Take 3: The Lost Empire/The Monkey King Review

Last month, I wrote a list of movies I’d love to review someday. One of those films was The Lost Empire/The Monkey King. Originally, I was going to review the 2001 picture for Bai Ling’s birthday, as it is in October. But because July’s theme for Genre Grandeur is ‘Fantasy Movies of the 21st Century’, I found a reason to see this movie three months early! In my aforementioned list, I said the story of The Lost Empire/The Monkey King is based on Chinese folklore. This is very different from the types of films Hallmark creates today, which seem to, mostly, be recycled, predictable material. In fact, the only new Hallmark movies I’ve seen this year, so far, are Cut, Color, Murder, Aurora Teagarden Mysteries: Haunted by Murder, and Curious Caterer: Dying for Chocolate. The Lost Empire/The Monkey King was created during a time when Hallmark wasn’t afraid to take creative risks. But did those risks lead to cinematic rewards? Let’s journey through this review as we find that answer together!

The Lost Empire/The Monkey King poster created by Hallmark Entertainment, RTL, Babelsberg International Film Produktion, Milk & Honey Pictures, National Broadcasting Company (NBC), and Hallmark Home Entertainment

Things I liked about the film:

The acting: When I reviewed Point of Origin last month, I was disappointed by Bai Ling’s limited presence in that film. To me, it seemed like her talents were underutilized. In The Lost Empire/The Monkey King, however, Bai was given more acting material to work with. This allowed her talents to be satisfyingly showcased! I’ve said in the past how Bai Ling has a strong sense of emotionality when it comes to her acting abilities. This was not only incorporated into her portrayal of Kwan Ying, but her on-screen performance was also fluid. A great example is when Kwan and Nicholas “Nick” Orton interact for the first time. While sharing drinks at a local restaurant, Kwan’s demeanor is giggly and somewhat flirty, reflecting her drunken state. She holds hands with Nick as she casually leans across the table. But as soon as Nick asks Kwan why she needed to see him, her mood changes without missing a beat. Kwan becomes very serious, as she sits up in her seat and even looks over her shoulder. This change in Kwan’s demeanor also indicates what’s to follow in the story.

Years ago, I read American Born Chinese by Gene Luen Yang. From what I remember, the Monkey King was portrayed as an older, wiser character who younger characters looked up to. Russell Wong’s portrayal of the Monkey King was much different from what I expected. However, it was enjoyable to watch in The Lost Empire/The Monkey King! The Monkey King in the 2001 film was a humorous character. Russell’s dryer sense of humor and one liners worked in the story’s favor, as it provided a break from the tenser moments in the movie. The humor itself also fit within that movie’s world. When Nick first meets the Monkey King, he is taken aback by his change of scenery. The Monkey King uses that interaction to explain what is happening. Nick asks the Monkey King when the book, The Journey to the West will be destroyed. The Monkey King casually responded by saying, “Midnight. Next Thursday”. What also worked in Russell’s favor was his comedic timing. All of the Monkey King’s humorous moments were delivered at the right place and time. This was not only the result of the screenwriting, but the strength of Russell Wong’s acting abilities as well!

One of the most relatable stories is the “fish out of water” story. In order for this story to work in film, you need an actor or actress who can believably sell this idea to the audience. Thomas Gibson in his portrayal of Nick did just that! The way Thomas expressed emotion appeared more realistic, adding to the believability of his performance. Thomas’ ability to adapt to each situation was strong, allowing the audience to witness Nick grow over the course of the movie. The Lost Empire/The Monkey King is not only a “fish out of water” story, but also a “hero’s journey” story. That means the protagonist makes a significant change in his or her life. Throughout the film, Nick makes a personal transformation, gaining confidence as he encounters each obstacle. The way Nick reacts to these changes adds a sense of relatability to the character.

The set design: Immersive and imaginative worlds are a staple within the fantasy genre. The quality of a project’s set design can successfully present that illusion to the audience. I loved the set design in The Lost Empire/The Monkey King because it was able to pull the aforementioned illusion off! Nick is on a business trip to China. Some scenes showcased a typical Chinese city, with smaller details emphasizing the realism of this location. String lights and red lanterns can be seen overhead, which brings a softer glow in the middle of the evening. Vending booths line the streets, elaborating a greater number in population as extras and background characters walk by. Banners and signs in Chinese indicate how that specific part of the city is popular for business.

As the story progresses, more fantastical worlds are shown on-screen. One of these worlds is Jade City. Massive structures boast an ancient Chinese architecture. The ground beneath the characters’ feet displays a pale green hue, subtly reminding the audience of the city’s name. Bright pink flowered trees nicely contrasted the buildings and landscape, bringing a pop of color to the city. Nearby lanterns and window screens are smaller details that show the craftmanship that went into the film’s set design!

The discussion of literature: The main conflict in The Lost Empire/The Monkey King was the fate of the original copy of The Journey to the West. The villains want the book destroyed, while Nick and his friends are trying to save it. This main conflict led to a discussion of censorship versus preservation. The way the discussion is brought up, verbally and visually, was interesting. What was also interesting was the author of The Journey to the West, Wu Ch’eng En, receiving the opportunity to witness the impact of his literary work. I found this part of the story thought-provoking, as it made me think of authors who didn’t really have the chance to see their stories effect the world. The script’s focus on literature brought a sense of depth to a fantastical and whimsical story!

Traditional Chinese dragon image created by Freepik at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/design”>Design vector created by freepik – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

Some of the special effects: When creating a television movie, there’s only so much technological resources at the creative team’s disposal. I’m also aware cinematic technology was not as strong in the early 2000s as it is in the 2020s. Despite these setbacks, the special effects in The Lost Empire/The Monkey King were not a consistent issue. But when they were an issue, it was noticeably rough. While Nick was trying to find a way back to his world, he encounters a tiger in a nearby forest. This tiger appears to have been created through computer technology. Instead of resembling a real-life tiger, it resembled one from a computer game from the time of the movie’s release. The longer the tiger was on screen, the more dated it looked.

Lack of acknowledgment for Pigsy’s mistake: Pigsy is a character that tags along with Nick on his journey. During this journey, Pigsy makes a mistake that negatively impacts his friends and their mission. There were moments where Pigsy appears guilty about his choice. However, the mistake itself was not acknowledged like I hoped it would. Pigsy’s situation does get resolved. But this resolution was glossed over instead of being properly addressed. That was an underutilization of one of the movie’s themes, which was truth.

Mentioning Nick’s ex: On more than one occasion, Nick’s ex-girlfriend is brought up in the story through flashbacks. At a more climatic moment, her inclusion made sense. But, personally, I found it unnecessary for the ex-girlfriend to be brought up more than once. These parts of the story reminded me of a Hallmark movie cliché I’ve talked about in the past: the “protagonist’s ex showing up unannounced” cliché. Nick’s ex-girlfriend is only shown through flashbacks, as I’ve already mentioned. However, I’ve also mentioned how pointless it is to bring up a protagonist’s ex when those characters have no plans to get back together.

Tiger image created by Chevanon at freepik.com.  <a href=’https://www.freepik.com/free-photo/tiger-looking-straight-ahead_999674.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/pattern”>Pattern image created by Chevanon – Freepik.com</a>. Image found at freepik.com.

My overall impression:

As I watched The Lost Empire/The Monkey King, I noticed some parallels between this movie and The Wizard of Oz.  In the Hallmark production, the characters travel to Jade City. Meanwhile, in The Wizard of Oz, Dorothy and her friends seek out The Emerald City. But comparing The Lost Empire/The Monkey King to The Wizard of Oz does the 2001 film such a disservice. This is because the Hallmark film holds up on its own! I found this production so imaginative, creative, and one of the more unique pictures I’ve seen this year! It was entertaining, engaging, sometimes thought-provoking, and even somewhat educational. The Lost Empire/The Monkey King makes me wish Hallmark would make more movies like this instead of what they’re currently creating. Like I said in the introduction, the 2001 production was made during a time when Hallmark wasn’t afraid to take creative risks. In more recent years, Hallmark has over-relied on one genre to the point where it seems like they don’t want to try anything new. I, honestly, find this to be a shame, as there are so many more stories Hallmark could tell.

Overall score: 7.9-8 out of 10

Have you seen The Lost Empire/The Monkey King? Are there any older Hallmark films you wish received more recognition? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Buzzwordathon 2022 – Review of ‘A Little Princess’ by Frances Hodgson Burnett

With my Travel Gone Wrong Blogathon underway and the start of May around the corner, it’s time for another Buzzwordathon book review! For April, the theme is ‘Big & Little’. Participants had one of two options: 1. Read a book that has the word ‘big’ or ‘little’ in the title or 2. The title has to feature a word associated with ‘big’ or ‘little’. Because I happen to own a beautiful copy of A Little Princess and because ‘little’ is in the middle of that book’s title, I decided to read Frances Hodgson Burnett’s classic! The 1905 story has been a favorite of mine for a very long time. However, this is the first time I read it in a novel format.

Here is a screenshot of my copy of A Little Princess. Sorry if the cover’s bottom half appears blurry. I tried to capture how sparkly the cover is. Screenshot taken by me, Sally Silverscreen.

While reading A Little Princess, I became nostalgic of the 1995 adaptation, as I have loved that film since its release. So, it was interesting to read how similar and different the movie was from its respective source material. One major difference is how Frances provides explanations for character motivations and situations. I haven’t seen the 1995 adaptation of A Little Princess in years. From what I remember, though, Sara’s dad goes missing during battle and is assumed dead. This provides the catalyst for Sara’s struggles and lost fortune. Looking back on the film, it never made sense, to me, for Sara to lose everything simply because her father was missing in action. If her dad knew there was a chance he could be in danger, wouldn’t he have created a will for Sara? The source material provided a stronger explanation for the lost fortune, as Sara’s father invested in diamond mines, but his money was mishandled. Even though this situation is resolved by the book’s end, the inclusion of these explanations was a strength for the book itself!

Princess tiara image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/ornamental-princess-crowns_1109199.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/gold”>Gold vector created by Freepik</a>. Image found at freepik.com.

Another strength of the book is how Frances used descriptions to flesh out the characters and their world. At the beginning of the story, Sara is referred to as “wise beyond her years”. She’s also described as “intelligent”, “imaginative”, and “courageous”. Interactions between characters and narrations from an anonymous narrator provide proof of those statements. On the first day of class, Miss Minchin gives Sara a French textbook in preparation for an upcoming French lesson. Throughout this scene, Sara tries to explain to the headmistress that she already knows basic French, as she grew up learning the language from her dad. It’s not until the French teacher arrives that he and Miss Minchin discover how advanced Sara is in French. In the 1995 adaptation, important and timeless messages and themes can be found throughout the story. That is also true for the source material! Because Sara imagines she is a princess, she assumes how a princess would behave. This includes assuming how a princess would treat others. After finding some money on the ground, Sara plans to buy some food from a nearby bakery. But just before she enters the bakery, Sara sees a girl who appears to be worse off than herself. With the found money, Sara purchases a set of rolls. But she ends up giving most of the rolls to the aforementioned girl.

Here is one of the full page illustrations that is featured in my copy of A Little Princess. Artwork created by Ethel Franklin Betts and found on https://en.wikisource.org/wiki/A_Little_Princess.

Even though A Little Princess has been near and dear to my heart, I’ll be one of the first readers to admit it is not a perfect or near perfect book. Though this flaw wasn’t consistent throughout the text, there were times when parts of the story were repetitive. A portion of the book’s last chapter provides a great example, as it re-caps almost everything that happened prior to that point. As a reader, I don’t like longer chapters. This can, sometimes, cause a book’s pace to be slower. While A Little Princess’ pace was steady, the book contained longer chapters, with thirteen pages given to the longest chapter. In my copy of the book, there are full page illustrations that bring to life certain parts of the story. I honestly wish these illustrations had a more consistent presence, as they could have broken up some of the chapters. Other than that, though, I still enjoyed reading A Little Princess all these years later! I’m so glad I was given the opportunity to read it again!

Overall score: 4.1 – 4.2 out of 5 stars

Have fun during Buzzwordathon!

Sally Silverscreen

Disclaimer: Because A Little Princess was published in 1905, some of the words and phrases are reflective of that time, with their context different from today. A few of these words are “queer”, “gay”, “fat”, and “chubby”. At one point in the story, a man from India is referred to as “oriental”. There is also a stereotype about Chinese people included in the text. Again, these parts of the story are reflective of the book’s time; 1905.

Take 3: The Three Musketeers (1948) Review

Last year, I participated in the Classic Literature On Film Blogathon. Since I was reading To Kill a Mockingbird at the time, I chose to review the book’s film adaptation. For this year’s event, I selected the 1948 version of The Three Musketeers! Because I’m using my TBR Tin to choose which book to read next, I wasn’t able to read the source material before I saw the movie, as I’m currently reading The Shadowy Horses by Susanna Kearsley. I was recommended this film by Patricia from Caftan Woman. As I try to see as many film suggestions as I can, this became one reason why I selected The Three Musketeers for this blogathon. I have seen the 1993 adaptation of the story. But I can’t give an honest opinion on that film, as I haven’t seen the movie in years. What will my thoughts be on the 1948 adaptation of The Three Musketeers? Keep reading to find out!

The Three Musketeers (1948) poster created by Metro-Goldwyn-Mayer and Loew’s, Inc.

Things I liked about the film:

The acting: Because The Three Musketeers contained an ensemble cast, it’s difficult to choose a favorite performance. However, I will still mention a few of them. For me, Gene Kelly is always going to be known for his performances in musicals. Seeing him work with different acting material was very interesting, as it forced him to utilize his expressions and emotions more. Out of Gene’s films I’ve seen so far, his portrayal of D’Artagnan has become one of my favorites! This performance was so well-rounded, D’Artagnan came across as a mutli-layered character. As Gene had a variety of expressions at his disposal, he was able to adapt to any situation D’Artagnan faced. I am not familiar with Van Heflin as an actor. But I was impressed with his portrayal of fellow Musketeer, Athos! Van’s best scene was when Athos drunkenly tells a story of an aristocrat who was betrayed by a woman from the country he fell in love with. Even though Athos is disoriented by the alcohol, you can tell there is deep emotion in his voice and eyes. Another performance that also became a favorite came from Lana Turner, who portrayed Countess de Winter! Her standout scene was when her character was in prison. The Countess appears disheveled as she begs for her life to end. What made this scene so memorable was the amount of emotion Lana put into her role. She presented a character that was so desperate, she’d be willing to do anything to get out of it.

The costumes: When it comes to scene-stealers, the costumes in The Three Musketeers definitely stole the show! I liked how colorful they were, as bright hues were used on various pieces of apparel. It not only made the characters stand out, but it also helped when telling characters apart from one another. The amount of detail on these costumes was also exquisite! In one scene, the Duke of Buckingham wore a purple shawl. Gold embroidery complimented the shawl’s shade of purple and prevented the piece from becoming plain. At a dinner party, Queen Anne wore a white gown. This gown also contained gold details, which were found on the skirt and bodice. Small jewels near the top of the dress completed Queen Anne’s elegant look!

The set design: If you’re going to create a period film, you have to pay attention to the finer details that go into each set. These details will reflect the effort, research, and care that went into how these sets look. The sets in The Three Musketeers show how much the film’s creative team cared about the presentation of their final product! What I love about the sets in this movie are the fine details that can be found. Carved images are shown in the Duke of Buckingham’s study, covering the fireplace and doorframe in these wooden pictures. They can also be found in other rooms and on other materials, such as on a tin-plated cabinet in a General’s office. My favorite design detail can be found in Queen Anne’s sitting room. As Queen Anne and the Duke of Buckingham are standing near the fireplace, Queen Anne turns a knob found near the top of the fireplace. This action reveals a secret compartment that hides a box of diamonds.

The fight choreography: Any action movie is just as good as its fight choreography. The performative presentation of the fights in The Three Musketeers helped make these fights so memorable! Because of Gene Kelly’s dancing skills, he was able to incorporate leaps into his fight sequences. Watching D’Artagnan leap from place to place gave him a natural superpower that he was able to use to his advantage! Humor can also be found during these fight sequences, which prevented them from being too dark or serious. D’Artagnan’s first duel was against the head of the French police. During this duel, hilarity ensued, from D’Artagnan splashing water in his opponent’s face to pushing his opponent in a pond. This inclusion of humor in the fight choreography allowed the creative team to present these fights in creative and interesting ways!

The 2021 Classic Literature On Film Blogathon banner created by Paul from Silver Screen Classics.

What I didn’t like about the film:

D’Artagnan’s romantic relationships: After rescuing Constance from a home invasion, D’Artagnan falls in love with her. He not only tells Constance he loves her, but they also share a romantic kiss. While I liked Constance and D’Artagnan’s relationship, I felt it was developed too quickly. Later in the film, Constance is kidnapped. In order to save her, D’Artagnan pretends to fall in love with Countess de Winter. However, after his initial meeting with the Countess, D’Artagnan tells Athos how much he loves her. If D’Artagnan was romantically interested in Constance, why would he even bother having feelings for the Countess? That part of the story was confusing.

A weaker villain: There are two villains in The Three Musketeers; Countess de Winter and Richelieu. But one of them definitely outshined the other. Countess de Winter was the stronger villain. She is a criminal by legal context and the audience can witness her committing several crimes. Richelieu, on the other hand, is not presented in the same way. The audience does see him commit a crime of theft, but it is never explained how this was done. Richelieu was also friends with the King of France, a character that was not written or portrayed as a villain. This made me puzzled as to what Richelieu’s true intentions were, whether he was a villain or simply a man who follows his own rules.

The Musketeers spending little time together: When you think of The Three Musketeers, you think of these heroes fighting alongside each other and saving the day together. As I watched this film, I noticed how they spent more time apart. I was disappointed to discover this because that team dynamic the Musketeers are known for had a limited presence. While this separation did allow the audience to get to know these characters individually, we didn’t really get to see this group of friends grow over time. Though there was a lot of content in this movie, I wish more time was given to show the Musketeers together.

Castle photo created by Photoangel at freepik.com. <a href=’https://www.freepik.com/free-photo/old-castle-in-the-mountians_1286237.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/tree”>Tree image created by Photoangel – Freepik.com</a>. Image found at freepik.com.

My overall impression:

Anchors Aweigh was the best movie I saw in 2020. This was a pleasant surprise, as I never expected one of Gene Kelly’s films to receive this honor. Even though it’s only April, the 1948 adaptation of The Three Musketeers has now become the best movie I’ve seen so far! There is so much effort that was put into this project, which is reflected in many parts. The costumes and set designs were impressive because of the detail that was incorporated into them. Many good acting performances can be found, making it difficult to choose the best one. These actors not only did a good job individually, but they also worked well together as a group! Similar to what I said in my Oliver! review, I might read The Three Musketeers because of how much I enjoyed its film adaptation! For now, my top priority is reading the books that are currently on my TBR shelf.

Overall score: 8 out of 10

Have you read or seen The Three Musketeers? What adaptations of classic literature do you like? Please let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: Little Lord Fauntleroy (1936) Review (Clean Movie Month #3)

When I signed up for Pure Entertainment Preservation Society’s Code Classics Blogathon in June, I hadn’t publicly submitted the film I wanted to review. That’s because I planned on reading the source material before watching the movie. Originally, I was going to read Black Beauty and then see the 1946 adaptation of this story. Unfortunately, I wasn’t able to set aside time to read the book. Also, the 1946 version of Black Beauty was unavailable for rent. I then decided to watch a version of The Count of Monte Cristo that was released during the Breen Code Era. However, the only adaptations that were available for rent were the 2002 and the 1975 version. Then I remembered how I’ve always wanted to read Little Lord Fauntleroy by Frances Hodgson Burnett. I was happy to discover I was able to rent the 1936 adaptation! In my life, I have read A Little Princess and The Secret Garden. Having enjoyed both books, I was interested in hearing a similar story from a male perspective. How different would Ceddie be from Sara and Mary? Would his story contain any similarities with the two aforementioned novels? While I haven’t read Little Lord Fauntleroy yet, I wasn’t going to miss out on seeing this story come to life on screen!

Little Lord Fauntleroy poster created by Selznick International Pictures, United Artists, and Walt Disney Studios Motion Pictures. ©Disney•Pixar. All rights reserved. Image found at en.wikipedia.org/wiki/File:Little-Lord-Fauntleroy-Poster.jpg

Things I liked about the film:

The acting: I’ve said before on 18 Cinema Lane that performances from young actors and actresses can be hit or miss. However, Freddie Bartholomew’s portrayal of Ceddie was a hit! The way this character carried himself was mature for his age without being too precocious. At the same time, Ceddie had the type of kind-heartedness you’d expect from a young character. The mannerisms and facial expressions Freddie adopted reminded me of Sara from A Little Princess, making me believe that Ceddie and Sara probably would have been good friends! Even though her presence in the film was limited, Dolores Costello Barrymore gave a memorable performance as Ceddie’s mom, Dearest! Her emotions gave the audience a glimpse of how her heart is always in the right place when it comes to looking out for her son. In one scene, Dearest is telling Ceddie that he’ll have to stay with his grandfather. This moment showcases how she continually shields her child from the animosity between her and the grandfather. Also, this scene highlights her ability to put Ceddie’s needs before her own, telling him she’ll place a candle in the window so the light will always guide his path.

The music: While watching Little Lord Fauntleroy, I noticed how the background music always fit the tone of its respective scene. One great example is when Ceddie receives a bicycle for his birthday. A tune from a music box could be heard, indicating how this is a happy occasion. Whenever Ceddie’s grandfather is mentioned, the audience can hear orchestral music. The music itself sounded regal, highlighting how important this character is. Somber music was found in sadder scenes, like when Mr. Hobbs and Dick are missing their friend, Ceddie. This consistent detail shows how the film’s creative team cared about what their audience saw and heard.

The messages and themes: The famous works of Frances Hodgson Burnett are known for having good messages and themes that audiences of all ages can appreciate. Little Lord Fauntleroy is no different. Throughout the movie, Ceddie always put others before himself. When his grandfather’s lawyer asked him how he’d use his newfound wealth, Ceddie tells him that he would purchase gifts for his friends, as a way to improve their lives. At a party, when one of his grandfather’s friends offers Ceddie a puppy, Ceddie turns the offer down by saying that he doesn’t want to hurt the feelings of his new K-9 friend, Duke. These examples display the messages of selflessness and staying true to yourself in any circumstance. Prejudice is an overarching theme that is found in this story. Ceddie’s grandfather does not like Americans, which created animosity between him and Dearest. The more time the grandfather spends with Ceddie, his negative beliefs begin to change. The grandfather’s part of the story shows how prejudice can hurt people, especially families.

Code Classics Blogathon banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/06/06/announcing-the-code-classics-blogathon/

What I didn’t like about the film:

A thirty-minute set up: Setting up a story is a crucial component to any film. However, when the set-up process takes too long, it may be difficult to get invested in the story. In Little Lord Fauntleroy, it took thirty minutes to set up the plot. While this part of the narrative was meant to showcase character development and motives for future events, I don’t think it needed to last this long. Because of this creative choice, it took a while for Ceddie and Dearest to get to England.

Giving Ceddie almost nothing to do: Before watching Little Lord Fauntleroy, I had expected Ceddie to learn the ropes of being an Earl from his grandfather. Sadly, that’s not what happened. I understand that Ceddie is a child. But despite this, he wasn’t given much to do as an Earl-in-training. Sure, Ceddie helped his grandfather write a letter to a struggling farmer. However, it made me wonder why Ceddie was given this Earl title so young if he couldn’t utilize it.

The conflict between Dearest and the Earl of Dorincourt: As I mentioned earlier in this review, Ceddie’s grandfather does not like Americans. Because Dearest is American, there is tension between her and the grandfather. While the conflict itself explored the subject of prejudice, I feel it was resolved too quickly. There is only so much story that can be told in an hour and forty-two minutes. But the way Dearest and the Earl of Dorincourt dealt with their conflict felt rushed, as years of animosity was taken care of after one event.

Clean Movie Month banner created by Tiffany and Rebekah Brannan from Pure Entertainment Preservation Society. Image found at https://pureentertainmentpreservationsociety.wordpress.com/2020/07/01/cleanmoviemonth2020-is-here/.

My overall impression:

I have not read Little Lord Fauntleroy, as I mentioned in my introduction. Therefore, I don’t know what aspects of the book were translated to the screen. Despite this, I liked the 1936 adaptation of this story! It was a good and sweet picture that contained timeless messages and themes. The character of Ceddie reminded me a lot of Sara from A Little Princess. This didn’t surprise me, as both books were written by the same author. Yes, the movie did have flaws. However, I enjoyed the story and thought this was a well-made production. Because of how much I liked this film, it makes me want to read the book! Out of the three Breen Code Era films I’ve reviewed so far, Little Lord Fauntleroy is the most Code compliant! I didn’t find any offensive material in this project, which makes it a perfect movie for family viewing!

Overall score: 7.9 out of 10

Are you enjoying Clean Movie Month? What is your favorite literary adaptation from the Breen Code Era? Please tell me in the comment section!

Have fun at the movies!

Sally Silverscreen

Take 3: To Kill a Mockingbird Review

Before I start this review, I’d like to remind everyone that Thursday, April 9th, is the last day to cast your vote for the Best Supporting Actor of the 2nd Annual Gold Sally Awards! The next poll will be posted on the April 10th! Here is the link to the poll:

Now it’s time to choose the Best Supporting Actor of 2020’s Gold Sally Awards!

Originally, I had planned on reviewing To Kill a Mockingbird for Pure Entertainment Preservation Society’s A Month Without the Code Blogathon. Since The 2020 Classic Literature On Film Blogathon was given an April participation date and because I was reading To Kill a Mockingbird at the time of the event’s announcement, I decided to review the film adaptation a lot sooner than I expected. For years, I had heard great things about the novel. The now famous quotes have been plastered all over the internet, sounding deep and thought-provoking against backgrounds of characters’ pictures from the film. No literary list would be complete without To Kill a Mockingbird’s inclusion. What caused me to pick up a copy, and eventually see the movie, was the trial where Atticus defends Tom Robinson. This situation taking place in a time that is very different from today brought up a lot of questions. How would Atticus approach the case? Was Tom innocent? How different was the court system back then? For a while, this book was sitting on my bookshelf, waiting for the day when it would be read. Because of this blogathon, the day to read the book and see the movie has finally come!

To Kill a Mockingbird poster
To Kill a Mockingbird poster created by Brentwood Productions, Pakula-Mulligan, and Universal Pictures. Image found at commons.wikimedia.org/wiki/File:To_Kill_a_Mockingbird_(1963_US_theatrical_poster).jpg

Things I liked about the film:

The acting: In my review of Mystery 101: An Education in Murder, I talked about how the characters in that movie appeared as if they came from real-life. This is partly the result of the quality of the actors’ performances. The aforementioned strengths are shared by both films. While watching To Kill a Mockingbird, I noticed how all the performances felt realistic. The actors brought enough emotion and animation to their roles, in order to bring their characters to life. I enjoyed watching the performances in this film. However, the two standouts came from Collin Wilcox Paxton (who portrayed Mayella Ewell) and Brock Peters (who portrayed Tom Robinson). Even though they appeared on screen for a limited amount of time, they were able to bring so much emotion and power to their roles. These elements allowed Collin and Brock to elevate their characters as well as the source material.

How the source material was presented: Looking back on the book, the story itself was 20% about the trial and 80% about the “slice of life” perspective Scout offers to the readers. This imbalance is what caused me to not enjoy the book as much as I had expected. The film’s creative team makes an effort to create a balance between these two ideas by removing scenes that would have felt like padding. In the book, the majority of a chapter is devoted to the Halloween carnival/play and what caused that event to take place. The movie, however, only shows Jem and Scout arriving and leaving the school. The way some scenes were presented in the movie highlighted Atticus’ abilities as a lawyer more effectively than in the book. When Atticus to talking to Scout about compromises and trying to see things from another person’s perspective, the scene places more emphasis on Atticus himself delivering the message, showing the values he follows as a lawyer. In the book, it feels like these lessons are rehashing information most readers already know.

Moments of suspense: There were some scenes containing suspenseful moments that were periodically placed in the film. One of these moments takes place in the scene when Atticus visits Helen Robinson for the first time. While Jem is sitting in Atticus’ car, Bob Ewell drunkenly approaches the vehicle. Because this is the first time Bob is introduced on screen and because he is presented in a disorderly state, Bob’s decisions and actions are very unpredictable. Scenes like this one maintained the overall story’s intrigue. It maintained my investment in the film as well. These scenes featuring suspenseful moments also allowed the creative team to adopt story-telling elements like the use of shadows and dramatic music.

Classic Literature On Film Blogathon banner
The 2020 Classic Literature On Film Blogathon banner created by Paul from Silver Screen Classics. Image found at https://silverscreenclassicsblog.wordpress.com/2020/01/16/announcing-the-2020-classic-literature-on-film-blogathon/?wref=tp.

What I didn’t like about the film:

The trial taking place at a later time: As I said in the introduction, the trial where Atticus defends Tom Robinson is what made me want to read the book. When I did read it, I was disappointed to discover the trial itself took place sixteen out of thirty-one chapters into the story. In the movie, the trial appears at the halfway point. In this case, I fault the source material more than the film’s creative team. Even though I had to wait an hour for the trial to be presented on screen, the creative team did try their best to get to that point as soon as possible.

Some unclear details: Some details in this movie were unclear, especially if someone didn’t read the book before they saw the movie. In the book, Jem and Scout are introduced to Reverend Sykes when they attend Mass at Calpurnia’s church. When the trial takes place, they agree to sit with Reverend Sykes in the balcony section of the courthouse. Because the church service was omitted from the movie, there’s no clear explanation provided for how Jem and Scout know Reverend Sykes. It might have helped if details like this one were given some context.

The voice-over: The book is told from the perspective of an adult reflecting on their childhood. However, the movie presented the events as if they are taking place in “present-time”. Because of this decision, it allows the events to speak for themselves. This makes the voice-over seem like an unnecessary component. The voice-over was also not consistently included in the movie, causing its presence to not feel justified.

Law Justice Isometric Composition Icon
Courtroom image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/isometric”>Isometric vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

There are very few times when I feel a film adaptation is better than its literary source material. In fact, the two previous instances that I can think of are Hallmark’s Hall of Fame’s The Beach House and Hallmark Channel’s Rome in Love. After watching To Kill a Mockingbird, I have now found a third adaptation to add to that list. I’m not a fan of “slice of life” stories, hence why I didn’t enjoy the book as much as I had expected. While these aspects of the “slice of life” story were incorporated into the movie, the creative team’s main focus was about getting straight to the point a lot sooner. The film’s visual nature worked in the favor of certain elements from the source material. Suspenseful moments in certain scenes are one great example. Reading about those moments in a book does cause a level of uncertainty. Watching them take place on screen makes those moments seem real and intensifies that uncertainty. If I had known my feelings about this movie before reading the book, I honestly would have skipped the book and gone straight to the movie.

Overall score: 8.1 out of 10

Have you read any classic literature? If so, did you see its film adaptation, if it has one? Let me know in the comment section!

Have fun at the movies!

Sally Silverscreen

Only One Month Left to Sign Up for the Siskel and Ebert Blogathon + Award Announcement!

Siskel and Ebert Profile banner
Created by me, Sally Silverscreen, on Adobe Spark.

Greetings to all of my readers and followers! I just want to remind everyone that there’s only one month left to sign up for my blogathon, “Siskel and Ebert at the Blogathon”! If you’re interested, please request a topic as soon as possible. To check out the original blogathon announcement, click on the banner that’s located in the upper right-hand corner of the screen. I also want to share that I have just received The Baroness Orczy Blogging Award from the blog, Silver Screenings! I’m going to be honest, I had never heard of this particular author until I won this award. So, I went to Goodreads and learned more about her. Based on the presented information, she sounds like a fascinating individual! I’ll definitely have to check out one of her books sometime. Thank you to everyone at Silver Screenings for selecting me for this award. Having my written work compared to someone like Baroness Orczy is truly an honor!

Baroness Orczy Award
The Baroness Orczy Blogging Award logo created by Silver Screenings. Image found at https://silverscreenings.org/2019/08/09/a-few-bloggers-who-remind-us-of-famous-writers/.

Have fun at the movies!

Sally Silverscreen

Take 3: Aurora Teagarden Mysteries: A Game of Cat and Mouse Review

So, it’s been five months since I last reviewed a mystery film from Hallmark Movies & Mysteries (yes, you read that right). And I was surprised to discover, recently, that my review of Aurora Teagarden Mysteries: The Disappearing Game is one of my more popular reviews. Currently, it has four likes and 390 views! Because of these two factors, I decided to review all three films that will premiere during the first ever Aurora Teagarden Month! This is one of my favorite series on Hallmark Movies & Mysteries, so I wouldn’t pass on an opportunity to talk about these movies! The first one to air was Aurora Teagarden Mysteries: A Game of Cat and Mouse. Not only was I excited to revisit these characters, but also to see some newer faces return. What are we waiting for? Let’s begin this review of Aurora Teagarden Mysteries: A Game of Cat and Mouse

Aurora Teagarden 10 poster
Aurora Teagarden Mysteries: A Game of Cat and Mouse poster created by Hallmark Movies & Mysteries and Crown Media Family Networks. Image found at https://www.crownmediapress.com/Shows/PRShowDetail?SiteID=143&FeedBoxID=845&NodeID=307&ShowType=&ShowTitle=Aurora+Teagarden+Mysteries+A+Game+of+Cat+and+Mouse.

Things I liked about the film:

The acting: The acting performances in the Aurora Teagarden series are, always, a highlight. Aurora Teagarden Mysteries: A Game of Cat and Mouse is no exception, as the entire cast did a great job with their on-screen performances! Once again, Candace Cameron Bure shines in the lead role! She helped carry the film with a likable personality and charm. I also liked seeing Niall Matter again as Nick Miller. Even though this character hasn’t appeared in the series for very long, he has already become a favorite! Supporting actors and actresses also did a wonderful job, whether they were series regulars or newcomers! Since the very beginning of the series, Ellie Harvie has portrayed Lillian Tibbett, Aurora’s co-worker at the library. She only makes limited on-screen appearances, but her performances make up for that. With enough believability, Ellie has been able to bring her character to life and give the audience the impression that Lillian is not Aurora’s biggest fan. The Aurora Teagarden series would not be the same without her.

 

The mystery: In almost every mystery film on Hallmark Movies & Mysteries, the main mystery revolves around a murder. Aurora Teagarden Mysteries: A Game of Cat and Mouse was about a different kind of mystery; where thefts, vandalism, and danger were the key ingredients. While there was a murder associated with the story, it was not the primary focus. Enough suspects and clues allowed the audience to stay invested in the story. Incorporating Aurora’s occupation with the mystery itself was not only clever, but also showed how well-written this movie was!

 

The surprises: I’m not going to spoil anything for those of you who haven’t seen this movie yet. But I will say that there were a few surprises that were well executed. One of them was so effective, that it made me jump in my seat! As I’ve said, this movie was well-written when it came to the film’s mystery. I also felt this way about the surprises in this movie. This was a good way to try to help the audience stay focused on what was happening on-screen.

City Library Isometric Illustration
Interior view of library image created by Macrovector at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/business”>Business vector created by macrovector – http://www.freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

A slower pace: Most of the mystery films on Hallmark Movies & Mysteries have a faster pace. This is to maintain the suspense and intrigue that the mystery provides. In Aurora Teagarden Mysteries: A Game of Cat and Mouse, though, the overall pace was on the slower side. While the story itself were intriguing, the slower pace made the film feel like it was a little bit drawn out. This also made the movie seem like the suspense was very limited.

 

Rehashed material: There are two ongoing narratives in the Aurora Teagarden series: people disapproving of the Real Murders Club and the police not wanting Aurora to help them solve the case. I understand that things like this help a series maintain its continuity. But when this is the tenth movie in a four-year-old movie series, those narratives start to become stale. In every film, Aurora ends up solving the mystery without the help of the police. As for the Real Murders Club, the mayor of Aurora’s town became a member of the group a few movies ago. Hopefully, these narratives can be dropped or changed within the next two films.

 

Lack of comedy: Even though the films on Hallmark Movies & Mysteries are known for having a more serious tone than the movies on Hallmark Channel, comedy is, more often than not, incorporated into their projects. The reason for this is to give the audience some distance between the darkness of the film’s murder. The overall tone of Aurora Teagarden Mysteries: A Game of Cat and Mouse was serious, which left very little room for comedy. Sure, there were a few moments that made me chuckle. But the humor that is usually found in this series was sorely missed.

Private detective office interior cartoon vector
Interior image of detective’s office created by Vectorpocket at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/vintage”>Vintage vector created by vectorpocket – http://www.freepik.com</a>. Image found at freepik.com.

My overall impression:

As a film, Aurora Teagarden Mysteries: A Game of Cat and Mouse was decent. But, as the first movie in Aurora Teagarden Month, this was a good start! There are very few times when this series disappoints. This film definitely did not do that, as interesting creative choices were made and the story itself was thoroughly thought out. I’ve been a fan of this series since the very beginning, so I’m glad that it finally got its own month! Because I enjoyed this entry in the Aurora Teagarden story, I am looking forward to the next two installments! Based on the commercial, it looks like the eleventh movie will feature a murder mystery party. From what I remember, there hasn’t been a party like this featured in any of Hallmark Movies & Mysteries’ mystery films. It looks like August is shaping up to be a very fascinating time of year!

 

Overall score: 7.3 out of 10

 

What are your thoughts on the start of Aurora Teagarden Month? Are you looking forward to the next two films? Tell me in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Oliver! Review + 50 Follower Thank You

On 18 Cinema Lane, I received a Christmas present early! I finally achieved 50 followers! This means that I now have to review a movie that was released fifty years ago (in 1968). While looking at my options for what movie to talk about, I realized that I haven’t reviewed a musical yet. So, I chose Oliver! for this special blog post. While I have never read Oliver Twist, I did see Oliver & Company in September. In fact, I reviewed that film back when I received 30 followers on 18 Cinema Lane. Because of this, I had a basic idea of what the story was about. How different was Oliver! from Oliver & Company? Check out my review in order to find out!

Oliver poster
Oliver! poster created by Romulus Films and Columbia Pictures. Image found at https://en.wikipedia.org/wiki/File:Oliver!_(1968_movie_poster).jpg

Things I liked about the film:

The acting: This was a very strong cast! Everyone pulled off a performance that appeared so believable, it made the actors seem like they disappeared into their roles. One of the most versatile actors in this movie was Ron Moody. His portrayal of Fagin was very memorable, bringing those elements of sneakiness and desperation that were essential to that character. I also thought that the child actors were talented as well. While Mark Lester’s portrayal of Oliver was definitely a highlight in this film, I also liked seeing Jack Wild’s performance! Dodger, Jack’s character, was portrayed so well. This is because Jack’s acting performance appeared so natural, making it feel like a child in that particular situation would truly react in that specific way. All of these acting performances added to my level of enjoyment for this movie!

 

The set design: I was really impressed with all of the set designs in this movie! Because this story takes place in 1800s England, the environment within this film is reflective of that time and place. What makes these set designs so great is how immersive they make the audience feel when they see the film. While watching Oliver!, I felt like I was transported to that world, experiencing situations and events alongside Oliver. The authentic look and feel of the film’s environment also helps add a sense of realism to the story.

 

The musical sequences: The musical sequences within this film were, for the most part, really enjoyable! I was pleasantly surprised to find a lot of up-beat and catchy songs that were not only entertaining, but also complimented the context of the story. The musical sequence that I enjoyed the most was “Consider Yourself” because the song itself was so great! Some of the visuals in that scene were very creative, such as when, as Dodger and Oliver are walking past a butcher shop, they walk through a doorway which was created by a split piece of meat. It was also interesting to see how the different components of 1800s London came together to showcase the importance that they represented at that time.

OQECW90
Sketch of London image created by Archjoe at freepik.com. <a href=’https://www.freepik.com/free-vector/hand-drawn-houses-of-parliament_1133950.htm’>Designed by Archjoe</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Archjoe – Freepik.com</a>. Image found at freepik.com.

What I didn’t like about the film:

The heavy dialect: As I have mentioned, the story of Oliver! takes place in 1800s England. This means that all of the characters have a dialect that reflects that time and place. However, because of how heavy the dialect was, I found myself having difficulty, at times, understanding what these characters were saying. While this didn’t make me enjoy the movie any less, I did have to pay extra attention to all of the dialogue in the film.

 

Very few emotional songs: Like I’ve also mentioned, most of the music in Oliver! was up-beat. But, when it comes to emotional songs, there are only two within this movie: “Where Is Love?” and “As Long as He Needs Me”. Because of the limited amount of emotional songs, it kind of undermines some of the seriousness that can be found in the story. While the up-beat nature of the songs is meant to make the movie less dark and dreary, a balance of up-beat and emotional songs would have worked better for the story.

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Hand-written letter image created by Veraholera at freepik.com. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Veraholera – Freepik.com</a>. <a href=’https://www.freepik.com/free-vector/love-letter-pattern_1292902.htm’>Designed by Freepik</a>. Image found at freepik.com.

My overall impression:

I can’t believe this is my last movie review of 2018. Where has the time gone? Anyways, back to the review itself. I really enjoyed this film! As a musical and movie, Oliver! was such a delight to watch. Because I had seen Oliver & Company before I saw Oliver!, it made me appreciate the story as well as the original source material. Like I mentioned in my introduction, I have never read Oliver Twist. But, both of these films have encouraged me to want to read the book! Maybe I will read it in 2019. Speaking of the New Year, I’ve had a pretty good year when it comes to movie blogging. You, my readers and followers, are one of the reasons why 2018 has been great for 18 Cinema Lane. Thank you all so much for making this year such a memorable one for my blog. Here’s hoping 2019 brings more greatness for movie blogging!

 

Overall score: 8.6 out of 10

 

What are you looking forward to in 2019? Which movie review from 18 Cinema Lane has been your favorite? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen

Take 3: Christmas at Pemberley Manor Review

Because I’ve been busy preparing my editorial for the 2nd Disability In Film Blogathon and getting my reviews ready for my Halloween Double Feature, I haven’t been as active on my blog as I usually am. But, I wasn’t going to miss a beautiful opportunity to start reviewing movies within either of Hallmark’s Christmas line-ups! Both networks made no delays as they began airing Christmas movies last Friday. To start this Christmas movie season off on a well-intentioned note, the very first movie to premiere this year was Christmas at Pemberley Manor. When I first read the synopsis for this film, it sounded, to me, like a lot of other Hallmark movies I’ve seen or heard of before. Because this movie seemed to contain some of the same tropes that are usually found in Hallmark movies (businesswoman visits a small town and just so happens to find true love there, for example), I didn’t think I was going to enjoy this film. When I found out this movie was a modern adaptation of Pride and Prejudice, I was curious to see how this particular story would play out in the 21st century. Did this creative approach work in this movie’s favor? Did the tropes win in the battle of Originality vs. Formulaic? Let’s turn the page on my Christmas at Pemberley Manor review in order to find out!

Christmas at Pemberley Manor poster
Christmas at Pemberley Manor poster created by Crown Media Family Networks and Hallmark Channel. Image found at https://www.hallmarkchannelpress.com/Shows/PRShowDetail?SiteID=142&FeedBoxID=845&NodeID=302&ShowType=&ShowTitle=Christmas+at+Pemberley+Manor

Things I liked about the film:

The acting: The cast of Christmas at Pemberley Manor was great! Everyone was cast so well in their roles, with the portrayals of all the characters being memorably enjoyable. This is the second Hallmark Christmas movie of Jessica Lowndes’ that I’ve seen and I think her performance in this movie was much stronger than in A December Bride. This is also the second Hallmark Christmas movie of Michael Rady’s that I’ve seen and, just like in A Joyous Christmas, Michael’s performance was fantastic! I also think that Steve Larkin portrayed one of the best Santa-esque characters in Hallmark Christmas movie history!

 

The on-screen chemistry: I thought that Jessica and Michael performed very well together! The on-screen chemistry was one of the things that added to their performances, with this on-screen chemistry appearing very believable. As I watched Christmas at Pemberley Manor, I could see that Elizabeth and William’s relationship developed as the film went on. These characters looked like they truly cared about one another and their interactions were well-acted. I hope Jessica and Michael star in another Hallmark movie together again!

 

The writing: Even though there were some of the usual Hallmark movie tropes in Christmas at Pemberley Manor, there were times when it felt like the screenwriter was trying something new in terms of storytelling. For instance, in some Hallmark movies, there are two guys that, romantically speaking, like the same female protagonist. Out of these two guys, one of them almost always is portrayed as either a “workaholic” or not a nice person. In Christmas at Pemberley Manor, however, both of the guys that liked Elizabeth were genuinely good people. At one point, I honestly had no idea which love interest Elizabeth would end up with.

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Adorable Santa image created by Freepik at freepik.com. <a href=’https://www.freepik.com/free-vector/christmas-background-with-funny-santa_1324597.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background vector created by Freepik</a>. Image found at freepik.com.

What I didn’t like about the film:

Very little resemblance to Pride and Prejudice: When I heard that Christmas at Pemberley Manor was meant to be a modern re-telling of Pride and Prejudice, I was interested in seeing how this story could be adapted for the 21st century, especially since the only re-telling of Pride and Prejudice I’ve seen is the “Mr. Darcy” series on Hallmark Channel. However, this movie didn’t feel like any form of the Pride and Prejudice story. The only connections I could find between the original story and this film were Elizabeth’s, William’s, and Jane’s name being the same as either a character from the book or its respective author and the “don’t-judge-a-book-by-it’s-cover” trope.

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Manor with white colored porch image created by Arkadiusz Frankowicz at freeimages.com. “FreeImages.com/Arkadiusz Frankowicz .”

My overall impression:

Christmas at Pemberley Manor was such a strong start to not only Hallmark’s Christmas movie line-ups, but also to the overall Christmas movie season! This movie was such a pleasant surprise that I ended up liking more than I thought I would! Looking back on it, this scenario reminds me of Hallmark Channel’s Christmas movie line-up from last year. The very first movie in that line-up was Marry Me at Christmas and before I watched this film, my expectations for it were low. This is because, just like how I originally felt about Christmas at Pemberley Manor, the movie sounded like a lot of other Hallmark movies I’ve seen and heard of before. When I did get the chance to watch Marry Me at Christmas, it became one of my favorite Hallmark Christmas movies from last year! I hope that Hallmark’s Christmas movies continue to surprise me the way Christmas at Pemberley Manor did, with more movies being better than expected.

 

Overall score: 8.2 out of 10

 

Have you seen Christmas at Pemberley Manor? What Hallmark movie are you looking forward to this Christmas season? Share your thoughts in the comment section!

 

Have fun at the movies!

Sally Silverscreen