Thank you for joining me for the first part of Double Feature: 2004 Edition! Similar to last year’s review of The Great Muppet Caper, my review of I Am David is spoiler-free. If you’re curious about why I chose I Am David for this double feature, you can check out the introduction in the link below.
Introducing my Double Feature: 2004 Edition!
1. What are your thoughts on 2004 as a cinematic year?
When I look back on the cinematic landscape of 2004, my first thought is how studios and film companies were more willing to create stand-alone productions. Twenty years ago, about fifteen sequels were released in theaters. In 2024, that number has increased, with about twenty-three sequels scheduled to premiere. My second thought about 2004 is how creativity was celebrated at the box office. The Polar Express, the reason why this double feature exists, was the tenth highest grossing film of 2004. Even though that movie was based on a pre-existing book, the production was not a remake or a sequel of a preceding film. Plus, The Polar Express brought something new to the cinematic table, as the movie was created through motion-capture technology.
2. I Am David was released on December 3rd, 2004 (around “award season”). Why do you think the film was overlooked on the award circuit?
The 77th Academy Awards was a televised event. This means those involved with the creation of the show had to make decisions that would increase or maintain higher viewership numbers. Million Dollar Baby, the movie that won Best Picture, was a film the majority of the Academy Awards’ audience had either heard of or seen. The movie was directed by Clint Eastwood and starred Hilary Swank, two actors this same Academy Awards audience were familiar with. Because I Am David premiered around the same time as Million Dollar Baby and lacked the star power Million Dollar Baby had, I Am David became overshadowed by a bigger, more popular production.
2004 was when The Passion of the Christ made waves at the box office. Becoming the third highest grossing film of that year, it earned the distinction of being one of the most successful faith-based movies in history. Similar to Million Dollar Baby, The Passion of the Christ contained star power, directed by Mel Gibson and starring Jim Caviezel. I wouldn’t go so far as to call I Am David a faith-based movie. However, elements of faith are woven into the story. While Jim Caviezel stars in I Am David, his presence in this film is very limited. With all that said, I Am David became overshadowed by another big, more popular title.
3. Is there anything about I Am David you liked or didn’t like?
The story of I Am David revolves around the titular character escaping from a Bulgarian labor camp in 1952. Throughout his journey, David takes refuge in the natural landscape surrounding him. The natural environment in this film serves two purposes; protecting David and giving him a gateway to freedom. A peaceful scene where he casually walks through a tunnel of trees beautifully captures this idea, providing a symbolic light at the end of the tunnel. The importance given to Europe’s natural landscape allows it to become its own character, with the elements, more often than not, working in David’s favor. It also showcases a side of Europe that could be easily taken for granted.
I Am David is a story where the audience learns more about David as the film progresses. While this keeps the audience invested in the film, this creative decision means answers aren’t provided until toward the end of the movie. On the one hand, I, kind of, wish some of the revelations about David were revealed sooner. But, on the other hand, major questions were answered within two plot twists that I found effective. Even though the longer wait for answers is a flaw, I was able to, for the most part, overlook it because of the strength of the plot twists.
4. In your Word on the Street story about a potential sequel for The Polar Express, you mentioned the technology that was applied to the film. Could you detect any technology incorporated into I Am David?
As far as I could tell, I didn’t sense any technology within I Am David other than cinematography, sound, and editing. Because of the nature of the movie, though, I don’t think technological film-making techniques were necessary.
5. I Am David is based on a book published in the 1960s. Has the entertainment industry changed its approach to adapting pre-established stories?
Throughout 2004, about twenty adaptations based on literature premiered in theaters. Out of those twenty, eleven adaptations contained a built-in audience for a variety of reasons. Observing which movies are scheduled to premiere in 2024, the entertainment industry is, once again, choosing source material with a built-in audience. But now this selection process has expanded beyond literature; with movies, tv shows, and popular characters receiving their own adaptations. Even though there were productions in 2004 based on popular IPs (intellectual properties), the number of adaptations based on IPs has doubled in twenty years, with about 44 of 2024’s films fitting this criterion. One of these films is the musical remake of Mean Girls. While the original movie was based on the book, Queen Bees and Wannabes by Rosalind Wiseman, the remake is based on the 2004 film.
6. Did you develop any thoughts and/or questions while watching this film?
I didn’t develop any questions while watching I Am David. But as I followed the story, I took note of the film’s exploration of light and darkness. When the film begins, David attempts his escape from the labor camp. This scene is intense, emphasizing David’s dire situation through limited lighting, cinematography, and music. Flashbacks are sprinkled throughout the story, showing only enough harshness to get the point across. When the lighter moments appear in the movie, they feel earned, taking place after David experiences a trial in his journey. Primarily showcased in bright lights and with peaceful, even cheery music playing in the background, these lighter moments address how our world can be a beautiful place. Showing the light and darkness taking place in the world, especially in Europe post World War II, is a more balanced way of presenting the environment surrounding David.
7. On Ebert & Roeper, I Am David was not covered. Why do you think the movie was omitted from the show?
Ebert & Roeper, one of the iterations of At the Movies, was a nationally televised program. Smaller titles with limited releases were sometimes featured on the show. But the types of movies that populated the program were mainstream productions with widespread releases. This decision was likely made to maintain the show’s viewership, similar to the aforementioned 77th Academy Awards. The choice to emphasize more mainstream films was also probably made to provide the show’s audience with a chance to check out the movies brought up on the show, as those titles would be showing in more theaters.
8. Now that it’s been twenty years since I Am David premiered, has the movie stood the test of time or become a product of its time?
This film has definitely stood the test of time! A major reason for this is due to the timeless, universal messages woven into the script. Perseverance, trying to find the goodness in our world, and kindness progressing the journey forward are messages most people can appreciate. These messages may also inspire audience members to apply them to their own lives.
9. After watching I Am David, is there anything you can take away from your movie viewing experience?
If I could describe I Am David in one word, it would be ‘genuine’. Every aspect of this film, from the acting performances to the screenwriting, allowed the story of David and his journey to be told with genuine emotion and sincerity! Creative decisions were delivered as pleasant surprises for me, such as the plot twists that caught me off guard. I was really impressed by the inclusion of Europe’s natural landscape, given enough emphasis to be its own character. The exploration of light and darkness provided a more balanced perspective on David’s world. I Am David is a movie I wish had been nominated during “award season”. In fact, I wish more people knew about this film! But if someone wanted to watch I Am David, I would suggest watching it knowing as little information about the story as possible, as I don’t want the film’s aforementioned plot twists to be spoiled for first time viewers.
Have fun at the movies!
Sally Silverscreen
18 Cinema Lane 