Take 3: Words on Bathroom Walls Review

Rebecca from Taking Up Room has great blogathon ideas, hence why these events are so fun to participate in! The latest event, The Fake Teenager Festivus Blogathon, is no exception. For this blogathon, participants are asked to pick a movie or show featuring young adults, older teenagers, or older adults who have portrayed teenagers. As soon as I read the blogathon rules, I immediately thought of Charlie Plummer’s portrayal of Adam in Words on Bathroom Walls. Charlie was born in 1999, which means by the time of the film’s release in 2020, he was 21 years old. Words on Bathroom Walls is about a high school senior with Schizophrenia. I first started talking about this film in 2019, when I mentioned it in my Book Adaptation Tag post. In my Movie Blogger’s Christmas Wish List that year, I wished the film would receive a distributor, a studio that would release the movie. When the film received a distributor and release date the following year, I meant to get around to watching the movie. With Rebecca’s blogathon, I have an excuse to finally review Words on Bathroom Walls!

Words on Bathroom Walls poster created by LD Entertainment, Kick the Habit Productions, and Roadside Attractions

Things I liked about the film:

Interactions between characters: When it comes to interactions among characters, they are only as good as the actors and actresses portraying those characters. In the Words on Bathroom Walls adaptation, the cast was strong, which allowed their characters’ interactions to appear believable! The interactions between Adam and Maya serve as one example. Adam’s friend, Maya, comes over to his house to tutor him. When she enters Adam’s room, Maya discovers his collection of cookbooks. This leads to a verbal match, both Adam and Maya sharing their greatest achievements in good fun. Throughout the film, Charlie Plummer portrays Adam with a laid-back personality. Taylor Russell brings to life Maya’s studiousness, direct, and confident demeanor. Their interactions showcase how Adam’s and Maya’s personality are compatible, despite the fact they are the opposite of one another.

Seeing what’s in Adam’s mind: In the Words on Bathroom Walls book, Adam goes into detail how his Schizophrenia diagnosis impacts him and his world. His honesty about his diagnosis gives the story a sense of realism. But with Words on Bathroom Walls being adapted into a movie, the story gained the opportunity to visually present what goes on in Adam’s mind. At various moments of the story, Adam sees three people, who are his hallucinations. When he starts a new medication, these hallucinations begin to disappear. But the way their disappearance happens on screen looks like a technological glitch, a slow and steady process instead of instantaneous. This not only gave the audience something interesting to look at, it allowed them to gain some understanding into Adam’s experiences.

Breaking the fourth wall: Adam’s story in the Words on Bathroom Walls book is presented through the notes of a therapist. This literary approach made the story feel like Adam was speaking directly with the reader, as if he was having a private conversation with them. Adam’s therapy sessions are included in the adaptation. Because these sessions are only shown in certain parts of the film, they give Adam the opportunity to break the fourth wall. These moments still contain the honesty, emotion, and even humor I came to like about the book. The fourth wall being broken felt reminiscent of the book’s direct storytelling. This translation between adaptation and source material worked in the story’s favor!

The Fake Teenager Festivus Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

Father Patrick’s inconsistent presence: Father Patrick is a movie exclusive character in Words on Bathroom Walls. He serves as a mentor figure to Adam, giving him advice and words of wisdom. I liked this dynamic between these characters, as there were no mentor figures at St. Agatha’s Catholic School in the book. However, Father Patrick only appeared in about four scenes total. I wish he had appeared in some more scenes, especially since the character himself was so well written and acted.

Adam’s limited perspective on Catholicism: One of the best parts of the Words on Bathroom Walls book was Adam’s perspective on Catholicism. In the story, Adam attends St. Agatha’s Catholic School, despite his decision to not adopt the religion. Reading Adam’s thoughts on Catholicism provided an insight that isn’t often included in stories featuring religious affiliated schools. In the adaptation, Adam’s perspective on Catholicism was featured. But its inclusion was so limited, it was watered down, compared to the book.

Toned down humor: What makes Adam such a likable character in Words on Bathroom Walls is his sense of humor. Julia Walton, the author of the book, gives the protagonist a drier sense of humor that contains a hint of sarcasm. However, Adam’s sense of humor was never depicted as mean-spirited or disrespectful. What Julia also does is provide a good balance between a humorous and serious tone. The adaptation prioritizes the story’s serious tone instead of trying to achieve the aforementioned balance. I know that mental illness/Schizophrenia is a topic that shouldn’t be taken lightly. But I think that balance between seriousness and humor was better executed in the book.

Since I’m finally reviewing Words on Bathroom Walls, featuring a screenshot of the book cover is in order! Screenshot taken by me, Sally Silverscreen.

My overall impression:

No matter how good or bad an adaptation is, there are bound to be changes between text and visual piece of entertainment. Words on Bathroom Walls is no exception to this, as I noticed several changes among both media. But despite these changes, the Words on Bathroom Walls adaptation was, more often than not, respectful to its source material. This is one of the reasons why I liked this film! The strength of the cast’s acting abilities worked in the movie’s favor. It allowed believable interactions between the characters. Interesting film-making techniques were incorporated into the project, such as the special effects. This enhanced the visual presentation of what goes on in Adam’s mind. Looking back on this movie, it seems like it is one of the more underrated adaptations. Why that is, I have no idea.

Overall score: 8.3 out of 10

Have you seen or read Words on Bathroom Walls? Are there any adaptations you’d like me to see and/or read? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s The Corsican Brothers Review

When I reviewed the 1982 Hallmark Hall of Fame movie, Witness for the Prosecution, back in July, I stated how I didn’t think I’d ever see the film. This was due to the movie’s lack of DVD or VHS release. But this is not the only Hallmark Hall of Fame production I didn’t think I would ever receive the opportunity to watch. One of these titles is the 1985 film adaptation, The Corsican Brothers. Similar to Witness for the Prosecution, the 1985 title didn’t receive a VHS or DVD release, as far as I know. Also similar to Witness for the Prosecution, I was able to locate the full movie on Youtube! Besides these similarities, both films star Donald Pleasence. In fact, Donald’s involvement in The Corsican Brothers is one of the reasons why I chose to review this film, as I’m participating in The Devilishly Delightful Donald Pleasence Blogathon!

The Corsican Brothers poster created by Hallmark Hall of Fame Productions, Norman Rosemont Productions, and CBS

Things I liked about the film:

The scenery: Within the movie’s introduction, there is a shot of the ocean surrounding Corsica. As the introduction continues, rocky terrains, rolling hills, and a city on a mountain are also showcased. The natural beauty of this island was captured well on film, making outdoor scenes visually appealing. When scenes took place in the town, quaint looking buildings met cobble stoned streets. A fountain was located in the town’s square. From a visual perspective, the town looked peaceful. It resembled Wanda’s hometown in the Hallmark Hall of Fame movie, In Love and War!

The historical accuracy: According to the film’s introduction, the story begins in 1820. Though the majority of the story revolves around Louis and Lucien’s life as adults, the film still takes place in the 19th century. While watching The Corsican Brothers, I was impressed by the historical accuracy shown on screen! Furniture is one example of this. In a scene where the camera pans over a section of a study room, a green embroidered chair with bolted upholstery was featured. An oil lamp was also included in the room. The windows boasted a lattice design, which highlighted an old-world charm to the titular characters’ home. These details provided a nice blend of the characters’ past and present!

The Devilishly Delightful Donald Pleasence Blogathon banner created by Gill from Realweegiemidget Reviews and Barry from Cinematic Catharsis

What I didn’t like about the film:

The underutilization of Donald Pleasence: As I stated in the introduction, Donald Pleasence is one of the reasons why I chose to review this adaptation of The Corsican Brothers. As this is his second Hallmark Hall of Fame production I’ve seen and reviewed, I was eager to witness more of his acting talents. But, to my disappointment, Donald only appeared in about three and a half scenes. He did a good job with the acting material he was given. However, it made me wonder why he was cast in this movie in the first place, especially if the role didn’t allow his talents to be fully showcased?

Unexplained parts of the story:  I have never read this film’s source material. Despite this, I expected The Corsican Brothers to be like other adaptations of Alexandre Dumas’ stories; exciting tales full of adventure and intrigue. With the 1985 Hallmark Hall of Fame project, however, I was, more often than not, confused by what was happening on screen. At the beginning of the movie, a voice-over talks about how the region of Corsica is overruled by a multi-generational long vendetta. What this voice-over forgets to mention is how and why this vendetta started. From time to time, a mysterious woman appeared in Corsica, giving some of the characters fates. No explanations are provided for who this woman is or why she wants to get involved in the story’s events.

Little to no sense of urgency: In the adaptations of Alexandre Dumas’ stories I’ve seen, a common ingredient is a sense of urgency. Since there is a sense of adventure found in these stories, an added element of urgency gives the audience a reason to stay invested in the characters and their journey. With The Corsican Brothers, though, this sense of urgency was almost non-existent. I’d say about fifty percent of this movie showed Louis attending fancy events in Paris. Even when parts of the story were meant to be exciting, they either came across as anti-climactic or were not shown on screen. A good example is the trial in Paris that Louis is a part of.

Limited use of lighting: In a few scenes, events took place at night. But because of the limited use of lighting, it was difficult to see what was happening on screen. It got to the point where I couldn’t see characters’ faces. I am aware cinematic technology in the mid-80s was not as advanced as it is today, especially when it comes to made-for-tv films. Had the creative team of The Corsican Brothers incorporated a little more light to the nighttime scenes, it would have remedied the issue.

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

When creating a book-to-film adaption, you should strive to create a movie that satisfies both the casual viewer and readers of the source material. As I stated in this review, I have never read The Corsican Brothers. Instead of being invested in the characters and their stories, I was, more often than not, confused by the events on screen. It felt like the creative team behind the movie expected the audience to have read the book prior to watching their presentation. Story related flaws are not the only flaws that stood out to me. Limited use of lighting made nighttime scenes difficult to see. The underutilization of Donald Pleasence also didn’t help. Not all Hallmark Hall of Fame movies are created equal, as some are bound to be better than others. Sadly, The Corsican Brothers isn’t one of the better ones.

Overall score: 5.5 out of 10

Have you seen The Corsican Brothers? What’s your favorite adaptation of Alexandre Dumas’ literary work? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: A Quiet Place Review + 445 Follower Thank You

This month, 18 Cinema Lane received 445 followers! Therefore, a Blog Follower Dedication Review is in order! Since October is typically known as the Halloween season, I wanted to select a film that was appropriate for this time of year. But I’m also participating in Genre Grandeur, where the theme this month is ‘Movies Directed by the Main Actor/Actress’. So, as the title of this review says, I have chosen to write about A Quiet Place! Prior to this review, I had heard of the 2018 film. Mixed results are what I have heard; either viewers have loved the movie or they thought the story’s logistics didn’t make sense. I’ve also heard A Quiet Place is a horror film that thinks outside the box. This is another reason why I chose to review this movie, as I don’t often talk about titles from the horror genre.

A Quiet Place poster created by Platinum Dunes, Sunday Night Productions, and Paramount Pictures

Things I liked about the film:

The family dynamic: John Krasinski and Emily Blunt are two actors I am familiar with, primarily for their comedic performances. With John, I have seen clips of The Office, while one of Emily’s most notable performances was in The Devil Wears Prada. As I’ve said before on 18 Cinema Lane, I’ve seen more comedic actors successfully transition to dramatic acting. John’s and Emily’s performance definitely stuck the landing, as they were both able to convey a variety of emotions through facial expressions and body language! Portraying John and Emily’s on-screen children were Noah Jupe, Millicent Simmonds, and Cade Woodward. Adding their strong performances, the Abbott family had a really good family dynamic that felt believable and genuine. Toward the beginning of the film, Cade’s character, Beau, really wants a toy space shuttle. However, the toy makes noise, which is a no-no within the Abbott family’s world. Through sign language and facial expressions, John’s character, Lee, explains how Beau can’t have the toy. Beau’s response was a look of pure sadness and confusion on his face. Another memorable scene was when Regan refused a new cochlear implant. Throughout the film, Lee attempts to create a functioning cochlear implant for his daughter. When he gives Regan the implant, Lee is optimistic it will work this time, wide eyes and even a smile conveying this optimism. Regan is not impressed with the new implant, as she’s frustrated at the idea of another implant not working. She not only expresses frustration on her face, she even pushes away her father’s hand.  

The atmosphere: As I mentioned in my point about the family dynamic, noise is a no-no in the Abbott family’s world. That’s because unidentified extraterrestrial creatures have taken over their environment, destroying anyone or anything that makes noise. Right in the very first scene, the audience can see how these creatures have driven people away from a small town. It looks like what most people would call a “ghost town”; cars frozen in the street and leaves slowly blowing through the air. The store where the Abbott family visits appears to be an urban explorer’s dream. Natural light from the store’s windows provides the facility’s only source of light. Products are strewn on the floor, waiting for someone to finally pick them up. Cinematography and inclusion of light help create a film that feels very atmospheric!

Use of sound: Even though the Abbott family try to create as little sound as possible, the film itself was not devoid of sound. At various moments in the story, natural sound could be heard whenever the family traveled from place to place. One notable example is when Noah’s character, Marcus, and Lee walk near a river. Sounds could also be heard through headphones or earbuds. In a scene where Lee and Emily’s character, Evelyn, are slow dancing, Evelyn puts one of her earbuds in Lee’s ear. Not only can the song be heard through the earbud, the song is amplified so the audience can hear it too. It serves as a reminder how sound, even noise, plays a role in our lives.

Sunny autumn landscape picture created by Kotkoa at freepik.com. <a href=’https://www.freepik.com/free-photo/autumn-forest_1436222.htm’>Designed by Kotkoa</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Kotkoa – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A film that doesn’t feel like a horror film: Like I said in my introduction, A Quiet Place is a horror film. Even the poster bears the hallmarks of a typical horror production. But, to me, A Quiet Place didn’t feel like a horror movie. Sure, there were terrifying moments in the story. But, if anything, the film felt like a dystopian/apocalyptic film with sci-fi elements. As I watched A Quiet Place, it reminded me of a more creative version of Signs.

Questions that are left unanswered: While I appreciate the film’s creative team respecting the audience’s intelligence, there were some questions I wish were answered. For instance, why did the Abbott family choose not to wear shoes? During Lee and Marcus’ hike, they cross paths with an elderly couple. Who were they and why did the elderly man want the creatures to capture him? Couldn’t the couple join the Abbott family and seek safety together?

The science’s confusing logic: As Marcus and Lee attempt to catch fish in a river, Lee explains how it’s ok to make small sounds. While big sounds are bad, they can be cancelled out with bigger sounds. With this logic in mind, why aren’t the extraterrestrial creatures congregating near the river? Why would they even bother trying to capture people, animals, and objects that make noise? Statements like Lee’s made the story somewhat confusing.

Sign language alphabet image created by Freepik at freepik.com. Hand sign vector created by freepik – www.freepik.com

My overall impression:

Before I share my overall impression of A Quiet Place, I’d like to thank all of 18 Cinema Lane’s followers! You are the reason why I continue to write and publish so many Blog Follower Dedication Reviews! Now, on to my thoughts on A Quiet Place. I will admit this is a fine, ambitious film that is one of the more unique titles of this nature. However, some aspects of the project could have been stronger. Like I said in my review of Night of the Comet, you need to explain the science in your science fiction story, especially in a way that satisfies the audience. While some of the science in A Quiet Place was explained, other parts of the story were confusing. The movie, to me, felt less like a horror movie and more like a dystopian/apocalyptic film with sci-fi elements. This makes the film’s marketing, as well as its horror classification, somewhat misleading. I am aware there is a sequel to A Quiet Place. Because I thought the movie was just fine, I’m not rushing to see the sequel anytime soon.

Overall score: 7 out of 10

Have you seen A Quiet Place? What movie do you like to watch around Halloween? Please tell me in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: Hallmark Hall of Fame’s Harvey (1972) Review

One of the first movies I reviewed this year was the 1950 film, Harvey. Since publishing my review back in January, that movie has become the most disappointing one I’ve seen this year, so far. Jillian, from The Classic Film Connection, recommended I give this story a second chance by checking out the 1972 Hallmark Hall of Fame production. Since this title is a remake and since I’m participating in The “Take Two!” Blogathon (which focuses on remakes), I found the perfect opportunity to watch this movie! When I reviewed 1950’s Harvey, I questioned what the point of the story was. This is because I was confused by what the movie’s creative team was trying to say through their project. Will I be less confused by the 1972 adaptation? Keep reading if you want to find out!

Harvey (1972) poster created by Foote, Cone and Belding Productions, Hallmark Hall of Fame Productions, Talent Associates-Norton Simon, and National Broadcasting Company (NBC)

Things I liked about the film:

Changes from the original film: As I said in my review of the 1950 film, there were things about Harvey I didn’t like. One of them was the medical negligence Veta experiences at Chumley’s Rest. In the 1972 version, that specific scene plays out differently. When Veta is being interviewed by Dr. Lyman Sanderson, he notices how distressed Veta appears. Her body language, tone of voice, and tears are noted by the doctor as he listens to what Veta has to say. This leads Dr. Lyman to admit Veta into the hospital for her well-being. The mix-up is presented as an example of good intentions leading to bad results. The film’s dramatic tone also helps elaborate how terrifying Veta’s experience would be.

A sense of magical realism: An element I thought was lacking in the 1950 version of Harvey was a sense of ‘magical realism’. Because the story featured a 6 foot 3 ½ inch, invisible white rabbit, I thought that aforementioned element would be automatically included in the film. In the 1972 adaptation, there was a stronger sense of ‘magical realism’ within the overall story. At the hospital, a hat with two holes on top is found in Dr. Lyman Sanderson’s office. The staff question who this hat could possibly belong to. Since the holes on the hat would allow rabbit ears to stick out, the hat itself implies Harvey does exist. This along with other strange occurrences in the story show how the film’s creative team put more effort into including ‘magical realism’.

The acting: When I reviewed the 1950 version of Harvey, I talked about James Stewart’s portrayal of Elwood P. Dowd, saying it was “laid-back” and “somewhat philosophical”. Reprising this role in the 1972 version of the story, James brought these same elements to his performance. But this time, his portrayal of Elwood reminded me of Mister Rogers from Mister Rogers Neighborhood. What I mean by this is Elwood came across as the type of man you’d want to spend hours having a conversation with. Elwood’s approachable and pleasant persona make him such a fascinating individual. If Elwood P. Dowd existed in the real world, I’d like to think he’d come up with an interesting TED Talk!

Despite appearing in the film for a limited period of time, I liked Madeline Kahn’s portrayal of Nurse Ruth Kelly! Her pleasant on-screen personality allowed her to stand out and give a memorable performance! Her interactions with the other characters also came across as realistic. After Veta was admitted to the hospital, Dr. Lyman has difficulty finding her. In a state of panic, he thinks Veta escaped. Sensing Dr. Lyman’s panic, Ruth becomes concerned. Her face has fallen from the smile she usually carries and her tone of voice contains a sense of dread. There’s even an ounce of timidness to her overall demeanor. Scenes like this one make me wish Madeline was given more on-screen appearances.

The “Take Two!” Blogathon banner created by Annette from Hometowns to Hollywood

What I didn’t like about the film:

Most of the story being rehashed: When creating a remake of a pre-established story, it’s important to do two things: respect the source material that came before your project and bring your own voice to the table. In the case of Hallmark Hall of Fame’s version of Harvey, more emphasis was placed on respecting the original film. While this idea isn’t a bad one, the 1972 movie’s creative team didn’t allow themselves to create a unique identity for their project. The sets in this film looked almost exactly like they did in the 1950 film. The story, more often than not, followed the 1950 movie’s narrative, making very few deviations. While watching the 1972 version of Harvey, I wondered, at times, why this remake exists?

A televised version of a play: In my review of Hallmark Hall of Fame’s Foxfire, I talked about how that title felt more like a televised play. This is because the 1987 film contained a smaller cast and a condensed story. The 1972 adaptation of Harvey also felt like a televised version of a play. Fewer locations are a reason why. In the 1950 version, Elwood is shown taking Harvey to Charlie’s Pub. Elwood simply recalls this experience in the 1972 version. What’s also important to note is how the 1972 story takes place in either the hospital or the Dowd family home.

The underutilization of Betty Chumley: At one point in the 1972 story, Elwood makes plans with Dr. Chumley’s wife, Betty, to meet at Charlie’s Pub and share drinks. But because this trip was never shown on-screen, Betty received one less on-screen appearance. Within the story, she only appeared in two scenes. Personally, I think Betty should have had a stronger significance in the film.

Collection of white rabbit images created by freepik at freepik.com Hand drawn vector created by freepik – www.freepik.com

My overall impression:

After publishing my review of the 1950 version of Harvey, Jillian, from The Classic Film Connection, explained how the story’s point was “about the right to be uniquely yourself and live life on your own terms”. Now that I’ve seen the 1972 version of this story, I think the Hallmark Hall of Fame film did a better job at executing this idea. What worked in the movie’s favor was how the story was just a drama instead of trying to be both a drama and comedy. Scenes like Veta’s hospital admittance elaborated how terrifying her situation would be. There was also a sense of ‘magical realism’, something I thought was lacking in the 1950 film. However, the majority of the 1972 movie was a copy of the 1950 movie. In 1993, Hallmark Hall of Fame released the film, To Dance With the White Dog. Based on what I know about the story, it sounds like a version of Harvey. But this time, a man sees a white dog only he can see. Maybe I’ll write about that movie in a future review.

Overall score: 6.1 out of 10

Have you seen any version of Harvey? Are there any Hallmark Hall of Fame movies you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

Take 3: The Legend of Billie Jean Review (80s-tastic Mall-tacular Double Feature Part 2)

Hello and welcome to the second part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for The Legend of Billie Jean. If you’re interested, you can check out the double feature’s introduction and first part at these links:

The 80s-tastic Mall-tacular Double Feature Introduction!

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

The Legend of Billie Jean poster created by Delphi III Productions, The Guber-Peters Company, and Tri-Star Pictures

1. How were you introduced to The Legend of Billie Jean?

Before I started watching Dan Bell’s Dead Mall series, I had heard of The Legend of Billie Jean. It wasn’t until I saw the video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, that my interest in the film piqued. In this 2016 video, Dan uses clips from The Legend of Billie Jean to compare how Sunrise Mall looks in the 21st century. He even discusses the history of the mall itself.

2. As of 2022, what is the state of the Sunrise Mall?

The portions of the mall that were featured in Dan’s video permanently closed in 2019. Only three tenants are still standing, which are connected to the mall’s exterior.

3. What role did the Sunrise Mall play in The Legend of Billie Jean?

In The Legend of Billie Jean, the Sunrise Mall was called ‘Ocean Park Mall’. It was the place Billie Jean agreed to meet the police in order to accept the money. Prior to this arrangement, Billie Jean’s brother, Binx, had his scooter destroyed. Billie Jean and her friends turn to the police with little success. She even tries to acquire the money to repair Binx’s scooter. One thing leads to another, causing Billie Jean, Binx, and her friends to run from the law. When Billie Jean arrives at Ocean Park Mall, she thinks she’ll finally get the money. But those plans don’t work out, with a chase scene ensuing.

4. Why do you think the Sunrise Mall was in the film for a short amount of time?

The Legend of Billie Jean is an expansive narrative, similar to Night of the Comet. As I said in answer number three, Billie Jean, Binx, and her friends go on the run. Because of this, the characters are not going to stay in the same place for an extended period of time. Around the filming and release of The Legend of Billie Jean, the Sunrise Mall was a business that relied on daily revenue and foot traffic. Therefore, the mall could only allow filming to take place within a certain time period.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

Like I mentioned in answer number three, the film’s conflict started because Binx’s scooter was destroyed. After the scooter was stolen by a neighborhood bully named Hubie, Binx’s attempt to retrieve it resulted in him getting beaten up by Hubie and his friends. This is when Billie Jean decided more needed to be done to help her brother. Billie Jean and Binx reminded me of Regina and Samantha from Night of the Comet. Both pairs of siblings are prominently featured in their respective story, with each pair trying to make the best of a complicated situation. Throughout each film, both sibling pairs appear to get along well with each other, displaying a good sense of camaraderie.

Money image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/bills-and-coins-in-isometric-design_1065328.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about The Legend of Billie Jean you liked or didn’t like?

A pleasant surprise while watching The Legend of Billie Jean was the discovery of mixed media! Throughout the film, voice-overs from a radio station were heard. A newspaper would appear in the story from time to time. Video footage of Billie Jean also made an appearance in the story. The inclusion of mixed media led to creative and interesting ways it was used in the movie. Radio station voice-overs featured calls from listeners, sharing their support for Billie Jean and her cause. Newspaper articles shared details to progress the story forward, from the health status of Hubie’s father to the identity of Lloyd. In an effort to clear her name, Billie Jean, Binx, and her friends create a video and give copies to the police and various tv stations. Mixed media allowed the movie to receive a unique and memorable identity!

The majority of this story focused on the conflict of how Billie Jean, Binx, and her friends would obtain the money to repair Binx’s scooter. Billie Jean received the most character development, as she is the titular character. While I thought the story was interesting and while I liked Billie Jean as a character, I wish some of the other characters had received more character development. Toward the beginning of the film, one of Billie Jean’s friends, Putter, is watching a female wrestling match on tv. When she learns of Billie Jean’s plan to report Binx’s stolen scooter, Putter eagerly looks forward to this excursion to the police station. As I was watching the movie, I was curious about Putter’s interest in going to the police station and watching wrestling on television.  Unfortunately, these parts of the story were not explained.

7. Did you develop any thoughts and/or questions while watching this film?

While I didn’t develop any questions, I did notice some interesting coincidences. During my viewing of The Legend of Billie Jean, I learned the movie was a “modern” Joan of Arc story. After Billie Jean, Binx, and her friends break into Lloyd’s house, Lloyd introduces them to the story of Joan of Arc. Billie Jean is so inspired by what Lloyd told her, she decides to cut her hair short to reflect Joan’s appearance. There’s even a parallel between Joan of Arc getting burned at the stake and a statue of Billie Jean getting burned in a fire toward the end of the movie. Now here’s where the interesting coincidences come in. Last year, I reviewed the Touched by an Angel episode, “The Spirit of Liberty Moon”. That episode was not only a “modern” Joan of Arc story, Bai Ling’s character was named Jean. Yes, I know the name, Jean, is Billie’s middle name. But according to Jean’s friend in “The Spirit of Liberty Moon”, Jean is the French version of Joan. Plus, I reviewed both the Touched by an Angel episode and The Legend of Billie Jean in October.

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected The Legend of Billie Jean or teenagers from that time?

Imagine, once again, you’re a teenager in the 1980s. You have so much to be thankful for, from a family that loves and supports you to that new set of wheels you just got as a gift. But, sometimes, you think life can be a little unfair. On your way home from school, you see a homeless person on a street corner, asking for money or even a sandwich. A flyer appears in your family’s mailbox from time to time, asking for food bank donations. No matter how respectful you are to the homeless person on the street corner or how many donations you take to the food bank, you wonder if your efforts are enough to truly make a long-lasting impact. Then, you hear about an event called Hands Across America. Everyone is talking about it, from your next-door neighbor to the cashier at your local grocery store. There’s even an assembly at your school about the event. The more you think about Hands Across America, the more you realize there are other people that have the same thought as you do: try to make the world a better place than how you found it.

Hands Across America was not mentioned in The Legend of Billie Jean. In fact, the event took place a year after the film was released. But there was one scene that reminded me of this piece of ‘80s history. While Billie Jean, Binx, and her friends are on the run, a group of children ask for Billie Jean’s help. They lead her to a house where one of their friends is being physically abused by his father. The small group grows larger as Billie Jean makes her way to the house. Binx and Billie Jean’s friends eventually join the group, adding their support for Billie Jean’s mission. Now you’re probably wondering, “What does this scene have to do with Hands Across America”? Well, it’s the idea of people from all walks of life coming together to support a common goal. In the case of The Legend of Billie Jean, those children, plus Billie Jean, Binx, and her friends, shared the same idea: save the young boy from his abusive dad. Before Billie Jean succeeded in her rescue effort, the large group of children circled around the boy’s house, intimidating the boy’s father. The film itself, as well as Hands Across America, showed teenagers at that time there were other teens who shared their same goals and dreams.

9. A lot has changed since the release of The Legend of Billie Jean. Have you come across any recent pieces of media that prominently feature a mall?

After breaking into Lloyd’s house, Billie Jean discovers a room upstairs. In this room, there are Halloween masks, security monitors, even video equipment. The room itself could make any Halloween costume store jealous, with dim lighting, candles, and cobwebs adding to the room’s eerie atmosphere. Even the build-up to the room’s discovery was straight out of a horror movie, as a costumed Lloyd follows Billie Jean. Later in the film, it is discovered Lloyd is a member of his school’s drama club, explaining why the aforementioned room contained so many costumes.

The scene I just described reminded me of a Hallmark film titled hoops&yoyo’s Haunted Halloween. In this animated film, the protagonists, Hoops and Yoyo, along with their friend, Piddles, go Halloween costume shopping at their local mall. During their trip, they become locked inside the mall after hours. I’ve only seen pieces of this 2012 movie. But based on what I have seen, the film is more spooky than scary. However, I do think it’s an interesting coincidence how both hoops&yoyo’s Haunted Halloween and The Legend of Billie Jean feature a mall in their respective story.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling The Legend of Billie Jean a “mall movie” is, in my opinion, a bit of a stretch. Similar to Night of the Comet, the Sunrise Mall was featured in only a few scenes. If anything, The Legend of Billie Jean is a “coming of age” story, as Billie Jean, Binx, and her friends experience personal growth over the course of the film. I liked The Legend of Billie Jean more than Night of the Comet. The story in the 1985 movie was pretty straight forward, making the film easier to follow. It was also interesting how mixed media was incorporated into the story. The Legend of Billie Jean is a fine, competently made film, complete with its own merits and flaws. The film’s message of how “fair is fair” is just as relevant now as it was in 1985, allowing the movie to be a more timeless title.

Image by Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Night of the Comet Review (80s-tastic Mall-tacular Double Feature Part 1)

Hello and welcome to the first part of the 80s-tastic Mall-tacular Double Feature! Before this review begins, I’d like to remind my readers there will be spoilers for Night of the Comet. If you’re interested, you can check out the double feature’s introduction at this link:

The 80s-tastic Mall-tacular Double Feature Introduction!

Night of the Comet poster created by Thomas Coleman and Michael Rosenblatt Productions, Film Development Fund, and Atlantic Releasing Corporation

1. How were you introduced to Night of the Comet?

At the beginning of Dan’s video, ‘DEAD MALL SERIES : Back to the 80s : The Gallery in Philadelphia (Hologram Plaza – Disconscious)’, the scene where Regina and Samantha, the film’s protagonists, go to the mall is included in the introduction. That scene is spliced with Dan’s footage of The Gallery in Philadelphia, as the song, Enter Through the Lobby by Disconscious, plays over the images. In Dan’s video, ‘DEAD MALL SERIES : Best Fountain in the US : Burlington Center Mall NJ **CLOSED**’, he brings up several of his favorite “mall movies”. One of these movies is Night of the Comet.

2. Was Night of the Comet filmed in a mall? If so, which one?

According to a Youtube comment, Night of the Comet was filmed at Bullocks Wilshire. Upon further research, I learned it was a high-end, Los Angeles department store, complete with its own tea room. As of late 2022, the building is owned by Southwestern Law School.

3. What role did the mall play in Night of the Comet?

Before Regina suggests she and Samantha go to the mall, their world had been turned outside down. Most of the population had either been disintegrated into dust or turned into a zombie, due to the aftermath of the titular comet. The sisters are at their wits end, desperately trying to not only defend themselves, but also trying to find answers. After Samantha tearfully confesses how a guy from her class was going to ask her out on a date, Regina sees going to the mall as an opportunity to get their minds off the confusion surrounding them.

4. Why do you think the mall was in the film for a short amount of time?

When Dan Bell referred to Night of the Comet as a “mall movie”, I assumed the mall would play a significant role in the story. I even predicted the mall would play a bigger role in Night of the Comet than in The Legend of Billie Jean, as I thought the story would primarily take place in one location. But the 1984 title is a more expansive narrative. Not only is the aftermath of the comet more widespread, there are more locations for the characters to explore. While Regina and Samantha’s mall excursion was fun to watch, it was interesting to see the comet’s effects on other locales, like the local movie theater and a mysterious science headquarters.

5. Besides including a mall and focusing on teenage characters, do The Legend of Billie Jean and Night of the Comet share a common theme, idea, or message?

I haven’t seen The Legend of Billie Jean yet. But based on the introduction of Dan’s video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, I can safely assume a shared idea between The Legend of Billie Jean and Night of the Comet is younger characters taking matters into their own hands. As I mentioned in answer number three, Regina and Samantha are at their wits end, as they desperately try to defend themselves and figure out what is truly going on. Since there are very few people to turn to, they rely on themselves and each other, proving they are capable of anything they set their mind on. Through strength, resilience, and adversity, Regina and Samantha become the embodiment of Christopher Robin’s quote:

“You’re braver than you believe, stronger than you seem, and smarter than you think.”

Colorful galaxy image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/lovely-hand-drawn-galaxy-background_2943080.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

6. Is there anything about Night of the Comet you liked or didn’t like?

Based on the synopsis and Dan’s thoughts on Night of the Comet, I knew the protagonists were described as “valley girls”. But I didn’t know what to expect from Regina and Samantha. When I watched the movie, though, I adored these characters, as they were so endearing! In fact, they’ve become two of my favorite characters from film! Part of this is due to Catherine Mary Stewart’s and Kelli Maroney’s performance. Through their well-rounded portrayals, Catherine and Kelli carried this film, making it worth the price of admission. No matter what their characters experienced, their expressions and reactions felt realistic. Even the on-screen camaraderie was believable, successfully selling the idea Regina and Samantha were sisters. According to Wikipedia, Thom Eberhardt, Night of the Comet’s director, asked teenage girls how they’d respond to a large-scale catastrophe while working on PBS specials. The answers he received were used as inspiration for the film’s script, adding to Regina and Samantha’s believability.

When creating a science fiction story, you need to explain the science in a way that satisfies the audience. Even if the science was made specifically for the story, you still need to provide a logical explanation. With Night of the Comet, though, most of the science was left unexplained. There were also parts of the story that were under-utilized. At the beginning of the movie, Regina is playing an arcade game. She discovers a gamer named “DMK” has beaten her high score. Not only does Regina attempt to beat “DMK”’s high score, she wonders who “DMK” is. While the audience learns the identity of “DMK” (a random survivor named Danny, who used his initials to record his high score), this part of the story was forgotten about until the end of the movie. To me, this was a missed opportunity. Regina could have used her video game/arcade game skills to save the day. She and “DMK” could have met face-to-face earlier in the story, setting aside their differences to recruit more survivors to safety. But, alas, it just wasn’t meant to be.

7. Did you develop any thoughts and/or questions while watching this film?

As I said in answer number six, most of the science was left unexplained. While watching Night of the Comet, I found myself more confused than entertained. I’ll list some of the questions I had after I saw the movie, as I don’t want this review to become even longer than it already is:

  • Why did the effects of the comet cause some people to disintegrate into dust while causing others to become zombies?
  • Why exactly did steel protect Samantha, Regina, and the other survivors from the comet’s effects?
  • How did Brian and Sarah survive? Where did they come from?
  • Why did Willy and his gang of zombies possess more intelligence than other zombies the survivors encountered?
  •  What was the mission of the scientists? Were they trying to save or harm humanity?
  • Why did Audrey White go rogue? Was she a zombie?

8. In your double feature for Rich Kids and Over the Edge, you discussed certain events from the ‘70s that likely influenced the creation of those films. Is there anything from the ‘80s that you think either affected Night of the Comet or teenagers from that time?

Imagine you’re a teenager in the 1980s. You’ve got a lot of your plate as it is, from trying to pass your upcoming math test to figuring out how you’re going to get that latest album from the music store. But from time to time, you hear about this thing called The Cold War. That phrase puts a concerned look on your parent’s face as they drive you to school. You hear about it on the news, with the President pleading to “tear down that wall”. Even your favorite tv show is bringing it up. The Cold War seems to be everywhere. You wish there was something you could do to end this conflict. But because you’re just a teenager, you feel powerless, like there’s not much you can do. As you’re reading this, you’re probably wondering, “What does The Cold War have to do with Night of the Comet”? Even though The Cold War isn’t brought up in the story, it was present around the time of the film’s release. And yes, the film is meant to be a form of escapism. However, through Regina and Samantha’s adventures, teenagers at that time could see there were things within their control they could do.

9. A lot has changed since the release of Night of the Comet. Have you come across any recent pieces of media that prominently feature a mall?

For this answer, I’m not going to bring up a piece of media. Instead, I’ll talk about an experience, as it makes more sense with Night of the Comet. In the U.K., there is a company called Zombie Experiences, providing customers with the opportunity to explore abandoned locations and defeat zombies. One of those locations was a mall. But according to Zombie Experiences’ website, this experience ended in February 2018. They did re-locate this particular experience to a shopping complex. However, on Zombie Infection’s website, it will end this December. There are two other shopping mall experiences offered, but they seem inactive at the time of this review’s publication.

10. After watching this movie, is there anything you can take away from your movie viewing experience?

Calling Night of the Comet a “mall movie” is, in my opinion, a bit of a stretch. This is because the mall only appears in a few scenes. If I had to call Night of the Comet anything, I’d call it an “alternative Christmas film”. The story takes place around Christmastime, but doesn’t rely on the tropes and clichés typically found in Christmas movies. Like I said in answer number seven, I was more confused than entertained by Night of the Comet. After watching this film, I was left with more questions than I planned to have. But one of the reasons why I kept watching was Catherine’s and Kelli’s performance. I also think the story itself contained interesting ideas. Overall, I think Night of the Comet is an ok film with some bright spots.

Image by evening_tao on Freepik

Have fun at the mall!

Sally Silverscreen

Take 3: Kyoko/Because of You Review

Kyoko/Because of You is a movie I first planned to review back in May. But as I explained in my review of The Pit and the Pendulum, my DVD copy of Kyoko/Because of You didn’t arrive in time for the blogathon I was participating in. Thanks to this month’s Genre Grandeur, I now have an excuse to finally check this movie out! ‘New York Films That Take Place Prior to 9/11’ was selected for September’s Genre Grandeur theme. Not only was Kyoko/Because of You released in 1996, the protagonist takes a trip to New York. When I first came across this movie on IMDB, the synopsis immediately caught my attention. It sounded heartfelt, almost like a Hallmark Hall of Fame production. Since this movie is a lesser-known title, it gave me a chance to try to find a hidden gem!

Kyoko/Because of You poster created by Concorde-New Horizons

Things I liked about the film:

The acting: I’m not familiar with Saki Takaoka’s filmography. Despite this, I thought her portrayal of the titular character was pleasant to watch! From scene to scene, Saki displayed genuine emotion. One great example is when Jose is telling her about a lampshade his mom loved. When the scene begins, Kyoko has a smile on her face, happy to be spending time with her mentor. But as Jose is sharing his story, Kyoko’s face slowly falls, highlighting just how sad his story is. At the end of Jose’s story, Kyoko smiles again and tells him she’ll help find this lampshade, making her response bittersweet.

Kyoko’s mentor, Jose, is portrayed by Carlos Osorio. For the majority of the film, Jose is dealing with the effects of not only AIDS, but also Dementia. Despite these struggles, the humanity of this character shown through, thanks to Carlos’ acting talents. Before Kyoko leaves to purchase a souvenir, Jose asks to keep the van door open, as he wants to feel the breeze. Jose’s face has a wistful look about it, like he is reminiscing on simpler times. When Kyoko returns, Jose is angry at a young man named Angel. He not only yells at Angel, Jose also uses his cane to protect himself.

While in New York, Kyoko meets a limousine driver named Ralph. Portrayed by Scott Whitehurst, Ralph was one of the best characters in this movie! He was so charismatic and such a good friend to Kyoko. During their first interaction, Ralph encourages Kyoko to take a ride in his limousine. Using charm to his advantage, Ralph’s encouragement sounded more like a sales pitch. Despite this, the pleasant demeanor and friendliness of Scott’s body language and facial expressions indicated his good intentions.

Various sides of New York: In any movie taking place in a well-known, beloved location, there are two angles a creative team can take their project: glamourize and glorify it or show the not-so-pretty sides of that location. When it came to New York in Kyoko/Because of You, the presentation of New York seemed balanced. Yes, there is a shot of Radio City Music Hall. But well-known landmarks were not the only places featured in this part of the story. While looking for Jose, Kyoko visits a dance studio and a local bar. While the dance studio visit was brief, the local bar is where Kyoko shows off her dance skills. Since New York is such a large city, it hosts a landscape of multiple restaurants and cultural hubs. The film shows how various communities can make their home in the Big Apple.

The soundtrack: Throughout the film, Latin tunes can be heard in the background. While the tunes themselves were pleasant, I liked how they contained a strong connection to the story. Jose is from Cuba, sharing through a voice-over how dancing plays a huge role in his culture. Both Jose and Kyoko are Latin dancers, with the music emphasizing their shared interest. What’s also good about the music is its consistency, as Latin music was the principal sound for this movie.

New York City skyline with letters image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/new-york-skyline-typographic-silhouette_719554.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Dancing has a limited presence: In the synopsis for Kyoko/Because of You, it states Jose taught Kyoko to dance when she was younger. With that in mind, I was expecting dance to be one of the film’s key themes. Sadly, there wasn’t much dancing within the story. In this hour and twenty-five-minute movie, there were two dance solos and three duets. Even though this film wasn’t a musical, I still found this disappointing.

The bait-and-switch: Because Kyoko travels to New York and because the New York City skyline is featured on the film’s poster, I assumed the majority of the story would take place in New York City. Even though the Big Apple is featured in the movie, only about a third of the film is set there. The rest of the movie becomes a road trip story, with some shots of a moving vehicle used as padding. Since I watched this film partly because of its New York City backdrop, this was somewhat misleading.

Drawn out scenes: As I just mentioned, some shots of a moving vehicle were used as padding. They were also used to satisfy the film’s run-time. One example is when Kyoko is driving out of New York. In this shot, she is driving her vehicle on a bridge, which lasts for about thirty seconds. Scenes like that one should have been cut shorter, giving more time to the plot.

Image of ballerina preparing to dance created by Pressfoto at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/people”>People photo created by pressfoto – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

The story of someone reconnecting with their mentor could be heartwarming. While that potential was there for Kyoko/Because of You, it didn’t contain as much heart as I expected. The majority of this story focused on the road trip instead of the bond between Kyoko and Jose. Yes, I know Jose was experiencing Dementia. But it seems like the road trip, from a story-telling perspective, tried to make up for Jose’s disintegrating memory. The acting performances were nice to watch. I also enjoyed the dance routines. However, I wish dance had been a key theme in this movie. New York is such a diverse landscape, especially when it comes to dancing. Therefore, this felt, to me, like a missed opportunity. I’m glad I finally got a chance to review Kyoko/Because of You. But it’s not the hidden gem I thought it could be.

Overall score: 6.1 out of 10

Have you seen Kyoko/Because of You? Which ‘dance films’ do you like? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Anna and the King Review

I know what you’re thinking, “What does Anna and the King have to do with the number five”? Well, I’m glad you asked! As Rebecca has stated in the announcement post for the Fifth Broadway Bound Blogathon, all entries had to have something to do with the number five, to commemorate the event’s fifth anniversary. For my selection, Anna and the King, which stars Bai Ling, was released in 1999, five years after The Crow premiered. From what I’ve heard, The Crow was Bai Ling’s first American/English film. Last year, when I reviewed the 1956 adaptation of The King and I, I mentioned Anna and the King was a non-musical version of the story. As I write this review, I realize I haven’t seen many non-musical film adaptations of musicals. Sure, I’ve heard of these types of productions. But, off the top of my head, a non-musical adaptation doesn’t immediately come to mind. So, with this review, I will expand my cinematic horizons!

Anna and the King poster created by Fox 2000 Pictures, Lawrence Bender Productions, and 20th Century Fox

Things I liked about the film:

The acting: Anna and the King is a drama film with a more serious tone. Therefore, Jodie Foster’s portrayal of Anna is sterner in nature. However, Anna also comes across as being fair. A great example of this is when she is disciplining both her son and King Mongkut’s eldest son. In the evening, when the royal family is bringing Anna dinner, Jodie presents a mild-mannered sweetness that feels genuine. As she’s realizing the dinner is for her and not King Mongkut’s son, Anna never displays any meanness toward her student, as she truly wants to teach him a valuable lesson. King Mongkut himself is also a stern, yet fair character. Chow Yun-fat balances the seriousness and loving sides of his character consistently throughout the film. In one of their many conversations, King Mongkut is asked by Anna if his wives ever get jealous of one another. Even though this question is a personal one, King Mongkut never appears offended. Instead, his calm, collected, and approachable demeanor make the conversation less awkward than it could have gotten. One of these aforementioned wives is Tuptim. Portrayed by Bai Ling, Tuptim is an emotional character that expresses herself in subtle ways. It’s not until she faces a life-or-death moment where more of her emotions are drawn forward. While I won’t spoil Anna and the King for those of my readers who might be interested in seeing it, Bai delivers on the emotional intensity needed for a moment like the one I just mentioned. But even outside of that moment, Bai knows how to use emotion in her and her character’s favor.

The set design: Anna and the King is a beautiful looking film! One of the reasons why is its set design. Everywhere you look, exquisite detail and impressive structure helped elevate the world around Anna and King Mongkut. The royal family takes a trip in a massive river boat. This boat was a deep blue with gold etched artwork. At the head of the boat, a set of giant golden dragons adorn this beautiful mode of transportation. On the walls of King Mongkut’s palace, a full-length mural consistently coats the interior perimeter of rooms and even a hallway. The mural itself appears painted, depicting the natural landscape of Siam. Smaller elements like the ones I mentioned added to the overall beauty of the set design!

The costume design: Similar to the 1956 adaptation, the costume design in Anna and the King was simply elegant! One notable example was Anna’s reception gown. At this event, Anna wore a full length, white gown. The off the shoulder bodice and sparkly skirt was not only eye-catching, it also felt reminiscent of Belle’s gown from the 1991 animated film, Beauty and the Beast. At this same reception, King Mongkut’s wives also wear beautiful gowns. Tuptim’s was especially pretty, a simple yet classy red dress. What also complimented Tuptim’s ensemble was a sparkly gold and bronze crown that adorned her dark hair. The exquisiteness of the costume design carried the spirit of The King and I story!

The Fifth Broadway Bound Blogathon banner created by Rebecca from Taking Up Room

What I didn’t like about the film:

The war story-line: Because Anna and the King is a non-musical version of The King and I, there needs to be something to replace the musical numbers. In the 1999 adaptation, that replacement was a subplot about a war between the Siamese and the Burmese. While it was interesting to explore the tense side of ruling a country, I found this subplot to be the weakest one. That subplot was drawn-out, getting resolved at the very end of the movie. With the run-time being two hours and twenty-eight minutes, the war story-line felt longer than it really was.

Under-utilized characters: Anna and the King contains a larger cast of characters. Therefore, some of them are bound to receive less screen-time than others. Tuptim was, once again, one of those characters. After seeing how under-utilized Rita Moreno’s talents were in the 1956 adaptation, I was hoping Bai Ling would receive more screen time. Sadly, she only appeared in a handful of scenes. In the 1956 adaptation, Tuptim created a play based on Uncle Tom’s Cabin, giving her a reason to stay on screen a little bit longer. Because there is no Uncle Tom’s Cabin play in the 1999 adaptation and because only King Mongkut’s oldest son reads Uncle Tom’s Cabin, Tuptim, in Anna and the King, has less reasons to stay on screen.

No musical Easter eggs: Before I wrote this review, I was well aware Anna and the King was not a musical film. But because the film is an adaptation of a musical, it was a missed opportunity to not include musical related Easter eggs. In the 1956 adaptation, King Mongkut says “Et cetera, et cetera, et cetera” on multiple occasions, whenever he had something important to say. In the 1999 adaptation, however, King Mongkut never says the aforementioned quote. One of the songs from the 1956 adaptation is ‘Shall We Dance?’. During both versions of this story, King Mongkut and Anna dance with one another. However, it would have been nice to hear one of them say “shall we dance.”

Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

Anna and the King is a fine, competently made film. The movie’s creative team clearly knew what they doing, displaying the clear direction they wanted to take their adaptation. But compared to the 1956 musical, I find myself liking the musical more. Without the musical numbers, it feels like the story is missing something. Even though the 1999 adaptation found a replacement for the lack of musical numbers, I was wishing they hadn’t been omitted. I would have even accepted Easter eggs related to the musical, such as quotes from the songs woven into the dialogue. But despite its shortcomings, Anna and the King does attempt to make meaningful changes that were not in the 1956 musical. One of these changes is giving Anna’s son, Louis, and some of King Mongkut’s children their own unique personalities and a little more involvement in the overall story. As for Bai Ling’s involvement in the film, I wish she was given more on-screen appearances. But because Anna and the King is based on The King and I, which also showed Tuptim in only a handful of scenes, maybe I was naïve to think more material was available?

Overall score: 7.2 out of 10

Have you seen Anna and the King or The King and I? Can you think of any musicals that received a non-musical adaptation? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Tommy Review

For my third year participating in the Rule, Britannia Blogathon, I, at first, considered reviewing an adaptation based on a book I’ve read. This would be similar to when I wrote about the 2002 adaptation of Nicholas Nickleby. But the more I thought about it, the more I realized I had a perfect opportunity on my hands. That opportunity was the chance to review the 1975 film, Tommy! Years ago, long before I became a movie blogger, I saw a trailer for Tommy on Turner Classic Movies (TCM). On the one hand, the story itself seemed interesting; a man with disabilities living his best life and making his dreams come true. But, on the other hand, the visuals within this trailer appeared “bonkers”, making the movie seem intimidating. After reading some reviews, I came to the conclusion Tommy is a polarizing film. This isn’t the first time I have written about a movie that received mixed reviews. Two years ago, for another blogathon, I reviewed the 2011 Hallmark film, The Cabin. Historically, this is considered one of the most polarizing titles the network has ever created. When I got around to seeing it, I found The Cabin so bad, it was disappointing.

Tommy poster created by Robert Stigwood, Organization Ltd., Hemdale Film Corporation, and Columbia Pictures

Things I liked about the film:

The acting: Prior to watching Tommy, I had seen Bye Bye Birdie. In the 1963 film, Ann-Margret gave an expressive portrayal of Kim MacAfee. The 1975 movie shows Ann-Margret in a completely different role, which allowed her to expand her acting abilities. Portraying the titular character’s mother, Nora, Ann-Margret gave a well-rounded performance! Because this story incorporates heavier subjects, her portrayal contains the emotional intensity required for a story of this nature. While watching television, Nora sees her son on TV. As she’s watching, a sense of guilt grows within her. This guilt causes Nora to appear disgusted, a grimace slowly overcoming her face. She attempts to change the channel in order not to see Tommy, only for the TV to magically switch to Tommy’s image. Angry about her plan not working, Nora throws her champagne bottle at the television, which results in a flood of laundry detergent, beans, and chocolate. Relieved to instantly receive the items she just saw in television commercials, Nora suddenly is taken over by pleasure. A smile appears on her face as she rolls around on the floor in the commercial materials.

When discussing a movie heavily revolving around a titular character, it’s important to talk about the actor or actress portraying that character. In the case of Tommy, that role was given to Roger Daltrey. Based on some reviews I’ve read of Tommy, it seems like Roger had little to no acting experience prior to working on this movie. Despite this, his performance was such a strong addition to the story! Roger’s portrayal had the emotionality and versatility to make Tommy a character worth rooting for. These aspects also held my interest in Tommy’s journey. In one scene, Tommy stays over at Cousin Kevin’s house. During his stay, Kevin tries to burn Tommy with a cigarette. As Tommy is sitting tied up in a chair, his face instantly changes from exhaustion and writhing in pain. This change in facial expressions is seamless, Roger never missing an emotional beat.

While I have heard good things about Tina Turner’s acting performances, this was the first time I had seen any of them. Tommy shows Tina portraying The Acid Queen. Even though her performance was limited to one scene, she gave so much energy to her role. While her portrayal was over-the-top, it fit the tone and vibe the movie was going for. With all that said, I honestly wish Tina had received more appearances in this film.

Ann-Margret’s wardrobe: Even though I knew Ann-Margret would be starring in Tommy, I was pleasantly surprised by how much I liked her wardrobe! Each outfit she wore complimented her so well, while also looking great on-screen! Toward the beginning of the movie, as Nora and her husband, Captain Walker, are running through the war-torn streets of England, she wore an asymmetrical, sky-blue gown. The dress itself was simple, but it was elegant enough to not be plain. Ann-Margret’s strawberry blonde hair paired beautifully with the color of the dress. Later in the movie, Nora wears a silver, mesh pant suit. Accompanied by shiny, silver sandals and a white furry cape, this ensemble boasted a posh look. While the outfit felt very reflective of the 1970s, it was a divine version of that type of outfit. Ann-Margret definitely pulled off this film’s wardrobe in style!

The symbolism: In some reviews I read about Tommy, it was mentioned how there was symbolism found among the over-the-top, flashier imagery. Since I knew before watching the movie there was going to be this type of imagery, it allowed me to focus on what the film’s creative team was trying to say through their story. In a desperate attempt to cure her son, Nora takes Tommy to The Church of Marilyn Monroe. Other patrons with disabilities are also in attendance, from a woman with a guide dog to multiple people utilizing wheelchairs. Marilyn’s likeness can be seen throughout the facility, with the most notable being a giant statue of Marilyn in the iconic flown skirt pose. I interpreted the scene as a piece of commentary on how people who claim to be religious and/or contain the ability to cure everyone with anything can, sometimes, take advantage of those in vulnerable positions. Those people could be considered “false prophets”. So, choosing Marilyn as the film’s church icon is interesting, as Marilyn’s name and image were all a fabricated version of Norma Jean.

The 9th Annual Rule, Britannia Blogathon banner created by Terence from A Shroud of Thoughts

What I didn’t like about the film:

Some villains not receiving their comeuppance: There were several characters in Tommy’s life that failed him. While a few of these characters did receive their comeuppance, most of them did not. Whenever Tommy went to stay at Cousin Kevin’s house, Kevin would physically abuse and torment Tommy. Kevin only appeared in a sequence of scenes showing Tommy mistreated by him. Because of this, Kevin’s comeuppance was never shown. I’m not sure if this creative decision was made because there wasn’t enough time to show each character’s comeuppance or if it was meant to show how unfair life can be.

Some confusing parts of the story: At one point in Tommy’s story, his parents take him to see The Specialist, in an attempt to figure out why Tommy has several disabilities. During this appointment, Nora and The Specialist continuously flirt with each other. After this scene, this interaction and The Specialist himself are not brought up again. I was unsure if Nora planned on leaving Frank to start a relationship with The Specialist or if she was flirting with The Specialist simply to encourage him to lower her son’s medical bills. Either way, the movie does not provide a clear explanation.

An unclear time-line: This story starts during and shortly after World War II. The script heavily implies Tommy was born sometime in 1945. Most of this story takes place when Tommy is an adult. If Tommy were, say, twenty during the film’s events, that would mean the story takes place in 1965. With that said, why do the wardrobe, set design, and special effects look like they came straight out of the 1970s? I know this film was released in 1975. But because Tommy’s age is not specified, the movie’s time-line is unclear.

Music and stage image created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/music-sign_1179519.htm’>Designed by Topntp26</a>. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

My overall impression:

The way I feel about Tommy is similar to how I feel about Queen of the Damned. Is this one of my favorite films? No. Is it one of the best movies I’ve seen this year? Also, no. But, for what it was, I enjoyed it. Yes, the visuals can be “bonkers”. When you look past all of that, though, you will see the film’s creative team had something interesting to say. The story itself was easier to follow. The symbolism and messages associated with it appeared to be given a lot of thought and effort. Therefore, artistic merit can be found in this movie. The story of Tommy is a heartbreaking one. However, it is also a somewhat uplifting story. I won’t spoil the film for those who may be interested in seeing it. I will say when a climatic event happens, the moment itself feels earned.

Overall score: 7.3 out of 10

Have you seen Tommy? Are there any musical films you’d like to see me review? Let me know in the comment section below!

Have fun at the movies!

Sally Silverscreen

The 80s-tastic Mall-tacular Double Feature Introduction!

Whenever I publish 100 posts, I coordinate a special double feature. Back in January, my 600th post was my Buzzwordathon review of How to Write Good by Ryan Higa. Since then, I’ve been waiting for the right time to talk about my next double feature. Now, I’m excited to finally publish these long over-due articles! With the changing of the seasons from summer to fall, there’s one place that has remained a constant staple: the mall. Back to school shopping may be in full swing, depending on when a given school distinct begins their year. Some people might consider starting their Christmas/holiday shopping, especially to avoid the crowds. Maybe a local mall has a reputation of gathering the community, from being a popular hangout spot to hosting community events. With that said, this double feature will revolve around the mall!

There are several movies from several decades where a mall is a story’s setting. For this double feature, though, both films were released in the ‘80s. Within that decade alone, there are several options I could have selected. But I ended up going with The Legend of Billie Jean and Night of the Comet! At first glance, pairing these films together seems like a no-brainer. However, I intentionally chose these titles because they were referenced on the Dead Mall Series, created by Youtuber, This is Dan Bell.

Image by Freepik

In my double features, I attempt to answer a question through both of my reviews. But this time, I will only make a prediction, as I haven’t made a prediction since my Halloween double feature back in 2018. For this double feature, my prediction is the mall in Night of the Comet will play a bigger role than the mall in The Legend of Billie Jean. I haven’t seen any of these films prior to these reviews. Based on the clips that were in the introduction of Dan’s video, ‘DEAD MALL SERIES : Tour of the SUNRISE MALL from THE LEGEND OF BILLIE JEAN (1985)’, my guess is the story of The Legend of Billie Jean will revolve around a conflict that is not confined to the mall. I once read a synopsis for Night of the Comet that stated the film contained a zombie apocalypse. If this is true, the script would present a logical explanation for the story remaining in one location.

Have fun at the mall!

Sally Silverscreen