together to resolve this conflict, this part of the story gave the audience a reason to stay invested in the film. It also provided better explanations for what “Godwinks” are.

Showcasing each volunteer’s talent: As I said in my Top Gun: Maverick review, it can, sometimes, be difficult to evenly distribute character development to every character in a group. But in A Godwink Christmas: Miracle of Love, the group of volunteers was smaller, which allowed the audience to get to know the characters. One way the movie’s characters received character development was having their talents showcased in the story! Sadie is one of the volunteers, like I mentioned earlier in my review. She is an expert when it comes to computers and technological equipment. When she discovers the Romero family’s computer hard-drive was destroyed in the house fire, Sadie finds a way to save at least some family photos. These photos were given to the Romeros as portraits for their new baby’s room.

Necessary Christmas items image created by Moonstarer at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-elements-collection_994916.htm’>Designed by Moonstarer</a>. <a href=”https://www.freepik.com/free-photos-vectors/christmas”>Christmas vector created by Moonstarer – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Joy’s relationship subplot: At the beginning of the movie, Joy is introduced as a woman in a serious romantic relationship. She has been dating her boyfriend, Danny, for five years. Throughout the film, Joy wonders if she should continue her relationship with Danny. I know A Godwink Christmas: Miracle of Love is based on a true story. I’m also aware Joy needed a personal conflict to work through. However, I, personally, didn’t think the relationship subplot was necessary. In fact, I found this subplot to be the weakest part of the overall story.

An unresolved story: In this review, I’ve been mentioning how the Romero family lost their house due to a fire. This is why the volunteers of the Advent non-profit are helping them. Because the Romero family play such a vital role in the film’s story and because A Godwink Christmas: Miracle of Love is based on a true story, I was hoping they would receive an update at the end of the movie. Unfortunately, the Romero family was never mentioned. This exclusion made their story seem unresolved.

A missed opportunity: When Joy and Eric first meet Katie Graber and her husband, Dr. Louis Graber, they learn about “Godwinks”. Louis claims that, because he’s a man of science, he thinks “Godwinks” are simply coincidences. Meanwhile, Katie is a firm believer “Godwinks” are God’s intervention. While Louis eventually changes his mind on “Godwinks”, I feel the movie’s creative team missed a good opportunity to explore how people can have differing opinions around a singular subject. As I’ve been saying in this review, A Godwink Christmas: Miracle of Love is based on a true story. I also know there’s only so much story you can tell in two hours. However, I wish a little more time had been given to that aforementioned idea.

Financial donation image created by Rawpixel.com at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by rawpixel.com – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

A Godwink Christmas: Miracle of Love is only the second Christmas movie I’ve reviewed this year, so far. But based on what I saw, I was impressed! The fourth chapter in the Godwink series was reminiscent of the 2019 movie, A Godwink Christmas: Meant for Love. This is because both films a) do a better job showing and explaining what a “Godwink” is and b) featured a conflict the characters were trying to resolve. These types of Godwink stories are the ones I prefer. The movie’s creative team adopted interesting choices that made the story feel more unique. One example was how gift exchanging was incorporated into the script as a way for the Romeros to become acquainted with their new neighbors.  While gift exchanging has been featured in countless Hallmark productions, the way it was presented in A Godwink Christmas: Miracle of Love was creative. From what I’ve gathered, there were no Godwink films released or planned for release in 2022. Perhaps we’ll receive one in 2023, on either Hallmark Movies & Mysteries or maybe even Great American Family?

Overall score: 8.4 out of 10

Have you seen any of the Godwink films? Are there any “Godwink” stories you think should be adapted into a movie? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Top Gun: Maverick Review + 450 Follower Thank You

A few days ago, 18 Cinema Lane received its 450th follower! With that achievement comes a Blog Follower Dedication Review! A few of my recent movie reviews were for films released in the 2020s. I recently saw Top Gun: Maverick, the sequel to Top Gun. Therefore, I will continue this momentum by writing about the 2022 blockbuster! While I’ve only seen pieces of Top Gun, I am familiar with its general premise. I’m also aware of how Top Gun: Maverick is the second film about the United States Navy I’ve reviewed this month. About a week ago, I wrote about the Hallmark Movies & Mysteries Christmas film, USS Christmas. In that review, I said the 2020 title was a nice, pleasant film. Even though USS Christmas was fine, it wasn’t an instant classic for me or a new favorite movie. How will Top Gun: Maverick compare to the aforementioned Hallmark project? Keep reading this review if you have a need, a need to find out the answer!

Top Gun: Maverick poster created by Skydance Media, Don Simpson/Jerry Bruckheimer Films, and Paramount Pictures

Things I liked about the film:

The acting: Jennifer Connelly portrayed Penny, a character who was not in Top Gun. Despite being a sequel exclusive character, it felt like Penny was always meant to be in the story. The on-screen chemistry between Jennifer and Tom Cruise is an example of this statement. When Maverick visits Penny’s bar for the first time in years, he reconnects with Penny. Their interactions are friendly, a camaraderie that appears natural between them. This on-screen chemistry was consistent, which allowed Maverick and Penny’s interactions to be pleasant to watch! Speaking of Maverick, let’s talk about Tom’s performance! Since the story of Top Gun: Maverick takes place over thirty years after its predecessor, Maverick’s personality has matured in that time. However, it still contained that “prove ‘em wrong” spirit that makes him such a beloved character. In a scene where Maverick is seeking advice from Iceman, he reflects on the loss of his friend, Goose. As the past collides with the present, Maverick becomes emotional, tears quickly filling his eyes and his bottom lip quivering. This scene shows how, even though Maverick carries himself with a sense of professionalism, emotion still shines through, thanks to Tom’s strong acting abilities!

I’m not familiar with Miles Teller’s filmography or acting talents. However, I really liked his performance in Top Gun: Maverick! Miles portrayed Rooster, Goose’s son. Rooster’s involvement with the Top Gun program causes tension between Rooster and Maverick. During a disagreement between these two characters, Rooster has a lot to get off his chest. He starts yelling at Maverick, the anger felt, seen, and heard in Rooster’s voice and face. Even though Rooster’s anger is explosive in this scene, Miles displays control over his character’s emotions. He also has potential to be the lead actor in a future film!

The cinematography: Sometimes, action films can be plagued with “shaky cam”. This causes the events on screen to be indistinguishable, which can impact an audience member’s enjoyment of a movie. Fortunately, this is not the case for Top Gun: Maverick! During the scenes where characters are flying, there are many shots of them within their respective planes. There are also shots of the planes in various positions, directions, and angles. These shots are captured with a steady camera, delivered with crisp precision and clarity. One of my favorite scenes was when Maverick is racing his motorcycle alongside a plane. Showcased in a medium shot, this race contains the spirit Maverick has exuded since the first film. With a steady camera, the shot is presented from Maverick’s right side, with Maverick in the fore-ground and the plane in the background.

Including a mission: From the pieces of Top Gun I’ve seen, I recall the story heavily revolving around the training within the Top Gun program. While there is training in Top Gun: Maverick, the story prioritized an overarching mission instead. Each step of the mission is presented with the use of modern technology, such as computerized images on a television monitor. The inclusion of this mission gave the characters something to work towards. It also gave them a conflict to resolve. From an audience perspective, the mission keeps them invested in the story as it unfolds.

Military plane image created by Brgfx at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by brgfx – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

No inclusion of the quote, “I have a need, a need for speed”: One of the most iconic parts of Top Gun is the quote; “I have a need, a need for speed”. That quote is not only the most recognizable one from the 1986 movie, it’s one of the most famous quotes of all time. With the amount of respect given toward the predecessor in Top Gun: Maverick, I expected the aforementioned quote to be included somewhere in the 2022 film. Unfortunately, this quote was never spoken or referenced. I know this seems like a trivial flaw. But I think not including the quote is a missed opportunity.

Iceman’s fate: For this part of my review, I will spoil Top Gun: Maverick. If you have not seen this movie and plan on watching it, skip this portion and go straight to where it says “A limited distribution of character development”.

Iceman makes an appearance in Top Gun: Maverick. Even though he has become an Admiral and the commander of the U.S. Pacific Fleet, Iceman is dealing with medical related issues. These issues lead to his death around the film’s half-way point. I am aware the story needed a conflict. But having one of the “legacy” characters die felt, to me, like the film was giving mixed messages. As I already mentioned, Top Gun: Maverick was respectful toward its predecessor, emphasizing the idea of honoring the past and respecting what came before you. If this sentiment is true, then why would the movie’s creative team allow Iceman to be written out the way he was? Couldn’t Iceman be allowed to live his life as peacefully as possible? I know the Top Gun story wasn’t intended to become a franchise. However, I don’t believe Iceman should have died, especially since Goose already died in the first film.

A limited distribution of character development: When a story involves a group of people, it can, sometimes, be difficult to evenly distribute character development to every character in that group. In Top Gun: Maverick’s case, this flaw wasn’t avoided. Among the group of young lieutenants, the two that receive the most character development are Hangman and Rooster. Some of the lieutenants get a little bit of character development, while the rest don’t receive any. Besides Rooster and Hangman, I felt like I truly didn’t get to know the lieutenants, just simply became familiar with them. Like I’ve mentioned before in this review, I have only seen pieces of Top Gun. Therefore, I don’t know if this flaw was in that film. But since a part of Top Gun: Maverick’s story focuses on a team working together, I wish I had gotten to know more than just two lieutenants.

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My overall impression:

During the overarching mission in Top Gun: Maverick, there are two miracles that are discussed. While I won’t be revealing these miracles, as I don’t want to spoil the film, I will be talking about the two miracles this movie produced. The first miracle is the amount of reverence and respect Top Gun: Maverick displayed for its predecessor. Creating a sequel to a beloved movie, especially after a thirty plus year time frame, is a challenging feat. I can only speak for myself, but I think Top Gun: Maverick’s creative team pulled off this feat better than expected! The second miracle is how successful Top Gun: Maverick has become since its release. In a post-pandemic cinematic landscape, having a film garner over a billion dollars has become rarer than it was a decade ago. Even if a movie does acquire that much money, it may not receive critical praise. Top Gun: Maverick not only acquired a large profit, but also achieved critical acclaim. With all that said, this movie truly pulled off the impossible. Before I end this review, I’d like to point out how this review represents a miracle. That miracle is the success of 18 Cinema Lane, which would not be possible without my blog’s followers. Therefore, I would like to thank each and every one of them!

Overall score: 8.3 out of 10

Have you seen Top Gun and/or Top Gun: Maverick? Which movie do you think deserves a sequel? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Alex: The Life of a Child Review

‘Films About Doctors, Nurses and Hospitals’. That’s the theme of this month’s Genre Grandeur. There were several titles I could have selected to write about. But after re-reading my list of the top ten films I’d love to review, I decided to take a different approach for November’s event. When I published the aforementioned list in June, I talked about the 1986 made-for-TV movie, Alex: The Life of a Child. The film is based on Frank Deford’s book of the same name, which recounts the life of his daughter, Alex. Because of her Cystic Fibrosis diagnosis, Alex spent a significant amount of time interacting with doctors and nurses, as well as spending time in the hospital. Therefore, I thought Alex: The Life of a Child was an appropriate title to review for November’s Genre Grandeur!

Alex: The Life of a Child title card created by Mandy Films and American Broadcasting Company (ABC). Image found on the Youtube channel, JPG Highlands Vlog.

Things I liked about the film:

The acting: When you have a story that primarily focuses on a younger character/person, you need to recruit a younger actor or actress who has the talent to carry that film on their shoulders. In the case of Gennie James’ portrayal of Alex Deford, her performance highlights the idea of children being smarter than they sometimes receive credit for. Toward the end of the film, Alex asks her doctor whether she’s going to die. Her tone of voice is matter-of-fact, containing a sense of understanding for what’s going on. Alex’s doctor, Dr. Tom Dolan, tries his best to be as honest as possible, while also sugar-coating the news just enough to keep it bearable. Alex then tells Tom, “Ok, I think you better go now”, empathy felt in her voice. However, this empathy was for Tom, as Alex knew how difficult her passing would be for him.

Danny Corkill portrays Alex’s brother, Christian Deford. Even though he appeared in only a handful of scenes, Danny’s performance was a strong one! After receiving the news his family will be adopting a child, Christian goes to his room. In there, he listens to a series of recordings Frank created while Alex was still alive. Throughout this scene, Danny consistently carries a long look on his face. His eyes stare off into the distance, searching for the one person who won’t come back home. Those eyes are paired with a frown and a sad tone in his voice. This scene alone showcases how difficult a family member’s passing can be on a child, especially if that family member is their younger sibling.

Alex and Christian’s mother is portrayed by Bonnie Bedelia. What I liked about her performance was how expressive it was. Shortly after receiving the news about Alex’s diagnosis, Frank and Carole are worried about their daughter’s outcome. During her conversation with Frank, Carole’s eyes are filled with sadness and fear. A deep sense of concern is in Carole’s voice, as she and Frank wonder how much longer Alex will live. That scene displays a portrayal that feels believable, thanks in part to Bonnie’s strong acting abilities!

Respect toward the source material: As I mentioned in the introduction, Alex: The Life of a Child is based on a book written by Alex’s father, Frank. In my list of the top ten movies I’d love to review, I said I had read this book. Even though it’s been years since I read Frank’s novel, there were parts of the story I recognized from the text. One of them was the Deford family’s recording for their answering machine. In both the book and movie, the Deford family creates a funny recording for their answering machine, where they pretend to be in the shower while the phone is ringing. They record the message in the bathroom, leaving the faucet running and singing songs. This moment served as a hilarious moment in Alex’s life, stressing how Alex attempted to seek out the bright spots in her world, despite the severity of her illness.

Addressing the subject of patient advocacy: During one of her hospital stays, Alex’s lung collapses. She not only is in pain, she recognizes where the pain is coming from. When she tells a doctor what is happening, the doctor doesn’t believe her. But when Alex told a nurse she couldn’t breathe, Alex’s concerns were addressed. The subject of patient advocacy, especially for younger patients, is one that has received more acknowledgment in recent years. Alex’s story took place in the 1970s, with the film released in 1986. Therefore, this scene’s inclusion feels ahead of its time. It can also show viewers, including younger viewers, that you should stand up for yourself, even in a medical setting.

A screenshot of my copy of Alex: The Life of a Child. Screenshot taken by me, Sally Silverscreen.

What I didn’t like about the film:

The adoption subplot: Throughout the film, Frank and Carole Deford plan on adopting a child. This decision comes after the death of their daughter, Alex. In real life, the Deford family did adopt their youngest daughter, Scarlet. But this information was not included in the film’s source material, which was published in 1983. Scarlet’s adoption was addressed when Frank’s book was re-released in 1997, a decade after the film premiered. Because a good amount of the movie focused on this subplot, it took away focus from Alex’s part of the story, even though the film is titled Alex: The Life of a Child.

No acknowledgment for the Deford family’s involvement with the Cystic Fibrosis Foundation: According to Frank Deford’s bio on Goodreads, “he became involved in cystic fibrosis education and advocacy after his daughter, Alexandra (“Alex”) was diagnosed with the illness in the early 1970s”. Frank even became a chairman of the Cystic Fibrosis Foundation. Unfortunately, none of this information is included in the film. In fact, the aforementioned foundation is never brought up. I know there’s only so much story you can tell in an hour and thirty-three minutes. However, I wish this part of the story was included in a subplot instead of the adoption subplot.

Unclear time period: Similar to the book, the movie is told from Frank’s perspective, as he recalls Alex’s short life. Because of the visual nature of film, the audience witnesses some of these moments brought to life. But since the presentation of the “past” scenes doesn’t look much different from the “present” scenes, it was sometimes difficult to determine what part of the story was being told. For the sake of the film, I think the story should have been told in chronological order.

Heartbeat image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/medical-logo_763775.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/logo”>Logo vector created by Freepik</a>. Image found at freepik.com.

My overall impression:

Back in April, I reviewed Brian’s Song. In that review, I said I wasn’t as emotionally affected by the movie as I thought I would be. This is because I was familiar with Brian and Gale’s story before watching the film, which prevented me from becoming caught off-guard by the emotional, sadder moments in the story. I ended up having a similar experience while watching Alex: The Life of a Child. As I mentioned in this review, I have read the source material prior to seeing its adaptation. Therefore, I already knew how Alex’s story would play out. From what I remember of the book, I do feel the film was respectful to Frank’s text. I also think the strong acting performances worked in the movie’s favor. Alex: The Life of a Child is a fine, competently made television film. But if you’ve read the book, you’ve already seen the movie.

Overall score: 7.1-7.2 out of 10

Have you seen or read Alex: The Life of a Child? Is there a “based on a true story” movie you’re a fan of? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Words on Bathroom Walls Review

Rebecca from Taking Up Room has great blogathon ideas, hence why these events are so fun to participate in! The latest event, The Fake Teenager Festivus Blogathon, is no exception. For this blogathon, participants are asked to pick a movie or show featuring young adults, older teenagers, or older adults who have portrayed teenagers. As soon as I read the blogathon rules, I immediately thought of Charlie Plummer’s portrayal of Adam in Words on Bathroom Walls. Charlie was born in 1999, which means by the time of the film’s release in 2020, he was 21 years old. Words on Bathroom Walls is about a high school senior with Schizophrenia. I first started talking about this film in 2019, when I mentioned it in my Book Adaptation Tag post. In my Movie Blogger’s Christmas Wish List that year, I wished the film would receive a distributor, a studio that would release the movie. When the film received a distributor and release date the following year, I meant to get around to watching the movie. With Rebecca’s blogathon, I have an excuse to finally review Words on Bathroom Walls!

Words on Bathroom Walls poster created by LD Entertainment, Kick the Habit Productions, and Roadside Attractions

Things I liked about the film:

Interactions between characters: When it comes to interactions among characters, they are only as good as the actors and actresses portraying those characters. In the Words on Bathroom Walls adaptation, the cast was strong, which allowed their characters’ interactions to appear believable! The interactions between Adam and Maya serve as one example. Adam’s friend, Maya, comes over to his house to tutor him. When she enters Adam’s room, Maya discovers his collection of cookbooks. This leads to a verbal match, both Adam and Maya sharing their greatest achievements in good fun. Throughout the film, Charlie Plummer portrays Adam with a laid-back personality. Taylor Russell brings to life Maya’s studiousness, direct, and confident demeanor. Their interactions showcase how Adam’s and Maya’s personality are compatible, despite the fact they are the opposite of one another.

Seeing what’s in Adam’s mind: In the Words on Bathroom Walls book, Adam goes into detail how his Schizophrenia diagnosis impacts him and his world. His honesty about his diagnosis gives the story a sense of realism. But with Words on Bathroom Walls being adapted into a movie, the story gained the opportunity to visually present what goes on in Adam’s mind. At various moments of the story, Adam sees three people, who are his hallucinations. When he starts a new medication, these hallucinations begin to disappear. But the way their disappearance happens on screen looks like a technological glitch, a slow and steady process instead of instantaneous. This not only gave the audience something interesting to look at, it allowed them to gain some understanding into Adam’s experiences.

Breaking the fourth wall: Adam’s story in the Words on Bathroom Walls book is presented through the notes of a therapist. This literary approach made the story feel like Adam was speaking directly with the reader, as if he was having a private conversation with them. Adam’s therapy sessions are included in the adaptation. Because these sessions are only shown in certain parts of the film, they give Adam the opportunity to break the fourth wall. These moments still contain the honesty, emotion, and even humor I came to like about the book. The fourth wall being broken felt reminiscent of the book’s direct storytelling. This translation between adaptation and source material worked in the story’s favor!

The Fake Teenager Festivus Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Father Patrick’s inconsistent presence: Father Patrick is a movie exclusive character in Words on Bathroom Walls. He serves as a mentor figure to Adam, giving him advice and words of wisdom. I liked this dynamic between these characters, as there were no mentor figures at St. Agatha’s Catholic School in the book. However, Father Patrick only appeared in about four scenes total. I wish he had appeared in some more scenes, especially since the character himself was so well written and acted.

Adam’s limited perspective on Catholicism: One of the best parts of the Words on Bathroom Walls book was Adam’s perspective on Catholicism. In the story, Adam attends St. Agatha’s Catholic School, despite his decision to not adopt the religion. Reading Adam’s thoughts on Catholicism provided an insight that isn’t often included in stories featuring religious affiliated schools. In the adaptation, Adam’s perspective on Catholicism was featured. But its inclusion was so limited, it was watered down, compared to the book.

Toned down humor: What makes Adam such a likable character in Words on Bathroom Walls is his sense of humor. Julia Walton, the author of the book, gives the protagonist a drier sense of humor that contains a hint of sarcasm. However, Adam’s sense of humor was never depicted as mean-spirited or disrespectful. What Julia also does is provide a good balance between a humorous and serious tone. The adaptation prioritizes the story’s serious tone instead of trying to achieve the aforementioned balance. I know that mental illness/Schizophrenia is a topic that shouldn’t be taken lightly. But I think that balance between seriousness and humor was better executed in the book.

Since I’m finally reviewing Words on Bathroom Walls, featuring a screenshot of the book cover is in order! Screenshot taken by me, Sally Silverscreen.

My overall impression:

No matter how good or bad an adaptation is, there are bound to be changes between text and visual piece of entertainment. Words on Bathroom Walls is no exception to this, as I noticed several changes among both media. But despite these changes, the Words on Bathroom Walls adaptation was, more often than not, respectful to its source material. This is one of the reasons why I liked this film! The strength of the cast’s acting abilities worked in the movie’s favor. It allowed believable interactions between the characters. Interesting film-making techniques were incorporated into the project, such as the special effects. This enhanced the visual presentation of what goes on in Adam’s mind. Looking back on this movie, it seems like it is one of the more underrated adaptations. Why that is, I have no idea.

Overall score: 8.3 out of 10

Have you seen or read Words on Bathroom Walls? Are there any adaptations you’d like me to see and/or read? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Corsican Brothers Review

When I reviewed the 1982 Hallmark Hall of Fame movie, Witness for the Prosecution, back in July, I stated how I didn’t think I’d ever see the film. This was due to the movie’s lack of DVD or VHS release. But this is not the only Hallmark Hall of Fame production I didn’t think I would ever receive the opportunity to watch. One of these titles is the 1985 film adaptation, The Corsican Brothers. Similar to Witness for the Prosecution, the 1985 title didn’t receive a VHS or DVD release, as far as I know. Also similar to Witness for the Prosecution, I was able to locate the full movie on Youtube! Besides these similarities, both films star Donald Pleasence. In fact, Donald’s involvement in The Corsican Brothers is one of the reasons why I chose to review this film, as I’m participating in The Devilishly Delightful Donald Pleasence Blogathon!

The Corsican Brothers poster created by Hallmark Hall of Fame Productions, Norman Rosemont Productions, and CBS

Things I liked about the film:

The scenery: Within the movie’s introduction, there is a shot of the ocean surrounding Corsica. As the introduction continues, rocky terrains, rolling hills, and a city on a mountain are also showcased. The natural beauty of this island was captured well on film, making outdoor scenes visually appealing. When scenes took place in the town, quaint looking buildings met cobble stoned streets. A fountain was located in the town’s square. From a visual perspective, the town looked peaceful. It resembled Wanda’s hometown in the Hallmark Hall of Fame movie, In Love and War!

The historical accuracy: According to the film’s introduction, the story begins in 1820. Though the majority of the story revolves around Louis and Lucien’s life as adults, the film still takes place in the 19th century. While watching The Corsican Brothers, I was impressed by the historical accuracy shown on screen! Furniture is one example of this. In a scene where the camera pans over a section of a study room, a green embroidered chair with bolted upholstery was featured. An oil lamp was also included in the room. The windows boasted a lattice design, which highlighted an old-world charm to the titular characters’ home. These details provided a nice blend of the characters’ past and present!

The Devilishly Delightful Donald Pleasence Blogathon banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

The underutilization of Donald Pleasence: As I stated in the introduction, Donald Pleasence is one of the reasons why I chose to review this adaptation of The Corsican Brothers. As this is his second Hallmark Hall of Fame production I’ve seen and reviewed, I was eager to witness more of his acting talents. But, to my disappointment, Donald only appeared in about three and a half scenes. He did a good job with the acting material he was given. However, it made me wonder why he was cast in this movie in the first place, especially if the role didn’t allow his talents to be fully showcased?

Unexplained parts of the story:  I have never read this film’s source material. Despite this, I expected The Corsican Brothers to be like other adaptations of Alexandre Dumas’ stories; exciting tales full of adventure and intrigue. With the 1985 Hallmark Hall of Fame project, however, I was, more often than not, confused by what was happening on screen. At the beginning of the movie, a voice-over talks about how the region of Corsica is overruled by a multi-generational long vendetta. What this voice-over forgets to mention is how and why this vendetta started. From time to time, a mysterious woman appeared in Corsica, giving some of the characters fates. No explanations are provided for who this woman is or why she wants to get involved in the story’s events.

Little to no sense of urgency: In the adaptations of Alexandre Dumas’ stories I’ve seen, a common ingredient is a sense of urgency. Since there is a sense of adventure found in these stories, an added element of urgency gives the audience a reason to stay invested in the characters and their journey. With The Corsican Brothers, though, this sense of urgency was almost non-existent. I’d say about fifty percent of this movie showed Louis attending fancy events in Paris. Even when parts of the story were meant to be exciting, they either came across as anti-climactic or were not shown on screen. A good example is the trial in Paris that Louis is a part of.

Limited use of lighting: In a few scenes, events took place at night. But because of the limited use of lighting, it was difficult to see what was happening on screen. It got to the point where I couldn’t see characters’ faces. I am aware cinematic technology in the mid-80s was not as advanced as it is today, especially when it comes to made-for-tv films. Had the creative team of The Corsican Brothers incorporated a little more light to the nighttime scenes, it would have remedied the issue.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

When creating a book-to-film adaption, you should strive to create a movie that satisfies both the casual viewer and readers of the source material. As I stated in this review, I have never read The Corsican Brothers. Instead of being invested in the characters and their stories, I was, more often than not, confused by the events on screen. It felt like the creative team behind the movie expected the audience to have read the book prior to watching their presentation. Story related flaws are not the only flaws that stood out to me. Limited use of lighting made nighttime scenes difficult to see. The underutilization of Donald Pleasence also didn’t help. Not all Hallmark Hall of Fame movies are created equal, as some are bound to be better than others. Sadly, The Corsican Brothers isn’t one of the better ones.

Overall score: 5.5 out of 10

Have you seen The Corsican Brothers? What’s your favorite adaptation of Alexandre Dumas’ literary work? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: A Quiet Place Review + 445 Follower Thank You

This month, 18 Cinema Lane received 445 followers! Therefore, a Blog Follower Dedication Review is in order! Since October is typically known as the Halloween season, I wanted to select a film that was appropriate for this time of year. But I’m also participating in Genre Grandeur, where the theme this month is ‘Movies Directed by the Main Actor/Actress’. So, as the title of this review says, I have chosen to write about A Quiet Place! Prior to this review, I had heard of the 2018 film. Mixed results are what I have heard; either viewers have loved the movie or they thought the story’s logistics didn’t make sense. I’ve also heard A Quiet Place is a horror film that thinks outside the box. This is another reason why I chose to review this movie, as I don’t often talk about titles from the horror genre.

A Quiet Place poster created by Platinum Dunes, Sunday Night Productions, and Paramount Pictures

Things I liked about the film:

The family dynamic: John Krasinski and Emily Blunt are two actors I am familiar with, primarily for their comedic performances. With John, I have seen clips of The Office, while one of Emily’s most notable performances was in The Devil Wears Prada. As I’ve said before on 18 Cinema Lane, I’ve seen more comedic actors successfully transition to dramatic acting. John’s and Emily’s performance definitely stuck the landing, as they were both able to convey a variety of emotions through facial expressions and body language! Portraying John and Emily’s on-screen children were Noah Jupe, Millicent Simmonds, and Cade Woodward. Adding their strong performances, the Abbott family had a really good family dynamic that felt believable and genuine. Toward the beginning of the film, Cade’s character, Beau, really wants a toy space shuttle. However, the toy makes noise, which is a no-no within the Abbott family’s world. Through sign language and facial expressions, John’s character, Lee, explains how Beau can’t have the toy. Beau’s response was a look of pure sadness and confusion on his face. Another memorable scene was when Regan refused a new cochlear implant. Throughout the film, Lee attempts to create a functioning cochlear implant for his daughter. When he gives Regan the implant, Lee is optimistic it will work this time, wide eyes and even a smile conveying this optimism. Regan is not impressed with the new implant, as she’s frustrated at the idea of another implant not working. She not only expresses frustration on her face, she even pushes away her father’s hand.  

The atmosphere: As I mentioned in my point about the family dynamic, noise is a no-no in the Abbott family’s world. That’s because unidentified extraterrestrial creatures have taken over their environment, destroying anyone or anything that makes noise. Right in the very first scene, the audience can see how these creatures have driven people away from a small town. It looks like what most people would call a “ghost town”; cars frozen in the street and leaves slowly blowing through the air. The store where the Abbott family visits appears to be an urban explorer’s dream. Natural light from the store’s windows provides the facility’s only source of light. Products are strewn on the floor, waiting for someone to finally pick them up. Cinematography and inclusion of light help create a film that feels very atmospheric!

Use of sound: Even though the Abbott family try to create as little sound as possible, the film itself was not devoid of sound. At various moments in the story, natural sound could be heard whenever the family traveled from place to place. One notable example is when Noah’s character, Marcus, and Lee walk near a river. Sounds could also be heard through headphones or earbuds. In a scene where Lee and Emily’s character, Evelyn, are slow dancing, Evelyn puts one of her earbuds in Lee’s ear. Not only can the song be heard through the earbud, the song is amplified so the audience can hear it too. It serves as a reminder how sound, even noise, plays a role in our lives.

Sunny autumn landscape picture created by Kotkoa at freepik.com. <a href=’https://www.freepik.com/free-photo/autumn-forest_1436222.htm’>Designed by Kotkoa</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Kotkoa – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A film that doesn’t feel like a horror film: Like I said in my introduction, A Quiet Place is a horror film. Even the poster bears the hallmarks of a typical horror production. But, to me, A Quiet Place didn’t feel like a horror movie. Sure, there were terrifying moments in the story. But, if anything, the film felt like a dystopian/apocalyptic film with sci-fi elements. As I watched A Quiet Place, it reminded me of a more creative version of Signs.

Questions that are left unanswered: While I appreciate the film’s creative team respecting the audience’s intelligence, there were some questions I wish were answered. For instance, why did the Abbott family choose not to wear shoes? During Lee and Marcus’ hike, they cross paths with an elderly couple. Who were they and why did the elderly man want the creatures to capture him? Couldn’t the couple join the Abbott family and seek safety together?

The science’s confusing logic: As Marcus and Lee attempt to catch fish in a river, Lee explains how it’s ok to make small sounds. While big sounds are bad, they can be cancelled out with bigger sounds. With this logic in mind, why aren’t the extraterrestrial creatures congregating near the river? Why would they even bother trying to capture people, animals, and objects that make noise? Statements like Lee’s made the story somewhat confusing.

Sign language alphabet image created by Freepik at freepik.com. Hand sign vector created by freepik – www.freepik.com

My overall impression:

Before I share my overall impression of A Quiet Place, I’d like to thank all of 18 Cinema Lane’s followers! You are the reason why I continue to write and publish so many Blog Follower Dedication Reviews! Now, on to my thoughts on A Quiet Place. I will admit this is a fine, ambitious film that is one of the more unique titles of this nature. However, some aspects of the project could have been stronger. Like I said in my review of Night of the Comet, you need to explain the science in your science fiction story, especially in a way that satisfies the audience. While some of the science in A Quiet Place was explained, other parts of the story were confusing. The movie, to me, felt less like a horror movie and more like a dystopian/apocalyptic film with sci-fi elements. This makes the film’s marketing, as well as its horror classification, somewhat misleading. I am aware there is a sequel to A Quiet Place. Because I thought the movie was just fine, I’m not rushing to see the sequel anytime soon.

Overall score: 7 out of 10

Have you seen A Quiet Place? What movie do you like to watch around Halloween? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Harvey (1972) Review

One of the first movies I reviewed this year was the 1950 film, Harvey. Since publishing my review back in January, that movie has become the most disappointing one I’ve seen this year, so far. Jillian, from The Classic Film Connection, recommended I give this story a second chance by checking out the 1972 Hallmark Hall of Fame production. Since this title is a remake and since I’m participating in The “Take Two!” Blogathon (which focuses on remakes), I found the perfect opportunity to watch this movie! When I reviewed 1950’s Harvey, I questioned what the point of the story was. This is because I was confused by what the movie’s creative team was trying to say through their project. Will I be less confused by the 1972 adaptation? Keep reading if you want to find out!

Harvey (1972) poster created by Foote, Cone and Belding Productions, Hallmark Hall of Fame Productions, Talent Associates-Norton Simon, and National Broadcasting Company (NBC)

Things I liked about the film:

Changes from the original film: As I said in my review of the 1950 film, there were things about Harvey I didn’t like. One of them was the medical negligence Veta experiences at Chumley’s Rest. In the 1972 version, that specific scene plays out differently. When Veta is being interviewed by Dr. Lyman Sanderson, he notices how distressed Veta appears. Her body language, tone of voice, and tears are noted by the doctor as he listens to what Veta has to say. This leads Dr. Lyman to admit Veta into the hospital for her well-being. The mix-up is presented as an example of good intentions leading to bad results. The film’s dramatic tone also helps elaborate how terrifying Veta’s experience would be.

A sense of magical realism: An element I thought was lacking in the 1950 version of Harvey was a sense of ‘magical realism’. Because the story featured a 6 foot 3 ½ inch, invisible white rabbit, I thought that aforementioned element would be automatically included in the film. In the 1972 adaptation, there was a stronger sense of ‘magical realism’ within the overall story. At the hospital, a hat with two holes on top is found in Dr. Lyman Sanderson’s office. The staff question who this hat could possibly belong to. Since the holes on the hat would allow rabbit ears to stick out, the hat itself implies Harvey does exist. This along with other strange occurrences in the story show how the film’s creative team put more effort into including ‘magical realism’.

The acting: When I reviewed the 1950 version of Harvey, I talked about James Stewart’s portrayal of Elwood P. Dowd, saying it was “laid-back” and “somewhat philosophical”. Reprising this role in the 1972 version of the story, James brought these same elements to his performance. But this time, his portrayal of Elwood reminded me of Mister Rogers from Mister Rogers Neighborhood. What I mean by this is Elwood came across as the type of man you’d want to spend hours having a conversation with. Elwood’s approachable and pleasant persona make him such a fascinating individual. If Elwood P. Dowd existed in the real world, I’d like to think he’d come up with an interesting TED Talk!

Despite appearing in the film for a limited period of time, I liked Madeline Kahn’s portrayal of Nurse Ruth Kelly! Her pleasant on-screen personality allowed her to stand out and give a memorable performance! Her interactions with the other characters also came across as realistic. After Veta was admitted to the hospital, Dr. Lyman has difficulty finding her. In a state of panic, he thinks Veta escaped. Sensing Dr. Lyman’s panic, Ruth becomes concerned. Her face has fallen from the smile she usually carries and her tone of voice contains a sense of dread. There’s even an ounce of timidness to her overall demeanor. Scenes like this one make me wish Madeline was given more on-screen appearances.

The “Take Two!” Blogathon banner created by Annette from Hometowns to Hollywood

What I didn’t like about the film:

Most of the story being rehashed: When creating a remake of a pre-established story, it’s important to do two things: respect the source material that came before your project and bring your own voice to the table. In the case of Hallmark Hall of Fame’s version of Harvey, more emphasis was placed on respecting the original film. While this idea isn’t a bad one, the 1972 movie’s creative team didn’t allow themselves to create a unique identity for their project. The sets in this film looked almost exactly like they did in the 1950 film. The story, more often than not, followed the 1950 movie’s narrative, making very few deviations. While watching the 1972 version of Harvey, I wondered, at times, why this remake exists?

A televised version of a play: In my review of Hallmark Hall of Fame’s Foxfire, I talked about how that title felt more like a televised play. This is because the 1987 film contained a smaller cast and a condensed story. The 1972 adaptation of Harvey also felt like a televised version of a play. Fewer locations are a reason why. In the 1950 version, Elwood is shown taking Harvey to Charlie’s Pub. Elwood simply recalls this experience in the 1972 version. What’s also important to note is how the 1972 story takes place in either the hospital or the Dowd family home.

The underutilization of Betty Chumley: At one point in the 1972 story, Elwood makes plans with Dr. Chumley’s wife, Betty, to meet at Charlie’s Pub and share drinks. But because this trip was never shown on-screen, Betty received one less on-screen appearance. Within the story, she only appeared in two scenes. Personally, I think Betty should have had a stronger significance in the film.

Collection of white rabbit images created by freepik at freepik.com Hand drawn vector created by freepik – www.freepik.com

My overall impression:

After publishing my review of the 1950 version of Harvey, Jillian, from The Classic Film Connection, explained how the story’s point was “about the right to be uniquely yourself and live life on your own terms”. Now that I’ve seen the 1972 version of this story, I think the Hallmark Hall of Fame film did a better job at executing this idea. What worked in the movie’s favor was how the story was just a drama instead of trying to be both a drama and comedy. Scenes like Veta’s hospital admittance elaborated how terrifying her situation would be. There was also a sense of ‘magical realism’, something I thought was lacking in the 1950 film. However, the majority of the 1972 movie was a copy of the 1950 movie. In 1993, Hallmark Hall of Fame released the film, To Dance With the White Dog. Based on what I know about the story, it sounds like a version of Harvey. But this time, a man sees a white dog only he can see. Maybe I’ll write about that movie in a future review.

Overall score: 6.1 out of 10

Have you seen any version of Harvey? Are there any Hallmark Hall of Fame movies you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Legend of Billie Jean Review (80s-tastic Mall-tacular Double Feature Part 2)

Hello and welcome to the second part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for The Legend of Billie Jean. If you’re interested, you can check out the double feature’s introduction and first part at these links:

The 80s-tastic Mall-tacular Double Feature Introduction!

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

The Legend of Billie Jean poster created by Delphi III Productions, The Guber-Peters Company, and Tri-Star Pictures

1. How were you introduced to The Legend of Billie Jean?

Before I started watching Dan Bell’s Dead Mall series, I had heard of The Legend of Billie Jean. It wasn’t until I saw the video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, that my interest in the film piqued. In this 2016 video, Dan uses clips from The Legend of Billie Jean to compare how Sunrise Mall looks in the 21st century. He even discusses the history of the mall itself.

2. As of 2022, what is the state of the Sunrise Mall?

The portions of the mall that were featured in Dan’s video permanently closed in 2019. Only three tenants are still standing, which are connected to the mall’s exterior.

3. What role did the Sunrise Mall play in The Legend of Billie Jean?

In The Legend of Billie Jean, the Sunrise Mall was called ‘Ocean Park Mall’. It was the place Billie Jean agreed to meet the police in order to accept the money. Prior to this arrangement, Billie Jean’s brother, Binx, had his scooter destroyed. Billie Jean and her friends turn to the police with little success. She even tries to acquire the money to repair Binx’s scooter. One thing leads to another, causing Billie Jean, Binx, and her friends to run from the law. When Billie Jean arrives at Ocean Park Mall, she thinks she’ll finally get the money. But those plans don’t work out, with a chase scene ensuing.

4. Why do you think the Sunrise Mall was in the film for a short amount of time?

The Legend of Billie Jean is an expansive narrative, similar to Night of the Comet. As I said in answer number three, Billie Jean, Binx, and her friends go on the run. Because of this, the characters are not going to stay in the same place for an extended period of time. Around the filming and release of The Legend of Billie Jean, the Sunrise Mall was a business that relied on daily revenue and foot traffic. Therefore, the mall could only allow filming to take place within a certain time period.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

Like I mentioned in answer number three, the film’s conflict started because Binx’s scooter was destroyed. After the scooter was stolen by a neighborhood bully named Hubie, Binx’s attempt to retrieve it resulted in him getting beaten up by Hubie and his friends. This is when Billie Jean decided more needed to be done to help her brother. Billie Jean and Binx reminded me of Regina and Samantha from Night of the Comet. Both pairs of siblings are prominently featured in their respective story, with each pair trying to make the best of a complicated situation. Throughout each film, both sibling pairs appear to get along well with each other, displaying a good sense of camaraderie.

Money image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/bills-and-coins-in-isometric-design_1065328.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about The Legend of Billie Jean you liked or didn’t like?

A pleasant surprise while watching The Legend of Billie Jean was the discovery of mixed media! Throughout the film, voice-overs from a radio station were heard. A newspaper would appear in the story from time to time. Video footage of Billie Jean also made an appearance in the story. The inclusion of mixed media led to creative and interesting ways it was used in the movie. Radio station voice-overs featured calls from listeners, sharing their support for Billie Jean and her cause. Newspaper articles shared details to progress the story forward, from the health status of Hubie’s father to the identity of Lloyd. In an effort to clear her name, Billie Jean, Binx, and her friends create a video and give copies to the police and various tv stations. Mixed media allowed the movie to receive a unique and memorable identity!

The majority of this story focused on the conflict of how Billie Jean, Binx, and her friends would obtain the money to repair Binx’s scooter. Billie Jean received the most character development, as she is the titular character. While I thought the story was interesting and while I liked Billie Jean as a character, I wish some of the other characters had received more character development. Toward the beginning of the film, one of Billie Jean’s friends, Putter, is watching a female wrestling match on tv. When she learns of Billie Jean’s plan to report Binx’s stolen scooter, Putter eagerly looks forward to this excursion to the police station. As I was watching the movie, I was curious about Putter’s interest in going to the police station and watching wrestling on television.  Unfortunately, these parts of the story were not explained.

7. Did you develop any thoughts and/or questions while watching this film?

While I didn’t develop any questions, I did notice some interesting coincidences. During my viewing of The Legend of Billie Jean, I learned the movie was a “modern” Joan of Arc story. After Billie Jean, Binx, and her friends break into Lloyd’s house, Lloyd introduces them to the story of Joan of Arc. Billie Jean is so inspired by what Lloyd told her, she decides to cut her hair short to reflect Joan’s appearance. There’s even a parallel between Joan of Arc getting burned at the stake and a statue of Billie Jean getting burned in a fire toward the end of the movie. Now here’s where the interesting coincidences come in. Last year, I reviewed the Touched by an Angel episode, “The Spirit of Liberty Moon”. That episode was not only a “modern” Joan of Arc story, Bai Ling’s character was named Jean. Yes, I know the name, Jean, is Billie’s middle name. But according to Jean’s friend in “The Spirit of Liberty Moon”, Jean is the French version of Joan. Plus, I reviewed both the Touched by an Angel episode and The Legend of Billie Jean in October.

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected The Legend of Billie Jean or teenagers from that time?

Imagine, once again, you’re a teenager in the 1980s. You have so much to be thankful for, from a family that loves and supports you to that new set of wheels you just got as a gift. But, sometimes, you think life can be a little unfair. On your way home from school, you see a homeless person on a street corner, asking for money or even a sandwich. A flyer appears in your family’s mailbox from time to time, asking for food bank donations. No matter how respectful you are to the homeless person on the street corner or how many donations you take to the food bank, you wonder if your efforts are enough to truly make a long-lasting impact. Then, you hear about an event called Hands Across America. Everyone is talking about it, from your next-door neighbor to the cashier at your local grocery store. There’s even an assembly at your school about the event. The more you think about Hands Across America, the more you realize there are other people that have the same thought as you do: try to make the world a better place than how you found it.

Hands Across America was not mentioned in The Legend of Billie Jean. In fact, the event took place a year after the film was released. But there was one scene that reminded me of this piece of ‘80s history. While Billie Jean, Binx, and her friends are on the run, a group of children ask for Billie Jean’s help. They lead her to a house where one of their friends is being physically abused by his father. The small group grows larger as Billie Jean makes her way to the house. Binx and Billie Jean’s friends eventually join the group, adding their support for Billie Jean’s mission. Now you’re probably wondering, “What does this scene have to do with Hands Across America”? Well, it’s the idea of people from all walks of life coming together to support a common goal. In the case of The Legend of Billie Jean, those children, plus Billie Jean, Binx, and her friends, shared the same idea: save the young boy from his abusive dad. Before Billie Jean succeeded in her rescue effort, the large group of children circled around the boy’s house, intimidating the boy’s father. The film itself, as well as Hands Across America, showed teenagers at that time there were other teens who shared their same goals and dreams.

9. A lot has changed since the release of The Legend of Billie Jean. Have you come across any recent pieces of media that prominently feature a mall?

After breaking into Lloyd’s house, Billie Jean discovers a room upstairs. In this room, there are Halloween masks, security monitors, even video equipment. The room itself could make any Halloween costume store jealous, with dim lighting, candles, and cobwebs adding to the room’s eerie atmosphere. Even the build-up to the room’s discovery was straight out of a horror movie, as a costumed Lloyd follows Billie Jean. Later in the film, it is discovered Lloyd is a member of his school’s drama club, explaining why the aforementioned room contained so many costumes.

The scene I just described reminded me of a Hallmark film titled hoops&yoyo’s Haunted Halloween. In this animated film, the protagonists, Hoops and Yoyo, along with their friend, Piddles, go Halloween costume shopping at their local mall. During their trip, they become locked inside the mall after hours. I’ve only seen pieces of this 2012 movie. But based on what I have seen, the film is more spooky than scary. However, I do think it’s an interesting coincidence how both hoops&yoyo’s Haunted Halloween and The Legend of Billie Jean feature a mall in their respective story.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling The Legend of Billie Jean a “mall movie” is, in my opinion, a bit of a stretch. Similar to Night of the Comet, the Sunrise Mall was featured in only a few scenes. If anything, The Legend of Billie Jean is a “coming of age” story, as Billie Jean, Binx, and her friends experience personal growth over the course of the film. I liked The Legend of Billie Jean more than Night of the Comet. The story in the 1985 movie was pretty straight forward, making the film easier to follow. It was also interesting how mixed media was incorporated into the story. The Legend of Billie Jean is a fine, competently made film, complete with its own merits and flaws. The film’s message of how “fair is fair” is just as relevant now as it was in 1985, allowing the movie to be a more timeless title.

Image by Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

Hello and welcome to the first part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for Night of the Comet. If you’re interested, you can check out the double feature’s introduction at this link:

The 80s-tastic Mall-tacular Double Feature Introduction!

Night of the Comet poster created by Thomas Coleman and Michael Rosenblatt Productions, Film Development Fund, and Atlantic Releasing Corporation

1. How were you introduced to Night of the Comet?

At the beginning of Dan’s video, ‘DEAD MALL SERIES : Back to the 80s : The Gallery in Philadelphia (Hologram Plaza – Disconscious)’, the scene where Regina and Samantha, the film’s protagonists, go to the mall is included in the introduction. That scene is spliced with Dan’s footage of The Gallery in Philadelphia, as the song, Enter Through the Lobby by Disconscious, plays over the images. In Dan’s video, ‘DEAD MALL SERIES : Best Fountain in the US : Burlington Center Mall NJ **CLOSED**’, he brings up several of his favorite “mall movies”. One of these movies is Night of the Comet.

2. Was Night of the Comet filmed in a mall? If so, which one?

According to a Youtube comment, Night of the Comet was filmed at Bullocks Wilshire. Upon further research, I learned it was a high-end, Los Angeles department store, complete with its own tea room. As of late 2022, the building is owned by Southwestern Law School.

3. What role did the mall play in Night of the Comet?

Before Regina suggests she and Samantha go to the mall, their world had been turned outside down. Most of the population had either been disintegrated into dust or turned into a zombie, due to the aftermath of the titular comet. The sisters are at their wits end, desperately trying to not only defend themselves, but also trying to find answers. After Samantha tearfully confesses how a guy from her class was going to ask her out on a date, Regina sees going to the mall as an opportunity to get their minds off the confusion surrounding them.

4. Why do you think the mall was in the film for a short amount of time?

When Dan Bell referred to Night of the Comet as a “mall movie”, I assumed the mall would play a significant role in the story. I even predicted the mall would play a bigger role in Night of the Comet than in The Legend of Billie Jean, as I thought the story would primarily take place in one location. But the 1984 title is a more expansive narrative. Not only is the aftermath of the comet more widespread, there are more locations for the characters to explore. While Regina and Samantha’s mall excursion was fun to watch, it was interesting to see the comet’s effects on other locales, like the local movie theater and a mysterious science headquarters.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

I haven’t seen The Legend of Billie Jean yet. But based on the introduction of Dan’s video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, I can safely assume a shared idea between The Legend of Billie Jean and Night of the Comet is younger characters taking matters into their own hands. As I mentioned in answer number three, Regina and Samantha are at their wits end, as they desperately try to defend themselves and figure out what is truly going on. Since there are very few people to turn to, they rely on themselves and each other, proving they are capable of anything they set their mind on. Through strength, resilience, and adversity, Regina and Samantha become the embodiment of Christopher Robin’s quote:

“You’re braver than you believe, stronger than you seem, and smarter than you think.”

Colorful galaxy image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/lovely-hand-drawn-galaxy-background_2943080.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about Night of the Comet you liked or didn’t like?

Based on the synopsis and Dan’s thoughts on Night of the Comet, I knew the protagonists were described as “valley girls”. But I didn’t know what to expect from Regina and Samantha. When I watched the movie, though, I adored these characters, as they were so endearing! In fact, they’ve become two of my favorite characters from film! Part of this is due to Catherine Mary Stewart’s and Kelli Maroney’s performance. Through their well-rounded portrayals, Catherine and Kelli carried this film, making it worth the price of admission. No matter what their characters experienced, their expressions and reactions felt realistic. Even the on-screen camaraderie was believable, successfully selling the idea Regina and Samantha were sisters. According to Wikipedia, Thom Eberhardt, Night of the Comet’s director, asked teenage girls how they’d respond to a large-scale catastrophe while working on PBS specials. The answers he received were used as inspiration for the film’s script, adding to Regina and Samantha’s believability.

When creating a science fiction story, you need to explain the science in a way that satisfies the audience. Even if the science was made specifically for the story, you still need to provide a logical explanation. With Night of the Comet, though, most of the science was left unexplained. There were also parts of the story that were under-utilized. At the beginning of the movie, Regina is playing an arcade game. She discovers a gamer named “DMK” has beaten her high score. Not only does Regina attempt to beat “DMK”’s high score, she wonders who “DMK” is. While the audience learns the identity of “DMK” (a random survivor named Danny, who used his initials to record his high score), this part of the story was forgotten about until the end of the movie. To me, this was a missed opportunity. Regina could have used her video game/arcade game skills to save the day. She and “DMK” could have met face-to-face earlier in the story, setting aside their differences to recruit more survivors to safety. But, alas, it just wasn’t meant to be.

7. Did you develop any thoughts and/or questions while watching this film?

As I said in answer number six, most of the science was left unexplained. While watching Night of the Comet, I found myself more confused than entertained. I’ll list some of the questions I had after I saw the movie, as I don’t want this review to become even longer than it already is:

  • Why did the effects of the comet cause some people to disintegrate into dust while causing others to become zombies?
  • Why exactly did steel protect Samantha, Regina, and the other survivors from the comet’s effects?
  • How did Brian and Sarah survive? Where did they come from?
  • Why did Willy and his gang of zombies possess more intelligence than other zombies the survivors encountered?
  •  What was the mission of the scientists? Were they trying to save or harm humanity?
  • Why did Audrey White go rogue? Was she a zombie?

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected Night of the Comet or teenagers from that time?

Imagine you’re a teenager in the 1980s. You’ve got a lot of your plate as it is, from trying to pass your upcoming math test to figuring out how you’re going to get that latest album from the music store. But from time to time, you hear about this thing called The Cold War. That phrase puts a concerned look on your parent’s face as they drive you to school. You hear about it on the news, with the President pleading to “tear down that wall”. Even your favorite tv show is bringing it up. The Cold War seems to be everywhere. You wish there was something you could do to end this conflict. But because you’re just a teenager, you feel powerless, like there’s not much you can do. As you’re reading this, you’re probably wondering, “What does The Cold War have to do with Night of the Comet”? Even though The Cold War isn’t brought up in the story, it was present around the time of the film’s release. And yes, the film is meant to be a form of escapism. However, through Regina and Samantha’s adventures, teenagers at that time could see there were things within their control they could do.

9. A lot has changed since the release of Night of the Comet. Have you come across any recent pieces of media that prominently feature a mall?

For this answer, I’m not going to bring up a piece of media. Instead, I’ll talk about an experience, as it makes more sense with Night of the Comet. In the U.K., there is a company called Zombie Experiences, providing customers with the opportunity to explore abandoned locations and defeat zombies. One of those locations was a mall. But according to Zombie Experiences’ website, this experience ended in February 2018. They did re-locate this particular experience to a shopping complex. However, on Zombie Infection’s website, it will end this December. There are two other shopping mall experiences offered, but they seem inactive at the time of this review’s publication.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling Night of the Comet a “mall movie” is, in my opinion, a bit of a stretch. This is because the mall only appears in a few scenes. If I had to call Night of the Comet anything, I’d call it an “alternative Christmas film”. The story takes place around Christmastime, but doesn’t rely on the tropes and clichés typically found in Christmas movies. Like I said in answer number seven, I was more confused than entertained by Night of the Comet. After watching this film, I was left with more questions than I planned to have. But one of the reasons why I kept watching was Catherine’s and Kelli’s performance. I also think the story itself contained interesting ideas. Overall, I think Night of the Comet is an ok film with some bright spots.

Image by evening_tao on Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Kyoko/Because of You Review

Kyoko/Because of You is a movie I first planned to review back in May. But as I explained in my review of The Pit and the Pendulum, my DVD copy of Kyoko/Because of You didn’t arrive in time for the blogathon I was participating in. Thanks to this month’s Genre Grandeur, I now have an excuse to finally check this movie out! ‘New York Films That Take Place Prior to 9/11’ was selected for September’s Genre Grandeur theme. Not only was Kyoko/Because of You released in 1996, the protagonist takes a trip to New York. When I first came across this movie on IMDB, the synopsis immediately caught my attention. It sounded heartfelt, almost like a Hallmark Hall of Fame production. Since this movie is a lesser-known title, it gave me a chance to try to find a hidden gem!

Kyoko/Because of You poster created by Concorde-New Horizons

Things I liked about the film:

The acting: I’m not familiar with Saki Takaoka’s filmography. Despite this, I thought her portrayal of the titular character was pleasant to watch! From scene to scene, Saki displayed genuine emotion. One great example is when Jose is telling her about a lampshade his mom loved. When the scene begins, Kyoko has a smile on her face, happy to be spending time with her mentor. But as Jose is sharing his story, Kyoko’s face slowly falls, highlighting just how sad his story is. At the end of Jose’s story, Kyoko smiles again and tells him she’ll help find this lampshade, making her response bittersweet.

Kyoko’s mentor, Jose, is portrayed by Carlos Osorio. For the majority of the film, Jose is dealing with the effects of not only AIDS, but also Dementia. Despite these struggles, the humanity of this character shown through, thanks to Carlos’ acting talents. Before Kyoko leaves to purchase a souvenir, Jose asks to keep the van door open, as he wants to feel the breeze. Jose’s face has a wistful look about it, like he is reminiscing on simpler times. When Kyoko returns, Jose is angry at a young man named Angel. He not only yells at Angel, Jose also uses his cane to protect himself.

While in New York, Kyoko meets a limousine driver named Ralph. Portrayed by Scott Whitehurst, Ralph was one of the best characters in this movie! He was so charismatic and such a good friend to Kyoko. During their first interaction, Ralph encourages Kyoko to take a ride in his limousine. Using charm to his advantage, Ralph’s encouragement sounded more like a sales pitch. Despite this, the pleasant demeanor and friendliness of Scott’s body language and facial expressions indicated his good intentions.

Various sides of New York: In any movie taking place in a well-known, beloved location, there are two angles a creative team can take their project: glamourize and glorify it or show the not-so-pretty sides of that location. When it came to New York in Kyoko/Because of You, the presentation of New York seemed balanced. Yes, there is a shot of Radio City Music Hall. But well-known landmarks were not the only places featured in this part of the story. While looking for Jose, Kyoko visits a dance studio and a local bar. While the dance studio visit was brief, the local bar is where Kyoko shows off her dance skills. Since New York is such a large city, it hosts a landscape of multiple restaurants and cultural hubs. The film shows how various communities can make their home in the Big Apple.

The soundtrack: Throughout the film, Latin tunes can be heard in the background. While the tunes themselves were pleasant, I liked how they contained a strong connection to the story. Jose is from Cuba, sharing through a voice-over how dancing plays a huge role in his culture. Both Jose and Kyoko are Latin dancers, with the music emphasizing their shared interest. What’s also good about the music is its consistency, as Latin music was the principal sound for this movie.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Dancing has a limited presence: In the synopsis for Kyoko/Because of You, it states Jose taught Kyoko to dance when she was younger. With that in mind, I was expecting dance to be one of the film’s key themes. Sadly, there wasn’t much dancing within the story. In this hour and twenty-five-minute movie, there were two dance solos and three duets. Even though this film wasn’t a musical, I still found this disappointing.

The bait-and-switch: Because Kyoko travels to New York and because the New York City skyline is featured on the film’s poster, I assumed the majority of the story would take place in New York City. Even though the Big Apple is featured in the movie, only about a third of the film is set there. The rest of the movie becomes a road trip story, with some shots of a moving vehicle used as padding. Since I watched this film partly because of its New York City backdrop, this was somewhat misleading.

Drawn out scenes: As I just mentioned, some shots of a moving vehicle were used as padding. They were also used to satisfy the film’s run-time. One example is when Kyoko is driving out of New York. In this shot, she is driving her vehicle on a bridge, which lasts for about thirty seconds. Scenes like that one should have been cut shorter, giving more time to the plot.

Image of ballerina preparing to dance created by Pressfoto at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by pressfoto – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

The story of someone reconnecting with their mentor could be heartwarming. While that potential was there for Kyoko/Because of You, it didn’t contain as much heart as I expected. The majority of this story focused on the road trip instead of the bond between Kyoko and Jose. Yes, I know Jose was experiencing Dementia. But it seems like the road trip, from a story-telling perspective, tried to make up for Jose’s disintegrating memory. The acting performances were nice to watch. I also enjoyed the dance routines. However, I wish dance had been a key theme in this movie. New York is such a diverse landscape, especially when it comes to dancing. Therefore, this felt, to me, like a missed opportunity. I’m glad I finally got a chance to review Kyoko/Because of You. But it’s not the hidden gem I thought it could be.

Overall score: 6.1 out of 10

Have you seen Kyoko/Because of You? Which ‘dance films’ do you like? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen