For my World Television Day Blogathon, I was originally going to review one of the books in the Murder, She Wrote series. But with the recent passing of Angela Lansbury, I thought it would be a bit too soon. Therefore, I decided to write about the top ten characters who didn’t reach their full potential instead. What does it mean for a character to reach their “full potential”? In my opinion, it means a character is given the opportunity to reach their goals, make their dreams come true, and allow their stories to be told to a satisfying extent. Unfortunately, some characters are denied these opportunities for various reasons. This list will address the characters I wish had received their full potential. For the sake of this discussion, I will focus on characters who appeared in television shows or made-for-tv movies. While there are some characters I have talked about before, I tried to include those I never talked about on 18 Cinema Lane. There will also be spoilers for the television shows and movies discussed in this list.
1. Matthew Rogers from Little House on the Prairie
Yes, I’m starting this list with a character I’ve written part of an editorial about. However, I feel there’s an argument to be made for Matthew not reaching his full potential. On Little House on the Prairie, he was introduced in the show’s last season. Within that season, Matthew only appeared in a total of three episodes, departing in the series finale. This left him with little to no time to reach his full potential. Meanwhile, characters such as Albert Ingalls, Willie Oleson, and even Nancy Oleson had their potential recognized because they were introduced in earlier seasons. Had Matthew made his debut in, say, season seven, his chances to reach his full potential may have been stronger.
2. Jamey Farrell from 24
24 was released during a very interesting time. It was almost ten years after the premiere of Jurassic Park, a film that showed Dr. Ian Malcolm breaking the mold of a “geek/nerd”. But 24 was also released almost ten years prior to Iron Man, when the idea of the “cool geek/nerd” would be fully embraced by the media. Before Robert Downey Jr. accepted the role of Tony Stark/Iron Man, Karina Arroyave portrayed Jamey on 24. A beautiful, intelligent, and charismatic woman, Jamey had the potential to be the Dr. Ian Malcolm of the show. In fact, I think if the show’s writers had allowed her to reach her full potential, Jamey could have been the reason why the media embraced the “cool geek/nerd” idea a lot sooner than they did. As the events of 24’s first season unfolded, though, Jamey’s sparkling personality became watered down and her unique attire morphed into looking just like every other employee. Becoming a villain and dying after appearing in ten episodes ended all chances of Jamey reaching her full potential.
3. Jiggy Nye from Felicity: An American Girl Adventure
Another character I’ve written an editorial about joins this list. In the 2005 made-for-tv film, Jiggy was presented more as a victim than a villain. This is because he didn’t come across as a big enough threat to the protagonist. It also doesn’t help how Jiggy’s backstory was poorly incorporated into the script. Felicity: An American Girl Adventure is based on a six-book series. Like any adaptation, changes were made between books and film. When it comes to Jiggy’s part of the story, though, it seems like he received the short end of the stick. From a writing perspective, he deserved so much better.
4. Libby from Lost
Out of all the characters from Lost to not receive their full potential, especially those from season two, Libby is the one you can make the strongest argument for. Introduced as one of the “Tailies”, there was so much mystery and intrigue surrounding her and her story. When Libby and Hurley started a romantic relationship, things seemed to be going well with her character development. Sadly, Libby’s story was short-lived, as she died toward the end of the second season. Because of her departure, none of the mysteries surrounding her were ever addressed. Libby never even received any flashbacks.
5. Amédée Chevalier from Hallmark Hall of Fame’s O Pioneers!
I first mentioned Amédée in my review of the 1992 Hallmark Hall of Fame presentation. In his limited appearance in the movie, he had so much potential. From his athleticism to his charisma, Amédée could go anywhere and be anyone he wanted. Sadly, his story was cut short due to dying off-screen of appendicitis. From the information I’ve found about Amédée, he only made three appearances in the book. This makes me wonder if his full potential was always meant to be denied?
6. Captain Lynch and Judy from Crusoe
Long before 18 Cinema Lane existed, there was a television adaptation called Crusoe. In the season premiere, Captain Lynch and Judy arrived on Robinson’s island. Similar to Libby from Lost, Judy and Captain Lynch were surrounded in mystery and intrigue. But toward the end of the season premiere, these characters departed from the show. While Captain Lynch died, Judy was taken away by the Royal Naval Police, never to be seen again. It also didn’t help how Crusoe survived for only one season.
7. Barry Klemper from Hallmark Hall of Fame’s The Boys Next Door
I always thought there was an argument to be made for Barry Klemper’s full potential in the 1996 Hallmark Hall of Fame presentation. A photogenic and articulate man, Barry had a passion for golf, which he kept alive at his job at a driving range. Had he received a more one-on-one, individualized approach to his care, I honestly think Barry could have lived a, somewhat, independent life. But all that momentum Barry had was destroyed when his father showed up and intimidated him. This interaction caused Barry to spend the remainder of the story in a psychiatric hospital. The Boys Next Door is based on a play that I have not read or seen in its entirety, so I’m not sure how respectful the adaptation is to its source material. All I know is Barry Klemper not reaching his full potential is, in my opinion, heart-breaking.
8. Moon from Cedar Cove
The proprietor of Moon’s Café, Moon is one of the most important characters of the 2013 Hallmark Channel show. Along with coffee and baked goods, Moon serves up wisdom to those who will provide a listening ear. I even recall one episode where he claimed he was adopted. This tidbit could have opened the doors to a compelling story for Moon. But during Cedar Cove’s three season run, Moon, more often than not, was overshadowed by the other characters and their stories. Since the show ended in 2015, there have been no announced plans to release a Cedar Cove movie or reunion special. Hallmark’s lack of interest in revisiting their first scripted show leaves Moon with no more chances to reach his full potential.
9. Harris Trinsky from Freaks and Geeks
After watching some episodes of Freaks and Geeks, Harris has become my favorite character from the show. His “wise beyond his years” perspective make him a character the “geeks” can trust and others can respect. Harris also had a lot going for him, from his intelligence to his interest in Dungeons & Dragons. Unfortunately, Freaks and Geeks lasted for only one season. The fact Harris was a recurring character didn’t help his case either, as he appeared in ten of the show’s eighteen episodes.
10. Jesse and Clara from When Calls the Heart
When I was creating this list, I, at first, didn’t think there were any characters from When Calls the Heart who didn’t reach their full potential. But the more I thought about it, the more I realized Jesse and Clara fit my list’s criteria. Clara came to Hope Valley in season two, still healing from a broken heart. Season three saw the arrival of Jesse, seeking a second chance after living a life of crime. When Clara and Jesse became a couple, they had their whole lives and relationship ahead of them. But the longer they stayed on the show, the more overshadowed they became. Jesse and Clara were given few good stories during their time on When Calls the Heart. They were also denied the outdoor wedding of their dreams. Clara and Jesse were written out of the show after season seven.
As I was trying to come up with ideas for what to write about for the 2nd Disability In Film Blogathon, I came across the book and movie, Wonderstruck. While reading the story’s synopsis, I discovered that it was about two children who go on an adventure in two very different time periods. Even though these characters lead very different lives from one another and are unique individuals from each other, they both have something in common: both of these children are deaf. The idea of these characters having similar life experiences and stories of disability, despite existing in separate time periods, is what inspired me to create this editorial. My favorite superhero from the Marvel Cinematic Universe is Bucky Barnes and Matthew Rogers is my favorite character from Little House on the Prairie. After watching Captain America: The Winter Soldier for the first time, I started to notice that Bucky and Matthew shared more in common than one would think. Like the protagonists in Wonderstruck, Bucky’s and Matthew’s story takes place in two very different time periods: the late 1800s and the present day. Also like the protagonists in Wonderstruck, Bucky and Matthew have a disability: Bucky is an amputee and Matthew is non-verbal. In my post, “My Top 5 Dream Double Features at the Cinema”, I talked about how I would want to discuss the similarities in Bucky’s and Matthew’s story if I paired both episodes of “The Wild Boy” with Captain America: The Winter Soldier. Now, I finally get the chance to explore these similarities in honor of the 2nd Disability In Film Blogathon!
The Introduction of Bucky and Matthew
Bucky Barnes and Matthew Rogers are introduced into a series that already had an established story prior to their appearance (the Captain America trilogy/MCU and Little House on the Prairie). When they make their official appearances in these series, Bucky’s movie and Matthew’s episodes were centered around them, even though they are not one of the main characters. Though this movie is a part of the Captain America trilogy, the title of this film is Captain America: The Winter Soldier because the movie explores Bucky’s story. On Little House on the Prairie, the episode where Matthew makes his debut is titled “The Wild Boy” because, like Captain America: The Winter Soldier, Matthew’s story is the primary focus. Because this episode is told in two parts, it allows for Matthew and his story to have a meaningful impact on the residents of Walnut Grove.
When Bucky and Matthew first appear on screen, the audience sees them carrying dangerous and violent identities. At the beginning of “The Wild Boy” Part 1, Matthew is introduced as The Wild Boy, a young, unkempt boy who reacts violently when Dr. McQueen, a traveling medicine man, tries to get his attention. In Captain America: The Winter Soldier, Bucky is known as The Winter Soldier, a dangerous antagonist from Hydra, a criminal organization, who causes chaos and destruction. At first, the protagonists in each story see the personas of The Wild Boy and The Winter Soldier for face value, believing that these individuals are truly as violent and dangerous as they appear. This also allows the audience to share similar thoughts and beliefs with the protagonists, with the delivery of the truth about The Wild Boy and The Winter Soldier being executed as a surprise for the audience.
The Truth about Bucky and Matthew
As their stories go on, the truth about The Winter Soldier and The Wild Boy are revealed. When Steve Rogers removes The Winter Soldier’s mask during a confrontation in Captain America: The Winter Soldier, he discovers that The Winter Soldier is really his friend, Bucky Barnes. After that scene, the audience is given the opportunity to learn about how Bucky ended up with Hydra. While Bucky has his prosthetic arm repaired by Hydra members, a flash-back montage is shown. This montage shows the audience that after he fell off the train in Captain America: The First Avenger, Bucky lost his left arm while he was falling. He was then kidnapped by Hydra and kept against his will. During this montage, the audience discovers how Bucky receives his prosthetic arm, but also sees Bucky getting mistreated by members of Hydra. The audience also learns that Bucky had The Winter Soldier persona forced upon him and was brainwashed by Hydra to hurt other people. When the story returns to present day, Bucky is still getting mistreated and abused by Hydra. Alexander Pierce, the head of Hydra, feels that the mistreatment toward Bucky, such as unexpectedly slapping him in the face and having Bucky involuntarily go through electroshock treatments, is justifiable. Brock Rumlow, a fellow Hydra member, witnesses the abuse toward Bucky, but chooses not to do anything about it. Steve Rogers finds out about Bucky’s traumatic situation after Captain America: The Winter Soldier but before Captain America: Civil War.
Like Bucky, the audience gets to learn more about The Wild Boy in “The Wild Boy” Part 1. Toward the beginning of this episode, The Wild Boy is shown getting physically abused by Dr. McQueen (he hits his hand with his cane) and being neglected (Dr. McQueen refuses to feed him). Dr. McQueen is also verbally abusive toward The Wild Boy, referring to him as “creature” and “animal” as well as saying he “acquired” him. Luther Abbott, the assistant of Dr. McQueen, recognizes that The Wild Boy is being mistreated, but doesn’t really do anything about the situation. He even assumes that The Wild Boy has a small amount of intelligence and doesn’t understand what’s going on around him. When Dr. McQueen visits Walnut Gove, Jenny Wilder, Laura Ingalls Wilder’s niece, suspects there’s more to The Wild Boy than meets the eye after she and her friends sneak into the tent where The Wild Boy is kept. The next day, when Jenny finds The Wild Boy hiding in her family’s barn, she discovers the truth about The Wild Boy. She not only learns that The Wild Boy is really Matthew Rogers, but also that he is non-verbal. The audience learns in the Little House on the Prairie episode “Hello and Goodbye” that Matthew became non-verbal due to having Lye forced down his throat by a farming couple who only wanted to adopt Matthew as a work-hand, not as their son. The audience also learns, later on in “The Wild Boy” Part 1, that Matthew developed Morphinism due to Dr. McQueen using the morphine laced elixir he was selling to control Matthew’s behavior, causing him to act “wild”.
Bucky and Matthew Break Free
Fortunately, Bucky and Matthew find a way to escape their abusive situations. Despite Luther assuming that Matthew has a lack of intelligence, Matthew figures out how to dismantle his cage, giving him a chance to run away from Dr. McQueen’s capture. While Steve and Bucky fight each other during the Triskelion Battle in Captain America: The Winter Soldier, Steve rescues Bucky from Hydra’s capture by reminding Bucky of who he is and of the friendship they have. These reminders help Bucky break through Hydra’s brainwashing and escape their clutches. It’s also important to point out that after their initial escape, Bucky and Matthew never return to their captors’ control. Dr. McQueen comes back to Walnut Grove in an attempt to reclaim Matthew in “The Wild Boy” Part 2. This causes a judge to be called in and a hearing to take place in order to determine who should be the guardian of Matthew. Because of Luther confessing the truth about Dr. McQueen’s abuse toward Matthew and that he was bribed by Dr. McQueen to lie about Matthew’s situation, the judge decides to revoke Dr. McQueen’s guardianship but also decides to have Matthew sent to an asylum. After some convincing from Matthew and Mr. Edwards, the judge decides to grant guardianship to Mr. Edwards. Because a large portion of Hydra’s members were killed during the Triskelion Battle or went into hiding after that battle, Bucky has been able to live a life free of anything Hydra related.
Bucky’s and Matthew’s Support System
Because their families are mostly absent from their stories, Bucky and Matthew have to build their support system from scratch. In each support system, there’s at least three key individuals that are present throughout Bucky’s and Matthew’s journey. For Matthew, these people are Mr. Edwards, Laura Ingalls Wilder, and Jenny Wilder. In Bucky’s story, these individuals are Steve Rogers, T’Challa, and Shuri. The people in these support systems approach their roles in their own ways, but their goal is the same: helping their friend or loved one and keeping their best interests in mind.
The biggest role in both of these support systems is the advocate, the person who spends the most time with their friend or loved one and makes sure their best interests are met. These roles are given to Mr. Edwards and Steve Rogers. After Matthew escapes from Dr. McQueen’s capture, he ends up having no place to go. Mr. Edwards volunteers to be his temporary guardian and takes care of Matthew. When Matthew faces the threat of being sent to an asylum, Mr. Edwards makes a speech before Sunday Service, with all the residents of Walnut Grove present, about how Matthew is no different from the other members of Walnut Gove. During this speech, Mr. Edwards was advocating for Matthew to stay in Walnut Grove so he could live in a stable, loving, and supportive environment. This speech convinced the judge to allow Matthew to live in Walnut Grove with Mr. Edwards. In Bucky’s case, Steve has been his friend prior to the events that caused Bucky to become disabled. During Bucky’s time in the MCU, Steve Rogers not only rescued Bucky from Hydra’s capture, but he also defends Bucky throughout Captain America: Civil War. When Bucky is wrongly accused of committing murder, Steve tries to explain to the members of “Team Iron Man” that not only is Bucky innocent, but that he also experienced a very traumatic and violent past. During the final battle between Captain America, Bucky, and Iron Man, Steve puts Bucky’s needs before his own by giving up his shield and choosing to help his friend.
The other two roles in this support system are the resource gatherer (the one who finds the resources for their loved one or friend) and the understanding soul (the one who, through understanding, comes to accept and appreciate the person they are going to help). The role of resource gatherer is given to Shuri and Laura Ingalls Wilder. Shortly after the events of Captain America: Civil War, Bucky comes to Wakanda to receive the medical care that he needs, wants, and deserves. Not only does Shuri help Bucky overcome his trauma, she also creates a new prosthetic arm, using Wakanda’s vibranium, for Bucky at the beginning of Avengers: Infinity War. In Matthew’s situation, Laura teaches him sign language so he can communicate with the people around him. For Jenny and T’Challa, they have taken on the role of the understanding soul. In Captain America: Civil War, T’Challa assumes that Bucky killed his father because Helmut Zemo, the film’s villain, was dressed up as Bucky when he murdered several people in Vienna. After T’Challa learns the truth about how his father died, he accepts Bucky into his social circle and helps him receive the resources he needs and wants. T’Challa also discovers Bucky’s past and realizes that he has been a victim of abuse and trauma. After she stops Nancy Oleson from tormenting Matthew and, later, finds Matthew hiding in her family’s barn, Jenny discovers that Matthew’s “wild boy” persona was forced upon him by his captors. She also learns about Matthew’s disability and agrees to become his friend.
An Assistive Tool for Bucky and Matthew
After breaking free from their traumatic and abusive life, Bucky and Matthew are able to surround themselves with people who truly care about them and strive to meet their best interests. One way that their best interests are met is when they each receive an assistive tool that will help them live as independent and productive of a life as possible. As mentioned earlier, Laura teaches Matthew sign language in order to help him communicate with the people in his life. She also teaches Mr. Edwards and Jenny sign language so they can understand what Matthew is trying to say. This assistive tool of language helps Matthew to form friendships and make his wishes and thoughts known to others. Without it, Matthew would probably feel excluded from the community, feeling like he had limited opportunities to contribute to any conversations.
Even though Bucky received his prosthetic arm during his time under Hydra’s capture, that arm was created and controlled by Hydra, meaning that Bucky couldn’t use his assistive tool in his favor. After he was rescued from Hydra’s capture, Bucky was able to have more control over his prosthetic arm, being able to use his assistive tool the way he wants to, such as picking up plums from the market and fighting alongside “Team Cap” in Captain America: Civil War. During the battle between Captain America, Bucky, and Iron Man, Bucky’s prosthetic arm was destroyed after a failed attempt to remove Iron Man’s arc reactor. He not only receives a new prosthetic arm at the beginning of Avengers: Infinity War, but this prosthetic arm has no connection to Hydra, meaning that Bucky can have total control over his assistive tool. It’s also important to point out that throughout Avengers: Infinity War, Bucky seems comfortable with his new prosthetic arm, that he was given enough time to get used to his assistive tool and operate it the way he wants to.
The language used toward/about Bucky and Matthew
When Bucky and Matthew start their new lives, the audience gets to see how others interact with them. During Bucky’s time in the MCU and in both parts of “The Wild Boy”, Bucky and Matthew are welcomed into their communities. There are never bullied, made fun of, treated differently, or judged because of their disability. While looking at Bucky’s and Matthew’s stories, however, there was language used either toward or about them that could be seen as problematic. In both parts of “The Wild Boy”, some of the characters refer to Matthew as a “mute”. This is the only example of problematic language I could find within Matthew’s story. Because Little House on the Prairie takes place sometime between the 1870s to 1890s, I found this language to be more reflective of that time-period. Throughout Bucky’s time in the MCU, I found three instances where language was used either toward or about Bucky as a person with a disability that one could find as problematic. Below are the list of these instances and how they could be perceived as problematic.
“You have a metal arm?! That is awesome, dude!” – This is what Spider-Man tells Bucky during their fight in Captain America: Civil War. What Spider-Man said could be seen as problematic for two reasons. The first is by Spider-Man pointing out Bucky’s prosthetic arm, it seems like Bucky’s disability is being acknowledged before Bucky as a person. The second is if Spider-Man knew how Bucky acquired his prosthetic arm, he probably wouldn’t sound as enthusiastic as he did. Personally, I don’t have a problem with what Spider-Man said because his compliment truly sounded genuine and he appeared excited to meet and interact with people that were different from those he interacted with on a daily basis.
“Great! Another broken white boy for us to fix.” – Though Shuri doesn’t explicitly say who she’s referring to in Black Panther, it is assumed that the first “broken white boy” is Bucky. Implying that Bucky, a person with a disability, is broken and needs to be fixed is very problematic because this would suggest that, by having a disability, something is wrong with him and he should feel ashamed or embarrassed about being disabled. Because Shuri volunteers to help Bucky overcome his trauma and joins Bucky’s Support System, I don’t believe Shuri meant to be hurtful toward him. However, I do think that any screenwriter of any Marvel movie should be a bit more mindful when referring to any character with any type of disability and how their audience might perceive what is being said about a character with a disability.
“Okay, how much for the arm? (Bucky walks away) Oh, I’ll get that arm” – During Avengers: Infinity War, Bucky and Rocket teamed up in an attempt to stop the threat against Wakanda. The aforementioned quote is what Rocket said toward the end of his interaction with Bucky. Even though I think this moment was meant to be hilarious and what Rocket said is more in line with his sense of humor, I can see why someone would think that what Rocket said was problematic. By Rocket implying that he wants to take Bucky’s arm away from him, it would make Rocket appear is if he wants Bucky’s independence to be taken away from him. As I mentioned earlier, Bucky’s prosthetic arm is an assistive tool, which helps him live as independent and productive of a life as possible. Suggesting that Bucky, an individual with a disability, shouldn’t be able to use his assistive tool is very demeaning.
The Future of Bucky and Matthew
Though Bucky and Matthew experience positivity throughout their stories, their journeys are far from over. They may never be able to fully escape their traumatic pasts, but the audience can see that Bucky and Matthew have the strength and resilience to continue to move forward to a better and brighter day. Even though they had horrible identities forced upon them by horrible people, Bucky and Matthew never became the person that their captors tried desperately to turn them into. When Mr. Edwards suggests that he and Matthew run away in order to prevent Matthew from getting sent to an asylum, Matthew refuses and tells him that following the law and respecting the judge are more important than keeping their temporary family together. Because Matthew truly cared about Mr. Edwards, he sought out the best interests of Mr. Edwards and stopped him from making one of the biggest mistakes of his life. Shortly after Bucky was rescued from Hydra’s capture, one of the first things Bucky does is save Steve from potentially drowning. Because of what Steve did for Bucky, he realizes that Steve still cares about his friend and wants the best for him. Bucky’s act of kindness shows the audience that he is expressing his gratitude toward his friend by helping him out in a dire situation. Both of these situations are an example of, when given the choice, Bucky and Matthew consciously choose to be good people despite the terrible hands they had been dealt in the past.
Because of where Bucky’s and Matthew’s story leaves off in their respective series, it makes it unclear of what exactly will happen to them. In the Little House on the Prairie episode “Hello and Goodbye”, Matthew reunites with his biological father, Philip Rogers. Since this episode was not only Matthew’s last appearance on the show, but also the final episode in the series, it is assumed that Matthew received a happy ending when he chose to live with his father. At the end of Avengers: Infinity War, Bucky disappeared as a result of Thanos’ plan being successful. Because ‘Avengers 4’ is listed on Sebastian Stan’s filmography on IMDB, it is assumed that Bucky will return in the next film. Some people even speculate that he could become the next Captain America if Steve Rogers were to step away from the title. No matter what happens to Bucky and Matthew, the most important thing to remember is that their disability is a part of their story. They do not let the past define them, but instead use it as a source of strength and perseverance. Bucky and Matthew are, more often than not, given opportunities to show others what they are capable of, especially when they set their minds to it. They never let their struggles or their hardships get in the way of achieving their goals and following their dreams. Within their respective series and even in the world of pop culture, Bucky Barnes and Matthew Rogers are just as significant and meaningful as the other characters surrounding them.