Top 10 Things I’d Like to See in Chesapeake Shores’ Fifth Season

When I submitted my review of The Great Mouse Detective last week, it became the 175th movie review I’ve ever published! In honor of this accomplishment, I decided to write a Top 10 list, especially since I haven’t written one in quite some time! Back in February, in a Word on the Street story, I reported how Chesapeake Shores was renewed for a fifth season. However, because of the Coronavirus, the show hasn’t gone into production. On 18 Cinema Lane, I recap two of Hallmark’s shows, with Chesapeake Shores being one of them. While some areas of the world are slowly going back to creating movies and television shows, the O’Brien family may not appear on screen this year. This means that my Top 10 list will probably be the only Chesapeake Shores related content I create in 2020. As “Chessies” (the show’s fandom) waits for any news of the show’s return, here are the top 10 things I’d like to see in the fifth season! Before I begin, I want to say that this list is solely based on my opinion. There will also be spoilers for the previous season.

  1. Tone down the relationship drama

As I’ve said before in my Evenings At The Shore series, the first and second seasons of Chesapeake Shores contained a healthy balance between their character and plot driven narratives. But since season three, the show’s overall quality has plateaued. That’s because the overall narrative has placed its primary focus on the relationship drama between the characters. This decision has caused the plots to be put on the back-burner. One example is the fourth season’s fifth episode, where the plot surrounding Jess’s story didn’t make any sense. In Chesapeake Shores’ next season, I hope the screenwriters bring the show back to that balance from the first two seasons. This show has come up with some interesting plot ideas, but haven’t utilized them to their fullest extent.

2. A wedding for Jess and David

Before Kevin and Sarah got engaged in the fourth season, fans had never seen a wedding within the O’Brien family. This next step in Kevin and Sarah’s relationship was history in the making for the show. Because of the fourth season’s six episode run, wedding plans were replaced with an elopement and a reception dinner. This decision was a “bait and switch”, leaving fans cheated out of a historical moment they were promised. Kevin and Sarah were not the only couple to get engaged, however, as Jess and David became engaged at the end of the season. I’d like to see Jess and David’s wedding in the fifth season. Because the filming locations of Chesapeake Shores are photogenic, maybe they could receive an outdoor ceremony.

3. Get rid of the love triangle

It’s bad enough When Calls the Heart features a love triangle that seems to have no end in sight. Like I said in one of my Sunset Over Hope Valley posts, love triangles are a waste of time and creative energy. In Chesapeake Shores’ fourth season, the narrative introduced a love triangle between Abby, Trace, and Jay. This not only enables the screenwriters to continue emphasizing the relationship drama, but it also takes screen-time away from more intriguing plots. Hopefully, this love triangle will get resolved sometime in the fifth season.

4. A subplot for Carrie and Caitlyn

Speaking of When Calls the Heart, what this show does well is provide subplots for the younger characters. It gives the audience a chance to get to know them and view the story from their perspective. When it comes to Chesapeake Shores, Carrie and Caitlyn, the youngest characters on the show, have never received a story of their own. In fact, it feels like they’ve become an afterthought within the overall narrative. I’ve been waiting for Carrie and Caitlyn to receive their own subplot for a while, so I hope this happens in season five. It would be interesting to see what the screenwriters come up with.

5. More episodes

Earlier in this list, when I talked about Kevin and Sarah’s lack of wedding plans, I stated how the fourth season of Chesapeake Shores was only given six episodes. While Hallmark shows have received seasons with less than ten episodes before, a fourth season receiving six episodes is a bit concerning. This creative decision prevented certain subplots from being fully explored and made the story feel like more was desired. Personally, I think the fifth season should be given at least nine to ten episodes. That way, Chesapeake Shores will have enough time to flesh stories out and focus on telling well-thought out narratives.

Evening view from the shore image created by 0melapics at freepik.com. <a href=’https://www.freepik.com/free-vector/landscape-in-a-swamp-at-night_1042860.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by 0melapics – Freepik.com</a>. Image found at freepik.com.

6. The fruition of Trace’s recording studio

Chesapeake Shores excels at featuring locations that have been brought up in the story. One example is The Bridge, a musical restaurant that Trace had been dreaming about for several years. At the end of the fourth season, Trace had expressed interest in creating a recording studio. While recording studios have been presented in the story before, this particular business was never shown in Chesapeake Shores. Because this show has a good track record when it comes to locations, I’d like to think Trace’s recording studio will become a reality. However, I still want to see this location brought to life.

7. For Bree and Simon’s paths to cross again

When Simon was introduced on Chesapeake Shores, he met Bree in her home country. At the end of the fourth season, Bree’s literary agent, Brian, wanted to bring her play to London. If this happens, Bree would be in Simon’s home country. This dynamic would be very interesting to watch, especially if Bree and Simon plan on revisiting their relationship. Should Bree decide to find a different significant other, I’d be curious to see which new British actor joins the show.

8. More appearances for Nell

Over the course of the fourth season, I noticed that Nell had such a limited on-screen presence compared to previous seasons. I was told Diane Ladd, the actress who portrays Nell, was experiencing pneumonia when this particular season was in production. As I indicated in the introduction, we don’t know when Chesapeake Shores’ fifth season will be filmed. Whenever that happens, I hope Diane is in better health. Nell is the one who keeps the glue together in the O’Brien family together. Without her, things just wouldn’t be the same.

9. A Chesapeake Shores Movie

I know a Chesapeake Shores movie is on the way. However, it never went into production, partly due to the Coronavirus. Even though the film was originally about Abby, Bree, and Jess, I still want to see a St. Patrick’s Day themed movie in Ireland. Another possible film idea is a Chesapeake Shores Thanksgiving themed movie! Hallmark hasn’t created a Thanksgiving movie in several years. Also, Good Witch has capitalized on Halloween, while When Calls the Heart creates annual Christmas films.

10. Megan becoming a successful businesswoman

You’re probably thinking, “Megan’s not a businesswoman, it isn’t her forte”. However, when we look at Abby, Bree, and Jess, there is one thing they have in common: they are all successful businesswomen. While each sister has forged their own path in the world of business, they have let their passions guide them through this specific journey. For at least one season, Megan has expressed her passion for art. Toward the end of the fourth season, she had shown an interest in creating her own studio. If the screenwriters wanted, they could allow Megan to use her art as the basis for a small business. This could make Megan an independent businesswoman like her three daughters.

Chesapeake Shores poster image created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=series&ShowTitle=Chesapeake%20Shores%20Season%203&episodeIndex=3001

Have fun in Chesapeake Shores!

Sally Silverscreen

Take 3: The Great Mouse Detective Review

I will admit that before I signed up for the Suave Swordsman: Basil Rathbone Blogathon, I wasn’t familiar with Basil as an actor. However, I didn’t let this stop me from participating! While looking through his filmography, I discovered Basil had a role in the 1986 film, The Great Mouse Detective. Because I hadn’t seen this movie before and because I knew I’d likely be one of the few people to discuss an animated film, I selected The Great Mouse Detective as my submission! If you’ve visited my blog before, you’d see that mysteries have a consistent presence on the site. I have set aside time to talk about the films from Hallmark Movies & Mysteries. Some episodes of Murder, She Wrote has been reviewed. I even participated in the Murder, She Wrote Cookalong! Despite the abundance of mystery related content on 18 Cinema Lane, The Great Mouse Detective is only the second animated mystery movie to be featured on my blog. However, at least this review will bring something new to the table!

The Great Mouse Detective poster created by Buena Vista Distribution, Silver Screen Partners II, Walt Disney Feature Animation, and Walt Disney Pictures. ©Disney•Pixar. All rights reserved. Image found at https://movies.disney.com/the-great-mouse-detective.

Things I liked about the film:

The animation: Animated films from Disney’s library usually contain quality visuals and art styles. The Great Mouse Detective continues this pattern of animation excellence! Throughout the film, the backgrounds were presented in softer frames with lighter colors, while close-up images were given sharper lines and brighter colors. One example is when Basil, Olivia, and Dr. David are exploring a toy store. The contrasts within the animation made it easier to focus on the characters and their involvement in the story. This art design reminded me of films such as The Aristocats, 101 Dalmatians, and Lady and the Tramp. Similar to what I said in my From Up on Poppy Hill review, all of the characters were expressive! Their facial expressions and body language were fluid when reacting to different scenarios. A perfect example is when Olivia and Dr. David meet Basil. The Great Mouse Detective’s claim to fame is how it was the first project from Disney to feature computer-generated animation. This creative choice is seen in the climax, when Basil and Ratigan fight in the Big Ben Tower. While it might not seem like a big deal now, this scene was ahead of its time in the mid to late ‘80s. The scene itself has aged well, while also containing gravitas and depth. It reminded me of the bells from The Hunchback of Notre Dame.

The use of shadows: The Great Mouse Detective has a primarily darker tone. To emphasize this aspect of the story, shadows were used in various scenes. Toward the beginning of the film, Hiram Flaversham, Olivia’s father, and Fidget, Ratigan’s henchman, are fighting at Hiram’s toy store. In this scene, shadows of the fight are projected over Olivia’s hiding place. Because Hiram and Fidget are not shown on screen, their shadows helped bring an element of suspense and mystery. The shadows also left me wondering what would happen next.

The humor: Despite the film’s darker tone, there were some light-hearted moments that prevented the movie from being too dark. Some of these moments even contained humor. One scene involved Basil ruining a group of pillows in an attempt to solve a mystery. What made this scene funny was the reaction of Basil’s maid over the mess. Another funny moment was when Ratigan called his cat “honey bunny”. What I like about these hilarious scenes is how well written they were. It also helps that there weren’t too many of them, as it would have made the overall picture seem too silly.

Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The musical numbers: A large number of Disney’s animated films are musicals, with their musical numbers feeling like they belong in that production. Because musicals have become a staple in Disney’s animated filmography, it allows their audience to know what to expect. But The Great Mouse Detective was not a musical movie, especially compared to pictures like Oliver & Company or any of the Disney Renaissance films. The Great Mouse Detective also had a primarily darker tone, with some light-hearted moments. These aspects made the musical numbers seem out of place. The two most notable musical scenes were “Let Me Be Good to You” and “The World’s Greatest Criminal Mind”, which had entertainment value. While “Let Me Be Good to You” had some reason for its existence, “The World’s Greatest Criminal Mind” was randomly placed in the film. It was a light-hearted and upbeat song that came right after a darker scene, featuring Basil explaining the wrong-doings of Professor Ratigan. “The World’s Greatest Criminal Mind” was a combination of “Gaston” from Beauty and the Beast and “Mine, Mine, Mine” from Pocahontas. However, what makes “Gaston” and “Mine, Mine, Mine” work is how they fit within their respective productions.

The oversharing of the mystery: When I talked about The Mystery Cruise in my list of the Top 10 Worst Hallmark Movies of All Time, I shared how I didn’t like the film’s mystery being revealed after the mystery was introduced. The Great Mouse Detective makes a similar mistake with their mystery narrative. Within the first half of the movie, the details of Hiram Flaversham’s kidnapping are shown in a series of scenes that share a timeline with the events surrounding Basil. These scenes show the whodunit, howtheydunit, and whytheydunit of the mystery. Because these pieces of information are revealed early in the movie, the audience knows more than the characters in the story. This prevents them from solving or experiencing the mystery alongside the characters.

The subplot of the Queen’s Diamond Jubilee: One of the subplots in The Great Mouse Detective revolved around the Queen’s Diamond Jubilee. This wasn’t a bad idea, but it was very under-utilized. In fact, I forgot this event was taking place within the story until the film’s climax arrived. Because the premise of this movie was basic and straight-forward, this subplot felt like it was there for the sake of being there. If the Queen’s Diamond Jubilee had been removed from the film, it wouldn’t make a huge difference.

The Suave Swordsman: Basil Rathbone Blogathon banner created by Pale Writer from Pale Writer. Image found at https://palewriter2.home.blog/2020/02/01/announcing-the-suave-swordsman-basil-rathbone-blogathon/.

My overall impression:

Two years ago, I reviewed Oliver & Company. In that review, I said the movie was the pioneer for what a Disney animated film could and should be at the time of its release. The Great Mouse Detective gave me a similar feeling. Within this film, there were elements that laid the foundation for animated Disney films that came after it. The climax at the Big Ben Tower is one example, with the scenes utilizing computers to bring them to life. Also, in my Oliver & Company review, I said the movie was fine and that there were animated Disney films that are stronger than it. The Great Mouse Detective made me feel this way as well. While watching this film, there were scenes that reminded me of scenes from other Disney projects that were executed better. Some scenes in The Great Mouse Detective felt rushed, making me wonder if Disney was trying to meet a deadline or wanted to take advantage of a busy box office year. Even with everything I just said, this film is worth bringing up in the conversation of animated films. It may get overshadowed, but I think it serves as an important part of animation history.

Overall score: 7 out of 10

Have you seen The Great Mouse Detective? What are some of your favorite mystery films? Tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Gaslight Review + 155 Follower Thank You

In honor of Thanksgiving, I thought I’d use this review to express my gratitude toward my readers and followers by taking a suggestion from one of my readers. Back in July, when I reviewed Hush…Hush, Sweet Charlotte, Emily, from The Flapper Dame, recommended a film called Gaslight. As I told her, I had heard of the film, but had never seen it. Fortunately, I had this movie on my DVR for several months. This means that I now had an excuse to finally watch this film! I don’t often receive film recommendations on 18 Cinema Lane. But, when I do, I try my best to review each film and acknowledge the person who told me about it. This happened when I reviewed The Santa Incident last December. Since I have acquired several suggestions within my year of blogging, I have created a list to keep track of the films. This is so I know which ones I’m able to rent or record on my DVR. Maybe I can find a way to create a tradition around these suggestions!

Gaslight poster
Gaslight poster created by Metro-Goldwyn-Mayer and Loew’s Inc. Image found at http://www.tcm.com/tcmdb/title/166/Gaslight/#.

Things I liked about the film:

The acting: Prior to watching Gaslight, I had seen a few of Ingrid Bergman’s films. But, to me, her portrayal of Paula is one the best I’ve seen from her filmography! What makes this performance so good is how expressive Ingrid is. She’s able to change her expressions at a moment’s notice, causing Ingrid’s portrayal to appear fluid and natural. I was pleasantly surprised to see Angela Lansbury star in this film! I’ve never seen any of Angela’s live-action films, as the only live-action project of hers that I’ve seen is Murder, She Wrote. However, it was nice to see her portray a character that is different from what I’m used to. Angela brought a sense of sass to her character, Nancy. Her interactions with the other characters was interesting because of how different her personality was from the other members of that household. Though her on-screen presence was limited, Angela found a way to shine with the material she was given!

 

The lighting: I wasn’t expecting anything special from the film’s lighting. But, when I watched Gaslight, I found the lighting to be one of the most memorable parts! In the London scenes, when it was night-time, the lighting reminded me of a noir film. What I mean by this is how the light is primarily dim and obstructed by another source. In the case of Gaslight, this source was fog. A common practice in this film was the use of shadows. This helped add a sense of mysteriousness to the story, as there was an uncertainty about the people who caused those shadows. One scene that used lighting in a creative way was when Paula and Gregory entered the drawing room of their London home for the first time. In this scene, the only light came from the outside. This means the shadow of the window’s blinds reflected off of these two characters.

 

The set design: Gaslight takes place during the Victorian era. As I’ve said in reviews for other period films, the sets in this movie appeared authentic to that specific time period. It shows that the creative team truly cared about the film they were making. It also shows that thorough research had been done during the pre-production stage of the project. The sets were very massive in scale, presenting the grandeur that would have been found within the world of these characters. It also helps that the architecture made these structures feel life-like. My favorite of this collection is the hotel where Paula and Gregory spent their honeymoon. While the exterior was the primary focus of this scene, it was still impressive to look at. The location itself seemed inviting and charming, like it would be a prime destination for anyone’s vacation.

OQECW90
Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Some of the accents: Like I’ve said in other reviews, accents in films can be hit or miss. In Gaslight, the accents sounded authentic and believable. But there were times when it was difficult to understand what some of the characters were saying. This was the case for Gregory Anton. At several moments, I found myself rewinding the movie in an attempt to hear what he was saying. This definitely took away some enjoyment from the film.

 

Some under-utilized characters: In this movie, I found some of the characters to be under-utilized more than they should have been. One example is the neighbor of Paula and Gregory, who Paula met on a train prior to the couple moving to London. Based on her first encounter with the protagonist, I thought she was going to play a larger role in the overall narrative. Sadly, it just felt like she was there for the sake of being there. Had this character been removed from the story, I don’t think it would have made much of a difference.

 

The mystery’s resolution: When a movie features a mystery, its resolution usually takes place during the film’s climax. This decision is made to not only make the moment feel big and action-packed, but it’s also made to get a reaction from the audience. I will not spoil Gaslight for anyone who hasn’t seen this movie. But I found this mystery’s resolution to be anti-climactic. The scenes involving the resolution were well-written and interesting. However, they failed to feel big or action-packed. Something that hurt them was how one particular confrontation was not shown on screen. I understand that this film was released during the Breen Code era. However, the confrontation’s absence took away from some of the climax’s excitement.

Gaslight choker necklace picture
Is it just me or is Paula’s choker necklace just the cutest piece of jewelry? Screenshot taken by me, Sally Silverscreen.

My overall impression:

Gaslight is the third mystery movie I have reviewed this November. Maybe it’s to make up for Hallmark Movies & Mysteries taking a break from making mystery films due to the Christmas/holiday season. In all seriousness, I think the mystery aspect of Gaslight was the best out of those three films! While it had its issues, it was still the most compelling. I can now agree with Emily, from The Flapper Dame, that this is a good movie! Even though it is a “slow burn” story, it works for the overall picture. This allows for the events to happen at their own pace, which made elements of the story grow organically. If you have the patience, this is a movie you might enjoy. As this review is meant to celebrate receiving 155 followers on 18 Cinema Lane, I’d like to thank each of my followers for choosing to support my blog. When I first started my blogging journey, I never imagined achieving such a large number of followers this quickly. However, I’m very thankful for the success I have earned. I’d also like to thank Emily for recommending Gaslight to me. I appreciate when readers leave comments on my blog, so I was more than happy to choose this movie for this review!

 

Overall score: 7.5 out of 10

 

Have you ever seen Gaslight? Are there any movies you’d like to recommend to me? Tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen