Take 3: Sugar & Vice: A Hannah Swensen Mystery Review

As I’ve said before on 18 Cinema Lane, the overall quality of Hallmark’s Murder She Baked/Hannah Swensen series regressed when the series changed its name from Murder She Baked to Hannah Swensen. Most of the movies released since the name change have been either disappointing or ok, in my opinion. However, I keep watching the Murder She Baked/Hannah Swensen series in the hopes the quality will get better. When I discovered another chapter in the series, Sugar & Vice: A Hannah Swensen Mystery, was on the way, I was actually intrigued. The idea of Hannah and company forced to solve a mystery while stuck at a costume party sounded reminiscent of Curious Caterer: Foiled Plans. Because of how much I liked that film, I was interested in seeing how the creative team behind the Murder She Baked/Hannah Swensen series would approach the concept of a locked room mystery revolving around a costume party. How does Sugar & Vice: A Hannah Swensen Mystery compare to Curious Caterer: Foiled Plans? Keep reading my review to find out!

Sugar & Vice: A Hannah Swensen Mystery poster created by Hallmark Media and Hallmark Channel

Things I liked about the film:

The costume design: Like I said in this review’s introduction, Sugar & Vice: A Hannah Swensen Mystery shows Hannah and company forced to solve a mystery while stuck at a costume party. If a movie’s creative team is planning on incorporating a costume party into their story, giving the cast costumes that are not only visually appealing, but also compliments the cast members should be a top priority. This was achieved in Sugar & Vice: A Hannah Swensen Mystery. However, the creative team’s attention to detail is one of the ways the visual appeal and complimentary appearance of the costumes was achieved! Hannah dresses up as a mermaid at Lake Eden Inn’s masquerade party. Her sky-blue dress was covered in sparkles and pearls. Netting material with attached starfish presents the illusion the “mermaid” is wearing a skirt. A blue and pink tiara, as well as a teal necklace, not only compliments Alison Sweeney’s blue eyes, they also correlate nicely with Hannah’s teal phone case. Other examples of wardrobe details that work in the costumes’ favor are red sneakers for a costume of Dorothy (from The Wizard of Oz) and a sparkly red heart purse for Delores’ Red Queen (from Alice in Wonderland) costume.

The costume party’s set design: The majority of Sugar & Vice: A Hannah Swensen Mystery takes place at the aforementioned Lake Eden Inn’s masquerade party. To make a movie’s party space inviting, the creative team needs to utilize their budget, resources, and location provided to plan an event that feels fun and festive. Similar to what I said about the costume design in Sugar & Vice: A Hannah Swensen Mystery, the fun and festive appearance of the masquerade party was achieved through attention to detail! The walls were covered with a black curtain-like material. Black mesh-like material was draped across the ceiling with string lights, creating a cozy tent around the dance floor. String lights were tied together on gold curtains and black support pillars glowed with yellow light around the party area. On one wall, masquerade masks were placed inside picture frames, showcasing themed “masterpieces” as official party décor. Even miniature masquerade masks helped create colorfully adorable centerpieces. I really liked how Lake Eden Inn’s masquerade party looked because of how much detail was given to this space!

Delores’ toned down antics: Ever since Delores was given the private investigator subplot in One Bad Apple: A Hannah Swensen Mystery, her antics have been silly and over-the-topic in the Murder She Baked/Hannah Swensen series. In fact, her antics have been so over-the-topic and silly, I couldn’t take her seriously as a character. Fortunately, that wasn’t the case in Sugar & Vice: A Hannah Swensen Mystery. While Delores was the sassy, head-strong woman she’s always been known as, her antics were toned down. This allowed her interactions with other characters to feel believable, such as when she’s interrogating a suspect. Delores’ toned-down antics also made her a more likable character compared to some of the series’ more recent previous films.

Young chef image created by Iconicbestiary at freepik.com <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Iconicbestiary – Freepik.com</a> <a href=’https://www.freepik.com/free-vector/young-cook-background_1311107.htm’>Designed by Freepik</a> Image found at freepik.com

What I didn’t like about the film:

Lack of urgency: Murder mystery stories taking place in the present typically include a sense of urgency. This gives the characters motivation to solve the mystery before the guilty culprit hurts other people. But in Sugar & Vice: A Hannah Swensen Mystery, that sense of urgency was lacking. It’s understandable for Hannah and company to keep the news about the murder mystery from the party guests, in order to prevent panic and fear. However, the characters seemed to be taking their time solving the case, even though the guilty culprit was right under their noses. The creative decision to not prioritize a sense of urgency within Sugar & Vice: A Hannah Swensen Mystery slowed down the movie’s pace and drew the story out a bit.

Hannah and Chad’s inconsistent screen-time together: Since Victor Webster joined the cast of the Murder She Baked/Hannah Swensen series, his on-screen chemistry with Alison Sweeney was the strongest in Sugar & Vice: A Hannah Swensen Mystery. This helped make Chad and Hannah’s relationship finally feel believable to me. But in this newest Murder She Baked/Hannah Swensen chapter, Hannah and Chad’s screen-time together was inconsistent. One reason why is how Chad and Hannah worked separately when attempting to solve the murder mystery. Another reason is how there was no subplot revolving around their relationship. I was disappointed by these creative choices because I actually looked forward to seeing Hannah and Chad together.

Underutilization of Michelle: Hannah’s sister, Michelle, is featured in Sugar & Vice: A Hannah Swensen Mystery. When it comes to her involvement in the story, however, she only appears in about three scenes total. Plus, Michelle has little to no participation in solving the case. In my opinion, it was such a missed opportunity not to utilize Michelle more in this newest Murder She Baked/Hannah Swensen movie. Since she is a photographer, perhaps she could have been recruited as the masquerade party’s official photographer.

Blue masquerade party Image by freepik

My overall impression:

In the introduction of this review, I asked how Sugar & Vice: A Hannah Swensen Mystery compares to Curious Caterer: Foiled Plans. Now that I’ve seen the latest installment in the Murder She Baked/Hannah Swensen series, I have an answer to that question. At best, Sugar & Vice: A Hannah Swensen Mystery is an ok film. But, at worst, it’s a weaker version of Curious Caterer: Foiled Plans. The lack of urgency made Hannah and company seem to be taking their time solving the case, slowing down the movie’s pace and drawing the story out a bit. I also didn’t like how Hannah and Chad shared an inconsistent amount of screen-time together. Michelle, Hannah’s sister, could have been utilized more throughout the story, such as being the official photographer of Lake Eden Inn’s masquerade party. Despite these flaws, Sugar & Vice: A Hannah Swensen Mystery does contain elements I did like. The costume design, as well as the costume party’s set design, featured a lot of attention to detail, making those parts of the movie visually appealing and memorable. I even could take Delores seriously as a character because her antics were toned down. If anything, though, Sugar & Vice: A Hannah Swensen Mystery prioritized style over substance.

Overall score: 6 out of 10

Have you seen Sugar & Vice: A Hannah Swensen Mystery? If the Murder She Baked/Hannah Swensen series continues, what would you like the next story to be about? Please tell me in the comment section!

Have fun at the bakery!

Sally Silverscreen

The 8th Annual Gold Sally Awards Have Arrived!

The Gold Sally Awards, a beloved tradition on 18 Cinema Lane, have returned! For those new to my blog, this is an annual post I publish to commemorate my blog’s anniversary. Winners of the Gold Sally Awards are chosen based on movies I saw the previous year. The award categories are created by me, based on topics I’ve brought up on 18 Cinema Lane. Every year, I try to introduce at least one new award category. But in 2026, I’ve brought back two existing categories instead. I will discuss why I chose each recipient, like I’ve done in past award posts. So now, let the 8th Annual Gold Sally Awards begin!

8th Annual Gold Sally Awards Winners created by me, Sally Silverscreen.

The Standing Ovation Award

(Character Most Deserving of Receiving Their Full Potential)

Alfred White from Saving the Titanic

Overcoming a fear takes bravery, determination, and perseverance. When one conquers a fear that was holding them back, it is an accomplishment worth celebrating, especially considering what that person may have gone through to reach that accomplishment. In Saving the Titanic, Alfred White had a fear of heights. He eventually overcame his fear when tasked with reporting everything happening above Titanic’s deck. The fact Alfred faced and conquered his fear during the highly stressful time of Titanic’s sinking is quite amazing. But as Alfred was addressing his fear of heights, he also taught me about the Titanic’s fourth fake funnel, a fact I was unaware of before watching Saving the Titanic. For these reasons, I have chosen Alfred White to receive this year’s Standing Ovation Award!

The Hallmark Hall of Fame Award

(Movie That Feels Like It Belongs in the Hallmark Hall of Fame Collection)

An Old Fashioned Thanksgiving

When I gave Hallmark’s Frankenstein the Hallmark Hall of Fame Award last year, I described the 2004 television movie as an immersive experience. The combination of screenwriting, acting performances, set design, and costume design presented the illusion of transporting me to another time and place. This is exactly how I felt when revisiting An Old Fashioned Thanksgiving! In the case of the 2008 tv film, this illusion was achieved through attention to detail and historical accuracy. Similar to Hallmark’s Frankenstein, I’m surprised An Old Fashioned Thanksgiving wasn’t a Hallmark Hall of Fame presentation. It’s even more surprising none of Louisa May Alcott’s literary work was adapted into Hallmark Hall of Fame titles. So, those are the reasons why I chose An Old Fashioned Thanksgiving for this year’s Hallmark Hall of Fame Award!

The “She Won’t Give Me My Chocolate” Award

(Best Quote from a Movie)

“For those who make history needn’t read about it” – Eva, The Bride (1985)

I will admit this was the most difficult category to choose a winner for. That’s because there were several strong quotes that were deserving of this year’s “She Won’t Give Me My Chocolate” Award. But the quote I ended up selecting was the one Eva told Josef in 1985’s The Bride. Outside the movie’s context, the quote itself is powerful and epic. Within the movie, however, it’s a simplistic yet meaningful acknowledgment of how far Eva came from when she was first introduced in the story. By Eva telling Josef, “For those who make history needn’t read about it”, she’s no longer the blank slate Frankenstein originally created her to be. Instead, Eva can think and speak for herself, even if she did need some help along the way. This quote provides character development in an interesting and memorable way!

The Edwin P. Christy Award

(Most Annoying Character in Film)

Cameron Shannon from An Old Fashioned Christmas

Looking back on 2025, Cameron Shannon, from An Old Fashioned Christmas, sticks out in my memory. But his memorability is for the wrong reasons. As I said in my review of the 2010 tv picture, Cameron was the worst character in An Old Fashioned Christmas. This was due to how annoying he became over the course of the movie. Cameron always acted like he had something to prove, as well as attempting to get the last word in every argument or conversation. So, it was satisfying to see Gad confront Cameron toward the end of the story. Like I also said in my An Old Fashioned Christmas review, the majority of the film emphasized the love triangle between Tilly, Gad, and Cameron. Honestly, I don’t know what Tilly saw in Cameron because his unlikability was static.

The Edward Boult Award

(Missed Opportunity in Cinema)

Not giving Perry Mason: The Case of the Heartbroken Bride a unique and memorable story

Last July, when I reviewed Perry Mason: The Case of the Heartbroken Bride, I criticized the movie for its missed creative opportunities. This major flaw made the twenty-third chapter in the Perry Mason movie series lackluster. In my review, I gave two subplot ideas that could have helped Perry Mason: The Case of the Heartbroken Bride obtain a more memorable story. The first is how Hannah, the sister of Kaitlynn’s fiancé, converted her failed music career into a promising legal career. Kaitlynn’s real personality being quite different from her celebrity persona serves as the second subplot idea. Sadly, these ideas weren’t utilized nor did they contribute to the mystery of Perry Mason: The Case of the Heartbroken Bride. The 1992 television film was Perry Mason’s “bad day at the office”.

The “Based on a Book I Haven’t Read Yet” Award

(Movie Based on Source Material I Have Not Yet Read)

An Old-Fashioned Thanksgiving

Louisa May Alcott is best known for her iconic novel, Little Women. But she has written some short stories throughout her career. One of those short stories was An Old-Fashioned Thanksgiving, which was the source material for the 2008 Hallmark Channel movie of the same name. You’d think with how much I adore An Old-Fashioned Thanksgiving’s film adaptation, I would have read the source material by now. But as of late February to early March, 2026, I still have not read Louisa May Alcott’s short story. Hopefully, I can finally check out An Old-Fashioned Thanksgiving this year!

The Nosferatu vs. Dracula Award

(Two Movies That Feel Like You’re Watching the Same One)

From the Mixed-Up Files of Mrs. Basil E. Frankweiler from 1973 and 1995

If you read my review of 1973’s From the Mixed-Up Files of Mrs. Basil E. Frankweiler, you would know this adaptation, as well as the 1995 version, would likely receive the Nosferatu vs. Dracula Award. This is due to both movies sharing a lot of the same strengths and flaws. Even though each version of From the Mixed-Up Files of Mrs. Basil E. Frankweiler does have its differences, it’s not enough to give the films strong differentiations between them. Even though I slightly prefer the 1995 adaptation over the 1973 version, these movies made me feel like I was watching the same film twice.

The Kay’s Costume Party Dress Award

(Best Outfit from a Movie)

Marion’s Angel Costume from Wings of Desire

In my Comparing with the Critics review of Wings of Desire, I complimented the movie’s costume design. I even described one of Marion’s trapeze artist costumes in detail. That costume is the angel costume Marion wore when she was first introduced in Wings of Desire. The craftsmanship and detail that went into creating the costume allowed the costume itself to stand out long after the movie was over. As I said in my review, the exquisiteness of Marion’s costumes, including her angel costume, makes me wish they were shown in color more consistently.

Sally’s MVP Award

(Character Who Left a Memorable, Showstopping Impression)

Rinaldo from The Bride (1985)

Back in June, 2025, when I reviewed The Bride, I proclaimed Rinaldo was the movie’s MVP. So, when it came time to decide who should receive the Sally’s MVP Award, I already knew the perfect winner! From the moment he meets Viktor, Rinaldo genuinely has Viktor’s best interests at heart. He strives to give Viktor a better life than Frankenstein did, even going so far as to educating Viktor on the importance of his name, which means “He will win”. Rinaldo always refers to Viktor as “his friend”. If it wasn’t for Rinaldo, I don’t believe Viktor would have received the “hero’s journey” he did in The Bride. Similar to when I gave Madmartigan the Sally’s MVP Award last year, Rinaldo became The Bride’s MVP because of David Rappaport’s performance and the screenwriting.

The They Deserve an Award Award

(Someone Associated with a Movie Who Deserves Recognition)

Monika Jacobs (for her costume designs in Wings of Desire)

In the past, I would give this award to actors or actresses who gave a performance that was memorably showstopping. But this year, I decided to expand the They Deserve an Award Award to other departments of film-making. That’s because there are other important components of creating a movie besides acting. When I reviewed Wings of Desire, I praised the film’s costume design, specifically pointing out one of Marion’s trapeze artist costumes. I said I wish Wings of Desire’s costume designer, Monika Jacobs, was nominated for, at least, one award. Costume design isn’t just about crafting attire that’s appealing to the eye. It’s also about creating attire that compliments the actor or actress wearing it. Through Marion’s wardrobe in Wings of Desire, Monika achieved these objectives. Even though Marion’s trapeze artist costumes were stunning, her casual and formal attire made Solveig Dommartin look like the best dressed star of Wings of Desire!

Have fun at the movies!

Sally Silverscreen

Take 3: Aladdin and the Forty Thieves (1984) Review

I will admit I wasn’t familiar with Kenneth Williams as an actor before joining the Carry On Kenny! 100 Years of Kenneth Williams Blogathon. But like other blogathons I’ve participated in, I saw the event as an opportunity to expand my cinematic horizons. As I looked through Kenneth’s filmography, I discovered he starred in the 1984 made-for-tv movie, Aladdin and the Forty Thieves. Since I cover my fair share of television films, including those from the 1980s, I chose this production as my blogathon entry! When I recently wrote about Brigadoon, I said the fantasy genre was underrepresented on 18 Cinema Lane. I also said Brigadoon itself was a fine, pleasant presentation. With Aladdin and the Forty Thieves being the second movie from the fantasy genre to be reviewed this year, it almost seems like I’m making up for lost time. And now that I’ve seen the 1984 television film, I can say whether its stronger or weaker than Brigadoon.

Since Aladdin and the Forty Thieves doesn’t have an offical movie poster, I have to use this title card for my review. Title card created by British Broadcasting Corporation (BBC)

Things I liked about the film:

Kenneth Williams’ performance: Since Kenneth Williams is the reason why I chose to review Aladdin and the Forty Thieves, I’ll talk about his portrayal of Mustapha Drink. In the 1984 movie, Mustapha is a storyteller who shares a tale about two Mandarins named Wing and Wong. Throughout this tale, Kenneth utilizes facial expressions and vocal inflictions to bring the story to life. He even gives the characters distinct voices to add memorability to the tale. Even though Mustapha appeared in only one scene, Kenneth did a good job, acting wise, with the material he was given. I, honestly, wish Kenneth had been the narrator of Aladdin’s story, presenting the illusion he was reading a storybook to the audience.

The costume design: While we’re on the subject of Kenneth’s portrayal of Mustapha Drink, I want to talk about the movie’s costume design. As he told the tale of Wing and Wong, Mustapha wore a long blue jacket with gold trim and detailing. Whether he walked or sat, the jacket sparkled in the light. Mustapha also wore a long red gown boasting an intricate gold design. The elegance of his outfit allowed Mustapha to stand out, even though he appeared in only one scene. This is just one example of the attention to detail and effort that went into the costume design of Aladdin and the Forty Thieves!

Certain ways Aladdin’s story was adapted: I must confess the adaptation of Aladdin’s story I’m most familiar with is the Disney animated picture from 1992. With that said, it was interesting to see how Aladdin and the Forty Thieves adapted Aladdin’s story compared to Disney’s production. The 1984 film features two genies, Genie of the Lamp and Genie of the Ring. Though I think it was a missed opportunity not to have the genies interact with one another, it was still an interesting creative decision to have more than one genie solve the characters’ problems. Toward the end of Aladdin and the Forty Thieves, Aladdin and The Princess Balroubador receive a magic carpet as a wedding gift. From what I remember of the 1992 movie, the magic carpet was more of a sidekick for Aladdin. The iconic “A Whole New World” scene just wouldn’t be the same without the magic carpet. Though Aladdin and the Forty Thieves and the Disney film each approached the same story, they brought it to life in their own unique way!

The Carry On Kenny! 100 Years of Kenneth Williams Blogathon banner created by Virginie from The Wonderful World of Cinema

What I didn’t like about the film:

The musical numbers: Before I selected Aladdin and the Forty Thieves for the Carry On Kenny! 100 Years of Kenneth Williams Blogathon, I had no idea it was a musical. So, you can imagine my surprise when Genie of the Ring started randomly singing and dancing. Though the musical numbers themselves weren’t bad, some of them seemed like they were added to the movie just for the sake of including a musical number. When Aladdin’s Chinese village was first introduced in Aladdin and the Forty Thieves, some of the residents sang “Zip-a-Dee-Doo-Dah”. As I was watching this musical number unfold, I kept wondering what this song had to do with Aladdin and his story, especially considering the song itself was released in 1946. Creative decisions like this musical number left me confused of the creative team’s intent.

Unclear time period: Remember when I questioned the inclusion of “Zip-a-Dee-Doo-Dah” in Aladdin and the Forty Thieves, pointing out how the song was released in 1946? I brought this up to address one of the flaws of the 1984 television film; an unclear time-period. Based on the set and costume design, it appears the story takes place in Ancient China. Yet, in one scene, a vending machine not only served drinks, but also “hot & cold food”. Because of creative choices like the two I described, it makes Aladdin and the Forty Thieves look like it’s having an identity crisis.

The special effects: I know a television movie is, more often than not, going to receive a smaller budget. I’m also aware how cinematic technology from the 1980s is going to be different from today’s cinematic technology. But with all that said, I couldn’t look past the poor special effects throughout Aladdin and the Forty Thieves. One painfully obvious example is when, toward the beginning of the film, Abanazar transforms into a bird. This very fake-looking bird is superimposed over still photographs of landscapes, trying to present the illusion of traveling from one place to another. Making a movie isn’t easy and does require working within your means. However, I think using special effects hurt Aladdin and the Forty Thieves instead of helped it.

Fancy jewelry image created by Freepic.diller at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/wedding”>Wedding photo created by freepic.diller – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

Have you ever watched a movie and wondered “what the heck did I just watch”? That’s what I was thinking when I saw Aladdin and the Forty Thieves. Was the 1984 movie supposed to be taken seriously or was it supposed to be silly, goofy fun? Why was it difficult to determine the story’s time period? It’s a shame this wasn’t a stronger picture because there are aspects of it I liked. Kenneth Williams did a good job, acting wise, in his role as Mustapha Drink. In fact, I think Kenneth should have been the one narrating Aladdin’s story. It looked like there was a good amount of effort and detail put toward the set and costume design. I even liked some of the ways Aladdin’s story was adapted in the 1984 film. But I have no idea what I was supposed to get out of Aladdin and the Forty Thieves. Therefore, I hesitate recommending it.

Overall score: 5.3 out of 10

Have you seen Aladdin and the Forty Thieves? Which adaptation of Aladdin’s story is your favorite? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Top Ten Actors and Actresses Who Should Have Starred in a Hallmark Hall of Fame Movie

I haven’t talked about anything Hallmark Hall of Fame related since last August, when I reviewed the 1990 presentation, Face to Face. To make up for lost time, I decided to write a list article about a topic associated with this collection of Hallmark’s movies. With Hallmark Hall of Fame lasting from 1951 to 2019, numerous actors and actresses have graced television screens in one or several projects from this branch of Hallmark programming. But there are some actors and actresses who never received that opportunity. So, in this list, I will be selecting five actors and five actresses who, in my opinion, should have starred in a Hallmark Hall of Fame movie. While the chosen actresses and actors are categorized in no particular order, they were selected based on two criteria: 1) the trajectory of their career in correlation with the existence of Hallmark Hall of Fame and 2) if their acting talents would have been well utilized within the types of stories Hallmark Hall of Fame told.

Hallmark Hall of Fame logo created by Hallmark Entertainment and Hallmark Hall of Fame Productions

1. Stephen Lang

    I will admit I’ve seen only three projects from Stephen Lang’s filmography; Don’t Breathe, Death of a Salesman, and 2009’s Avatar. But from what I remember, Stephen put a great amount of effort and care into his roles. Even based on some of his interviews I have seen and heard, it seems like Stephen takes the roles given to him very seriously. With all this said, I truly believe he would have brought that same amount of care and effort into a Hallmark Hall of Fame title. Plus, according to IMDB, Death of a Salesman is labeled a “tv movie”. Therefore, Stephen has some experience working in the realm of made-for-tv cinema. Had the opportunity to star in a Hallmark Hall of Fame movie presented itself, I wonder what type of role Stephen would have received, let alone what type of movie he would have been cast in?

    2. Jane Seymour

    Throughout her career, Jane Seymour has starred in several Hallmark films; Lake Effects, Dear Prudence, Perfectly Prudence, and A Royal Christmas. You’d think with Jane’s connection to Hallmark, as well as her star power, she would have starred in, at least, one Hallmark Hall of Fame presentation. But surprisingly, this opportunity never came to be. Besides her appearance in Hallmark’s movies, Jane has starred in projects that were related to the historical fiction genre, such as Somewhere in Time and Dr. Quinn, Medicine Woman. In fact, I’m surprised Hallmark Hall of Fame and the creative team behind Dr. Quinn, Medicine Woman didn’t work together to create a television event related to the show. This idea actually would have made sense, especially since Hallmark Hall of Fame was broadcast on the same network as Dr. Quinn, Medicine Woman during the show’s lifespan.

    Hallmark Hall of Fame’s A Tale of Two Cities poster created by Hallmark Hall of Fame Productions, Marble Arch Productions, Norman Rosemont Productions, and Columbia Broadcasting System (CBS)

    3. Michael Wincott

    I recently talked about Michael Wincott in my review of an episode from Miami Vice. Based on his performances I’ve seen, Michael has consistently displayed an understanding, as well as control, over his character’s emotions. His adaptability has also been very chameleon-like. If given the opportunity to star in a Hallmark Hall of Fame film, I believe Michael could have helped create a character with a captivating presence. Even though the movies in the Hallmark Hall of Fame collection were primarily dramatic in tone, various genres were covered within this series. Therefore, I think Michael’s acting talents could have been best utilized in a film from either the historical fiction, western, or mystery genre.

    4. Bai Ling

    I’ve seen several projects from Bai Ling’s filmography, including the 2001 Hallmark movie, The Lost Empire/The Monkey King. The one consistent strength I have noticed within these projects is Bai’s strong sense of emotionality. Whether in a made-for-tv movie or a theatrically released title, Bai’s understanding and utilization of her character’s emotions have added depth to her performances. I could have seen this acting strength incorporated into a Hallmark Hall of Fame movie, especially since, like I mentioned earlier, movies in the Hallmark Hall of Fame collection were primarily dramatic in tone. Since I have seen Bai star in at least one film from the mystery and fantasy genre, it would have been interesting to see what a fantasy or mystery Hallmark Hall of Fame movie starring Bai would have looked like. Or perhaps the Hallmark Hall of Fame collection could have given her a chance to tackle a genre I haven’t seen her appear in before.

    5. Vincent Perez

    If you have followed 18 Cinema Lane long enough, you would know one of the best movies ever reviewed on the blog was Swept from the Sea. Vincent Perez’s portrayal of Yanko is one of the reasons why. There were times in Swept from the Sea where, by utilizing emotion, he was able to say so much without saying anything at all. Vincent’s acting versatility not only made his performance captivating, it was also both heart-warming and heart-breaking. I’ve liked his performance from his other movies I have seen, from his emotional intensity in The Crow: City of Angels to his sincerity in Cyrano de Bergerac. Even in 2004’s Frankenstein (a movie I didn’t like), Vincent’s performance is one of the few good aspects of that film. I guess the 1998 HBO movie, Shot Through the Heart, is the closest thing to seeing Vincent in a Hallmark Hall of Fame presentation I’ll ever get.

    Hallmark Hall of Fame’s Caroline? poster created by Hallmark Hall of Fame productions, CBS, and Republic Pictures Home Video

    6. Jasmine Guy

    Whenever I think of Jasmine Guy, I think of her portrayal of Kathleen on Touched by An Angel. I also think about how strong Jasmine’s performance was on that show. Kathleen became a character I looked forward to seeing appear on screen. This was the result of the expressiveness, sassiness, and charisma Jasmine brought to her role. She even had good on-screen chemistry will Bill Nunn in the Touched by An Angel episode, “Lost and Found”, as it sold the concept of Kathleen and Bill’s character, Frank, being compatible, under different circumstances. Since Touched by An Angel was more dramatic in tone, like the Hallmark Hall of Fame collection, Jasmine’s portrayal of Kathleen gave me an idea how Jasmine’s acting talents could have been utilized within a Hallmark Hall of Fame presentation.

    7. Adewale Akinnuoye-Agbaje

    Fans of the television show, Lost, will recognize Adewale Akinnuoye-Agbaje as the actor who portrayed Mr. Eko. Adewale’s performance on that show is one of the reasons why I liked Mr. Eko as a character. His captivating presence commanded attention from the audience, which sometimes made Mr. Eko intimidating. Yet, the kind-hearted and thoughtful persona Adewale gave to Mr. Eko also allowed his character to be approachable, making the audience want to get to know Mr. Eko and see where the story took him next. Adewale’s acting versatility would have been such a valuable asset in a Hallmark Hall of Fame project. What also worked in Adewale’s favor is his chemistry with the other cast members on Lost. This acting element would have been beneficial to any Hallmark Hall of Fame movie, especially since some films from Hallmark Hall of Fame featured ensemble casts.

    Redwood Curtain poster created by Chris/Rose Productions, Hallmark Hall of Fame Productions, American Broadcasting Company (ABC), and Republic Pictures (II)

    8. Hayley Mills

    Hayley Mills was at the height of her popularity in the 1960s. Plus, based on her performances I have seen, Hayley has been able to utilize her expressions and emotions to make her characters seem as believable as possible. With these facts in mind, I’m surprised Hallmark Hall of Fame didn’t try to capitalize on Hayley’s popularity and talent by offering her a role in one of their films. When it comes to Hallmark Hall of Fame’s movies from the 1960s, I haven’t seen any of them. But based on my research, it appears these projects were either adaptations of plays, literature, or historical events. Because Hayley has starred in dramatic films like The Chalk Garden, I believe Hayley’s acting talents could have been incorporated well into one of these genres.

    9. Dulé Hill

    Dulé Hill is best known for his role as Burton “Gus” Guster from the television show, Psych. However, I’m more familiar with his performance on Suits as Alex Williams. Though it’s been a while since I’ve seen Suits, I remember Alex was introduced later in the show’s lifespan. Despite this, Dulé’s adaptability allowed his character to share chemistry with the other characters, making me as a viewer feel like Alex was always meant to be on the show. Dulé’s television experience, as well as his experience alongside an ensemble cast, worked in his favor. These acting qualities and Dulé’s name recognition from Psych could have given a Hallmark Hall of Fame film a built-in audience. Plus, I have heard Dulé is a tap dancer, so maybe Hallmark Hall of Fame could have incorporated his dancing talents into a musical.

    10. Joanne Whalley

    Back in 1994, Joanne Whalley starred in the movie/mini-series, Scarlett. When I reviewed it back in 2021, I said the mini-series/movie was a competently made project where the creative team behind it clearly knew what they were doing. This statement holds true for Joanne’s performance, as she did a fine job with the acting material provided. Since Hallmark was one of Scarlett’s distributors and since the movie/mini-series premiered on the same network Hallmark Hall of Fame’s movies aired on, it would have made sense if Joanne had been chosen to star in a Hallmark Hall of Fame movie. I’ve also seen Joanne star in at least one historical fiction and one fantasy film, which are two genres that have been explored within the Hallmark Hall of Fame collection. But, for whatever reason, the opportunity to work on a Hallmark Hall of Fame project never came to fruition for Joanne.

    Hallmark Hall of Fame’s Christmas Everlasting poster created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=&ShowTitle=Christmas+Everlasting

    Have fun at the movies!

    Sally Silverscreen

    Take 3: Ainsley McGregor Mysteries: A Case for the Watchmaker Review

    Great American Family’s Ainsley McGregor Mysteries series has become a pleasant surprise for 18 Cinema Lane. My review of Ainsley McGregor Mysteries: A Case for the Winemaker became one of my most popular movie reviews of all time, garnering over seven thousand views in almost two years. The positive reception of this review led me to cover the sequel, Ainsley McGregor Mysteries: A Case for the Yarn Maker. That review has also been well received, obtaining over two hundred views so far. When I discovered Great American Family was not only releasing a third chapter, they were also premiering the third chapter in January 2026, I knew that’d be one of the first movies to be written about in the New Year! Though there’s only been two movies in the Ainsley McGregor Mysteries series, so far, the series as a whole has been quite enjoyable. What has worked in the series’ favor is improving upon the flaws of the previous chapter and providing consistent strengths. Will the third chapter, Ainsley McGregor Mysteries: A Case for the Watchmaker, continue this pattern? Let’s find out in this review!

    Ainsley McGregor Mysteries: A Case for the Watchmaker poster created by Candy Rock Entertainment, Happy Accidents, Syrup Studios, and Great American Family

    Things I liked about the film:

    Subtle hints of Texas: When I reviewed Ainsley McGregor Mysteries: A Case for the Winemaker, I criticized the film for its constant reminders of the story’s Texas setting. To me, these reminders tried to make the movie’s setting a little too obvious for the audience. This flaw was remedied in Ainsley McGregor Mysteries: A Case for the Watchmaker! References to the series’ Sweet River, Texas setting were represented through some of the women’s wardrobe. One of the Book Club members, Maria, sometimes dons turquoise jewelry. Another Book Club member, Lily, wears a sweatshirt featuring a cowboy/cowgirl hat and cowboy/cowgirl boots. Even Ainsley herself can be seen wearing a blouse similar to those worn by country music stars. Besides the wardrobe, there were other subtle hints of Texas found in Ainsley McGregor Mysteries: A Case for the Watchmaker. A great example is when one of the Book Club members uses a pen shaped like a cactus.

    Selecting a cold case: While seeking another mystery to solve, the Book Club decides on a cold case. As they mentioned in the movie, the cold case provided a nice change of pace for them. Not only did this decision benefit the Book Club, it also benefitted Ainsley McGregor Mysteries: A Case for the Watchmaker! By having a cold case as the movie’s main mystery, it prevents the series from becoming repetitive, as the previous two chapters revolved around murder mysteries that happened in the present. This creative choice shows other ways mysteries can become solved as well. In the case of Ainsley McGregor Mysteries: A Case for the Watchmaker, most of the clues were found within the dialogue. Selecting a cold case for the characters to solve was definitely an interesting decision for the third film in the Ainsley McGregor Mysteries series!

    Rance Moseby: A new character that was introduced in Ainsley McGregor Mysteries: A Case for the Watchmaker was Rance Moseby, the proprietor of a local pawn shop. At first, Ainsley and Jake believe Rance may be up to no good. But as the story progresses, Rance proves that looks can be deceiving. While I was watching Ainsley McGregor Mysteries: A Case for the Watchmaker, I grew to like Rance as a character. David Milchard, the actor who portrayed Rance, had great on-screen chemistry with the movie’s cast. The strength of David’s acting talents helped make Rance seem like he was always meant to exist in the world of the Ainsley McGregor Mysteries series. Rance’s drier sense of humor nicely provided the film’s comic relief as well. If there are more Ainsley McGregor Mysteries movies in the works, I really hope Rance Moseby becomes a part of the series’ regular cast!

    Pocket watch with confetti image created by Freepik at freepik.com. Christmas clock photo created by freepik – www.freepik.com

    What I didn’t like about the film:

    An unnecessary subplot: Throughout Ainsley McGregor Mysteries: A Case for the Watchmaker, a subplot revolved around Jake’s past romantic relationship with the mayor of Sweet River, Jane Reval. Even though it was interesting to see how this new character connected to an established character like Jake, I found this subplot unnecessary. Because Jake and Ainsley are currently dating, Jake has no interest in reuniting with Jane. This fact prevents the subplot from going anywhere. It also doesn’t help that the subplot has a loose connection to the main mystery. In my opinion, the least interesting part of Ainsley McGregor Mysteries: A Case for the Watchmaker was the subplot between Jane and Jake.

    Inconsistent humor: In my review of Ainsley McGregor Mysteries: A Case for the Yarn Maker, I praised the movie’s inclusion of humor. It was not only sprinkled throughout the story, it was also woven into the dialogue. While there was humor in Ainsley McGregor Mysteries: A Case for the Watchmaker, it wasn’t consistently featured in the story. In fact, most of the movie’s humor was found in the second half of the film, when Rance becomes more involved in the mystery. This flaw kind of makes me wish Rance debuted in Ainsley McGregor Mysteries: A Case for the Watchmaker sooner.

    Limited screen-time for George: One of the aspects I liked in Ainsley McGregor Mysteries: A Case for the Winemaker was Ainsley’s dog, George. Moments where Ainsley talks to George gave viewers a break from the heaviness of the story’s murder mystery. Plus, his larger role in the first chapter gave the film a more unique identity. But in the second movie, Ainsley McGregor Mysteries: A Case for the Yarn Maker, George’s screen-time was reduced. I was hoping this flaw would be corrected in Ainsley McGregor Mysteries: A Case for the Watchmaker. But, unfortunately, George received even less screen-time, only appearing in two scenes. The reduction of George’s screen-time as the Ainsley McGregor Mysteries series continues disappoints me, especially since George is one of my favorite parts of this series.

    Magnifying glass image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/magnifying-glass-with-fingerprint-in-flat-style_2034684.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/flat”>Flat vector created by Freepik</a>. Image found at freepik.com.

    My overall impression:

    When I talked about Mystery by the Book in my list of The Best and Worst Movies I Saw in 2025, I brought up how Great American Family’s Ainsley McGregor Mysteries series is growing stronger in quality. The third chapter, Ainsley McGregor Mysteries: A Case for the Watchmaker, proves my statement correct, as I found it the best movie in the series so far! Selecting a cold case as the movie’s main mystery prevented the overarching story of Ainsley McGregor Mysteries from becoming repetitive. The creative team behind the 2026 film improved upon flaws from the previous titles, such as making subtle references to the series’ Texas setting. Even though the acting was, once again, one of the strengths of Ainsley McGregor Mysteries: A Case for the Watchmaker, David Milchard’s portrayal of Rance Moseby stole the show. In fact, I’d say Rance was the MVP of this movie! Despite the film having its flaws, the film itself shows the Ainsley McGregor Mysteries series is moving in the right direction. I do hope this series continues, as I believe there are many more stories to tell!

    Overall score: 7.5-7.6 out of 10

    Have you seen Ainsley McGregor Mysteries: A Case for the Watchmaker? What would you like to see happen if the series continues? Let me know in the comment section!

    Have fun at the movies!

    Sally Silverscreen

    Take 3: Lovey: A Circle of Children, Part II (1978) Review

    As I explained in my recent review of A Circle of Children, I’m covering the sequel, Lovey: A Circle of Children, Part II for the Film. Release. Repeat. Blogathon. Because I’ve been meaning to review the 1978 television film since 2022, I believed the blogathon was a great time to finally check the movie out! But as I also mentioned in my review of A Circle of Children, I haven’t found a made-for-tv movie from the 1970s I actually like. Whenever I’ve selected this particular type of film to write about, I find the film itself either fine, ok, or underwhelming. This is one of the reasons why I put “1970s Made-for-TV movie” on my Year-Long Bingo card, so I could, hopefully, find a television movie I enjoy from that decade. When I saw and reviewed A Circle of Children, I thought it was just ok. Will its sequel be better? Let’s begin this review to find out!

    Lovey A Circle of Children, Part II title card created by Time-Life Television Productions and CBS

    Things I liked about the film:

    A smaller cast: In my review of A Circle of Children, I mentioned the film containing a large cast of characters. This is one of the reasons why the audience was forced to either only become familiar with the characters or not getting to know them at all. This flaw became remedied in Lovey: A Circle of Children, Part II! In the 1978 sequel, the cast is much smaller. Even Mary’s class contains fewer students. Because the story has less characters to keep track of, it gives the audience an opportunity to truly get to know the characters. The audience also has more time to spend with characters like Mary’s students and even Mary’s boyfriend, Cal, because of a tightly written script.

    Progression that’s written gradually: When I reviewed A Circle of Children, I talked about how Sarah’s sudden achieved progress taking place after being a static character for half the movie felt like it was written into the story for the sake of plot and time convenience. Even though I was happy to see Sarah achieving progress, I wish that progress was gradually woven into the script. It seems like the creative team behind Lovey: A Circle of Children, Part II felt the same way I did, as Hannah’s/Lovey’s progression was gradual. Hannah/Lovey joins Mary’s class as an unruly child who is very unpredictable. But as the film goes on, Mary’s influence takes effect on Hannah/Lovey as she becomes more responsive, less violent, and even participates in class. The smaller cast size I talked about earlier certainly influenced this part of the story. It allowed Hannah’s/Lovey’s progression to receive emphasis instead of competing against other stories. The transformative power of Mary’s teaching abilities is also on full display because of the gradually written progression of Hannah/Lovey.

    The dialogue: Like I said in my list of The Best and Worst Movies I Saw in 2025, how well-written the dialogue was in The Chalk Garden allowed me to remember what Laurel said about the term “good morning”. The quality of the screenwriting was also a strength in Lovey: A Circle of Children, Part II! Some of the dialogue in the 1978 movie sounded profound without trying too hard to be philosophical. A great example can be heard during a conversation between Mary and a fellow teacher named Patty. Patty feels discouraged over the lack of progress from her students. Mary reassures Patty that her impact on the students has been positive, reminding Patty how hope comes from believing the children can learn something. Patty then tells Mary, “Yeah, but you can’t mop the floors with hope”. Mary experiences her own period of discouragement after Hannah/Lovey has an angry outburst involving paint. In a voice-over, Mary says, “For a moment, my dreams and plans for Hannah shattered. But paint is only paint and never worth a dream. Besides, a teacher’s dream dies hard”. The two examples I provided show how Mary’s and Patty’s frustrations and concerns were eloquently and thoughtfully written into the script.

    The Film. Release. Repeat. Blogathon banner created by Quiggy from The Midnite Drive-In and Hamlette from Hamlette’s Soliloquy

    What I didn’t like about the film:

    How Hannah was introduced: As I’ve already said in this review, Hannah/Lovey joins Mary’s class as an unruly child who is very unpredictable. However, I found her introduction in Lovey: A Circle of Children, Part II to be distasteful. As Mary walks down the hallway to retrieve Hannah/Lovey, suspenseful music plays over the scene. The music itself sounds as if it came straight out of a horror movie. The reveal of Hannah’s/Lovey’s face was prolonged because of specific camera angles that were utilized. When Hannah’s/Lovey’s face was finally revealed, a frozen close-up shot was presented to intentionally appear frightening. To me, the introduction I described felt sensationalized to the point of being counterproductive of what Lovey: A Circle of Children, Part II was trying to achieve; making the audience feel empathetic toward Hannah/Lovey by looking past her horrific behavior. I truly believe there was a more tasteful way Hannah/Lovey could have been introduced in the story, especially compared to how some of the students were introduced in A Circle of Children.

    Doris’ limited involvement in the story: A Circle of Children introduced Doris as the director of the Children’s School for Special Education. Though she appeared in only a handful of scenes, Doris’ role was pivotal as she literally and figuratively opened the door for Mary to the world of Special Education. Doris was one of the few characters from the first movie to return in the sequel. But she was given even more limited involvement in the second film. While she was still the director of the Children’s School for Special Education, her role in Mary’s story had a reduced significance. I wish Doris received more to do in Lovey: A Circle of Children, Part II because I think she could have made a bigger impact.

    Lack of further progression: I said earlier in this review how Hannah’s/Lovey’s progression was written gradually into the story. Even though this was one of the movie’s strengths, I didn’t like how there was a lack of further progression for two of Mary’s students. While Hannah/Lovey was improving her reading skills and Brian (from the first movie) was learning how to board the bus by himself, Rufus and Jamie were at a standstill in their education. With a smaller cast size I talked about in this review, there should have been room in the script to give Jamie and Rufus at least a small victory. At the end of Lovey: A Circle of Children, Part II, Mary reveals through a voice-over what happened to her students. However, not showing Rufus and Jamie achieving further progression in the movie was a missed opportunity.

    Preschool classroom image created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

    My overall impression:

    Sometimes, a sequel ends up becoming better than its predecessor. Lovey: A Circle of Children, Part II just so happens to be one of those films! Some of the flaws of A Circle of Children were improved upon in the second chapter, such as containing a smaller cast and the script featuring a gradual progression for Hannah/Lovey. The sequel even had its own unique strengths from its predecessor, like how well-written the dialogue was. But despite these positive aspects, Lovey: A Circle of Children, Part II did have its flaws. I believe there are more respectful ways Hannah/Lovey could have been introduced into the story, as her debut in the film was too sensationalized for my liking. I not only wish Jamie and Rufus had received further progression in the movie, I also wish Doris was given a greater significance in the script. But similar to what I said in my review of A Circle of Children, I’m grateful Lovey: A Circle of Children, Part II exists at all. The 1978 film gives the audience a glimpse into what Special Education was like in the 1970s. It’s a made-for-tv movie that was spared from getting lost to time as well.

    Overall score: 7.2 out of 10

    Have you seen Lovey: A Circle of Children, Part II? Are there any made-for-tv movies from the 1970s you’d like to see me cover on 18 Cinema Lane? Please tell me in the comment section!

    Have fun at the movies!

    Sally Silverscreen

    Take 3: A Circle of Children (1977) Review

    Back in 2022, I wrote a list of the Top 10 Movies I’d Love to Review. Each chosen film was categorized based on how accessible they are. Reflecting on this list, I realized that as of early January 2026, the only more “accessible” titles not yet covered on my blog were A Circle of Children and Lovey: A Circle of Children, Part II. With the Film. Release. Repeat. Blogathon (an event about remakes and sequels) on the horizon, I finally found a reason to review the 1978 sequel. However, I’ve never seen its predecessor, A Circle of Children. So, in preparation for my review of Lovey: A Circle of Children, Part II, I’m also writing about the first film. As I said in my list of the Top 10 Movies I’d Love to Review, both A Circle of Children and Lovey: A Circle of Children, Part II are based on the true story of a teacher named Mary MacCracken. Like I also said in my list, Mary’s books were not only the source material for these movies, Mary was also one of the screenwriters for both films. But over these eight years of 18 Cinema Lane’s existence, I haven’t found a made-for-tv movie from the 1970s I actually like. Will A Circle of Children change that? Let’s begin the first movie review of 2026 to find out!

    A Circle of Children (1977) title card created by Edgar Scherick Productions, 20th Century Fox Television, and CBS

    Things I liked about the film:

    The acting: In A Circle of Children, the protagonist, Mary, visits the mother of a student named Brian O’Connell. During Mary’s conversation with Mrs. O’Connell, Brian’s mother consistently has a worn look on her face. Not only did Mrs. O’Connell’s eyes look heavy, her mouth was set in a straight line as well. Her voice almost sounded monotone, lacking emotion over her situation. Though she admits to Mary that she’s tired, Mrs. O’Connell was able to express how tired she was without relying too much on dialogue. That’s because Judy Lewis, the actress who portrayed Mrs. O’Connell, effectively utilized vocal inflection, facial expression, and even her eyes to emphasize what her character was going through.

    Speaking of Brian O’Connell, I want to talk about Matthew Labyorteaux’s performance! I am familiar with his portrayal of Albert on Little House on the Prairie. Therefore, Matthew’s acting capabilities are already known to me. Mary teaching Brian to speak presents a great display of Matthew’s acting talents. When Mary is using a tape recorder in order to help Brian learn to speak, Brian has a blank look on his face. But when a teacher named Dan sings a song to the students, he offers the microphone to Brian. This time, Brian has a determined look on his face, as he intensely looks at the microphone and makes a great effort of trying to repeat Dan’s song. The next scene shows Brian receiving a second chance to speak into the microphone. His eyes become really wide and a smile spreads across his face, excited by the opportunity given by Mary and Dan. As I watched A Circle of Children, it made me believe Little House on the Prairie’s creative team chose wisely when they cast Matthew as Albert!

    Since A Circle of Children is based on the true story of Mary MacCracken, I must discuss Jane Alexander’s portrayal of Mary. Throughout the movie, Jane’s performance brought empathy and relatability to her role. One great example happens when Mary encourages Brian to say his name. Brian puts together a puzzle resembling a short story he was reading earlier in the film. Because one of the characters in that story was named Brian, Mary uses this fact to motivate Brian to say his name for the first time since coming to the Children’s School for Special Education. When this plan fails, Mary develops a look of defeat on her face. Her mouth is turned into a frown and her eyes present a mixture of sadness and concern. This medium shot of Mary’s face not only says so much without saying anything at all, it also shows the audience how much she cares about the students, especially Brian.

    The chemistry of Mary and Dan: When Mary first visits the Children’s School for Special Education, she meets a teacher named Dan. Over the course of A Circle of Children, Dan and Mary develop a friendship that is shown in only a handful of scenes. Despite this, their chemistry highlights how the two have become kindred spirits, bringing thoughtfulness and understanding to their friendship. The chemistry between Mary and Dan works because the on-screen chemistry between Jane Alexander and David Ogden Stiers (the actor who portrays Dan) works! The strength of their acting abilities allows David and Jane to effectively present a friendship that looked and felt believable. Because of how well they seemed to get along, I was hoping Dan and Mary’s friendship would gradually become a romance. Mary and Dan’s chemistry was such a pleasant surprise in A Circle of Children!

    Creating a complex character: One of the teachers at the Children’s School for Special Education is Helga. At first, she and Mary don’t see eye to eye due to how Helga treats the students. Some examples include making a child plunge the toilet and intentionally hiding a young girl’s (literal) security blanket. But as the story goes on, Mary, as well as the audience, learns Helga actually has good intentions for the students. In fact, she wants the children to succeed just as much as Mary does. It would have been so easy for A Circle of Children’s creative team to present Helga as a one-dimensional mean teacher. Instead, the screenwriting and Rachel Roberts’ performance created a character that was complex, representing how, sometimes, approaches to education aren’t straightforward. Helga’s complexity made her a memorable character as well!

    Preschool classroom image created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

    What I didn’t like about the film:

    Only becoming familiar with characters: A Circle of Children consists of a large cast of characters. That’s because most of the characters are students from the Children’s School for Special Education. But A Circle of Children has a run-time of an hour and thirty-six minutes, leaving the audience with not enough time to truly get to know the characters. The film’s run-time actually forces the audience to either only become familiar with the characters or not getting to know them at all. Had A Circle of Children received a longer run-time, more opportunities to show Mary getting to know her students and help them could have been provided in the story.

    Scene transitions that weren’t smooth: If a movie features smooth transitions between scenes, they can not only help the audience process the story unfolding, they can also maintain the film’s overarching pace. But in the case of A Circle of Children, choppy scene transitions sometimes created emotional whiplash. In one glaring example, Mary and her husband, Larry, confess to their daughter, Liz, of their recent separation. This confession is so upsetting, Mary herself appears to be on the verge of crying. However, the very next scene shows Mary being interviewed for a teaching aide position at the Children’s School for Special Education. This scene is intended to be less sad than the scene I previously described. To me, the transition between these two scenes felt jarring because the transition itself was choppy and abrupt.

    Solutions happening for the sake of plot and time convenience: Within the first fifteen minutes of A Circle of Children, a young girl named Sarah is enrolled at the Children’s School for Special Education. According to Sarah’s mother, Sarah is unable to stand or walk. She’s also so attached to a blanket that she continuously screams at the top of her lungs if the blanket is taken away from her. For half the movie, though, Sarah is a static character. She’s either shown lying on the floor sucking her thumb or screaming because she can’t find her blanket. But at a Christmas party that takes place a little more than halfway through the movie, Sarah not only randomly starts walking, she also willingly trades her blanket for a doll. While I was happy to see Sarah achieving progress, I wish this progress was gradually woven into the script. Because Sarah suddenly achieved progress after being a static character for half the movie, the moment itself felt like it was written into the story for the sake of plot and time convenience.

    String of musical notes image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/pentagram-vector_710290.htm’>Designed by Freepik</a> <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com. 

    My overall impression:

    In the introduction of this review, I said I haven’t found a made-for-tv movie from the 1970s I actually like. Sadly, A Circle of Children will not be the film to change that. The 1977 production isn’t a bad movie. In fact, it has its merits, especially when it comes to the acting performances. But I found the story itself to be too “slice of life” for my liking. Plus, there were other flaws that stood out to me, such as the run-time and choppy scene transitions. Looking back on A Circle of Children, however, I will admit my gratitude for its existence at all. This movie is like a time capsule when it comes to Special Education, giving viewers a glimpse into how this specific topic was approached in the 1970s. Though the film only shares one teacher’s perspective, it does express themes of helping others reach their full potential, working together to achieve a common goal, and not giving up on others. The creative team behind A Circle of Children definitely had their hearts in the right place. Now that I’ve finally seen this movie, it’ll be interesting to see where the story in Lovey: A Circle of Children, Part II goes from here.

    Overall score: 6 out of 10

    Have you seen A Circle of Children? Are you looking forward to my review of Lovey: A Circle of Children, Part II? Let me know in the comment section!

    Have fun at the movies!

    Sally Silverscreen

    The Best and Worst Movies I Saw in 2025

    2025 has been a strange year for 18 Cinema Lane. That’s because most of the movies I’ve seen and/or reviewed this year have been ok or fine. After seeing so few good or bad films in 2025, I wasn’t able to create separate top ten best and worst movies lists like in years past. So, instead, I wrote a combined list where I discuss the movies I saw this year that I liked and didn’t like. What’s also different about this year’s end of year list is how there are no Honorable Mentions, due to how few good movies I saw in 2025. But there are two Dishonorable Mentions; Recipe for Murder and Black Bag. The only reason why these films are considered Dishonorable Mentions is because I DNFed (did not finished) both of them. For this year’s list, I will start talking about 2025’s worst movies then end the list by talking about 2025’s best movies. If I reviewed any of the movies on my list, I will provide a link to those reviews.

    Worst Movies I Saw in 2025

    7. Stalked by My Amish Boyfriend

    Lifetime movies, like Hallmark movies, are not created equally. The 2024 film, Stalked by My Amish Boyfriend, is just one example of this statement. While it was interesting to see and hear how information about Amish culture was woven into the story, that part of the script couldn’t overshadow the major flaws of the movie. I was frustrated by how some characters would make dumb decisions simply for the sake of making dumb decisions. Stalked by My Amish Boyfriend was also, in my opinion, a mostly forgettable film. This is the reason why the 2024 picture is at the bottom of my list.

    6. She Wore a Yellow Ribbon

    As I said in my review of She Wore a Yellow Ribbon, I expected the 1949 movie to be an action-packed, suspenseful, and even intriguing story. What I got instead was an underwhelming film that prioritized presentation over product. I praised She Wore a Yellow Ribbon for its pretty looking scenery. But a photogenic background was unable to save the film from its weak script. A limited amount of action took away a lot of the story’s suspense and intrigue. It also doesn’t help how I only became familiar with most of the characters instead of truly getting to know them. She Wore a Yellow Ribbon is one of two movies I saw this year that almost made me fall asleep.

    Take 3: She Wore a Yellow Ribbon Review

    5. Kind Hearts and Coronets

    Kind Hearts and Coronets is the second film I saw in 2025 that almost made me fall asleep. But the flaws in this movie greatly differ from She Wore a Yellow Ribbon’s emphasis on scenery over substance. Despite Kind Hearts and Coronets being classified as a “comedy”, I didn’t laugh at all while watching the film. I also had no idea what the story’s moral was supposed to be, due to the moral being treated as an afterthought. Like I said in my Kind Hearts and Coronets review, I’m not entirely sure what this movie was trying to say. That lack of clarity not only makes the movie underwhelming, it also makes the movie confusing.

    Take 3: Kind Hearts and Coronets Review

    4. Reality Bites: A Hannah Swensen Mystery

    Having Reality Bites: A Hannah Swensen Mystery on my worst movies of the year list and finding Pie To Die For: A Hannah Swensen Mystery slightly better than its predecessor feels like déjà vu. That’s because One Bad Apple: A Hannah Swensen Mystery was placed on my worst of 2024 list, with its follow-up, A Sprinkle of Deceit: A Hannah Swensen Mystery, being slightly better. Though Reality Bites: A Hannah Swensen Mystery had its own set of flaws. Forced humor felt straight out of a sit-com, especially when Delores was involved in the story. As I said in my review, I wondered why a laugh track was missing. Both of the film’s mysteries contained such a small sense of urgency, the run-time felt a bit drawn-out. The story’s overall intrigue was weaker due to this flaw. If the Murder, She Baked/Hannah Swensen series continues in 2026, I’d like to see the quality become more consistent.

    Take 3: Reality Bites: A Hannah Swensen Mystery Review

    Reality Bites: A Hannah Swensen Mystery poster created by Hallmark Movies & Mysteries

    3. Perry Mason: The Case of the Heartbroken Bride

    Perry Mason: The Case of the Heartbroken Bride is the most disappointing movie I saw in 2025. There were so many missed creative opportunities in this story, the film itself was under-cooked and uninspired. The movie was sometimes boring because of the lack of urgency. Seeing Perry, Della, and even Kevin meanderingly take their time building a legal case sucked the energy out of the story. I said in my review how any movie series boasting over ten titles was going to have at least one “bad day at the office”. I also said in my review how Perry Mason: The Case of the Heartbroken Bride was one of those days for the fictional detective.

    Take 3: Perry Mason: The Case of the Heartbroken Bride Review

    2. My Gal Sunday

    This 2014 movie is a perfect example of Hallmark putting the cart before the horse. Instead of creating a solid stand-alone film that could have naturally led to more chapters, the network put more effort into trying to build the foundation for a potential series. Parts of this story didn’t make sense. One glaring example is when an itinerary shows the protagonist couple’s plans of going dancing at 11 p.m. on Saturday then going to church at 8 a.m. on Sunday, begging the question of when these characters were supposed to go to sleep. The on-screen chemistry between Cameron Mathison and Rachel Blanchard made their characters, Henry and Sunday, feel less like a married couple and more like a couple who are about to start dating. It’s, honestly, a shame My Gal Sunday wasn’t a stronger picture. Mystery stories about married couples are uncommon from Hallmark, so this 2014 story could have offered something unique to the network’s table.

    1. Mystery by the Book

    This film actually has two titles; Mystery by the Book and Key to Love. However, I saw the movie on Great American Family under the title, Mystery by the Book. Therefore, I will be referring to that title for the sake of my list. For a movie with the word ‘mystery’ in the title, the story’s mystery is an afterthought, which makes the title itself very misleading. Instead, the characters develop other priorities, like playing dress-up and tapping glasses four times during one dinner date. Parts of the script don’t make sense, like how the protagonists find a treasured antique key. Mystery by the Book is even so bad, it’s, at times, unintentionally funny. A perfect example is when Corey Sevier’s character, Josh, is looking for a set of keys, only to find a set of keys seconds later on a key hook labeled “Keys”. Thank goodness Great American Family’s Ainsley McGregor Mysteries series is growing stronger in quality. But if the network wants to expand their mystery library, they have a long road ahead of them.

    Perry Mason: The Case of the Heartbroken Bride poster created by Fred Silverman Company, Viacom Productions, Dean Hargrove Productions, National Broadcasting Company, and Viacom

    Best Movies I Saw in 2025

    8. The Phantom of the Opera (1925)

    I’m still shocked by how the 1925 version of The Phantom of the Opera was never included on any of American Film Institute’s 100 movies lists, even months after I reviewed the film. Looking at everything the movie has to offer, I believe there is an argument to be made for its inclusion on, at least, one of those lists. Lon Chaney’s performance alone highlights how make-up, body language, and even the eyes can enhance an acting performance. Each area of the Opera House was presented through color coded film, which gave the movie a unique identity. What also helps 1925’s The Phantom of the Opera standout is how the cinematic lens showed the audience the expansive nature of storytelling. This is why, in my opinion, the story of the Phantom and his opera house is better suited for film than the stage.

    Take 3: The Phantom of the Opera (1925) Review (Silent Pioneers Double Feature Part 2)

    7. Fist of Fury

    For an introduction to Bruce Lee’s filmography, I think Fist of Fury is a good one! The martial arts choreography was definitely one of the strengths of this film. But the movie contained other aspects I liked as well. Bruce’s portrayal of Chen is a reason why Fist of Fury was so memorable. Clever writing and higher stakes woven into the script create a story that was clever, suspenseful, and intriguing. Because of how much I enjoyed watching Fist of Fury, I hope to check out more of Bruce’s movies in 2026!

    Take 3: Fist of Fury Review

    6. The Chalk Garden

    Even though I reviewed this film back in February, I still think about what Laurel said about not liking being told “good morning”. How well-written the dialogue was is one of the reasons why I remember Laurel saying, “what is a good morning to someone else is rarely a good morning to me”. Speaking of Laurel, Hayley Mills’ utilization of animated expressions and a variety of emotions helped the audience see how complex her character truly is. But Hayley is not the only actress whose performance was strong. The Chalk Garden is a movie where every actor and actress does a great job with the acting material they were given. The 1964 presentation is part character study, part mystery that works!

    Take 3: The Chalk Garden Review + 505 Follower Thank You

    5. The Night Before the Night Before Christmas

    The Night Before the Night Before Christmas is another movie I saw (and reviewed) this year where it was difficult to choose a favorite acting performance. The strength of the cast’s acting abilities not only made watching the story unfold more enjoyable, it even helped characters become more likable. Emphasizing the theme of giving painted a portrait of Santa I hadn’t really thought of before; someone who has a reputation for giving. It was also a clever way to remind viewers of one of the Christmas season’s important components. How Christmas activities were included in the script was a breath of fresh air as well. As I said in my review, I wish Hallmark went back to creating titles that didn’t rely too much on a formula, tropes, and/or cliches.

    Take 3: The Night Before the Night Before Christmas Review + 515 Follower Thank You

    The Chalk Garden poster created by Quota Rentals Limited, Ross Hunter Productions, and Universal Pictures

    4. Ben-Hur: A Tale of the Christ (1925)

    It’s amazing how two movies on this year’s best films list not only turned 100 years old, they also utilized color coded film to their advantage! But what sets Ben-Hur: A Tale of the Christ apart from The Phantom of the Opera is how title cards went above and beyond in Ben-Hur: A Tale of the Christ due to how well-written they were. Another aspect that distinguishes Ben-Hur: A Tale of the Christ is the cinematography’s capturing of the scope of the film. Long and medium shots effectively showcased a world that looked and felt larger than life. The visual presentation of the movie was certainly impressive. However, Ben-Hur: A Tale of the Christ found a balance between style and substance!

    Take 3: Ben-Hur: A Tale of the Christ (1925) Review

    3. The Man Who Invented Christmas

    Despite being the most recently reviewed movie on my list, The Man Who Invented Christmas is one of the best biopics I’ve ever seen! How the creation of A Christmas Carol lent itself to exploring Charles Dickens’ life story brought a unique element to the biopic genre. Watching Charles’ iconic tale come to live, literally and figuratively, provided the film a creative and memorable identity. The “Easter Eggs” related to A Christmas Carol sprinkled throughout the story was an engaging way to stay invested in the movie. The Man Who Invented Christmas is a solid Christmas title that would make a good double feature with I Heard the Bells.

    Take 3: The Man Who Invented Christmas Review

    2. The Wild Robot

    I first talked about The Wild Robot in my list of The Top Ten Best Stand-Alone Films. Even though I published that list back in March, the 2024 animated movie has still held up as one of the best titles I saw this year! Like I said in The Top Ten Best Stand-Alone Films list, the animation was gorgeous, appearing as a blend of paintings and priceless photographs. A pleasant surprise was how much emotional depth the story contained. What adds a sense of timelessness to the production was the abundance of good messages and themes. While it’s too early to say how The Wild Robot will stand in the test of time, I think it has potential.

    1. An Old Fashioned Thanksgiving

    I actually revisited this film in preparation for my review of An Old Fashioned Christmas. Watching An Old Fashioned Thanksgiving again after so many years reminded me why I love this movie! Attention to detail and historical accuracy created the illusion of taking the audience to another time and place. How the messages and themes of the Thanksgiving holiday were woven into the story allow An Old Fashioned Thanksgiving to truly embrace the holiday itself. The more I think about the 2008 movie, it makes me surprised it wasn’t a Hallmark Hall of Fame presentation. My belief is due to An Old Fashioned Thanksgiving containing elements that would likely be found in a Hallmark Hall of Fame project, such as strong acting performances and a historical fiction lens.

    The Man Who Invented Christmas poster created by The Mazur Kaplan Company, The Mob Film Company, Ingenious Media, Nelly Films, Parallel Films, Rhombus Media, and Bleecker Street Media

    Have fun in 2026!

    Sally Silverscreen

    My Movie Blogger’s Christmas Wish-List 2025

    As Christmas is almost here, it’s time for my yearly Movie Blogger’s Christmas Wish-List! If you’re new to 18 Cinema Lane, this is an annual tradition where I share the movie related things I’d like to receive for Christmas. The list’s format follows the quote; “Something you want, something you need, something to wear, and something to read”. The items on this list, like in past years, are a combination of realistic requests and wishful thinking. So, let’s start 2025’s Christmas wish-list!

    Puppies and hearts Christmas wish-list image created by Freepik at freepik.com.

    Something You Want

    Back in 2018, I saw the 1975 movie, Escape to Witch Mountain. One of the most memorable aspects of that film was an object belonging to Tia, one of the story’s protagonists. Throughout Escape to Witch Mountain, Tia carries a Starcase. This box contains a map that helps her and her brother, Tony, find their way home. But ever since I saw the film, I’ve always felt the term “starcase” was misleading. That’s because I don’t recall seeing Tia putting anything into the case itself, like small toys or trinkets. Despite this, the Starcase is one of the most unique movie props I’ve seen. So, for this portion of my Christmas wish-list, I would like to receive a replica of Tia’s Starcase. But I want a replica that is truly a case where items can be placed inside. Plus, I would like the Starcase replica to feature a purse strap, so the Starcase can be carried either as a purse or a clutch.

    Tia’s Starcase images created by Walt Disney Productions and Buena Vista Distribution Company

    Something You Need to See

    Two years ago, I started my series, Sally Solves a Mystery. In this annual series, I talk about television related mysteries in an attempt to solve them. For my upcoming Sally Solves a Mystery article, I will write about two mysteries related to the same movie. On the forum for Lost Media Wiki, I came across a post about a lost teaser trailer for the 1997 film, Anastasia. While I do love that movie, I personally don’t remember seeing the teaser trailer in question. Another piece of Anastasia media I don’t remember is Anastasia On Ice, an ice skating show based on the film. The only footage of the show I’ve seen are a few television commercials and a behind-the-scenes news segment about the show. Why these lost media mysteries are featured in this part of my Christmas wish-list is how much I’d love to see them solved by November 21st, 2027, which is Anastasia’s 30th anniversary.

    Promotional image for Anastasia On Ice found on the Youtube channel, Commerical Collections.

    A movie related piece of clothing or accessory I’d want to wear

    Looking back on past Christmas wish-lists, I haven’t selected a movie related piece of clothing or accessory that is holiday themed. But that is about to change with the Halloween themed sweater I will now discuss. In the Lifetime movie, Killing the Competition, my eye caught a gray sweater with pumpkins and black cats on it. Even though the sweater was featured very briefly in the film, it stuck in my memory, especially when it came time to create My Movie Blogger’s Christmas Wish-List. As I’m writing this article, I realized this is the second year in a row a sweater was chosen for this portion of my wish-list! With the Halloween sweater boasting a variety of colors, multiple outfits could be created around that sweater.

    I apologize if this photo of the Halloween themed sweater isn’t the best. But as I explained in my Christmas wish-list, the sweater was featured very briefly in Killing the Competition. Screenshot taken by me, Sally Silverscreen.

    A book I’ve read that I’d like to see adapted into a film

    When I participated in the Eurovisionathon readathon, one of the books I read was A Prisoner in Malta by Phillip DePoy. It was, honestly, one of the better books I read for the event! A Prisoner in Malta is what would be considered a “page-turner”, as there was never a dull moment. The book contained other strengths like well-written banter between the characters, strong character development, and a mystery that was intriguing as well as complex. With all this said, I would be interested in seeing a film adaptation of A Prisoner in Malta! Based on what I’ve observed of the cinematic side of the mystery genre, historical mysteries seem far and few between. I also can’t think of many movies off the top of my head that are set in the 1580s. So, in my opinion, an adaptation of A Prisoner in Malta would offer something unique to the film-making table!

    A Prisoner in Malta by Phillip DePoy book cover found on Goodreads.

    What are your thoughts on my Christmas wish list? Are there any movie related things you’d like to receive during the Christmas/holiday season? Tell me in the comment section!

    Have fun during the Christmas/holiday season!

    Sally Silverscreen

    Take 3: The Night Before the Night Before Christmas Review + 515 Follower Thank You

    With today being Thanksgiving, I wanted to share my thanks to all the followers of 18 Cinema Lane. I am grateful for having a reason to keep writing and sharing my thoughts on film! For this Blog Follower Dedication Review, I decided to select a movie from one of my recommendations. In fact, the film I chose has been on my Pinterest Film Recommendation board for so long, it has been on the very bottom. That movie in question is 2010’s The Night Before the Night Before Christmas! Suggested by a reader named T. Ann, this is a film I actually recall watching before. Though the only clear memory I had of the movie was the teenage daughter being upset over receiving a hamburger phone for Christmas. This isn’t the first time (nor will it be the last time) I revisited a film from Christmas past. One of my more recent movie reviews was The Christmas Choir, a title I had expressed interest in watching again. But in that review, I shared how I didn’t find the film as strong as I had initially believed. What will my thoughts be on The Night Before the Night Before Christmas? Keep reading my review to find out!

    The Night Before the Night Before Christmas poster created by Muse Entertainment Enterprises and Hallmark Channel

    Things I liked about the film:

    The acting: The Night Before the Night Before Christmas is one of those movies where I found it difficult to choose a favorite acting performance. That’s because the cast as a whole was strong! Expressions and emotions appeared genuine. Whether it was Hannah (portrayed by Rebecca Williams) looking forlorn when her younger brother, Toby, runs away or a volunteer named Yolanda (portrayed by Kim Roberts) being surprised when she receives an unexpected donation, the acting performances made watching the story unfold more enjoyable. There were even times when the strength of the acting talents helped characters become more likable. Two great examples are Toby and Nigel. The youngest member of the Fox family, Toby has such a sweet personality. Gage Munroe, the actor who portrayed Toby, does an excellent job showing what’s in his character’s heart through his face. In a scene where Toby and his mom are having a heart-to-heart conversation, Toby’s tear-streaked face and tear-filled eyes present how troubled he’s been over his parents’ decision to prioritize their jobs over their family. Meanwhile, Jordan Prentice’s portrayal of Santa’s head elf, Nigel, was very animated. His liveliness and comedic timing made Nigel one of the most memorable characters I’ve seen in a Hallmark, let alone Christmas, presentation! Out of the films I’ve seen (and reviewed) this year, so far, Jordan’s performance was one of the best.

    Emphasis on giving: One of the interconnected conflicts in The Night Before the Night Before Christmas is the disappearance of Santa’s sack of presents. This particular conflict could have produced one of two types of stories; a villain stealing Santa’s sack in order to ruin Christmas or a selfish character taking the sack of presents for themselves. Instead, Santa’s sack of presents is mistaken for donations to those less fortunate. The recipients of the gifts and the volunteers of various non-profits are surprised and even grateful for the “donations” received. This decision in story-telling helps emphasize the movie’s major theme of giving. Toward the beginning of the film, Toby tells Hannah if they want Santa to give them presents, they should consider giving presents to others. What Toby said, as well as the movie itself, frames Santa in a way I hadn’t really thought of before; someone who has a reputation for giving. These two examples show the clever and thoughtful ways the creative team behind The Night Before the Night Before Christmas remind their viewers of an important component of the Christmas season!

    How Christmas activities were incorporated: In Hallmark’s more recent Christmas offerings, activities related to the holiday feel like they’re incorporated into the story just for the sake of completing an unspoken checklist. This creative decision contributes to the network’s Christmas projects feeling repetitive. But in The Night Before the Night Before Christmas, whenever a Christmas activity was featured in the movie, it was there to compliment the story itself as well as the themes of the film. Santa losing his memory is the movie’s major conflict. In order to help Santa reclaim his memory, the other characters partake in activities like decorating a Christmas tree and baking cookies. Before the tree is decorated, Hannah and her mom talk about choosing a very tall tree because it looked similar to a tree the family had years prior. The activity of picking out a Christmas tree expresses one of the story’s main themes of sharing and keeping memories. What I selected as the examples for this review show how the creative team behind The Night Before the Night Before Christmas put effort and thought into how the aforementioned activities were included in the script.

    Adorable Santa image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-background-with-funny-santa_1324597.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

    What I didn’t like about the film:

    A drawn-out sense of urgency: As I mentioned earlier in my review, the major conflict in The Night Before the Night Before Christmas is Santa losing his memory. What gives the film a sense of urgency is how Santa must reclaim his memory before Christmas Eve so he can successfully deliver presents. While this conflict was eventually resolved, it ended up being drawn-out. The drawn-out nature of the conflict was caused by the story trying to divide its time between Santa searching for his memory, the whereabouts of his missing sack of presents, and the Fox family learning to reconnect. At one point in the movie, Nigel, as well as the other characters, frantically search for Santa’s sack of presents. The search then becomes interrupted by the characters’ attempts to help Santa get his memory back. These attempts last for about fifteen to twenty minutes, with the characters going back to looking for the sack of presents. This balancing act between the main conflict and subplots stretched out the story’s sense of urgency as well.

    Things that don’t make sense: Christmas movies, like any fictional story, require the audience to suspend a certain amount of disbelief. But in The Night Before the Night Before Christmas, a few things didn’t make sense, sometimes requiring more than enough disbelief to be suspended. Like I said earlier in this review, Toby runs away. Santa and Toby’s mom find him riding on a carousel. As Toby’s mom and Santa are about to share a heart-to-heart conversation with Toby, the carousel is still moving. This raises the question of how Santa and Toby’s mom got on the carousel while it was still in motion?

    Mrs. Claus’ minimal involvement: At the beginning of The Night Before the Night Before Christmas, Santa shares a heartfelt moment with Mrs. Claus. The on-screen chemistry between R.D. Reid and Marcia Bennett was so sweet and adorable, they effectually sold the idea of the loving relationship between Mrs. Claus and Santa. This aforementioned moment with Santa and Mrs. Claus is one of the few times she appears in the movie, as she is only featured in two scenes within the hour and twenty-eight-minute film. Personally, I found Mrs. Claus’ minimal involvement in the story disappointing. She could have played a larger role in helping Santa regain his memory sooner or locating his sack of presents faster.

    Image of Thanksgiving dinner created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

    My overall impression:

    In the introduction of this review, I said The Night Before the Night Before Christmas was suggested by one of my readers. Looking back on the 2010 picture, I can honestly say I’m glad it was recommended to me! The Night Before the Night Before Christmas is, in my opinion, one of Hallmark’s better films, especially among their collection of “older” titles! The acting alone helped make my movie-viewing experience enjoyable, as every actor and actress gave a solid performance. How Christmas activities were incorporated into the story was a breath of fresh air. They ended up complimenting the story itself and the film’s themes instead of trying to complete an unspoken checklist. The story’s emphasis on giving was woven into the script in clever and thoughtful ways as well. Even though The Night Before the Night Before Christmas has its flaws, it felt like the movie’s creative team got more right than wrong. A film like this one makes me wish Hallmark went back to creating titles that didn’t rely too much on a formula, tropes, and/or cliches.

    Overall score: 8 out of 10

    Have you seen The Night Before the Night Before Christmas? What “older” Hallmark Christmas movie would you like to check out this Christmas/holiday season? Share your thoughts in the comment section!

    Have fun on Thanksgiving!

    Sally Silverscreen