Buzzwordathon 2023: Review of ‘The Raven and Other Poems’ by Edgar Allan Poe

June’s theme for Buzzwordathon is ‘other’. That means the word itself, not words like ‘brother’ or ‘mother’, has to appear somewhere in the title. Since I happened to own a copy of The Raven and Other Poems, I had the perfect book for Buzzwordathon! Having read Edgar’s work in the past, I knew what to expect from this collection of poems. But the one poem that caught me by surprise is ‘The Coliseum’! From how I interpreted it, the narrator is describing an abandoned facility. Through a series of voices, the narrator is reminded how the history, stories, and people associated with the titular coliseum should be remembered, otherwise they will be lost forever. Using carefully selected prose, Edgar accomplishes the delivery of this idea. Lines such as “Of lofty contemplation left to Time” and “Here, where a hero fell, a column falls!” illustrate how the coliseum’s best years are behind it. The fifth and final stanza is devoted to the voices of the coliseum’s past, with one statement from the voices being “Not all our power is gone – not all our fame”. This stanza allows the reader to contemplate the importance any location holds.

The Raven and Other Poems book cover found on Goodreads

As the title suggests, ‘The Raven’ is one of the poems featured in this book. If I had to be honest, though, I found this poem a bit overrated. The story itself was simplistic and surface-level, revolving around the narrator questioning the identity and whereabouts of the titular Raven. The poem was also very repetitive, with the words “nevermore” and “nothing more” used consistently. While reading ‘The Raven’, I was reminded of the film adaptation from 1963. Though that movie had its flaws, I found myself appreciating it more. The 1963 adaptation included a plot in the script, which gave the story some depth. This creative decision also prevented the narrative from becoming repetitive.

Image of crow at sunset created by Rayudu NVS at freeimages.com. Photo by <a href=”/photographer/rayudu238-57835″>rayudu NVS</a> from <a href=”https://freeimages.com/”>FreeImages</a&gt;. Image found at freeimages.com.

I typically don’t seek out poetry. The genre’s open-endedness and limited amount of closure are two reasons why. Other than ‘The Coliseum’, I didn’t connect with the other poems in this book. This is because I found the majority of poems ok or fine. As I read The Raven and Other Poems, I noticed Edgar wrote about one of three topics; death, dreams, and Paradise/Heaven. That caused the poems to lack variety. The uniqueness of ‘The Coliseum’ is why I liked that poem, with the poem itself focusing on history. The abandoned coliseum set the stage for an eerie location, yet doesn’t rely on the typical spookiness expected in Edgar’s work. I’d be curious to see ‘The Coliseum’ adapted as a movie or mini-series.

Overall score: 3 out of 5

Have fun during Buzzwordathon!

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Disclaimer: As I mentioned in this review, some of Edgar’s poems include the subject of death. Reader discretion is encouraged.

Buzzwordathon 2022 – Review of ‘A Horse Called Holiday’ by Frances Wilbur

June’s theme of Buzzwordathon is ‘All’. This means the word ‘all’ has to appear somewhere in the title. Originally, I was going to read All the Light We Cannot See by Anthony Doerr. But I figured reading a five hundred and thirty plus page book after a three hundred- and forty-three-page book (The Light Between Oceans) put me in a “reading slump” was not a wise decision. Therefore, I decided to read A Horse Called Holiday by Frances Wilbur instead. This is because a) the book is two hundred and three pages and b) the word ‘all’ is found within the word ‘called’.

Here is a photo of my copy of A Horse Called Holiday. Screenshot taken by me, Sally Silverscreen.

Despite this change of plans, there were aspects of the book I liked! Frances took the time to showcase the world of equine sports, specifically show jumping. She goes into detail on how much time, effort, and money it takes to find success in this particular hobby/extracurricular. When it comes to horse-related stories in entertainment media, specifically those for a younger audience, some of them might end up glamorizing the idea of horse ownership. With that said, I appreciate Frances’ realistic approach to equine related activities. I also liked the protagonist, Meredith “Middie” Scott! Even though she has her flaws, Middie has admirable qualities as well. One of them is how hard she works toward her dream of being a successful horse rider. Throughout the story, Middie takes care of other people’s horses. She does this to gain riding experience and earn money to afford a horse of her own. Since A Horse Called Holiday would be classified as a middle grade story, Middie is a good character for younger readers to look up to. At various points in the book, the text is written in italized letters. These passages are from the titular horse’s perspective.  Through these passages, the reader learns more about Holiday’s past, such as why he is so good at jumping fences. Insight into why Holiday reacts the way he does is provided, giving a unique component to this story!

Horse with saddle photo created by Topntp26 at freepik.com. <a href=’https://www.freepik.com/free-photo/stallion-black-equine-race-sky_1104246.htm’>Designed by Freepik</a>. <a href=”https://www.freepik.com/free-photos-vectors/background”>Background image created by Topntp26 – Freepik.com</a>. Image found at freepik.com.

In the book’s synopsis, it states “Middie’s always taken the easy way out”. Some characters remind Middie how she rushes through certain tasks. But throughout the story, these claims didn’t feel consistent. That’s because, over the course of the book, the reader also sees Middie working hard toward her dream. Since there was more evidence for the latter than the former, it felt like the text was giving mixed messages. An overarching issue within Middie’s life was how she felt unappreciated due to her birth being “unexpected”. Because most of the story focuses on Holiday’s training, Frances ends up telling instead of showing the Scott family’s struggles. This emphasis on Holiday’s training also caused the overall conflict to be weaker. While it does provide interesting insight into show jumping, some readers might find A Horse Called Holiday boring due to the limited amount of intrigue.

In my opinion, A Horse Called Holiday is a fine, harmless, horse-related story. In fact, it would be a good introduction to horse-related literature. Without spoiling the book, I will say the resolutions were nice, but expected. However, the story is straight-forward and easier to follow.

Overall score: 3.6 out of 5 stars

Have fun during Buzzwordathon!

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Disclaimer: There is one chapter in A Horse Called Holiday featuring horses getting hurt. One rider is described as “plump” and Holiday’s deafness is described as a “handicap”.

The Gold Sally Awards is back with On-Screen Couple and Best Ensemble Polls!

Hi everyone! The Gold Sally Awards is almost over! In these polls, you will have the chance to vote for the Best On-Screen Couple and Best Ensemble. Both polls will begin today, on May 25th, and end on June 1st. While you can vote for more than one nominee, you can only vote once per person. The link to the polls will be located under each poll. Just click on the word ‘Poll Maker’.

Who is the Best On-Screen Couple of 2021?

 

1. Candace Cameron Bure and Niall Matter — Aurora Teagarden Mysteries: Til Death Do Us Part
2. Daniel Brühl and Natascha McElhone — Ladies in Lavender
3. Ralph Macchio and Tamlyn Tomita — The Karate Kid Part II
4. William R. Moses and Alex Datcher — Perry Mason: The Case of the Telltale Talk Show Host
5. Marshall Williams and Natalie Hall — Sincerely, Yours, Truly
6. John Moulder-Brown and Lynne Frederick — Vampire Circus
7. Janel Parrish and Jeremy Jordan — Holly and Ivy
8. Francis Huster and Geneviève Bujold — Another Man, Another Chance
9. Fredric March and Janet Gaynor — A Star Is Born (1937)
10. Jesse Metcalfe and Sarah Lind –Poisoned in Paradise: A Martha’s Vineyard Mystery
Created with Poll Maker
What is the Best Ensemble of 2021?

 

1. The Karate Kid (1984)
2. The Three Musketeers (1948)
3. The Love Letter
4. Perry Mason: The Case of the Telltale Talk Show Host
5. Sincerely, Yours, Truly
6. Rigoletto
7. Holly and Ivy
8. The King and I (1956)
9. A Star Is Born (1937)
10. Poisoned in Paradise: A Martha’s Vineyard Mystery
Create your own Poll Maker

Have fun voting!

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Bringing Back the Gold Sally Awards’ Best Supporting Actor Division!

As I promised, I am hosting a re-vote for the Gold Sally Awards’ Best Supporting Actor Division. I also plan to wrap up the Awards voting, as there are three polls lefts. But don’t worry, Sally’s Star of the Year will still be included. This round of voting will start today, June 30th, and end on July 7th. Like before, you can vote for more than one nominee. But you can only vote once per person. The link to the poll is featured under the list of nominees.


Who was the Best Supporting Actor of 2020?

 

Gene Kelly — Anchors Aweigh
Fred Savage — The Boy Who Could Fly
Omri Katz — Matinee
Noah Valencia — Sweet Nothing in My Ear
Andrew Tarbet — If You Believe
Jamie Bell — Nicholas Nickleby (2002)
Brock Peters — To Kill a Mockingbird
Vincent Perez — Cyrano de Bergerac (1990)
Joe Penny — Perry Mason: The Case of the Shooting Star
Steve Bacic — Mystery 101: An Education in Murder
 
 
 
 
 
 

 

Have fun voting!

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The Gold Sally Awards is Back with the Best Supporting Actor Division

Despite being busy with some blog and non-blog related projects, I am still continuing to host the Gold Sally Awards! For this round of voting, you get to choose who will receive the title of Best Supporting Actor. Like the previous polls, you can vote for more than one nominee. But you can only vote once per person. This poll will be active until June 7th and the link to the poll is under the list of nominees.

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Who was the Best Supporting Actor of 2020?
Gene Kelly — Anchors Aweigh
Fred Savage — The Boy Who Could Fly
Omri Katz — Matinee
Noah Valencia — Sweet Nothing in My Ear
Andrew Tarbet — If You Believe
Jamie Bell — Nicholas Nickleby (2002)
Brock Peters — To Kill a Mockingbird
Vincent Perez — Cyrano de Bergerac (1990)
Joe Penny — Perry Mason: The Case of the Shooting Star
Steve Bacic — Mystery 101: An Education in Murder
 
Created with PollMaker

Have fun voting!

Sally Silverscreen